September 8, 2025 • 29 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Welcome to Gunsmoke Daily, where we breathe new life into the dusty trails and fiery showdowns of Dodge City with daily episodes of the iconic old-time radio show, "Gunsmoke." Each day, we journey back to the 1950s to join Marshal Matt Dillon as he maintains law and order in the wild west. From thrilling gunfights and moral dilemmas to heartfelt moments and the gritty realities of frontier life, every episode features the rich, atmospheric storytelling that made Gunsmoke a beloved staple of American entertainment. Tune in to relive the adventures of Dillon, Miss Kitty, Doc Adams, and Chester Proudfoot, and experience the drama and suspense that captivated listeners for over a decade. Join us daily for a timeless trip to the old west with "Gunsmoke."
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
Gun Smoke brought to you by L and M Filters.
Speaker 2 (00:14):
This is it.
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(00:58):
the violence that moved west with young America and the
story of a man will moved with it.
Speaker 2 (01:04):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chancy job, and it makes a man watchful
and a little lonely.
Speaker 3 (01:42):
Hey, Doc, oh had I chested?
Speaker 4 (01:45):
Want over and sit down?
Speaker 5 (01:48):
Well, I guess it won't hurt for a minute to
tears to sit here.
Speaker 4 (01:51):
My job setting out here on the street is loafing
around your office. Oh, now that's low.
Speaker 6 (01:58):
I didn't mean.
Speaker 4 (01:59):
Nothing, Doc, I wasn't even thinking.
Speaker 6 (02:01):
And I can believe that.
Speaker 4 (02:03):
What's bothering you? Just to mister Gill what I'm kind
of worried about him?
Speaker 2 (02:08):
Doc?
Speaker 7 (02:09):
You are?
Speaker 4 (02:10):
Why?
Speaker 5 (02:10):
Well?
Speaker 4 (02:10):
Look it is near dark and you ain't showed up yet.
I don't even know where he is.
Speaker 2 (02:15):
Well, I think Matt can take care of the South Chester, Sure.
Speaker 4 (02:17):
But you leaves a note or something, Doc.
Speaker 8 (02:20):
Well, a man doesn't have to do things the same
way all the time, I know.
Speaker 4 (02:23):
I just like Missus Hawley.
Speaker 8 (02:25):
The other day she came to ask me how to
get her baby to sleep at night. Now, for example,
what you told him? Oh no, now you think you
just think notes. After all, you were a baby once.
How'd your mother get you to sleep?
Speaker 4 (02:37):
He didn't have no trouble? And the usual way is
to rock the baby. But you know what I told
Missus Hall to do, doc, I really ain't interested, and
you're gonna hear it anyway.
Speaker 8 (02:47):
I told her to take the baby and smear its
little fingers with thick molasses.
Speaker 5 (02:53):
What yes?
Speaker 8 (02:53):
And then I told her to give it a half
a dozen chicken feathers.
Speaker 6 (02:57):
What well.
Speaker 8 (02:58):
I figured he'd pluck the feathers from hand to hand.
Then we fell asleep, and then if it woke up again,
all she had to do is to give it some
more molosses and feathers.
Speaker 4 (03:06):
Oh seems to me that only make the little baby mad.
Speaker 8 (03:09):
Man that shows how much you know about babies?
Speaker 2 (03:11):
Say?
Speaker 4 (03:11):
Oh my goodness, gracious, can't we talk about something else?
Speaker 2 (03:14):
Does?
Speaker 9 (03:15):
Said?
Speaker 6 (03:15):
You start something?
Speaker 4 (03:16):
To wait a minute, and heard mister Dillon wait riding
up the street there, leading that.
Speaker 6 (03:22):
Horse with a pack on it.
Speaker 4 (03:24):
Oh, yeah, doct look what I ain't no pack? He's
got tired on that horse. No, no, that isn't that's
a man, a dead one. Yes. Yeah, who do you
supposed to tea?
Speaker 2 (03:41):
Well? I don't know him, mister Dillon, Hellouchester doctor?
Speaker 4 (03:53):
You know, man?
Speaker 2 (03:55):
We got there Mel Hornby, Well Hornby. I went out
to ask him some questions about that sodbuster that got
murdered last month.
Speaker 4 (04:07):
Oh, jake grieved.
Speaker 2 (04:08):
Yeah, that Hornby took offense and he tried to kill me.
Speaker 4 (04:12):
Do you think he had something to do with the
reeves murdered? Man?
Speaker 2 (04:15):
He did it, doc, he admitted it, just for.
Speaker 4 (04:18):
He died a big granduli old Mel Hornby killing a poor,
half starved little homestead.
Speaker 2 (04:23):
They had an argument about something, and Hornby's temper got
the best of him the way it did today.
Speaker 4 (04:28):
But how come you bought the body to dodge man?
Speaker 6 (04:30):
As you think?
Speaker 2 (04:31):
Missus Hornby won.
Speaker 4 (04:32):
Him out there?
Speaker 2 (04:33):
I didn't find him at home dock. He was way
out on a prairie handling some stock. I'll get a
wagon in the morning and take him back. Take him.
Speaker 6 (04:41):
Oh, I going into you.
Speaker 2 (04:43):
Oh missus Hornby's a pretty mean woman.
Speaker 4 (04:46):
Yeah, I know you better.
Speaker 2 (04:47):
Let chest to do that.
Speaker 4 (04:49):
She can't blame him anything.
Speaker 2 (04:51):
No, I'll do it, Doc, I killed him.
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Speaker 4 (06:44):
John Arda Jester a already team wagon for it? Stand outside?
Speaker 2 (06:49):
No thanks?
Speaker 4 (06:53):
Near ten o'clock already?
Speaker 2 (06:54):
Yeah, well I get started hearing there you are, Marshall.
Miss Harmby.
Speaker 5 (07:00):
Where's my husband? You got him here?
Speaker 2 (07:04):
Uh? Won't you sit on? Man?
Speaker 5 (07:06):
I've been sitting down since dawn on a saddle. My
husband didn't come home last night, and I figured it
had something to do with you. You found him, didn't you?
Speaker 2 (07:14):
Yes, ma'am, I I found him.
Speaker 5 (07:16):
Well where is he? Got him in jail on some
fool charge. I want to know what's going on, Marshall.
I should have made you tell me when you come by.
Speaker 2 (07:22):
Miss Hornby, your husband's dead? What he tried to kill me?
Speaker 5 (07:32):
You shot him?
Speaker 2 (07:33):
I had to.
Speaker 6 (07:35):
You killed my husband.
Speaker 2 (07:37):
I wanted to talk to him about Jake Reeves. Not
as soon as I mentioned Reeves's name, he went for
his gun. I'm sorry it happened that way. Man. I
don't believe you.
Speaker 5 (07:52):
Why would he do that? Would he care about Jake Reeves?
Speaker 2 (07:56):
He killed him, Miss Hornby. I didn't know that, but
he admitted it before he died.
Speaker 5 (08:04):
Is that true?
Speaker 9 (08:06):
Yes?
Speaker 2 (08:06):
Him, that's true.
Speaker 5 (08:08):
Well he should have had a trial, he'd have got off.
Who cares about a man like reeves. You murdered my husband, Marshal.
He didn't have a chance against you.
Speaker 2 (08:19):
He had a gun and he tried to kill me
with it.
Speaker 5 (08:21):
Too bad he didn't. But you're gonna die anyway, Marshal,
what I said, you're gonna die. I've got money. I'm
gonna hire you kill Wait a minute, thousand dollars that
ought to do it, and you can't stop me. There
ain't a thing in the world you can do it,
all right?
Speaker 2 (08:40):
All right? Who are you gonna hire?
Speaker 6 (08:46):
Oh?
Speaker 5 (08:47):
So you can be watching for him or maybe go
right out after him. No, he coulda worked that way, Marshal.
It ain't one man I'm gonna hire. It's the whole
army of men. You won't have a chance any more
than my husband did. Now, where is his body? I'm
gonna get him buried and then go to work on
getting you killed.
Speaker 3 (09:22):
Much more coffee?
Speaker 2 (09:24):
Mat Uh? No, no, thanks kidding? I think I had
nothing that was a good dinner, wasn't it.
Speaker 7 (09:36):
That?
Speaker 3 (09:37):
Your awful calm for a man who's been threatened the
way you have?
Speaker 2 (09:42):
Miss Harby?
Speaker 3 (09:44):
Don't you think she meant what she said yesterday?
Speaker 2 (09:47):
Oh? I don't know where she's gonna hire an army
for a thousand dollars. But I suppose it is some
kind of a compliment. She thinks that I'm that hardly killed.
Speaker 3 (10:01):
Well, you're not taking this very serious, Matt.
Speaker 2 (10:04):
Now there's nothing I can do, Kitty, until I find
out what she's up to.
Speaker 3 (10:10):
Wow, maybe she's just crazy. She sure sounded like it.
Speaker 2 (10:14):
Yeah, yeah, maybe.
Speaker 3 (10:16):
Where'd she bury him?
Speaker 2 (10:18):
Matt?
Speaker 3 (10:18):
Is she take him back to the ranch?
Speaker 2 (10:20):
No, now she buried him. I'm on boot Hill. Boot Hill,
she said, if that's the way he got killed, and
that's the place he was gonna get buried.
Speaker 3 (10:31):
Sounds like she was mad at him.
Speaker 2 (10:34):
I think it was a shame kidding. She wasn't very
proud of her husband getting shot down like an ordinary lawbreaker.
Speaker 3 (10:41):
That's a pretty easy word for a murderer.
Speaker 2 (10:44):
I don't think his killing Jake reeves mat a thing
to worry Kitty. H He might as well have shot
a horse, for all she cared.
Speaker 3 (10:51):
All she cares about herself.
Speaker 4 (10:53):
Mister Dylon Wlomy's Kitty.
Speaker 3 (10:55):
Hello, Chester, sit down and have some coffee, said.
Speaker 4 (10:58):
There ain't no time for no.
Speaker 2 (11:00):
Oh, what's that poster? You guys?
Speaker 4 (11:02):
That's when I come to find you about mister Dyllan.
I throw this poster off the board down to people. Uh,
but there's more of 'em. Fellaw there told me she's
putting 'em up all over Dodge One.
Speaker 2 (11:11):
Here you read it, Mum. One thousand dollars reward to
the first man that can prove Matt Dylan is dead.
He doesn't have to prove anything else. Money is insafe
(11:33):
at Dodge House and will be paid in cash immediately.
Sign missus melhornb Matt.
Speaker 3 (11:45):
She can't get by with that. You can put her
in jail.
Speaker 4 (11:47):
You sure can, and I'll go around tear down the
rest of them.
Speaker 2 (11:49):
Post you me, no, no, no, Chester. Too many people
have read him by now, and some of 'em are
probably already thinking about it and her in jail.
Speaker 3 (12:00):
So she takes a back, Matt, make her print up
some more.
Speaker 6 (12:03):
Send it than two.
Speaker 2 (12:04):
You think she'd do that, Kitty as Hornby, Matt.
Speaker 5 (12:09):
You're gonna have every greedy bombing Dodge out trying to
ambush it.
Speaker 2 (12:14):
Yeah, yeah, Kitty, the whole army of them. I spent
the next couple of days looking over one shoulder everywhere
I went, sitting with my back to the wall, keeping
away from windows and come evenings. I tried to get
(12:36):
set somewhere before it got dark, so I wouldn't have
to walk past the alleyways or threw patches of light
on the street. Strings a man tight living that way
two tights. I found that out one afternoon, when Chester
and I were sitting on the porch in front of
the office, I.
Speaker 4 (12:55):
Locked the door out back. These ain't nobody gonna come
up on you that way?
Speaker 2 (13:00):
I got chess.
Speaker 4 (13:01):
Wouldn't you be better off setting inside out here?
Speaker 2 (13:04):
I can say what's going on?
Speaker 4 (13:06):
You couldn't see a man with a rifle if he
was hit out in one of them buildings across the street.
Speaker 2 (13:11):
Now, And I can't dig a hole and hide in
it either.
Speaker 4 (13:15):
Mm shoe, Look yonder at that fool kid. He's gonna
run somebody down riding that way.
Speaker 2 (13:21):
He's trying to ride like an Indian the cow loo.
He's been Hey, he's.
Speaker 4 (13:24):
Got a gun? Is he got duck?
Speaker 2 (13:25):
Chesster?
Speaker 4 (13:31):
She doing you hurt? Mister Dylon?
Speaker 3 (13:34):
Nah?
Speaker 2 (13:35):
He messed me, but he was shooting mighty cross.
Speaker 4 (13:38):
Well you got here, Yeah, I got him. That kid
must be crazy riding by like that and trying to
shoot you.
Speaker 2 (13:49):
Yeah, say, you don't suppose I don't know a Chester.
H he's still alive. I'll carry him up the ducks.
You'd take care of his horse?
Speaker 6 (14:06):
Huh?
Speaker 4 (14:08):
Why he's awful young? Ay?
Speaker 2 (14:12):
Yeah, he's awful young. How is he not? Come on
(14:35):
in there. He's conscious now, but I I don't know
how long it will last. Is he gonna die? You
better hear if you wanna talk to him?
Speaker 7 (14:45):
Man?
Speaker 2 (14:48):
Okay, how you feeling so.
Speaker 6 (15:00):
Bad?
Speaker 2 (15:02):
Real bad, marsel, Doc, I'll take good care of him. Uh.
Who are you? What's your name?
Speaker 4 (15:16):
I can't tell you my name?
Speaker 2 (15:19):
Well? Why not?
Speaker 10 (15:20):
My name don't matter alright?
Speaker 2 (15:26):
But you tried to shoot me?
Speaker 10 (15:29):
Why reward a thousand dollars?
Speaker 4 (15:34):
What we needed that money? We needed bad?
Speaker 2 (15:40):
Who needed it?
Speaker 10 (15:42):
I see you sitting there. Then I went and got
my horse. I almost killed you, but I'm sorry I
did it. I'm real sorry.
Speaker 2 (15:54):
I don't worry about that. Now everything's gonna.
Speaker 6 (15:59):
I'm wau.
Speaker 9 (16:04):
Uh son, Doc, I'm right here.
Speaker 2 (16:18):
Man is dead. Nobody could have said no. How old
would you say it was?
Speaker 5 (16:31):
Doc?
Speaker 10 (16:31):
Oh?
Speaker 2 (16:33):
Fifteen minute? It's not your fault, Matt. I killed it now, Matt,
I'm gone over to the dodge.
Speaker 11 (16:43):
House doc, Missus Hornby, Yeah, oh it's you.
Speaker 5 (17:18):
I thought it was somebody come for the money.
Speaker 2 (17:21):
Somebody almost did this form that's who I killed him.
Speaker 5 (17:27):
You kill a lot of people, don't you, marshl.
Speaker 2 (17:31):
Then I have to or.
Speaker 5 (17:32):
Maybe the next one will get you. Maybe what'd you
come to see me for?
Speaker 2 (17:40):
I thought maybe I could get you to change your mind.
Speaker 5 (17:42):
It's Madame Marshall getting scared.
Speaker 2 (17:46):
Well, I don't enjoy knowing somebody might shoot me any minute. Ah,
but I don't like the idea that I might have
to shoot somebody any minute either.
Speaker 5 (17:54):
Well. I shouldn't bother a man like you.
Speaker 2 (17:56):
I told you your husband tried to kill me. Don't
you understand that?
Speaker 5 (18:00):
You don't care about understanding it?
Speaker 2 (18:06):
You know who you're hired this afternoon.
Speaker 5 (18:09):
It don't matter except I wish he'd been a better gunman.
Speaker 2 (18:11):
He wasn't a man, Missus Hornby. He was a boy fifteen,
He was poor. He needed the money for somebody else.
I don't even know his name.
Speaker 5 (18:26):
I thought you killed him. How do you know he
did it for the money?
Speaker 2 (18:30):
He didn't die right enough? Oh well, how does that
make you feel? Miss homie?
Speaker 5 (18:39):
The next one won't be a boy Marshall or the one.
Speaker 2 (18:42):
After that, Miss Hornby what, you're a terrible, selfish old woman.
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Speaker 2 (20:37):
That night, a drunk standing up to me on the street.
He had a gun in his hand, but I buffaloed
him before he could use it, and I threw him
in jail. Later about midnight, it was different. A mule
skinner tried to shoot me from behind the water barrel.
His first shot missed, and a second later he discovered
(20:59):
his missak. The barrel was empty, and he died there
And nobody else seemed willing to take a chance lace
some nights. The next day, about noon, Chester and I
were on our way to Delmonico's when we saw Miss
Hornby coming up Front Street.
Speaker 4 (21:22):
She's looking right at you, mister Jilling.
Speaker 2 (21:24):
And she's probably gonna complain about how I treat her
hired hands.
Speaker 6 (21:29):
Too bad?
Speaker 4 (21:29):
She a woman?
Speaker 2 (21:30):
Need you think it will be a lot different than
she was in Chester.
Speaker 4 (21:34):
Maybe she started over. Maybe she's gonna change her mind.
Speaker 2 (21:37):
It'll take more than a couple of killings for this mm.
Speaker 4 (21:41):
She don't seem to care tall that her husband murdered
poor old j Greeve mine if she eat the one
meanest looking woman she's waiting for it. Oh, miss Hornby,
I wanta talk to you, Marshal.
Speaker 5 (22:03):
All right, ma'am, I hear you killed another man last night.
Speaker 2 (22:09):
The first to your men I killed was.
Speaker 5 (22:11):
A boy in this Hornby still harping on.
Speaker 2 (22:13):
That doesn't bother you at all, doesn't He was.
Speaker 6 (22:17):
A fool to try it.
Speaker 2 (22:19):
That money meant a lot to him.
Speaker 5 (22:22):
Find out who he was.
Speaker 2 (22:24):
No, well, it don't matter, no, not to you, Marshal.
Speaker 5 (22:29):
I'll make you a deal, a deal, that's what I said.
I'll withdraw the reward. If you get out of Dodge,
leave the country, don't ever come back. Why it's my business.
Speaker 2 (22:41):
Why it's beginning to bother all the blood that's being spelled.
Speaker 5 (22:44):
Never mind that you're going to do it.
Speaker 2 (22:46):
And I'm as hard. But you haven't thought straight since
your husband got shot.
Speaker 5 (22:49):
Got shot by you, by me? What's your answer, Marshal.
Speaker 2 (22:57):
As Hornby. I hate killing. I hated as much as
you hated losing. You're a husband. But I'm not leaving.
Speaker 5 (23:04):
You're sure, Marshall, I'm sure, mister.
Speaker 2 (23:09):
Who that don't see what she wants justin?
Speaker 4 (23:12):
Yeah, sure, I'm coming.
Speaker 6 (23:13):
Lady.
Speaker 5 (23:15):
You'll just kill more men if you stay here till
her one of them gets you.
Speaker 2 (23:19):
You're the only one that can stop that'shorm me.
Speaker 5 (23:22):
Well, I ain't gonna stop it, and some man that
knows what he's doing will be along soon, maybe today.
Speaker 2 (23:28):
Marshall, I'm not helping anybody this way wrong. Yeah, this
lady's looking for you.
Speaker 4 (23:34):
She drove that wagon all the way to town and
find you near twenty miles.
Speaker 2 (23:38):
She said, Oh is that something?
Speaker 3 (23:41):
Well?
Speaker 2 (23:41):
What can I do for you?
Speaker 6 (23:42):
Man? I don't wanna bother you if you're busy, Marshall.
Speaker 5 (23:45):
Ay, sorry, I'm looking for my boy.
Speaker 7 (23:48):
Your boy, he's gonna get herself in trouble. Let's not
stop him. Bad trouble, I know it.
Speaker 2 (23:53):
Oh uh, what's he planning to do?
Speaker 7 (23:56):
Man?
Speaker 6 (23:57):
I'm ashamed to tell you this, Marshall.
Speaker 7 (24:00):
But he took his gun when he left home yesterday.
So they'd been talk about that thousand dollar reward for you.
Speaker 6 (24:08):
Marshall.
Speaker 2 (24:11):
How old was your boy?
Speaker 7 (24:13):
Ma'm going I'm fifteen. He doesn't know what he's doing.
I gotta find him and stop him.
Speaker 6 (24:19):
Marshall.
Speaker 7 (24:20):
He's only doing it because we're about to starve out there,
him and me and my little girl.
Speaker 2 (24:27):
Ma'am.
Speaker 7 (24:28):
Wait, Marshall, you've gotta understand the boy first.
Speaker 6 (24:31):
Why he's doing it? All right?
Speaker 4 (24:36):
Why my husband.
Speaker 7 (24:38):
Got killed a month ago, shot and since then we've
been there starving to death.
Speaker 6 (24:45):
The boy tried, but we we ain't been making it.
Speaker 5 (24:50):
Excuse me, ma'am, I won't ask you something.
Speaker 6 (24:55):
Why sure?
Speaker 5 (24:58):
What's your names?
Speaker 6 (25:00):
Reeves? My husband was Jay Reeves. Did you know him?
Speaker 5 (25:05):
No? No, I didn't.
Speaker 4 (25:09):
But my husband.
Speaker 6 (25:11):
He knew him, didn't he, Marshall?
Speaker 2 (25:15):
He did, That's what he told me.
Speaker 5 (25:18):
Well, what's your name, never mind minding him right now,
missus Reeves. I I don't understand, Marshall. Yes, ma'am, you
were right about me being a terrible, selfish old woman.
(25:41):
But would you do something for me?
Speaker 2 (25:45):
I think so.
Speaker 5 (25:47):
There'll be an envelope at the dodge house. It'll be
in your name.
Speaker 6 (25:55):
You know what to do with it.
Speaker 2 (26:00):
Yes, ma'am, I think I know.
Speaker 5 (26:04):
I'm going home now. Goodbye, missus Reeves.
Speaker 6 (26:13):
Goodbye. I don't understand what she was saying.
Speaker 2 (26:22):
Miss Reeves. You want to come to my office and
I'll try to explain it to you. I'll try to
explain a lot of things to you. And now our
(26:58):
star William thank you, George mild and plenty quick on
the draw. That's Ellen M for you, and the pure
white Miracle tip on the business end of every L
and M filters out everything but the taste of the
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(27:18):
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Speaker 1 (27:40):
Gun Smoke, produced and directed by Norman McDonald, stars William
Conrad as Matt Dylan, Us Marshall, our story was specially
written for Gun Smoke by John Meston, with music composed
and conducted by Rex Cory. Sound patterns by Tom Hanley
and Bill James featured in the cast where Jeanette Nolan,
Sam Edwards and Ellen Plea, Harley Bear is Chester, Howard
(28:02):
McNair is Doc, and Georgia Ellis is kidding.
Speaker 2 (28:12):
Stop start smoking with the smile with Chesterfield smiling all
the while with Chesterfield. For the smile and you smoking,
Just give.
Speaker 6 (28:24):
Them a try. Light up a Chesterfield.
Speaker 2 (28:28):
They sat as.
Speaker 1 (28:29):
Fine, put a smile and you're smoking by Chesterfield. So smooth,
so satisfying Chesterfield. You will also enjoy Chesterfield's great radio show.
Harry Como sings all the top tunes on CBS Radio
every Monday, Wednesday and Friday. Jack Web stars in Dragnet
(28:52):
on Tuesday nights. Check your local listings listened Two Guns
Woke again next week
Gun Smoke brought to you by L and M Filters.
Speaker 2 (00:14):
This is it.
Speaker 1 (00:16):
L and M is best stands out from all the
rest around Dodge City and in the territory on West.
There's just one way to handle the killers and the spoilers,
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(00:58):
the violence that moved west with young America and the
story of a man will moved with it.
Speaker 2 (01:04):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chancy job, and it makes a man watchful
and a little lonely.
Speaker 3 (01:42):
Hey, Doc, oh had I chested?
Speaker 4 (01:45):
Want over and sit down?
Speaker 5 (01:48):
Well, I guess it won't hurt for a minute to
tears to sit here.
Speaker 4 (01:51):
My job setting out here on the street is loafing
around your office. Oh, now that's low.
Speaker 6 (01:58):
I didn't mean.
Speaker 4 (01:59):
Nothing, Doc, I wasn't even thinking.
Speaker 6 (02:01):
And I can believe that.
Speaker 4 (02:03):
What's bothering you? Just to mister Gill what I'm kind
of worried about him?
Speaker 2 (02:08):
Doc?
Speaker 7 (02:09):
You are?
Speaker 4 (02:10):
Why?
Speaker 5 (02:10):
Well?
Speaker 4 (02:10):
Look it is near dark and you ain't showed up yet.
I don't even know where he is.
Speaker 2 (02:15):
Well, I think Matt can take care of the South Chester, Sure.
Speaker 4 (02:17):
But you leaves a note or something, Doc.
Speaker 8 (02:20):
Well, a man doesn't have to do things the same
way all the time, I know.
Speaker 4 (02:23):
I just like Missus Hawley.
Speaker 8 (02:25):
The other day she came to ask me how to
get her baby to sleep at night. Now, for example,
what you told him? Oh no, now you think you
just think notes. After all, you were a baby once.
How'd your mother get you to sleep?
Speaker 4 (02:37):
He didn't have no trouble? And the usual way is
to rock the baby. But you know what I told
Missus Hall to do, doc, I really ain't interested, and
you're gonna hear it anyway.
Speaker 8 (02:47):
I told her to take the baby and smear its
little fingers with thick molasses.
Speaker 5 (02:53):
What yes?
Speaker 8 (02:53):
And then I told her to give it a half
a dozen chicken feathers.
Speaker 6 (02:57):
What well.
Speaker 8 (02:58):
I figured he'd pluck the feathers from hand to hand.
Then we fell asleep, and then if it woke up again,
all she had to do is to give it some
more molosses and feathers.
Speaker 4 (03:06):
Oh seems to me that only make the little baby mad.
Speaker 8 (03:09):
Man that shows how much you know about babies?
Speaker 2 (03:11):
Say?
Speaker 4 (03:11):
Oh my goodness, gracious, can't we talk about something else?
Speaker 2 (03:14):
Does?
Speaker 9 (03:15):
Said?
Speaker 6 (03:15):
You start something?
Speaker 4 (03:16):
To wait a minute, and heard mister Dillon wait riding
up the street there, leading that.
Speaker 6 (03:22):
Horse with a pack on it.
Speaker 4 (03:24):
Oh, yeah, doct look what I ain't no pack? He's
got tired on that horse. No, no, that isn't that's
a man, a dead one. Yes. Yeah, who do you
supposed to tea?
Speaker 2 (03:41):
Well? I don't know him, mister Dillon, Hellouchester doctor?
Speaker 4 (03:53):
You know, man?
Speaker 2 (03:55):
We got there Mel Hornby, Well Hornby. I went out
to ask him some questions about that sodbuster that got
murdered last month.
Speaker 4 (04:07):
Oh, jake grieved.
Speaker 2 (04:08):
Yeah, that Hornby took offense and he tried to kill me.
Speaker 4 (04:12):
Do you think he had something to do with the
reeves murdered? Man?
Speaker 2 (04:15):
He did it, doc, he admitted it, just for.
Speaker 4 (04:18):
He died a big granduli old Mel Hornby killing a poor,
half starved little homestead.
Speaker 2 (04:23):
They had an argument about something, and Hornby's temper got
the best of him the way it did today.
Speaker 4 (04:28):
But how come you bought the body to dodge man?
Speaker 6 (04:30):
As you think?
Speaker 2 (04:31):
Missus Hornby won.
Speaker 4 (04:32):
Him out there?
Speaker 2 (04:33):
I didn't find him at home dock. He was way
out on a prairie handling some stock. I'll get a
wagon in the morning and take him back. Take him.
Speaker 6 (04:41):
Oh, I going into you.
Speaker 2 (04:43):
Oh missus Hornby's a pretty mean woman.
Speaker 4 (04:46):
Yeah, I know you better.
Speaker 2 (04:47):
Let chest to do that.
Speaker 4 (04:49):
She can't blame him anything.
Speaker 2 (04:51):
No, I'll do it, Doc, I killed him.
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Speaker 2 (06:07):
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tip cigarette.
Speaker 4 (06:44):
John Arda Jester a already team wagon for it? Stand outside?
Speaker 2 (06:49):
No thanks?
Speaker 4 (06:53):
Near ten o'clock already?
Speaker 2 (06:54):
Yeah, well I get started hearing there you are, Marshall.
Miss Harmby.
Speaker 5 (07:00):
Where's my husband? You got him here?
Speaker 2 (07:04):
Uh? Won't you sit on? Man?
Speaker 5 (07:06):
I've been sitting down since dawn on a saddle. My
husband didn't come home last night, and I figured it
had something to do with you. You found him, didn't you?
Speaker 2 (07:14):
Yes, ma'am, I I found him.
Speaker 5 (07:16):
Well where is he? Got him in jail on some
fool charge. I want to know what's going on, Marshall.
I should have made you tell me when you come by.
Speaker 2 (07:22):
Miss Hornby, your husband's dead? What he tried to kill me?
Speaker 5 (07:32):
You shot him?
Speaker 2 (07:33):
I had to.
Speaker 6 (07:35):
You killed my husband.
Speaker 2 (07:37):
I wanted to talk to him about Jake Reeves. Not
as soon as I mentioned Reeves's name, he went for
his gun. I'm sorry it happened that way. Man. I
don't believe you.
Speaker 5 (07:52):
Why would he do that? Would he care about Jake Reeves?
Speaker 2 (07:56):
He killed him, Miss Hornby. I didn't know that, but
he admitted it before he died.
Speaker 5 (08:04):
Is that true?
Speaker 9 (08:06):
Yes?
Speaker 2 (08:06):
Him, that's true.
Speaker 5 (08:08):
Well he should have had a trial, he'd have got off.
Who cares about a man like reeves. You murdered my husband, Marshal.
He didn't have a chance against you.
Speaker 2 (08:19):
He had a gun and he tried to kill me
with it.
Speaker 5 (08:21):
Too bad he didn't. But you're gonna die anyway, Marshal,
what I said, you're gonna die. I've got money. I'm
gonna hire you kill Wait a minute, thousand dollars that
ought to do it, and you can't stop me. There
ain't a thing in the world you can do it,
all right?
Speaker 2 (08:40):
All right? Who are you gonna hire?
Speaker 6 (08:46):
Oh?
Speaker 5 (08:47):
So you can be watching for him or maybe go
right out after him. No, he coulda worked that way, Marshal.
It ain't one man I'm gonna hire. It's the whole
army of men. You won't have a chance any more
than my husband did. Now, where is his body? I'm
gonna get him buried and then go to work on
getting you killed.
Speaker 3 (09:22):
Much more coffee?
Speaker 2 (09:24):
Mat Uh? No, no, thanks kidding? I think I had
nothing that was a good dinner, wasn't it.
Speaker 7 (09:36):
That?
Speaker 3 (09:37):
Your awful calm for a man who's been threatened the
way you have?
Speaker 2 (09:42):
Miss Harby?
Speaker 3 (09:44):
Don't you think she meant what she said yesterday?
Speaker 2 (09:47):
Oh? I don't know where she's gonna hire an army
for a thousand dollars. But I suppose it is some
kind of a compliment. She thinks that I'm that hardly killed.
Speaker 3 (10:01):
Well, you're not taking this very serious, Matt.
Speaker 2 (10:04):
Now there's nothing I can do, Kitty, until I find
out what she's up to.
Speaker 3 (10:10):
Wow, maybe she's just crazy. She sure sounded like it.
Speaker 2 (10:14):
Yeah, yeah, maybe.
Speaker 3 (10:16):
Where'd she bury him?
Speaker 2 (10:18):
Matt?
Speaker 3 (10:18):
Is she take him back to the ranch?
Speaker 2 (10:20):
No, now she buried him. I'm on boot Hill. Boot Hill,
she said, if that's the way he got killed, and
that's the place he was gonna get buried.
Speaker 3 (10:31):
Sounds like she was mad at him.
Speaker 2 (10:34):
I think it was a shame kidding. She wasn't very
proud of her husband getting shot down like an ordinary lawbreaker.
Speaker 3 (10:41):
That's a pretty easy word for a murderer.
Speaker 2 (10:44):
I don't think his killing Jake reeves mat a thing
to worry Kitty. H He might as well have shot
a horse, for all she cared.
Speaker 3 (10:51):
All she cares about herself.
Speaker 4 (10:53):
Mister Dylon Wlomy's Kitty.
Speaker 3 (10:55):
Hello, Chester, sit down and have some coffee, said.
Speaker 4 (10:58):
There ain't no time for no.
Speaker 2 (11:00):
Oh, what's that poster? You guys?
Speaker 4 (11:02):
That's when I come to find you about mister Dyllan.
I throw this poster off the board down to people. Uh,
but there's more of 'em. Fellaw there told me she's
putting 'em up all over Dodge One.
Speaker 2 (11:11):
Here you read it, Mum. One thousand dollars reward to
the first man that can prove Matt Dylan is dead.
He doesn't have to prove anything else. Money is insafe
(11:33):
at Dodge House and will be paid in cash immediately.
Sign missus melhornb Matt.
Speaker 3 (11:45):
She can't get by with that. You can put her
in jail.
Speaker 4 (11:47):
You sure can, and I'll go around tear down the
rest of them.
Speaker 2 (11:49):
Post you me, no, no, no, Chester. Too many people
have read him by now, and some of 'em are
probably already thinking about it and her in jail.
Speaker 3 (12:00):
So she takes a back, Matt, make her print up
some more.
Speaker 6 (12:03):
Send it than two.
Speaker 2 (12:04):
You think she'd do that, Kitty as Hornby, Matt.
Speaker 5 (12:09):
You're gonna have every greedy bombing Dodge out trying to
ambush it.
Speaker 2 (12:14):
Yeah, yeah, Kitty, the whole army of them. I spent
the next couple of days looking over one shoulder everywhere
I went, sitting with my back to the wall, keeping
away from windows and come evenings. I tried to get
(12:36):
set somewhere before it got dark, so I wouldn't have
to walk past the alleyways or threw patches of light
on the street. Strings a man tight living that way
two tights. I found that out one afternoon, when Chester
and I were sitting on the porch in front of
the office, I.
Speaker 4 (12:55):
Locked the door out back. These ain't nobody gonna come
up on you that way?
Speaker 2 (13:00):
I got chess.
Speaker 4 (13:01):
Wouldn't you be better off setting inside out here?
Speaker 2 (13:04):
I can say what's going on?
Speaker 4 (13:06):
You couldn't see a man with a rifle if he
was hit out in one of them buildings across the street.
Speaker 2 (13:11):
Now, And I can't dig a hole and hide in
it either.
Speaker 4 (13:15):
Mm shoe, Look yonder at that fool kid. He's gonna
run somebody down riding that way.
Speaker 2 (13:21):
He's trying to ride like an Indian the cow loo.
He's been Hey, he's.
Speaker 4 (13:24):
Got a gun? Is he got duck?
Speaker 2 (13:25):
Chesster?
Speaker 4 (13:31):
She doing you hurt? Mister Dylon?
Speaker 3 (13:34):
Nah?
Speaker 2 (13:35):
He messed me, but he was shooting mighty cross.
Speaker 4 (13:38):
Well you got here, Yeah, I got him. That kid
must be crazy riding by like that and trying to
shoot you.
Speaker 2 (13:49):
Yeah, say, you don't suppose I don't know a Chester.
H he's still alive. I'll carry him up the ducks.
You'd take care of his horse?
Speaker 6 (14:06):
Huh?
Speaker 4 (14:08):
Why he's awful young? Ay?
Speaker 2 (14:12):
Yeah, he's awful young. How is he not? Come on
(14:35):
in there. He's conscious now, but I I don't know
how long it will last. Is he gonna die? You
better hear if you wanna talk to him?
Speaker 7 (14:45):
Man?
Speaker 2 (14:48):
Okay, how you feeling so.
Speaker 6 (15:00):
Bad?
Speaker 2 (15:02):
Real bad, marsel, Doc, I'll take good care of him. Uh.
Who are you? What's your name?
Speaker 4 (15:16):
I can't tell you my name?
Speaker 2 (15:19):
Well? Why not?
Speaker 10 (15:20):
My name don't matter alright?
Speaker 2 (15:26):
But you tried to shoot me?
Speaker 10 (15:29):
Why reward a thousand dollars?
Speaker 4 (15:34):
What we needed that money? We needed bad?
Speaker 2 (15:40):
Who needed it?
Speaker 10 (15:42):
I see you sitting there. Then I went and got
my horse. I almost killed you, but I'm sorry I
did it. I'm real sorry.
Speaker 2 (15:54):
I don't worry about that. Now everything's gonna.
Speaker 6 (15:59):
I'm wau.
Speaker 9 (16:04):
Uh son, Doc, I'm right here.
Speaker 2 (16:18):
Man is dead. Nobody could have said no. How old
would you say it was?
Speaker 5 (16:31):
Doc?
Speaker 10 (16:31):
Oh?
Speaker 2 (16:33):
Fifteen minute? It's not your fault, Matt. I killed it now, Matt,
I'm gone over to the dodge.
Speaker 11 (16:43):
House doc, Missus Hornby, Yeah, oh it's you.
Speaker 5 (17:18):
I thought it was somebody come for the money.
Speaker 2 (17:21):
Somebody almost did this form that's who I killed him.
Speaker 5 (17:27):
You kill a lot of people, don't you, marshl.
Speaker 2 (17:31):
Then I have to or.
Speaker 5 (17:32):
Maybe the next one will get you. Maybe what'd you
come to see me for?
Speaker 2 (17:40):
I thought maybe I could get you to change your mind.
Speaker 5 (17:42):
It's Madame Marshall getting scared.
Speaker 2 (17:46):
Well, I don't enjoy knowing somebody might shoot me any minute. Ah,
but I don't like the idea that I might have
to shoot somebody any minute either.
Speaker 5 (17:54):
Well. I shouldn't bother a man like you.
Speaker 2 (17:56):
I told you your husband tried to kill me. Don't
you understand that?
Speaker 5 (18:00):
You don't care about understanding it?
Speaker 2 (18:06):
You know who you're hired this afternoon.
Speaker 5 (18:09):
It don't matter except I wish he'd been a better gunman.
Speaker 2 (18:11):
He wasn't a man, Missus Hornby. He was a boy fifteen,
He was poor. He needed the money for somebody else.
I don't even know his name.
Speaker 5 (18:26):
I thought you killed him. How do you know he
did it for the money?
Speaker 2 (18:30):
He didn't die right enough? Oh well, how does that
make you feel? Miss homie?
Speaker 5 (18:39):
The next one won't be a boy Marshall or the one.
Speaker 2 (18:42):
After that, Miss Hornby what, you're a terrible, selfish old woman.
Speaker 1 (19:28):
I've got Ellen M.
Speaker 5 (19:29):
I've got L and M.
Speaker 1 (19:31):
I've got Ellen.
Speaker 8 (19:32):
M and L and m's got everything.
Speaker 1 (19:35):
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Speaker 5 (19:43):
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Speaker 1 (19:49):
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M Tobaccos night and mild Today by Ellen M. It's
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Yes today. Why don't you get Ellen M? Because Ellen
(20:09):
EM's got everything.
Speaker 7 (20:12):
This is it, Ellen M filters.
Speaker 2 (20:15):
Ellen M's got everything.
Speaker 6 (20:18):
It's the best.
Speaker 2 (20:37):
That night, a drunk standing up to me on the street.
He had a gun in his hand, but I buffaloed
him before he could use it, and I threw him
in jail. Later about midnight, it was different. A mule
skinner tried to shoot me from behind the water barrel.
His first shot missed, and a second later he discovered
(20:59):
his missak. The barrel was empty, and he died there
And nobody else seemed willing to take a chance lace
some nights. The next day, about noon, Chester and I
were on our way to Delmonico's when we saw Miss
Hornby coming up Front Street.
Speaker 4 (21:22):
She's looking right at you, mister Jilling.
Speaker 2 (21:24):
And she's probably gonna complain about how I treat her
hired hands.
Speaker 6 (21:29):
Too bad?
Speaker 4 (21:29):
She a woman?
Speaker 2 (21:30):
Need you think it will be a lot different than
she was in Chester.
Speaker 4 (21:34):
Maybe she started over. Maybe she's gonna change her mind.
Speaker 2 (21:37):
It'll take more than a couple of killings for this mm.
Speaker 4 (21:41):
She don't seem to care tall that her husband murdered
poor old j Greeve mine if she eat the one
meanest looking woman she's waiting for it. Oh, miss Hornby,
I wanta talk to you, Marshal.
Speaker 5 (22:03):
All right, ma'am, I hear you killed another man last night.
Speaker 2 (22:09):
The first to your men I killed was.
Speaker 5 (22:11):
A boy in this Hornby still harping on.
Speaker 2 (22:13):
That doesn't bother you at all, doesn't He was.
Speaker 6 (22:17):
A fool to try it.
Speaker 2 (22:19):
That money meant a lot to him.
Speaker 5 (22:22):
Find out who he was.
Speaker 2 (22:24):
No, well, it don't matter, no, not to you, Marshal.
Speaker 5 (22:29):
I'll make you a deal, a deal, that's what I said.
I'll withdraw the reward. If you get out of Dodge,
leave the country, don't ever come back. Why it's my business.
Speaker 2 (22:41):
Why it's beginning to bother all the blood that's being spelled.
Speaker 5 (22:44):
Never mind that you're going to do it.
Speaker 2 (22:46):
And I'm as hard. But you haven't thought straight since
your husband got shot.
Speaker 5 (22:49):
Got shot by you, by me? What's your answer, Marshal.
Speaker 2 (22:57):
As Hornby. I hate killing. I hated as much as
you hated losing. You're a husband. But I'm not leaving.
Speaker 5 (23:04):
You're sure, Marshall, I'm sure, mister.
Speaker 2 (23:09):
Who that don't see what she wants justin?
Speaker 4 (23:12):
Yeah, sure, I'm coming.
Speaker 6 (23:13):
Lady.
Speaker 5 (23:15):
You'll just kill more men if you stay here till
her one of them gets you.
Speaker 2 (23:19):
You're the only one that can stop that'shorm me.
Speaker 5 (23:22):
Well, I ain't gonna stop it, and some man that
knows what he's doing will be along soon, maybe today.
Speaker 2 (23:28):
Marshall, I'm not helping anybody this way wrong. Yeah, this
lady's looking for you.
Speaker 4 (23:34):
She drove that wagon all the way to town and
find you near twenty miles.
Speaker 2 (23:38):
She said, Oh is that something?
Speaker 3 (23:41):
Well?
Speaker 2 (23:41):
What can I do for you?
Speaker 6 (23:42):
Man? I don't wanna bother you if you're busy, Marshall.
Speaker 5 (23:45):
Ay, sorry, I'm looking for my boy.
Speaker 7 (23:48):
Your boy, he's gonna get herself in trouble. Let's not
stop him. Bad trouble, I know it.
Speaker 2 (23:53):
Oh uh, what's he planning to do?
Speaker 7 (23:56):
Man?
Speaker 6 (23:57):
I'm ashamed to tell you this, Marshall.
Speaker 7 (24:00):
But he took his gun when he left home yesterday.
So they'd been talk about that thousand dollar reward for you.
Speaker 6 (24:08):
Marshall.
Speaker 2 (24:11):
How old was your boy?
Speaker 7 (24:13):
Ma'm going I'm fifteen. He doesn't know what he's doing.
I gotta find him and stop him.
Speaker 6 (24:19):
Marshall.
Speaker 7 (24:20):
He's only doing it because we're about to starve out there,
him and me and my little girl.
Speaker 2 (24:27):
Ma'am.
Speaker 7 (24:28):
Wait, Marshall, you've gotta understand the boy first.
Speaker 6 (24:31):
Why he's doing it? All right?
Speaker 4 (24:36):
Why my husband.
Speaker 7 (24:38):
Got killed a month ago, shot and since then we've
been there starving to death.
Speaker 6 (24:45):
The boy tried, but we we ain't been making it.
Speaker 5 (24:50):
Excuse me, ma'am, I won't ask you something.
Speaker 6 (24:55):
Why sure?
Speaker 5 (24:58):
What's your names?
Speaker 6 (25:00):
Reeves? My husband was Jay Reeves. Did you know him?
Speaker 5 (25:05):
No? No, I didn't.
Speaker 4 (25:09):
But my husband.
Speaker 6 (25:11):
He knew him, didn't he, Marshall?
Speaker 2 (25:15):
He did, That's what he told me.
Speaker 5 (25:18):
Well, what's your name, never mind minding him right now,
missus Reeves. I I don't understand, Marshall. Yes, ma'am, you
were right about me being a terrible, selfish old woman.
(25:41):
But would you do something for me?
Speaker 2 (25:45):
I think so.
Speaker 5 (25:47):
There'll be an envelope at the dodge house. It'll be
in your name.
Speaker 6 (25:55):
You know what to do with it.
Speaker 2 (26:00):
Yes, ma'am, I think I know.
Speaker 5 (26:04):
I'm going home now. Goodbye, missus Reeves.
Speaker 6 (26:13):
Goodbye. I don't understand what she was saying.
Speaker 2 (26:22):
Miss Reeves. You want to come to my office and
I'll try to explain it to you. I'll try to
explain a lot of things to you. And now our
(26:58):
star William thank you, George mild and plenty quick on
the draw. That's Ellen M for you, and the pure
white Miracle tip on the business end of every L
and M filters out everything but the taste of the
world's finest tobaccos. All you have to do is pick
(27:18):
up a carton of L and M's and you'll see
what I mean. Ellen M stands out from all the rest.
Speaker 1 (27:40):
Gun Smoke, produced and directed by Norman McDonald, stars William
Conrad as Matt Dylan, Us Marshall, our story was specially
written for Gun Smoke by John Meston, with music composed
and conducted by Rex Cory. Sound patterns by Tom Hanley
and Bill James featured in the cast where Jeanette Nolan,
Sam Edwards and Ellen Plea, Harley Bear is Chester, Howard
(28:02):
McNair is Doc, and Georgia Ellis is kidding.
Speaker 2 (28:12):
Stop start smoking with the smile with Chesterfield smiling all
the while with Chesterfield. For the smile and you smoking,
Just give.
Speaker 6 (28:24):
Them a try. Light up a Chesterfield.
Speaker 2 (28:28):
They sat as.
Speaker 1 (28:29):
Fine, put a smile and you're smoking by Chesterfield. So smooth,
so satisfying Chesterfield. You will also enjoy Chesterfield's great radio show.
Harry Como sings all the top tunes on CBS Radio
every Monday, Wednesday and Friday. Jack Web stars in Dragnet
(28:52):
on Tuesday nights. Check your local listings listened Two Guns
Woke again next week
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