August 2, 2025 • 19 mins
Gunsmoke was a beloved American radio Western drama series centered on Dodge City, Kansas, in the 1870s, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad. The program aired from 1952 to 1961 and is widely considered one of the greatest western series ever produced for radio or television. It was gritty, featuring tough and sometimes very violent subject matter. Gunsmoke is a treasured classic that left a permanent mark of the history of radio and westerns.
Hope you enjoy this episode of Gunsmoke! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart | Amazon
Hope you enjoy this episode of Gunsmoke! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart | Amazon
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers,
and that's with the US Marshal and The Smell of
Gun Smoke Guns, starring William Conrad, the story of the
(00:43):
violin that moved west with Young America, and the story
of a man.
Speaker 2 (00:47):
Who moved with it.
Speaker 3 (00:49):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the less they want to meet.
It's a chance, a job, and it makes man watchful
and a little lonely. I'm sure we'll.
Speaker 4 (01:20):
Be glad to get back to dog Miss Jones.
Speaker 3 (01:22):
Oh, which, it was a nice town, schester, right.
Speaker 4 (01:26):
You like it as much? Next time you can come along.
I got no business here anyway.
Speaker 3 (01:30):
It's almost over Chester. The train leaves about ten minutes.
Speaker 4 (01:33):
I've been worried all morning for fear would miss it.
Speaker 3 (01:36):
That's gonna be a long ride. We wait outside here
to yell all aboard.
Speaker 4 (01:42):
You sure do hate setting down, don't you.
Speaker 3 (01:45):
I like fresh air. But you can get on if
you want.
Speaker 4 (01:48):
No, no, no.
Speaker 3 (01:49):
You could be finding us a couple of seats. You know.
Speaker 4 (01:52):
The train guarantees a seat to everybody who buys a ticket.
Speaker 3 (01:55):
Miss jon Well, I was only trying to give you
an excuse to get off your feet.
Speaker 4 (01:59):
Schester, Well, I ain't tired all at the du Well,
I do declare. Look what coming well yonder?
Speaker 3 (02:07):
Uh? The right pretty girl.
Speaker 2 (02:12):
She is?
Speaker 4 (02:13):
Ain't she's say you reckon? She's going to Dodge too.
Speaker 3 (02:20):
Oh why don't you ask her?
Speaker 1 (02:21):
Oh?
Speaker 4 (02:22):
I can good in Virginia. I don't even know where.
Speaker 3 (02:24):
Because I gonna stop him. Who a gentleman side up
by the car? He sent her too gentleman.
Speaker 4 (02:32):
He look more like a drunk rowdy to me.
Speaker 3 (02:35):
Uh, it's kind of mosaic over there.
Speaker 4 (02:38):
And uh say, maybe he doesn't warm me stim and
maybe I misdowne it cause he's too mean. And uh looking.
Speaker 3 (02:49):
There the mess long it's gonna be traveling together.
Speaker 2 (02:52):
We best get acquitted.
Speaker 3 (02:54):
Now. My name is Last, I have last her.
Speaker 2 (02:58):
How do you do?
Speaker 3 (02:59):
How do you I'm meeting?
Speaker 5 (03:02):
Uh my partner in Dodge, Joe Garrett.
Speaker 3 (03:05):
Maybe you know him.
Speaker 2 (03:07):
I'm sorry, but I've never been in Dodge.
Speaker 3 (03:10):
No, make two of us.
Speaker 5 (03:15):
At least we ain't gonna bettle lonely, are we?
Speaker 2 (03:18):
Well? That depends It depends on what.
Speaker 4 (03:24):
If you're a gentleman.
Speaker 3 (03:27):
If I'm a d oh, I I couse course I am.
Speaker 5 (03:32):
Honey, Hey, I I I I know.
Speaker 3 (03:36):
Look, I got a bible here. Let's just get a
boyd uh, and then we we have a little drink.
Speaker 2 (03:43):
Excuse me to that?
Speaker 3 (03:44):
Oh good mam. But no, the train.
Speaker 2 (03:48):
Does the matter if you start out real friendly.
Speaker 3 (03:51):
And then you freeze up.
Speaker 2 (03:54):
Come on, get in that train, like I say, let.
Speaker 3 (03:57):
Me go here? You want let the lady go? Y?
Speaker 5 (04:05):
You're asking him for trouble, ain't you?
Speaker 3 (04:07):
Now?
Speaker 2 (04:08):
He he tried to force me onto the train and
he wanted me to drink with him.
Speaker 3 (04:12):
Now, don't you worry him mess. He won't bother you
anymore if you wasn't minding it none, not till you
busted in abb Bluster you know my name. But I
heard you tell the lady.
Speaker 2 (04:24):
You real snoopy? Ain't you?
Speaker 3 (04:26):
Sometimes? Yeah? Do you know what you're getting into? Mister?
You tell me, I'll show you. Well. You're carrying a
gun and I don't always use that.
Speaker 5 (04:36):
You.
Speaker 4 (04:38):
Oh, you hitt him and.
Speaker 3 (04:45):
The gun savor with me?
Speaker 2 (04:48):
Here?
Speaker 3 (04:48):
Jester put his gun on your belt, ya say?
Speaker 4 (04:52):
Oh, he gonna be pretty mad any oh.
Speaker 3 (04:55):
I'll kill you.
Speaker 2 (04:56):
I swear I'll kill you.
Speaker 3 (04:58):
You trick me? You know that got a board while
you can still walk mischief.
Speaker 2 (05:06):
When we get the dodge, you're gonna wish you never
seen me.
Speaker 3 (05:10):
I wishing not already. Now move. Oh, I'm sorry for
all the trouble, no troubles.
Speaker 2 (05:24):
I didn't mean to get you into a fight.
Speaker 3 (05:26):
It wasn't your fault.
Speaker 2 (05:28):
But I always feel that it is right.
Speaker 3 (05:32):
Well, just my being a woman.
Speaker 6 (05:35):
I guess you know.
Speaker 3 (05:37):
Now there won't be any more trouble.
Speaker 4 (05:38):
Miss, not til we get the dodge anyway.
Speaker 3 (05:41):
Come on, let's get a board. What do you think
of dodge right now?
Speaker 2 (05:59):
Marshall?
Speaker 4 (06:00):
But I can't tell much from the depot.
Speaker 3 (06:03):
I will show you the rest. Chester, don't get up
baggage with him. Well, Dodge kind of frightens me, Marshall.
Oh why well, I'm only a woman, and I've I've
heard so much about the terrible things that go on here.
(06:25):
Oh don't you worry, Rna, Nothing's gonna happen to you.
Speaker 4 (06:28):
I do feel safer when you are.
Speaker 3 (06:30):
H oh h, excuse me about it, Rena. And but
you want lester.
Speaker 5 (06:44):
And now they tell me that your Marshall Dylan. Uh,
try Marshall Dylan, and just wanted to let you know
that now there's two of us Marshall this year is
my partner Joe Garrett.
Speaker 4 (07:00):
Last he says you made things bad for him in Wichita.
Speaker 3 (07:04):
Marshall is that's all? Yeah? He says you uh stole
his gun too. Uh. He can pick it up at
my office sometime. I'll do that.
Speaker 2 (07:17):
I don't like what you did, Marshall.
Speaker 3 (07:21):
Well I didn't do it for you. Yeah, alright, I know.
Now we're gonna take some horses.
Speaker 5 (07:28):
Up north for just a few days, Marshall, and then
we're gonna be back.
Speaker 3 (07:33):
Well, I'll be here. I'll be here every day.
Speaker 2 (07:41):
What did those men want Marshall?
Speaker 3 (07:44):
There was nothing real, nothing important. Oh. I'll bet there's
going to be more trouble over me.
Speaker 2 (07:51):
Isn't there?
Speaker 3 (07:52):
Now, don't you worry about it. We'll find you a
room and then i'll take you over to the Long
Branch and introduce you to Kenny Russell. She's the owner
of the place. Come on, Chester's waiting.
Speaker 2 (08:14):
Here, Come on in bet at your office.
Speaker 3 (08:18):
How have you been at doctor?
Speaker 2 (08:19):
Oh? Fine time dome. Oh, man Chester's been telling.
Speaker 6 (08:23):
Me about this new girl, Arena Decker. O sounds like
a man in his sweet little apple?
Speaker 3 (08:29):
Is that what Chester said?
Speaker 4 (08:30):
No, I didn't say no, such your thing?
Speaker 2 (08:32):
Well that's what you meant you? Is it true? Man?
Speaker 3 (08:35):
I you can go see where yourself. Doc should be working.
Speaker 2 (08:37):
On the Long Branch with a low kivvy hirer.
Speaker 3 (08:40):
I left them talking together about an hour ago. Good.
Speaker 6 (08:43):
I'll drop by there tonight if.
Speaker 4 (08:45):
I have the turn, you'll find time, Doc, I.
Speaker 6 (08:50):
Will have some idiots can fall off his horse, or
jump out of a window, or go get himself shot,
leave him die.
Speaker 4 (08:55):
It'll be worth it.
Speaker 2 (08:57):
It's a good thing. Nobody has to depend on a
super ight like.
Speaker 4 (09:02):
No. I don't know what that means, but it sure
don't sound nice.
Speaker 2 (09:07):
Well, then don't ever let me catch you see her? Well,
miss kitty, come on in, Kitty, Uh, join the buzz.
Speaker 3 (09:15):
Uh.
Speaker 6 (09:16):
I'm afraid I'm gonna spoil the fun.
Speaker 2 (09:18):
Doc.
Speaker 3 (09:18):
Oh, it's a trouble, kitty.
Speaker 2 (09:20):
I thought i'd better come ted you before you hear
it from her?
Speaker 3 (09:23):
Mat.
Speaker 2 (09:24):
What Rena Decker isn't gonna be working at the Long Bunch? Oh?
Speaker 3 (09:28):
Why not?
Speaker 2 (09:29):
I didn't hire you, didn't her?
Speaker 4 (09:32):
I'm not saying she's not pretty and all that.
Speaker 2 (09:34):
But I've seen her kind too often.
Speaker 3 (09:37):
They mean nothing but trouble or I don't understand, Kitty.
She seems like a nice little girl.
Speaker 2 (09:44):
H you manner all alike? Pretty face throws every time?
Speaker 3 (09:48):
Oh not, Kitty, I have no interest in her beyond
trying to help her the way i'd help anybody.
Speaker 2 (09:53):
Who started that fight?
Speaker 3 (09:55):
And what it all matter? Right? I blast her? He
was annoying her.
Speaker 6 (10:00):
She didn't lead him on.
Speaker 3 (10:02):
Oh my, Kitty, you're being unffair. That girl's here all alone.
She doesn't know anybody, and she needs a job.
Speaker 4 (10:07):
Sure.
Speaker 5 (10:07):
And when I had to leave her at the bar
a few minutes after you brought her in, she almost
got another fight started.
Speaker 3 (10:13):
Huh yeah, Kitty, Why why would she do that? Some
women like men fighting over him? Kitty, What really is
it that you don't like about her?
Speaker 2 (10:29):
Doctor? You haven't seen her yet? Huh no, no, no,
but sure, I am interested in ken here.
Speaker 6 (10:34):
You will be just as stupid as they are, alright,
just to show.
Speaker 3 (10:39):
You a high.
Speaker 5 (10:41):
But don't blame me when somebody gets killed, cause it's
bound I happened.
Speaker 2 (10:59):
It's dn.
Speaker 3 (11:00):
Yeah, what Chester looks like?
Speaker 4 (11:02):
Miss Kitty was wrong, don't it.
Speaker 3 (11:04):
I spent two days, but she didn't put any time
living on it.
Speaker 4 (11:08):
What do you think she's got again? Lena?
Speaker 3 (11:09):
Anyway, sometimes a woman takes a dislike to another woman,
and nobody ever knows exactly why.
Speaker 4 (11:16):
They sure are hard to track anthy, and they got
their ways.
Speaker 3 (11:19):
I guess so we That's right.
Speaker 4 (11:25):
We ain't always so plain and simple, are we? Where
he's going?
Speaker 3 (11:29):
That's meant in front of the long crind? What about him? Hey,
they're gonna fight me?
Speaker 2 (11:37):
She don't look at him. They're about to draw.
Speaker 3 (11:39):
All right, Hold that of it.
Speaker 4 (11:43):
They're both down.
Speaker 2 (11:44):
They both got here.
Speaker 3 (11:47):
I got doc Chester because they look dead to me.
Got him anyway. I'll see if I can fight out
what this is all about? Yes, sir, answer? Anybody know
these men? Uh uh? I never normal an on me?
(12:08):
And I didn't see you here, Kitty?
Speaker 2 (12:10):
Format Maybe you know these men? You said, the couple riding.
Speaker 6 (12:14):
I don't even know their name?
Speaker 3 (12:16):
What started it?
Speaker 6 (12:18):
You wouldn't believe me if I told you.
Speaker 3 (12:22):
Not to her about it? Oh? I'll go with him alright.
Speaker 2 (12:34):
Oh, Marshall, wasn't it terrible? I was so scared?
Speaker 3 (12:44):
Have you any idea of what started.
Speaker 2 (12:46):
Us, Marshall, I don't know.
Speaker 1 (12:49):
I was talking to them at the barn and then
suddenly they got mad at each other and and then
they came out here.
Speaker 2 (12:57):
That's all I know. What were you talking about, Rena
w Why nothing just talking? And why they get mad?
Speaker 3 (13:05):
M You know how men are? Yeah?
Speaker 2 (13:08):
I know, I know, O son of 'em. I see
you later or not?
Speaker 3 (13:18):
Marshall? What rainer Marshall.
Speaker 4 (13:23):
Sometimes it's an an awful burden being a woman. You understand,
don't you.
Speaker 3 (13:31):
I don't know, Rayner, I'm not sure what I understand.
My beingish, dumb, My.
Speaker 4 (13:52):
Hero would hate to be buried that way, nobody not
knowing who you are, not even a marker on your grave.
Speaker 2 (13:58):
It's a sad pole way.
Speaker 4 (14:00):
And uh yeah, it's been a proubling you too, any
some Yeah, you been awful quiet ever since yesterday?
Speaker 3 (14:08):
Missed doing I better think of interested. Uh, I'm gonna
go to the long Branch. You wanna come for yes, sir?
Speaker 4 (14:20):
Thank you? Oh they're pretty happy.
Speaker 3 (14:28):
Yeah, well, man said, then we're.
Speaker 2 (14:33):
Home in this Kitty.
Speaker 3 (14:34):
I missed you at the bury of Kitty. Oh that
must have been real, since it's Rina round.
Speaker 2 (14:40):
M right over at the bar, the two men as usual.
Speaker 4 (14:44):
Oh we're doing it's a blasted and that Garrett Color. Yeah,
well I didn't know they'd come back in town.
Speaker 5 (14:52):
Didn't take Riena long to find out.
Speaker 3 (14:56):
What do you mean, kiddy? She brought him in with
her when she came to work.
Speaker 4 (15:00):
But then, of course she and last the old times ans.
Speaker 3 (15:04):
Why don'd you go over there?
Speaker 2 (15:05):
Maw have a drink at the bar. Listen to her
a few minutes. You might learn.
Speaker 3 (15:11):
Something, all right, I will. It's sure good to see you.
Speaker 4 (15:26):
Are you really going to take me to dinner?
Speaker 3 (15:31):
Air? Oh? You bet? I you bet? What about me? Fu?
Speaker 6 (15:35):
You know I invited?
Speaker 4 (15:36):
Oh well, I guess that depends on air.
Speaker 6 (15:40):
Yeah, uh, similar times.
Speaker 3 (15:44):
Gad, it's gonna be my not tonight. Why but you
make it sound like he's not wanted.
Speaker 2 (15:51):
He ain't.
Speaker 1 (15:53):
But you don't have to treat him like he's a
a dog or something.
Speaker 3 (15:57):
I ain't treating him like he's no dog?
Speaker 2 (16:00):
Am I gad?
Speaker 1 (16:01):
No, no, no, No man's going to put up with that,
is he? Missus?
Speaker 3 (16:07):
Garrett?
Speaker 1 (16:07):
No?
Speaker 2 (16:08):
Real man is no?
Speaker 3 (16:10):
No? By god?
Speaker 1 (16:10):
Ay, now you take it back. Last year, I want
to leave us a long way, I ain't taking no more,
and I get your gun out for if it it's
how you are.
Speaker 3 (16:20):
I ain't wait a minute.
Speaker 2 (16:28):
Killed him? You killed him, a'b give me your gun, Leicester, No,
give it a man.
Speaker 6 (16:34):
No, I expect to take a man's gun when he's
already got in his hand.
Speaker 2 (16:37):
Marshall, Now, don't be your fool, Marshall. He killed him.
Don't let him get away with him.
Speaker 3 (16:44):
Say where you are, Marshall.
Speaker 2 (16:46):
Don't you back away from me.
Speaker 3 (16:48):
They let's strick you with the two fights. Laster, you're
gonna let her do it again? Standstill? She likes men
fighting over her.
Speaker 2 (16:54):
Don't you leave her out of this and stand still?
Speaker 3 (16:57):
You put your gun up, Laster? No? Oh, why shall I? Oh?
Speaker 2 (17:16):
I was still worried. I thought sure he killed you.
I oh, he was just scared.
Speaker 3 (17:21):
Right now, So men have died because I wouldn't believe
Kitty about you. Well, you get out of dodge right now.
I know you ever come back? Well, Kitty, not.
Speaker 2 (17:47):
Your faultmatic, Yes, that is Kitty.
Speaker 3 (17:53):
I hope you will never let me forget it.
Speaker 1 (18:49):
Gun smoke but Houston. Directed in Hollywood by Norman mcdonald'
Sorris William Conrad as Matt Dylan us Marshall. The story
especially won for gun spoke by John Meston. Featured in
the cast were Lynn Allen, Lawrence Stopkin and Vic Perrin.
Farnie Bear is Chester, Howard McNair is doc and Georgia
Ellis is Hidding
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers,
and that's with the US Marshal and The Smell of
Gun Smoke Guns, starring William Conrad, the story of the
(00:43):
violin that moved west with Young America, and the story
of a man.
Speaker 2 (00:47):
Who moved with it.
Speaker 3 (00:49):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the less they want to meet.
It's a chance, a job, and it makes man watchful
and a little lonely. I'm sure we'll.
Speaker 4 (01:20):
Be glad to get back to dog Miss Jones.
Speaker 3 (01:22):
Oh, which, it was a nice town, schester, right.
Speaker 4 (01:26):
You like it as much? Next time you can come along.
I got no business here anyway.
Speaker 3 (01:30):
It's almost over Chester. The train leaves about ten minutes.
Speaker 4 (01:33):
I've been worried all morning for fear would miss it.
Speaker 3 (01:36):
That's gonna be a long ride. We wait outside here
to yell all aboard.
Speaker 4 (01:42):
You sure do hate setting down, don't you.
Speaker 3 (01:45):
I like fresh air. But you can get on if
you want.
Speaker 4 (01:48):
No, no, no.
Speaker 3 (01:49):
You could be finding us a couple of seats. You know.
Speaker 4 (01:52):
The train guarantees a seat to everybody who buys a ticket.
Speaker 3 (01:55):
Miss jon Well, I was only trying to give you
an excuse to get off your feet.
Speaker 4 (01:59):
Schester, Well, I ain't tired all at the du Well,
I do declare. Look what coming well yonder?
Speaker 3 (02:07):
Uh? The right pretty girl.
Speaker 2 (02:12):
She is?
Speaker 4 (02:13):
Ain't she's say you reckon? She's going to Dodge too.
Speaker 3 (02:20):
Oh why don't you ask her?
Speaker 1 (02:21):
Oh?
Speaker 4 (02:22):
I can good in Virginia. I don't even know where.
Speaker 3 (02:24):
Because I gonna stop him. Who a gentleman side up
by the car? He sent her too gentleman.
Speaker 4 (02:32):
He look more like a drunk rowdy to me.
Speaker 3 (02:35):
Uh, it's kind of mosaic over there.
Speaker 4 (02:38):
And uh say, maybe he doesn't warm me stim and
maybe I misdowne it cause he's too mean. And uh looking.
Speaker 3 (02:49):
There the mess long it's gonna be traveling together.
Speaker 2 (02:52):
We best get acquitted.
Speaker 3 (02:54):
Now. My name is Last, I have last her.
Speaker 2 (02:58):
How do you do?
Speaker 3 (02:59):
How do you I'm meeting?
Speaker 5 (03:02):
Uh my partner in Dodge, Joe Garrett.
Speaker 3 (03:05):
Maybe you know him.
Speaker 2 (03:07):
I'm sorry, but I've never been in Dodge.
Speaker 3 (03:10):
No, make two of us.
Speaker 5 (03:15):
At least we ain't gonna bettle lonely, are we?
Speaker 2 (03:18):
Well? That depends It depends on what.
Speaker 4 (03:24):
If you're a gentleman.
Speaker 3 (03:27):
If I'm a d oh, I I couse course I am.
Speaker 5 (03:32):
Honey, Hey, I I I I know.
Speaker 3 (03:36):
Look, I got a bible here. Let's just get a
boyd uh, and then we we have a little drink.
Speaker 2 (03:43):
Excuse me to that?
Speaker 3 (03:44):
Oh good mam. But no, the train.
Speaker 2 (03:48):
Does the matter if you start out real friendly.
Speaker 3 (03:51):
And then you freeze up.
Speaker 2 (03:54):
Come on, get in that train, like I say, let.
Speaker 3 (03:57):
Me go here? You want let the lady go? Y?
Speaker 5 (04:05):
You're asking him for trouble, ain't you?
Speaker 3 (04:07):
Now?
Speaker 2 (04:08):
He he tried to force me onto the train and
he wanted me to drink with him.
Speaker 3 (04:12):
Now, don't you worry him mess. He won't bother you
anymore if you wasn't minding it none, not till you
busted in abb Bluster you know my name. But I
heard you tell the lady.
Speaker 2 (04:24):
You real snoopy? Ain't you?
Speaker 3 (04:26):
Sometimes? Yeah? Do you know what you're getting into? Mister?
You tell me, I'll show you. Well. You're carrying a
gun and I don't always use that.
Speaker 5 (04:36):
You.
Speaker 4 (04:38):
Oh, you hitt him and.
Speaker 3 (04:45):
The gun savor with me?
Speaker 2 (04:48):
Here?
Speaker 3 (04:48):
Jester put his gun on your belt, ya say?
Speaker 4 (04:52):
Oh, he gonna be pretty mad any oh.
Speaker 3 (04:55):
I'll kill you.
Speaker 2 (04:56):
I swear I'll kill you.
Speaker 3 (04:58):
You trick me? You know that got a board while
you can still walk mischief.
Speaker 2 (05:06):
When we get the dodge, you're gonna wish you never
seen me.
Speaker 3 (05:10):
I wishing not already. Now move. Oh, I'm sorry for
all the trouble, no troubles.
Speaker 2 (05:24):
I didn't mean to get you into a fight.
Speaker 3 (05:26):
It wasn't your fault.
Speaker 2 (05:28):
But I always feel that it is right.
Speaker 3 (05:32):
Well, just my being a woman.
Speaker 6 (05:35):
I guess you know.
Speaker 3 (05:37):
Now there won't be any more trouble.
Speaker 4 (05:38):
Miss, not til we get the dodge anyway.
Speaker 3 (05:41):
Come on, let's get a board. What do you think
of dodge right now?
Speaker 2 (05:59):
Marshall?
Speaker 4 (06:00):
But I can't tell much from the depot.
Speaker 3 (06:03):
I will show you the rest. Chester, don't get up
baggage with him. Well, Dodge kind of frightens me, Marshall.
Oh why well, I'm only a woman, and I've I've
heard so much about the terrible things that go on here.
(06:25):
Oh don't you worry, Rna, Nothing's gonna happen to you.
Speaker 4 (06:28):
I do feel safer when you are.
Speaker 3 (06:30):
H oh h, excuse me about it, Rena. And but
you want lester.
Speaker 5 (06:44):
And now they tell me that your Marshall Dylan. Uh,
try Marshall Dylan, and just wanted to let you know
that now there's two of us Marshall this year is
my partner Joe Garrett.
Speaker 4 (07:00):
Last he says you made things bad for him in Wichita.
Speaker 3 (07:04):
Marshall is that's all? Yeah? He says you uh stole
his gun too. Uh. He can pick it up at
my office sometime. I'll do that.
Speaker 2 (07:17):
I don't like what you did, Marshall.
Speaker 3 (07:21):
Well I didn't do it for you. Yeah, alright, I know.
Now we're gonna take some horses.
Speaker 5 (07:28):
Up north for just a few days, Marshall, and then
we're gonna be back.
Speaker 3 (07:33):
Well, I'll be here. I'll be here every day.
Speaker 2 (07:41):
What did those men want Marshall?
Speaker 3 (07:44):
There was nothing real, nothing important. Oh. I'll bet there's
going to be more trouble over me.
Speaker 2 (07:51):
Isn't there?
Speaker 3 (07:52):
Now, don't you worry about it. We'll find you a
room and then i'll take you over to the Long
Branch and introduce you to Kenny Russell. She's the owner
of the place. Come on, Chester's waiting.
Speaker 2 (08:14):
Here, Come on in bet at your office.
Speaker 3 (08:18):
How have you been at doctor?
Speaker 2 (08:19):
Oh? Fine time dome. Oh, man Chester's been telling.
Speaker 6 (08:23):
Me about this new girl, Arena Decker. O sounds like
a man in his sweet little apple?
Speaker 3 (08:29):
Is that what Chester said?
Speaker 4 (08:30):
No, I didn't say no, such your thing?
Speaker 2 (08:32):
Well that's what you meant you? Is it true? Man?
Speaker 3 (08:35):
I you can go see where yourself. Doc should be working.
Speaker 2 (08:37):
On the Long Branch with a low kivvy hirer.
Speaker 3 (08:40):
I left them talking together about an hour ago. Good.
Speaker 6 (08:43):
I'll drop by there tonight if.
Speaker 4 (08:45):
I have the turn, you'll find time, Doc, I.
Speaker 6 (08:50):
Will have some idiots can fall off his horse, or
jump out of a window, or go get himself shot,
leave him die.
Speaker 4 (08:55):
It'll be worth it.
Speaker 2 (08:57):
It's a good thing. Nobody has to depend on a
super ight like.
Speaker 4 (09:02):
No. I don't know what that means, but it sure
don't sound nice.
Speaker 2 (09:07):
Well, then don't ever let me catch you see her? Well,
miss kitty, come on in, Kitty, Uh, join the buzz.
Speaker 3 (09:15):
Uh.
Speaker 6 (09:16):
I'm afraid I'm gonna spoil the fun.
Speaker 2 (09:18):
Doc.
Speaker 3 (09:18):
Oh, it's a trouble, kitty.
Speaker 2 (09:20):
I thought i'd better come ted you before you hear
it from her?
Speaker 3 (09:23):
Mat.
Speaker 2 (09:24):
What Rena Decker isn't gonna be working at the Long Bunch? Oh?
Speaker 3 (09:28):
Why not?
Speaker 2 (09:29):
I didn't hire you, didn't her?
Speaker 4 (09:32):
I'm not saying she's not pretty and all that.
Speaker 2 (09:34):
But I've seen her kind too often.
Speaker 3 (09:37):
They mean nothing but trouble or I don't understand, Kitty.
She seems like a nice little girl.
Speaker 2 (09:44):
H you manner all alike? Pretty face throws every time?
Speaker 3 (09:48):
Oh not, Kitty, I have no interest in her beyond
trying to help her the way i'd help anybody.
Speaker 2 (09:53):
Who started that fight?
Speaker 3 (09:55):
And what it all matter? Right? I blast her? He
was annoying her.
Speaker 6 (10:00):
She didn't lead him on.
Speaker 3 (10:02):
Oh my, Kitty, you're being unffair. That girl's here all alone.
She doesn't know anybody, and she needs a job.
Speaker 4 (10:07):
Sure.
Speaker 5 (10:07):
And when I had to leave her at the bar
a few minutes after you brought her in, she almost
got another fight started.
Speaker 3 (10:13):
Huh yeah, Kitty, Why why would she do that? Some
women like men fighting over him? Kitty, What really is
it that you don't like about her?
Speaker 2 (10:29):
Doctor? You haven't seen her yet? Huh no, no, no,
but sure, I am interested in ken here.
Speaker 6 (10:34):
You will be just as stupid as they are, alright,
just to show.
Speaker 3 (10:39):
You a high.
Speaker 5 (10:41):
But don't blame me when somebody gets killed, cause it's
bound I happened.
Speaker 2 (10:59):
It's dn.
Speaker 3 (11:00):
Yeah, what Chester looks like?
Speaker 4 (11:02):
Miss Kitty was wrong, don't it.
Speaker 3 (11:04):
I spent two days, but she didn't put any time
living on it.
Speaker 4 (11:08):
What do you think she's got again? Lena?
Speaker 3 (11:09):
Anyway, sometimes a woman takes a dislike to another woman,
and nobody ever knows exactly why.
Speaker 4 (11:16):
They sure are hard to track anthy, and they got
their ways.
Speaker 3 (11:19):
I guess so we That's right.
Speaker 4 (11:25):
We ain't always so plain and simple, are we? Where
he's going?
Speaker 3 (11:29):
That's meant in front of the long crind? What about him? Hey,
they're gonna fight me?
Speaker 2 (11:37):
She don't look at him. They're about to draw.
Speaker 3 (11:39):
All right, Hold that of it.
Speaker 4 (11:43):
They're both down.
Speaker 2 (11:44):
They both got here.
Speaker 3 (11:47):
I got doc Chester because they look dead to me.
Got him anyway. I'll see if I can fight out
what this is all about? Yes, sir, answer? Anybody know
these men? Uh uh? I never normal an on me?
(12:08):
And I didn't see you here, Kitty?
Speaker 2 (12:10):
Format Maybe you know these men? You said, the couple riding.
Speaker 6 (12:14):
I don't even know their name?
Speaker 3 (12:16):
What started it?
Speaker 6 (12:18):
You wouldn't believe me if I told you.
Speaker 3 (12:22):
Not to her about it? Oh? I'll go with him alright.
Speaker 2 (12:34):
Oh, Marshall, wasn't it terrible? I was so scared?
Speaker 3 (12:44):
Have you any idea of what started.
Speaker 2 (12:46):
Us, Marshall, I don't know.
Speaker 1 (12:49):
I was talking to them at the barn and then
suddenly they got mad at each other and and then
they came out here.
Speaker 2 (12:57):
That's all I know. What were you talking about, Rena
w Why nothing just talking? And why they get mad?
Speaker 3 (13:05):
M You know how men are? Yeah?
Speaker 2 (13:08):
I know, I know, O son of 'em. I see
you later or not?
Speaker 3 (13:18):
Marshall? What rainer Marshall.
Speaker 4 (13:23):
Sometimes it's an an awful burden being a woman. You understand,
don't you.
Speaker 3 (13:31):
I don't know, Rayner, I'm not sure what I understand.
My beingish, dumb, My.
Speaker 4 (13:52):
Hero would hate to be buried that way, nobody not
knowing who you are, not even a marker on your grave.
Speaker 2 (13:58):
It's a sad pole way.
Speaker 4 (14:00):
And uh yeah, it's been a proubling you too, any
some Yeah, you been awful quiet ever since yesterday?
Speaker 3 (14:08):
Missed doing I better think of interested. Uh, I'm gonna
go to the long Branch. You wanna come for yes, sir?
Speaker 4 (14:20):
Thank you? Oh they're pretty happy.
Speaker 3 (14:28):
Yeah, well, man said, then we're.
Speaker 2 (14:33):
Home in this Kitty.
Speaker 3 (14:34):
I missed you at the bury of Kitty. Oh that
must have been real, since it's Rina round.
Speaker 2 (14:40):
M right over at the bar, the two men as usual.
Speaker 4 (14:44):
Oh we're doing it's a blasted and that Garrett Color. Yeah,
well I didn't know they'd come back in town.
Speaker 5 (14:52):
Didn't take Riena long to find out.
Speaker 3 (14:56):
What do you mean, kiddy? She brought him in with
her when she came to work.
Speaker 4 (15:00):
But then, of course she and last the old times ans.
Speaker 3 (15:04):
Why don'd you go over there?
Speaker 2 (15:05):
Maw have a drink at the bar. Listen to her
a few minutes. You might learn.
Speaker 3 (15:11):
Something, all right, I will. It's sure good to see you.
Speaker 4 (15:26):
Are you really going to take me to dinner?
Speaker 3 (15:31):
Air? Oh? You bet? I you bet? What about me? Fu?
Speaker 6 (15:35):
You know I invited?
Speaker 4 (15:36):
Oh well, I guess that depends on air.
Speaker 6 (15:40):
Yeah, uh, similar times.
Speaker 3 (15:44):
Gad, it's gonna be my not tonight. Why but you
make it sound like he's not wanted.
Speaker 2 (15:51):
He ain't.
Speaker 1 (15:53):
But you don't have to treat him like he's a
a dog or something.
Speaker 3 (15:57):
I ain't treating him like he's no dog?
Speaker 2 (16:00):
Am I gad?
Speaker 1 (16:01):
No, no, no, No man's going to put up with that,
is he? Missus?
Speaker 3 (16:07):
Garrett?
Speaker 1 (16:07):
No?
Speaker 2 (16:08):
Real man is no?
Speaker 3 (16:10):
No? By god?
Speaker 1 (16:10):
Ay, now you take it back. Last year, I want
to leave us a long way, I ain't taking no more,
and I get your gun out for if it it's
how you are.
Speaker 3 (16:20):
I ain't wait a minute.
Speaker 2 (16:28):
Killed him? You killed him, a'b give me your gun, Leicester, No,
give it a man.
Speaker 6 (16:34):
No, I expect to take a man's gun when he's
already got in his hand.
Speaker 2 (16:37):
Marshall, Now, don't be your fool, Marshall. He killed him.
Don't let him get away with him.
Speaker 3 (16:44):
Say where you are, Marshall.
Speaker 2 (16:46):
Don't you back away from me.
Speaker 3 (16:48):
They let's strick you with the two fights. Laster, you're
gonna let her do it again? Standstill? She likes men
fighting over her.
Speaker 2 (16:54):
Don't you leave her out of this and stand still?
Speaker 3 (16:57):
You put your gun up, Laster? No? Oh, why shall I? Oh?
Speaker 2 (17:16):
I was still worried. I thought sure he killed you.
I oh, he was just scared.
Speaker 3 (17:21):
Right now, So men have died because I wouldn't believe
Kitty about you. Well, you get out of dodge right now.
I know you ever come back? Well, Kitty, not.
Speaker 2 (17:47):
Your faultmatic, Yes, that is Kitty.
Speaker 3 (17:53):
I hope you will never let me forget it.
Speaker 1 (18:49):
Gun smoke but Houston. Directed in Hollywood by Norman mcdonald'
Sorris William Conrad as Matt Dylan us Marshall. The story
especially won for gun spoke by John Meston. Featured in
the cast were Lynn Allen, Lawrence Stopkin and Vic Perrin.
Farnie Bear is Chester, Howard McNair is doc and Georgia
Ellis is Hidding
Popular Podcasts
Fudd Around And Find Out
UConn basketball star Azzi Fudd brings her championship swag to iHeart Women’s Sports with Fudd Around and Find Out, a weekly podcast that takes fans along for the ride as Azzi spends her final year of college trying to reclaim the National Championship and prepare to be a first round WNBA draft pick. Ever wonder what it’s like to be a world-class athlete in the public spotlight while still managing schoolwork, friendships and family time? It’s time to Fudd Around and Find Out!
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.
The Breakfast Club
The World's Most Dangerous Morning Show, The Breakfast Club, With DJ Envy, Jess Hilarious, And Charlamagne Tha God!