September 2, 2025 • 29 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Welcome to Gunsmoke Daily, where we breathe new life into the dusty trails and fiery showdowns of Dodge City with daily episodes of the iconic old-time radio show, "Gunsmoke." Each day, we journey back to the 1950s to join Marshal Matt Dillon as he maintains law and order in the wild west. From thrilling gunfights and moral dilemmas to heartfelt moments and the gritty realities of frontier life, every episode features the rich, atmospheric storytelling that made Gunsmoke a beloved staple of American entertainment. Tune in to relive the adventures of Dillon, Miss Kitty, Doc Adams, and Chester Proudfoot, and experience the drama and suspense that captivated listeners for over a decade. Join us daily for a timeless trip to the old west with "Gunsmoke."
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
Guns Smoke, Gun Will Smoke, starring William Conrad. The story
(00:42):
of the violence that moved west with young America and
the story of a man who moved with it.
Speaker 2 (00:48):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chance, a job, and it makes them and
watchful and a little lonely.
Speaker 1 (01:14):
Seven is a significant number for a variety of reasons.
One highly entertaining reason we'd like to remind you of
is the magic number of top daytime dramatic serials. Only
The CBS Radio Network sends your way each Monday through
Friday no less than seven of America's long time favorite dramas.
Comedy Abounds with The Couple next Door and Drama with
(01:35):
the Light Touch on the Second Missus Burton. Other top
CBS Radio dramas enjoyed by millions include The Romance of
Helen Trent, Whispering Streets and the Right to Happiness. Hours
of Absorbing entertainment every weekday come from these top dramas,
presented exclusively by CBS Radio and brought to you as
an important part of the different sound of this station.
Speaker 3 (02:08):
Get your right, come on ride, I got the horses
out here.
Speaker 4 (02:13):
Let's get moving.
Speaker 5 (02:14):
I'll be your long bone.
Speaker 3 (02:22):
No even that rock got they call whiskey is gonna
what you doing changing my shirt?
Speaker 2 (02:29):
Changing your shirt?
Speaker 5 (02:33):
You everythink you're doing that bone?
Speaker 3 (02:35):
Not for going into Dodge City. I can tell you
you waste the time.
Speaker 5 (02:40):
Galls might think different.
Speaker 2 (02:42):
Not damn gals. Ride.
Speaker 3 (02:44):
All the interested in is your money. Then you don't
care if you smell perty or not.
Speaker 6 (02:49):
You sure don't have to worry about that bone.
Speaker 3 (02:54):
If they want to slicked up dude, they make eyes
at that Eastern are blue in a few days ago.
What's his name?
Speaker 4 (03:00):
Scott?
Speaker 3 (03:00):
Yeah, Scott kind of interested in your little gal out
at the Long Brian Cheney.
Speaker 5 (03:07):
He better not be well.
Speaker 3 (03:08):
I seen him with her last night when I was
in town. He'll be a tough man to beat, right.
I bet he changes his shirt cool every other day
or so.
Speaker 5 (03:18):
I'll change it for him if he ain't careful.
Speaker 3 (03:21):
And now here's that is rich Now there's a tough
hand to beat money good looks.
Speaker 5 (03:26):
And he's gonna lose them both if he don't stay
away from his lorry.
Speaker 3 (03:30):
He miss Laurie. Yeah, hey, were getting put shut out, Bone.
Now you sure you got yourself fixed up pretty enough for.
Speaker 5 (03:37):
The bone you started writing.
Speaker 3 (03:39):
Don't you worry nothing because you had any trouble with that?
Speaker 4 (03:42):
Dude?
Speaker 3 (03:42):
You just come to old Bone.
Speaker 5 (03:44):
I won't need no help. I thought you was in
a hurry. Well I am, I'm dry, and stop talking
and let's get going.
Speaker 4 (04:07):
Ah.
Speaker 2 (04:10):
Oh, this may not be the best beer in the world, Kitty,
but it's a lot better than that stuff they serve by.
But hey, city, thanks a lot, Yeah, Kitty, this saloon,
bad as it is, looks money good after some of
the places I've been in on this trip.
Speaker 7 (04:22):
Now look here, Matt, you get as good a run
for your money here as any place in Kansas.
Speaker 4 (04:27):
Thought.
Speaker 2 (04:27):
I was just saying, Kitty that I'm glad to be back.
You better excuse me, miss Kitty.
Speaker 7 (04:34):
Oh, Hello, Andy, you know Marshall, Dylan Marshall, This is
Andy Scott.
Speaker 2 (04:39):
Glad to know you. Andy.
Speaker 7 (04:40):
Andy's on a visit from back east.
Speaker 8 (04:43):
Oh business trip, No, no, it's a graduation present from
my father Marshall. This trip out here, I mean when
I got back home this fall, i'll be going to work.
Speaker 2 (04:53):
It sounds like you better enjoy yourself.
Speaker 8 (04:55):
Well you can, Yes, I guess that's right, Miss Kitty. Yeah,
I was looking for Laurie.
Speaker 7 (05:02):
She ought to be here anytime.
Speaker 8 (05:04):
Oh, well, i'll Andy, if you have a minute, why
don't you sit down.
Speaker 7 (05:11):
I'd like to talk to you about something. All right,
you want a beer?
Speaker 2 (05:18):
No, thank you, Kitty. I'll be over the bar.
Speaker 7 (05:22):
Stay if you want. It's not private.
Speaker 2 (05:23):
Oh I know that. But mister high Tower just came in.
He had some papers for me, so i'll see you later.
Speaker 8 (05:32):
What did you want to talk about Laurie?
Speaker 5 (05:35):
Oh?
Speaker 4 (05:37):
What about her?
Speaker 7 (05:39):
She's very young, you know, Andy, she's just eighteen. Yes,
I know, and I wouldn't want to see her hurt.
Speaker 5 (05:47):
Neither would I.
Speaker 7 (05:49):
If her parents are alive, she wouldn't be working here
at all.
Speaker 8 (05:53):
Miss Kitty. Laurie and I have become good friends, very
good friends, and she's told me a lot about herself.
Speaker 7 (06:00):
I'm sure she has.
Speaker 8 (06:01):
She was stranded, she needed money and a place to
stay and people to be around. I don't think it's
been hurting her working here.
Speaker 7 (06:10):
I mean I don't either.
Speaker 8 (06:14):
Then what you're seeing is that you don't want to
see her hurt by me.
Speaker 7 (06:18):
That's right, neither do I. You're seeing an awful lot
of each other. She's pretty fond of you, I hope
she is. But with you, this whole thing is just
part of your trip west, your big adventure on the plains.
It's after you leave it. I'm worried about.
Speaker 8 (06:39):
When the time comes for me to leave. I hope
Laurie will leave with me, come.
Speaker 3 (06:43):
Back to Philadelphia to stay.
Speaker 7 (06:46):
You talking about marriage?
Speaker 4 (06:48):
Yes, I am.
Speaker 8 (06:49):
You see now, If you'll excuse me.
Speaker 4 (06:55):
I'll see you later.
Speaker 5 (06:55):
Miss kidding?
Speaker 7 (06:56):
Sure, I sure solves a lot that time.
Speaker 3 (07:17):
A swing Hamnor's open for me, right, I'm a thirsty man.
Speaker 5 (07:22):
When you swing him open for yourself? Bone, Come all.
Speaker 3 (07:28):
Right, I'll buy first round.
Speaker 4 (07:32):
Look at there, Look at it.
Speaker 3 (07:34):
Just like I told you, that clean shirt ain't gonna
do you no good. That dude's already beaten your time.
Speaker 5 (07:41):
Yeah, you order up some beer.
Speaker 2 (07:44):
I'll be back all right.
Speaker 6 (07:47):
Hey, fam Yes, miss Laurie.
Speaker 5 (07:52):
Oh hello, man, I want you to come sit with me.
Speaker 9 (07:57):
Rad I'm sorry, but I'm engaged for the evening, ye
are huh?
Speaker 5 (08:02):
The young wedded dude comes town, moves in on all
the gains.
Speaker 8 (08:06):
I'm only interested in one of the ladies, Dawson, and
she accepted my invitation first.
Speaker 5 (08:12):
Don't that sound pretty?
Speaker 2 (08:13):
Now?
Speaker 9 (08:13):
Rad, Please don't make any trouble.
Speaker 6 (08:15):
Well, I ain't gonna make no trouble miss Laurie, not tonight, Rad,
But I tell you how it's gonna be. I'm coming
to town every night from now on, and all them
engagements is going to be with me.
Speaker 5 (08:28):
It seems to me that's up to miss Laurie. Sure enough,
it's up to Miss Laurie.
Speaker 6 (08:34):
And if she wants you to be able to get
back where you come from in one piece, school Boy,
she'll see it my way.
Speaker 2 (08:40):
You get out of here, sure I will.
Speaker 6 (08:43):
I'll go right now, but you better not let me
catch you near this gal again.
Speaker 5 (08:49):
Schoolboy. I'll teach you a new kind of.
Speaker 10 (08:52):
Lesson sociable up to date debonair?
Speaker 5 (09:12):
What's this a new word? Game?
Speaker 9 (09:14):
Now?
Speaker 10 (09:14):
I'm just mentioning the qualities that people admire and other people.
Speaker 3 (09:17):
Oh, I see, if you're sociable up to date? And
what was another word debonair.
Speaker 10 (09:22):
Yes, debonair, but listen to it this way.
Speaker 11 (09:34):
Be sociable, look smart, to keep up to date with pepsi.
Drink light refreshing pepsi, stay up at.
Speaker 3 (09:49):
The fair and dependre.
Speaker 11 (09:52):
Be sociable, have PEPSI.
Speaker 1 (09:56):
Notice how many of your friends are serving pepsicola these days.
Speaker 2 (10:00):
It's the up to date refreshment.
Speaker 10 (10:01):
Be sociable, sir, Tepsi.
Speaker 5 (10:20):
She said, I hope that off.
Speaker 3 (10:21):
Don't look like mister Dyllon and mister Dylon.
Speaker 4 (10:25):
What's on your mind?
Speaker 2 (10:26):
Chester?
Speaker 3 (10:26):
We got to get cleaned up.
Speaker 2 (10:28):
But what's happened? Clean up?
Speaker 4 (10:29):
For?
Speaker 12 (10:29):
What?
Speaker 5 (10:30):
Why she's coming to see you?
Speaker 3 (10:31):
That's what?
Speaker 5 (10:32):
Excuse me? I gotta get pinch cut from Chester.
Speaker 2 (10:35):
Will you leave those papers on my desk alone?
Speaker 3 (10:37):
Well, all right, but it looks awful tacky.
Speaker 2 (10:42):
Just stein stell and tell me what this is all about.
Who's coming to see me?
Speaker 3 (10:45):
Why that pretty little Laura Benson.
Speaker 13 (10:47):
Mister Dylan, I just seen her having dinner over Del Monco's,
and that's what she said.
Speaker 5 (10:51):
She said she was coming right down here. That's oh
my goodness, kid.
Speaker 2 (10:55):
Just take it easy, Chester. I think we can handle
it well.
Speaker 3 (10:57):
I surely do, hope so I how to do miss Larry?
Speaker 5 (11:01):
Come right in?
Speaker 9 (11:03):
Hello Chester, Marshall Dylan, Hello Laurie Marshall. I don't know
if I should have come here or not, but well
I need help.
Speaker 2 (11:16):
Oh well, why don't you sit down.
Speaker 3 (11:20):
Let me dust off this care for you.
Speaker 7 (11:22):
Well, thank you, Chester, Now, Laurie.
Speaker 13 (11:27):
We surely would be glad to help you, Miss Laurry.
Speaker 9 (11:30):
That's very kind of All.
Speaker 13 (11:31):
You have to do is just say the word and
we will be there fixing up anything that you need
fixing up.
Speaker 5 (11:36):
Ain't that so, mich Dolan?
Speaker 2 (11:37):
I think we ought to know what it was first, Chester,
don't you.
Speaker 13 (11:40):
Well, yes, sir, of course we'd have to know what
it was first. Now all you need to do is
just speak right up, miss Larry. Well, that's right now
you mister Dolan.
Speaker 2 (11:50):
Weren't you on your way over to the livery stable
to see how that sore leg at horse was getting on?
Speaker 13 (11:55):
Well, that's true, I want all right excuse me, miss.
Speaker 2 (12:03):
Laurie, certainly, Chester, Now, Laurie, what's on your mind?
Speaker 9 (12:12):
Marshall Dylan? Can can one man keep another man from
seeing somebody?
Speaker 2 (12:20):
Oh? Well, I'd say that would depend on the men, Laurie.
Speaker 9 (12:25):
I have a friend named Andrew Scott.
Speaker 2 (12:27):
Oh, yes, I met him.
Speaker 9 (12:29):
Well, do you know Red Dawson.
Speaker 2 (12:31):
I know Dawson.
Speaker 9 (12:32):
Well, he seems to like me. He's always been well,
very nice until Andy came to Dodge. Now Rad says
he'll hurt Andy if Andy and I see any more
of each other.
Speaker 2 (12:44):
That's not too surprising, Lauren.
Speaker 9 (12:46):
Andy stubborn. Marshall, I'm afraid he'll get hurt. I don't
want him get hurt on account of me.
Speaker 2 (12:51):
He seems to have a mind of his own.
Speaker 9 (12:53):
But Marshall, they mustn't fight. I thought you might kind
of talk to them.
Speaker 2 (12:58):
I'll tell you, Laurie, I think a couple of men
from fighting over a pretty girl with something that I
can't do much about it.
Speaker 9 (13:04):
You're laughing at me.
Speaker 2 (13:05):
No, no, Laurie, I'm not laughing at you. I'm very serious.
It's just that, well, this kind of thing isn't exactly
in my department.
Speaker 9 (13:15):
And you won't help me, You won't talk to that.
Speaker 2 (13:17):
I'll do anything I can, Laurie, to help you. But
there's just one thing. What's that I can't promise that
either one of them is going to pay any attention
to what I say.
Speaker 3 (13:44):
I'll say this right. It's mighty interesting coming to town
every night, but I sure don't know how long money's
going to hold out.
Speaker 6 (13:52):
I ain't begging you to come with me every time,
but it just don't seem right for me to let
you come here alone.
Speaker 3 (14:01):
Looking there coming out of den Monicos, don't seem like
you scared that school.
Speaker 4 (14:06):
Boy so bad.
Speaker 3 (14:07):
You shutout little gal hanging on his arm, so nice
and pretty. I thought you weren't gonna stand for that.
Speaker 5 (14:14):
Nom all right, I ain't bone, I ain't come on you,
school boy. Come around and don't do it. You calling me.
Speaker 6 (14:26):
Hein't wearing the gun right, and you better be. I
warned you, school boy. I told you to stay away
from her.
Speaker 5 (14:36):
Get back, GLORI get back in the doorway.
Speaker 7 (14:38):
Andy, you'll have.
Speaker 8 (14:41):
To do more than warn mid Dawson.
Speaker 5 (14:43):
I'm a going to get him bone, get him, all right.
Speaker 4 (14:50):
That's enough. I'll drop your guns, all of it.
Speaker 5 (14:53):
He shot me, Marshall, I got a right to protect myself.
Speaker 4 (14:56):
I saw it.
Speaker 2 (14:56):
Rader draw on him first, and I go on, drop
your guns right now, all right, Andy, got Laurie away
from here.
Speaker 8 (15:05):
I'm not afraid of him.
Speaker 5 (15:06):
Markin so what I said.
Speaker 3 (15:08):
Yes, come on, Mario, it seemed to me you're letting
the wrong man go. Marshall. That kid shot riding the shoulder.
It might be pretty bad wound.
Speaker 4 (15:17):
You gotta lock that ball.
Speaker 2 (15:18):
You listen to me, bone. If you want to help
rad you get him up the docks and then you
get him out of Dodge and you'll keep him out.
Speaker 3 (15:24):
No law says he can't come back here there is
now how you making red shoulder hanging together?
Speaker 13 (15:45):
All right?
Speaker 5 (15:46):
Ain't my shoulder that's eating that? Yeah?
Speaker 3 (15:50):
No Count Marshall shore Or talks.
Speaker 5 (15:52):
Might it be and it ain't a Marshal needing. I
gotta get me that Andy Scott. I'm gonna get him
good boom.
Speaker 3 (16:01):
You ain't got no chance to do nothing that Marshall
see you and Dodge again.
Speaker 5 (16:05):
He ain't gonna see me what you're figuring on.
Speaker 4 (16:10):
I layload it's.
Speaker 5 (16:11):
Dark and hide out near the Dodge house.
Speaker 4 (16:14):
That's where he lives.
Speaker 6 (16:16):
Got ambush the kid when he comes back from seeing Laurie.
I can jump him real easy, figure on killing him.
I don't much care what happens to him. And I
tell you true, I'm gonna give that kid the beating
of his life.
Speaker 3 (16:33):
Hey, dad, probably bring him out to our place.
Speaker 5 (16:37):
Why bother carrying him way out there?
Speaker 3 (16:39):
Well, no, that kid, you got a rich daddy, ain't it.
Speaker 4 (16:44):
Yeah?
Speaker 5 (16:45):
I get so.
Speaker 3 (16:45):
Well, make us a pile of money, and you could
teach your kid a Lesson the same time, how what
his daddy paid? Good money? They have us turning him loose?
Speaker 5 (16:57):
How would he know.
Speaker 3 (17:00):
If we get the kid to write them a letter
telling them to.
Speaker 5 (17:04):
Well, I don't know. Main thing I wanted for him
to leave Laurie alone.
Speaker 3 (17:09):
Would you do whatever you want after we get the money.
Speaker 5 (17:13):
No, you might just be right at that bone.
Speaker 6 (17:16):
After all, little money never hurt nobody.
Speaker 1 (17:30):
Here comes Elmer Blurt, world's lowest pressure salesman.
Speaker 5 (17:34):
Nobody home.
Speaker 2 (17:35):
I hope, I hope of hope, It says here JP.
Speaker 5 (17:38):
Pullham, dentist. You wouldn't want to buy a new nineteen
fifty nine Rambler, would you?
Speaker 4 (17:43):
Doc?
Speaker 5 (17:43):
You are a lucky man. I just happened to have
a vacancy.
Speaker 3 (17:47):
Yeah, but open wide.
Speaker 2 (17:48):
Ah, that's right.
Speaker 12 (17:50):
You know you don't have to sell me on the
fifty nine. Rambler's first in economy, first in sales games,
and no wonder Rambler has the best of both, big
car room, small car economy. Yeah, but relax, can't you
sales will ever stop selling. You know, Rambler's got quite
an idea with that personalized comfort, independently adjustable front seats,
adjustable headress, easiest parking and handling in America.
Speaker 5 (18:11):
But that fifty nine Ramblers.
Speaker 12 (18:13):
So terrific it makes you want to put your foot right.
Speaker 3 (18:14):
Down on the Sorry, now that didn't hurt it.
Speaker 2 (18:20):
Oh gosh, well occurs, No, that's my lower plate you've
been drilling.
Speaker 1 (18:24):
Rambler out sells all six of the best selling foreign
makes combined. Fifty nine Rambler sales are nearly two and
a half times greater than a year ago. See the
success car at Rambler Dealers.
Speaker 7 (18:48):
I'm going downstairs, Laurie. I'll look in on you again
a little later.
Speaker 9 (18:52):
Oh I'm all right, Really I am, Kitty. I'm a shamed.
I gave way so I just couldn't believe and he'd
go were way like that.
Speaker 7 (19:01):
That he'd run. I'm sorry, honey, this wasn't his world.
You mustn't blame him too much.
Speaker 9 (19:14):
I know, Kitty, I know I shouldn't have expected anything,
but well, I did think he'd at least say goodbye, and.
Speaker 7 (19:24):
That wouldn't have hurt him. I'll say that. But you
might as well learn this lesson while you're still young
enough to get over it. Learn what listen, not the
less you expect from a man, any man. Better off,
y arm, I'll see you here, lie sure.
Speaker 3 (20:11):
You better answer me. Boy, you better speak up.
Speaker 8 (20:17):
You're wasting your time.
Speaker 3 (20:18):
B my time, school boy, yours? Get up off of
the floor, Come on, get up.
Speaker 4 (20:27):
Now.
Speaker 3 (20:27):
I'm telling you true, I'm your friend. Alright. He'd shut
you right off he had his chance. Well, he'd have
shot you last night if I hadn't argued him out
of it. Now, look, all you have to do is
just tell me how to write your daddy. It ain't
so much.
Speaker 8 (20:44):
I'm not gonna tell you.
Speaker 3 (20:49):
You're gonna tell me. I'm gonna take a little time,
but you'll tell me.
Speaker 2 (21:01):
All right.
Speaker 3 (21:02):
You just lay there a lone figure on. I'll be back.
Speaker 8 (21:07):
Won't do you any good to kill me?
Speaker 12 (21:09):
Now?
Speaker 2 (21:09):
You got us all wrong, school boy.
Speaker 3 (21:11):
He ain't gonna kill you, no, sir. Of course, you
ain't gonna get no food or no water. Do you
tell us how to write to your daddy?
Speaker 8 (21:19):
You won't get anything from me.
Speaker 3 (21:23):
Well, then you might be running the chance of starving
to death, but that'd be up to you.
Speaker 4 (21:28):
Get out of here.
Speaker 3 (21:30):
I think I'll do that for now, but I'll be
back school boy, and next time Rad may be with me.
I tell you true. He just don't take kindly to you.
He don't take kindly to you at tall?
Speaker 5 (22:03):
Can I sit down, Hugh, miss beyond sure Chester.
Speaker 2 (22:07):
I was beginning to worry about you, and i'd like you.
It'll be late for a meal.
Speaker 13 (22:11):
I'm sure to hope there's some of that pie left.
I declare I could have wrung his neck.
Speaker 2 (22:16):
I rung whose neck?
Speaker 13 (22:17):
The old Adobe or the dodge house. I just couldn't
get away from him, and I knowed it was dinner time.
Speaker 2 (22:24):
What was Adobe ragging here about this time?
Speaker 3 (22:26):
Well, he's awful upset over that young fellow and his scar.
Speaker 2 (22:30):
Scott. Is he back in Tom?
Speaker 13 (22:32):
It's just the trouble he ain't. He left without paying
his bill. He left his stuff strewn all over his room.
I'm sure Dobe is fit to be tied. He's acting
like old mate about it.
Speaker 2 (22:41):
If you ask wait about a Chester. Adobe doesn't see
Scott leave.
Speaker 13 (22:46):
Well, he ain't saw him since that day you stopped
the shooting out in the.
Speaker 2 (22:48):
Street, and Scott hasn't been back to his room.
Speaker 13 (22:51):
Well, if he has, Doobie ain't saw him. It don't
seem nobody has.
Speaker 2 (22:56):
I'm afraid somebody has. Chester better find out.
Speaker 13 (23:21):
You sure they drugged that boy away out here? Mister
Donemy don't make good sense to me.
Speaker 2 (23:26):
I'm not sure, Chester, but I don't expect a thing
like this to make sense.
Speaker 3 (23:31):
I guess you're right.
Speaker 2 (23:33):
Yeah, let's leap the horses here. Let's keep your eyes open, Darson,
(24:00):
bone open up, Come on, come on, it's Marshall telling
open up.
Speaker 5 (24:11):
What do you want here? Marshall?
Speaker 2 (24:13):
I got a few questions to ask you.
Speaker 5 (24:14):
We ain't got no time answered. Look, you ain't got
no call.
Speaker 2 (24:18):
Wait a minute, Randon.
Speaker 3 (24:20):
Don't want the Marshall think we've got something to hide.
Speaker 5 (24:24):
It's a right bone. What do you want to know, Marshall?
Speaker 2 (24:28):
Where'sday Scott?
Speaker 5 (24:31):
How should I know?
Speaker 3 (24:32):
Yeah?
Speaker 4 (24:32):
How should we know?
Speaker 3 (24:33):
Marshall? You run us out of Dodge Jones.
Speaker 2 (24:35):
Self and the boy hasn't been seen since you left.
Speaker 3 (24:39):
Matter of fact, well he probably ski daddled back home
to his daddy.
Speaker 2 (24:44):
Look in the other room, Chester, now listen, he got
standy'sy right.
Speaker 13 (24:54):
Ain't nobody in there, miss of course in there ain't
nuts like gods.
Speaker 5 (24:58):
Don't look out the window.
Speaker 13 (24:59):
They smoke coming out of that chair.
Speaker 5 (25:01):
Come on, Marshall, you ain't going nowhere.
Speaker 4 (25:05):
Don't try it.
Speaker 2 (25:06):
Right, you killed him. You want to argue any more?
Speaker 4 (25:15):
Bone, not like that? Don't all right?
Speaker 2 (25:17):
Then drop your gun on the floor and come outside
and be mighty careful.
Speaker 4 (25:19):
How you move? Sure a bust opening the door? Chester?
Speaker 3 (25:33):
Come on wife Scott.
Speaker 4 (25:36):
Yeah you all right?
Speaker 2 (25:38):
Andy Hen tie his arms and legs, Chester, I'll get
this rag out of his mouth.
Speaker 5 (25:46):
Thank you, Marshall.
Speaker 2 (25:49):
It's a lot better stop that fire, Rochester. Yes, sure,
you ain't going a very good starr Kronnie.
Speaker 4 (25:54):
Let me help you. We'll get you out of here.
Come on, thanks.
Speaker 2 (26:01):
How did you kick that lining over?
Speaker 8 (26:04):
When when I heard somebody ride up, it was the
only thing I could think of.
Speaker 2 (26:09):
You took an awful chance of burning yourself up.
Speaker 8 (26:12):
Well, my chances weren't too good anyway I looked at it.
Speaker 2 (26:15):
Yeah, In fact, as I'm surprised to find you alive
at all.
Speaker 8 (26:18):
Well, they weren't going to kill me, Marshall. They were
just leaving me here to die by myself?
Speaker 2 (26:25):
Is this true? Bone?
Speaker 3 (26:27):
Marshall was his own fault. All he had to do
just tell how to ride to his daddy. What for sure, Marshall,
I kept riding from shooting him. We were just we
were just trying to get us some money. All that
boy had to do was talk.
Speaker 2 (26:40):
We didn't let him go. Sure you would, just like
I'm gonna let you go.
Speaker 3 (26:46):
You don't want me, Marshall. You got riot.
Speaker 2 (26:50):
He's the one started, sure bone, but you didn't stop it. Now,
come on, let's get going.
Speaker 1 (27:16):
Coming up to ten gallons, Mister Johns Checker, royal Fielder,
and airfielder might pay you a thousand dollars.
Speaker 5 (27:25):
How's that?
Speaker 4 (27:25):
Well?
Speaker 1 (27:26):
Haven't you heard about Fram's big silver treasure hunt?
Speaker 12 (27:28):
Oh?
Speaker 3 (27:28):
Yes, heard something about it over my car radio this morning.
Speaker 2 (27:31):
What's it all about?
Speaker 1 (27:32):
Well, a regular filter check is so important that Fram
Corporation is paying sixty thousand dollars to get car owners
to check their filters.
Speaker 2 (27:39):
Now, sixty thousand dollars in cash.
Speaker 1 (27:41):
Oh, this is Frams silver anniversary. Last year, ten thousand
secretly numbered Fram filters were distributed all over the United
States and installed in cars. During regular servicing.
Speaker 5 (27:51):
You may have one in your car not even know it.
Speaker 1 (27:54):
A fram Filder cartridge worth one thousand silver dollars.
Speaker 5 (27:57):
And if you do, I get a thousand bucks.
Speaker 3 (28:00):
Where what are we waiting for? Let's check those filters now.
Speaker 6 (28:03):
Hurry folks, you could win up to one thousand dollars
in cash.
Speaker 8 (28:07):
Join the Big Friend Treasure Hunt.
Speaker 5 (28:10):
Check your car filters now.
Speaker 1 (28:20):
Gun Smoke, Ford Houston, Directed by Norman McDonald's stars William
Conrad as Matt Dillon Us Marshall. The story was specially
written for gun Smoke by Marion Clark, with editorial supervision
by John Meston.
Speaker 5 (28:33):
Featured in the cast were Sam Edwards.
Speaker 1 (28:35):
Eleanor Berry, Vic Perrin and Lawrence Dobkin, Harley bear Is Chester,
Howard mcneer is doc and Georgia Ellis is kidding. This
is George Walsh inviting you to join us again next
week for another story on guns Smoke
Speaker 9 (29:00):
S
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
Guns Smoke, Gun Will Smoke, starring William Conrad. The story
(00:42):
of the violence that moved west with young America and
the story of a man who moved with it.
Speaker 2 (00:48):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chance, a job, and it makes them and
watchful and a little lonely.
Speaker 1 (01:14):
Seven is a significant number for a variety of reasons.
One highly entertaining reason we'd like to remind you of
is the magic number of top daytime dramatic serials. Only
The CBS Radio Network sends your way each Monday through
Friday no less than seven of America's long time favorite dramas.
Comedy Abounds with The Couple next Door and Drama with
(01:35):
the Light Touch on the Second Missus Burton. Other top
CBS Radio dramas enjoyed by millions include The Romance of
Helen Trent, Whispering Streets and the Right to Happiness. Hours
of Absorbing entertainment every weekday come from these top dramas,
presented exclusively by CBS Radio and brought to you as
an important part of the different sound of this station.
Speaker 3 (02:08):
Get your right, come on ride, I got the horses
out here.
Speaker 4 (02:13):
Let's get moving.
Speaker 5 (02:14):
I'll be your long bone.
Speaker 3 (02:22):
No even that rock got they call whiskey is gonna
what you doing changing my shirt?
Speaker 2 (02:29):
Changing your shirt?
Speaker 5 (02:33):
You everythink you're doing that bone?
Speaker 3 (02:35):
Not for going into Dodge City. I can tell you
you waste the time.
Speaker 5 (02:40):
Galls might think different.
Speaker 2 (02:42):
Not damn gals. Ride.
Speaker 3 (02:44):
All the interested in is your money. Then you don't
care if you smell perty or not.
Speaker 6 (02:49):
You sure don't have to worry about that bone.
Speaker 3 (02:54):
If they want to slicked up dude, they make eyes
at that Eastern are blue in a few days ago.
What's his name?
Speaker 4 (03:00):
Scott?
Speaker 3 (03:00):
Yeah, Scott kind of interested in your little gal out
at the Long Brian Cheney.
Speaker 5 (03:07):
He better not be well.
Speaker 3 (03:08):
I seen him with her last night when I was
in town. He'll be a tough man to beat, right.
I bet he changes his shirt cool every other day
or so.
Speaker 5 (03:18):
I'll change it for him if he ain't careful.
Speaker 3 (03:21):
And now here's that is rich Now there's a tough
hand to beat money good looks.
Speaker 5 (03:26):
And he's gonna lose them both if he don't stay
away from his lorry.
Speaker 3 (03:30):
He miss Laurie. Yeah, hey, were getting put shut out, Bone.
Now you sure you got yourself fixed up pretty enough for.
Speaker 5 (03:37):
The bone you started writing.
Speaker 3 (03:39):
Don't you worry nothing because you had any trouble with that?
Speaker 4 (03:42):
Dude?
Speaker 3 (03:42):
You just come to old Bone.
Speaker 5 (03:44):
I won't need no help. I thought you was in
a hurry. Well I am, I'm dry, and stop talking
and let's get going.
Speaker 4 (04:07):
Ah.
Speaker 2 (04:10):
Oh, this may not be the best beer in the world, Kitty,
but it's a lot better than that stuff they serve by.
But hey, city, thanks a lot, Yeah, Kitty, this saloon,
bad as it is, looks money good after some of
the places I've been in on this trip.
Speaker 7 (04:22):
Now look here, Matt, you get as good a run
for your money here as any place in Kansas.
Speaker 4 (04:27):
Thought.
Speaker 2 (04:27):
I was just saying, Kitty that I'm glad to be back.
You better excuse me, miss Kitty.
Speaker 7 (04:34):
Oh, Hello, Andy, you know Marshall, Dylan Marshall, This is
Andy Scott.
Speaker 2 (04:39):
Glad to know you. Andy.
Speaker 7 (04:40):
Andy's on a visit from back east.
Speaker 8 (04:43):
Oh business trip, No, no, it's a graduation present from
my father Marshall. This trip out here, I mean when
I got back home this fall, i'll be going to work.
Speaker 2 (04:53):
It sounds like you better enjoy yourself.
Speaker 8 (04:55):
Well you can, Yes, I guess that's right, Miss Kitty. Yeah,
I was looking for Laurie.
Speaker 7 (05:02):
She ought to be here anytime.
Speaker 8 (05:04):
Oh, well, i'll Andy, if you have a minute, why
don't you sit down.
Speaker 7 (05:11):
I'd like to talk to you about something. All right,
you want a beer?
Speaker 2 (05:18):
No, thank you, Kitty. I'll be over the bar.
Speaker 7 (05:22):
Stay if you want. It's not private.
Speaker 2 (05:23):
Oh I know that. But mister high Tower just came in.
He had some papers for me, so i'll see you later.
Speaker 8 (05:32):
What did you want to talk about Laurie?
Speaker 5 (05:35):
Oh?
Speaker 4 (05:37):
What about her?
Speaker 7 (05:39):
She's very young, you know, Andy, she's just eighteen. Yes,
I know, and I wouldn't want to see her hurt.
Speaker 5 (05:47):
Neither would I.
Speaker 7 (05:49):
If her parents are alive, she wouldn't be working here
at all.
Speaker 8 (05:53):
Miss Kitty. Laurie and I have become good friends, very
good friends, and she's told me a lot about herself.
Speaker 7 (06:00):
I'm sure she has.
Speaker 8 (06:01):
She was stranded, she needed money and a place to
stay and people to be around. I don't think it's
been hurting her working here.
Speaker 7 (06:10):
I mean I don't either.
Speaker 8 (06:14):
Then what you're seeing is that you don't want to
see her hurt by me.
Speaker 7 (06:18):
That's right, neither do I. You're seeing an awful lot
of each other. She's pretty fond of you, I hope
she is. But with you, this whole thing is just
part of your trip west, your big adventure on the plains.
It's after you leave it. I'm worried about.
Speaker 8 (06:39):
When the time comes for me to leave. I hope
Laurie will leave with me, come.
Speaker 3 (06:43):
Back to Philadelphia to stay.
Speaker 7 (06:46):
You talking about marriage?
Speaker 4 (06:48):
Yes, I am.
Speaker 8 (06:49):
You see now, If you'll excuse me.
Speaker 4 (06:55):
I'll see you later.
Speaker 5 (06:55):
Miss kidding?
Speaker 7 (06:56):
Sure, I sure solves a lot that time.
Speaker 3 (07:17):
A swing Hamnor's open for me, right, I'm a thirsty man.
Speaker 5 (07:22):
When you swing him open for yourself? Bone, Come all.
Speaker 3 (07:28):
Right, I'll buy first round.
Speaker 4 (07:32):
Look at there, Look at it.
Speaker 3 (07:34):
Just like I told you, that clean shirt ain't gonna
do you no good. That dude's already beaten your time.
Speaker 5 (07:41):
Yeah, you order up some beer.
Speaker 2 (07:44):
I'll be back all right.
Speaker 6 (07:47):
Hey, fam Yes, miss Laurie.
Speaker 5 (07:52):
Oh hello, man, I want you to come sit with me.
Speaker 9 (07:57):
Rad I'm sorry, but I'm engaged for the evening, ye
are huh?
Speaker 5 (08:02):
The young wedded dude comes town, moves in on all
the gains.
Speaker 8 (08:06):
I'm only interested in one of the ladies, Dawson, and
she accepted my invitation first.
Speaker 5 (08:12):
Don't that sound pretty?
Speaker 2 (08:13):
Now?
Speaker 9 (08:13):
Rad, Please don't make any trouble.
Speaker 6 (08:15):
Well, I ain't gonna make no trouble miss Laurie, not tonight, Rad,
But I tell you how it's gonna be. I'm coming
to town every night from now on, and all them
engagements is going to be with me.
Speaker 5 (08:28):
It seems to me that's up to miss Laurie. Sure enough,
it's up to Miss Laurie.
Speaker 6 (08:34):
And if she wants you to be able to get
back where you come from in one piece, school Boy,
she'll see it my way.
Speaker 2 (08:40):
You get out of here, sure I will.
Speaker 6 (08:43):
I'll go right now, but you better not let me
catch you near this gal again.
Speaker 5 (08:49):
Schoolboy. I'll teach you a new kind of.
Speaker 10 (08:52):
Lesson sociable up to date debonair?
Speaker 5 (09:12):
What's this a new word? Game?
Speaker 9 (09:14):
Now?
Speaker 10 (09:14):
I'm just mentioning the qualities that people admire and other people.
Speaker 3 (09:17):
Oh, I see, if you're sociable up to date? And
what was another word debonair.
Speaker 10 (09:22):
Yes, debonair, but listen to it this way.
Speaker 11 (09:34):
Be sociable, look smart, to keep up to date with pepsi.
Drink light refreshing pepsi, stay up at.
Speaker 3 (09:49):
The fair and dependre.
Speaker 11 (09:52):
Be sociable, have PEPSI.
Speaker 1 (09:56):
Notice how many of your friends are serving pepsicola these days.
Speaker 2 (10:00):
It's the up to date refreshment.
Speaker 10 (10:01):
Be sociable, sir, Tepsi.
Speaker 5 (10:20):
She said, I hope that off.
Speaker 3 (10:21):
Don't look like mister Dyllon and mister Dylon.
Speaker 4 (10:25):
What's on your mind?
Speaker 2 (10:26):
Chester?
Speaker 3 (10:26):
We got to get cleaned up.
Speaker 2 (10:28):
But what's happened? Clean up?
Speaker 4 (10:29):
For?
Speaker 12 (10:29):
What?
Speaker 5 (10:30):
Why she's coming to see you?
Speaker 3 (10:31):
That's what?
Speaker 5 (10:32):
Excuse me? I gotta get pinch cut from Chester.
Speaker 2 (10:35):
Will you leave those papers on my desk alone?
Speaker 3 (10:37):
Well, all right, but it looks awful tacky.
Speaker 2 (10:42):
Just stein stell and tell me what this is all about.
Who's coming to see me?
Speaker 3 (10:45):
Why that pretty little Laura Benson.
Speaker 13 (10:47):
Mister Dylan, I just seen her having dinner over Del Monco's,
and that's what she said.
Speaker 5 (10:51):
She said she was coming right down here. That's oh
my goodness, kid.
Speaker 2 (10:55):
Just take it easy, Chester. I think we can handle
it well.
Speaker 3 (10:57):
I surely do, hope so I how to do miss Larry?
Speaker 5 (11:01):
Come right in?
Speaker 9 (11:03):
Hello Chester, Marshall Dylan, Hello Laurie Marshall. I don't know
if I should have come here or not, but well
I need help.
Speaker 2 (11:16):
Oh well, why don't you sit down.
Speaker 3 (11:20):
Let me dust off this care for you.
Speaker 7 (11:22):
Well, thank you, Chester, Now, Laurie.
Speaker 13 (11:27):
We surely would be glad to help you, Miss Laurry.
Speaker 9 (11:30):
That's very kind of All.
Speaker 13 (11:31):
You have to do is just say the word and
we will be there fixing up anything that you need
fixing up.
Speaker 5 (11:36):
Ain't that so, mich Dolan?
Speaker 2 (11:37):
I think we ought to know what it was first, Chester,
don't you.
Speaker 13 (11:40):
Well, yes, sir, of course we'd have to know what
it was first. Now all you need to do is
just speak right up, miss Larry. Well, that's right now
you mister Dolan.
Speaker 2 (11:50):
Weren't you on your way over to the livery stable
to see how that sore leg at horse was getting on?
Speaker 13 (11:55):
Well, that's true, I want all right excuse me, miss.
Speaker 2 (12:03):
Laurie, certainly, Chester, Now, Laurie, what's on your mind?
Speaker 9 (12:12):
Marshall Dylan? Can can one man keep another man from
seeing somebody?
Speaker 2 (12:20):
Oh? Well, I'd say that would depend on the men, Laurie.
Speaker 9 (12:25):
I have a friend named Andrew Scott.
Speaker 2 (12:27):
Oh, yes, I met him.
Speaker 9 (12:29):
Well, do you know Red Dawson.
Speaker 2 (12:31):
I know Dawson.
Speaker 9 (12:32):
Well, he seems to like me. He's always been well,
very nice until Andy came to Dodge. Now Rad says
he'll hurt Andy if Andy and I see any more
of each other.
Speaker 2 (12:44):
That's not too surprising, Lauren.
Speaker 9 (12:46):
Andy stubborn. Marshall, I'm afraid he'll get hurt. I don't
want him get hurt on account of me.
Speaker 2 (12:51):
He seems to have a mind of his own.
Speaker 9 (12:53):
But Marshall, they mustn't fight. I thought you might kind
of talk to them.
Speaker 2 (12:58):
I'll tell you, Laurie, I think a couple of men
from fighting over a pretty girl with something that I
can't do much about it.
Speaker 9 (13:04):
You're laughing at me.
Speaker 2 (13:05):
No, no, Laurie, I'm not laughing at you. I'm very serious.
It's just that, well, this kind of thing isn't exactly
in my department.
Speaker 9 (13:15):
And you won't help me, You won't talk to that.
Speaker 2 (13:17):
I'll do anything I can, Laurie, to help you. But
there's just one thing. What's that I can't promise that
either one of them is going to pay any attention
to what I say.
Speaker 3 (13:44):
I'll say this right. It's mighty interesting coming to town
every night, but I sure don't know how long money's
going to hold out.
Speaker 6 (13:52):
I ain't begging you to come with me every time,
but it just don't seem right for me to let
you come here alone.
Speaker 3 (14:01):
Looking there coming out of den Monicos, don't seem like
you scared that school.
Speaker 4 (14:06):
Boy so bad.
Speaker 3 (14:07):
You shutout little gal hanging on his arm, so nice
and pretty. I thought you weren't gonna stand for that.
Speaker 5 (14:14):
Nom all right, I ain't bone, I ain't come on you,
school boy. Come around and don't do it. You calling me.
Speaker 6 (14:26):
Hein't wearing the gun right, and you better be. I
warned you, school boy. I told you to stay away
from her.
Speaker 5 (14:36):
Get back, GLORI get back in the doorway.
Speaker 7 (14:38):
Andy, you'll have.
Speaker 8 (14:41):
To do more than warn mid Dawson.
Speaker 5 (14:43):
I'm a going to get him bone, get him, all right.
Speaker 4 (14:50):
That's enough. I'll drop your guns, all of it.
Speaker 5 (14:53):
He shot me, Marshall, I got a right to protect myself.
Speaker 4 (14:56):
I saw it.
Speaker 2 (14:56):
Rader draw on him first, and I go on, drop
your guns right now, all right, Andy, got Laurie away
from here.
Speaker 8 (15:05):
I'm not afraid of him.
Speaker 5 (15:06):
Markin so what I said.
Speaker 3 (15:08):
Yes, come on, Mario, it seemed to me you're letting
the wrong man go. Marshall. That kid shot riding the shoulder.
It might be pretty bad wound.
Speaker 4 (15:17):
You gotta lock that ball.
Speaker 2 (15:18):
You listen to me, bone. If you want to help
rad you get him up the docks and then you
get him out of Dodge and you'll keep him out.
Speaker 3 (15:24):
No law says he can't come back here there is
now how you making red shoulder hanging together?
Speaker 13 (15:45):
All right?
Speaker 5 (15:46):
Ain't my shoulder that's eating that? Yeah?
Speaker 3 (15:50):
No Count Marshall shore Or talks.
Speaker 5 (15:52):
Might it be and it ain't a Marshal needing. I
gotta get me that Andy Scott. I'm gonna get him
good boom.
Speaker 3 (16:01):
You ain't got no chance to do nothing that Marshall
see you and Dodge again.
Speaker 5 (16:05):
He ain't gonna see me what you're figuring on.
Speaker 4 (16:10):
I layload it's.
Speaker 5 (16:11):
Dark and hide out near the Dodge house.
Speaker 4 (16:14):
That's where he lives.
Speaker 6 (16:16):
Got ambush the kid when he comes back from seeing Laurie.
I can jump him real easy, figure on killing him.
I don't much care what happens to him. And I
tell you true, I'm gonna give that kid the beating
of his life.
Speaker 3 (16:33):
Hey, dad, probably bring him out to our place.
Speaker 5 (16:37):
Why bother carrying him way out there?
Speaker 3 (16:39):
Well, no, that kid, you got a rich daddy, ain't it.
Speaker 4 (16:44):
Yeah?
Speaker 5 (16:45):
I get so.
Speaker 3 (16:45):
Well, make us a pile of money, and you could
teach your kid a Lesson the same time, how what
his daddy paid? Good money? They have us turning him loose?
Speaker 5 (16:57):
How would he know.
Speaker 3 (17:00):
If we get the kid to write them a letter
telling them to.
Speaker 5 (17:04):
Well, I don't know. Main thing I wanted for him
to leave Laurie alone.
Speaker 3 (17:09):
Would you do whatever you want after we get the money.
Speaker 5 (17:13):
No, you might just be right at that bone.
Speaker 6 (17:16):
After all, little money never hurt nobody.
Speaker 1 (17:30):
Here comes Elmer Blurt, world's lowest pressure salesman.
Speaker 5 (17:34):
Nobody home.
Speaker 2 (17:35):
I hope, I hope of hope, It says here JP.
Speaker 5 (17:38):
Pullham, dentist. You wouldn't want to buy a new nineteen
fifty nine Rambler, would you?
Speaker 4 (17:43):
Doc?
Speaker 5 (17:43):
You are a lucky man. I just happened to have
a vacancy.
Speaker 3 (17:47):
Yeah, but open wide.
Speaker 2 (17:48):
Ah, that's right.
Speaker 12 (17:50):
You know you don't have to sell me on the
fifty nine. Rambler's first in economy, first in sales games,
and no wonder Rambler has the best of both, big
car room, small car economy. Yeah, but relax, can't you
sales will ever stop selling. You know, Rambler's got quite
an idea with that personalized comfort, independently adjustable front seats,
adjustable headress, easiest parking and handling in America.
Speaker 5 (18:11):
But that fifty nine Ramblers.
Speaker 12 (18:13):
So terrific it makes you want to put your foot right.
Speaker 3 (18:14):
Down on the Sorry, now that didn't hurt it.
Speaker 2 (18:20):
Oh gosh, well occurs, No, that's my lower plate you've
been drilling.
Speaker 1 (18:24):
Rambler out sells all six of the best selling foreign
makes combined. Fifty nine Rambler sales are nearly two and
a half times greater than a year ago. See the
success car at Rambler Dealers.
Speaker 7 (18:48):
I'm going downstairs, Laurie. I'll look in on you again
a little later.
Speaker 9 (18:52):
Oh I'm all right, Really I am, Kitty. I'm a shamed.
I gave way so I just couldn't believe and he'd
go were way like that.
Speaker 7 (19:01):
That he'd run. I'm sorry, honey, this wasn't his world.
You mustn't blame him too much.
Speaker 9 (19:14):
I know, Kitty, I know I shouldn't have expected anything,
but well, I did think he'd at least say goodbye, and.
Speaker 7 (19:24):
That wouldn't have hurt him. I'll say that. But you
might as well learn this lesson while you're still young
enough to get over it. Learn what listen, not the
less you expect from a man, any man. Better off,
y arm, I'll see you here, lie sure.
Speaker 3 (20:11):
You better answer me. Boy, you better speak up.
Speaker 8 (20:17):
You're wasting your time.
Speaker 3 (20:18):
B my time, school boy, yours? Get up off of
the floor, Come on, get up.
Speaker 4 (20:27):
Now.
Speaker 3 (20:27):
I'm telling you true, I'm your friend. Alright. He'd shut
you right off he had his chance. Well, he'd have
shot you last night if I hadn't argued him out
of it. Now, look, all you have to do is
just tell me how to write your daddy. It ain't
so much.
Speaker 8 (20:44):
I'm not gonna tell you.
Speaker 3 (20:49):
You're gonna tell me. I'm gonna take a little time,
but you'll tell me.
Speaker 2 (21:01):
All right.
Speaker 3 (21:02):
You just lay there a lone figure on. I'll be back.
Speaker 8 (21:07):
Won't do you any good to kill me?
Speaker 12 (21:09):
Now?
Speaker 2 (21:09):
You got us all wrong, school boy.
Speaker 3 (21:11):
He ain't gonna kill you, no, sir. Of course, you
ain't gonna get no food or no water. Do you
tell us how to write to your daddy?
Speaker 8 (21:19):
You won't get anything from me.
Speaker 3 (21:23):
Well, then you might be running the chance of starving
to death, but that'd be up to you.
Speaker 4 (21:28):
Get out of here.
Speaker 3 (21:30):
I think I'll do that for now, but I'll be
back school boy, and next time Rad may be with me.
I tell you true. He just don't take kindly to you.
He don't take kindly to you at tall?
Speaker 5 (22:03):
Can I sit down, Hugh, miss beyond sure Chester.
Speaker 2 (22:07):
I was beginning to worry about you, and i'd like you.
It'll be late for a meal.
Speaker 13 (22:11):
I'm sure to hope there's some of that pie left.
I declare I could have wrung his neck.
Speaker 2 (22:16):
I rung whose neck?
Speaker 13 (22:17):
The old Adobe or the dodge house. I just couldn't
get away from him, and I knowed it was dinner time.
Speaker 2 (22:24):
What was Adobe ragging here about this time?
Speaker 3 (22:26):
Well, he's awful upset over that young fellow and his scar.
Speaker 2 (22:30):
Scott. Is he back in Tom?
Speaker 13 (22:32):
It's just the trouble he ain't. He left without paying
his bill. He left his stuff strewn all over his room.
I'm sure Dobe is fit to be tied. He's acting
like old mate about it.
Speaker 2 (22:41):
If you ask wait about a Chester. Adobe doesn't see
Scott leave.
Speaker 13 (22:46):
Well, he ain't saw him since that day you stopped
the shooting out in the.
Speaker 2 (22:48):
Street, and Scott hasn't been back to his room.
Speaker 13 (22:51):
Well, if he has, Doobie ain't saw him. It don't
seem nobody has.
Speaker 2 (22:56):
I'm afraid somebody has. Chester better find out.
Speaker 13 (23:21):
You sure they drugged that boy away out here? Mister
Donemy don't make good sense to me.
Speaker 2 (23:26):
I'm not sure, Chester, but I don't expect a thing
like this to make sense.
Speaker 3 (23:31):
I guess you're right.
Speaker 2 (23:33):
Yeah, let's leap the horses here. Let's keep your eyes open, Darson,
(24:00):
bone open up, Come on, come on, it's Marshall telling
open up.
Speaker 5 (24:11):
What do you want here? Marshall?
Speaker 2 (24:13):
I got a few questions to ask you.
Speaker 5 (24:14):
We ain't got no time answered. Look, you ain't got
no call.
Speaker 2 (24:18):
Wait a minute, Randon.
Speaker 3 (24:20):
Don't want the Marshall think we've got something to hide.
Speaker 5 (24:24):
It's a right bone. What do you want to know, Marshall?
Speaker 2 (24:28):
Where'sday Scott?
Speaker 5 (24:31):
How should I know?
Speaker 3 (24:32):
Yeah?
Speaker 4 (24:32):
How should we know?
Speaker 3 (24:33):
Marshall? You run us out of Dodge Jones.
Speaker 2 (24:35):
Self and the boy hasn't been seen since you left.
Speaker 3 (24:39):
Matter of fact, well he probably ski daddled back home
to his daddy.
Speaker 2 (24:44):
Look in the other room, Chester, now listen, he got
standy'sy right.
Speaker 13 (24:54):
Ain't nobody in there, miss of course in there ain't
nuts like gods.
Speaker 5 (24:58):
Don't look out the window.
Speaker 13 (24:59):
They smoke coming out of that chair.
Speaker 5 (25:01):
Come on, Marshall, you ain't going nowhere.
Speaker 4 (25:05):
Don't try it.
Speaker 2 (25:06):
Right, you killed him. You want to argue any more?
Speaker 4 (25:15):
Bone, not like that? Don't all right?
Speaker 2 (25:17):
Then drop your gun on the floor and come outside
and be mighty careful.
Speaker 4 (25:19):
How you move? Sure a bust opening the door? Chester?
Speaker 3 (25:33):
Come on wife Scott.
Speaker 4 (25:36):
Yeah you all right?
Speaker 2 (25:38):
Andy Hen tie his arms and legs, Chester, I'll get
this rag out of his mouth.
Speaker 5 (25:46):
Thank you, Marshall.
Speaker 2 (25:49):
It's a lot better stop that fire, Rochester. Yes, sure,
you ain't going a very good starr Kronnie.
Speaker 4 (25:54):
Let me help you. We'll get you out of here.
Come on, thanks.
Speaker 2 (26:01):
How did you kick that lining over?
Speaker 8 (26:04):
When when I heard somebody ride up, it was the
only thing I could think of.
Speaker 2 (26:09):
You took an awful chance of burning yourself up.
Speaker 8 (26:12):
Well, my chances weren't too good anyway I looked at it.
Speaker 2 (26:15):
Yeah, In fact, as I'm surprised to find you alive
at all.
Speaker 8 (26:18):
Well, they weren't going to kill me, Marshall. They were
just leaving me here to die by myself?
Speaker 2 (26:25):
Is this true? Bone?
Speaker 3 (26:27):
Marshall was his own fault. All he had to do
just tell how to ride to his daddy. What for sure, Marshall,
I kept riding from shooting him. We were just we
were just trying to get us some money. All that
boy had to do was talk.
Speaker 2 (26:40):
We didn't let him go. Sure you would, just like
I'm gonna let you go.
Speaker 3 (26:46):
You don't want me, Marshall. You got riot.
Speaker 2 (26:50):
He's the one started, sure bone, but you didn't stop it. Now,
come on, let's get going.
Speaker 1 (27:16):
Coming up to ten gallons, Mister Johns Checker, royal Fielder,
and airfielder might pay you a thousand dollars.
Speaker 5 (27:25):
How's that?
Speaker 4 (27:25):
Well?
Speaker 1 (27:26):
Haven't you heard about Fram's big silver treasure hunt?
Speaker 12 (27:28):
Oh?
Speaker 3 (27:28):
Yes, heard something about it over my car radio this morning.
Speaker 2 (27:31):
What's it all about?
Speaker 1 (27:32):
Well, a regular filter check is so important that Fram
Corporation is paying sixty thousand dollars to get car owners
to check their filters.
Speaker 2 (27:39):
Now, sixty thousand dollars in cash.
Speaker 1 (27:41):
Oh, this is Frams silver anniversary. Last year, ten thousand
secretly numbered Fram filters were distributed all over the United
States and installed in cars. During regular servicing.
Speaker 5 (27:51):
You may have one in your car not even know it.
Speaker 1 (27:54):
A fram Filder cartridge worth one thousand silver dollars.
Speaker 5 (27:57):
And if you do, I get a thousand bucks.
Speaker 3 (28:00):
Where what are we waiting for? Let's check those filters now.
Speaker 6 (28:03):
Hurry folks, you could win up to one thousand dollars
in cash.
Speaker 8 (28:07):
Join the Big Friend Treasure Hunt.
Speaker 5 (28:10):
Check your car filters now.
Speaker 1 (28:20):
Gun Smoke, Ford Houston, Directed by Norman McDonald's stars William
Conrad as Matt Dillon Us Marshall. The story was specially
written for gun Smoke by Marion Clark, with editorial supervision
by John Meston.
Speaker 5 (28:33):
Featured in the cast were Sam Edwards.
Speaker 1 (28:35):
Eleanor Berry, Vic Perrin and Lawrence Dobkin, Harley bear Is Chester,
Howard mcneer is doc and Georgia Ellis is kidding. This
is George Walsh inviting you to join us again next
week for another story on guns Smoke
Speaker 9 (29:00):
S
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