September 13, 2025 • 29 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Welcome to Gunsmoke Daily, where we breathe new life into the dusty trails and fiery showdowns of Dodge City with daily episodes of the iconic old-time radio show, "Gunsmoke." Each day, we journey back to the 1950s to join Marshal Matt Dillon as he maintains law and order in the wild west. From thrilling gunfights and moral dilemmas to heartfelt moments and the gritty realities of frontier life, every episode features the rich, atmospheric storytelling that made Gunsmoke a beloved staple of American entertainment. Tune in to relive the adventures of Dillon, Miss Kitty, Doc Adams, and Chester Proudfoot, and experience the drama and suspense that captivated listeners for over a decade. Join us daily for a timeless trip to the old west with "Gunsmoke."
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns Smoke Guns, starring William Conrad. The story of the
(00:43):
violence that moved west with Young America and the story
of a man.
Speaker 2 (00:47):
Who moved with it.
Speaker 3 (00:49):
I'm that man, Matt Dillon, United States Marshall. The first
man they look for and the last they want to meet.
It's a chance, a job. It makes a man watchful,
said a little lonely.
Speaker 2 (01:14):
Crime, delinquency, threats of war.
Speaker 1 (01:17):
These are the subjects that dominate our news headlines these days.
Not very pleasant subjects, are they. You may say that
somebody ought to do something about cutting down on crime
and delinquency and in promoting peace among nations, but that
there's nothing you personally can do about it. That's where
you're wrong. You can wage your own fight against crime
and delinquency in your own family by taking the family
(01:40):
to the church or synagogue.
Speaker 2 (01:41):
Of your faith this week.
Speaker 1 (01:44):
The spiritual contact will strengthen moral background and faith. Regular
attendance at religious services will help your family to work
out its own problems and give them comfort in facing
the tensions of our present day life. Worshiping together brings
your family closer together too, and supporting your own religious
institution provides funds to help those individuals and families who,
(02:07):
unlike you, are unable to help themselves, find the strength
for your life. Worship together this week, lordies, you boys,
(02:38):
urge to her.
Speaker 4 (02:41):
She she's just to us ensure un certain the whole
of the resurrection.
Speaker 5 (02:51):
Onto eternal life.
Speaker 2 (02:54):
Amens. Yes, I'll see if I can't help with the
spain alright.
Speaker 3 (03:01):
Chester, I'm gonna speak to miss Henshaw, Miss Henshaw, Marshall Dillon.
Speaker 2 (03:15):
I just wanted the same man. If there's anything I
can do.
Speaker 6 (03:17):
I uh, you've done your duty.
Speaker 2 (03:19):
Marshall.
Speaker 6 (03:20):
You'rect to the killer.
Speaker 2 (03:22):
Yes, ma'am, I dead. I was thinking mar if you
you might be needing something, I shall be alright.
Speaker 3 (03:27):
I'm sure you will, Miss Henshaw, but it uh, I
can help you out anytime.
Speaker 6 (03:32):
You can't bring back my son.
Speaker 2 (03:35):
No, ma'am, I can't bring back your son, and.
Speaker 3 (03:38):
You can't bring me any help.
Speaker 6 (03:42):
Don't worry about me, Marshall Diylan.
Speaker 4 (03:43):
I come from strong people.
Speaker 2 (03:44):
Hey, you're doing credit, ma'am.
Speaker 7 (03:46):
We can bear things in our way, Lorenda.
Speaker 8 (03:54):
Lorenda, I wanted to talk to you. I pid your
good day, Marshall Lorenda.
Speaker 7 (03:58):
Please wait, wait a minute, lrenda, missus misinger.
Speaker 2 (04:02):
I think I'd let her go.
Speaker 8 (04:05):
I just I just wanted to tell her.
Speaker 7 (04:09):
I'm sorry it was my son Jake had done it.
Speaker 2 (04:12):
That'll be a better time after you've.
Speaker 8 (04:15):
Hung my boy.
Speaker 7 (04:17):
You mean, then.
Speaker 2 (04:20):
You better let me see your home as miser.
Speaker 7 (04:23):
You think I ain't good enough to talk to Lorenda
Henshaw because you took in my boy.
Speaker 2 (04:27):
Here we go.
Speaker 7 (04:28):
I ain't going no place where the locks see you.
Lorenda Henshaw, ain't got no use for talking to me,
and I ain't got no use for talking to you.
Janin's forcing me neither.
Speaker 3 (04:38):
No, I'm and I'm not about to try.
Speaker 6 (04:57):
Don't get all folks and just set my chair straight.
Speaker 5 (05:01):
They wouldn't be used for ever twisting my leg off
like this, some leglar fifth doctor, Commune, lean back and
rock and oh m's done a lot.
Speaker 2 (05:13):
Chester.
Speaker 5 (05:14):
I didn't figure you'd be back so soon.
Speaker 3 (05:16):
And that doesn't take very long to turn a prisoner.
Speaker 2 (05:18):
Over to a sheriff.
Speaker 9 (05:20):
Well, no, sure, I guess.
Speaker 2 (05:21):
Not anything been going on here is the left.
Speaker 5 (05:24):
Well, uh no, sure nothing. I couldn't handle it.
Speaker 9 (05:27):
Those little rucas last night?
Speaker 5 (05:29):
Was that the old man Merton got thinking it was the.
Speaker 2 (05:32):
Fourth of July.
Speaker 6 (05:33):
He tried out to give a few speeches.
Speaker 2 (05:35):
A man can still speak his mind.
Speaker 6 (05:37):
Chester, Yeah, say, he wasn't the speech and miss Dunne,
they were stirring and patriotic enough, but he got the
smarting at this whiskey bottle between talks. And next thing
you know, he's seen the British coming right down front street.
Speaker 3 (05:50):
Well how about that Chester was at the British.
Speaker 9 (05:53):
No, sir, it was the Calhoun brother than me.
Speaker 2 (05:58):
Master Dylan. Oh, I'm a miss Miser.
Speaker 9 (06:03):
I want to see you alone you Uh well.
Speaker 6 (06:07):
Now, I I just well, I mean I I expect
I could go and see if there's any mail again.
Speaker 2 (06:13):
Why don't you do that, Trusty?
Speaker 5 (06:15):
What I ain't wanted no more? Uh?
Speaker 2 (06:17):
Fine, test, but said imas Miger.
Speaker 8 (06:25):
I can say what I come to say on my feet.
Speaker 2 (06:28):
Alright, ma'am.
Speaker 7 (06:30):
You took my boy away yesterday, Yes, ma'am I did it,
took him away to be hanged.
Speaker 2 (06:39):
The law isn't easy, miss Miser, Mr.
Speaker 7 (06:42):
Miisner, and I lived here a long time before he died.
We were law abiding people. I know that my Jake
has always been a good boy. You know that, yourself,
Marshall Dylon, a good, god fearing boy. He worked hard
on that place. We got grubbing and digging to try
(07:03):
to make things grow after his paw died. You've been
out there a time or two. You've seen the boy working.
Speaker 2 (07:10):
I sent him. Jake was my friend, yes, ma'am.
Speaker 7 (07:13):
And then he comes to town and in one crazy night,
it's all different.
Speaker 3 (07:20):
They want to hang its. Your son killed a man.
Speaker 8 (07:26):
It weren't Jake had done it, Marshall.
Speaker 7 (07:28):
It was the drink, the evil tempting drink, and they
was brawling.
Speaker 8 (07:33):
Everybody says they was.
Speaker 3 (07:35):
They were brawling, But Jake used his gun, ma'am, and
he shot an unarmed man. Now you know that, Ms.
Speaker 2 (07:40):
Meiser, And you know the law too.
Speaker 7 (07:44):
The law ain't merciful, Marshal, and you wasn't merciful.
Speaker 3 (07:48):
Need I did what I had to do. It wasn't easy,
but I had to face it. You'd be better off
of you'd face it too, ma'am.
Speaker 8 (07:58):
I'm here to face it.
Speaker 3 (08:01):
I think it feel better If you want home, maybe
doc can give you something to help.
Speaker 7 (08:05):
There's only one thing that'll help.
Speaker 8 (08:07):
What's that the life of my boy.
Speaker 2 (08:11):
I can't give you that, Miss Miser.
Speaker 7 (08:14):
Then I'll take yours.
Speaker 8 (08:19):
You don't mean that, Yes I do, Marshall Dylan. I
ain't given to saying things I don't need.
Speaker 3 (08:27):
And you better do some more thinking, ma'am. Killing me
or trying to it's not gonna solve anything for you.
Speaker 8 (08:32):
I've done my thinking.
Speaker 5 (08:35):
I know it won't help.
Speaker 7 (08:36):
Jake won't even help me, but I got to do something.
And if you let him hang next Thursday, I'll kill you.
Speaker 5 (08:46):
That's all.
Speaker 7 (08:47):
I know.
Speaker 2 (08:47):
You need to help, Miss Miser, but this.
Speaker 7 (08:49):
Is I ain't looking for help.
Speaker 8 (08:51):
I'm looking for an end to this.
Speaker 5 (08:54):
That you be thinking about it, Marshall, you be thinking good.
Speaker 2 (08:59):
I'm thinking more about you, ma'am, and.
Speaker 7 (09:00):
Worry none about that. I ain't been partial too far on,
but I've had to kill him my day.
Speaker 2 (09:09):
I can shoot martial, yes, ma'am. I'm sure you should.
Speaker 7 (09:12):
You be remembering. If I lose my boy next Thursday,
I'll be back.
Speaker 5 (09:21):
To end it.
Speaker 3 (09:23):
I'll be here, Miss Mercer, because I want to end
it too.
Speaker 5 (09:43):
Well.
Speaker 1 (09:43):
The conventions have come and gone is it all over?
But the voting hardly in the next month, still November.
We're in for some hard campaigning details of course from
CBS News, and your candidate, whoever he may be, is
in for a tough sledding before he gets into office.
If all your responsibility to your candidate is, of course
(10:03):
to give him your vote, your.
Speaker 2 (10:04):
Voice will help too. And there's something.
Speaker 1 (10:07):
Else that helps put across a campaign. It's money. The
best candidate in the world can't get into office without
incurring expenses.
Speaker 2 (10:14):
If you believe in your man.
Speaker 1 (10:16):
Enough to vote for him, believe in him enough to
get out and work for him, then put some money
on the line too. There's the real test of your interest.
We haven't covered the subject of whom to vote for,
whom to support, whom to help with a contribution.
Speaker 2 (10:29):
That's strictly your own business.
Speaker 1 (10:30):
But if the people who like the other man dig
in for him and you don't do likewise for your man, well.
Speaker 2 (10:36):
That could be the difference right there.
Speaker 3 (10:38):
So think it over and make sure you vote.
Speaker 8 (10:53):
It just doesn't make sense masters I supposed to but
patting myself all people, well, she's one of the steadiest,
kindest women who ever lived around here.
Speaker 2 (11:05):
Yeah, I know it, Kitty, but this thing is thrown
her completely off.
Speaker 8 (11:07):
But it must have. Hattie's always been the first one
to come when anybody needed help, first one to take
in the visiting past, is the first one to well.
I just can't believe it, but wish you didn't have to.
What are you gonna do?
Speaker 3 (11:22):
Man, There's not much you can do.
Speaker 8 (11:26):
I don't suppose there's any hope for the boy.
Speaker 2 (11:28):
No, it's an opening shotcase, Kitty. His mother doesn't know it,
and I'm not.
Speaker 3 (11:32):
Gonna tell her, but he lost his wild temper and
brawls a couple of times before.
Speaker 2 (11:37):
There isn't anything else that Judge could do.
Speaker 8 (11:40):
Seems awful hard.
Speaker 3 (11:42):
Yeah, it was hard on the hen show.
Speaker 2 (11:45):
Boy too, course it was.
Speaker 8 (11:49):
Do you really expect Hattie to come after you with
a gun?
Speaker 2 (11:54):
And I expect she's a woman of her word and.
Speaker 8 (11:57):
You'll have to handle it.
Speaker 3 (11:58):
Yeah, he got any suggestions?
Speaker 8 (12:02):
Well, I I.
Speaker 3 (12:03):
Can shoot her on like an outlaw when I see
her coming now, or I could let her shoot me.
Speaker 8 (12:07):
You gotta think that's something.
Speaker 2 (12:08):
Or I could leave.
Speaker 8 (12:09):
Tom Oh, you gotta get serious now, I.
Speaker 3 (12:11):
Am serious, Gaudy. I don't know what to do. She's
a good woman, but right now she's dangerous and I
gotta protect her. I just as soon protect myself at
the same time, ma'am. Yeah, uh h. Have you talked
to Doc about this?
Speaker 8 (12:26):
No, it might help. He knows how to real well
he he might be able to.
Speaker 5 (12:30):
Talk to him.
Speaker 2 (12:31):
I heard she's not in a talking mood.
Speaker 8 (12:32):
You can't hurt to try.
Speaker 2 (12:36):
I guess not. Can't hurt to try.
Speaker 5 (12:49):
It it you won't get it?
Speaker 6 (12:52):
It got don't can't tell away?
Speaker 8 (12:58):
Get away?
Speaker 4 (12:59):
Doc?
Speaker 2 (13:00):
Where we are?
Speaker 7 (13:02):
Yeah? You know?
Speaker 1 (13:03):
What do you?
Speaker 5 (13:06):
And hold h.
Speaker 4 (13:11):
What's the matter of man?
Speaker 2 (13:13):
You're arresting me for something?
Speaker 3 (13:15):
Probably should it?
Speaker 2 (13:16):
All right?
Speaker 3 (13:16):
She would drive that buggy throat on here a minister
Life and Property.
Speaker 8 (13:20):
You're getting old, Matt.
Speaker 2 (13:21):
I'd be be heading for the stable.
Speaker 5 (13:23):
Can you stop me? All right?
Speaker 2 (13:25):
All right? Along with you?
Speaker 3 (13:25):
I want to talk to you.
Speaker 6 (13:27):
Tim in thumbing.
Speaker 5 (13:28):
Now, get at.
Speaker 6 (13:35):
What's on the mind, Matt.
Speaker 2 (13:37):
That a miser Uh that's a.
Speaker 8 (13:39):
Sad thing, all right, So I wouldn't worry too.
Speaker 5 (13:42):
Much, Mack.
Speaker 4 (13:43):
She would come through it, all right.
Speaker 3 (13:44):
She's a strong woman, and I'm afraid she's too strong.
What do you mean she says, if.
Speaker 2 (13:50):
Jake hangs, he's gonna kill me.
Speaker 3 (13:53):
Oh come now, man, Now it's the truth.
Speaker 2 (13:56):
Doc.
Speaker 3 (13:56):
She knows he's guilty, she knows she is wrong.
Speaker 2 (13:58):
But she has to get it out of her system.
Speaker 4 (14:00):
That sounds like he stay Hattie isn't a hysterical type
of woman. I have trib you through all kinds of.
Speaker 3 (14:07):
Sickness and trouble. Yeah, but I thought maybe you'd go
out and talk to her. Oh she's got you, buffalo,
don't she.
Speaker 2 (14:15):
Yeah, she's got me, buffalo. Doctor.
Speaker 3 (14:17):
Do you want me to shoot her and knock her
down and get the gun and lock her up?
Speaker 7 (14:20):
What?
Speaker 8 (14:21):
Sure?
Speaker 6 (14:21):
An, I'm sorry, man, I I shouldn't have taken it
life though.
Speaker 4 (14:26):
Yeah, well, I'll talk to you. I'm not sure I'll
do any good, but I'll talk to you.
Speaker 2 (14:32):
Thanks. Doctor. Do you want me to come along?
Speaker 3 (14:35):
No?
Speaker 2 (14:36):
Don't.
Speaker 3 (14:37):
I think I'm gonna.
Speaker 2 (14:38):
Try this along?
Speaker 9 (14:55):
Oh yeah, just you're getting early for you and me.
Speaker 2 (14:59):
We're at Kitty.
Speaker 5 (15:00):
I guess he was kitty.
Speaker 3 (15:02):
Uh she here get old? Yeah her she is chest
through looking at that for chairs.
Speaker 2 (15:08):
Broke up last night?
Speaker 5 (15:10):
And thank you coming miss kitty? Uh, miss kitty?
Speaker 8 (15:17):
Oh oh chesse what thanks here, miss kitty, you've got
to do something, oh ches, but you haven't mine.
Speaker 5 (15:25):
He thought that woman and mister doing well.
Speaker 8 (15:28):
No, I don't know about doing anything about Matt and
the woman.
Speaker 6 (15:32):
Miss Kitty, I ain't. I mean you tell me, miss
misner I'm talking about.
Speaker 8 (15:35):
Oh yeah, just to go ahead and tell me about her.
Speaker 2 (15:38):
Well.
Speaker 6 (15:40):
Doc went to see her, to to see if he
couldn't talk some sames into her and all, and he
just didn't get no worse.
Speaker 8 (15:46):
She's still the telling this, Yes, miss Kitty.
Speaker 6 (15:48):
She she says she's gonna walk right up and shooting
mister doing.
Speaker 8 (15:52):
Not for her boys, Uh, uh's shame.
Speaker 5 (15:54):
It's more and a shame what she's doing.
Speaker 2 (15:56):
Just gonna sit there.
Speaker 5 (15:57):
And let her walk in and do it too. He
ain't so much cleaned his gun about it.
Speaker 8 (16:01):
Well, it isn't that simple, Chester, she's a good woman.
Speaker 6 (16:04):
Goodness, I know it ain't simple. But there must be
something somebody can do. We can't all sit around and
let her kill him just cause she's a good woman.
Speaker 5 (16:12):
Hu, can you got to think of something?
Speaker 8 (16:15):
It's kay not Chester, you know I want to Het.
Speaker 5 (16:17):
And just ain't enough no more.
Speaker 6 (16:20):
If somebody don't do something we're gonna be in an
awful thing.
Speaker 8 (16:22):
I chest to calm down.
Speaker 5 (16:24):
Ain't gonna calm down this kiddy? Does somebody does something
about it?
Speaker 8 (16:27):
Oh all right, Chester, alright, think OF's something, though, I
swear I don't know what it will be, Missus Tanshaw,
(17:02):
Missus Henshaw, you wish to see me? Yes, Missus Henshaw,
I did?
Speaker 4 (17:12):
Do I know you?
Speaker 8 (17:14):
I'm Kitty Russell. Oh good, I'd like to come in
for a minute.
Speaker 6 (17:23):
Very well, then come in.
Speaker 7 (17:29):
In here, s dom Miss Rumble, I'm so for thank you. Now?
Speaker 8 (17:43):
What did you wish to see me about, Missus Henshaw. Uh,
I'm a great one for minding my own business. Commendable
attitude that, uh well, something terrible may be going to happen.
Missus Henshaw. I think there's a chance you can stop.
Speaker 5 (18:02):
It me.
Speaker 4 (18:05):
In what way it's about?
Speaker 8 (18:07):
M missus Meisner?
Speaker 7 (18:09):
Miss Russell.
Speaker 8 (18:11):
That name is not heard kindly in this house. I
can understand that, Missus henshawder, I'm really not interested in
anything you might have to.
Speaker 5 (18:17):
Say on the subject.
Speaker 8 (18:19):
I know the loss of your boy was a bitter thing,
Missus henshawber there's no need to add more trouble to her.
If it was none of my doing, Miss Russell.
Speaker 7 (18:27):
Of course it wasn't.
Speaker 8 (18:28):
But now you can help. Missus Meisner says she's gonna
shoot Matt Villany. I assume the Marshall can take care
of himself. Well, of course Matt can take care of himself,
but he doesn't want to have to hurt Missus Meisner.
And it's if you had just talked to her, maybe
you could make it.
Speaker 6 (18:44):
I have nothing to say to Hattie Meisner now.
Speaker 8 (18:48):
Or ever, missus Hensham. What's done done. She's gonna lose
her boy too. There's no need for more, Miss Russell.
I can understand your concerns the Marshall.
Speaker 7 (19:04):
I understand he's a particular friend of yours.
Speaker 8 (19:08):
Matt is a good son, but it is no concern
of mine. He has a job to do.
Speaker 2 (19:15):
I see no reason to interfere with it.
Speaker 8 (19:18):
Missus hens.
Speaker 5 (19:19):
I'll show you to the door.
Speaker 8 (19:20):
I can find it. I will show you to the door. Yes,
of course, do it properly, missus Henshaw. Do it all properly,
but don't show a little kindness to another woman in
trouble for Damis Russell. I'm not so sure, missus Henshaw.
Speaker 3 (19:44):
Ahi, this is Dennis James say, remember way back when
this melody was popular. There's something very special about.
Speaker 2 (20:10):
A long time favorite, isn't there.
Speaker 1 (20:13):
Well, folks feel the same way about one of Kellogg's favorites,
Kellogg's All Brand. Going on forty one years now, it's
been America's most popular good food way to fight irregularity
from lack of bulk. Because it's whole brand, Kellogg's All
Brand gentles away irregularity safely and reliably. And because it's
deep toasted for extra crispness, it never gets mushy and milk.
(20:36):
There's only one all brand, Kellogg's All Brand. That's a
double L hyphen b R a M. Kellogg's All Brand.
Speaker 4 (20:56):
All I can say, we're all wasting our money tonight.
Speaker 6 (21:00):
I mean, uh, well, I should have said everybody but
your chest, yeah, or the only one who's eating within
me and glass I can always eat talking about.
Speaker 5 (21:08):
Oh, that's what the body's supposed to do.
Speaker 8 (21:11):
You should know that ain't as the testing it just can't.
But the idea crossed in themselves.
Speaker 4 (21:16):
Well, I'm trying to admit I'll have more appetite tomorrow night.
Speaker 6 (21:20):
Everything comes out all right, Yeah, Miss Dunn you're positive
nothing can.
Speaker 5 (21:26):
Interfere with the.
Speaker 6 (21:28):
Oh, the hanging nothing but a miracle, and you expect
that miss mind and her to come walking in told
the gun that's what she says.
Speaker 8 (21:38):
I never heard of two women that were so stubborn
about being talked to.
Speaker 4 (21:42):
They're both a little crazed by the grief of losing
their suns, and they're they're reacting in different ways.
Speaker 8 (21:48):
Well, I should see that. But you'd think somebody could
get through the the least. Why not?
Speaker 2 (21:52):
It's a difficult case.
Speaker 3 (21:53):
Yeah, Well, uh tell you what. Why don't we leave
it alone till uh tomorrow?
Speaker 5 (21:59):
Huh the tomorrow. But if you tomorrow will be too late.
Speaker 2 (22:03):
Yes, matter.
Speaker 6 (22:04):
If you're gonna think of anything, you're better think of
it tonight.
Speaker 3 (22:07):
Well what do you want me to do, Doc?
Speaker 8 (22:08):
Leave tom It might not be a bad idea.
Speaker 3 (22:10):
Or if I haven't, sake Kitty, I'll have to come
back someday.
Speaker 8 (22:13):
Well, by that time, Hattie might have cooled off.
Speaker 6 (22:15):
Not right, Doc, No, I don't think so.
Speaker 4 (22:17):
This thing is likely to stay with you until until
it gets out of a system someway.
Speaker 2 (22:22):
It'll take some kind of a.
Speaker 3 (22:23):
Trigger to let loose of her emotion.
Speaker 8 (22:25):
I hope it isn't the real tiger.
Speaker 5 (22:28):
It's just a terrible, terrible thing.
Speaker 3 (22:30):
That's what did all right, all right, it's say, let's
sorry about something else.
Speaker 5 (22:35):
Well, but maybe if we keep on studying and figuring.
Speaker 3 (22:38):
Everybody said, let's talk about something else.
Speaker 8 (22:41):
But Matt, maybe maybe if we get an idea.
Speaker 3 (22:44):
I don't want to hear any more about it, now,
do you get that idea?
Speaker 5 (22:48):
Yeah, you're mister gentlemen.
Speaker 2 (23:04):
What I declare her?
Speaker 6 (23:06):
It's her, Miss Joms Maisons driving up in her buggy.
Speaker 3 (23:09):
Uh uh, alright, Chester you going out back like I
told you?
Speaker 5 (23:14):
Now? Are you sure miss Jille that you don't want
me to stay?
Speaker 2 (23:16):
I'm sure gone now.
Speaker 3 (23:17):
I don't want her walking in the air feeling she's surrounded,
not going got out?
Speaker 9 (23:22):
Oh alright, Marshall, got in, Mss Mason.
Speaker 8 (23:40):
I come like I said.
Speaker 3 (23:45):
Oh oh, I think we could talk a little better
if you have to put the gun.
Speaker 8 (23:53):
Ain't no need for talking.
Speaker 5 (23:57):
They hung my boy this morning.
Speaker 2 (24:00):
Yes, ma'am, you let him mine in peace.
Speaker 7 (24:04):
There ain't no peace for me.
Speaker 5 (24:05):
More so, Dylan.
Speaker 3 (24:07):
I'd help you if I could, ma'am.
Speaker 2 (24:08):
I'd help Jake.
Speaker 3 (24:09):
If I could.
Speaker 8 (24:10):
There ain't no helping for me or for you.
Speaker 3 (24:14):
You're a good woman, mis miser, you don't want to
shooting on your conscience.
Speaker 8 (24:18):
My conscience tells me to kill the man that took
my boy.
Speaker 3 (24:22):
I'm not gonna let you kill me, ma'am.
Speaker 5 (24:25):
You ain't stopping me.
Speaker 2 (24:26):
I don't wanna hurt you, but you put the gun down,
this miser, stay where y'all. Marshall Dilling said, put the
gun down. I swear, I swear, Honey.
Speaker 8 (24:39):
How he let it go?
Speaker 5 (24:40):
Let the gun go?
Speaker 8 (24:41):
It's no answer.
Speaker 2 (24:42):
Let me take it all right, let me help. I
got a missential.
Speaker 7 (24:48):
You you got no right, red A Henchel, you got
no right. I wasn't even good enough for you to
talk to with the buryin.
Speaker 8 (24:57):
I was wrong, Hattie.
Speaker 7 (24:59):
I'm sorry. Being sorry ain't bringing my poor panels, not bringing.
Speaker 6 (25:05):
My boy back either. Neither is being bitter, Hattie.
Speaker 7 (25:08):
Neither is being bitter.
Speaker 8 (25:10):
You ain't no one to talk.
Speaker 7 (25:11):
Maybe not, but I've spent the night long on my
knees about it. That's gonna be hard, Hattie, without our boys.
I've had hate in my heart too, But I learned
in the praying that the only way to feel close
to my dead son is to feel love, love for
him and love for the world.
Speaker 5 (25:33):
Without it, he fades away.
Speaker 8 (25:38):
M my, Jake fades away too. That's what I can't
rightly bear.
Speaker 5 (25:48):
It feeds away.
Speaker 7 (25:50):
Then give him a chance to stay near, Hattie. Let
the hate out of your heart, Let him in.
Speaker 5 (25:57):
I hain't bidden one to hate.
Speaker 7 (26:00):
I just didn't know nothing, nothing else to do.
Speaker 5 (26:05):
Heady cry.
Speaker 3 (26:11):
I ain't letting myself said loose, dis.
Speaker 2 (26:15):
Let you come, let them cool your grave.
Speaker 7 (26:24):
Marshall, I'm sorry, Marshall.
Speaker 2 (26:31):
I'm sorry. That's all right, miss myself. I'll take him
home with me, Marshall Dylan, I hear missent show.
Speaker 5 (26:42):
She'll be all right now, yes, ma'am.
Speaker 6 (26:45):
I'm I'm sure she will, and I'll be all right too.
Speaker 3 (27:15):
There's a man with a beard named Mitch Miller. Not
the beard, the man. There's also a man with a show.
Speaker 2 (27:20):
Named Mitch Miller.
Speaker 1 (27:22):
Yes, the show and the man, the same man with
the beard, The same man knows all those fabulous gals
and guys.
Speaker 2 (27:28):
From the sparkling world of show business. Mitch Hold's open.
Speaker 3 (27:31):
House for them and you Sunday nights on ZBS Radio.
That's the Mitch Miller Show.
Speaker 2 (27:36):
Beard and all.
Speaker 1 (27:43):
Gun Smoke produced and directed in Hollywood by Norman McDonald's
stars William Conrad as Matt Dillon Us Marshall. The story
was specially written for Gun Smoked by Marion Clark, with
editorial supervision by John Meston. Featured in the cast were
Gene Bates and Virgin Christine Harley Bear Is Chester, Howard
(28:03):
mcneer is Doc, and Georgia.
Speaker 2 (28:05):
Ellis is kidding. This is Bill Conrad.
Speaker 3 (28:11):
All of the guns Smoke casts want to extend their
congratulations to KNX Radio in Los Angeles for the observance
of its fortieth anniversary this week.
Speaker 2 (28:21):
Founded in nineteen twenty, k and X has.
Speaker 3 (28:23):
Been an important part of the CBS Radio network since
nineteen thirty seven and important to us on gun Smoke too.
But we broadcast our program from the CBS k and
X studios in Rollingwood. Again, congratulations from all of us.
Speaker 1 (28:41):
This is George waltch inviting you to join us again
next week when CBS Radio presents another story.
Speaker 2 (28:46):
On guns mod.
Speaker 1 (28:52):
WBT Charlotte in your CADS Radio roads along with you,
Marty d.
Speaker 9 (29:02):
Only, CBS Range.
Speaker 3 (29:04):
Ud Star, Jerry Moore and at least later Dot re.
Speaker 2 (29:08):
Me Lowell Thomas.
Speaker 1 (29:10):
Then we promised road the clue.
Speaker 2 (29:11):
He'll sing out in your car.
Speaker 5 (29:15):
Roll along with the stars.
Speaker 9 (29:17):
You can only gains radio.
Speaker 1 (29:25):
You'll hear all those stars plus many more on CBS
and WBT Radio tomorrow morning Tonight. Stay tuned next for
the CBS News, followed by the Kingston Trio at seven
ten yours.
Speaker 3 (29:37):
Truly Johny Dollar makes a hurried trip to Philadelphia in
a desperate effort to save a longtime friend from being
accused of arson suspense brings you another thrilling and spine
chilling story at seven thirty five, and
Speaker 1 (29:49):
Mitch Miller introduces you to some fascinating guests at eight
o five.
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns Smoke Guns, starring William Conrad. The story of the
(00:43):
violence that moved west with Young America and the story
of a man.
Speaker 2 (00:47):
Who moved with it.
Speaker 3 (00:49):
I'm that man, Matt Dillon, United States Marshall. The first
man they look for and the last they want to meet.
It's a chance, a job. It makes a man watchful,
said a little lonely.
Speaker 2 (01:14):
Crime, delinquency, threats of war.
Speaker 1 (01:17):
These are the subjects that dominate our news headlines these days.
Not very pleasant subjects, are they. You may say that
somebody ought to do something about cutting down on crime
and delinquency and in promoting peace among nations, but that
there's nothing you personally can do about it. That's where
you're wrong. You can wage your own fight against crime
and delinquency in your own family by taking the family
(01:40):
to the church or synagogue.
Speaker 2 (01:41):
Of your faith this week.
Speaker 1 (01:44):
The spiritual contact will strengthen moral background and faith. Regular
attendance at religious services will help your family to work
out its own problems and give them comfort in facing
the tensions of our present day life. Worshiping together brings
your family closer together too, and supporting your own religious
institution provides funds to help those individuals and families who,
(02:07):
unlike you, are unable to help themselves, find the strength
for your life. Worship together this week, lordies, you boys,
(02:38):
urge to her.
Speaker 4 (02:41):
She she's just to us ensure un certain the whole
of the resurrection.
Speaker 5 (02:51):
Onto eternal life.
Speaker 2 (02:54):
Amens. Yes, I'll see if I can't help with the
spain alright.
Speaker 3 (03:01):
Chester, I'm gonna speak to miss Henshaw, Miss Henshaw, Marshall Dillon.
Speaker 2 (03:15):
I just wanted the same man. If there's anything I
can do.
Speaker 6 (03:17):
I uh, you've done your duty.
Speaker 2 (03:19):
Marshall.
Speaker 6 (03:20):
You'rect to the killer.
Speaker 2 (03:22):
Yes, ma'am, I dead. I was thinking mar if you
you might be needing something, I shall be alright.
Speaker 3 (03:27):
I'm sure you will, Miss Henshaw, but it uh, I
can help you out anytime.
Speaker 6 (03:32):
You can't bring back my son.
Speaker 2 (03:35):
No, ma'am, I can't bring back your son, and.
Speaker 3 (03:38):
You can't bring me any help.
Speaker 6 (03:42):
Don't worry about me, Marshall Diylan.
Speaker 4 (03:43):
I come from strong people.
Speaker 2 (03:44):
Hey, you're doing credit, ma'am.
Speaker 7 (03:46):
We can bear things in our way, Lorenda.
Speaker 8 (03:54):
Lorenda, I wanted to talk to you. I pid your
good day, Marshall Lorenda.
Speaker 7 (03:58):
Please wait, wait a minute, lrenda, missus misinger.
Speaker 2 (04:02):
I think I'd let her go.
Speaker 8 (04:05):
I just I just wanted to tell her.
Speaker 7 (04:09):
I'm sorry it was my son Jake had done it.
Speaker 2 (04:12):
That'll be a better time after you've.
Speaker 8 (04:15):
Hung my boy.
Speaker 7 (04:17):
You mean, then.
Speaker 2 (04:20):
You better let me see your home as miser.
Speaker 7 (04:23):
You think I ain't good enough to talk to Lorenda
Henshaw because you took in my boy.
Speaker 2 (04:27):
Here we go.
Speaker 7 (04:28):
I ain't going no place where the locks see you.
Lorenda Henshaw, ain't got no use for talking to me,
and I ain't got no use for talking to you.
Janin's forcing me neither.
Speaker 3 (04:38):
No, I'm and I'm not about to try.
Speaker 6 (04:57):
Don't get all folks and just set my chair straight.
Speaker 5 (05:01):
They wouldn't be used for ever twisting my leg off
like this, some leglar fifth doctor, Commune, lean back and
rock and oh m's done a lot.
Speaker 2 (05:13):
Chester.
Speaker 5 (05:14):
I didn't figure you'd be back so soon.
Speaker 3 (05:16):
And that doesn't take very long to turn a prisoner.
Speaker 2 (05:18):
Over to a sheriff.
Speaker 9 (05:20):
Well, no, sure, I guess.
Speaker 2 (05:21):
Not anything been going on here is the left.
Speaker 5 (05:24):
Well, uh no, sure nothing. I couldn't handle it.
Speaker 9 (05:27):
Those little rucas last night?
Speaker 5 (05:29):
Was that the old man Merton got thinking it was the.
Speaker 2 (05:32):
Fourth of July.
Speaker 6 (05:33):
He tried out to give a few speeches.
Speaker 2 (05:35):
A man can still speak his mind.
Speaker 6 (05:37):
Chester, Yeah, say, he wasn't the speech and miss Dunne,
they were stirring and patriotic enough, but he got the
smarting at this whiskey bottle between talks. And next thing
you know, he's seen the British coming right down front street.
Speaker 3 (05:50):
Well how about that Chester was at the British.
Speaker 9 (05:53):
No, sir, it was the Calhoun brother than me.
Speaker 2 (05:58):
Master Dylan. Oh, I'm a miss Miser.
Speaker 9 (06:03):
I want to see you alone you Uh well.
Speaker 6 (06:07):
Now, I I just well, I mean I I expect
I could go and see if there's any mail again.
Speaker 2 (06:13):
Why don't you do that, Trusty?
Speaker 5 (06:15):
What I ain't wanted no more? Uh?
Speaker 2 (06:17):
Fine, test, but said imas Miger.
Speaker 8 (06:25):
I can say what I come to say on my feet.
Speaker 2 (06:28):
Alright, ma'am.
Speaker 7 (06:30):
You took my boy away yesterday, Yes, ma'am I did it,
took him away to be hanged.
Speaker 2 (06:39):
The law isn't easy, miss Miser, Mr.
Speaker 7 (06:42):
Miisner, and I lived here a long time before he died.
We were law abiding people. I know that my Jake
has always been a good boy. You know that, yourself,
Marshall Dylon, a good, god fearing boy. He worked hard
on that place. We got grubbing and digging to try
(07:03):
to make things grow after his paw died. You've been
out there a time or two. You've seen the boy working.
Speaker 2 (07:10):
I sent him. Jake was my friend, yes, ma'am.
Speaker 7 (07:13):
And then he comes to town and in one crazy night,
it's all different.
Speaker 3 (07:20):
They want to hang its. Your son killed a man.
Speaker 8 (07:26):
It weren't Jake had done it, Marshall.
Speaker 7 (07:28):
It was the drink, the evil tempting drink, and they
was brawling.
Speaker 8 (07:33):
Everybody says they was.
Speaker 3 (07:35):
They were brawling, But Jake used his gun, ma'am, and
he shot an unarmed man. Now you know that, Ms.
Speaker 2 (07:40):
Meiser, And you know the law too.
Speaker 7 (07:44):
The law ain't merciful, Marshal, and you wasn't merciful.
Speaker 3 (07:48):
Need I did what I had to do. It wasn't easy,
but I had to face it. You'd be better off
of you'd face it too, ma'am.
Speaker 8 (07:58):
I'm here to face it.
Speaker 3 (08:01):
I think it feel better If you want home, maybe
doc can give you something to help.
Speaker 7 (08:05):
There's only one thing that'll help.
Speaker 8 (08:07):
What's that the life of my boy.
Speaker 2 (08:11):
I can't give you that, Miss Miser.
Speaker 7 (08:14):
Then I'll take yours.
Speaker 8 (08:19):
You don't mean that, Yes I do, Marshall Dylan. I
ain't given to saying things I don't need.
Speaker 3 (08:27):
And you better do some more thinking, ma'am. Killing me
or trying to it's not gonna solve anything for you.
Speaker 8 (08:32):
I've done my thinking.
Speaker 5 (08:35):
I know it won't help.
Speaker 7 (08:36):
Jake won't even help me, but I got to do something.
And if you let him hang next Thursday, I'll kill you.
Speaker 5 (08:46):
That's all.
Speaker 7 (08:47):
I know.
Speaker 2 (08:47):
You need to help, Miss Miser, but this.
Speaker 7 (08:49):
Is I ain't looking for help.
Speaker 8 (08:51):
I'm looking for an end to this.
Speaker 5 (08:54):
That you be thinking about it, Marshall, you be thinking good.
Speaker 2 (08:59):
I'm thinking more about you, ma'am, and.
Speaker 7 (09:00):
Worry none about that. I ain't been partial too far on,
but I've had to kill him my day.
Speaker 2 (09:09):
I can shoot martial, yes, ma'am. I'm sure you should.
Speaker 7 (09:12):
You be remembering. If I lose my boy next Thursday,
I'll be back.
Speaker 5 (09:21):
To end it.
Speaker 3 (09:23):
I'll be here, Miss Mercer, because I want to end
it too.
Speaker 5 (09:43):
Well.
Speaker 1 (09:43):
The conventions have come and gone is it all over?
But the voting hardly in the next month, still November.
We're in for some hard campaigning details of course from
CBS News, and your candidate, whoever he may be, is
in for a tough sledding before he gets into office.
If all your responsibility to your candidate is, of course
(10:03):
to give him your vote, your.
Speaker 2 (10:04):
Voice will help too. And there's something.
Speaker 1 (10:07):
Else that helps put across a campaign. It's money. The
best candidate in the world can't get into office without
incurring expenses.
Speaker 2 (10:14):
If you believe in your man.
Speaker 1 (10:16):
Enough to vote for him, believe in him enough to
get out and work for him, then put some money
on the line too. There's the real test of your interest.
We haven't covered the subject of whom to vote for,
whom to support, whom to help with a contribution.
Speaker 2 (10:29):
That's strictly your own business.
Speaker 1 (10:30):
But if the people who like the other man dig
in for him and you don't do likewise for your man, well.
Speaker 2 (10:36):
That could be the difference right there.
Speaker 3 (10:38):
So think it over and make sure you vote.
Speaker 8 (10:53):
It just doesn't make sense masters I supposed to but
patting myself all people, well, she's one of the steadiest,
kindest women who ever lived around here.
Speaker 2 (11:05):
Yeah, I know it, Kitty, but this thing is thrown
her completely off.
Speaker 8 (11:07):
But it must have. Hattie's always been the first one
to come when anybody needed help, first one to take
in the visiting past, is the first one to well.
I just can't believe it, but wish you didn't have to.
What are you gonna do?
Speaker 3 (11:22):
Man, There's not much you can do.
Speaker 8 (11:26):
I don't suppose there's any hope for the boy.
Speaker 2 (11:28):
No, it's an opening shotcase, Kitty. His mother doesn't know it,
and I'm not.
Speaker 3 (11:32):
Gonna tell her, but he lost his wild temper and
brawls a couple of times before.
Speaker 2 (11:37):
There isn't anything else that Judge could do.
Speaker 8 (11:40):
Seems awful hard.
Speaker 3 (11:42):
Yeah, it was hard on the hen show.
Speaker 2 (11:45):
Boy too, course it was.
Speaker 8 (11:49):
Do you really expect Hattie to come after you with
a gun?
Speaker 2 (11:54):
And I expect she's a woman of her word and.
Speaker 8 (11:57):
You'll have to handle it.
Speaker 3 (11:58):
Yeah, he got any suggestions?
Speaker 8 (12:02):
Well, I I.
Speaker 3 (12:03):
Can shoot her on like an outlaw when I see
her coming now, or I could let her shoot me.
Speaker 8 (12:07):
You gotta think that's something.
Speaker 2 (12:08):
Or I could leave.
Speaker 8 (12:09):
Tom Oh, you gotta get serious now, I.
Speaker 3 (12:11):
Am serious, Gaudy. I don't know what to do. She's
a good woman, but right now she's dangerous and I
gotta protect her. I just as soon protect myself at
the same time, ma'am. Yeah, uh h. Have you talked
to Doc about this?
Speaker 8 (12:26):
No, it might help. He knows how to real well
he he might be able to.
Speaker 5 (12:30):
Talk to him.
Speaker 2 (12:31):
I heard she's not in a talking mood.
Speaker 8 (12:32):
You can't hurt to try.
Speaker 2 (12:36):
I guess not. Can't hurt to try.
Speaker 5 (12:49):
It it you won't get it?
Speaker 6 (12:52):
It got don't can't tell away?
Speaker 8 (12:58):
Get away?
Speaker 4 (12:59):
Doc?
Speaker 2 (13:00):
Where we are?
Speaker 7 (13:02):
Yeah? You know?
Speaker 1 (13:03):
What do you?
Speaker 5 (13:06):
And hold h.
Speaker 4 (13:11):
What's the matter of man?
Speaker 2 (13:13):
You're arresting me for something?
Speaker 3 (13:15):
Probably should it?
Speaker 2 (13:16):
All right?
Speaker 3 (13:16):
She would drive that buggy throat on here a minister
Life and Property.
Speaker 8 (13:20):
You're getting old, Matt.
Speaker 2 (13:21):
I'd be be heading for the stable.
Speaker 5 (13:23):
Can you stop me? All right?
Speaker 2 (13:25):
All right? Along with you?
Speaker 3 (13:25):
I want to talk to you.
Speaker 6 (13:27):
Tim in thumbing.
Speaker 5 (13:28):
Now, get at.
Speaker 6 (13:35):
What's on the mind, Matt.
Speaker 2 (13:37):
That a miser Uh that's a.
Speaker 8 (13:39):
Sad thing, all right, So I wouldn't worry too.
Speaker 5 (13:42):
Much, Mack.
Speaker 4 (13:43):
She would come through it, all right.
Speaker 3 (13:44):
She's a strong woman, and I'm afraid she's too strong.
What do you mean she says, if.
Speaker 2 (13:50):
Jake hangs, he's gonna kill me.
Speaker 3 (13:53):
Oh come now, man, Now it's the truth.
Speaker 2 (13:56):
Doc.
Speaker 3 (13:56):
She knows he's guilty, she knows she is wrong.
Speaker 2 (13:58):
But she has to get it out of her system.
Speaker 4 (14:00):
That sounds like he stay Hattie isn't a hysterical type
of woman. I have trib you through all kinds of.
Speaker 3 (14:07):
Sickness and trouble. Yeah, but I thought maybe you'd go
out and talk to her. Oh she's got you, buffalo,
don't she.
Speaker 2 (14:15):
Yeah, she's got me, buffalo. Doctor.
Speaker 3 (14:17):
Do you want me to shoot her and knock her
down and get the gun and lock her up?
Speaker 7 (14:20):
What?
Speaker 8 (14:21):
Sure?
Speaker 6 (14:21):
An, I'm sorry, man, I I shouldn't have taken it
life though.
Speaker 4 (14:26):
Yeah, well, I'll talk to you. I'm not sure I'll
do any good, but I'll talk to you.
Speaker 2 (14:32):
Thanks. Doctor. Do you want me to come along?
Speaker 3 (14:35):
No?
Speaker 2 (14:36):
Don't.
Speaker 3 (14:37):
I think I'm gonna.
Speaker 2 (14:38):
Try this along?
Speaker 9 (14:55):
Oh yeah, just you're getting early for you and me.
Speaker 2 (14:59):
We're at Kitty.
Speaker 5 (15:00):
I guess he was kitty.
Speaker 3 (15:02):
Uh she here get old? Yeah her she is chest
through looking at that for chairs.
Speaker 2 (15:08):
Broke up last night?
Speaker 5 (15:10):
And thank you coming miss kitty? Uh, miss kitty?
Speaker 8 (15:17):
Oh oh chesse what thanks here, miss kitty, you've got
to do something, oh ches, but you haven't mine.
Speaker 5 (15:25):
He thought that woman and mister doing well.
Speaker 8 (15:28):
No, I don't know about doing anything about Matt and
the woman.
Speaker 6 (15:32):
Miss Kitty, I ain't. I mean you tell me, miss
misner I'm talking about.
Speaker 8 (15:35):
Oh yeah, just to go ahead and tell me about her.
Speaker 2 (15:38):
Well.
Speaker 6 (15:40):
Doc went to see her, to to see if he
couldn't talk some sames into her and all, and he
just didn't get no worse.
Speaker 8 (15:46):
She's still the telling this, Yes, miss Kitty.
Speaker 6 (15:48):
She she says she's gonna walk right up and shooting
mister doing.
Speaker 8 (15:52):
Not for her boys, Uh, uh's shame.
Speaker 5 (15:54):
It's more and a shame what she's doing.
Speaker 2 (15:56):
Just gonna sit there.
Speaker 5 (15:57):
And let her walk in and do it too. He
ain't so much cleaned his gun about it.
Speaker 8 (16:01):
Well, it isn't that simple, Chester, she's a good woman.
Speaker 6 (16:04):
Goodness, I know it ain't simple. But there must be
something somebody can do. We can't all sit around and
let her kill him just cause she's a good woman.
Speaker 5 (16:12):
Hu, can you got to think of something?
Speaker 8 (16:15):
It's kay not Chester, you know I want to Het.
Speaker 5 (16:17):
And just ain't enough no more.
Speaker 6 (16:20):
If somebody don't do something we're gonna be in an
awful thing.
Speaker 8 (16:22):
I chest to calm down.
Speaker 5 (16:24):
Ain't gonna calm down this kiddy? Does somebody does something
about it?
Speaker 8 (16:27):
Oh all right, Chester, alright, think OF's something, though, I
swear I don't know what it will be, Missus Tanshaw,
(17:02):
Missus Henshaw, you wish to see me? Yes, Missus Henshaw,
I did?
Speaker 4 (17:12):
Do I know you?
Speaker 8 (17:14):
I'm Kitty Russell. Oh good, I'd like to come in
for a minute.
Speaker 6 (17:23):
Very well, then come in.
Speaker 7 (17:29):
In here, s dom Miss Rumble, I'm so for thank you. Now?
Speaker 8 (17:43):
What did you wish to see me about, Missus Henshaw. Uh,
I'm a great one for minding my own business. Commendable
attitude that, uh well, something terrible may be going to happen.
Missus Henshaw. I think there's a chance you can stop.
Speaker 5 (18:02):
It me.
Speaker 4 (18:05):
In what way it's about?
Speaker 8 (18:07):
M missus Meisner?
Speaker 7 (18:09):
Miss Russell.
Speaker 8 (18:11):
That name is not heard kindly in this house. I
can understand that, Missus henshawder, I'm really not interested in
anything you might have to.
Speaker 5 (18:17):
Say on the subject.
Speaker 8 (18:19):
I know the loss of your boy was a bitter thing,
Missus henshawber there's no need to add more trouble to her.
If it was none of my doing, Miss Russell.
Speaker 7 (18:27):
Of course it wasn't.
Speaker 8 (18:28):
But now you can help. Missus Meisner says she's gonna
shoot Matt Villany. I assume the Marshall can take care
of himself. Well, of course Matt can take care of himself,
but he doesn't want to have to hurt Missus Meisner.
And it's if you had just talked to her, maybe
you could make it.
Speaker 6 (18:44):
I have nothing to say to Hattie Meisner now.
Speaker 8 (18:48):
Or ever, missus Hensham. What's done done. She's gonna lose
her boy too. There's no need for more, Miss Russell.
I can understand your concerns the Marshall.
Speaker 7 (19:04):
I understand he's a particular friend of yours.
Speaker 8 (19:08):
Matt is a good son, but it is no concern
of mine. He has a job to do.
Speaker 2 (19:15):
I see no reason to interfere with it.
Speaker 8 (19:18):
Missus hens.
Speaker 5 (19:19):
I'll show you to the door.
Speaker 8 (19:20):
I can find it. I will show you to the door. Yes,
of course, do it properly, missus Henshaw. Do it all properly,
but don't show a little kindness to another woman in
trouble for Damis Russell. I'm not so sure, missus Henshaw.
Speaker 3 (19:44):
Ahi, this is Dennis James say, remember way back when
this melody was popular. There's something very special about.
Speaker 2 (20:10):
A long time favorite, isn't there.
Speaker 1 (20:13):
Well, folks feel the same way about one of Kellogg's favorites,
Kellogg's All Brand. Going on forty one years now, it's
been America's most popular good food way to fight irregularity
from lack of bulk. Because it's whole brand, Kellogg's All
Brand gentles away irregularity safely and reliably. And because it's
deep toasted for extra crispness, it never gets mushy and milk.
(20:36):
There's only one all brand, Kellogg's All Brand. That's a
double L hyphen b R a M. Kellogg's All Brand.
Speaker 4 (20:56):
All I can say, we're all wasting our money tonight.
Speaker 6 (21:00):
I mean, uh, well, I should have said everybody but
your chest, yeah, or the only one who's eating within
me and glass I can always eat talking about.
Speaker 5 (21:08):
Oh, that's what the body's supposed to do.
Speaker 8 (21:11):
You should know that ain't as the testing it just can't.
But the idea crossed in themselves.
Speaker 4 (21:16):
Well, I'm trying to admit I'll have more appetite tomorrow night.
Speaker 6 (21:20):
Everything comes out all right, Yeah, Miss Dunn you're positive
nothing can.
Speaker 5 (21:26):
Interfere with the.
Speaker 6 (21:28):
Oh, the hanging nothing but a miracle, and you expect
that miss mind and her to come walking in told
the gun that's what she says.
Speaker 8 (21:38):
I never heard of two women that were so stubborn
about being talked to.
Speaker 4 (21:42):
They're both a little crazed by the grief of losing
their suns, and they're they're reacting in different ways.
Speaker 8 (21:48):
Well, I should see that. But you'd think somebody could
get through the the least. Why not?
Speaker 2 (21:52):
It's a difficult case.
Speaker 3 (21:53):
Yeah, Well, uh tell you what. Why don't we leave
it alone till uh tomorrow?
Speaker 5 (21:59):
Huh the tomorrow. But if you tomorrow will be too late.
Speaker 2 (22:03):
Yes, matter.
Speaker 6 (22:04):
If you're gonna think of anything, you're better think of
it tonight.
Speaker 3 (22:07):
Well what do you want me to do, Doc?
Speaker 8 (22:08):
Leave tom It might not be a bad idea.
Speaker 3 (22:10):
Or if I haven't, sake Kitty, I'll have to come
back someday.
Speaker 8 (22:13):
Well, by that time, Hattie might have cooled off.
Speaker 6 (22:15):
Not right, Doc, No, I don't think so.
Speaker 4 (22:17):
This thing is likely to stay with you until until
it gets out of a system someway.
Speaker 2 (22:22):
It'll take some kind of a.
Speaker 3 (22:23):
Trigger to let loose of her emotion.
Speaker 8 (22:25):
I hope it isn't the real tiger.
Speaker 5 (22:28):
It's just a terrible, terrible thing.
Speaker 3 (22:30):
That's what did all right, all right, it's say, let's
sorry about something else.
Speaker 5 (22:35):
Well, but maybe if we keep on studying and figuring.
Speaker 3 (22:38):
Everybody said, let's talk about something else.
Speaker 8 (22:41):
But Matt, maybe maybe if we get an idea.
Speaker 3 (22:44):
I don't want to hear any more about it, now,
do you get that idea?
Speaker 5 (22:48):
Yeah, you're mister gentlemen.
Speaker 2 (23:04):
What I declare her?
Speaker 6 (23:06):
It's her, Miss Joms Maisons driving up in her buggy.
Speaker 3 (23:09):
Uh uh, alright, Chester you going out back like I
told you?
Speaker 5 (23:14):
Now? Are you sure miss Jille that you don't want
me to stay?
Speaker 2 (23:16):
I'm sure gone now.
Speaker 3 (23:17):
I don't want her walking in the air feeling she's surrounded,
not going got out?
Speaker 9 (23:22):
Oh alright, Marshall, got in, Mss Mason.
Speaker 8 (23:40):
I come like I said.
Speaker 3 (23:45):
Oh oh, I think we could talk a little better
if you have to put the gun.
Speaker 8 (23:53):
Ain't no need for talking.
Speaker 5 (23:57):
They hung my boy this morning.
Speaker 2 (24:00):
Yes, ma'am, you let him mine in peace.
Speaker 7 (24:04):
There ain't no peace for me.
Speaker 5 (24:05):
More so, Dylan.
Speaker 3 (24:07):
I'd help you if I could, ma'am.
Speaker 2 (24:08):
I'd help Jake.
Speaker 3 (24:09):
If I could.
Speaker 8 (24:10):
There ain't no helping for me or for you.
Speaker 3 (24:14):
You're a good woman, mis miser, you don't want to
shooting on your conscience.
Speaker 8 (24:18):
My conscience tells me to kill the man that took
my boy.
Speaker 3 (24:22):
I'm not gonna let you kill me, ma'am.
Speaker 5 (24:25):
You ain't stopping me.
Speaker 2 (24:26):
I don't wanna hurt you, but you put the gun down,
this miser, stay where y'all. Marshall Dilling said, put the
gun down. I swear, I swear, Honey.
Speaker 8 (24:39):
How he let it go?
Speaker 5 (24:40):
Let the gun go?
Speaker 8 (24:41):
It's no answer.
Speaker 2 (24:42):
Let me take it all right, let me help. I
got a missential.
Speaker 7 (24:48):
You you got no right, red A Henchel, you got
no right. I wasn't even good enough for you to
talk to with the buryin.
Speaker 8 (24:57):
I was wrong, Hattie.
Speaker 7 (24:59):
I'm sorry. Being sorry ain't bringing my poor panels, not bringing.
Speaker 6 (25:05):
My boy back either. Neither is being bitter, Hattie.
Speaker 7 (25:08):
Neither is being bitter.
Speaker 8 (25:10):
You ain't no one to talk.
Speaker 7 (25:11):
Maybe not, but I've spent the night long on my
knees about it. That's gonna be hard, Hattie, without our boys.
I've had hate in my heart too, But I learned
in the praying that the only way to feel close
to my dead son is to feel love, love for
him and love for the world.
Speaker 5 (25:33):
Without it, he fades away.
Speaker 8 (25:38):
M my, Jake fades away too. That's what I can't
rightly bear.
Speaker 5 (25:48):
It feeds away.
Speaker 7 (25:50):
Then give him a chance to stay near, Hattie. Let
the hate out of your heart, Let him in.
Speaker 5 (25:57):
I hain't bidden one to hate.
Speaker 7 (26:00):
I just didn't know nothing, nothing else to do.
Speaker 5 (26:05):
Heady cry.
Speaker 3 (26:11):
I ain't letting myself said loose, dis.
Speaker 2 (26:15):
Let you come, let them cool your grave.
Speaker 7 (26:24):
Marshall, I'm sorry, Marshall.
Speaker 2 (26:31):
I'm sorry. That's all right, miss myself. I'll take him
home with me, Marshall Dylan, I hear missent show.
Speaker 5 (26:42):
She'll be all right now, yes, ma'am.
Speaker 6 (26:45):
I'm I'm sure she will, and I'll be all right too.
Speaker 3 (27:15):
There's a man with a beard named Mitch Miller. Not
the beard, the man. There's also a man with a show.
Speaker 2 (27:20):
Named Mitch Miller.
Speaker 1 (27:22):
Yes, the show and the man, the same man with
the beard, The same man knows all those fabulous gals
and guys.
Speaker 2 (27:28):
From the sparkling world of show business. Mitch Hold's open.
Speaker 3 (27:31):
House for them and you Sunday nights on ZBS Radio.
That's the Mitch Miller Show.
Speaker 2 (27:36):
Beard and all.
Speaker 1 (27:43):
Gun Smoke produced and directed in Hollywood by Norman McDonald's
stars William Conrad as Matt Dillon Us Marshall. The story
was specially written for Gun Smoked by Marion Clark, with
editorial supervision by John Meston. Featured in the cast were
Gene Bates and Virgin Christine Harley Bear Is Chester, Howard
(28:03):
mcneer is Doc, and Georgia.
Speaker 2 (28:05):
Ellis is kidding. This is Bill Conrad.
Speaker 3 (28:11):
All of the guns Smoke casts want to extend their
congratulations to KNX Radio in Los Angeles for the observance
of its fortieth anniversary this week.
Speaker 2 (28:21):
Founded in nineteen twenty, k and X has.
Speaker 3 (28:23):
Been an important part of the CBS Radio network since
nineteen thirty seven and important to us on gun Smoke too.
But we broadcast our program from the CBS k and
X studios in Rollingwood. Again, congratulations from all of us.
Speaker 1 (28:41):
This is George waltch inviting you to join us again
next week when CBS Radio presents another story.
Speaker 2 (28:46):
On guns mod.
Speaker 1 (28:52):
WBT Charlotte in your CADS Radio roads along with you,
Marty d.
Speaker 9 (29:02):
Only, CBS Range.
Speaker 3 (29:04):
Ud Star, Jerry Moore and at least later Dot re.
Speaker 2 (29:08):
Me Lowell Thomas.
Speaker 1 (29:10):
Then we promised road the clue.
Speaker 2 (29:11):
He'll sing out in your car.
Speaker 5 (29:15):
Roll along with the stars.
Speaker 9 (29:17):
You can only gains radio.
Speaker 1 (29:25):
You'll hear all those stars plus many more on CBS
and WBT Radio tomorrow morning Tonight. Stay tuned next for
the CBS News, followed by the Kingston Trio at seven
ten yours.
Speaker 3 (29:37):
Truly Johny Dollar makes a hurried trip to Philadelphia in
a desperate effort to save a longtime friend from being
accused of arson suspense brings you another thrilling and spine
chilling story at seven thirty five, and
Speaker 1 (29:49):
Mitch Miller introduces you to some fascinating guests at eight
o five.
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