guns.1952.04.26_Billy_the_Kid

Episode Transcript

Speaker 1 (00:12):
Around Dodd City in the territory on West. They're just
one way to handle the killers and the spoilers. That's
for the US. Marshall and the smell of gun smoke,

(00:49):
guns smoke.

Speaker 2 (00:50):
The story of the violins that moved west with Young America.
The story of a man who moved with it. Matt Dillon,
United States Marshall.

Speaker 3 (01:08):
Wanted for murder, Wanted from murder. Clay Richard Slave Richards.

Speaker 1 (01:15):
Age thirty one, hight, six feet, eyes, brown hair, red eyes,
brown hair red.

Speaker 3 (01:25):
Hey, how'd you like me to print his picture on
these notices? I got a wood cut. Let me show you, Ernie,
that's your Marshall copy of that front page. Interviewing Clay's
wife yesterday, I noticed a tin type on the mantle
hair wedding photograph.

Speaker 1 (01:38):
So first thing, you know, I snitched. It was very
thun Yeah, oh, I'll take it, Ernie.

Speaker 3 (01:45):
And then I propped it up in front of me
and caught me this woodcut.

Speaker 1 (01:48):
Ain't she prime?

Speaker 3 (01:50):
Ain't she just elegant, real elegant, good likeness, don't you think?

Speaker 1 (01:53):
Of course he was seven or eight years younger with Yeah,
it's a good likeness. That doesn't show what makes a
aw A biden man like can't try to rob a bank,
doesn't look like a man who murdered an old cashier
and a Chinese cook who just happened to be there.
But it's a good likeness, sir.

Speaker 3 (02:12):
It is a picture like this Your addresses up the
front page, don't it.

Speaker 1 (02:15):
Yeah, it's a little masterpiece, mister high Tower. A notable
contribution to the culture a Dutch city. Well, thank you, Marshall,
does fetch your eye on it.

Speaker 3 (02:23):
I'm printing an extra five hundred copies of the Weekly,
and I bet I sell them all.

Speaker 1 (02:27):
Too bad the cashier's shot went wild.

Speaker 3 (02:30):
If he'd managed to kill Clay or even wing him, why,
I bet I could sell a thousand extra copies.

Speaker 1 (02:34):
We must be thankful for the blessings we do receive,
mister high Tower.

Speaker 3 (02:38):
Oh I am, Marshall, I am Why just fort happened
yesterday afternoon? I didn't know what I was gonna fill
my columns with. And then, like manna from heaven, two
murders in the bank.

Speaker 1 (02:48):
Robbery, attempt at bank robbery, Mister hig Tower, he turned
and ran for he got his hands on so much
as a dollar. Still, as you say, like man Dylan,
I'm talking business. What is it? Chester? Well? He can wait,
he asked, mister Dyllan. Yeah, print Clay's picture on those notices.

(03:09):
Mister high Tower, Now where were we? Uh? Eyes brown hair,
red oh yes, also known as red brick top and sorrow.
He uh didn't answer to no other nicknames, did he? No?
That's what they called him. Alright, attendant big letters, four
hundred dollars reward dead or alive and at the bottom

(03:32):
apply Matt Dillon Marshall, Dodge City. I print two hundred copies,
how soon? Okay? I sent him Chester over for him?
Uhs if known? Good morning, mister high Tom Chester. I
think those posters will do any good.

Speaker 3 (03:53):
Richard is probably over the line into Oklahoma or Colorado,
but now at Strawberry Rona, his is the fastest in
the county.

Speaker 1 (04:00):
He has no money. He panicked and ran out of
the bank where he got a penny. I think he'll
try to get help from his wife or brother or
a friend the first chance he has. Maybe they're nice
that stays around here somewhere. I Uh, I'm sorry I
turned on you like that. Justice.

Speaker 3 (04:19):
Why that's alright? Mister Dunning out all night with a
posey No, sweet man, bound and get touching.

Speaker 1 (04:23):
Nah, it's not that, it's it's the the way. It's
the way people use the thing like it's the men
riding in Posse last night. They enjoyed it as though
they were hunting.

Speaker 2 (04:35):
Fox or possum. High tower back there. He acts like
it was a birthday treat, especially gotten up for him.

Speaker 1 (04:42):
Everybody finds a way to use it. Uh, what what
was it you wanted to tell me? Mm Ooh, I
I got a kid. Uh, a little boy locked up
in the cell. Uh would run away from home back
and cotton Wood ed his late turned him over to
him when he come through on the stage coach.

Speaker 3 (04:58):
Just now, kid about twelve years old, who says he
with woman's bonnie, she ruins their boarding house in Cottonwood.
It's his kids always running away, a little wild guess
he flagged ed per ride on the road halfway between
there and here. Soon's head seen him stand there with
his bundle on his shoulder. He knowed what he was
up to, so he told kid he'd.

Speaker 1 (05:17):
Help him and then turn him over to us. When
he got him. All right, we'll send a telegram to
the mother to come fetch him. Well, come on in,
Chester and shut the door. You're letting an of her
horse fly in Kansas stilling.

Speaker 3 (05:29):
I think you better cancel the order for them. Notices
one the dutchman's coming up the street and he's leading
a strawberry roan, and Clay Richards is draped across his back.

Speaker 1 (05:41):
Like a sack of wheat across the saddle. Last time
I saw him, two days ago, he was standing at
the bar, lefting his head off, a sack of wheat
across the saddle, and followed by half the saloon bombs
and loafers in town. All right, Chester, make him keep back.

Speaker 3 (06:01):
Alright, I stand back, you fella, Come on, now back.

Speaker 1 (06:07):
How did it happened? My gold? My old billy road.

Speaker 4 (06:11):
He pushes open the fence last night and runs.

Speaker 1 (06:13):
Away, And get your goat? What about Clay? Yeah, I
tell you.

Speaker 4 (06:17):
This morning I go to look for the gold. I
walk here, dear, from near the river, I see Clay.
He sits there. I said, hello, Clay, you get and.

Speaker 5 (06:28):
That's when you know, God, dog, hey was your best friendly?

Speaker 2 (06:32):
Help you buy your farms or your kill everybody?

Speaker 4 (06:39):
Clay me, no, no, my brother, He was like, we
must Seeing the water together, bitter, Listen, you'll killing for
the war. Not so I kill nobody, not not since Skettysburg.
Clay is dead, or when I find him.

Speaker 1 (06:56):
I don't even own his inside. Quick, Chester, give me
a hand with Clay, all right, hard, I will not
tolerate a disturbance, you know me. I got him, Chester,

(07:21):
take his legs, kick a door shut. I don't kill
Clay on this table. Chester, What you do with Clay's guns?
Holster's empty gun? Clay, I ain't got it. I don't

(07:43):
even own one, Chester, See if it slipped out, if
it was empty coming up the street, first thing I noticed.

Speaker 3 (07:48):
Maybe it's over on the can't have that customer who
has three in lessen a day or bountiful harvest. My
fees this month will keep me in luxury, any luxury.

Speaker 1 (07:58):
Ark. I want to have an in quest as soon
as possible, as.

Speaker 6 (08:01):
Soon as I finished. The autopsy.

Speaker 3 (08:03):
Shouldn't take long with a practice I've had this week,
you know, late afternoon, All right with you, I'll take
him up to my office right now.

Speaker 6 (08:11):
No, thank you, Chester, I can carry him all by myself.

Speaker 1 (08:14):
Here.

Speaker 6 (08:14):
You just open the door there like a good fellow.

Speaker 3 (08:18):
Oh yeah, marshal. Tell the city fartish, I'd like to
make a deal. When the corpses are as famous? Is
this one back in fifty three in San Francisco, Fellow
I knew earned a fortune exhibit in the head of
Walking Marietta. Tell them, if they'll let me keep the remains,
I'll do the autopsis for me.

Speaker 1 (08:38):
Shut the door, Chester, Zegwe, Where is it you met
Clay on the river by the fort? This side by
the fort right out there, Chester, and see if you
can find Clay's gun. Maybe he dropped it when he
was shut. I did not shoot Goody, Sure I did not.
I had no reason to. I did not. I didn't
you listen to me. Maybe you think Dodge has got

(09:00):
so big. I don't know about everything that goes on here. Well,
if you do, you're wrong. If you think I don't
know about the bank having an overdue mortgage on your farm,
you're wrong. Four hundred dollars is reason enough for a
struggling farmer like you. No, I am a human being.
To a peace officer, Ziglier, that's enough grounds for suspicion.
But whether you did it or not, I'll be decided

(09:21):
at your trial. In the meantime, you just stop yammering
about it. Try me, Even when I shoot somebody, a
stand trial if they find it's justifiable homicide, and they
probably will claim being a wanted man and they'll let
you off. And if not the police, I am permitted
to go. Now go? Are you crazy? Are you phone?

(09:42):
They stuck up? I must look after it. You sit
right down. You wanna be lynch. You're trying to get
yourself murdered. If you've forgotten about Clay's brother. Adam would
not believe what difference does it make whether he believes
it or not.

Speaker 2 (09:53):
His brother's been killed. Everybody's looking to him to do
something about it, and he knows it. You want me
to guess where he is right this minute. He's one
of them saloons, lapping up courage to come in here
and ask me to give you to him for a present.
You want to know who's with him, ever a well
forever bumb ever slobbing Tom, slapping him on the back
and telling him what a shame it is taking him

(10:14):
on to kill you so that they can have.

Speaker 1 (10:16):
Some excitement and some fun. Maybe you deserve killing, but
it's my job to uphold the law. And I'm not
letting you out of here? What am? I gotta spend
your time trying to think up a better story, that is,
if you intend to stay in this town. All right now?

Speaker 2 (10:32):
Think back, didn't crag Off for his gun before you
shot him?

Speaker 4 (10:34):
I tell you I didn't. If I'm not underrest, you
had no right to keep me here. I got to
look after my farm.

Speaker 1 (10:42):
I go all right? Chester walking up? Yes, mister, come one.

Speaker 6 (10:50):
Step out?

Speaker 1 (10:51):
Some mean this cage is bespoke? Who's in there? Chester?
That a little runaway from Cottonwood? Oh, I'm over here, Son,
come over here to meet her Mina? Who you are?
You do?

Speaker 6 (11:07):
Do you bet? You're Matt Dylon and guilty?

Speaker 7 (11:11):
I knowed you're right off. He just pointed out to
me one day back home. Philler says you was the
fastest gun thrower in Kansas.

Speaker 1 (11:18):
Why at Her wouldn't be awful interested to hear that?
I'm afraid.

Speaker 7 (11:22):
Hiller says, you was faster than older, faster than wild
Bill Hickock and hay City and Bat Masterson or any
of 'em.

Speaker 6 (11:29):
How many fellas are you killed?

Speaker 1 (11:32):
You don't keep scoring, Son, It's something you try to forget.

Speaker 7 (11:36):
Not me, Someday I'll be famous like you, And for
every filler I kill, I'll put a notch on my gun.
People see those notches and they don't know.

Speaker 6 (11:46):
They better not try.

Speaker 1 (11:47):
Why did you run away from home? Bobby? Don't you
know your mother's likely they're worried about it.

Speaker 6 (11:52):
She won't worry, she's too busy working.

Speaker 1 (11:54):
Ain't gonna make me go back?

Speaker 6 (11:55):
Or you wouldn't do that, would you, Well, because it
wouldn't stop me for long. I'd only run away again.

Speaker 1 (12:00):
Oh where are you off to? And such a sweat?

Speaker 7 (12:02):
Oh Texas, California, Mexico. Do'll accomplish things? They're not like
living in old cottonwood. If you let me go someday
when i'm famous, you can tell people you help get
me started.

Speaker 1 (12:15):
Uh well, well that's a pretty strong inducement. And I'll
have to think about it for a while. And uh look,
while I'm making up my mind, I want you to
give me your word, the word of a man who'll
be famous someday that uh, you won't try to run
away from me, And otherwise I'll have to have Chester
lucky up again.

Speaker 2 (12:33):
All shake gun there and good good at Chester.

Speaker 1 (12:38):
I want you to go look for Clay's gun, yes, mister,
and now on the way, stop off and send that
uh telegram you know? Mm oh that telegram? A yes,
mister jan it's alright Chester, go ahead? Yes, or mister
d where's that murdering dog? Ohre there? Are you a

(13:00):
single step further?

Speaker 2 (13:03):
I want him, Dylan, he murdered Clay, shot him down
without giving.

Speaker 1 (13:06):
Him a chance. How do you know? Because Clay wouldn't.

Speaker 3 (13:10):
Have let anyone catch him off, God except.

Speaker 8 (13:11):
A friend, a friend, and that Dylan, give me that dutchman.

Speaker 1 (13:19):
Try to take it. It's like that, It's like and
it's true.

Speaker 2 (13:25):
What the fellas say, you made a deal with the Dutchman.

Speaker 1 (13:27):
They give him the reward to protect him.

Speaker 6 (13:28):
If he killed Clay for you.

Speaker 1 (13:30):
That was the deal, wasn't he. Yeah? The fellas say,
why I'd make such a deal, Dylan.

Speaker 2 (13:35):
It ain't no longer a secret around town that you
and France he won each other.

Speaker 1 (13:39):
But Clay was in the way. You had him kill
so you could get his wife. Do you deny it? No? No,
you'll serve as well as any other crazy story to
work you up. You think you're safe behind that start,
don't you. Well, Clay have friends, lots of them. I'm
coming back with them friends.

Speaker 3 (13:58):
He will get the dutchment hand and you and everyone
else are twice to stop us.

Speaker 1 (14:03):
All right, An I'll be waking.

Speaker 7 (14:06):
Yeah you wait, who I've seen some pretty just and
didn't I mister Dylan.

Speaker 1 (14:17):
Yeah, formost got another find of whiskey.

Speaker 4 (14:22):
I want to do it.

Speaker 2 (14:37):
We will return for the second act of gun Smoke
in just a moment.

Speaker 1 (14:40):
But first.

Speaker 2 (14:41):
Many radio shows win high popularity with the prizes and
cash they give away. But there's one show that stops
because the headman gives away as little as possible. What
other radio program could it be? But the Jack Benny
shows all be listening, and now with William Conrad start
as Matt Dylan. Here's the second act of gun smoke.

Speaker 1 (15:16):
Son, you say something, mister Jill, Uh yeah, Oh, my
drawer in front of you. There you'll find a small
bottle of oil in the No. No. One of the
ride to Yeah, I said, now bring a little brush too. Huh.
Here it is, thanks bub.

Speaker 6 (15:30):
That's a right nice gun you have.

Speaker 1 (15:32):
That's not bad. But a little stiff, just a little stiff.

Speaker 6 (15:36):
Do you want do you have a trigger? I never
seen a gun without.

Speaker 2 (15:38):
A trigger before Uh, you're a move a trigger or
a tied back against a guard and all you have
to do is uh with my hammer.

Speaker 1 (15:46):
Yeah like that. It's faster. Yeah, that's about it.

Speaker 6 (15:49):
Now remove the trigger. I remember that.

Speaker 1 (15:53):
What in the world for?

Speaker 6 (15:55):
Well?

Speaker 7 (15:55):
I remember everything you told me about the Texas holster
and the Spring holster and the double and filing off
the site.

Speaker 1 (16:03):
Oh any lock chest rose here?

Speaker 3 (16:04):
Not any. I went to the store first and asked
mister Dentton what kind of ammunition Clay Richard used to buy,
and he told me Clay had.

Speaker 1 (16:10):
A double action forty four.

Speaker 3 (16:12):
I scarred that river bank a half mile each way
from the fore and not a sign of it.

Speaker 2 (16:17):
I got that.

Speaker 1 (16:18):
Telegram off you know who ought to be here.

Speaker 3 (16:20):
Pretty soon, only seven eight miles from it said fire
in town, funeral services from mister Grinnell or the cashier.

Speaker 1 (16:29):
So so it's awful hot weather. Yeah, any of your
guns nate oiland so I don't think so. Yeah. Sure.
When Adam left, he said he'd be coming back with
some friends.

Speaker 3 (16:42):
And I know I stopped at the Oulipaganda just now
A rints out of my mouth. Adam was there talking
mighty ugly and mighty big.

Speaker 1 (16:50):
He's got a size a little falling.

Speaker 3 (16:53):
When do you think any minute now, mister Dillon, It
want me to take bob body here to one of
the hotels, maybe, Oh wanna see?

Speaker 1 (17:00):
No, I think you'll be safe here Chester, behind stone
walls and dodging about the street, rubbing neked you keep
your head down, sunning your hair. She ought to be
in mourning if she cared for Clay at all anymore,
she ought to be in black Man. Oh lord, I
find them more beautiful all the time.

Speaker 6 (17:17):
Mat, Have you heard what they're saying?

Speaker 1 (17:20):
What are they saying, Francie.

Speaker 6 (17:22):
That you need that you made Pete Ziggler kill him?

Speaker 1 (17:25):
Because I'm sorry that got back to you, franc It's
all over.

Speaker 3 (17:28):
Dodge had them almosting on me before they dragged him off.

Speaker 1 (17:32):
I did believe me. Shut up, Francie. Is just one
of those crazy stories. They needed one, and they made one.

Speaker 6 (17:45):
But Matt, everyone believes it. On my way down.

Speaker 9 (17:47):
Here, people were pointing, whispering old women clicking their tongues
at me.

Speaker 1 (17:52):
They believe it. They'll forget it as soon as this
is over. They will remember that even if we once
did go with each other. It was finishing done with,
even before the war ended, before you even met Clay.

Speaker 6 (18:04):
No, they won't forget it for the.

Speaker 9 (18:07):
Rest of my life, as long as I stayed here.

Speaker 1 (18:12):
Yeah, Doc, what is it? Am? I interrupted? What is it? Doc?

Speaker 3 (18:17):
Our tops he's finished.

Speaker 6 (18:18):
I examined his liver and lights.

Speaker 1 (18:20):
His lessus messes Richards.

Speaker 3 (18:21):
Doc, Oh, I beg your pardon, man, I'm sure I
have meant no disrespect for the departed.

Speaker 1 (18:27):
Well, well, Clay.

Speaker 3 (18:28):
Was shot, all right, But from the nature of the
wound and the coagulation of the blood, I'd say it
happened sometime yesterday. I'd say the cashier's bullet didn't go
wild after all.

Speaker 1 (18:36):
I could a dead man gallop away.

Speaker 6 (18:38):
But the wound wasn't what killed Clay.

Speaker 3 (18:40):
The ball hit the rib case and bounced off twenty
two calibri it was, And what dial kill him was
the stab in the back, right through the spine, inflicted
sometime this morning now, near as I can judge, by
a small blade oh two three inches long.

Speaker 1 (18:53):
It could have been a borlow knife.

Speaker 3 (18:55):
Thanks, Doc, Please accept my icondolics. Mister Richard, you call
the in anytime you're ready.

Speaker 1 (19:01):
Marshall chest him close the door. You see, you see
I didn't do it.

Speaker 5 (19:06):
I didn't shoot him.

Speaker 1 (19:07):
All right, then say maybe you said you never carry
a gun. Look, Franci, go home and give matters a
chance to.

Speaker 6 (19:16):
Similar, Mad go in to ask you for something. Yeah,
turn pizzick you out into the street.

Speaker 1 (19:25):
All right, Francy, they're itch and they get their hands
on him.

Speaker 6 (19:31):
Let them have him.

Speaker 8 (19:32):
You'll prove that story is a lie, that you didn't
make a deal with him.

Speaker 6 (19:36):
Please, Mad, I have to live here, kill me.

Speaker 1 (19:39):
I have to live here, Madam, mad don't look at
me like that. Go home, franc go home, or leave town,
or hang yourself or anything you like. Just go away,

(20:02):
no way right now? How bought me a bottle at
the aliph? Agains? Mister Dillon? Would you care for dreaming? No?
Guess the funeral's over? Help the others? Funny? No, I
miss that bell? Oh? Who quiet? Ain't it? It's just

(20:28):
just about on schedule? Are you ready? Chester? Yes? Or
mister don't I use a shotgun? If I were you,
it's more effective when there's a mom to be dealt with.
Oh yes, Or I am into Ziggler and you two son.

Speaker 2 (20:42):
If trouble starts lying, on, float on the floor and
keep her head down all the time.

Speaker 1 (20:45):
Don't go out to see what's happening. You understand me.
Listen all right, Chester, I want you to stand here
in the doorway after I go out, where you can
cover the back door. And at the same time, yes,
you're just dealing, all right, Chester, open.

Speaker 5 (21:05):
Door, come out.

Speaker 8 (21:12):
It's my duty to warn all of you that you're
in the breach of the peace.

Speaker 1 (21:17):
I've sworn up all the law, I've killed men in
order to do it, and I'm prepared to do so again.

Speaker 5 (21:23):
He was a Dutchman, Dolan.

Speaker 8 (21:29):
I asked you to be sensible and to leave quietly.
But if you refuse to listen to reason, if you
insist upon being fools, if you've already decided to act
like wolves instead of humans, and there's nothing I can
say to make you change your minds.

Speaker 1 (21:46):
All right? You want peers? He good?

Speaker 8 (21:49):
Well, he's not born twenty feet behind me, So come
on and get him.

Speaker 1 (21:52):
Any of you what in a time or all it wants?

Speaker 5 (21:54):
Come on?

Speaker 1 (21:56):
What's one of you wants to die? First?

Speaker 5 (21:58):
You? You? You am?

Speaker 1 (22:06):
What do you say, Adam? You'll let him head?

Speaker 8 (22:07):
Don't let this star on my coat stock it Come
on there, I'm not wearing it now.

Speaker 5 (22:14):
I can't draw it and go.

Speaker 3 (22:23):
You're all right, mister Dylon, Yeah, get his gun.

Speaker 1 (22:33):
Man a lie. I couldn't even see your hand move
and my shell. Oh don't tell me. Don't you make
one single funny remark and I'll knock you down. You're
just taking to your office and get to work.

Speaker 3 (22:45):
I never do mean to offend Marshall. In my line
of work. Well bodies, they are just so much lum.

Speaker 2 (22:51):
Make all the jokes about him, you please, but not
to me and not in my hearing. In my line
of work, there's nothing humorous about death.

Speaker 1 (22:59):
Give him my hand chest.

Speaker 3 (23:00):
You know how I can handle the marshals.

Speaker 6 (23:02):
Thank you, Thank you just the same. Can you direct
me to the Marshall's office?

Speaker 1 (23:06):
Huh yes, ma'am right here. I'm Marshall Dollon.

Speaker 9 (23:09):
I left Cottonwood soon as I got your telegram.

Speaker 6 (23:12):
I'm miss Bonnie. Where's my boy?

Speaker 1 (23:13):
Oh we have him, ma'am satan Son here, Let me
help you down. HiT's that horse Chester righteous lay man?

Speaker 6 (23:21):
Oh, I'm so sorry he puts in all that trouble.

Speaker 1 (23:24):
Marshall.

Speaker 6 (23:25):
The truth of the matter is he is a wild one.

Speaker 9 (23:27):
Enorm mistake, takes after his father, one scrape after another.

Speaker 1 (23:32):
He was no trouble with all. I enjoyed children. I
like to have him around. Bob, Bob your mars here son, Chester,
where's the boy? Do you let him slip past you?

Speaker 3 (23:45):
No, it's mister Dillon.

Speaker 1 (23:46):
He never got past me. Look but that door's open.

Speaker 6 (23:49):
He's seen me and he hight heiled at the devil.

Speaker 1 (23:53):
We'll round him up for you, ma'am. Don't worry.

Speaker 9 (23:55):
Oh, I don't know why bother houlding him back. If
he's run away once, he's run away times. This time
he ran because I wouldn't buy him a gun. He
wanted a real one. That boy's just gone crazy. I
swear it got him a nice.

Speaker 1 (24:10):
Ball of knife instead.

Speaker 9 (24:11):
I reckon it didn't signify and off he runs.

Speaker 1 (24:14):
Ballow knife a kid, Chester funds.

Speaker 9 (24:18):
A kid, Marshall. Has he done something bad with it?
I told him to use it careful?

Speaker 1 (24:25):
He promised he'd us Never mind, Chester, he's got plays
strawberry rowing. Would never catch up to try.

Speaker 9 (24:32):
To bring him up right, tell him to be good,
but he don't listen.

Speaker 6 (24:36):
He just don't.

Speaker 1 (24:37):
Listen to calm yourself, ma'am. Just calm yourself. Here's his
little bottle, mister dinner, Well heah give it to him.
That's pretty heavy here, you're better not to and eye
am open it with you.

Speaker 6 (24:49):
The moment he was born, he has been nothing but
trigulation to me.

Speaker 1 (24:52):
Now, please, ma'am.

Speaker 3 (24:55):
But he got in a Chester shirt stalking. He's the
sausage and this forty four double action.

Speaker 1 (25:06):
Ask mister Dillon, that's Clay's gun. So he didn't manage
to keep it long, did he. Well, if he wants
a gun that bad, he's bound to get hold of
another one somewhere somehow. Chester. Call mister hyde Tower over.

Speaker 8 (25:24):
Hey, hey, mister hyde Hower, h come on over, mister Dillon.

Speaker 1 (25:28):
Wann't you marshall? Couldn't I have at least a drink
of water? Well, oh, Ziegler, I forgot all about you. Uh, Chester,
Where the key's right there on the desk house where
we are. We'll be safe for you to go home now.
I I can go back by the phone. Hey, that's right,

(25:50):
I'll send for you for the trial.

Speaker 3 (25:53):
Watch where you're going you don't meet the excuse me, yes, marshall.

Speaker 1 (25:58):
Mister hide Tower and appear that we can do business
after all. Get some paper and a pencil. I want
some notices printed, fire away. I wanted from murder. I
wanted from what's the boy's name?

Speaker 6 (26:12):
Bonnie William Bonnie.

Speaker 1 (26:15):
William Bonnie William Bonny aged twelve. I had about five
feet hair, light, eyes blue, and I suppose he's known
any other name.

Speaker 9 (26:29):
Everybody just told him Billy or the Kid.

Speaker 1 (26:33):
Also known as Billy the Kid.

Speaker 2 (26:53):
Gun Smoke, under the direction of Norman McDonald, stars William
Conrad as Matt Dillon US Marshall.

Speaker 1 (26:59):
Tonight's glory was specially written for Gun Smoke.

Speaker 2 (27:01):
By Walter Newman, with music composed and conducted by Rex
Cory featured in tonight's cast with Don Diamond, Parley Bear,
Harry Bartel, and Howard McNair, with Richard Beials, Paul dubav
Georgia Ellis and Mary Lensing join us again next week
as Matt Dylan US Marshall fights to bring law and
order out of the wild violence of the West in

(27:23):
gun Smoke. Those longtime favorites Amos and Andy are rising

(27:44):
to new heights in their CBS radio series on Sunday nights,
heard on most of these same stations, Amos and Andy
find trouble as constantly as ever and make it just
as funny and as human as they have for more
than twenty years. Be sure to hear Amos and Andy
this Sunday, won't you Right at the Jack Benny Show.

Speaker 1 (28:01):
This is Roy Rowan speaking.

Speaker 2 (28:03):
And remember there's fast funny quizzing on the Bob Hawks
Show every Monday evening. This is the CBS Radio Network.