Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
Guns Smoke, Gun Will Smoke, starring William Conrad. The story
(00:42):
of the violence that moved west with young America and
the story of a man who moved with him. I'm
that man, Matt Dillon, United States Marshall, the first man
they look for and the less they want to meet.
It's a chancy job, and it makes a man watchful.
But a little long lead man sure needs his dinner,
(01:19):
not one like that he don't have. He was feeding
us better than that on the trail. Well mixed in there,
you don't have to look out for a rattlesnake. Where
he said down at the table, I'm gonna get me
something to washed food. Down with you right now and
that'll help me. This place looks good enough. Take you
(01:45):
won't do no real hard.
Speaker 2 (01:47):
So I did run right in pretty little gap my basket.
Speaker 1 (01:52):
I might have my basket. Well, you don't need to
worry nothing but the egg. I caught the basket, all right,
May I have it to Pete?
Speaker 3 (01:59):
Yeah, that seems to.
Speaker 1 (02:00):
Me you owe me a little something. I hadn't caught
this basket, it had had dropped, sure, and them eggs
would all broke. Now, ain't that so sure? Jake? It
was me he is keptain eggs from breaking.
Speaker 4 (02:12):
I am graceful, signor.
Speaker 1 (02:14):
I figure you might want to thank me for the favor.
Speaker 4 (02:18):
I thank you, signor Now that.
Speaker 1 (02:22):
Ain't exactly what it means for the little gal like her?
You know what I mean? Wouldn't she have sure she
was where she was? Just come here, I'll show you
after did hurt you?
Speaker 3 (02:43):
Sure?
Speaker 1 (02:43):
Not before you black eyed little gas me kiss plenty
of times? Now, ain't that right? It ain't no different
with me. No, you'll not you let me.
Speaker 3 (02:54):
Let me gotta go.
Speaker 5 (02:58):
That girl who never mind who I am your leave
her alone.
Speaker 1 (03:03):
You've got no call you let her go.
Speaker 2 (03:04):
We're out with the laws.
Speaker 1 (03:06):
Were just having some fun.
Speaker 5 (03:08):
We'll find grind the fun. Two hawks like you torment
a young girl. They come on, honey, you come with me.
Speaker 1 (03:15):
You two go along. Now, Look we ain't done that.
Speaker 3 (03:18):
You get along.
Speaker 4 (03:21):
Come on, Senorita kidd. He'll do those men, those men
they were wrong.
Speaker 3 (03:35):
I do not care, I know, honey, don't you worry.
Speaker 5 (03:39):
Come on inside, you can wash your face.
Speaker 3 (03:41):
Calm down, thank you.
Speaker 1 (04:00):
Oh well, she's still around here, Kitty.
Speaker 3 (04:04):
I left her up in my room. Mate.
Speaker 1 (04:06):
She is pretty upset. You'll find out who she was.
Speaker 5 (04:08):
Yeah, her name was Josefina Josephina Vermire us H. She
and her father taken over the old Grime's place West Town.
Speaker 1 (04:15):
Oh that's a pretty rundown outfit, as I remember.
Speaker 5 (04:19):
Yeah, I guess they're having a tough time of it.
Speaker 1 (04:21):
They haven't been in very long, probably won't stay long either.
That's a pretty mean.
Speaker 3 (04:25):
Line, mam.
Speaker 5 (04:28):
Yeah, what well I've I was wondering if you had
something awful and important to.
Speaker 1 (04:34):
Do the rest of the afternoon. Uh, not been too important,
I guess why. She's a real scared girl, Matt.
Speaker 5 (04:42):
I'd hate for those two groups to get their hands
on her again.
Speaker 1 (04:46):
Oh what do you want me to do?
Speaker 5 (04:48):
I thought you might drive her up to her place.
Speaker 1 (04:53):
Do you think chaperoning young girl's home is part of
my job?
Speaker 3 (04:57):
Oh?
Speaker 1 (04:58):
Man, all right, Kitty, ou I'll be glad to do it.
I'll have Chester hit you up a buggy and we'll
get her out there in time for summer. Thanks.
Speaker 5 (05:07):
Matt, I'll have her waiting out.
Speaker 1 (05:09):
Guess there's no use looking for those two men now,
why not? Well it's uh you took out after him.
They're probably half way. The Witchita went on, I know
what I'm talking about. I haven't seen you when you
were riled.
Speaker 5 (05:23):
Well you're about to see me Rile again. If you're
not careful, you go on now get that buggy.
Speaker 3 (05:29):
Huh.
Speaker 1 (05:42):
I think we can catch it the short cut long
here pretty soon, mister Jones.
Speaker 4 (05:45):
Is that right, Josephinis, Yes, Senor, there is a legal
road across the field after the next turn.
Speaker 1 (05:52):
Well, we'll get you home before it really turns start, Senor. Huh.
Speaker 4 (06:00):
I would thank you, senors, if you would let me
off here at the little roads.
Speaker 1 (06:04):
Well, that's awful long walk to anybody, Miss Josephine, I
would like you. You don't want us to drive you
all the way home? I love Josepha's close to dark.
I think maybe we better go on with you.
Speaker 2 (06:16):
Sure, he ain't no trouble, just Luki's.
Speaker 1 (06:18):
More to go now we've turned all but you do
not understand Up there behind them, Rock get on the wagons, Pester,
jump off and coming to your side. Please, please come
back here, you'll be kills.
Speaker 3 (06:35):
Do not shoot again.
Speaker 1 (06:36):
Down your don You're crazy.
Speaker 3 (06:40):
With me?
Speaker 1 (06:40):
What's going?
Speaker 3 (06:42):
Father?
Speaker 1 (06:43):
Father?
Speaker 6 (06:44):
You are wrong here with me.
Speaker 7 (06:46):
These men are not like the others.
Speaker 1 (06:49):
They could not bother you.
Speaker 7 (06:50):
No, Father, They have brought me home so I would
be safe to him.
Speaker 1 (07:02):
Why don't you put your gun down? I talk better
that way. Tell me who you are? Sing you? He
is the US marshall at Dodge City. Oh, oh, the
men who uphold the law. And I try to And
who are you? My name is, said Miguel. I mean,
(07:22):
are you always ambush? People? Will come out of your
place only when I fear for my daughter, And I
can't blame you if I want to protect her. Look,
you're so worried about her. Why do you go to town alone?
See it's not good, but we are in need of
all the money we can earn.
Speaker 8 (07:38):
Say you ought to make this place go. The eggs
have to be sold today. My cow is Calvin. I
could not go to town, so I send for the fienda.
It's no one else. She did not return in the daylight.
Speaker 1 (07:53):
And you have decided the worst to happen. Oh, say
you're a marshall. You don't know how it can be.
Speaker 8 (07:59):
We have moved four times, strive to find a good home.
Speaker 1 (08:03):
But for a young girl from Mexico in your country,
it's not easy. Your men, yeah, and that can be bad. Look, Rameras,
you can't shoot everybody who comes out here.
Speaker 8 (08:16):
You know, I do not wish for trouble, Singor. I
came to your country. I hope for a better way
to leave. Well, if they bring trouble to my daughter,
she's a good girl, I know she is. If they
bring trouble to my daughter, then.
Speaker 1 (08:32):
I will kill them. This is the way it must be.
You can't take the law on your own hands. Rameras,
that's the way it must be too. I can't kill
that won't do Josephina any good, saying your MARKZ. I
know things can be hard, but you'll get protection from
the law like anyone else. But you let the law
handle things. I protect my daughter, but you'll have to
(08:56):
be alive to do that, you understand, all right? From
now on, you about to see the Josephana stays close
to home. Justin come on, let's go back to town.
(09:28):
Here's where she lived half, here's a Mexican fleet. It
ain't much sure, ain't you stay here, I'll go in
and get the girls. Get off your heart, that old man,
you got a gun. There's no need for the gun,
old man. We just come to pay a little visit
to your daughter, yo, get off my line. We just
(09:52):
come to pass the time of day. We've seen her
in town yesterday. Figure, we'd like to see. How where
are you? Once more? Hum your horse right back. It
seems to me you take kindly to us coming to call.
We're a lot better than your girl's been used to.
And we got go shoot me. I shoudo mans, I'm
(10:13):
gonna wait for shutting the half.
Speaker 3 (10:15):
How you go?
Speaker 1 (10:16):
Look a here?
Speaker 3 (10:16):
You listen out of here?
Speaker 1 (10:33):
What are you doing?
Speaker 3 (10:34):
Jack?
Speaker 1 (10:34):
What are you stopping for? We're out of sight, ain't we? Yeah?
We ain't gonna let no dirt farming drive us off
near land here? What are you gonna do? You just
come along with me. You see what I'm gonna do.
I ain't so sure. Yeah you scared? Well, no, no,
(10:57):
I ain't scared, But I don't wanna go killing. No
man you gonna kill. Nobody's gonna pay you a visit
to that purty little girl like we set out to you.
So we're gonna do that, you know, off your horse
at time us the horses. I can tell you, we're
(11:18):
gonna sneak back to the scrub and little girl's gonna
get a real surprise. Now then, Doc, you don't think
food like this can hurt you, Well, now I've got
(11:41):
a theory about it. Man, it'll better be good part
of the scientistic. Now then, I have done a lot
of research on it, a considerable personal risks.
Speaker 2 (11:52):
Yes, by eating the food myself, and I've come to
the conclusion that you build up an immunity to terrible
slop like this and your stomach gets even stronger.
Speaker 1 (12:04):
You you the doc, Hey, yes, I'm the doctor. You
gotta come.
Speaker 3 (12:09):
Doc.
Speaker 1 (12:09):
We've got a gal out there in the country. Oh,
speak up, man, speak up. I ain't he and Marshall?
Of course he's a marshal. I'll wait and see your loan. Doc.
I think I better know about any girl you got
out in the country. Well, it really ain't nothing bad
that's bad enough to need a doctor in a Hurries
(12:30):
And who is she? Oh? Just little Mexican Gale from
the Rameras place. Yeah, what happened to me? But I
don't really know, Doc. We my partner and me. We
were just had fun with her. She fell down here
he had a guess she can't moved since. Come on, doctor,
(12:51):
I got schustering right along with it. Sure, come on
to you, sure, marshall. Yeah, I'll lead you right out there.
You'll bet you will. I left him right over there
(13:17):
under that tree, Jack Jack, I brung the dark He
sure ain't answering you, and he was there. Where's the
girl right there right that tree? Do not, Marshall tell him?
(13:46):
Joseph dark Adams is here too. Yeah, let's see now
he just would you hold the lantern?
Speaker 3 (13:54):
Sure? Now?
Speaker 1 (13:56):
You just I still just you know, yeah.
Speaker 3 (14:00):
I'm gonna hurt mm hmm.
Speaker 1 (14:05):
Can you tell me how this happened?
Speaker 4 (14:10):
They were up to me, doctor, They were waiting for
me in the dog.
Speaker 1 (14:16):
That's gonna be all right.
Speaker 4 (14:18):
He dragged me out in the big hunt over my mouth.
Speaker 3 (14:22):
Now, I.
Speaker 1 (14:25):
Wouldn't have got hurt none if she hadn't have been fighting.
So would she kicked me some fierce? Do you me
eat that? A shame? I think she's all right, man,
She get ahead a good track, but she'll be all right.
Can went over doctor? Yes? I think so. I'll take
her home in the bus. I better go along too.
Her father isn't going to be easy to deal with.
(14:46):
I don't see why he should be. Chester. You take
a half back and lock him up and we'll hold
him to sure the girl's going to be all right. Yes, sir,
I'll do that if you don't. I didn't hurt her none.
The doc says, she's all right. There's no need to
lock me up. You ought to beg me to lock
you up rather than have her father out looking for you. Now,
come on, doctor, let's get her under the buggy. She's
(15:28):
sleeping just fine. You see that. She gets a lot
of rest for the next couple of days. Remember, she's
all right. How did you hear, Ramerez, The doctor said, Joseph,
Van is all right. She just needs a little rest.
I hear the words, mushal sure, I'll we forgotten the buggy,
all right, Docker, I'll be along in a minute, Ramebras.
(15:55):
I want to say a couple of things to you.
Rameris are you listening? I will listen good, because I'm
not asking you to do anything. I'm telling you.
Speaker 3 (16:06):
Now.
Speaker 1 (16:07):
You let me handle this. Your daughter's all right. And
we got the man locked up. There were two men
I know, and we'll find the other one. But you
let me handle it. You hear you can't take the
law into your own hands. How do you understand me?
I hear the word, Well, you better hear him, and
you better remember him. Oh, come in, come in, hello, ramebrs. Well,
(16:54):
folks don't usually bother to knock at this office, Martian
as Joseph or she is, Well, my god, go ahead.
Well don't you want to come on in?
Speaker 8 (17:05):
I'm not saying I can't say what I must say
from the door.
Speaker 1 (17:07):
With no ramembers. Don't get any crazy ideas again. We'll
pick that man up one of these days. It is
not necessary, Yes it is. We don't want him to
get away with that anymore than you do. It is
not necessary for you to pick him up. What do
you mean I brought him to you? Mhm, worries He
he's just outside saying.
Speaker 6 (17:29):
You're outside on my horse. He's tied on my horse.
I see I killed him, sing.
Speaker 8 (17:45):
No, I have come to bring you both of us,
and he just had to do it, didn't you.
Speaker 1 (17:56):
Say, your e marshalling the law of immense that this
has to be in his own names. Yeah, I'm sorry. Remons,
I'm sorry it had to be this way.
Speaker 3 (18:17):
Mm hmm.
Speaker 1 (18:38):
Gun Smoke, Lord EUSt And, directed by Norman McDonald Sorris
William Comrad as Matt llan Us Marshall in the story
especially written for Gun Smoke by Marion Cludd with editorial
supervision by John Nest. Featured in the cast were Lynn Allen,
Lawrence Stobkins, Vic Perron and Dick Kenner. Harley there Is Chester,
Howard mcneer is doc and Joy Joe Alice is kidding
(19:04):
up Int
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
Guns Smoke, Gun Will Smoke, starring William Conrad. The story
(00:42):
of the violence that moved west with young America and
the story of a man who moved with him. I'm
that man, Matt Dillon, United States Marshall, the first man
they look for and the less they want to meet.
It's a chancy job, and it makes a man watchful.
But a little long lead man sure needs his dinner,
(01:19):
not one like that he don't have. He was feeding
us better than that on the trail. Well mixed in there,
you don't have to look out for a rattlesnake. Where
he said down at the table, I'm gonna get me
something to washed food. Down with you right now and
that'll help me. This place looks good enough. Take you
(01:45):
won't do no real hard.
Speaker 2 (01:47):
So I did run right in pretty little gap my basket.
Speaker 1 (01:52):
I might have my basket. Well, you don't need to
worry nothing but the egg. I caught the basket, all right,
May I have it to Pete?
Speaker 3 (01:59):
Yeah, that seems to.
Speaker 1 (02:00):
Me you owe me a little something. I hadn't caught
this basket, it had had dropped, sure, and them eggs
would all broke. Now, ain't that so sure? Jake? It
was me he is keptain eggs from breaking.
Speaker 4 (02:12):
I am graceful, signor.
Speaker 1 (02:14):
I figure you might want to thank me for the favor.
Speaker 4 (02:18):
I thank you, signor Now that.
Speaker 1 (02:22):
Ain't exactly what it means for the little gal like her?
You know what I mean? Wouldn't she have sure she
was where she was? Just come here, I'll show you
after did hurt you?
Speaker 3 (02:43):
Sure?
Speaker 1 (02:43):
Not before you black eyed little gas me kiss plenty
of times? Now, ain't that right? It ain't no different
with me. No, you'll not you let me.
Speaker 3 (02:54):
Let me gotta go.
Speaker 5 (02:58):
That girl who never mind who I am your leave
her alone.
Speaker 1 (03:03):
You've got no call you let her go.
Speaker 2 (03:04):
We're out with the laws.
Speaker 1 (03:06):
Were just having some fun.
Speaker 5 (03:08):
We'll find grind the fun. Two hawks like you torment
a young girl. They come on, honey, you come with me.
Speaker 1 (03:15):
You two go along. Now, Look we ain't done that.
Speaker 3 (03:18):
You get along.
Speaker 4 (03:21):
Come on, Senorita kidd. He'll do those men, those men
they were wrong.
Speaker 3 (03:35):
I do not care, I know, honey, don't you worry.
Speaker 5 (03:39):
Come on inside, you can wash your face.
Speaker 3 (03:41):
Calm down, thank you.
Speaker 1 (04:00):
Oh well, she's still around here, Kitty.
Speaker 3 (04:04):
I left her up in my room. Mate.
Speaker 1 (04:06):
She is pretty upset. You'll find out who she was.
Speaker 5 (04:08):
Yeah, her name was Josefina Josephina Vermire us H. She
and her father taken over the old Grime's place West Town.
Speaker 1 (04:15):
Oh that's a pretty rundown outfit, as I remember.
Speaker 5 (04:19):
Yeah, I guess they're having a tough time of it.
Speaker 1 (04:21):
They haven't been in very long, probably won't stay long either.
That's a pretty mean.
Speaker 3 (04:25):
Line, mam.
Speaker 5 (04:28):
Yeah, what well I've I was wondering if you had
something awful and important to.
Speaker 1 (04:34):
Do the rest of the afternoon. Uh, not been too important,
I guess why. She's a real scared girl, Matt.
Speaker 5 (04:42):
I'd hate for those two groups to get their hands
on her again.
Speaker 1 (04:46):
Oh what do you want me to do?
Speaker 5 (04:48):
I thought you might drive her up to her place.
Speaker 1 (04:53):
Do you think chaperoning young girl's home is part of
my job?
Speaker 3 (04:57):
Oh?
Speaker 1 (04:58):
Man, all right, Kitty, ou I'll be glad to do it.
I'll have Chester hit you up a buggy and we'll
get her out there in time for summer. Thanks.
Speaker 5 (05:07):
Matt, I'll have her waiting out.
Speaker 1 (05:09):
Guess there's no use looking for those two men now,
why not? Well it's uh you took out after him.
They're probably half way. The Witchita went on, I know
what I'm talking about. I haven't seen you when you
were riled.
Speaker 5 (05:23):
Well you're about to see me Rile again. If you're
not careful, you go on now get that buggy.
Speaker 3 (05:29):
Huh.
Speaker 1 (05:42):
I think we can catch it the short cut long
here pretty soon, mister Jones.
Speaker 4 (05:45):
Is that right, Josephinis, Yes, Senor, there is a legal
road across the field after the next turn.
Speaker 1 (05:52):
Well, we'll get you home before it really turns start, Senor. Huh.
Speaker 4 (06:00):
I would thank you, senors, if you would let me
off here at the little roads.
Speaker 1 (06:04):
Well, that's awful long walk to anybody, Miss Josephine, I
would like you. You don't want us to drive you
all the way home? I love Josepha's close to dark.
I think maybe we better go on with you.
Speaker 2 (06:16):
Sure, he ain't no trouble, just Luki's.
Speaker 1 (06:18):
More to go now we've turned all but you do
not understand Up there behind them, Rock get on the wagons, Pester,
jump off and coming to your side. Please, please come
back here, you'll be kills.
Speaker 3 (06:35):
Do not shoot again.
Speaker 1 (06:36):
Down your don You're crazy.
Speaker 3 (06:40):
With me?
Speaker 1 (06:40):
What's going?
Speaker 3 (06:42):
Father?
Speaker 1 (06:43):
Father?
Speaker 6 (06:44):
You are wrong here with me.
Speaker 7 (06:46):
These men are not like the others.
Speaker 1 (06:49):
They could not bother you.
Speaker 7 (06:50):
No, Father, They have brought me home so I would
be safe to him.
Speaker 1 (07:02):
Why don't you put your gun down? I talk better
that way. Tell me who you are? Sing you? He
is the US marshall at Dodge City. Oh, oh, the
men who uphold the law. And I try to And
who are you? My name is, said Miguel. I mean,
(07:22):
are you always ambush? People? Will come out of your
place only when I fear for my daughter, And I
can't blame you if I want to protect her. Look,
you're so worried about her. Why do you go to town alone?
See it's not good, but we are in need of
all the money we can earn.
Speaker 8 (07:38):
Say you ought to make this place go. The eggs
have to be sold today. My cow is Calvin. I
could not go to town, so I send for the fienda.
It's no one else. She did not return in the daylight.
Speaker 1 (07:53):
And you have decided the worst to happen. Oh, say
you're a marshall. You don't know how it can be.
Speaker 8 (07:59):
We have moved four times, strive to find a good home.
Speaker 1 (08:03):
But for a young girl from Mexico in your country,
it's not easy. Your men, yeah, and that can be bad. Look, Rameras,
you can't shoot everybody who comes out here.
Speaker 8 (08:16):
You know, I do not wish for trouble, Singor. I
came to your country. I hope for a better way
to leave. Well, if they bring trouble to my daughter,
she's a good girl, I know she is. If they
bring trouble to my daughter, then.
Speaker 1 (08:32):
I will kill them. This is the way it must be.
You can't take the law on your own hands. Rameras,
that's the way it must be too. I can't kill
that won't do Josephina any good, saying your MARKZ. I
know things can be hard, but you'll get protection from
the law like anyone else. But you let the law
handle things. I protect my daughter, but you'll have to
(08:56):
be alive to do that, you understand, all right? From
now on, you about to see the Josephana stays close
to home. Justin come on, let's go back to town.
(09:28):
Here's where she lived half, here's a Mexican fleet. It
ain't much sure, ain't you stay here, I'll go in
and get the girls. Get off your heart, that old man,
you got a gun. There's no need for the gun,
old man. We just come to pay a little visit
to your daughter, yo, get off my line. We just
(09:52):
come to pass the time of day. We've seen her
in town yesterday. Figure, we'd like to see. How where
are you? Once more? Hum your horse right back. It
seems to me you take kindly to us coming to call.
We're a lot better than your girl's been used to.
And we got go shoot me. I shoudo mans, I'm
(10:13):
gonna wait for shutting the half.
Speaker 3 (10:15):
How you go?
Speaker 1 (10:16):
Look a here?
Speaker 3 (10:16):
You listen out of here?
Speaker 1 (10:33):
What are you doing?
Speaker 3 (10:34):
Jack?
Speaker 1 (10:34):
What are you stopping for? We're out of sight, ain't we? Yeah?
We ain't gonna let no dirt farming drive us off
near land here? What are you gonna do? You just
come along with me. You see what I'm gonna do.
I ain't so sure. Yeah you scared? Well, no, no,
(10:57):
I ain't scared, But I don't wanna go killing. No
man you gonna kill. Nobody's gonna pay you a visit
to that purty little girl like we set out to you.
So we're gonna do that, you know, off your horse
at time us the horses. I can tell you, we're
(11:18):
gonna sneak back to the scrub and little girl's gonna
get a real surprise. Now then, Doc, you don't think
food like this can hurt you, Well, now I've got
(11:41):
a theory about it. Man, it'll better be good part
of the scientistic. Now then, I have done a lot
of research on it, a considerable personal risks.
Speaker 2 (11:52):
Yes, by eating the food myself, and I've come to
the conclusion that you build up an immunity to terrible
slop like this and your stomach gets even stronger.
Speaker 1 (12:04):
You you the doc, Hey, yes, I'm the doctor. You
gotta come.
Speaker 3 (12:09):
Doc.
Speaker 1 (12:09):
We've got a gal out there in the country. Oh,
speak up, man, speak up. I ain't he and Marshall?
Of course he's a marshal. I'll wait and see your loan. Doc.
I think I better know about any girl you got
out in the country. Well, it really ain't nothing bad
that's bad enough to need a doctor in a Hurries
(12:30):
And who is she? Oh? Just little Mexican Gale from
the Rameras place. Yeah, what happened to me? But I
don't really know, Doc. We my partner and me. We
were just had fun with her. She fell down here
he had a guess she can't moved since. Come on, doctor,
(12:51):
I got schustering right along with it. Sure, come on
to you, sure, marshall. Yeah, I'll lead you right out there.
You'll bet you will. I left him right over there
(13:17):
under that tree, Jack Jack, I brung the dark He
sure ain't answering you, and he was there. Where's the
girl right there right that tree? Do not, Marshall tell him?
(13:46):
Joseph dark Adams is here too. Yeah, let's see now
he just would you hold the lantern?
Speaker 3 (13:54):
Sure? Now?
Speaker 1 (13:56):
You just I still just you know, yeah.
Speaker 3 (14:00):
I'm gonna hurt mm hmm.
Speaker 1 (14:05):
Can you tell me how this happened?
Speaker 4 (14:10):
They were up to me, doctor, They were waiting for
me in the dog.
Speaker 1 (14:16):
That's gonna be all right.
Speaker 4 (14:18):
He dragged me out in the big hunt over my mouth.
Speaker 3 (14:22):
Now, I.
Speaker 1 (14:25):
Wouldn't have got hurt none if she hadn't have been fighting.
So would she kicked me some fierce? Do you me
eat that? A shame? I think she's all right, man,
She get ahead a good track, but she'll be all right.
Can went over doctor? Yes? I think so. I'll take
her home in the bus. I better go along too.
Her father isn't going to be easy to deal with.
(14:46):
I don't see why he should be. Chester. You take
a half back and lock him up and we'll hold
him to sure the girl's going to be all right. Yes, sir,
I'll do that if you don't. I didn't hurt her none.
The doc says, she's all right. There's no need to
lock me up. You ought to beg me to lock
you up rather than have her father out looking for you. Now,
come on, doctor, let's get her under the buggy. She's
(15:28):
sleeping just fine. You see that. She gets a lot
of rest for the next couple of days. Remember, she's
all right. How did you hear, Ramerez, The doctor said, Joseph,
Van is all right. She just needs a little rest.
I hear the words, mushal sure, I'll we forgotten the buggy,
all right, Docker, I'll be along in a minute, Ramebras.
(15:55):
I want to say a couple of things to you.
Rameris are you listening? I will listen good, because I'm
not asking you to do anything. I'm telling you.
Speaker 3 (16:06):
Now.
Speaker 1 (16:07):
You let me handle this. Your daughter's all right. And
we got the man locked up. There were two men
I know, and we'll find the other one. But you
let me handle it. You hear you can't take the
law into your own hands. How do you understand me?
I hear the word, Well, you better hear him, and
you better remember him. Oh, come in, come in, hello, ramebrs. Well,
(16:54):
folks don't usually bother to knock at this office, Martian
as Joseph or she is, Well, my god, go ahead.
Well don't you want to come on in?
Speaker 8 (17:05):
I'm not saying I can't say what I must say
from the door.
Speaker 1 (17:07):
With no ramembers. Don't get any crazy ideas again. We'll
pick that man up one of these days. It is
not necessary, Yes it is. We don't want him to
get away with that anymore than you do. It is
not necessary for you to pick him up. What do
you mean I brought him to you? Mhm, worries He
he's just outside saying.
Speaker 6 (17:29):
You're outside on my horse. He's tied on my horse.
I see I killed him, sing.
Speaker 8 (17:45):
No, I have come to bring you both of us,
and he just had to do it, didn't you.
Speaker 1 (17:56):
Say, your e marshalling the law of immense that this
has to be in his own names. Yeah, I'm sorry. Remons,
I'm sorry it had to be this way.
Speaker 3 (18:17):
Mm hmm.
Speaker 1 (18:38):
Gun Smoke, Lord EUSt And, directed by Norman McDonald Sorris
William Comrad as Matt llan Us Marshall in the story
especially written for Gun Smoke by Marion Cludd with editorial
supervision by John Nest. Featured in the cast were Lynn Allen,
Lawrence Stobkins, Vic Perron and Dick Kenner. Harley there Is Chester,
Howard mcneer is doc and Joy Joe Alice is kidding
(19:04):
up Int
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