September 2, 2025 • 30 mins
Ride into the Wild West with "Gunsmoke," the legendary radio drama that set the gold standard for Western storytelling. Follow U.S. Marshal Matt Dillon as he enforces law and order in Dodge City, facing outlaws, gunfights, and frontier justice. With gripping stories and rich characters, this is the ultimate Western experience for fans of classic radio.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
Around d City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshall and the Smell of
Gun Smoke. Gun Smoke, starring William Conrad, The Story of
(00:42):
the violence that moved west with Young America, The story
of a man who moved with it. Matt Villon, United
States Marshall. There are, Marshall, three boxes of forty.
Speaker 2 (01:21):
Five alright, and uh I'm a little short of rifle
ammunition too, mister Witherspoon.
Speaker 3 (01:27):
Well let's see you still use that forty four, Henry
doing to Marshall.
Speaker 2 (01:32):
Yeah, that's right. And how many, oh m, couple of
boxes will do? Alright? Well, uh thank him?
Speaker 3 (01:43):
Alright, Chester, what about you?
Speaker 4 (01:46):
Any fresh tobacco come in, mister Witherspoon, Yeah.
Speaker 3 (01:49):
Sir, yeah, one caddy or spit a drowned tobacco, that's
all he say.
Speaker 4 (01:59):
A gold Owe you for this, mister Witherspoon. I had
just about the one unluckiest month I ever knew.
Speaker 3 (02:07):
You fellas will never learn. William. I'd have tried your interest,
that's what.
Speaker 5 (02:11):
Well, I I won't take it.
Speaker 2 (02:12):
If you'd rather didn't, I'll be a fool.
Speaker 3 (02:15):
Of course you'll take it.
Speaker 2 (02:16):
Mum.
Speaker 4 (02:17):
Thanks, mister Witherspoon.
Speaker 3 (02:18):
But you stay away from those gambling halls. You can
lose more money than their money there you uh huh.
Speaker 4 (02:24):
You heard about the killing of the Texas Trail last night, then, huh?
Speaker 3 (02:27):
I did? Where were you, Marshall?
Speaker 2 (02:29):
Oh I've been away, mister Witherspoon. I just got back
this morning. Mm.
Speaker 3 (02:33):
Nobody told me. Then I take it to the man
who did the shooting. He's got clean away.
Speaker 2 (02:38):
Oh it wasn't a murder, mister Witherspoon.
Speaker 4 (02:41):
I looked into it. He acted purely himself to me. Ah,
that's what all the witnesses said, mister Witherspoon.
Speaker 3 (02:47):
Just another case of men being ruined by good whiskey
and bad women. That's all.
Speaker 4 (02:52):
Well, there was a girl mixed up in it, all right.
Speaker 2 (02:55):
Oh, oh, Chester, a new.
Speaker 4 (02:57):
Girl, mister Dunn called yourself, Dolly var She's caused nothing
but trouble ever since she got here.
Speaker 2 (03:04):
But what do you mean, I don't exactly.
Speaker 4 (03:06):
Don't she something to do with a gambling though.
Speaker 2 (03:10):
H Then she'll cause more trouble, uh, Chester, I think
I'll drop by there all right, tu Uh take my
cartridges of the office, will him?
Speaker 4 (03:19):
Yes, sir, be.
Speaker 6 (03:20):
Glad to miss Jill.
Speaker 3 (03:22):
Uh you at an unwaucky month to Marshall, what can't
paid me?
Speaker 2 (03:28):
I'm sorry? Hey yeah?
Speaker 3 (03:31):
Uh back to Marshall.
Speaker 2 (03:33):
Good day, Good day, Missa. Whether since you whisper? Hello?
Speaker 7 (03:52):
John? Oh hello Marshall.
Speaker 2 (04:05):
A hello man, Kitty?
Speaker 8 (04:08):
Did you have a good turf?
Speaker 2 (04:10):
Ah? Successful anyway? Never sit on?
Speaker 8 (04:12):
Yeah, well, I guess you heard about the killing last night.
Speaker 2 (04:17):
Huh hey, uh yeah I did, alright, Kitty? Who is
this Dolly the pardon?
Speaker 5 (04:26):
Oh?
Speaker 8 (04:26):
I don't know, Matt. She says she's in Saint Louis.
But she is the luckiest thing I ever saw.
Speaker 2 (04:33):
Oh does she gamble?
Speaker 9 (04:37):
No, No, she says that it'd spoil it.
Speaker 2 (04:40):
She's just lucky for other people.
Speaker 6 (04:43):
Oh.
Speaker 8 (04:44):
Whoever she's with, he wins, it's real simple.
Speaker 6 (04:49):
Uh.
Speaker 2 (04:49):
That they cut her in to stand by them, is
that it? Yeah?
Speaker 8 (04:53):
You never saw anything like it, Matt. She goes from
man to man, whoever pays her the most.
Speaker 2 (04:58):
That they figure it's worth it, Yes, they sure do.
Speaker 8 (05:02):
Unless she's with him man, he he just doesn't seem
to win so naturally. In time, they offer her practically
anything to stay with him.
Speaker 2 (05:11):
Uh.
Speaker 8 (05:11):
Oh, she's made a lot of money here.
Speaker 2 (05:15):
Which game, kidd?
Speaker 9 (05:16):
He Pharaoh?
Speaker 8 (05:17):
Only Pharaoh? She says, it wouldn't work with anything else.
Speaker 2 (05:23):
Does anyone walk out ahead of the game?
Speaker 3 (05:25):
No?
Speaker 9 (05:26):
No, not from what I've heard.
Speaker 8 (05:28):
Everybody's losing sooner or later if they can't afford Dolly.
They go on trying anyway, and.
Speaker 2 (05:34):
The fight starts over one man offering her more money
than another's a it.
Speaker 9 (05:38):
Well, that's what happened last night.
Speaker 2 (05:40):
Man who's running the Pharaoh games?
Speaker 8 (05:43):
Oh that's Frank Paris.
Speaker 2 (05:45):
Oh oh yeah, well I I don't remember it.
Speaker 8 (05:49):
Oh he came here a few days after Dolly did
that sounds like an old set up. Well, nobody's caught
in cheating yet the matter, And if he and Dolly
know each other, they're pretty smart about it. I've never
seen him together once.
Speaker 2 (06:09):
Where is Dolly? Now, Kitty upstairs?
Speaker 8 (06:12):
You wanna meet her? Yeah, I'll go get her.
Speaker 2 (06:15):
Thank you, Kitty, Dolly.
Speaker 8 (06:20):
Yeah, come on, I want you to meet she was
the only way down Matt. Uh, Dolly, this is Marshall Dillon.
Speaker 2 (06:32):
Hello, Dolly, Now you do Marshall? I said, don thank you?
Speaker 8 (06:37):
Well, I I'll uh see you later, Matt, Yeah, sure, can.
Speaker 2 (06:45):
Tell me, Dolly you'll come here with Frank Perris.
Speaker 9 (06:50):
Well, I know I got here before he did.
Speaker 2 (06:53):
Yuh sure, But that's not what I meant.
Speaker 9 (06:56):
What did you mean, Marsha?
Speaker 2 (06:59):
I hear you. You had a lot of money for
making a man lucky that against the law only when
it leads to trouble and kill him.
Speaker 8 (07:09):
I'm not responsible for what these men do, No, but
I am.
Speaker 9 (07:15):
Then why don't you do something about it?
Speaker 2 (07:17):
March? That's why I'm talking to you.
Speaker 9 (07:20):
Oh, he had to talk.
Speaker 2 (07:24):
Have you been this far west before?
Speaker 8 (07:26):
Do we? No?
Speaker 2 (07:28):
You see men out here settle their differences a little
faster than they do back east. Most of 'em don't
spend much time in towns, But when they do come in,
if there's anything or anybody that smells like trouble, that
seems like they always find it.
Speaker 9 (07:44):
What's all that got to do with me?
Speaker 2 (07:47):
Your trouble? Dolly man got killed last night because of you.
Speaker 9 (07:53):
I don't think I like you, moncha.
Speaker 2 (07:55):
Huh, you'll like me less when I run you out
of town. You couldn't I leave Frank Parris up to
the men. If he's caught cheating they'll shoot him, but
I don't want any more kill him because of you,
You understand.
Speaker 9 (08:14):
No, I don't understand. Why should you think that?
Speaker 2 (08:18):
Simple arling, I don't believe in luck, that's all. If
I did, I'd have been killed a long time ago.
Speaker 4 (08:36):
Say mister Dolon.
Speaker 1 (08:37):
Yeah, now, I forgot to tell you while you were
at the Texas trailer.
Speaker 4 (08:41):
This afternoon, Doc was in looking for you.
Speaker 2 (08:43):
That was four or five hours ago. Chester. I guess
it wasn't very important.
Speaker 4 (08:46):
No, sure, but I should have told you I was
dog I I I told him you were looking for him, Doc.
Speaker 10 (08:53):
Well, thank you.
Speaker 2 (08:53):
Just to think what do you want? Dog?
Speaker 10 (08:55):
Well, man, I've been thinking. I got an idea.
Speaker 5 (08:57):
Yeah, the fathers have got shot.
Speaker 10 (09:00):
They buried him in his saddle blanket today. So well,
that's no way for a man to be buried. Dodge
ought to be a shined of itself.
Speaker 2 (09:09):
This is a big town. Now, Well, how would you
propose burying them, Doc?
Speaker 10 (09:13):
Why in pine boxes? Mad any man deserves at least
a pine box.
Speaker 2 (09:18):
Yeah, I agree.
Speaker 4 (09:19):
Well that's my idea, man.
Speaker 10 (09:21):
I think we ought to form a sort of a
committee and raise enough money to bury people properly. Here.
Why it's a disgrace this way.
Speaker 2 (09:29):
Oh not dock. I I don't know if we did that,
everybody would want to come to Dodge. She got shot.
I got enough trouble as it is. Oh, I'm serious, alright, alright,
I'll contribute a dollar.
Speaker 4 (09:43):
Oh now what that?
Speaker 2 (09:44):
It sounds like somebody couldn't wait for one of Duck's
pine boxes. Come on, Chester Gas, you might as well
come to doctor.
Speaker 3 (09:51):
Suren't you?
Speaker 7 (09:52):
I'm coming.
Speaker 8 (10:06):
I thought you were gonna stop all this matter?
Speaker 2 (10:11):
I am kiddy.
Speaker 8 (10:12):
Where is he dead on the floor over there?
Speaker 2 (10:14):
Well, I I'm better take a look at him and
many where's the man who killed him? Oh?
Speaker 8 (10:19):
Jack Singer there? But it was self defense matter.
Speaker 2 (10:21):
Anyone can tell you Jack Singer, Yeah, he's not a killer.
Speaker 8 (10:26):
I know.
Speaker 2 (10:28):
Was it Dolly again?
Speaker 9 (10:29):
Yeah?
Speaker 8 (10:29):
Same thing?
Speaker 2 (10:30):
Where is she?
Speaker 10 (10:31):
Oh?
Speaker 2 (10:31):
I see her?
Speaker 7 (10:32):
Excuse me, Dolly, don't bother me, Marshall. I didn't shoot him.
Speaker 2 (10:42):
I warned you once, Dolly.
Speaker 4 (10:45):
They're grown man.
Speaker 9 (10:47):
I'm not responsible for them.
Speaker 2 (10:49):
There's a stage leaving Dodge at noon tomorrow. Be on it.
I'm sure you've got enough money for a ticket, and
don't come back to Dodge ever.
Speaker 9 (11:01):
Should you be sure?
Speaker 3 (11:02):
I might shop ship.
Speaker 11 (11:05):
Yeah, h sir, if it likes fifteen minutes until noon,
mister Dylon, Yeah, and it likes Dolly Barden tol Chester.
Speaker 2 (11:27):
Oh, she'll be along.
Speaker 4 (11:28):
Women don't never get any place ahead of time.
Speaker 2 (11:31):
Only two passengers who showed up so far.
Speaker 4 (11:34):
Maybe you should have run Paris out of town too.
Speaker 7 (11:37):
Well.
Speaker 2 (11:37):
I don't like to do that. I that's not suspicion,
but I will as soon that somebody catches him cheating
if he lives through it.
Speaker 4 (11:44):
Mr Dillon, maybe you try too hard to make the
law look fair.
Speaker 2 (11:49):
And maybe now anyway, as she comes mm mm, she's
not carrying any bags.
Speaker 6 (11:56):
Now, sure is a.
Speaker 4 (11:58):
Coming this way?
Speaker 3 (12:00):
Yeah, say Marshall.
Speaker 2 (12:06):
Goodbye, Dolly.
Speaker 9 (12:08):
Oh I didn't say goodbye.
Speaker 10 (12:10):
I said good day.
Speaker 9 (12:12):
What I've thought it over, Marshall, I've decided not to leave.
After all.
Speaker 2 (12:19):
There's the stage, Dolly, get on it. No, get on it, Dolly,
I said, no, alright, if you do, I'll have to.
Speaker 12 (12:30):
Your goat Marshall.
Speaker 2 (12:33):
I get on the stage.
Speaker 9 (12:35):
Uh no use yelling at me, Marshall. That's not gonna
do it.
Speaker 7 (12:40):
Oh what is mm?
Speaker 2 (12:44):
Well, you'll just have to throw me on it, throw
you on it.
Speaker 9 (12:49):
Yes, your friend here might help Chester.
Speaker 3 (12:53):
Isn't it.
Speaker 4 (12:54):
Uh, yes, ma'am Chester pro I I'm glad to know you,
miss Dolly. I mean, oh, yes, see well Chester.
Speaker 9 (13:01):
You could take my arms, you could take my feet, Marshall.
Course it might be a little awkward getting me into
the coach, but I'm sure you could manage it somehow.
Speaker 4 (13:11):
Oh my, no, miss l we can't handle a woman
that way, old goodness, no, no, no, oh.
Speaker 9 (13:18):
Then you don't have to do it by yourself, Marshall.
Throw me over your shoulders and maybe drag.
Speaker 2 (13:24):
Me here wastern time, Dolly.
Speaker 8 (13:26):
It won't be easy though, because Marshall, I'll scream and
I'll cry and scratch and bite and i'll kick, Oh
how I'll kick.
Speaker 9 (13:36):
I'll be a net when you get me there, and
I'll have the whole town out watching you be a hero.
Speaker 2 (13:41):
You're serious, aren't you.
Speaker 9 (13:42):
Course you could hit me, You could knock me out
with your fist or your gun. I wouldn't scream so
much then.
Speaker 4 (13:49):
Gosh, mister Dylan, Well, Marshall.
Speaker 2 (13:53):
I'm tempted to put you on that stage no matter how, Dolly.
But maybe there's another way to handle you.
Speaker 9 (14:00):
Yeah, best way to handle me is to leave me alone.
Speaker 2 (14:02):
And have more men get killed.
Speaker 9 (14:04):
But they're fools enough.
Speaker 8 (14:05):
What difference does that make?
Speaker 2 (14:06):
I don't think I could explain that to you, Dolly,
But anyway, you remember what I said your throw and dodge?
Come on, Chester?
Speaker 4 (14:15):
Yes, yes, mice you're doing?
Speaker 2 (14:25):
How are you gonna get rid of I'm gonna start
by running her game? Chester? But how I'll show you
right here at the dodge house here, Yeah, Frank Paris
stays here. Don't find out what room? He said? Will
you see?
Speaker 7 (14:49):
Wait out long ago?
Speaker 5 (14:51):
Oh?
Speaker 7 (14:52):
Chester, fellow fight parricans.
Speaker 5 (14:54):
Who shoot you?
Speaker 3 (14:55):
Are well?
Speaker 6 (14:56):
Wood teams anything?
Speaker 4 (14:59):
Its room ten? What you're doing?
Speaker 2 (15:00):
Alright? How do you know?
Speaker 4 (15:15):
Parents live here?
Speaker 2 (15:16):
Kitty?
Speaker 10 (15:17):
Uh?
Speaker 3 (15:20):
Uh?
Speaker 6 (15:21):
Here it is?
Speaker 3 (15:38):
Who is it?
Speaker 5 (15:40):
Oh? Your Marshall, Dylan, aren't you?
Speaker 2 (15:43):
Yeah? I wanna talk to you at Paris for sure?
Speaker 3 (15:47):
Him in Marshal you too?
Speaker 6 (15:49):
Uh uh?
Speaker 2 (15:50):
This Chester?
Speaker 8 (15:51):
As I?
Speaker 2 (15:54):
Well, what can I do for you?
Speaker 6 (15:55):
Marshall Paris?
Speaker 2 (15:57):
I told Dolly Varden to leave on the known stage today. Oh,
she refused. I'd have had to force her physically to
make her leave.
Speaker 5 (16:07):
Well, why are you telling me this, Marshall?
Speaker 2 (16:11):
Because I thought i'd leave you alone Paris and that
whoever caught s you take care of him. But I've
changed my mind.
Speaker 5 (16:19):
Oh, I don't know what you're talking about, Marshall.
Speaker 2 (16:22):
Don't you, No, No, I don't. I Just remember this,
if Dolly Varden comes anywhere near your table from now on,
you stop the plate till she leaves. Is that clear?
Speaker 5 (16:34):
Now look here, Marshall, I've got nothing to do with
that woman. If you can't handle her, you've got no
right wrecking my game trying to why I would never
play a left if I started that Paris.
Speaker 2 (16:45):
Maybe I can't rough up a woman and run her
out of town. But you're a man, and I won't
even waste time arguing. You'll do as I say, or
you'll leave.
Speaker 5 (16:54):
There's too much money and dodge for me to leave
Martyrs the.
Speaker 2 (16:57):
Way I said Paris. I won't even argue with you.
Speaker 12 (17:01):
Good day.
Speaker 1 (17:19):
We will return for the second act of gun Smoke
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station has the complete details. Remember America's finest men choose
U S Army careers. Now the second act of gun smoke.
Speaker 10 (18:37):
Way.
Speaker 4 (18:39):
That was quite a meal at night. Quite a meal, Yeah,
your doc, I's nearly starved.
Speaker 10 (18:48):
Haven't had a meal like that since we got snowed
in at Fort Fletcher a few years back.
Speaker 4 (18:52):
What do you mean do well?
Speaker 10 (18:54):
One night, four of us were down to a quart
of dried peas in a bottle of vinegar. But by heaven,
it made a better meal than give them Monico's potograph.
Speaker 4 (19:05):
Ah, Doc, he wasn't that bad.
Speaker 2 (19:08):
Doc. Like southern cooking Chester and any man.
Speaker 3 (19:10):
Who works hard deserves good food.
Speaker 2 (19:13):
I'll let Chester. Answer that, doc Uh, when you throw Chester,
I'll see you.
Speaker 4 (19:17):
They off it alright, drove me along directly.
Speaker 7 (19:19):
It's a long doc mine man, michaell.
Speaker 9 (19:41):
Hello, sorry, mind if I walk along with you for
a minute.
Speaker 2 (19:47):
Alright, what's on your mind?
Speaker 9 (19:55):
My shut I'm sorry I behaved the way I did
this noon was I should not done that.
Speaker 2 (20:01):
Just that that was the desperate that's all desperate about what.
Speaker 9 (20:06):
I've got to tell you.
Speaker 2 (20:08):
And I want to.
Speaker 9 (20:11):
But I can't out here in the street. Somebody will
come by and then not be embarrassed.
Speaker 3 (20:16):
Here.
Speaker 9 (20:16):
Let just get around the corner out of the light. Please, please, Marshall,
go ahead, and.
Speaker 2 (20:39):
Now what's this all about? Doll I?
Speaker 9 (20:44):
I was started hysterically.
Speaker 3 (20:45):
You know.
Speaker 9 (20:47):
You got to forgive me.
Speaker 3 (20:49):
You've just got to.
Speaker 2 (20:51):
I don't cry, Just tell me.
Speaker 9 (20:55):
I've been thinking.
Speaker 2 (20:56):
About it every since like that.
Speaker 12 (20:58):
I can't leave that, Marshall.
Speaker 9 (21:01):
I don't have any place to go, no dollar, you
don't make me go. Please, I promise I won't go
near a gambling table again.
Speaker 2 (21:11):
I swear I won't. Well, it's up to you, Dolling
if you do that and don't cause any trouble, right.
Speaker 9 (21:20):
Thank you, Marshall, thank you. I promise you'll see.
Speaker 2 (21:26):
Yeah, sure, I'll see.
Speaker 9 (21:30):
Please go now I want to ride my eyes before.
Speaker 2 (21:33):
Get out in the street again and stay away from
Frank Paris dolling. Oh that's what you got alright? Drop it.
Speaker 3 (21:45):
You mean you're gonna shoot a woman, Marshall, I doubt it.
Speaker 2 (21:53):
Give it to me. Well, uh, you're quite a girl,
do I.
Speaker 9 (22:01):
I don't kill you yet.
Speaker 2 (22:02):
You're going to jail. You're too dangerous to mean a
loose woman or no woman?
Speaker 9 (22:27):
Well, hello, matter where?
Speaker 2 (22:35):
It's Frank Paris, kitty h he moved his table.
Speaker 8 (22:38):
It's beyond the barn, sir.
Speaker 2 (22:40):
Oh, and that's him with his back to us something.
Speaker 8 (22:43):
Yeah, what's the trouble, man? You're mad about something?
Speaker 2 (22:46):
I just throw Dolly in jail. Now it's Paris's turn.
Speaker 7 (22:50):
You stay out of this, kiddy, Hey, come on that
your hang on here?
Speaker 2 (23:00):
What's all this? Oh?
Speaker 3 (23:05):
Oh it's the Marshal.
Speaker 2 (23:08):
I you're all through Paris and don't try anything. What's
the trouble now, Marshall, there's no woman near my table
and there won't be, not for a long time. Dolly
Varden's in jail. What she tried to shoot? Me a
little while ago, and I throw her in jail.
Speaker 7 (23:29):
Ah, I see, well, maybe she's better off there.
Speaker 5 (23:33):
She did cause a certain amount of trouble around here.
Speaker 2 (23:36):
She can't see it that way, Paris. She thinks it's
alright to lock up a man but not a woman.
What's all this got to do with me? Marshall, you're
going to jail too. You can't arrest me. I'm not
arresting you. There's no proof of anything against you. I
got Dolly now on attempted murder, but nobody's caught you
doing a thing. And on Paris, let's no no, you
(24:01):
just said it. You can't arrest You're gone to jail
Paris tomorrow. You're leaving Dodge. You're clever, but you're crooked
and Dolly's in it with you. That's all I need
to know. Proof or no proof. I should have stopped
you today. I got back.
Speaker 5 (24:17):
I told you, Marshall that there's too much money here.
Speaker 7 (24:21):
I don't wanna leave.
Speaker 2 (24:22):
I'm not arguing with you. I just wanted everybody here
to know about this.
Speaker 5 (24:27):
We were doing fine til you came back.
Speaker 2 (24:29):
Marshall.
Speaker 7 (24:31):
You're in the way now.
Speaker 2 (24:34):
Don't be a fool. Paris oh hit.
Speaker 7 (24:40):
My hand, you got my hand hand.
Speaker 2 (24:44):
You're lucky I didn't kill you. Now you walk out
that door. Idtna take care of you in jail.
Speaker 4 (25:09):
Here's their tickets, mister Dylon, all the way to Saint Louis. Thanks, Chester,
and here's your change, mister Paris.
Speaker 2 (25:16):
Give it to Dolly.
Speaker 4 (25:17):
Hear, Miss Dolly.
Speaker 9 (25:18):
Thanks. I think i'd better count it Chester.
Speaker 4 (25:22):
I don't know men my counter if it's all er now.
Speaker 9 (25:26):
I'm joking.
Speaker 6 (25:27):
I trust you.
Speaker 9 (25:29):
I'm not suspicious that everybody likes the Marshal here?
Speaker 2 (25:33):
Well, who wouldn't be suspicious? You both tried to kill him?
Speaker 9 (25:36):
Sure, but he trusts me, now, don't you?
Speaker 3 (25:40):
Marshall? I do well?
Speaker 9 (25:44):
And you think I'm gonna get on that train without
making you throw me on it, don't you?
Speaker 2 (25:49):
No, I'm not sure, but I'll throw you on it
if I have to.
Speaker 3 (25:54):
Yeah, I know.
Speaker 1 (25:57):
You would, now I would.
Speaker 2 (25:59):
Why don't you shut up? Dolly?
Speaker 5 (26:02):
Marshall could still bring us a trial if he wanted to.
Speaker 9 (26:05):
Now tell me, Marshall, why didn't you?
Speaker 2 (26:11):
The judge is busy enough without my haul, and then
everybody who tries to shoot me, and besides you, sat,
I had your wings clipped, ha oh, Dolly, what's the
use of lying to him anymore?
Speaker 5 (26:22):
He's talking about me?
Speaker 3 (26:24):
I mean, never be able to deal cards that we I.
Speaker 2 (26:26):
Used to with his hand right the proof.
Speaker 7 (26:29):
Think about it, Dolly, with quite a few people.
Speaker 3 (26:32):
Who managed to get along on an honest living.
Speaker 5 (26:36):
I never knew how, but we're gonna have to find out.
Speaker 7 (26:43):
Well.
Speaker 2 (26:43):
There it is by Marshall Chester.
Speaker 3 (26:47):
Bye yea by Marshall.
Speaker 9 (26:51):
I don't think I hate you as much as I did.
Speaker 7 (26:54):
It's good, Dolly, tell me so long, Dolly.
Speaker 1 (27:19):
Gun Smoke, under the direction of Norman McDonald, stars William
Conrad as Matt Dillon US Marshall. Tonight's story was specially
written for Gun Smoke by John Meston, with music composed
and conducted by Rex Cory. Featured in the cast were
Virginia greg is Dolly, with John Daner as Paris and
James Griffith as Witherspoon, Harley Bear is Chester, Georgia Ellis
(27:41):
is Kitty, and Howard.
Speaker 3 (27:42):
McNair is Doc.
Speaker 1 (27:44):
Gun Smoke has been selected by the Armed Forces Radio
Services to be heard by our troops overseas. Join us
again next week as Matt Dylan US Marshal fights to
bring law and order out of the wild violence of
the West. In gun Smoke, Lovely, Dorothy McGuire, star of
(28:35):
Broadway in Hollywood, will be heard on CBS Radio next
Monday evening in a dramatic story entitled The Fall of
Maggie Phillipp. It's another In Your Luck summer theater series,
so be listening for it next Monday on most of
these same stations. The Fall of Maggie Phillipp, starring Dorothy McGuire.
This is George Wall speaking.
Speaker 2 (28:56):
Monday nights.
Speaker 1 (28:56):
Dick Powell is Rough Tough Richard Diamond Private Detect on
the CBS Radio network
Around d City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshall and the Smell of
Gun Smoke. Gun Smoke, starring William Conrad, The Story of
(00:42):
the violence that moved west with Young America, The story
of a man who moved with it. Matt Villon, United
States Marshall. There are, Marshall, three boxes of forty.
Speaker 2 (01:21):
Five alright, and uh I'm a little short of rifle
ammunition too, mister Witherspoon.
Speaker 3 (01:27):
Well let's see you still use that forty four, Henry
doing to Marshall.
Speaker 2 (01:32):
Yeah, that's right. And how many, oh m, couple of
boxes will do? Alright? Well, uh thank him?
Speaker 3 (01:43):
Alright, Chester, what about you?
Speaker 4 (01:46):
Any fresh tobacco come in, mister Witherspoon, Yeah.
Speaker 3 (01:49):
Sir, yeah, one caddy or spit a drowned tobacco, that's
all he say.
Speaker 4 (01:59):
A gold Owe you for this, mister Witherspoon. I had
just about the one unluckiest month I ever knew.
Speaker 3 (02:07):
You fellas will never learn. William. I'd have tried your interest,
that's what.
Speaker 5 (02:11):
Well, I I won't take it.
Speaker 2 (02:12):
If you'd rather didn't, I'll be a fool.
Speaker 3 (02:15):
Of course you'll take it.
Speaker 2 (02:16):
Mum.
Speaker 4 (02:17):
Thanks, mister Witherspoon.
Speaker 3 (02:18):
But you stay away from those gambling halls. You can
lose more money than their money there you uh huh.
Speaker 4 (02:24):
You heard about the killing of the Texas Trail last night, then, huh?
Speaker 3 (02:27):
I did? Where were you, Marshall?
Speaker 2 (02:29):
Oh I've been away, mister Witherspoon. I just got back
this morning. Mm.
Speaker 3 (02:33):
Nobody told me. Then I take it to the man
who did the shooting. He's got clean away.
Speaker 2 (02:38):
Oh it wasn't a murder, mister Witherspoon.
Speaker 4 (02:41):
I looked into it. He acted purely himself to me. Ah,
that's what all the witnesses said, mister Witherspoon.
Speaker 3 (02:47):
Just another case of men being ruined by good whiskey
and bad women. That's all.
Speaker 4 (02:52):
Well, there was a girl mixed up in it, all right.
Speaker 2 (02:55):
Oh, oh, Chester, a new.
Speaker 4 (02:57):
Girl, mister Dunn called yourself, Dolly var She's caused nothing
but trouble ever since she got here.
Speaker 2 (03:04):
But what do you mean, I don't exactly.
Speaker 4 (03:06):
Don't she something to do with a gambling though.
Speaker 2 (03:10):
H Then she'll cause more trouble, uh, Chester, I think
I'll drop by there all right, tu Uh take my
cartridges of the office, will him?
Speaker 4 (03:19):
Yes, sir, be.
Speaker 6 (03:20):
Glad to miss Jill.
Speaker 3 (03:22):
Uh you at an unwaucky month to Marshall, what can't
paid me?
Speaker 2 (03:28):
I'm sorry? Hey yeah?
Speaker 3 (03:31):
Uh back to Marshall.
Speaker 2 (03:33):
Good day, Good day, Missa. Whether since you whisper? Hello?
Speaker 7 (03:52):
John? Oh hello Marshall.
Speaker 2 (04:05):
A hello man, Kitty?
Speaker 8 (04:08):
Did you have a good turf?
Speaker 2 (04:10):
Ah? Successful anyway? Never sit on?
Speaker 8 (04:12):
Yeah, well, I guess you heard about the killing last night.
Speaker 2 (04:17):
Huh hey, uh yeah I did, alright, Kitty? Who is
this Dolly the pardon?
Speaker 5 (04:26):
Oh?
Speaker 8 (04:26):
I don't know, Matt. She says she's in Saint Louis.
But she is the luckiest thing I ever saw.
Speaker 2 (04:33):
Oh does she gamble?
Speaker 9 (04:37):
No, No, she says that it'd spoil it.
Speaker 2 (04:40):
She's just lucky for other people.
Speaker 6 (04:43):
Oh.
Speaker 8 (04:44):
Whoever she's with, he wins, it's real simple.
Speaker 6 (04:49):
Uh.
Speaker 2 (04:49):
That they cut her in to stand by them, is
that it? Yeah?
Speaker 8 (04:53):
You never saw anything like it, Matt. She goes from
man to man, whoever pays her the most.
Speaker 2 (04:58):
That they figure it's worth it, Yes, they sure do.
Speaker 8 (05:02):
Unless she's with him man, he he just doesn't seem
to win so naturally. In time, they offer her practically
anything to stay with him.
Speaker 2 (05:11):
Uh.
Speaker 8 (05:11):
Oh, she's made a lot of money here.
Speaker 2 (05:15):
Which game, kidd?
Speaker 9 (05:16):
He Pharaoh?
Speaker 8 (05:17):
Only Pharaoh? She says, it wouldn't work with anything else.
Speaker 2 (05:23):
Does anyone walk out ahead of the game?
Speaker 3 (05:25):
No?
Speaker 9 (05:26):
No, not from what I've heard.
Speaker 8 (05:28):
Everybody's losing sooner or later if they can't afford Dolly.
They go on trying anyway, and.
Speaker 2 (05:34):
The fight starts over one man offering her more money
than another's a it.
Speaker 9 (05:38):
Well, that's what happened last night.
Speaker 2 (05:40):
Man who's running the Pharaoh games?
Speaker 8 (05:43):
Oh that's Frank Paris.
Speaker 2 (05:45):
Oh oh yeah, well I I don't remember it.
Speaker 8 (05:49):
Oh he came here a few days after Dolly did
that sounds like an old set up. Well, nobody's caught
in cheating yet the matter, And if he and Dolly
know each other, they're pretty smart about it. I've never
seen him together once.
Speaker 2 (06:09):
Where is Dolly? Now, Kitty upstairs?
Speaker 8 (06:12):
You wanna meet her? Yeah, I'll go get her.
Speaker 2 (06:15):
Thank you, Kitty, Dolly.
Speaker 8 (06:20):
Yeah, come on, I want you to meet she was
the only way down Matt. Uh, Dolly, this is Marshall Dillon.
Speaker 2 (06:32):
Hello, Dolly, Now you do Marshall? I said, don thank you?
Speaker 8 (06:37):
Well, I I'll uh see you later, Matt, Yeah, sure, can.
Speaker 2 (06:45):
Tell me, Dolly you'll come here with Frank Perris.
Speaker 9 (06:50):
Well, I know I got here before he did.
Speaker 2 (06:53):
Yuh sure, But that's not what I meant.
Speaker 9 (06:56):
What did you mean, Marsha?
Speaker 2 (06:59):
I hear you. You had a lot of money for
making a man lucky that against the law only when
it leads to trouble and kill him.
Speaker 8 (07:09):
I'm not responsible for what these men do, No, but
I am.
Speaker 9 (07:15):
Then why don't you do something about it?
Speaker 2 (07:17):
March? That's why I'm talking to you.
Speaker 9 (07:20):
Oh, he had to talk.
Speaker 2 (07:24):
Have you been this far west before?
Speaker 8 (07:26):
Do we? No?
Speaker 2 (07:28):
You see men out here settle their differences a little
faster than they do back east. Most of 'em don't
spend much time in towns, But when they do come in,
if there's anything or anybody that smells like trouble, that
seems like they always find it.
Speaker 9 (07:44):
What's all that got to do with me?
Speaker 2 (07:47):
Your trouble? Dolly man got killed last night because of you.
Speaker 9 (07:53):
I don't think I like you, moncha.
Speaker 2 (07:55):
Huh, you'll like me less when I run you out
of town. You couldn't I leave Frank Parris up to
the men. If he's caught cheating they'll shoot him, but
I don't want any more kill him because of you,
You understand.
Speaker 9 (08:14):
No, I don't understand. Why should you think that?
Speaker 2 (08:18):
Simple arling, I don't believe in luck, that's all. If
I did, I'd have been killed a long time ago.
Speaker 4 (08:36):
Say mister Dolon.
Speaker 1 (08:37):
Yeah, now, I forgot to tell you while you were
at the Texas trailer.
Speaker 4 (08:41):
This afternoon, Doc was in looking for you.
Speaker 2 (08:43):
That was four or five hours ago. Chester. I guess
it wasn't very important.
Speaker 4 (08:46):
No, sure, but I should have told you I was
dog I I I told him you were looking for him, Doc.
Speaker 10 (08:53):
Well, thank you.
Speaker 2 (08:53):
Just to think what do you want? Dog?
Speaker 10 (08:55):
Well, man, I've been thinking. I got an idea.
Speaker 5 (08:57):
Yeah, the fathers have got shot.
Speaker 10 (09:00):
They buried him in his saddle blanket today. So well,
that's no way for a man to be buried. Dodge
ought to be a shined of itself.
Speaker 2 (09:09):
This is a big town. Now, Well, how would you
propose burying them, Doc?
Speaker 10 (09:13):
Why in pine boxes? Mad any man deserves at least
a pine box.
Speaker 2 (09:18):
Yeah, I agree.
Speaker 4 (09:19):
Well that's my idea, man.
Speaker 10 (09:21):
I think we ought to form a sort of a
committee and raise enough money to bury people properly. Here.
Why it's a disgrace this way.
Speaker 2 (09:29):
Oh not dock. I I don't know if we did that,
everybody would want to come to Dodge. She got shot.
I got enough trouble as it is. Oh, I'm serious, alright, alright,
I'll contribute a dollar.
Speaker 4 (09:43):
Oh now what that?
Speaker 2 (09:44):
It sounds like somebody couldn't wait for one of Duck's
pine boxes. Come on, Chester Gas, you might as well
come to doctor.
Speaker 3 (09:51):
Suren't you?
Speaker 7 (09:52):
I'm coming.
Speaker 8 (10:06):
I thought you were gonna stop all this matter?
Speaker 2 (10:11):
I am kiddy.
Speaker 8 (10:12):
Where is he dead on the floor over there?
Speaker 2 (10:14):
Well, I I'm better take a look at him and
many where's the man who killed him? Oh?
Speaker 8 (10:19):
Jack Singer there? But it was self defense matter.
Speaker 2 (10:21):
Anyone can tell you Jack Singer, Yeah, he's not a killer.
Speaker 8 (10:26):
I know.
Speaker 2 (10:28):
Was it Dolly again?
Speaker 9 (10:29):
Yeah?
Speaker 8 (10:29):
Same thing?
Speaker 2 (10:30):
Where is she?
Speaker 10 (10:31):
Oh?
Speaker 2 (10:31):
I see her?
Speaker 7 (10:32):
Excuse me, Dolly, don't bother me, Marshall. I didn't shoot him.
Speaker 2 (10:42):
I warned you once, Dolly.
Speaker 4 (10:45):
They're grown man.
Speaker 9 (10:47):
I'm not responsible for them.
Speaker 2 (10:49):
There's a stage leaving Dodge at noon tomorrow. Be on it.
I'm sure you've got enough money for a ticket, and
don't come back to Dodge ever.
Speaker 9 (11:01):
Should you be sure?
Speaker 3 (11:02):
I might shop ship.
Speaker 11 (11:05):
Yeah, h sir, if it likes fifteen minutes until noon,
mister Dylon, Yeah, and it likes Dolly Barden tol Chester.
Speaker 2 (11:27):
Oh, she'll be along.
Speaker 4 (11:28):
Women don't never get any place ahead of time.
Speaker 2 (11:31):
Only two passengers who showed up so far.
Speaker 4 (11:34):
Maybe you should have run Paris out of town too.
Speaker 7 (11:37):
Well.
Speaker 2 (11:37):
I don't like to do that. I that's not suspicion,
but I will as soon that somebody catches him cheating
if he lives through it.
Speaker 4 (11:44):
Mr Dillon, maybe you try too hard to make the
law look fair.
Speaker 2 (11:49):
And maybe now anyway, as she comes mm mm, she's
not carrying any bags.
Speaker 6 (11:56):
Now, sure is a.
Speaker 4 (11:58):
Coming this way?
Speaker 3 (12:00):
Yeah, say Marshall.
Speaker 2 (12:06):
Goodbye, Dolly.
Speaker 9 (12:08):
Oh I didn't say goodbye.
Speaker 10 (12:10):
I said good day.
Speaker 9 (12:12):
What I've thought it over, Marshall, I've decided not to leave.
After all.
Speaker 2 (12:19):
There's the stage, Dolly, get on it. No, get on it, Dolly,
I said, no, alright, if you do, I'll have to.
Speaker 12 (12:30):
Your goat Marshall.
Speaker 2 (12:33):
I get on the stage.
Speaker 9 (12:35):
Uh no use yelling at me, Marshall. That's not gonna
do it.
Speaker 7 (12:40):
Oh what is mm?
Speaker 2 (12:44):
Well, you'll just have to throw me on it, throw
you on it.
Speaker 9 (12:49):
Yes, your friend here might help Chester.
Speaker 3 (12:53):
Isn't it.
Speaker 4 (12:54):
Uh, yes, ma'am Chester pro I I'm glad to know you,
miss Dolly. I mean, oh, yes, see well Chester.
Speaker 9 (13:01):
You could take my arms, you could take my feet, Marshall.
Course it might be a little awkward getting me into
the coach, but I'm sure you could manage it somehow.
Speaker 4 (13:11):
Oh my, no, miss l we can't handle a woman
that way, old goodness, no, no, no, oh.
Speaker 9 (13:18):
Then you don't have to do it by yourself, Marshall.
Throw me over your shoulders and maybe drag.
Speaker 2 (13:24):
Me here wastern time, Dolly.
Speaker 8 (13:26):
It won't be easy though, because Marshall, I'll scream and
I'll cry and scratch and bite and i'll kick, Oh
how I'll kick.
Speaker 9 (13:36):
I'll be a net when you get me there, and
I'll have the whole town out watching you be a hero.
Speaker 2 (13:41):
You're serious, aren't you.
Speaker 9 (13:42):
Course you could hit me, You could knock me out
with your fist or your gun. I wouldn't scream so
much then.
Speaker 4 (13:49):
Gosh, mister Dylan, Well, Marshall.
Speaker 2 (13:53):
I'm tempted to put you on that stage no matter how, Dolly.
But maybe there's another way to handle you.
Speaker 9 (14:00):
Yeah, best way to handle me is to leave me alone.
Speaker 2 (14:02):
And have more men get killed.
Speaker 9 (14:04):
But they're fools enough.
Speaker 8 (14:05):
What difference does that make?
Speaker 2 (14:06):
I don't think I could explain that to you, Dolly,
But anyway, you remember what I said your throw and dodge?
Come on, Chester?
Speaker 4 (14:15):
Yes, yes, mice you're doing?
Speaker 2 (14:25):
How are you gonna get rid of I'm gonna start
by running her game? Chester? But how I'll show you
right here at the dodge house here, Yeah, Frank Paris
stays here. Don't find out what room? He said? Will
you see?
Speaker 7 (14:49):
Wait out long ago?
Speaker 5 (14:51):
Oh?
Speaker 7 (14:52):
Chester, fellow fight parricans.
Speaker 5 (14:54):
Who shoot you?
Speaker 3 (14:55):
Are well?
Speaker 6 (14:56):
Wood teams anything?
Speaker 4 (14:59):
Its room ten? What you're doing?
Speaker 2 (15:00):
Alright? How do you know?
Speaker 4 (15:15):
Parents live here?
Speaker 2 (15:16):
Kitty?
Speaker 10 (15:17):
Uh?
Speaker 3 (15:20):
Uh?
Speaker 6 (15:21):
Here it is?
Speaker 3 (15:38):
Who is it?
Speaker 5 (15:40):
Oh? Your Marshall, Dylan, aren't you?
Speaker 2 (15:43):
Yeah? I wanna talk to you at Paris for sure?
Speaker 3 (15:47):
Him in Marshal you too?
Speaker 6 (15:49):
Uh uh?
Speaker 2 (15:50):
This Chester?
Speaker 8 (15:51):
As I?
Speaker 2 (15:54):
Well, what can I do for you?
Speaker 6 (15:55):
Marshall Paris?
Speaker 2 (15:57):
I told Dolly Varden to leave on the known stage today. Oh,
she refused. I'd have had to force her physically to
make her leave.
Speaker 5 (16:07):
Well, why are you telling me this, Marshall?
Speaker 2 (16:11):
Because I thought i'd leave you alone Paris and that
whoever caught s you take care of him. But I've
changed my mind.
Speaker 5 (16:19):
Oh, I don't know what you're talking about, Marshall.
Speaker 2 (16:22):
Don't you, No, No, I don't. I Just remember this,
if Dolly Varden comes anywhere near your table from now on,
you stop the plate till she leaves. Is that clear?
Speaker 5 (16:34):
Now look here, Marshall, I've got nothing to do with
that woman. If you can't handle her, you've got no
right wrecking my game trying to why I would never
play a left if I started that Paris.
Speaker 2 (16:45):
Maybe I can't rough up a woman and run her
out of town. But you're a man, and I won't
even waste time arguing. You'll do as I say, or
you'll leave.
Speaker 5 (16:54):
There's too much money and dodge for me to leave
Martyrs the.
Speaker 2 (16:57):
Way I said Paris. I won't even argue with you.
Speaker 12 (17:01):
Good day.
Speaker 1 (17:19):
We will return for the second act of gun Smoke
in just a moment. But first, America's finest men choose
United States Army careers. These young Americans know that in
the new regular United States Army there is travel, education,
good pay, good food, and all, yes, all the essentials
of a full, good life and fine future. These young
Americans know that the finest technical schools in the world,
(17:42):
the United States Armies Technical schools, will provide them with
increased skill and earning capacity that they will earn while
they learn, and open opportunities for steady advancement in army careers.
There are thousands of these young people who have been
picked by the Army, who are proud of their country's uniform,
and their country is proud of them. The recruiting officer
at your nearest US Army and US Air Force recruiting
(18:04):
station has the complete details. Remember America's finest men choose
U S Army careers. Now the second act of gun smoke.
Speaker 10 (18:37):
Way.
Speaker 4 (18:39):
That was quite a meal at night. Quite a meal, Yeah,
your doc, I's nearly starved.
Speaker 10 (18:48):
Haven't had a meal like that since we got snowed
in at Fort Fletcher a few years back.
Speaker 4 (18:52):
What do you mean do well?
Speaker 10 (18:54):
One night, four of us were down to a quart
of dried peas in a bottle of vinegar. But by heaven,
it made a better meal than give them Monico's potograph.
Speaker 4 (19:05):
Ah, Doc, he wasn't that bad.
Speaker 2 (19:08):
Doc. Like southern cooking Chester and any man.
Speaker 3 (19:10):
Who works hard deserves good food.
Speaker 2 (19:13):
I'll let Chester. Answer that, doc Uh, when you throw Chester,
I'll see you.
Speaker 4 (19:17):
They off it alright, drove me along directly.
Speaker 7 (19:19):
It's a long doc mine man, michaell.
Speaker 9 (19:41):
Hello, sorry, mind if I walk along with you for
a minute.
Speaker 2 (19:47):
Alright, what's on your mind?
Speaker 9 (19:55):
My shut I'm sorry I behaved the way I did
this noon was I should not done that.
Speaker 2 (20:01):
Just that that was the desperate that's all desperate about what.
Speaker 9 (20:06):
I've got to tell you.
Speaker 2 (20:08):
And I want to.
Speaker 9 (20:11):
But I can't out here in the street. Somebody will
come by and then not be embarrassed.
Speaker 3 (20:16):
Here.
Speaker 9 (20:16):
Let just get around the corner out of the light. Please, please, Marshall,
go ahead, and.
Speaker 2 (20:39):
Now what's this all about? Doll I?
Speaker 9 (20:44):
I was started hysterically.
Speaker 3 (20:45):
You know.
Speaker 9 (20:47):
You got to forgive me.
Speaker 3 (20:49):
You've just got to.
Speaker 2 (20:51):
I don't cry, Just tell me.
Speaker 9 (20:55):
I've been thinking.
Speaker 2 (20:56):
About it every since like that.
Speaker 12 (20:58):
I can't leave that, Marshall.
Speaker 9 (21:01):
I don't have any place to go, no dollar, you
don't make me go. Please, I promise I won't go
near a gambling table again.
Speaker 2 (21:11):
I swear I won't. Well, it's up to you, Dolling
if you do that and don't cause any trouble, right.
Speaker 9 (21:20):
Thank you, Marshall, thank you. I promise you'll see.
Speaker 2 (21:26):
Yeah, sure, I'll see.
Speaker 9 (21:30):
Please go now I want to ride my eyes before.
Speaker 2 (21:33):
Get out in the street again and stay away from
Frank Paris dolling. Oh that's what you got alright? Drop it.
Speaker 3 (21:45):
You mean you're gonna shoot a woman, Marshall, I doubt it.
Speaker 2 (21:53):
Give it to me. Well, uh, you're quite a girl,
do I.
Speaker 9 (22:01):
I don't kill you yet.
Speaker 2 (22:02):
You're going to jail. You're too dangerous to mean a
loose woman or no woman?
Speaker 9 (22:27):
Well, hello, matter where?
Speaker 2 (22:35):
It's Frank Paris, kitty h he moved his table.
Speaker 8 (22:38):
It's beyond the barn, sir.
Speaker 2 (22:40):
Oh, and that's him with his back to us something.
Speaker 8 (22:43):
Yeah, what's the trouble, man? You're mad about something?
Speaker 2 (22:46):
I just throw Dolly in jail. Now it's Paris's turn.
Speaker 7 (22:50):
You stay out of this, kiddy, Hey, come on that
your hang on here?
Speaker 2 (23:00):
What's all this? Oh?
Speaker 3 (23:05):
Oh it's the Marshal.
Speaker 2 (23:08):
I you're all through Paris and don't try anything. What's
the trouble now, Marshall, there's no woman near my table
and there won't be, not for a long time. Dolly
Varden's in jail. What she tried to shoot? Me a
little while ago, and I throw her in jail.
Speaker 7 (23:29):
Ah, I see, well, maybe she's better off there.
Speaker 5 (23:33):
She did cause a certain amount of trouble around here.
Speaker 2 (23:36):
She can't see it that way, Paris. She thinks it's
alright to lock up a man but not a woman.
What's all this got to do with me? Marshall, you're
going to jail too. You can't arrest me. I'm not
arresting you. There's no proof of anything against you. I
got Dolly now on attempted murder, but nobody's caught you
doing a thing. And on Paris, let's no no, you
(24:01):
just said it. You can't arrest You're gone to jail
Paris tomorrow. You're leaving Dodge. You're clever, but you're crooked
and Dolly's in it with you. That's all I need
to know. Proof or no proof. I should have stopped
you today. I got back.
Speaker 5 (24:17):
I told you, Marshall that there's too much money here.
Speaker 7 (24:21):
I don't wanna leave.
Speaker 2 (24:22):
I'm not arguing with you. I just wanted everybody here
to know about this.
Speaker 5 (24:27):
We were doing fine til you came back.
Speaker 2 (24:29):
Marshall.
Speaker 7 (24:31):
You're in the way now.
Speaker 2 (24:34):
Don't be a fool. Paris oh hit.
Speaker 7 (24:40):
My hand, you got my hand hand.
Speaker 2 (24:44):
You're lucky I didn't kill you. Now you walk out
that door. Idtna take care of you in jail.
Speaker 4 (25:09):
Here's their tickets, mister Dylon, all the way to Saint Louis. Thanks, Chester,
and here's your change, mister Paris.
Speaker 2 (25:16):
Give it to Dolly.
Speaker 4 (25:17):
Hear, Miss Dolly.
Speaker 9 (25:18):
Thanks. I think i'd better count it Chester.
Speaker 4 (25:22):
I don't know men my counter if it's all er now.
Speaker 9 (25:26):
I'm joking.
Speaker 6 (25:27):
I trust you.
Speaker 9 (25:29):
I'm not suspicious that everybody likes the Marshal here?
Speaker 2 (25:33):
Well, who wouldn't be suspicious? You both tried to kill him?
Speaker 9 (25:36):
Sure, but he trusts me, now, don't you?
Speaker 3 (25:40):
Marshall? I do well?
Speaker 9 (25:44):
And you think I'm gonna get on that train without
making you throw me on it, don't you?
Speaker 2 (25:49):
No, I'm not sure, but I'll throw you on it
if I have to.
Speaker 3 (25:54):
Yeah, I know.
Speaker 1 (25:57):
You would, now I would.
Speaker 2 (25:59):
Why don't you shut up? Dolly?
Speaker 5 (26:02):
Marshall could still bring us a trial if he wanted to.
Speaker 9 (26:05):
Now tell me, Marshall, why didn't you?
Speaker 2 (26:11):
The judge is busy enough without my haul, and then
everybody who tries to shoot me, and besides you, sat,
I had your wings clipped, ha oh, Dolly, what's the
use of lying to him anymore?
Speaker 5 (26:22):
He's talking about me?
Speaker 3 (26:24):
I mean, never be able to deal cards that we I.
Speaker 2 (26:26):
Used to with his hand right the proof.
Speaker 7 (26:29):
Think about it, Dolly, with quite a few people.
Speaker 3 (26:32):
Who managed to get along on an honest living.
Speaker 5 (26:36):
I never knew how, but we're gonna have to find out.
Speaker 7 (26:43):
Well.
Speaker 2 (26:43):
There it is by Marshall Chester.
Speaker 3 (26:47):
Bye yea by Marshall.
Speaker 9 (26:51):
I don't think I hate you as much as I did.
Speaker 7 (26:54):
It's good, Dolly, tell me so long, Dolly.
Speaker 1 (27:19):
Gun Smoke, under the direction of Norman McDonald, stars William
Conrad as Matt Dillon US Marshall. Tonight's story was specially
written for Gun Smoke by John Meston, with music composed
and conducted by Rex Cory. Featured in the cast were
Virginia greg is Dolly, with John Daner as Paris and
James Griffith as Witherspoon, Harley Bear is Chester, Georgia Ellis
(27:41):
is Kitty, and Howard.
Speaker 3 (27:42):
McNair is Doc.
Speaker 1 (27:44):
Gun Smoke has been selected by the Armed Forces Radio
Services to be heard by our troops overseas. Join us
again next week as Matt Dylan US Marshal fights to
bring law and order out of the wild violence of
the West. In gun Smoke, Lovely, Dorothy McGuire, star of
(28:35):
Broadway in Hollywood, will be heard on CBS Radio next
Monday evening in a dramatic story entitled The Fall of
Maggie Phillipp. It's another In Your Luck summer theater series,
so be listening for it next Monday on most of
these same stations. The Fall of Maggie Phillipp, starring Dorothy McGuire.
This is George Wall speaking.
Speaker 2 (28:56):
Monday nights.
Speaker 1 (28:56):
Dick Powell is Rough Tough Richard Diamond Private Detect on
the CBS Radio network
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