August 8, 2025 • 19 mins
Gunsmoke was a beloved American radio Western drama series centered on Dodge City, Kansas, in the 1870s, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad. The program aired from 1952 to 1961 and is widely considered one of the greatest western series ever produced for radio or television. It was gritty, featuring tough and sometimes very violent subject matter. Gunsmoke is a treasured classic that left a permanent mark of the history of radio and westerns.
Hope you enjoy this episode of Gunsmoke! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart | Amazon
Hope you enjoy this episode of Gunsmoke! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart | Amazon
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Around Dodge City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns smoke. Gono, starring William Conrad, The story of the
(00:42):
violence that moved west with young America and the story
of a man who moved with it.
Speaker 2 (00:47):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chancey job, and it makes a man watchful.
Speaker 3 (01:01):
Had a little lone.
Speaker 4 (01:01):
Man get him again, Beulbert, I have to pat him again.
Speaker 5 (01:14):
I can't hold him up all day.
Speaker 4 (01:16):
All right, but I'm sure getting awful tired. Can I
stop now?
Speaker 5 (01:22):
Yeah?
Speaker 6 (01:24):
We arrist ment and finish up.
Speaker 5 (01:27):
You think I've done all right, Paul?
Speaker 7 (01:29):
Learning and learning being a man ain't easy, especially with
a mall like you had she was still alive.
Speaker 5 (01:35):
I'd sure get a canean for this.
Speaker 7 (01:37):
Women just don't understand about these things, Bulpert. If they
had their way, man never come into is uh.
Speaker 5 (01:42):
She sure made her way sound right and proper, though,
I know, but she ain't around no more, you know.
I gotta get that woman thinking. Now you have build
it up with man thinking. Take you speaks, they helped
me dragon that you under You ain't never put a
bullet than a man, have you?
Speaker 4 (02:01):
No, I ain't.
Speaker 5 (02:02):
You're gonna get your chance now in him?
Speaker 3 (02:05):
In him?
Speaker 4 (02:06):
Ain't he dead?
Speaker 5 (02:07):
Never take no chances. But I come on, I just
throw it down that bank. Now, let's just break off
from these head branches. Why I think we should bury him?
Proper branches, is proper enough for the likes of him.
Speaker 2 (02:24):
But then they're like he done, say, don't just throw
amount of pile here, No wad's plenty.
Speaker 5 (02:31):
Here's my gun, Shoot him and throw that stuff on
top of it. Where you going kick out that campfire?
Speaker 2 (02:39):
See if there's any pickings we can use.
Speaker 5 (02:41):
No use leaving nothing good laying around for strangers.
Speaker 8 (02:44):
Sure, Paul, I ain't hurt no shot yet. Come on,
bar get it done.
Speaker 3 (02:59):
Get Paul.
Speaker 7 (03:02):
That's more like it now, come here, help you get
back here. Solitary thing around here worth two not even
none of them pans is worth nothing.
Speaker 2 (03:13):
Some people just got no pride a talk. He's your gun, Pa,
you you're gonna be man for you know it?
Speaker 3 (03:21):
Now?
Speaker 5 (03:21):
I got one more thing to do over here.
Speaker 2 (03:24):
The way I can get in front instead of the team.
Speaker 5 (03:26):
Paul, not now that you you ain't doing it?
Speaker 3 (03:29):
I am Oh Paul.
Speaker 7 (03:30):
Please sure ain't acting like no son of mine. Turn
your back in.
Speaker 1 (03:36):
I just can't let you do it.
Speaker 5 (03:38):
Get out of the way, boy. Oh Paul, Now look
what you've done made me.
Speaker 3 (03:47):
Spook your team. I'm sorry, Paul.
Speaker 2 (03:50):
I got half a mind to stomp your head, I said,
I was sorry, Paul, never mind, I I guess it
don't matter too much.
Speaker 4 (04:02):
You're still gonna get me them boots like you promise.
Speaker 2 (04:05):
When we get the Dodge, you'll get your boots if
you're mad enough to fill them.
Speaker 3 (04:12):
There nothing more we can do here. Let's keep going now.
(04:35):
You was right as you was a miss done.
Speaker 2 (04:37):
About Rochester, about waiting until sundowns start back to Dodge.
That makes more sense than writing on the head of
the day hunt sure does.
Speaker 5 (04:46):
Just look at that moon with it m Did you
ever taste green cheese?
Speaker 6 (04:52):
Mis done?
Speaker 9 (04:53):
Uh?
Speaker 5 (04:53):
Huh green cheese? Did you ever taste it?
Speaker 3 (04:58):
No? Not lately? But what well? I don't know, Chester,
don't know?
Speaker 5 (05:05):
Well you sitting up lately, so I fegar you must.
Speaker 2 (05:07):
Have added all up a minute. What's man the wagons
moving along the ridge up there? Well he's moving off
or slow?
Speaker 3 (05:15):
But Chester, there's no driver.
Speaker 6 (05:18):
Mean, you're right, must have wanted off.
Speaker 3 (05:21):
If somebody's can I could.
Speaker 2 (05:22):
Be only a greenhearted set up camp and leave his
team and harness.
Speaker 3 (05:26):
We can take a look. Yeah, think we better come up.
Speaker 2 (05:36):
We'll come upon them slow so they don't take off.
Speaker 3 (05:38):
Right.
Speaker 9 (05:42):
I'll get out in front of the gun.
Speaker 1 (05:46):
Ooh ooh the whole you our whole.
Speaker 3 (05:50):
Ool Oh, I'll check the wagon. Chester, come there, what
(06:12):
a dylan? What's the.
Speaker 6 (06:14):
Oh?
Speaker 3 (06:15):
My goodness? Got those songs on her wrists?
Speaker 6 (06:19):
Sh she lie?
Speaker 2 (06:22):
She's still braided. Yeah, let's raise her up a little
sewing see better?
Speaker 3 (06:29):
Why it's the Indian girl? Yeah?
Speaker 6 (06:33):
Is there anything we can do for her?
Speaker 2 (06:35):
Not much, I'm afraid not out here. We gotta get
her the dodge.
Speaker 3 (06:39):
Well, I sure do hope not can save her.
Speaker 2 (06:42):
Uh, they'll try, but I'm not too sure she'd wanting to.
Speaker 5 (06:47):
There's don't anybody who treat a woman like this work.
Speaker 2 (06:50):
They just ain't human.
Speaker 3 (06:52):
He's an animal.
Speaker 2 (06:53):
Yeah, when I find him, he'll get his cage or
a little thing.
Speaker 3 (06:59):
I'll drive the team.
Speaker 2 (07:00):
Chester, you right back here with her steady air as
much as you can. It's a rough ride from here
to Dutch. Yeah, surey schory is.
Speaker 3 (07:14):
Ye think she's gonna make it? I'll duck she'll make it.
I wouldn't give any a plug niggle for her chances
when we found her.
Speaker 6 (07:21):
I wonder how Kitty's making out, whether her than there, and.
Speaker 2 (07:25):
If she can even persuade that girl to nod her head,
it'll be better than I did just stared with people.
Speaker 3 (07:31):
Look at me.
Speaker 6 (07:32):
Can't exactly blame her. You're a man, Yeah, I know.
Speaker 3 (07:37):
Oh, kitty h she.
Speaker 2 (07:39):
Talked something in English?
Speaker 9 (07:42):
Yeah, Doc, When can we move over to my place
where I can keep an eye on her.
Speaker 6 (07:47):
We'll see how she is in the morning, Kitty.
Speaker 9 (07:48):
She seems pretty weak and tired right now.
Speaker 5 (07:51):
I'll take well, I'll check it in the morning.
Speaker 3 (07:54):
Night, I'll tell you night.
Speaker 9 (07:56):
Dog o, Kiddy, I need a during walk back to
the Long Branch with mail.
Speaker 6 (08:02):
Tell you about him away, alright.
Speaker 9 (08:10):
She wouldn't talk about herself. What happened to her when
he about her husband?
Speaker 3 (08:15):
Her husband?
Speaker 9 (08:15):
Yeah?
Speaker 3 (08:16):
What start from the begint? Kitty? Huh?
Speaker 9 (08:20):
Well, as I put it together, she and her husband
were setting up camp for the night, and while he
was out getting firewood, two men rode in. She offered
him coffee, and that's when they.
Speaker 3 (08:36):
Yeah going.
Speaker 9 (08:38):
Her husband heard her scream, came running back, tried to
fight him off, and they grabbed him. She could hear
him beat me, and just before she passed out, she
heard a shot.
Speaker 2 (08:52):
Could she describe these two mm m? Not really?
Speaker 5 (08:55):
Just if they were both big men, that's.
Speaker 3 (08:57):
How much she going.
Speaker 9 (08:58):
I know?
Speaker 6 (09:03):
Nice thing?
Speaker 9 (09:03):
Well, boy, it's like Chester found a couple of drink.
Speaker 2 (09:09):
Doesn't sound like they're exactly friends.
Speaker 3 (09:12):
I'll tell you you're going. I'll join you in a minute.
Ain't your son is he?
Speaker 8 (09:17):
No?
Speaker 2 (09:18):
He ain't.
Speaker 9 (09:18):
But I just didn't get right to make anybody stand
all right there? Stop sticking your skin and those where
it don't get long?
Speaker 2 (09:25):
And you look here all right?
Speaker 3 (09:26):
Chester? What's the trouble heads?
Speaker 6 (09:28):
John?
Speaker 3 (09:29):
Who are you?
Speaker 2 (09:30):
He's the marshal, that's who he is.
Speaker 5 (09:31):
Marshall. Well listen, Marshall, this newsy.
Speaker 2 (09:35):
Fella here, you just shut up a minute.
Speaker 3 (09:37):
You'll get your turn on. What's this all about? Chester?
Speaker 2 (09:39):
I've been watching him for armist John. He's making this
young fellow here drink down whiskey almost as fast as
Sam con Porty.
Speaker 3 (09:46):
What's wrong with that?
Speaker 5 (09:47):
He's my son, I got the right I see. He's
twenty six years old. Marshall never had no hard liquor.
Now it is time I teach him to hold it.
Speaker 2 (09:57):
What is your name, mister Willkins, Zachary Wilkins.
Speaker 6 (10:01):
And this here's my boy.
Speaker 2 (10:02):
I'm you for Beautiford.
Speaker 5 (10:04):
Turn loose to the bar and shake hands with marsh
I can't fall My leg bones is Wins.
Speaker 1 (10:10):
So you're all right?
Speaker 5 (10:12):
I do like I say.
Speaker 3 (10:14):
Well, i'll trifle Alie.
Speaker 6 (10:19):
Stand up.
Speaker 2 (10:20):
You've heard all right.
Speaker 3 (10:21):
You'll listen to me. Wilkins.
Speaker 2 (10:22):
I can't tell you how to treat that boy of yours,
but while you're in Dodge, I don't want to see
him like this again.
Speaker 3 (10:27):
If I do, I'll put you both.
Speaker 2 (10:28):
In jail just long enough to sober up, then run
you out of town. Now, you get him out of
here and take him someplace where I can sleep it off.
Speaker 5 (10:34):
You're sure high and mighty age. Come on, fine thing
when the law tries to stop father to make a
man out of his own.
Speaker 9 (10:43):
So.
Speaker 6 (10:47):
Reckon.
Speaker 3 (10:47):
It's a good thing.
Speaker 6 (10:48):
You come in when you did, Miss Dylan. They're pretty
husky fellas.
Speaker 9 (10:52):
Looks like you've got nothing but trouble the nightmare. Yeah,
looks that Sam shut out three glasses in the.
Speaker 2 (10:59):
Bottle of rye. Sure, kiddy, I've been thinking about that
Indian girl's story now. The team couldn't have run too
far from where they camped. I'm going out first chance
I get tomorrow and see what.
Speaker 3 (11:11):
I could find.
Speaker 9 (11:12):
You're gonna bring in her husband's body, either that or
bury him.
Speaker 6 (11:17):
Adam?
Speaker 8 (11:18):
What Adam?
Speaker 6 (11:20):
That's what you call him.
Speaker 3 (11:22):
It's a strange name for an Indian.
Speaker 9 (11:24):
I guess I forgot to tell you math her husband
wasn't an Indian.
Speaker 2 (11:41):
I don't mind people taking their time, but I should
have been closed an hour ago.
Speaker 3 (11:44):
It's almost seven o'clock.
Speaker 5 (11:45):
We're paying good money firm, and we'll just look till.
Speaker 2 (11:48):
We find the right one.
Speaker 1 (11:50):
And I showed you everybody I've got two times over.
Speaker 5 (11:52):
They gotta be the right ones, don't they be? That's riceful.
I sure, I am glad you're working late.
Speaker 3 (12:01):
What do you want chester? Uh?
Speaker 5 (12:02):
Miss Kitty told me to buy a dress right.
Speaker 6 (12:05):
It's for that little Indian.
Speaker 3 (12:07):
Girl, Oh, the one you brought in the dark last night,
not trying.
Speaker 6 (12:10):
How is she?
Speaker 2 (12:11):
Well, she don't find but her clothes was tort pretty bad,
and miss Kitty thought her dress did make her feel better.
Speaker 6 (12:17):
That's see.
Speaker 2 (12:17):
Now about how tall is she?
Speaker 6 (12:20):
Oh?
Speaker 3 (12:20):
She just about so high.
Speaker 2 (12:24):
Ain't much meat on her.
Speaker 5 (12:25):
You say these boots called seven sixty, that's what I said.
Speaker 6 (12:28):
We want them.
Speaker 5 (12:30):
Yeah, it's about time.
Speaker 2 (12:31):
And you me make your Marshall friend real happy telling
me and Beauford is leaving Dodge. Well, you made me
kindly happy too. I figured that Beauford, you're going down
that stable, get our horses, bring him up in front
of that long branch place. I'm gonna have.
Speaker 5 (12:47):
Me a couple of drinks before we go, you know.
Speaker 7 (12:49):
I take my new boats, take yours.
Speaker 2 (12:54):
Now, there's a real pair of gems. Huw h what
do you think it is?
Speaker 3 (12:58):
Best?
Speaker 2 (12:58):
Schister?
Speaker 3 (12:59):
Oh, oh, that'ld be funny.
Speaker 2 (13:01):
I got a couple others.
Speaker 5 (13:02):
Oh, that's all right, just put it in the sack
and miss kid, he said, to add it up to
her bill. All right, Hey are thank miss Jonas, thank
you night?
Speaker 3 (13:13):
All right, let them.
Speaker 2 (13:31):
It is kay?
Speaker 6 (13:33):
Oh, miss Dylan, I didn't know you was back.
Speaker 3 (13:36):
Yeah, I just got in Chester.
Speaker 9 (13:37):
Yeah, I'll take that dress un up to Rayna Raina, who's.
Speaker 2 (13:40):
That her name? That's what she calls itself. You know
that's kind of pretty so down Chester. Your friend Zach
Wilkins just came out ahead.
Speaker 3 (13:50):
Of you, and I know I've seen more Jonases.
Speaker 2 (13:52):
He's leaving town.
Speaker 3 (13:54):
Good.
Speaker 5 (13:55):
Hey, did you find where Rainers can for that?
Speaker 3 (13:59):
Yeah?
Speaker 2 (14:01):
But there wasn't anybody nobody.
Speaker 9 (14:03):
Now.
Speaker 2 (14:03):
I found a few blood stains and a ditch, a
pile of branches.
Speaker 3 (14:07):
That's all you reckon.
Speaker 2 (14:08):
Somebody stole it. Hell, Either that or Raina is not
telling the truth. Why in the world would.
Speaker 3 (14:13):
You about anything.
Speaker 2 (14:15):
She's not there, Rayna, she's gone.
Speaker 3 (14:18):
You better find her.
Speaker 5 (14:20):
Oh she need well to be going.
Speaker 6 (14:21):
No work, You're done, love, You heard.
Speaker 3 (14:29):
Marshall. My boy, he's been scalped.
Speaker 5 (14:34):
Somebody scalped you.
Speaker 6 (14:35):
Yeah, somebody scalped my boy.
Speaker 2 (14:38):
Just they got dark.
Speaker 3 (14:39):
We'll meet you at the jail.
Speaker 1 (14:43):
M U M.
Speaker 6 (14:52):
Well, I've got the bleeding stop, Matt.
Speaker 3 (14:54):
I want to take him to my cot in the office.
Speaker 6 (14:56):
I just sleep him here, better not to move him.
He's right, Fuh, you was right.
Speaker 3 (15:03):
I couldn't shoot him.
Speaker 6 (15:04):
Oh she's de lyrious.
Speaker 3 (15:06):
This a woman's thinking, who miss Jim? Who missed him?
Speaker 1 (15:10):
The purpose?
Speaker 3 (15:11):
Who here for toodage? Miss m good Camp?
Speaker 6 (15:15):
Uh?
Speaker 3 (15:16):
The one in the ditch?
Speaker 9 (15:18):
You to him and shoot him?
Speaker 3 (15:20):
Beautiful, there's camp that you're talking about? Uh Dylan, Oh Chester,
did you find her? Yes? I did?
Speaker 6 (15:27):
They just south of town.
Speaker 5 (15:29):
Oh said she was going back out to camp and
bury her husband.
Speaker 2 (15:32):
I took a mischief after you about through here?
Speaker 9 (15:35):
Uh?
Speaker 6 (15:36):
Yes, just what I can handle him now?
Speaker 4 (15:37):
Alright?
Speaker 3 (15:37):
If you need me, how I come out? Chester?
Speaker 9 (15:39):
Uh Huh?
Speaker 3 (15:40):
I want you to go get Ring and bring him
back here?
Speaker 5 (15:44):
He die, Marshalls, the beautifor die now?
Speaker 3 (15:47):
Wilkins, he didn't tell long Chester. Yes, but he he
he's going to Ring. I don't think so.
Speaker 2 (15:53):
His head, it the soul, Yeah, I know, but he
won't be the first man to live through his scalpy.
Speaker 5 (15:58):
Marshall, I'm gonna kill the dirty engine?
Speaker 3 (16:00):
Did this? What in end would have a reason?
Speaker 6 (16:02):
Who engines ain't like people?
Speaker 3 (16:04):
They don't need no reason. I know it was Marshall.
It was that girl. Oh what girl?
Speaker 6 (16:09):
You knew?
Speaker 2 (16:09):
That engine girl that Chester was talking about. I don't think,
Sir Wilkins, I don't think she could have done it.
She's not strong enough, but I can understand why she
might want to. You ain't making sent Two men broke
into work camp last night, big men like you Wilkins
and Beautford.
Speaker 3 (16:24):
Well it wasn't Beautiford, so it's different.
Speaker 5 (16:27):
That don't mean nothing here.
Speaker 6 (16:28):
He's hurt.
Speaker 3 (16:29):
I think he's telling the truth.
Speaker 7 (16:30):
I'm gonna find a Marshall and I'm gonna take.
Speaker 6 (16:32):
Care of her.
Speaker 3 (16:32):
Good coming, right, don't be scared. You you done.
Speaker 5 (16:40):
If you cut my boy, I'm gonna kill you.
Speaker 3 (16:43):
You're not gonna do anything.
Speaker 2 (16:44):
Wilkins take his kind Chester, all right? Now, have you
ever seen this man before?
Speaker 3 (16:52):
That's Marshall.
Speaker 5 (16:54):
He's one of them.
Speaker 3 (16:55):
She's live. No, Marshall, he is one of them.
Speaker 6 (16:58):
You ain't gonna take the word of dirt little injure,
old mind.
Speaker 2 (17:00):
You're saying that she hasn't seen you before. That's right,
and you were nowhere near her camp last night.
Speaker 3 (17:05):
No, I wasn't all right. I'll take your word and
I get out of here. Open the door for mister Wilkins. Chester.
It's more like it. Give me back my gun. I
don't worry Rayner. If he's lying, Adam will take care
of him.
Speaker 4 (17:18):
Adam.
Speaker 3 (17:19):
Who's that to her husband?
Speaker 2 (17:20):
Adam's alive, Rainer, He's already cut up one Wilkins, and
he's out there in the dark somewhere really looking forward
to this one.
Speaker 3 (17:26):
Open the door of Chester.
Speaker 5 (17:28):
My gun, Marshall, I want it back.
Speaker 2 (17:30):
You say you've never seen this girl. You don't need
a gun. I ain't going out there on Ar'm not
with him looking for you mean this girl isn't lying.
Speaker 3 (17:36):
I didn't see that. What are you waiting for? Get
out of here? Get out of here. I'll try you
out too.
Speaker 2 (17:44):
I don't know what you forgot you.
Speaker 3 (17:48):
She's right, I did it.
Speaker 2 (17:51):
Lock me up?
Speaker 3 (17:53):
Nobody says Chester. Come on? Where is my happen?
Speaker 9 (17:58):
My show?
Speaker 3 (17:59):
I don't know Ryla, but he must be close by.
Speaker 6 (18:02):
Yes, you find him, will you put him in?
Speaker 5 (18:04):
Jaim Marshall Hall.
Speaker 3 (18:06):
He cut young Wilkins pretty bad.
Speaker 5 (18:08):
They hurt him. I know they meant to kill him.
Speaker 3 (18:12):
I'll still have to hold at him for trial.
Speaker 2 (18:15):
If he runs, I'll have to track him down. But
I'll tell you one thing righter, what Marshall. It'll take
twelve men to convict him, and I couldn't name one
in this town I think would want to.
Speaker 1 (18:31):
M can Smoke but Houston, directed in Hollywood by Norman
(18:57):
McDonald as far as William Conrad, Matt Billon Us Marshall.
The story was especially written for gun Smoke by Vic
Perrin and Harry Bartell, for the editorial supervision by John Meston.
Featured in the cast were Harry Bartell, Vic Terern, William
Biath and Ralph Moody, Harley Bear is Chester, Howard mcneher
is Doc. And Georgia Ellis is Kidding
Around Dodge City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns smoke. Gono, starring William Conrad, The story of the
(00:42):
violence that moved west with young America and the story
of a man who moved with it.
Speaker 2 (00:47):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chancey job, and it makes a man watchful.
Speaker 3 (01:01):
Had a little lone.
Speaker 4 (01:01):
Man get him again, Beulbert, I have to pat him again.
Speaker 5 (01:14):
I can't hold him up all day.
Speaker 4 (01:16):
All right, but I'm sure getting awful tired. Can I
stop now?
Speaker 5 (01:22):
Yeah?
Speaker 6 (01:24):
We arrist ment and finish up.
Speaker 5 (01:27):
You think I've done all right, Paul?
Speaker 7 (01:29):
Learning and learning being a man ain't easy, especially with
a mall like you had she was still alive.
Speaker 5 (01:35):
I'd sure get a canean for this.
Speaker 7 (01:37):
Women just don't understand about these things, Bulpert. If they
had their way, man never come into is uh.
Speaker 5 (01:42):
She sure made her way sound right and proper, though,
I know, but she ain't around no more, you know.
I gotta get that woman thinking. Now you have build
it up with man thinking. Take you speaks, they helped
me dragon that you under You ain't never put a
bullet than a man, have you?
Speaker 4 (02:01):
No, I ain't.
Speaker 5 (02:02):
You're gonna get your chance now in him?
Speaker 3 (02:05):
In him?
Speaker 4 (02:06):
Ain't he dead?
Speaker 5 (02:07):
Never take no chances. But I come on, I just
throw it down that bank. Now, let's just break off
from these head branches. Why I think we should bury him?
Proper branches, is proper enough for the likes of him.
Speaker 2 (02:24):
But then they're like he done, say, don't just throw
amount of pile here, No wad's plenty.
Speaker 5 (02:31):
Here's my gun, Shoot him and throw that stuff on
top of it. Where you going kick out that campfire?
Speaker 2 (02:39):
See if there's any pickings we can use.
Speaker 5 (02:41):
No use leaving nothing good laying around for strangers.
Speaker 8 (02:44):
Sure, Paul, I ain't hurt no shot yet. Come on,
bar get it done.
Speaker 3 (02:59):
Get Paul.
Speaker 7 (03:02):
That's more like it now, come here, help you get
back here. Solitary thing around here worth two not even
none of them pans is worth nothing.
Speaker 2 (03:13):
Some people just got no pride a talk. He's your gun, Pa,
you you're gonna be man for you know it?
Speaker 3 (03:21):
Now?
Speaker 5 (03:21):
I got one more thing to do over here.
Speaker 2 (03:24):
The way I can get in front instead of the team.
Speaker 5 (03:26):
Paul, not now that you you ain't doing it?
Speaker 3 (03:29):
I am Oh Paul.
Speaker 7 (03:30):
Please sure ain't acting like no son of mine. Turn
your back in.
Speaker 1 (03:36):
I just can't let you do it.
Speaker 5 (03:38):
Get out of the way, boy. Oh Paul, Now look
what you've done made me.
Speaker 3 (03:47):
Spook your team. I'm sorry, Paul.
Speaker 2 (03:50):
I got half a mind to stomp your head, I said,
I was sorry, Paul, never mind, I I guess it
don't matter too much.
Speaker 4 (04:02):
You're still gonna get me them boots like you promise.
Speaker 2 (04:05):
When we get the Dodge, you'll get your boots if
you're mad enough to fill them.
Speaker 3 (04:12):
There nothing more we can do here. Let's keep going now.
(04:35):
You was right as you was a miss done.
Speaker 2 (04:37):
About Rochester, about waiting until sundowns start back to Dodge.
That makes more sense than writing on the head of
the day hunt sure does.
Speaker 5 (04:46):
Just look at that moon with it m Did you
ever taste green cheese?
Speaker 6 (04:52):
Mis done?
Speaker 9 (04:53):
Uh?
Speaker 5 (04:53):
Huh green cheese? Did you ever taste it?
Speaker 3 (04:58):
No? Not lately? But what well? I don't know, Chester,
don't know?
Speaker 5 (05:05):
Well you sitting up lately, so I fegar you must.
Speaker 2 (05:07):
Have added all up a minute. What's man the wagons
moving along the ridge up there? Well he's moving off
or slow?
Speaker 3 (05:15):
But Chester, there's no driver.
Speaker 6 (05:18):
Mean, you're right, must have wanted off.
Speaker 3 (05:21):
If somebody's can I could.
Speaker 2 (05:22):
Be only a greenhearted set up camp and leave his
team and harness.
Speaker 3 (05:26):
We can take a look. Yeah, think we better come up.
Speaker 2 (05:36):
We'll come upon them slow so they don't take off.
Speaker 3 (05:38):
Right.
Speaker 9 (05:42):
I'll get out in front of the gun.
Speaker 1 (05:46):
Ooh ooh the whole you our whole.
Speaker 3 (05:50):
Ool Oh, I'll check the wagon. Chester, come there, what
(06:12):
a dylan? What's the.
Speaker 6 (06:14):
Oh?
Speaker 3 (06:15):
My goodness? Got those songs on her wrists?
Speaker 6 (06:19):
Sh she lie?
Speaker 2 (06:22):
She's still braided. Yeah, let's raise her up a little
sewing see better?
Speaker 3 (06:29):
Why it's the Indian girl? Yeah?
Speaker 6 (06:33):
Is there anything we can do for her?
Speaker 2 (06:35):
Not much, I'm afraid not out here. We gotta get
her the dodge.
Speaker 3 (06:39):
Well, I sure do hope not can save her.
Speaker 2 (06:42):
Uh, they'll try, but I'm not too sure she'd wanting to.
Speaker 5 (06:47):
There's don't anybody who treat a woman like this work.
Speaker 2 (06:50):
They just ain't human.
Speaker 3 (06:52):
He's an animal.
Speaker 2 (06:53):
Yeah, when I find him, he'll get his cage or
a little thing.
Speaker 3 (06:59):
I'll drive the team.
Speaker 2 (07:00):
Chester, you right back here with her steady air as
much as you can. It's a rough ride from here
to Dutch. Yeah, surey schory is.
Speaker 3 (07:14):
Ye think she's gonna make it? I'll duck she'll make it.
I wouldn't give any a plug niggle for her chances
when we found her.
Speaker 6 (07:21):
I wonder how Kitty's making out, whether her than there, and.
Speaker 2 (07:25):
If she can even persuade that girl to nod her head,
it'll be better than I did just stared with people.
Speaker 3 (07:31):
Look at me.
Speaker 6 (07:32):
Can't exactly blame her. You're a man, Yeah, I know.
Speaker 3 (07:37):
Oh, kitty h she.
Speaker 2 (07:39):
Talked something in English?
Speaker 9 (07:42):
Yeah, Doc, When can we move over to my place
where I can keep an eye on her.
Speaker 6 (07:47):
We'll see how she is in the morning, Kitty.
Speaker 9 (07:48):
She seems pretty weak and tired right now.
Speaker 5 (07:51):
I'll take well, I'll check it in the morning.
Speaker 3 (07:54):
Night, I'll tell you night.
Speaker 9 (07:56):
Dog o, Kiddy, I need a during walk back to
the Long Branch with mail.
Speaker 6 (08:02):
Tell you about him away, alright.
Speaker 9 (08:10):
She wouldn't talk about herself. What happened to her when
he about her husband?
Speaker 3 (08:15):
Her husband?
Speaker 9 (08:15):
Yeah?
Speaker 3 (08:16):
What start from the begint? Kitty? Huh?
Speaker 9 (08:20):
Well, as I put it together, she and her husband
were setting up camp for the night, and while he
was out getting firewood, two men rode in. She offered
him coffee, and that's when they.
Speaker 3 (08:36):
Yeah going.
Speaker 9 (08:38):
Her husband heard her scream, came running back, tried to
fight him off, and they grabbed him. She could hear
him beat me, and just before she passed out, she
heard a shot.
Speaker 2 (08:52):
Could she describe these two mm m? Not really?
Speaker 5 (08:55):
Just if they were both big men, that's.
Speaker 3 (08:57):
How much she going.
Speaker 9 (08:58):
I know?
Speaker 6 (09:03):
Nice thing?
Speaker 9 (09:03):
Well, boy, it's like Chester found a couple of drink.
Speaker 2 (09:09):
Doesn't sound like they're exactly friends.
Speaker 3 (09:12):
I'll tell you you're going. I'll join you in a minute.
Ain't your son is he?
Speaker 8 (09:17):
No?
Speaker 2 (09:18):
He ain't.
Speaker 9 (09:18):
But I just didn't get right to make anybody stand
all right there? Stop sticking your skin and those where
it don't get long?
Speaker 2 (09:25):
And you look here all right?
Speaker 3 (09:26):
Chester? What's the trouble heads?
Speaker 6 (09:28):
John?
Speaker 3 (09:29):
Who are you?
Speaker 2 (09:30):
He's the marshal, that's who he is.
Speaker 5 (09:31):
Marshall. Well listen, Marshall, this newsy.
Speaker 2 (09:35):
Fella here, you just shut up a minute.
Speaker 3 (09:37):
You'll get your turn on. What's this all about? Chester?
Speaker 2 (09:39):
I've been watching him for armist John. He's making this
young fellow here drink down whiskey almost as fast as
Sam con Porty.
Speaker 3 (09:46):
What's wrong with that?
Speaker 5 (09:47):
He's my son, I got the right I see. He's
twenty six years old. Marshall never had no hard liquor.
Now it is time I teach him to hold it.
Speaker 2 (09:57):
What is your name, mister Willkins, Zachary Wilkins.
Speaker 6 (10:01):
And this here's my boy.
Speaker 2 (10:02):
I'm you for Beautiford.
Speaker 5 (10:04):
Turn loose to the bar and shake hands with marsh
I can't fall My leg bones is Wins.
Speaker 1 (10:10):
So you're all right?
Speaker 5 (10:12):
I do like I say.
Speaker 3 (10:14):
Well, i'll trifle Alie.
Speaker 6 (10:19):
Stand up.
Speaker 2 (10:20):
You've heard all right.
Speaker 3 (10:21):
You'll listen to me. Wilkins.
Speaker 2 (10:22):
I can't tell you how to treat that boy of yours,
but while you're in Dodge, I don't want to see
him like this again.
Speaker 3 (10:27):
If I do, I'll put you both.
Speaker 2 (10:28):
In jail just long enough to sober up, then run
you out of town. Now, you get him out of
here and take him someplace where I can sleep it off.
Speaker 5 (10:34):
You're sure high and mighty age. Come on, fine thing
when the law tries to stop father to make a
man out of his own.
Speaker 9 (10:43):
So.
Speaker 6 (10:47):
Reckon.
Speaker 3 (10:47):
It's a good thing.
Speaker 6 (10:48):
You come in when you did, Miss Dylan. They're pretty
husky fellas.
Speaker 9 (10:52):
Looks like you've got nothing but trouble the nightmare. Yeah,
looks that Sam shut out three glasses in the.
Speaker 2 (10:59):
Bottle of rye. Sure, kiddy, I've been thinking about that
Indian girl's story now. The team couldn't have run too
far from where they camped. I'm going out first chance
I get tomorrow and see what.
Speaker 3 (11:11):
I could find.
Speaker 9 (11:12):
You're gonna bring in her husband's body, either that or
bury him.
Speaker 6 (11:17):
Adam?
Speaker 8 (11:18):
What Adam?
Speaker 6 (11:20):
That's what you call him.
Speaker 3 (11:22):
It's a strange name for an Indian.
Speaker 9 (11:24):
I guess I forgot to tell you math her husband
wasn't an Indian.
Speaker 2 (11:41):
I don't mind people taking their time, but I should
have been closed an hour ago.
Speaker 3 (11:44):
It's almost seven o'clock.
Speaker 5 (11:45):
We're paying good money firm, and we'll just look till.
Speaker 2 (11:48):
We find the right one.
Speaker 1 (11:50):
And I showed you everybody I've got two times over.
Speaker 5 (11:52):
They gotta be the right ones, don't they be? That's riceful.
I sure, I am glad you're working late.
Speaker 3 (12:01):
What do you want chester? Uh?
Speaker 5 (12:02):
Miss Kitty told me to buy a dress right.
Speaker 6 (12:05):
It's for that little Indian.
Speaker 3 (12:07):
Girl, Oh, the one you brought in the dark last night,
not trying.
Speaker 6 (12:10):
How is she?
Speaker 2 (12:11):
Well, she don't find but her clothes was tort pretty bad,
and miss Kitty thought her dress did make her feel better.
Speaker 6 (12:17):
That's see.
Speaker 2 (12:17):
Now about how tall is she?
Speaker 6 (12:20):
Oh?
Speaker 3 (12:20):
She just about so high.
Speaker 2 (12:24):
Ain't much meat on her.
Speaker 5 (12:25):
You say these boots called seven sixty, that's what I said.
Speaker 6 (12:28):
We want them.
Speaker 5 (12:30):
Yeah, it's about time.
Speaker 2 (12:31):
And you me make your Marshall friend real happy telling
me and Beauford is leaving Dodge. Well, you made me
kindly happy too. I figured that Beauford, you're going down
that stable, get our horses, bring him up in front
of that long branch place. I'm gonna have.
Speaker 5 (12:47):
Me a couple of drinks before we go, you know.
Speaker 7 (12:49):
I take my new boats, take yours.
Speaker 2 (12:54):
Now, there's a real pair of gems. Huw h what
do you think it is?
Speaker 3 (12:58):
Best?
Speaker 2 (12:58):
Schister?
Speaker 3 (12:59):
Oh, oh, that'ld be funny.
Speaker 2 (13:01):
I got a couple others.
Speaker 5 (13:02):
Oh, that's all right, just put it in the sack
and miss kid, he said, to add it up to
her bill. All right, Hey are thank miss Jonas, thank
you night?
Speaker 3 (13:13):
All right, let them.
Speaker 2 (13:31):
It is kay?
Speaker 6 (13:33):
Oh, miss Dylan, I didn't know you was back.
Speaker 3 (13:36):
Yeah, I just got in Chester.
Speaker 9 (13:37):
Yeah, I'll take that dress un up to Rayna Raina, who's.
Speaker 2 (13:40):
That her name? That's what she calls itself. You know
that's kind of pretty so down Chester. Your friend Zach
Wilkins just came out ahead.
Speaker 3 (13:50):
Of you, and I know I've seen more Jonases.
Speaker 2 (13:52):
He's leaving town.
Speaker 3 (13:54):
Good.
Speaker 5 (13:55):
Hey, did you find where Rainers can for that?
Speaker 3 (13:59):
Yeah?
Speaker 2 (14:01):
But there wasn't anybody nobody.
Speaker 9 (14:03):
Now.
Speaker 2 (14:03):
I found a few blood stains and a ditch, a
pile of branches.
Speaker 3 (14:07):
That's all you reckon.
Speaker 2 (14:08):
Somebody stole it. Hell, Either that or Raina is not
telling the truth. Why in the world would.
Speaker 3 (14:13):
You about anything.
Speaker 2 (14:15):
She's not there, Rayna, she's gone.
Speaker 3 (14:18):
You better find her.
Speaker 5 (14:20):
Oh she need well to be going.
Speaker 6 (14:21):
No work, You're done, love, You heard.
Speaker 3 (14:29):
Marshall. My boy, he's been scalped.
Speaker 5 (14:34):
Somebody scalped you.
Speaker 6 (14:35):
Yeah, somebody scalped my boy.
Speaker 2 (14:38):
Just they got dark.
Speaker 3 (14:39):
We'll meet you at the jail.
Speaker 1 (14:43):
M U M.
Speaker 6 (14:52):
Well, I've got the bleeding stop, Matt.
Speaker 3 (14:54):
I want to take him to my cot in the office.
Speaker 6 (14:56):
I just sleep him here, better not to move him.
He's right, Fuh, you was right.
Speaker 3 (15:03):
I couldn't shoot him.
Speaker 6 (15:04):
Oh she's de lyrious.
Speaker 3 (15:06):
This a woman's thinking, who miss Jim? Who missed him?
Speaker 1 (15:10):
The purpose?
Speaker 3 (15:11):
Who here for toodage? Miss m good Camp?
Speaker 6 (15:15):
Uh?
Speaker 3 (15:16):
The one in the ditch?
Speaker 9 (15:18):
You to him and shoot him?
Speaker 3 (15:20):
Beautiful, there's camp that you're talking about? Uh Dylan, Oh Chester,
did you find her? Yes? I did?
Speaker 6 (15:27):
They just south of town.
Speaker 5 (15:29):
Oh said she was going back out to camp and
bury her husband.
Speaker 2 (15:32):
I took a mischief after you about through here?
Speaker 9 (15:35):
Uh?
Speaker 6 (15:36):
Yes, just what I can handle him now?
Speaker 4 (15:37):
Alright?
Speaker 3 (15:37):
If you need me, how I come out? Chester?
Speaker 9 (15:39):
Uh Huh?
Speaker 3 (15:40):
I want you to go get Ring and bring him
back here?
Speaker 5 (15:44):
He die, Marshalls, the beautifor die now?
Speaker 3 (15:47):
Wilkins, he didn't tell long Chester. Yes, but he he
he's going to Ring. I don't think so.
Speaker 2 (15:53):
His head, it the soul, Yeah, I know, but he
won't be the first man to live through his scalpy.
Speaker 5 (15:58):
Marshall, I'm gonna kill the dirty engine?
Speaker 3 (16:00):
Did this? What in end would have a reason?
Speaker 6 (16:02):
Who engines ain't like people?
Speaker 3 (16:04):
They don't need no reason. I know it was Marshall.
It was that girl. Oh what girl?
Speaker 6 (16:09):
You knew?
Speaker 2 (16:09):
That engine girl that Chester was talking about. I don't think,
Sir Wilkins, I don't think she could have done it.
She's not strong enough, but I can understand why she
might want to. You ain't making sent Two men broke
into work camp last night, big men like you Wilkins
and Beautford.
Speaker 3 (16:24):
Well it wasn't Beautiford, so it's different.
Speaker 5 (16:27):
That don't mean nothing here.
Speaker 6 (16:28):
He's hurt.
Speaker 3 (16:29):
I think he's telling the truth.
Speaker 7 (16:30):
I'm gonna find a Marshall and I'm gonna take.
Speaker 6 (16:32):
Care of her.
Speaker 3 (16:32):
Good coming, right, don't be scared. You you done.
Speaker 5 (16:40):
If you cut my boy, I'm gonna kill you.
Speaker 3 (16:43):
You're not gonna do anything.
Speaker 2 (16:44):
Wilkins take his kind Chester, all right? Now, have you
ever seen this man before?
Speaker 3 (16:52):
That's Marshall.
Speaker 5 (16:54):
He's one of them.
Speaker 3 (16:55):
She's live. No, Marshall, he is one of them.
Speaker 6 (16:58):
You ain't gonna take the word of dirt little injure,
old mind.
Speaker 2 (17:00):
You're saying that she hasn't seen you before. That's right,
and you were nowhere near her camp last night.
Speaker 3 (17:05):
No, I wasn't all right. I'll take your word and
I get out of here. Open the door for mister Wilkins. Chester.
It's more like it. Give me back my gun. I
don't worry Rayner. If he's lying, Adam will take care
of him.
Speaker 4 (17:18):
Adam.
Speaker 3 (17:19):
Who's that to her husband?
Speaker 2 (17:20):
Adam's alive, Rainer, He's already cut up one Wilkins, and
he's out there in the dark somewhere really looking forward
to this one.
Speaker 3 (17:26):
Open the door of Chester.
Speaker 5 (17:28):
My gun, Marshall, I want it back.
Speaker 2 (17:30):
You say you've never seen this girl. You don't need
a gun. I ain't going out there on Ar'm not
with him looking for you mean this girl isn't lying.
Speaker 3 (17:36):
I didn't see that. What are you waiting for? Get
out of here? Get out of here. I'll try you
out too.
Speaker 2 (17:44):
I don't know what you forgot you.
Speaker 3 (17:48):
She's right, I did it.
Speaker 2 (17:51):
Lock me up?
Speaker 3 (17:53):
Nobody says Chester. Come on? Where is my happen?
Speaker 9 (17:58):
My show?
Speaker 3 (17:59):
I don't know Ryla, but he must be close by.
Speaker 6 (18:02):
Yes, you find him, will you put him in?
Speaker 5 (18:04):
Jaim Marshall Hall.
Speaker 3 (18:06):
He cut young Wilkins pretty bad.
Speaker 5 (18:08):
They hurt him. I know they meant to kill him.
Speaker 3 (18:12):
I'll still have to hold at him for trial.
Speaker 2 (18:15):
If he runs, I'll have to track him down. But
I'll tell you one thing righter, what Marshall. It'll take
twelve men to convict him, and I couldn't name one
in this town I think would want to.
Speaker 1 (18:31):
M can Smoke but Houston, directed in Hollywood by Norman
(18:57):
McDonald as far as William Conrad, Matt Billon Us Marshall.
The story was especially written for gun Smoke by Vic
Perrin and Harry Bartell, for the editorial supervision by John Meston.
Featured in the cast were Harry Bartell, Vic Terern, William
Biath and Ralph Moody, Harley Bear is Chester, Howard mcneher
is Doc. And Georgia Ellis is Kidding
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