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September 5, 2025 • 20 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Welcome to Gunsmoke Daily, where we breathe new life into the dusty trails and fiery showdowns of Dodge City with daily episodes of the iconic old-time radio show, "Gunsmoke." Each day, we journey back to the 1950s to join Marshal Matt Dillon as he maintains law and order in the wild west. From thrilling gunfights and moral dilemmas to heartfelt moments and the gritty realities of frontier life, every episode features the rich, atmospheric storytelling that made Gunsmoke a beloved staple of American entertainment. Tune in to relive the adventures of Dillon, Miss Kitty, Doc Adams, and Chester Proudfoot, and experience the drama and suspense that captivated listeners for over a decade. Join us daily for a timeless trip to the old west with "Gunsmoke."
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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
At Little Rock.

Speaker 2 (00:01):
Governor Forbus has returned from a weekend of rest in
the country, and he told reporters that the next step
toward resolving the crisis over the integration of schools in
Arkansas's capital is up to the federal government. By the
governor's order, the city's four high schools will not open tomorrow,
and one report, unconfirmed, has it that the Justice Department
will take the first step in the morning to challenge

(00:22):
the legality of the governor's move to side step compliance
with the Supreme Court order for an immediate resumption of
integrated classes at Central High School. The Air Force is
still officially silent on the performance of the Atlas intercontinental
ballistic missile it launched during the night from Cape Canaveral,
but the unofficial word is that the test was the
third in a row to be judged totally successful, with

(00:44):
the nose cone coming down in a target three thousand
miles away. Now the word is the Atlas will get
its first all out tests in a few weeks, when
it will be aimed at a target more than six
thousand miles distant from Chicago. Comes word of the arrested
a man who might be the country's oldest active burger.
His name is Ernest Ruhler and his age is seventy eight.
It took three men to subdue him when he was

(01:05):
found prowling today in a Chicago home, and he told
the police, I was just doing what I know best.

Speaker 1 (01:12):
I can't break the habit.

Speaker 2 (01:13):
I'm now a word from Chevrolet.

Speaker 3 (01:16):
This is Art Baker speaking for Chevrolet in behalf of
your local authorized Chevrolet dealer who invites you to come
in and take a look at the only all new
car in the low price field, Chevrolet. Remember drive with
care everywhere. Chevrolet brings you the news twelve times each
weekend on CBS Radio. This is the CBS Radio Network.

Speaker 4 (01:39):
You're tuned to WBT Radio, serving Charlotte and the Carolinas
with complete weather information. The weather forecast is generally fair
and somewhat warmer. Tonight and Monday partly cloudy and warm
with the chance of showers in the extreme west. Present
temperature on the WBT thermometer said seventy six degrees.

Speaker 1 (02:04):
Seven o'clock.

Speaker 5 (02:16):
Around Ard City and in the territory on West. There
is just one way to handle the killers and the spoilers,
and that's where the US Marshal and The Smell of
Guns Smoke gon wos For starring William Conrad. The story

(02:41):
of the violence that moved west with Young America and
the story of a man who moved with it.

Speaker 1 (02:47):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the less they want to meet.
It's a chancy job, and it makes a man watchful
and a little lonely.

Speaker 6 (03:01):
At Chester, you like that?

Speaker 1 (03:32):
No, well, listen to this chester Chester, Yes, sir, put
the columb away please, mm hmm.

Speaker 7 (03:50):
Here what you're doing, you'll me about it.

Speaker 1 (03:54):
Yeah. I'm Philip Luck from Philadelphia. I arrived on Santa
Fe this morning. You're a long way from home, mister Locke.

Speaker 7 (04:02):
I'm looking for someone.

Speaker 1 (04:03):
A girl as a matter of fact. Oh he lots
of girls and nod. You shouldn't have much table, if
you please, Yester, please, yes, sure.

Speaker 7 (04:11):
This girl wrote her mother in.

Speaker 1 (04:12):
Philadelphia that she was teaching school here Marshall. However, she's
never been heard of at the school. Oh well, maybe
she moved on somewhere else, but they say she never
was at the school. I'm afraid something's happened to her. Hell,
a lot of things can happen to people out here,
mister Lucke. That's precisely why I've come to you. I
want you to find her immediately. Mister Locke, you're not

(04:35):
in Philadelphia, but I'll keep an eye open for her
if you will tell me your name and what she
looks like. She's about five feet four, She's blonde, very
pretty girl.

Speaker 7 (04:46):
Her name is Laura Simmons, La Simon. Yes, do you know?

Speaker 1 (04:48):
No, he doesn't know her any to do I, but
I'll see what I can find out for you. Mister Locke.
Where are you staying at the Dodge House?

Speaker 7 (04:55):
And I must say I've been in better.

Speaker 1 (04:56):
Hotels well as bad as it is. You wait there.
I'll come to you if I have any news. It's
most urgent that I find her at once.

Speaker 8 (05:04):
Marshall, Sure, good day.

Speaker 9 (05:07):
Where Marshall, Dylan?

Speaker 1 (05:28):
Hello, Laura?

Speaker 9 (05:30):
Well, come in, Marshall, come in, well man.

Speaker 1 (05:36):
Ah, Kitty, I didn't expect to find you in Laura's room.

Speaker 9 (05:40):
How do you know where I live?

Speaker 7 (05:41):
Marshall?

Speaker 9 (05:41):
You've never been here before.

Speaker 1 (05:42):
I asked Sam.

Speaker 2 (05:43):
Downstairs the wonder he told you.

Speaker 7 (05:46):
I think Sam's sweet on law. Oh, kitty, kitty, why
do you ever do this.

Speaker 1 (05:51):
Look, you two can gossip about all that later. Right now,
I've got some news for you, Laura. Yeah, yeah, there's
a man here looking for you. Oh who. His name's
Philip Locke, Philip Dodge. I figured it might be bad news.

Speaker 9 (06:08):
He can't have him find me here.

Speaker 1 (06:11):
Hell, he went to the schoolhouse first, and I told
him you'd probably moved on. But uh, he still thinks
you're here somewhere. Well, I wrote mother, I was teaching
in school.

Speaker 9 (06:22):
Must have gone to see her.

Speaker 1 (06:23):
Honey, if you don't want to see him, you don't
have to.

Speaker 9 (06:25):
I can't see him. I can't have him know I
work in the saloon. It's nothing to be ashamed of.

Speaker 10 (06:31):
Yes, yes, it is.

Speaker 1 (06:35):
Especially now what do you mean, Well?

Speaker 2 (06:38):
I was engaged to Philip once before I left Philadelphia.

Speaker 9 (06:41):
You were we were about to be married when his
family found out that my father.

Speaker 1 (06:45):
Had been a riverboat captain.

Speaker 9 (06:47):
She told him before. I guess.

Speaker 1 (06:51):
Anyway, they called off the wedding, and I was so
ashamed I ran away.

Speaker 9 (06:55):
I came out here. Finally.

Speaker 10 (06:56):
What about Philip?

Speaker 1 (06:57):
What did he do the It's a very aristocratic family, kitty,
because he had to do what they wanted.

Speaker 10 (07:05):
Not much of a man if you ask me, aristocrat
or not?

Speaker 1 (07:10):
Oh, lovely, I think he was with me?

Speaker 10 (07:14):
Are you sed to?

Speaker 7 (07:16):
I don't know?

Speaker 9 (07:17):
How can I know? You mustn't find me here?

Speaker 2 (07:21):
This is a sort of life they said I was
best suited bo.

Speaker 9 (07:23):
He'd go back and tell my mother and it break
her heart.

Speaker 1 (07:26):
Look, Laura, you could go out to mar Rilay's until
he leaves Tom. I'm sure she'd be glad for a
little company with a.

Speaker 9 (07:34):
Good idea that. Come on, honey, we can ride out together.

Speaker 1 (07:38):
It's only a few miles, all right, Kitty, Thank you.

Speaker 3 (07:41):
Matt, you might kind of spook this Philip lock back
to Philadelphia.

Speaker 11 (07:47):
Well, I'll try, Kitty.

Speaker 10 (08:14):
I know that's mighty warm beer for a Nichol. Well
I paid for the beer, I know, and I thank.

Speaker 1 (08:20):
You, Chester, But I hate to see you not get
your money for it.

Speaker 10 (08:25):
Oh, I'll get it, and you decide it's time to
buy us a beer?

Speaker 1 (08:29):
Is it about time?

Speaker 2 (08:30):
Though?

Speaker 7 (08:30):
Yeah?

Speaker 1 (08:31):
Yes, he'll tell me. Man.

Speaker 10 (08:32):
Is Laura still out at the Riley Place.

Speaker 1 (08:35):
Here shining away from the problem document? Anyway? Yeah, she's there.
Lac isn't likely to leave town this soon. I saw
him last night and I told him that I had
heard that Laura had gone to Denver.

Speaker 10 (08:48):
Did he believe you? Kind?

Speaker 1 (08:49):
I think so? But I warned Sam to something the
same thing in case she came snooping around here.

Speaker 10 (08:54):
Oh well, said Star, poor girl, she's better off without
like him, asked me. Women strange they fall in love,
And I said, I sometimes wonder if it has anything
at all to do with a particular man.

Speaker 7 (09:08):
Of course it has not.

Speaker 10 (09:10):
I remember what a little Kyle girl told me one time.

Speaker 1 (09:13):
She said Chester. She said, I didn't know you spoke
Kyle or Chester.

Speaker 7 (09:17):
Well, I don't exactly. We use an assigned language.

Speaker 1 (09:21):
Kindly, you know, Hello, Lock Marshall, I think you lied
to me about Laura. How's that's su Most certainly is
there's something mighty strange going on here, and I think
you're mixed up in Look, maybe Laura doesn't want to
see you. Have you thought of that?

Speaker 7 (09:43):
I'm going to see her if I have to kill
you to.

Speaker 1 (09:45):
Do it, kill me right. You ain't even wearing a gun, mister,
I don't have to. What do you mean, mister luck,
I've hired and will shoot anybody, I say, for five
hundred dollars. Philadelphia must be quite a town. You have

(10:08):
twenty four hours to produce him, Marshall. Remember I'm a
man of my word. Yeah, I'm sure you aren't.

Speaker 7 (10:22):
Well.

Speaker 1 (10:23):
Of all, he's probably one of those who hired somebody
to fight on the war for him. Dockets all.

Speaker 8 (10:29):
He knows he's looking, don't.

Speaker 1 (10:32):
We're talking to the bar. But Pete dool So that's
his gum. He looks like it.

Speaker 10 (10:40):
I've all even good drunken crooking.

Speaker 7 (10:43):
He ain't even much of a gunman.

Speaker 6 (10:45):
No.

Speaker 1 (10:46):
I always took Pete him to be a little off,
and they hear he is doc. You never know what
Dulham might do. He isn't like other men and that
makes him really dangerous. Hello man, Okay, down, thank you.

(11:26):
Do you talk to Laura again?

Speaker 9 (11:28):
I saw her this morning, man, But she didn't say.

Speaker 1 (11:31):
That she can't stay at that boarding house forever. Locke
hasn't shown any signs of leaving. Maybe she ought to
go on the Peblo or Santa Fe or someplace for
a while.

Speaker 9 (11:41):
Give her time.

Speaker 1 (11:43):
Okay, Oh you do, Marshall. Now what is it, Sime?

Speaker 9 (11:47):
Uh?

Speaker 1 (11:47):
Going off back? Both of you? Oh what fork? Well,
you'll see going go on? I got to take care
of the bar.

Speaker 7 (11:54):
The same must be drunk.

Speaker 1 (11:55):
No, he's sober. No, I come on, let's have a look,
all right, But I still say he's drunk.

Speaker 9 (12:03):
Uh.

Speaker 1 (12:03):
Sam doesn't drink his own liquor.

Speaker 9 (12:04):
Get it.

Speaker 7 (12:05):
I don't blame him.

Speaker 1 (12:06):
I wish I didn't have to sit, don't.

Speaker 9 (12:09):
I wouldn't I lived on a little chicken runch.

Speaker 1 (12:12):
Somewhere Sam's liquor. Isn't that bad? Kidding?

Speaker 9 (12:20):
Slow kitty, Washa, Laa?

Speaker 7 (12:23):
What are you doing here? La La?

Speaker 9 (12:25):
I didn't wanna go inside just yet. So I've been
sitting out here talking to Sam.

Speaker 7 (12:31):
You mean you're coming back to work.

Speaker 2 (12:34):
I've been thinking a lot about everything, and I'm gonna
face it out.

Speaker 1 (12:40):
Are you sure you're right?

Speaker 10 (12:41):
Honey?

Speaker 2 (12:42):
There's any other way to do it?

Speaker 9 (12:44):
So? What came here? Because he wants me back? I
won't like to him?

Speaker 1 (12:49):
Mm I guess it's up to you.

Speaker 9 (12:53):
Where do you wanna talk to him? Why?

Speaker 10 (12:55):
Shall would you find him and bring him here?

Speaker 1 (12:58):
Out here?

Speaker 7 (12:59):
No?

Speaker 1 (13:01):
Just take him to the bar inside.

Speaker 7 (13:05):
I'll meet him there later on.

Speaker 1 (13:37):
An empty saloon is a curious place to meet. Laura.
You want another drink? Now about you? Morn Love Phillis Laura, Laura,
that dress like, why are you dressed like that?

Speaker 9 (14:01):
You'll buy me a drink, Philip.

Speaker 1 (14:02):
I'll tell you a drink.

Speaker 9 (14:04):
Of course, this is how I earn my living.

Speaker 1 (14:10):
You work here. Yes, will you buy me a drink
to start me?

Speaker 9 (14:17):
No?

Speaker 1 (14:22):
Oh, Philip, never mind him, Laurie, you don't mean nothing. No, no,
Sam just like what his mother said about me. It's true, Philadelphi.
Well don't know in Philadelphia. Lace on her hand, La,
have a drink, thanks, Michelle. I needed How at you

(14:52):
going on?

Speaker 7 (14:52):
Now?

Speaker 1 (14:53):
I got killed, Laura?

Speaker 7 (14:56):
Yes, Philip, or I can't leave.

Speaker 1 (15:03):
I started to, but I can't.

Speaker 7 (15:05):
I came to find you. I'm going to take you
back with me.

Speaker 1 (15:09):
You are, Yes, this is quite a shock to me,
of course, seeing you here in this place. But I
can forget about that. I'll try, Laura, will you, Philip,
we'll never mention it ever to your family, to anyone.
It'll be a secret.

Speaker 3 (15:28):
It will nobody knows.

Speaker 1 (15:30):
Perhaps it won't matter.

Speaker 9 (15:32):
I'm not sure, Philip. I think it'll matter.

Speaker 10 (15:36):
Always to me.

Speaker 1 (15:40):
I don't understand. No, you wouldn't understand, mister. Come on,
let's get out of here where we can talk.

Speaker 9 (15:47):
No, you heard us.

Speaker 1 (15:50):
You don't want to go? Will you keep out of it?

Speaker 3 (15:52):
No?

Speaker 5 (15:52):
Oh kind of man?

Speaker 7 (15:53):
Are you?

Speaker 3 (15:53):
Anyway?

Speaker 1 (15:54):
This girl ain't done nothing to be ashamed of, except
her in her living, which is probably more than you've
ever done. You think you're good enough to journey anyways?
You'll try to forget about it?

Speaker 2 (16:04):
Did you ever think of anybody but yourself?

Speaker 1 (16:08):
Mister? You're no good. Laura here's worth a hundred like you,
I'm proud of I don't care what she has done
or who knows it.

Speaker 9 (16:15):
You're proud of me, sir, of course I am.

Speaker 7 (16:19):
Are you coming, Laura?

Speaker 1 (16:21):
Tell him Lord God, tell him, well, no.

Speaker 9 (16:31):
I'm not coming.

Speaker 1 (16:33):
I'm going to stay here.

Speaker 10 (16:35):
You heard her, mister, Now get out before I break
a bottle over your head.

Speaker 7 (16:41):
Goodbye, Laura, and you by attendant.

Speaker 1 (16:46):
You'll die for this. I'll try that lot you keep
doing out of this. Nobody tells me what to do, Marshall,
cool fooling.

Speaker 7 (16:56):
Got to do with this?

Speaker 1 (16:58):
Lots heart Doling's coming?

Speaker 7 (17:00):
Oh you kill you?

Speaker 1 (17:01):
Sam Do is crazy enough to m he is sam
Yl What is it Chester? I've been waiting now, I

(17:23):
like said, aren't you there now? Because he's coming right
up Pump Street, all right, Chester. After he comes in,
just keep an eye on the door. Sam Dylan's going
to be here in a minute. You better get out
of the site. Well, I ain't afraid that you heard me, Sam,
I get out of.

Speaker 7 (17:43):
Sight with him, Okay, I comfort Sam?

Speaker 1 (17:59):
Where is he? What are you wanting for to him?
I've been paid to shoot that's what you want to
hang him?

Speaker 7 (18:09):
I was born to hang.

Speaker 10 (18:12):
Where it is he.

Speaker 1 (18:14):
Look, I'm going to throw you in jail for a
couple of days. Maybe things will be clearer to you
than not come out. No, my soul, now, don't do that.

Speaker 7 (18:22):
I got to earn my five hundred dollars.

Speaker 1 (18:25):
All right, But you're gonna have to shoot it out
with me first.

Speaker 7 (18:29):
With you, what do you got to do with it?

Speaker 1 (18:33):
I don't want nothing to do with you. As a
law against murder doing, I know that. What makes you
think you can shoot Sam and get away with it?

Speaker 7 (18:42):
I got five hundred dollars right here in my pocket.

Speaker 1 (18:46):
You want to see it, Dan, See if you can
understand this. Either you take your money and you get
out of Dodger. You're going to jail.

Speaker 7 (18:55):
I ain't going to jail.

Speaker 1 (18:57):
You want to draw on me, you fool that got
up fast. I go on, move.

Speaker 9 (19:07):
You.

Speaker 7 (19:10):
You don't leave a man much choice, Marshall.

Speaker 1 (19:15):
I have to go good bye. Well I've got rid
of and I hope so Sam. He would never had
much of a chance at you anyway, we look at
Laura there.

Speaker 9 (19:35):
I wouldn't have missed you, Sam, even.

Speaker 1 (19:36):
If you had got the Marshal? Where'd you get that shotgun?
Lost you?

Speaker 9 (19:42):
When you keep up stairs?

Speaker 10 (19:44):
I borrowed it.

Speaker 1 (19:45):
You know something, Sam's blood and the squirrel? Did you
ever tell you that her father was a rubber boat
captain in Marshall? Marshall, I'm closing up the bar. You
will have to do all your drinking somewhere else tonight.
That'll be a pleasure, Laura. Come on, Laura, I want

(20:07):
to hear more about your old man.

Speaker 9 (20:09):
Sure, sure,
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