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September 3, 2025 • 24 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Welcome to Gunsmoke Daily, where we breathe new life into the dusty trails and fiery showdowns of Dodge City with daily episodes of the iconic old-time radio show, "Gunsmoke." Each day, we journey back to the 1950s to join Marshal Matt Dillon as he maintains law and order in the wild west. From thrilling gunfights and moral dilemmas to heartfelt moments and the gritty realities of frontier life, every episode features the rich, atmospheric storytelling that made Gunsmoke a beloved staple of American entertainment. Tune in to relive the adventures of Dillon, Miss Kitty, Doc Adams, and Chester Proudfoot, and experience the drama and suspense that captivated listeners for over a decade. Join us daily for a timeless trip to the old west with "Gunsmoke."
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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Gun Smoke brought to you by Ellen M. Filters.

Speaker 2 (00:14):
Make today your big red letter Day. Change to Ellen M.
So good to your taste, so quick.

Speaker 1 (00:21):
On the draw.

Speaker 2 (00:25):
Around Dodd City and in the Territory on West, there's
just one way to handle the killers and the spoilers,
and that's with a US Marshall and the smell of
gun Smoke. Guns Smoke, starring William Conrad, the transcrud story

(00:59):
of the violence but move well with Young America and
the story of a.

Speaker 1 (01:03):
Man who moved with it. I'm that man, Matt Dillon,
United States Marshall, the first man they look for and
the last they want to meet. It's a chancy job
and it makes a man watchful and a little lonely.

Speaker 3 (01:46):
I swear there is the Lonsmith's looking ranch in the
whole state of Candas, mister Dyllan.

Speaker 1 (01:50):
That's no place for a man. Alikes Company Jester.

Speaker 3 (01:53):
Three days ride from Dodge one hundred and fifty miles.
It get me talking to myself.

Speaker 1 (01:58):
And let's drive an old tip flavor a little crazy.

Speaker 3 (02:01):
Not so crazy. He ain't finally selling out.

Speaker 1 (02:05):
Let's leave him here.

Speaker 3 (02:14):
I ain't laid I on old tupping over the year.

Speaker 1 (02:17):
He hasn't changed any and that's what worries me.

Speaker 3 (02:20):
What do you mean?

Speaker 1 (02:21):
And I'm not sure the old man's competent when it
comes to business like selling a runch. Oh there is
hey tip? Hello?

Speaker 4 (02:29):
Hello?

Speaker 3 (02:32):
Look at his hair, he must use it for a matkin.

Speaker 1 (02:35):
That's bear Grey's chested.

Speaker 3 (02:37):
Looks like he ain't walked it as he was a boy.

Speaker 1 (02:40):
How top, how are you huh fifty?

Speaker 5 (02:43):
Fight? Hey ornate?

Speaker 3 (02:45):
Old tup?

Speaker 5 (02:46):
Heah and she you're looking sloppy as every chester. I'm
looking sloppy?

Speaker 3 (02:52):
What top dog on your old hoever mine?

Speaker 5 (02:54):
Well? No, that's how I remember him.

Speaker 1 (02:59):
Top.

Speaker 6 (03:00):
Uh.

Speaker 1 (03:00):
We've been up on the Republican River. We heard that
you're selling your ranch.

Speaker 5 (03:04):
You don't want to buy it?

Speaker 1 (03:05):
No, no, no, no, we just thought we'd stop buying
and see how you doing.

Speaker 5 (03:08):
Oh I'm doing right good, marshall.

Speaker 1 (03:10):
Uh why are you selling?

Speaker 5 (03:12):
I'm tired of being alone? Need help out here? Getting old?

Speaker 1 (03:16):
How much you're asking for the place?

Speaker 5 (03:18):
Ten thousand and eight? Worth a dollar more? You want it?

Speaker 7 (03:22):
No?

Speaker 1 (03:22):
I don't want it. But have you found anybody who's interested?

Speaker 5 (03:26):
That's why I'm riding the dodge next week. I'll find somebody.

Speaker 1 (03:29):
I wish you'd come see me when you get there.

Speaker 5 (03:31):
Maybe you will want to get there. You can buy
me a drink, Marshall.

Speaker 1 (03:34):
I'll be glad to oh so long goodbye.

Speaker 5 (03:39):
If the ocean was whiskey and I was a duck,
I tired too of the bottom and drink each hold up.

Speaker 1 (03:45):
And he's a fine old Manchester, for all his loose
minded ways, he's half simple.

Speaker 3 (03:53):
He ain't got a lick of sense.

Speaker 8 (03:54):
The first fellow who comes along is gonna rob him blind.

Speaker 1 (03:58):
No, he is in Chester in a bag of elephant.

Speaker 9 (04:20):
Make today your big red letter day, your L and
M red letter day. Superior taste and filter. It's the
miracle tip. Make today your big red letter day.

Speaker 1 (04:29):
It change to L LENM today.

Speaker 4 (04:31):
L and M so good to your taste, so quick
on the draw, get let M today.

Speaker 10 (04:38):
What's the first thing you notice when you light up
in L and M. It's that L and M is
so good to your taste. Of course you'll like that
rich taste of superior tobaccos. Then you'll notice that you
enjoyed that taste with no effort on your part whatsoever.
And that's because L and M is so quick on
the draw with L and M. Flavor comes rich, comes clean,

(04:59):
comes easy through the pure white L and M miracle tip.

Speaker 9 (05:02):
So make today your big Red letter day.

Speaker 2 (05:05):
Changed to L len M today.

Speaker 4 (05:07):
L and M so good to your taste, so quick
on the draw.

Speaker 1 (05:12):
And M today.

Speaker 10 (05:13):
Yes, make today your big red letter day and change
to L and M.

Speaker 1 (05:47):
Oh Ah, hell about dog, No thanks, Doc, I had
enough sitting last week.

Speaker 7 (06:00):
Yeah.

Speaker 3 (06:00):
Oh, say that was a long ride, you mede.

Speaker 1 (06:02):
Well, we didn't accomplish much, but we saw an awful
lot of country.

Speaker 7 (06:06):
You know.

Speaker 11 (06:06):
That's what I like about your job, to get paid,
whether you accomplish anything or not.

Speaker 1 (06:10):
You know you're complaining because you can't collect money off
of dead man, Doc.

Speaker 12 (06:14):
Oh, you talk easy, man, Dan, you're forgetting how you
might get sick.

Speaker 1 (06:20):
I'm too healthy to worry about having to stay on
the good side of you. You're miserable little all right,
now you've done it.

Speaker 3 (06:26):
Yeah, yes, Now you're gonna have to.

Speaker 1 (06:29):
Find me a drink my pleasure. Doc, let's go on
to the long branch.

Speaker 5 (06:38):
I knew if I waited long enough, some conscience stricken
heathen come along and ask me into a bar.

Speaker 1 (06:43):
I know mine, Doc. At some port devil, you might
have to operate on this afternoon that I'm worried about.

Speaker 3 (06:49):
Thank you, thank you, thank you.

Speaker 5 (06:53):
Oh where shall we stand at the bar?

Speaker 1 (06:57):
Wait a minute, Doc, that's Clavers sitting over there.

Speaker 5 (07:02):
Oh yes, I saw him on the street a while ago.

Speaker 1 (07:05):
Who's that with him? I don't know, man, I look back,
order me a drink? Will you happy with you? In
just a minute?

Speaker 5 (07:14):
All right?

Speaker 1 (07:15):
A hell out time?

Speaker 5 (07:17):
Oh down, Marshall, shut down.

Speaker 1 (07:19):
He thought you were going to look me up when
he got to that.

Speaker 5 (07:23):
Oh Marshall, this year's mister Wayne Rutman.

Speaker 1 (07:26):
How do you do, marsh mister running?

Speaker 5 (07:28):
He's aiming to buy my ranch?

Speaker 1 (07:29):
Oh is that soup?

Speaker 5 (07:31):
Where he's from? Kansas City? He wants to see the
ranch for a wake a deal, Old Marshall.

Speaker 12 (07:36):
I can understand that you want to see the money,
don't you? Well to your id, Well, of course you
will see it two weeks from now.

Speaker 13 (07:43):
I'll have it deposited in the bank here.

Speaker 5 (07:45):
I'll only take a week to ride up and see
the ranch and come back.

Speaker 13 (07:49):
I want to send for the money first.

Speaker 5 (07:51):
Why I ain't gonna show without to get paid anyway?

Speaker 3 (07:55):
Evidence of good faith? I want you to know.

Speaker 12 (07:57):
I have the money that I'm ready to buy before
where I look.

Speaker 3 (08:00):
The ranch over?

Speaker 5 (08:01):
Yeah, don't make sense to me, Marshall.

Speaker 13 (08:03):
Do you see anything wrong in doing it my way?

Speaker 1 (08:06):
I don't see it makes any difference. They are up.

Speaker 13 (08:10):
I'll be going now, and two weeks from to day
i'll meet you at the bank.

Speaker 5 (08:14):
Agreed. Two you're out of there.

Speaker 1 (08:16):
Good bye, Marshall, buy miss Roven.

Speaker 5 (08:20):
Hoo hoo, did though? You never know?

Speaker 3 (08:23):
Bye my mam.

Speaker 5 (08:24):
I what hoo hoo? Never mind, never mind, Marshall. Nice failure.

Speaker 1 (08:33):
Huh uh yeah, yeah, Well why did you run into
it at.

Speaker 5 (08:36):
The hotel this morning? I told everybody I was selling
my ranch, and his eyes lit up and they bought
me a drink. Oh, I got to come to town
more often. When did the ladies get here? Marshall?

Speaker 1 (08:48):
You never mind the little ladies?

Speaker 5 (08:50):
But I'm going to be rich fifteen thousand dollars worth?
Why yep, fifteen thousand dollars Marshall.

Speaker 1 (08:56):
But you were only asking ten and I told him mat.

Speaker 5 (09:00):
But he said that he's as rich as can be
and wants to do right by an old man like me.
I ain't here, nice peller, Marshall.

Speaker 1 (09:09):
Yeah, yeah, maybe, but I'll be there to find out
for sure. Con Hello, mister Bacon.

Speaker 3 (09:35):
Come in, Marshall. What can the bank do for you today?

Speaker 1 (09:38):
That's been two weeks, mister Bakon. I told you I
want to be here when Rutman and top Claver showed them, of.

Speaker 5 (09:43):
Course, of course.

Speaker 3 (09:44):
But Dayne Rutman has already been here.

Speaker 1 (09:46):
Marshall.

Speaker 3 (09:46):
Oh, he has deposited fifteen thousand dollars cash, just like that.

Speaker 1 (09:52):
It's an awful lot of money.

Speaker 3 (09:54):
I wish there were more businessmen like him around.

Speaker 5 (09:56):
Well, morning, gentlemen, here's tough. Oh, Hugh Marshall. Hell, where's Ripman?

Speaker 11 (10:03):
He said he'd meet you at the stable about noon.
Top he'll be ready to ride up to the ranch
with you. And the money's here, fifteen thousand. It's been deposited.

Speaker 5 (10:11):
I'll take your word for it, Vudkin.

Speaker 11 (10:12):
If Rutman decides to buy, he'll give you a note
for the money. All you'll have to do is come
here and collect it. Well sounds easy, nothing to it
a man man, Well, I.

Speaker 1 (10:21):
Don't say anything wrong with the deal.

Speaker 3 (10:23):
You must like it, certainly not. You're a lucky man.

Speaker 5 (10:26):
Tough.

Speaker 1 (10:27):
If he decides to buy, he'll buy.

Speaker 5 (10:30):
The place looks fine. I just got back this morning.
I saw that's where you've been riding and dream in, Marshall,
dream and the money.

Speaker 1 (10:39):
Oh, good luck, top.

Speaker 5 (10:40):
There ain't no such thing. Marshall lucks for fools and sinners.
You'll see, Oh, yes, you'll see if the russ.

Speaker 1 (11:08):
Hello, Kitty, Matt, what's the matter?

Speaker 5 (11:13):
Did I scare you?

Speaker 7 (11:14):
I guess we were concentrating pretty hard on those dresses
in the window. Uh, Matt, this is Mary Emmett.

Speaker 1 (11:19):
Now how do you do?

Speaker 5 (11:20):
Mary?

Speaker 4 (11:20):
Hello, Marshall.

Speaker 7 (11:21):
Mary is no friend of mine. She's just passing through
on a way to Denver.

Speaker 1 (11:25):
Oh, why don't you stand died a while?

Speaker 10 (11:27):
Mary?

Speaker 1 (11:27):
They got enough pretty girls?

Speaker 4 (11:28):
And then for kiddie's told me about you, Marshall.

Speaker 7 (11:31):
I don't believe a.

Speaker 1 (11:31):
Word you say. Oh well, then I guess you really
are old friends.

Speaker 7 (11:36):
I've been fifteen years, hasn't it, Mary?

Speaker 1 (11:38):
Ever since New Orleans?

Speaker 7 (11:40):
We were awful young man, weren't we. Well, you grow
up pretty fast in that town, and were you.

Speaker 3 (11:45):
Sure it did?

Speaker 7 (11:46):
It's just a man I'd like him to meet married too.

Speaker 1 (11:48):
Oh he went in the bank, Kitty. He claimed he
had to change some money.

Speaker 7 (11:52):
I wish I had some money. I'd change it right
in the store. We're gonna have purple dress.

Speaker 1 (11:57):
Man, Kitty, you've got a hundred dresses.

Speaker 7 (12:00):
Well, then I've lost ninety five of them.

Speaker 1 (12:02):
The others are in rag where The one you're wearing
looks nice.

Speaker 6 (12:06):
This thing look good on a gal from the deep
piny Wood kiddy, you haven't changed a bit as long
as I've known you've complained about your water grove. I'll
stop one day, Mary, and I got a million dollars.

Speaker 7 (12:18):
That's chest a matter.

Speaker 1 (12:20):
Oh yeah, well look maybe maybe I can join you
too later and have a drink with you. Marshalls, How okay?

Speaker 8 (12:26):
By me still in there having an awful role in
the bank there?

Speaker 3 (12:37):
Oh who is mister bod getting that? Fellow rutman?

Speaker 1 (12:39):
I was rutman back, got back this morning, he says, And.

Speaker 3 (12:42):
He wants his money. He decided not to buytops ranch.

Speaker 1 (12:45):
Oh what's the trouble, Well, mister Budkins.

Speaker 3 (12:47):
Says, you better ask him. There they are to tell
you when you keep quiet. I'm at a truck money
Marshall telling you settled this.

Speaker 1 (12:56):
That's the trouble, mister Budkins.

Speaker 13 (12:58):
He won't give me my money.

Speaker 1 (12:59):
That's the trouble.

Speaker 3 (13:00):
You haven't got any money here.

Speaker 13 (13:01):
Fifteen thousand dollars is all.

Speaker 3 (13:04):
Here's your note, Rutman. You signed it my note.

Speaker 1 (13:07):
Can I say to Mender mister Vernon, give whatever money
I have in bank to Tup Claver signed Wayne Rutman.

Speaker 13 (13:16):
It's impossible.

Speaker 1 (13:17):
Oh isn't this your writing, Rutan?

Speaker 3 (13:19):
Of course it's his. Marshall top brought it in two
days ago.

Speaker 1 (13:22):
Two days ago, that's a lie.

Speaker 12 (13:24):
Three days ago. I left him at his ranch one
hundred and fifty miles from here. Nobody could ride that
in one day.

Speaker 3 (13:29):
Somebody sure, line he was here and I gave him
the money.

Speaker 12 (13:32):
Then it's up to the Marshall to get it back.
Right now, I'll be waiting at the.

Speaker 3 (13:37):
Dodge house mark.

Speaker 1 (13:40):
Mister John, Yeah, Chester.

Speaker 3 (13:43):
I got a idy whor old Tup might be a Let's.

Speaker 1 (13:47):
Go find him.

Speaker 9 (14:09):
Make today your big red letter day, your L and
M red letter day, superior taste and filtermits the miracle tip.
Make today your big red letter day, change too well.

Speaker 1 (14:19):
Let M today, L and.

Speaker 4 (14:20):
M so good to your taste, so quick on the draw.

Speaker 10 (14:24):
Get let him today talk about good taste well, friends,
there's plenty of talk about good taste.

Speaker 1 (14:31):
Among the people who have changed to L and M cigarettes.

Speaker 10 (14:35):
That's because L and M is so good to your taste,
and L and M is so quick on the draw.
Just take an easy puff and the flavor of a
superior cigarette comes rich, comes clean, comes easy.

Speaker 1 (14:48):
Big Today your big red letter day?

Speaker 2 (14:50):
Change too, well, Let M today, L.

Speaker 4 (14:52):
And M so good to your taste, so quick on
the draw.

Speaker 10 (14:56):
Get let M today, Yes, make today your big red
letter day, and changed.

Speaker 3 (15:02):
To L and M. My gully, there he is, setting

(15:34):
right on the porch.

Speaker 1 (15:35):
What's he doing way out here at Chester Aster?

Speaker 3 (15:38):
He told me he didn't like the dodge house and
he was going to board here at the Widow Clancys.

Speaker 1 (15:43):
He mentioned that he'd have a shotgun across his lap.

Speaker 3 (15:45):
Hello, what's he doing with that?

Speaker 7 (15:49):
Oh?

Speaker 5 (15:50):
Hello, Marshall Chester from Sir to spell?

Speaker 1 (15:55):
Who's the gun for? Top? Wayne Rutman, Never.

Speaker 5 (15:58):
Tell Marshall Man. And as much money as I am.

Speaker 1 (16:01):
No, Sir Rutland's kind of upset about that money tup
he is. He wants it back, wants you back. I
don't understand, Marshall.

Speaker 5 (16:11):
He give me the note.

Speaker 1 (16:12):
Yeah, I know I saw it where there's something wrong
with it now mister Batkins says it's in his handwriting.

Speaker 5 (16:18):
Well, then, what's the first Marshall. I don't want to
do nothing illegal.

Speaker 1 (16:22):
You know that you gave Rutmand the deity you arranched,
and of course I did.

Speaker 5 (16:28):
Why else would he be giving me that note for
the money tup?

Speaker 1 (16:32):
How did you ride one hundred and fifty miles in
one day?

Speaker 5 (16:36):
Now you ain't saying that illegal area.

Speaker 1 (16:38):
No, it's not a legal tup.

Speaker 5 (16:40):
It's impossible, Marshall. We ought to get this whole thing straightened.

Speaker 1 (16:46):
I think we're better.

Speaker 5 (16:47):
And you tell Wayne Rutmand to be at the Long
Branch tonight. We'll shuttle it there. I won't be accused
no wrongdoing, Marshall, No, no, not me. No.

Speaker 1 (17:17):
How there he is Redland, at the same table where
you first made the deal.

Speaker 13 (17:21):
You stand up on me, Marshall, you make him give
me back my money?

Speaker 5 (17:23):
Well, good evening, gentlemen.

Speaker 1 (17:26):
Shit down, how about top?

Speaker 5 (17:30):
I hear you got to complaint Rutmand? What's wrong? I
changed my mind.

Speaker 13 (17:35):
I don't want your ranch.

Speaker 5 (17:36):
You don't worm it.

Speaker 13 (17:38):
Here's the deed and all the money.

Speaker 5 (17:41):
Oh but we made the deal. I gave you the
deed and you gave me the note for the money.

Speaker 13 (17:46):
Oh, I said, I've changed my mind, nor too.

Speaker 5 (17:48):
Eight Riutmond, you've already bought the ranch.

Speaker 12 (17:50):
At yours fifteen thousand dollars for that place.

Speaker 13 (17:53):
Don't be a fool.

Speaker 1 (17:54):
And I didn't make you pay it for Rutland. I
should tell me something, top On, I asked, ten thousand, Now,
why did you offer him fifteen?

Speaker 5 (18:04):
Well, hey, I'll answer that, Marshall. He wanted to make
sure I wouldn't sell it nobody else. He had it
all figured out. He rode out to my ranch with me.
We made a deal. I give him the deed and
he'd give me the note. Then he said he had
to go on to Hayes City and wouldn't be riding
back with me. But I know that he aimed to
get back here as fast as he could and draw

(18:26):
his money out of the bank before I could get
here with his note. That way he'd have both his
money and the ranch. He'd get the ranch for free.

Speaker 1 (18:34):
This whole thing is ridiculous.

Speaker 13 (18:36):
Giving you back your deed, top you can have the ranch.
I want that money.

Speaker 5 (18:39):
Wait a minute, I'll tell you what to do, Utmond. Now,
the ranch's only worth ten thousand dollars. Everybody knows that.
So I'll buy it back for ten what yep, I
got the money right here. You want it?

Speaker 13 (18:52):
Oh, I want the whole fifteen. I had to borrow
ten thousand. But I've got to return it within a week.

Speaker 5 (18:56):
I can't help that Rutmand. Ranch ain't worth more than
ten dollars. That's all the paper it now. You can
take it or leave it.

Speaker 12 (19:03):
Marshall, you're gonna sit there and let him cheat me
out of five thousand dollars to Rutman.

Speaker 1 (19:06):
You don't have to sell the ranch.

Speaker 13 (19:08):
I've got to return that ten thousand. There'll be trouble
if I don't bad trouble.

Speaker 1 (19:13):
Now there it is, right there on the table.

Speaker 13 (19:18):
I'm gonna go get me a gun.

Speaker 1 (19:19):
Uh huh. Now you don't.

Speaker 13 (19:21):
I'll find him when you're not around, Marshall.

Speaker 5 (19:24):
Look over there at that bar. You see them five pillars?

Speaker 1 (19:29):
What about them?

Speaker 5 (19:30):
They're mighty good friends of mine, and they're staying right
here in town as long as I do in case
of any trouble.

Speaker 1 (19:39):
Looks to me like you'll lickt mister Rutmand. Now you
either pick up the ten thousand or the d then
you get out of here. Now you'll hear about this,
Marshall cheating, I said, get gone. Rutmand looks.

Speaker 5 (20:02):
Well he took the money and left the deed. Marshal,
I still got my ranch and five thousand dollars.

Speaker 1 (20:08):
To boot up. Who are those frenziers at the bary?

Speaker 11 (20:13):
Oh?

Speaker 5 (20:14):
I'm giving them part of night, Marshall. You're invited to
All the drinks are on me.

Speaker 1 (20:18):
How about why them?

Speaker 5 (20:20):
Well they're just tellers. I know they lived thirty forty
miles apart all the way up to my ranch. Oh,
and I rode back here to see Rutman's money, like
he wanted me to. I left the horse at each
one of them fell his place.

Speaker 1 (20:36):
So that's how you made the trip in one day,
a day and a night, Marshall. Yeah's your own pony express.

Speaker 5 (20:43):
Well I kind of figured maybe I ought to get here,
poor Rutman.

Speaker 1 (20:46):
Did you kind of figured? Rights?

Speaker 5 (20:49):
Now, Marshall, you know that I'm honest as daylight.

Speaker 1 (20:53):
I always have been.

Speaker 5 (20:54):
Of course I do stretch the blanket a little when
it's blanket stretching time.

Speaker 1 (21:03):
I'll tell you what why don't we get that party going? Huh?

(21:29):
And now our star William Conrad, thank you, George. Take
a tip from the L and M people, the people
who have put the pleasure in the fielder cigarette smoking.
Take the L and M Miracle tip, the tip that
lets all the flavor of a superior cigarette come rich,
come clean, come easy. Once you light up on L

(21:52):
and M, you'll understand why we say they're so good
to your taste so quick on the draw. It's the
pure white miracle tip that adds so much to your enjoyment.
So make today your big red letter day. Changed to
L and M.

Speaker 2 (22:22):
Gunn Smoke, produced and directed by Norman McDonald, stars William
Conrad as Matt dylon Us Marshall. Our story was specially
written for gun Smoke by John Meston, with music composed
and conducted by Rex Cory, sound patterns by Ray Kemper
and Bill James.

Speaker 1 (22:38):
Featured in the.

Speaker 2 (22:39):
Cast were Ralph Moody, Harry Bartel, Joe Duval and Kathy Marlow,
Harley bear Is Chester, Howard mcneer is Doc, and Georgia
Ellis is Kiddy. During the current year, Boys Clubs of
America is celebrating its Golden Anniversary. Formed in nineteen six
from a nucleus of some fifty existing boys clubs, the

(22:59):
National Boy Guidance Organization today numbers four hundred and thirty
five member clubs from coast to coast, serving more than
four hundred and fifty thousand boys.

Speaker 1 (23:09):
This year, Boys Club Week will.

Speaker 2 (23:11):
Again be known as Operation Juvenile Decency, stressing the theme
prevent juvenile delinquency by building juvenile decency.

Speaker 14 (23:27):
Indeed, chester apeld packs more pleasure because Chesterfields.

Speaker 4 (23:34):
More perfectly packed.

Speaker 2 (23:36):
Chesterfield made by Exclusive Vacuae packs more pleasure because it's
more perfectly packed, unlocks all the pleasure of fine tobaccos.

Speaker 14 (23:44):
Chester Field packs more pleasure because Chesterfields more perfectly packed.

Speaker 2 (23:50):
Firm and pleasing to the lips. Chesterfield mild, yet they
satisfy the most. Join us again next week for another
specially transcribed story of the Western Frontier, when Matt Dillon,
Chester blaunput Don and Kitty, together with all the other

(24:13):
hard living citizens of Dodge, will be with you once more.
It's America growing West in the eighteen seventies.

Speaker 1 (24:20):
It's done smoke
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