Three Wise Monkeys | GSMC Classics: Bobby Benson & The B Bar B Riders

Welcome back to GSMC Classics: Bobby Benson & The B Bar B Riders, your gateway to the timeless wonders of classic radio. Join us as we embark on another thrilling adventure with Bobby Benson and his trusty companions in this rebroadcast of the beloved series, Bobby Benson & The B Bar B Riders, proudly presented by the GSMC Podcast Network.

In this episode, titled "Three Wise Monkeys," we are transported back to the rugged landscapes of the old west, where Bobby Benson, portrayed with gusto by Clive Rice, leads The B Bar B Riders on a quest filled with mystery, intrigue, and heart-pounding action. As they ride through the untamed wilderness, they encounter challenges that test their courage and resilience, proving once again that true heroes are forged in the fires of adversity.

Set against the backdrop of a bygone era, Bobby Benson & The B Bar B Riders captivated audiences from 1949 to 1955 with its gripping narratives and unforgettable characters. One of the highlights of the show is the iconic performance of Don Knotts, whose portrayal of the endearing Windy Wales added a touch of humor and warmth to the series, delighting listeners of all ages.

Join us as we unravel the mysteries of the old west alongside Bobby Benson and his friends, experiencing the thrill of the chase, the camaraderie of friendship, and the triumph of justice in every riveting episode. With its timeless appeal and enduring charm, Bobby Benson & The B Bar B Riders continues to capture the hearts and imaginations of audiences around the world, cementing its legacy as a true classic of the airwaves.

Relive the magic of classic radio with GSMC Classics: Bobby Benson & The B Bar B Riders, where every episode is a journey back in time to a world of adventure, excitement, and boundless possibility.

We would like to thank our Sponsor: GSMC Podcast Network
Advertise with us: https://gsmcpodcast.com/advertise-with-us
Website: https://gsmcpodcast.com/gsmc-classics-bobby-benson-the-b-bar-b-riders/
GSMC Podcast Network YouTube Channel: https://www.youtube.com/@gsmcpodcastnetwork
GSMC Sports Network YouTube Channel: https://www.youtube.com/@GSMCSportsNetwork. GSMC Entertainment Network YouTube Channel: https://www.youtube.com/@GSMCEntertainmentNetwork GSMC News Network YouTube Channel: https://www.youtube.com/@GSMCNEWSNETWORK

Disclaimer: GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today’s society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate, and give you a glimpse into the past.

Episode Transcript

(00:04):
Golden State Media Concepts presents the GSMCClassic Series with episodes of some of your
favorites from a Day Gone By,a Time gone By. Join us as
we time travel to some of yourclassic favorites from yesteryear. The GSMC Podcast
Network invites you to sit back,relax, and enjoy the GSMC Classic Series

(00:27):
on the Golden State Media Concepts PodcastNetwork. Here they come. They're writing
class and they're writing hard. It'stime for excitement and adventure in the Modern
West with Bobby Benson and the bBobby Writers. Bout Bobby Benson is mysterious

(01:00):
Adventure a three wise Monkey. Today'sadventure begins some miles from the Bee barb
Ran in a small cottage on theoutskirts of Cactus Cities, just after nightfall.
Now as a lone rider makes hisway up the dirt road toward the
cottage. But as they ride along, both horse and rider are careful to

(01:23):
keep to the exact center of theroad to avoid the oddly shaped shadow which
reach out to them from peep sidelike clutching hands. Oh come on,
Helena and keep going. That's thehouse just at the road, and there's
nothing to be afraid of not athing, I hope fearfully, as though
mirrowing the timidness of her master.The horse continues along shine a case if

(01:46):
the wind brussels the leaves on theopen hanging trees, and the shadows seem
to reach out to clutch at them. But then, with a shy of
relief, they finally reach the house, and the little man lowers himself carefully
from the shadow and starts for thedoor. I'll just stay there. I'll
be back out for a little whileand pick that that lock. The door's
open. Agatha always locks it whenhe leaves. I wonder if Best and

(02:12):
Agatha Agathe home, dear, it'sme hire them? Are you? Oh?
Oh goodness? There you had mefrightened. But why're gonna stand here
in the dark? Why wait aminute, you're not Agatha? Yeah?
Who are you? Quite? Inmy house? That was last night?

(02:43):
But now as we dropped in atthe b Bobby Ranch the following morning,
the scene, by contrast, isone of brightness and cheer. Our friends
have just finished a hearty breakfast,and at the moment the young ranch owner,
Bobby Benson, is reclining against thecorral rail, enjoying the warm rays
of the sound together with one ofthe ranch hands. Irish. Oh,
golly son, s heure does feelgood after the rainy days we've had lately.

(03:04):
Yeah, you're right there, buddy. It's a great day. And
I don't mean just the weather.But what do you mean, Irish?
Well? Can I taste the suggestionall around present day to look forward to?
No special work to be done today? Windy not here? Well,
I don't know if I'm so gladabout Windy's not pilius. I sort of
misted at breakfast, missed him.Why it's the first four meal I've had

(03:24):
in months. When he's here,he keeps me so busy passing him forward
that I never get any chance toeat him for myself. Oh, he
does eat a lot, but thenhe seems to like eating so much,
and I get a kick out orwatching him. Well, to tell the
truth, so do I. Butit's still going to be nice to be
rid of him for a day andjust to lie out here in the sun
anymore. No, no a coming? What's up? Not to work?

(03:47):
Text? Not when I'm so comfortable. I'm afraid, so Irish, that
we order get here? No sun, This isn't ranch work. What then
call from the sheriff. Oh,here we go again. Well, what
is it this time? Text wrestling, murder or what have you? Well?
To be honest, Irish, Idon't know. Huh, that's the
truth, Irish. Tell me.Do you remember the Peters boys, I
mean them three nephews about hard rockPeters, the three that's always fighting.

(04:10):
Mmmm. Well, one of themhire him? Was attacked last night and
beating up. Oh telly, hewasn't hurt bad? Was he not too
bad? He got a nasty sockon the head, but nothing serious.
Of course. He's been moaning plentythough, and complaining about the inefficiency of
the law. That sounds like Ihired him, all right, I'm afraid
of his own shadow, but alwaysgriping about other folks. But why is
the attack tis? Do you thinksomething was out to kill him? I
doubted so, and otherwise that hadfinished the job. And that's the odd

(04:32):
thing about the attack. That doesn'tseem to be any logical reason for it.
Anyhow. The sheriffs asked, ifI look into it for him,
and you want our help, well, I'd appreciate it, Irish, if
you and Bobby come along, ofcourse, if you'd rather not you you
wouldn't want to coax me just alittle, would you take? I'm afraid
not irish. I haven't got thetime. I told him i'd start for
hiring place right away. And Ido so love to be coaxed, but

(04:57):
you two won't. Where does nothave to do about it? Come and
let's get the horses and start.My poor ache in hand. I think
he'd been murdered instead of just havinga bump on his head. Seem to
enjoy now, Look pleasing miseration notso loud, and my head is bursted.

(05:20):
Look, I know you don't feelwell. You never know what a
lord deal I've been through just thesame. You're going to have to tell
me just what happened if I'm tosee that it doesn't happen again. But
my head, you think he mightcome back? It's possible. Well,
and why do you just sit therewasting time? Do something? Protect me?
I will just as soon as Ihave something to go on. As
I understand it, you came homefrom your store last night to find someone

(05:42):
in your house. That's right.First I thought it was my wife Agatha
even a way visited their mother.But then I saw that it Wasn't you
mean you saw your assailing in thedarkness? Of course not. All I
saw was a shadow? Is itcame forward to hit me? And you
couldn't make out anything else about him? I told you I only saw his
shadow. Then you don't know whohe was. Look, if I know
who it was, you think I'dtry to protect him. You might if
it was someone in your family,perhaps one of your cousins. Huh me,

(06:04):
protect my cousins. I'd like nothingbetter than the excuse to put those
two scoundrels in jail where they belong. Kelly, that's a nice brother way,
you remark. They're not my brothers, they're cousins. And if ever
there were two norse, yes,of course, Hiram. But to get
back to last night, you haveno idea who hit you, none at
all. And do you have anyidea why anyone would want to do such

(06:26):
a thing, anyone in particular.No, there must have been some reason
for the attack. You told thesheriff nothing was stolen. No, no,
nothing was at least nothing important.Hey, wait a minute, you
mean there was something taken. Well, yes, there is something mission,
but it isn't worth anything. Letme decide that, Hiram, tell me
what was taken? Well, ifyou must know, was my monkey a

(06:46):
monkey? Kelly? You mean hekept a monkey for a peck? Oh
goodness, No, I wouldn't havethe filthy things around the house. Now,
this is a China monkey. Youhaven't seen the statues of three little
monkeys, haven't you, One withhis paws over his mouth, another over
his eyes, and third over hisears. You mean here no evers,
see no ever, speak no evil. That's right. My mine was see
no evil. You mean you hadonly one of them. Well, actually

(07:08):
there are three in the set,but my cousins have the other two.
Uncle hard Rock willed us each ofthem when he died. Yeah, one
of them a piece. That wasour legacy in the old pool. That's
no way to talk about a deadman. That's the way I'll talk about
him. He wasn't old pool.That's had a fortune when he died,
and get all, he left uswith those three idiotic monkeys, that's right.
And no one has ever found wherehe hit his fortune. Hea,

(07:29):
They no blast at all. He'scertainly gonna leave us a penny of it.
But he did leave you the monkeys. Now, yours has been stolen,
Gloody be takes. You don't thinkthe uncle's money was in that China
monkey. I have a hunt thatthose three monkeys may hold a clue.
This all ties in too well tobe just coincidence, gy Takes. You
might be right if I am.There's a good chance of the same man
who attacked you hire and we'll beafter the other two monkeys. Gloody b.

(07:50):
Then we better warn the other twocousins to be on their God takes
right, I hirsh, there isno moment to waste. Quickhime, where's
your phone? I'm gonna warn yourcousins, and then we're riding over ourselves.
Take a look at those remaining monkeys. Don't help me if I find
out after all these years I've beenswindled out of my rightful share of Uncle

(08:11):
hard Rock's fortune. And may Ioffer you a piece of advice? Oh?
What's that? Irish? Shut up? What you'll hurt me? Well,
you guns, as we served out, is to belly ache about how
you might lose your share. Didyou ever stop to think that your cousins
might be a real danger? Ifthe friend of the tip pure monkey goes
after them the federal sticks. Youphoned them and warned them, didn't you,

(08:33):
And they were all right when youcalled they were then, But if
someone had started out to get thoseChina monkeys, is hotelling winning strike?
Next? Is that why you're going, Harkin wake go to go to Luke
trench case? Yes, and Ifigured they can keep an eye on Luke
while we have a talk with thethird cousin, Bull, lot of going
to lose right to talk to thebull, that big ol'd hagle the brain,
his whole body. The only thinghe understands force. You cousins certainly
do love each other, don't you. Why shouldn't I hear him? Was

(08:54):
their fault? And the ango wouldn'tleave us his money. How do you
think of that? Well, yousaw as well. He said he wouldn't
leave us anything because none of themwere any good. But actually it does
other to Luke and Bull than nogoods. There's certainly nothing bad about me.
Oh pers you see here, Irish, if you hold on there,
both of them, Oh boy,you'll keep that argument for later. This

(09:16):
is a bull's range. Come on, let's get inside and make sure everything's
all right. Yeah, all right, ain't nothing to worry about. Even
if someone should sluck Bull over thehead the ways in me, it wouldn't
make any difference. His brain isthe least vulnerable and least you spots helped
me, Irish. I'm saddy text, but it just burns me up.
There's fear of distrace to the west. He's excell, we's gonna have to

(09:39):
worry about it out on the arguing. He just hold your temper just for
you, Irish. Right, what'sthe matter of Son? What's wrong?
And Luke? It's open? Itold both Bull and Luke to keep their
doors locked till I got through.I know he Pat, you don't think.
I think we better get inside past. Come on? Oh? Whoa
you in here? It's a textation? WoT there for the floor? What

(10:03):
it be? It's book his head, that's blood. Someone knocked him out
just as they did you. Whatare you looking at here on a floor?
Son? Christian Chara? It lookslike they're all that's left to the
second monkey say now things though awhole plague of strange happenings has to centered

(10:31):
on the big band. A secondcousin attacked and the second China Monkey smashed.
But what could it all mean.Well you will find out when we
bring you more of this mysterious adventurein the West in just a moment,
say writers, don't forget this asthe last week of our big contest and
your last chance to get in ona lot of wonderful prizes. All you
have to do is to send inthe name for text Mason Port along with

(10:54):
a drawing, a cutout, aphotograph, or a picture cut out of
a magazine, and you may winone of hundreds of wonderful prizers. Yes,
hundreds of you can win. Socome on, everybody, let's do
it right away, because listen tothe wonderful prizes. Bobby is offering you
two grand prize winners. Boy andgirls will win exciting Bobby Benton deluxe bicycles
and colorful, authentic Bobby Benson cowboyclothes including an official Western shirt, tie

(11:18):
hat, trousers, booth and agunman holster set t shirt and dungarees,
belt braces, Bobby Benson playshoot andmany other items we'll tell you about.
And there will be fifty wonderful prizesof a whole package of Bobby Benton clothes
and toys and hundreds of other Westernprizes. So come on, boys and
girls, get in on the farm. Send your name for Texas Horse,
along with a picture of what youthink the horse looks like. Send it

(11:41):
to Box thirteen thirty nine. That'sBox one three three nine, New York
forty six, New York, andhurry because the contest closes August eighteenth.
In case more than one rider selectsa winning name, the grand prizes will
be decided on the basis of thepicture sent in. All entries be He's
on the property of Bobby Benson andcannot be returned, So get your name

(12:03):
for Texas Horse entered right away.Judge's decision is final. Contest closes August
eighteenth and is confined as the ContinentalUnited States. But now let's get back
to the b Barb Riders and moreof today's mysterious adventures. The three wise
Monkeys, the b Barb Riders andinvestigating the strained attack and Hiram, heaters

(12:28):
have reached the conclusion that the secretbehind it lies somehow, and the small
China monkey, which was stolen fromhim to safeguard the other two monkeys,
and the steps which are owned byHiram's two cousins Luke and Bull textphone them
to warn them. Then, aftersending Harker and Waco to look after Luke,
he and Bobby, Irish and Hiramset out for Bulls ranks, but
on a light there they found thestops. They're on the floor, Cody,

(12:54):
b it's Bull and his head said, someone's knocked him out just as
they did. You are and whatare you looking at here in the source?
I mean, mister China, itlooks like they're all that's left of
the second monkey. Well now it'sjust a few moments later and the writers

(13:18):
gathered around Bull's unconscious body find toadvise him. Did the body thanks,
just use going next to shift weaponon his face? Just throw it on
him. Hey, I'm helping.If you don't get ahead, what hit
me there? By? Mason?You load to slug me? Wi you

(13:41):
all, I'm not the one who'shugged me, but you ain't. Don't
pull ahead on me, the troth. We just got here and found you,
like this guy that you were unconsciouswhen we got here. You mean
it really wasn't you the guy didknocked me upsetting with you. I mean
someone came here claiming to be me. Get way open the door. Sure,

(14:03):
and they set up the door,and you were whoever it was shrugged
me. God the dead takes.This means that whoever it was knew you
were coming, that's right, Irish. And there was a stew down since
the only ones who knew we werecoming here beside ourselves were bull Looke and
the hire of this. No,I'll see him making Charlie. You don't
think that I and your should haveknown. Listen, you little right,
you're the one that counted you letme let you out of you? Jack?

(14:28):
Are you the one who slugged me? Shame couldn't hire him? He
was without us and then the timeof then I called hold you until we
got here and found you unconscient.No, maybe that don't mean he didn't
hire somebody to slug me. That'show well, how do I know I
got you were slugged? How dowe don't know you didn't knock yourself out
the covered or the pack And you'rethe one who know attacked making sole my

(14:48):
my monkey? Yeah? Well Ito hey, that's right. Hey,
did you find the paper paper paper? I found in the monkey when I
broke it? You mean you're theone who broke it. Sure. For
a little while after you call,I got to thinking about what you said
about up and maybe being inside.I cracked it open and found a paper
inside. Yeah, I was writingon it. Whether if there was a
paper it didn't hear it? Now? Wen that means whoever slugged me mersi

(15:11):
the gun? Yeah? What wason the paper? Did you read it?
Yeah? I read it all right, but it doesn't make no sufense
to me. Just had a bigno number three on it and the words
one hundred paces nor suple loccations intwo and digg it une under flat rock.
That didn't it make no sense tome? It sounds like one of
the more treasure. Wait a minute, actually, I think that's just what

(15:31):
it must be. You mean amap of a very treasury. I mean
a map for what we're old hardrock must urt his fortune? Oh no,
Irish, I know it sounds sofantasticic, but it just doesn't think
that you're any other way. Noone's ever hung on to me, And
yet we know he had plenty whenhe died. Well, sure my bed
is he buried his money and thenwrote out the directions on where to find
it. Yeah, but that no, don't tell where, nor was the

(15:52):
location? Two? And under theflat rock? What good is that?
Not much good, I'll admit.But remember there were three monkeys in the
set. You there were notes tothe ovin too, more right, and
the three notes together probably tell justwhere to look. And that's why I
was attached. You get the notein my monkey? Someone still in my
chair? So wait a minute.Of course, why didn't I really like
the war? He must be theone behind this. Who must be come

(16:17):
cause he must have found the directionsin his own monkey and set out to
steal ours. Hey, and heknew we were coming here. He would
have knowned you to get in byusing your name. Of course he must
be the one I'm taking easy,No sense accusing a man until we're sure.
We'll admit it looks pretty bad forit. Oh no, he's the
one. I call you. We'lldo something, Mason. You're not just
gonna stand there, are you?Do? So? All right? I
will get your horses. Boys,we're riding out to Luke's ranch to see

(16:37):
what he has to say about this. Come on, make hurry up.
You want to get to look beforeget to wait? Don't care, you
just we'll do get there all right, but I'm not going to kill our
horses by running. I'm out this, sess hot On. Unless I have
it, you might might be alittle more concivent of your own horses.

(17:00):
That's the horses right now. Ijust wanted to get my hands on the
loose. Do you really can getKooky's the one behind the lease? I
don't know some but it looked thatway. Everything sure seems to point to
him, all right, yeah,but just the same, it's safer to
wait till we see him before wego jumping dow any KooKoo. Look up
the road they're heading this way.Hit them a couple of your heads,

(17:21):
say he's right. Text, he'shard going Raco and the way they're rid
and there must be something up.They were supposed to stay with Luke until
I got to him. Hey,do you think maybe Luke got away from
them? Tick? I don't know, Sun, but we're too fine out
Hakka, wait, go there down. We just come to find you.
We were heading veel compadre. Butwhat's up? Has Luke done something?
But I don't know? No,Text, we ain't seen him yet.
I haven't seen him. He wassupposed to go to his ranch and keep

(17:42):
an eye on him. Wake.Oh, he had to restarted down.
But when we get to that end, simpy be anyone there no not a
soul and everything locked up, soas we couldn't get in, we waited
a while, figured him maybe he'dcome back. Where then we decided that
there was something wrong and come toget you. Well, no nations,
what do you say now? Hadthat proves it? That? The brew
brooks? What proves that? Lookthere's the one one behind him, that's

(18:02):
the car, just stupid ox.Naturally he wasn't at his range when they
got there. He was a doorplaces knocking you out. And if be
thinking of the direction true from yourMighty, then he is the one one
behinds his attacked certainly, look looksthat a way way. But if he
is, he won't get away withit. Hark, wait, go follow
us. We're heading for the Luke'sranch. That's Lucas. Just it's like

(18:29):
we wore, don't get see there'snowhere you're wait not if you're sad.
Look your horse that's out in frontof them. Now, hey, Indians,
right there is a horse. Look, there's someone coming out of the
house. Now the door was lovedjust to say that fella came out of
the house. Hey he he's gettingout of the horse's tennis. Then he
goes right off. He's getting things. Come on after Fry. This is

(18:56):
no good. Here's Homer Lusty fresh. You know I can't tend to ganda
harm. And if he's we're notlosing ground. Come on, boys,
keep after him. He mustn't getaway. What's he going now? Shapes
the rush, he said, heI can't know what he do. Yeah,

(19:17):
towards Kenyon's for river, but youcan't get the close. We'll never
find him. She'll get away.He's gonna try to catch him before he
gets to the Kenyon. Come on, Prester prest Oh all right, you
might as well right here. Thetwo ladies got away. We'll never find

(19:37):
him in this made the canyon.No, he ain't get away, May
said, it really did. Ididn't see you rushing ahead to catch him.
Hire room. It's not my job. You're the boys who claim to
be the great big hero. Areyou listening here, Hiram? It doesn't
matter whose fault it is. Thebad thing is that he got away,
Oh Gallian, we didn't even getto see who he was What do you
mean, boy, We didn't haveto see him. We know who it
was doing. Of course it wasLuke. We even saw him come out
of his house. He must havere we were on the women made a

(20:00):
getaway. Maybe so, and againmaybe not. There's one way to settle
it by going back to the spotwe started for in the first place.
Luke's French. Let's go a boy, all right, let's get in time.

(20:21):
He wouldn't find me. He wasLuke and he is trying to get
away. We ought to be ableto tell easily enough. At least the
door is open now, Bobby Probby, don't come in here, stay outside.
But what'd you find? Indeed,let you do as I say.
Some they outside, but doctor tellme. I'll tell you boys out.

(20:44):
Every bit of the furniture has beensmashed. Looks like a shopophone hit it,
and the butlood there's blood over.But that means yes, it looks
as though the man we thought wasbehind all this was really the victim.

(21:06):
Stand By, writers, Yes,stand by. I can't tell you what's
going to happen next, but Ican tell you this. There are thrills
and surprises of plenty in store foryou, so be sure to keep listening
when we're doing you the exciting climaxto this mysterious adventure in the West in
just a moment. Now, bignews for all Bobby Benson's fans in Chicago's
your pard boys and girls will appearin person at the Fair Store in Chicago

(21:27):
August twenty sixth. That's Saturday,August twenty sixth. So make your plans
right now to meet in person thatcowboy the kid himself at the Fair Stay
in Adams Street, Chicago, Illinois. That's Saturday, August twenty six at
tip to thirty am. So comeon on, writers, is let's have
the biggest roundup of the all inChicago to meet Bobby Benson. Now let's

(21:48):
get back to the bobar b writersand the surprising climamax to today's adventure that
the three why is his Monkey's Yeasthree small China monkeys seem to hold the
keys to a series of strange,violent happenpenings down on the big band of
the country of Texas. Three monkeys, each of which contains of deportment of

(22:11):
the directions to they hit hidden portraitsand left by a dead man already two
men. I've been attacked bust someoneseeking this fortune. And now as the
b BD writers will go go tothe room of the last door on earth,
they find evidence that he apparently hasbeen brutally murdered. Well, not
Alice, just a short time.Leader Bobby Benson and the wo men who
have been previously attacked are waiting outsideof the house. Are Tatax comes out

(22:34):
and approaches wo take it? Didyou find them? Sile? Luke's buddy
isn't in the house. What aboutyour monkey? Do you find that?
Ham? Can't you think of anythingbut the fortune your uncle left you?
Yeah? What record? Does itmean anything to you that your cousin has
been murdered apparently? Well why shouldit? It's not my fault. But
I have a couple couple of letters, do well, cousins, and I'll
listen. Yes, Simon cloaking YouTubeball, neither you nor look wherever any

(22:57):
goods? That's so tell me?Do take says? And I never saw
any people like these too, orI see them the more I think that
their uncle was right in burying hisfortune instead of lea leaving it to these
vultures. Oh, don't be silly, Mason after all, he did give
us those monkeys with the directions tohis fortune in him. That was just
his idea of having a little joke. You remember how Uncle always liked the

(23:19):
joke, don't you, bull?Yeah? You old guy was jerky,
Yeah yeah, saye Mason. UncleHyde Rock really didn't want us to have
his fortune, and he will helpus find it, won't you. I'll
try to find it, but onlybecause it's my job to catch the killer,
not for you too. That's sowell for my money, you well

(23:40):
of coush bro. We don't carewhy he finds a fortune, Dewey wrong,
We as long as he finds it. Tell me how can you find?
I'm not sure myself, son,but I do know that there's something
awfully odd about this last business.What do you mean a son? In
both the other attacks, the criminalwas very careful not to have to hurt
his victim hire him. For example, he pulled his robbery at the time

(24:02):
when both hire him and wife wereout. When hire him happened in and
caught him, he only knocked himout, only knocked me out. Why
he tried to kill him? Ohno, he didn't. He just slugged
you and then left he was equallycareful with Bull. He could have just
broken in or shot him through awindow, and yet instead he used a
ruse to get him to open thedoor and knock him out. In here's
the ruse. Treat me all shutup, stupid? But what about it?

(24:23):
Mason? It's just that after beingso careful with you and Bull,
that he should murder Luke as violentlyas he apparently did. And I want
to know, why do you haveany idea kick? I'm just got a
hint, Sun, But if I'mright, Oh, hold it, it
comes hart oud man, I comePotter? Did you check it? Jo?
And you'll be right? You're sure? Maybe so could Pool the white
men, but not pull Indian Pool? Who about? What? What's he

(24:44):
talking about? Me? Sorry?Mason? I have no time to explain.
Now we've got to move fast.Bobby, tell them boys to be
ready to ride into town, Hobbywith you as soon as I make a
call to the sheriff. And thenwe're heading for the railroad station. Mason,
way up, Where are you going? Now? That man before you

(25:04):
on the train, you know you'rethere. Hold on, you're not going
anywhere that he's starting to run now, stare we are this, Troy,
I won't aim to miss next time. It can't be only it is,
man. I introduced the man whoattacked you and bull and stole the papers
in your statues, the man whoapparently murdered your cousin, Luke, a

(25:26):
walking dead man, Luke himself.Guy, it's still hard to believe.
You mean, Luke was the onewho was trying to get hold of the
portrait. That's right, son,And he made it look as if Folly's
been murdered to throw you off thetray. Just admitted it in his confessions

(25:47):
and all of it. You see. When I phoned him and warned him
that someone was after the monkeys,he knew I was getting too close to
the truth, so he famed hisown murder to cover up. But Gali,
how you ever guess it? Can? I told you, son,
I just couldn't understand the violence ofthe last crime. So I asked Carka
to take a look the blood inLuke's house. And I was right right
about what. The blood that wassmeared all around wasn't human, son,
It wasn't animal's blood. Gosh,of course, when I knew that,

(26:07):
I was sure the murder was afake. So I just pulled the sheriff
and told him to have his manon the lookout for Luke. I figured
he'd be leaving town for a while, and we caught him curly for once.
I can't say I'm too happy.I mean, you're not happy we
caught Luke. No, no,I'm glad we got him. I mean
the fact that the other two hiremen'sbulk get all the money now, gory
the way they grabbed those directions wefound on Luke and set out they probably
have it all ready. Well,the hold hard Rock wanted him to have
it. There's nothing we can doabout it. After all, we did

(26:30):
money in Mason. I am Mason. Oh joy, do you too look
down in the mouth? What's now? Didn't you find the spot where your
uncle various fortune? Oh? Wefound the spot, Oh right, Only
look what was in the box whenwe dug it up. I mean this
paper was all you found? Yeah, raited and mak. This is to
notify the finder of this box thatI hard Rock Peters have arranged, prior

(26:52):
to my death for all of myfortune to be turned over to various worthy
charities secretly. And he gave itall his money to charity. Then why
allous notes and the money waits,and listen to the rest of this.
I am, however, leaving aclue to the location of this box for
each of my worthless nephews, andI hope that they'll kill each other off
trying to get it, and thussave the state this eventual expense that bone
ends. In any event, Ishall at least die happy knowing I've had

(27:15):
this one last joke at their expenseand then signed hard rocket, that old
fool giving our money away. Ihope that easy. Now. I remember
you're speaking of the dead, andremember his legacy to you. Legacy.
But he didn't leave us a thing. Oh yes he did. Remember the
three wise monkeys. You might justthink about what they stand for. See
no evil, speak no evil,hear no evil. There's a lesson in

(27:36):
that boys, a lesson and whyyou didn't get a fortune The Bee Bobby
Writers is produced by Herbert Rice anddirected by Bob Novak. Script was by
Jim Sheen and music by Ernestein Holmes. This is Bucky Cosmo speaking and reminding

(27:59):
you that you're writing the adventure andan excitement fun. You hear that from
me? Your crime. This programcame from New York. Remember These adventures

(28:22):
of the b Barb writers come toyou every Monday, Tuesday, Thursday,
and Friday afternoons at five thirty pmand every Monday night at eight pm.
This is a mutual broadcasting system.You've been listening to the GSMC Classics Series,

(29:11):
part of the Golden State Media Conceptspodcast Network. Follow us at www
dot gsmcpodcast dot com and find allof our timeless programming by typing GSMC Classics
into any podcast app including Apple podcasts, Google Podcasts, SoundCloud, Stitcher,
and more. Remember to subscribe tothe GSMC Classics Series podcasts of your choice

(29:37):
to stay up to date on newepisodes, and if you could take a
minute to give us a nice review, that really helps us to get this
ageless programming out to others who wouldenjoy it just as much as you have.
Check out all of our GSMC ClassicsSeries podcasts. Whether you're in the
mood for comedy, romance, adventure, history, science fiction, horror,

(29:57):
or anything in between. The GSMCClassics Series has you covered. Thank you,
and we hope you have enjoyed today'sprogram on the Golden state media concepts,
podcast network,