August 14, 2025 • 20 mins
Gunsmoke was a beloved American radio Western drama series centered on Dodge City, Kansas, in the 1870s, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad. The program aired from 1952 to 1961 and is widely considered one of the greatest western series ever produced for radio or television. It was gritty, featuring tough and sometimes very violent subject matter. Gunsmoke is a treasured classic that left a permanent mark of the history of radio and westerns.
Hope you enjoy this episode of Gunsmoke! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart | Amazon
Hope you enjoy this episode of Gunsmoke! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart | Amazon
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Around Dodge City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns Smoke Gone Spoke, starring William Conrad. The story of
(00:42):
the violence that moved west with young America and the
story of a man who moved with it.
Speaker 2 (00:48):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chance to job and it makes a man watchful,
a little lone man. Oh Marshall Dyllon allot hours out
(01:33):
of the cattle business, or shipped his hours in the
head out on the train this morning, just I can
afford to buy your drink our thanks, But I hear
Doc Adam has been looking all over for me. How
about I go find him? And he was in here
a while of gold, talking and gif and here she comes.
Maybe she knows where we went. No love the dog gee.
Speaker 3 (01:52):
Doc had to.
Speaker 4 (01:53):
Leave mat They called him out the fifth place and
then lead him.
Speaker 3 (01:56):
He asked me to.
Speaker 2 (01:56):
Get him up. Oh you know, i'd talk, and yeah,
sure I go. I got a little piece of land
right on his side there to my ranch, they're not
doing very good though. You know he's shore around according
to the dock. He was out there last night and
he plan him to go back for him today, to
go back for him. Yeah, they have to be brought
in the town match. They got spotted seat or both
(02:19):
of 'em say, ain't got a little baby out there too,
And that's why Doc said, somebody's gotta fetch all three
of 'em in the guards where that he's taken care of.
I'll find a wagon and go out after him tomorrow.
He can't get back to night anyway. He wants him
to help Marsham. I've got a whole pars like cow
boys who ain't earning uh fee. If I thinks bars
or chussing that manage, he might need help. And what
(02:41):
he mean he had to throw a sick as he
may be. He'll get a gun and fight before he
lets you carry him off that place, I know, and
then he can stay there. But I'm gonna bring his
wife and that child in alright. If you keep an
eye on him, he can be a batman.
Speaker 3 (03:22):
Oh this general, this ain't ab.
Speaker 2 (03:27):
To up his place. I know a chester, but I
wanna meet these people, I must say no, come on.
Speaker 3 (03:38):
Uh but still, how do you know they're new? You
ain't been out there way in over a year.
Speaker 2 (03:43):
All the more reasons I made him. I was walking
around back. I thought I saw somebody there, nothing but
a sad halp him blow this he must be looking
on Nothing doesn't look like that Chester Well, you say,
he butchering the cabine. Who do you get fat? Well?
He sure didn't raise it on those weeds. As woman
(04:04):
trying to hoe? Hello, what you men doing here? And
I Marshall Dylan from Dodge, This is Chuster Proudfoot. There's
something wrong, Marshall. No, after your hat's gonna get all
(04:25):
bloody where you put it on this cat? You let
it be here, you'll get the sound struck without a hat. Alright,
So I was trying to cover up Emmitt Bower's brand.
We're starving out here, Marshall. I had to kill that cat.
You you ain't gonna rift my husband all your Marshall,
(04:45):
Oh ma, I'm not unless Emmitt Bower's complains.
Speaker 1 (04:48):
Jo Joe had to do it, Marshall. We this cat
go on without something to eat?
Speaker 3 (04:55):
Look look over there.
Speaker 2 (04:56):
While I've been hoe and I couldn't plant enough feed
for hardly any thing to come up. And we can't
afford no more.
Speaker 1 (05:02):
See our credits run out and dodge the ground.
Speaker 2 (05:05):
Doesn't even look PLoud. Well, I done the best I could.
That ain't easy. No h's for a woman. Well on
our way to ed Thorpe's. I guess you know that
they got a spotted fever. I was there this morning.
Ed Thorps did uh died in the night. I guess
well you didn't tell me that, Joe. You mean you
(05:27):
left missus Thorpe along with that baby. I ain't gonna
chance catch you no fever, but Joe the baby. My
woman here is always worrying about babies. It's only cause
she can't have none. I guess she's like one of
them there, dry Gord.
Speaker 1 (05:43):
Don't Joe, you're putting shame on me.
Speaker 2 (05:47):
Uh truster, Let's see, come on, let's get out of here.
Uh ms nighbler, Yes, most next time you're in Dodger
c see me. I'll see that you get some seeds.
Speaker 3 (06:18):
I wouldn't just do that part.
Speaker 2 (06:19):
We wouldn't never make doggies to night as the baby
chap well, it was to sleep anywhere. I guess i'd
been proving it right, Uh huh, yeah, I just like
a mother if you all' well, there's dark white the
for us. Uh. Now you sit tied him in a chester.
We'll help you with a baby.
Speaker 3 (06:43):
So do you hope it don't wake up?
Speaker 2 (06:46):
Where's he? Bab and his wife there now that had
died before we got there, dark and start flying down
and back there. They covered her up good, she's gonna
sleep most of the ways. Business thought she's still asleep,
give me a hand up. Yeah, sure, missus thought, oh
(07:18):
oh uh yeah, I oh, it's amatter guy. She's not asleep, man,
but she's dead now. She's died on the way in.
I guess, huh. I I got a baby to take
her of and a dark I think she know she
(07:38):
was gonna die, and why, I guess. Before we left
her place, she told me that if anything happened to her,
the baby was to be putting Mars small Ay's care,
and the more smaller was I have a complete charge
over him. What she says goes, well, Mar's a willow
and she's had kids herself, and that was a good choice. Yeah,
(08:00):
but she's too rude to raise him herself. Man, I
don't have to worry about that later, doctor. Right now,
it's kint busy.
Speaker 4 (08:26):
Yeah, I'm in the armis John, I'm not a front
the store.
Speaker 2 (08:29):
Why wouldn't they come to the office, Jester, Well, you know.
Speaker 5 (08:32):
How mar small he is.
Speaker 2 (08:34):
She don't think his lady like to go to any
man's office. What she's doing with ms neighbor or she
didn't say, well, you're going down and get the mail?
Chester All wait here for you?
Speaker 3 (08:42):
Aank you?
Speaker 2 (08:47):
Oh? Mar, hello Marshall. Have you been in this neighborhood?
Speaker 1 (08:51):
Pretty good, Marshall.
Speaker 2 (08:52):
Ain't everybody can send him for the marshal and bring
him on the run. Oh no, Ma, you know your
word has always been in law with me.
Speaker 3 (08:58):
Oh listen to you. Maybe a care mist Maedler, Well
that's true, Mar Marshall. Missus Needler wants to adoptor thought babe.
Speaker 2 (09:09):
Oh missus Sutless a baby and you're a charge, mars
All up to you. I've had him over a week, Marshall,
and I'm gonna keep him awhile longer so he'll be
near you. Doc just in Keys. But Missus Needley here
seems like a mighty fine woman.
Speaker 3 (09:23):
To me, and i'd better take that baby.
Speaker 2 (09:26):
Only I'm worried about one thing.
Speaker 1 (09:28):
I've I I told her the truth, Marshal.
Speaker 2 (09:31):
And she thinks maybe Joe and I can't make a
go of it out there. Uh d you remember what
you said when you were leave him that day, as
I said to come to seem In, I'd hope they
got some seed to planet.
Speaker 3 (09:43):
Well, now that's all I need.
Speaker 2 (09:45):
I get a little corn up. I might even raise
a few hogs. I work awful hard, Marshal, I promise
I will. She gets started and she can have the
BB Marshall.
Speaker 4 (09:53):
And why I I'll pay you back.
Speaker 2 (09:55):
I I ain't begging.
Speaker 3 (09:56):
I'll pay you back every cent.
Speaker 2 (09:57):
Marshal Nayler. You come by my office where you leave town.
I'm gonna go into the story and I would talk
with mister Jonas right now, Oh Marshall, I I I
I do thank you.
Speaker 1 (10:09):
I dang.
Speaker 2 (10:11):
You can look at him a little white long held
Marshall a lot Jonas. But can I sarlier today? I
like can't to say about Ms Nadler. You know you
know her, don't you, well, sir du Fold Nadler is
out back in the stock room right now, oh he is,
(10:36):
they were come in here. He's buying hisself a new
pair of boots. Marshall. I thought they're credit had run out. Oh, Naylor,
are doing better now? You started bringing meat into Delmonico's
and a couple other eating places. Paid that part of
his bill already, ain't you, Naylor? I don't know as
I like you talking about my private affairs. June. No,
(10:58):
I'm it's only Marshall a lot never cause her. They're
looking boots they ought to be them's the best. I
stack number twenty dollar boots, twenty dollars. Let it buy
a whole wagon load of seeds. Neighbor, you telling me
how to spend my money? Does your wife know you've
been doing better lately? Family matters ain't no concern of
(11:19):
the law or yours are. And if it weren't for
your wife, I wouldn't bother just wanting your neighbor. But
because of her, I'm telling you to take those boots
off and buy some seed and whatever else you need
to grow corn with. Now look here, Marsha, I like
I'm giving you a chance. Naylor. In three days from now,
I'm gonna be riding out to see what you've done
with it. It's up to you whether or not you'll
(11:41):
be riding back with me.
Speaker 4 (11:48):
And today's Thursday was done and we gonna ride out
(12:09):
the nablers.
Speaker 2 (12:10):
I reckon with another Diychester.
Speaker 4 (12:12):
You know something. I don't think you wanna go tall?
Speaker 2 (12:15):
Yeah, you're right, I don't, Uh, Marshall, Chester on bound?
How about it? Now? I was just up but del
Monica's Marshall, I myself a feed. Oh god, how was it?
It was fine till I went out back and got
a talking with a cooker. Oh, Marshall, I reckon. Any
(12:35):
man's got a right to complain when he goes to
a restaurant and finds himself eating his own beef. No, well,
I know about that bower, you do? And why ain't
you done nothing about him? Uh? Because I'm miss Labler.
I guess what, Marshall. I'm a rich man. I don't
mind a ness slaughter in one of my calves when
he's starving, But nobody is gonna start selling my beef.
(12:57):
I'll kill him he keeps that up, I'll have I
admire that woman in his marshal, but letting him get
by with rustling ain't gonna help her. Oh, by the way,
Mars smally brought some fires down in the kitchen while
I was there. She's waiting outside here. She wants to
talk to you. Tell me right out.
Speaker 1 (13:24):
Uh hello, ma oh, you riding out to the neighbor,
late Marshall.
Speaker 2 (13:28):
That's right.
Speaker 3 (13:29):
Then you tell her aunts sorry, tell her. I think
she's a good woman. But I I just can't let
that baby go into the home of a couthie.
Speaker 2 (13:42):
That'll break her hide. Ma Oh, I I got a
trust to put on me, Marshall.
Speaker 5 (13:49):
Alright, I'll tell her well. I love his neighbor.
Speaker 2 (14:14):
Oh, Marshall, hellove Chester. Alright, man, what brings you out here?
Speaker 1 (14:19):
Marshall?
Speaker 2 (14:20):
Is your husband or man? No, he's been gone since morning.
His neighbor. You know that he's been sluttering Emmitt Bower's beef.
Oh so he's complained about it about that cat. No,
it's more than the one cat, miss, neighbor. He's been
selling meat around Dodge Labor. Oh, No, it's true. So
(14:46):
that's what he had in the wagon.
Speaker 1 (14:48):
He wouldn't let me.
Speaker 2 (14:49):
Look. I know you've had nothing to do with him,
his neighbor. But uh, and I hate to tell you this,
but Mars Molly isn't gonna let you have the baby.
Well she she's right, you know, so it wouldn't be
hitting christ Look Kundre timoth dollars. Yeah, I'll be back
(15:14):
in this neighborhood. I'll gona talk to him, alright, come
on yesterday and mothers s a few ideas and he's
yeh oh oh. I thought I might find your Marshall
(15:38):
for something. The wrong dollars. One of my men's been murdered.
That's uh. I found him out yonder about five miles.
He's been left for dead, but he talked a little
of what happened. He's gone now, Marshall, So you'll like
to take our word for what he thought. Alright, you
run across Jordan Nabeler Slaughter than another Steers and Naylor
(16:01):
show him that's what he said. Anything else, only that
Naylor got on his horse and headed for Dodge.
Speaker 5 (16:08):
I guess he figures he'll get caught.
Speaker 2 (16:10):
Might as well get drunk one more time. He'll get caught.
I promise you that.
Speaker 4 (16:33):
John finally founding engine there getting drunk.
Speaker 2 (16:40):
Bar that's taken us long enough, everybody. And Thomas, no,
I'm after him right now. He ain't been trying to hide.
Speaker 4 (16:46):
He just been looking in all the wrong places.
Speaker 2 (16:52):
I see him, Yeah, I see him top there him,
I show, don't you come no closer? Put that gun away?
And they learned. I saw Chester. I knew you'd be
in here next. Why they learn? Why would I be
(17:12):
after you? You don't fool me. You know all about it.
You admit killing that rider. I knew when I shot him.
Speaker 1 (17:21):
I couldn't get by with it.
Speaker 2 (17:24):
My horses tracks were all over the place. Oh, don't
make it any worse than it is. I told you
not to come Andy closed cause your gun on the bar,
and they you watch what I'm gonna do with it? No,
they learn, don't why not hit you? Didn't?
Speaker 3 (17:43):
I now I'm gonna kill you.
Speaker 2 (17:50):
You. I knew you hurt Bob ms jilln' a hit
me in the arm. Chester, be all right? You killed him? Yeah?
I know something where I went in. I'm going over
to the docs. That's where I.
Speaker 1 (18:04):
Will Marshal Tillon.
Speaker 3 (18:16):
Oh you've been hers.
Speaker 2 (18:18):
I it's not bad Mar. It went about Joe Needless.
Speaker 3 (18:22):
He's that and I figured he would be.
Speaker 2 (18:24):
I heard you was looking for him. That's why I
followed you down. Well my arm's bleeding somehow, but I
get on over the docks. No hear me our first, marshal. Yeah,
of course I'm ill go ahead. You'd be the one
to tell miss Nadler about him, won't you, I guess?
Speaker 3 (18:39):
So take away and with your Marshall.
Speaker 2 (18:42):
Well, a woman can't live out there alone.
Speaker 3 (18:44):
I got the next two room at my house. If
you'll help with the work.
Speaker 2 (18:47):
Well, what about the baby?
Speaker 3 (18:50):
He'll be her baby, Marshall, and tell her I won't interfere.
Speaker 2 (18:54):
Nothing, see, I sure will, mar I'll tell her all
that I'll go out the first thing in the morning.
You won't go nowhere.
Speaker 3 (19:03):
You stand here gabbin all night.
Speaker 1 (19:05):
Why there are Bleton Marshall.
Speaker 2 (19:08):
You're you're only gonna getting fixed here. Yeah, you're right, Mark.
Let's send you pretty often higher.
Speaker 1 (19:51):
Done smoke, but you're stand Directed in Hollywood by Norman
McDonald's does William Conrad as macdillan us Marshall. The story
was specially written for Gun's book by John Meston. Featured
in the cast were Virginia Christine, John Dayners, Vic Perrin
and Morrison and Harry Bartel. Harry Bear is Chester, Howard
(20:12):
mcner is doc and Georgia Ellis is kidding
Around Dodge City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns Smoke Gone Spoke, starring William Conrad. The story of
(00:42):
the violence that moved west with young America and the
story of a man who moved with it.
Speaker 2 (00:48):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chance to job and it makes a man watchful,
a little lone man. Oh Marshall Dyllon allot hours out
(01:33):
of the cattle business, or shipped his hours in the
head out on the train this morning, just I can
afford to buy your drink our thanks, But I hear
Doc Adam has been looking all over for me. How
about I go find him? And he was in here
a while of gold, talking and gif and here she comes.
Maybe she knows where we went. No love the dog gee.
Speaker 3 (01:52):
Doc had to.
Speaker 4 (01:53):
Leave mat They called him out the fifth place and
then lead him.
Speaker 3 (01:56):
He asked me to.
Speaker 2 (01:56):
Get him up. Oh you know, i'd talk, and yeah,
sure I go. I got a little piece of land
right on his side there to my ranch, they're not
doing very good though. You know he's shore around according
to the dock. He was out there last night and
he plan him to go back for him today, to
go back for him. Yeah, they have to be brought
in the town match. They got spotted seat or both
(02:19):
of 'em say, ain't got a little baby out there too,
And that's why Doc said, somebody's gotta fetch all three
of 'em in the guards where that he's taken care of.
I'll find a wagon and go out after him tomorrow.
He can't get back to night anyway. He wants him
to help Marsham. I've got a whole pars like cow
boys who ain't earning uh fee. If I thinks bars
or chussing that manage, he might need help. And what
(02:41):
he mean he had to throw a sick as he
may be. He'll get a gun and fight before he
lets you carry him off that place, I know, and
then he can stay there. But I'm gonna bring his
wife and that child in alright. If you keep an
eye on him, he can be a batman.
Speaker 3 (03:22):
Oh this general, this ain't ab.
Speaker 2 (03:27):
To up his place. I know a chester, but I
wanna meet these people, I must say no, come on.
Speaker 3 (03:38):
Uh but still, how do you know they're new? You
ain't been out there way in over a year.
Speaker 2 (03:43):
All the more reasons I made him. I was walking
around back. I thought I saw somebody there, nothing but
a sad halp him blow this he must be looking
on Nothing doesn't look like that Chester Well, you say,
he butchering the cabine. Who do you get fat? Well?
He sure didn't raise it on those weeds. As woman
(04:04):
trying to hoe? Hello, what you men doing here? And
I Marshall Dylan from Dodge, This is Chuster Proudfoot. There's
something wrong, Marshall. No, after your hat's gonna get all
(04:25):
bloody where you put it on this cat? You let
it be here, you'll get the sound struck without a hat. Alright,
So I was trying to cover up Emmitt Bower's brand.
We're starving out here, Marshall. I had to kill that cat.
You you ain't gonna rift my husband all your Marshall,
(04:45):
Oh ma, I'm not unless Emmitt Bower's complains.
Speaker 1 (04:48):
Jo Joe had to do it, Marshall. We this cat
go on without something to eat?
Speaker 3 (04:55):
Look look over there.
Speaker 2 (04:56):
While I've been hoe and I couldn't plant enough feed
for hardly any thing to come up. And we can't
afford no more.
Speaker 1 (05:02):
See our credits run out and dodge the ground.
Speaker 2 (05:05):
Doesn't even look PLoud. Well, I done the best I could.
That ain't easy. No h's for a woman. Well on
our way to ed Thorpe's. I guess you know that
they got a spotted fever. I was there this morning.
Ed Thorps did uh died in the night. I guess
well you didn't tell me that, Joe. You mean you
(05:27):
left missus Thorpe along with that baby. I ain't gonna
chance catch you no fever, but Joe the baby. My
woman here is always worrying about babies. It's only cause
she can't have none. I guess she's like one of
them there, dry Gord.
Speaker 1 (05:43):
Don't Joe, you're putting shame on me.
Speaker 2 (05:47):
Uh truster, Let's see, come on, let's get out of here.
Uh ms nighbler, Yes, most next time you're in Dodger
c see me. I'll see that you get some seeds.
Speaker 3 (06:18):
I wouldn't just do that part.
Speaker 2 (06:19):
We wouldn't never make doggies to night as the baby
chap well, it was to sleep anywhere. I guess i'd
been proving it right, Uh huh, yeah, I just like
a mother if you all' well, there's dark white the
for us. Uh. Now you sit tied him in a chester.
We'll help you with a baby.
Speaker 3 (06:43):
So do you hope it don't wake up?
Speaker 2 (06:46):
Where's he? Bab and his wife there now that had
died before we got there, dark and start flying down
and back there. They covered her up good, she's gonna
sleep most of the ways. Business thought she's still asleep,
give me a hand up. Yeah, sure, missus thought, oh
(07:18):
oh uh yeah, I oh, it's amatter guy. She's not asleep, man,
but she's dead now. She's died on the way in.
I guess, huh. I I got a baby to take
her of and a dark I think she know she
(07:38):
was gonna die, and why, I guess. Before we left
her place, she told me that if anything happened to her,
the baby was to be putting Mars small Ay's care,
and the more smaller was I have a complete charge
over him. What she says goes, well, Mar's a willow
and she's had kids herself, and that was a good choice. Yeah,
(08:00):
but she's too rude to raise him herself. Man, I
don't have to worry about that later, doctor. Right now,
it's kint busy.
Speaker 4 (08:26):
Yeah, I'm in the armis John, I'm not a front
the store.
Speaker 2 (08:29):
Why wouldn't they come to the office, Jester, Well, you know.
Speaker 5 (08:32):
How mar small he is.
Speaker 2 (08:34):
She don't think his lady like to go to any
man's office. What she's doing with ms neighbor or she
didn't say, well, you're going down and get the mail?
Chester All wait here for you?
Speaker 3 (08:42):
Aank you?
Speaker 2 (08:47):
Oh? Mar, hello Marshall. Have you been in this neighborhood?
Speaker 1 (08:51):
Pretty good, Marshall.
Speaker 2 (08:52):
Ain't everybody can send him for the marshal and bring
him on the run. Oh no, Ma, you know your
word has always been in law with me.
Speaker 3 (08:58):
Oh listen to you. Maybe a care mist Maedler, Well
that's true, Mar Marshall. Missus Needler wants to adoptor thought babe.
Speaker 2 (09:09):
Oh missus Sutless a baby and you're a charge, mars
All up to you. I've had him over a week, Marshall,
and I'm gonna keep him awhile longer so he'll be
near you. Doc just in Keys. But Missus Needley here
seems like a mighty fine woman.
Speaker 3 (09:23):
To me, and i'd better take that baby.
Speaker 2 (09:26):
Only I'm worried about one thing.
Speaker 1 (09:28):
I've I I told her the truth, Marshal.
Speaker 2 (09:31):
And she thinks maybe Joe and I can't make a
go of it out there. Uh d you remember what
you said when you were leave him that day, as
I said to come to seem In, I'd hope they
got some seed to planet.
Speaker 3 (09:43):
Well, now that's all I need.
Speaker 2 (09:45):
I get a little corn up. I might even raise
a few hogs. I work awful hard, Marshal, I promise
I will. She gets started and she can have the
BB Marshall.
Speaker 4 (09:53):
And why I I'll pay you back.
Speaker 2 (09:55):
I I ain't begging.
Speaker 3 (09:56):
I'll pay you back every cent.
Speaker 2 (09:57):
Marshal Nayler. You come by my office where you leave town.
I'm gonna go into the story and I would talk
with mister Jonas right now, Oh Marshall, I I I
I do thank you.
Speaker 1 (10:09):
I dang.
Speaker 2 (10:11):
You can look at him a little white long held
Marshall a lot Jonas. But can I sarlier today? I
like can't to say about Ms Nadler. You know you
know her, don't you, well, sir du Fold Nadler is
out back in the stock room right now, oh he is,
(10:36):
they were come in here. He's buying hisself a new
pair of boots. Marshall. I thought they're credit had run out. Oh, Naylor,
are doing better now? You started bringing meat into Delmonico's
and a couple other eating places. Paid that part of
his bill already, ain't you, Naylor? I don't know as
I like you talking about my private affairs. June. No,
(10:58):
I'm it's only Marshall a lot never cause her. They're
looking boots they ought to be them's the best. I
stack number twenty dollar boots, twenty dollars. Let it buy
a whole wagon load of seeds. Neighbor, you telling me
how to spend my money? Does your wife know you've
been doing better lately? Family matters ain't no concern of
(11:19):
the law or yours are. And if it weren't for
your wife, I wouldn't bother just wanting your neighbor. But
because of her, I'm telling you to take those boots
off and buy some seed and whatever else you need
to grow corn with. Now look here, Marsha, I like
I'm giving you a chance. Naylor. In three days from now,
I'm gonna be riding out to see what you've done
with it. It's up to you whether or not you'll
(11:41):
be riding back with me.
Speaker 4 (11:48):
And today's Thursday was done and we gonna ride out
(12:09):
the nablers.
Speaker 2 (12:10):
I reckon with another Diychester.
Speaker 4 (12:12):
You know something. I don't think you wanna go tall?
Speaker 2 (12:15):
Yeah, you're right, I don't, Uh, Marshall, Chester on bound?
How about it? Now? I was just up but del
Monica's Marshall, I myself a feed. Oh god, how was it?
It was fine till I went out back and got
a talking with a cooker. Oh, Marshall, I reckon. Any
(12:35):
man's got a right to complain when he goes to
a restaurant and finds himself eating his own beef. No, well,
I know about that bower, you do? And why ain't
you done nothing about him? Uh? Because I'm miss Labler.
I guess what, Marshall. I'm a rich man. I don't
mind a ness slaughter in one of my calves when
he's starving, But nobody is gonna start selling my beef.
(12:57):
I'll kill him he keeps that up, I'll have I
admire that woman in his marshal, but letting him get
by with rustling ain't gonna help her. Oh, by the way,
Mars smally brought some fires down in the kitchen while
I was there. She's waiting outside here. She wants to
talk to you. Tell me right out.
Speaker 1 (13:24):
Uh hello, ma oh, you riding out to the neighbor,
late Marshall.
Speaker 2 (13:28):
That's right.
Speaker 3 (13:29):
Then you tell her aunts sorry, tell her. I think
she's a good woman. But I I just can't let
that baby go into the home of a couthie.
Speaker 2 (13:42):
That'll break her hide. Ma Oh, I I got a
trust to put on me, Marshall.
Speaker 5 (13:49):
Alright, I'll tell her well. I love his neighbor.
Speaker 2 (14:14):
Oh, Marshall, hellove Chester. Alright, man, what brings you out here?
Speaker 1 (14:19):
Marshall?
Speaker 2 (14:20):
Is your husband or man? No, he's been gone since morning.
His neighbor. You know that he's been sluttering Emmitt Bower's beef.
Oh so he's complained about it about that cat. No,
it's more than the one cat, miss, neighbor. He's been
selling meat around Dodge Labor. Oh, No, it's true. So
(14:46):
that's what he had in the wagon.
Speaker 1 (14:48):
He wouldn't let me.
Speaker 2 (14:49):
Look. I know you've had nothing to do with him,
his neighbor. But uh, and I hate to tell you this,
but Mars Molly isn't gonna let you have the baby.
Well she she's right, you know, so it wouldn't be
hitting christ Look Kundre timoth dollars. Yeah, I'll be back
(15:14):
in this neighborhood. I'll gona talk to him, alright, come
on yesterday and mothers s a few ideas and he's
yeh oh oh. I thought I might find your Marshall
(15:38):
for something. The wrong dollars. One of my men's been murdered.
That's uh. I found him out yonder about five miles.
He's been left for dead, but he talked a little
of what happened. He's gone now, Marshall, So you'll like
to take our word for what he thought. Alright, you
run across Jordan Nabeler Slaughter than another Steers and Naylor
(16:01):
show him that's what he said. Anything else, only that
Naylor got on his horse and headed for Dodge.
Speaker 5 (16:08):
I guess he figures he'll get caught.
Speaker 2 (16:10):
Might as well get drunk one more time. He'll get caught.
I promise you that.
Speaker 4 (16:33):
John finally founding engine there getting drunk.
Speaker 2 (16:40):
Bar that's taken us long enough, everybody. And Thomas, no,
I'm after him right now. He ain't been trying to hide.
Speaker 4 (16:46):
He just been looking in all the wrong places.
Speaker 2 (16:52):
I see him, Yeah, I see him top there him,
I show, don't you come no closer? Put that gun away?
And they learned. I saw Chester. I knew you'd be
in here next. Why they learn? Why would I be
(17:12):
after you? You don't fool me. You know all about it.
You admit killing that rider. I knew when I shot him.
Speaker 1 (17:21):
I couldn't get by with it.
Speaker 2 (17:24):
My horses tracks were all over the place. Oh, don't
make it any worse than it is. I told you
not to come Andy closed cause your gun on the bar,
and they you watch what I'm gonna do with it? No,
they learn, don't why not hit you? Didn't?
Speaker 3 (17:43):
I now I'm gonna kill you.
Speaker 2 (17:50):
You. I knew you hurt Bob ms jilln' a hit
me in the arm. Chester, be all right? You killed him? Yeah?
I know something where I went in. I'm going over
to the docs. That's where I.
Speaker 1 (18:04):
Will Marshal Tillon.
Speaker 3 (18:16):
Oh you've been hers.
Speaker 2 (18:18):
I it's not bad Mar. It went about Joe Needless.
Speaker 3 (18:22):
He's that and I figured he would be.
Speaker 2 (18:24):
I heard you was looking for him. That's why I
followed you down. Well my arm's bleeding somehow, but I
get on over the docks. No hear me our first, marshal. Yeah,
of course I'm ill go ahead. You'd be the one
to tell miss Nadler about him, won't you, I guess?
Speaker 3 (18:39):
So take away and with your Marshall.
Speaker 2 (18:42):
Well, a woman can't live out there alone.
Speaker 3 (18:44):
I got the next two room at my house. If
you'll help with the work.
Speaker 2 (18:47):
Well, what about the baby?
Speaker 3 (18:50):
He'll be her baby, Marshall, and tell her I won't interfere.
Speaker 2 (18:54):
Nothing, see, I sure will, mar I'll tell her all
that I'll go out the first thing in the morning.
You won't go nowhere.
Speaker 3 (19:03):
You stand here gabbin all night.
Speaker 1 (19:05):
Why there are Bleton Marshall.
Speaker 2 (19:08):
You're you're only gonna getting fixed here. Yeah, you're right, Mark.
Let's send you pretty often higher.
Speaker 1 (19:51):
Done smoke, but you're stand Directed in Hollywood by Norman
McDonald's does William Conrad as macdillan us Marshall. The story
was specially written for Gun's book by John Meston. Featured
in the cast were Virginia Christine, John Dayners, Vic Perrin
and Morrison and Harry Bartel. Harry Bear is Chester, Howard
(20:12):
mcner is doc and Georgia Ellis is kidding
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