November 24, 2025 • 22 mins
Set in a frontier town, this series follows a U.S. Marshal as he maintains law and order. The show combines action with moral dilemmas of the Old West.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:12):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshall and The Smell of
Guns Smoke Gongs, starring William Conrad, the story of the
(00:43):
violence that moved west with young America and the story
of a man who moved with it. I'm that man,
matt dllon United States Marshall, the first man they look
for and the less they want to meet. It's a
chancery job, and it makes a man worse and a
little lonely.
Speaker 2 (01:03):
Ah well, look who's in town tonight?
Speaker 1 (01:32):
Meant huh over the bar there? Oh yeah, I said, Marshall.
Speaker 3 (01:40):
Step up, I'll buy you a drink.
Speaker 1 (01:43):
Now, Thanks, Sibert. Something wrong with my money, Sibot.
Speaker 2 (01:46):
The only thing wrong with your money is it belongs
to you?
Speaker 1 (01:49):
Now, Doc, it's no way to be when I'm celebrating
my new contract.
Speaker 4 (01:53):
Oh what contract with the cavalry? I delivered the first
consignment of horses next week?
Speaker 2 (01:58):
And what's the cavalry going to do with the string? Wild?
Speaker 4 (02:01):
Run against your reat again?
Speaker 1 (02:03):
Now?
Speaker 2 (02:03):
You don't figure on breaking those horses, do they?
Speaker 1 (02:06):
You're not good enough to do it yourself, no rider
in this territory, or work for it. I'll find somebody.
I'll do it fast, cyber, and then get out of town. Alright, Marshall, Sure, yeah,
you know, mad. It makes me ashamed of myself the
way I feel about that man, but I I just
can't help him, and I feel the same money though.
Speaker 4 (02:26):
Nah, yeah, yeah, kidding.
Speaker 5 (02:28):
Come on over ahead of the window. No, yeah, I
want you to see something.
Speaker 1 (02:35):
What is it?
Speaker 5 (02:37):
I got the little two boys?
Speaker 1 (02:40):
Yeah? What about 'em? Do you ever see him before it?
Speaker 2 (02:43):
No?
Speaker 1 (02:43):
I don't think so.
Speaker 6 (02:45):
I've been watching 'em.
Speaker 2 (02:46):
They are real lost.
Speaker 1 (02:48):
Maybe we better go see Yeah, ill all boys, poor mister?
What are you done out on Front Street this time
of night?
Speaker 4 (03:08):
Is this front Street?
Speaker 1 (03:10):
Yeah? There is?
Speaker 2 (03:12):
Uh?
Speaker 1 (03:12):
Where are your folks?
Speaker 3 (03:14):
What do you wanna know that for?
Speaker 1 (03:15):
Mister?
Speaker 7 (03:15):
Uh?
Speaker 5 (03:16):
This is Matt Dillon. He's a US marshal here.
Speaker 3 (03:19):
We ain't done nothing.
Speaker 1 (03:20):
Or where your boy's from?
Speaker 4 (03:22):
Texas?
Speaker 1 (03:23):
Texas? You're a long way from home, yes hee, what
about your folks?
Speaker 3 (03:30):
We ain't got him?
Speaker 6 (03:31):
Mom, frog got brown up on our ranch?
Speaker 8 (03:33):
Cart fire?
Speaker 1 (03:34):
Oh h how'd you get here? The dodge follow the
trails very most of the way are your horses or
we had to sell 'em up river?
Speaker 4 (03:44):
But the money's long gone.
Speaker 6 (03:45):
Oh, Uncle is supposed to meet us here.
Speaker 5 (03:47):
You boys hungry, yes.
Speaker 1 (03:49):
Ma'am, but we don't wanna beg no food.
Speaker 5 (03:51):
Well you're not, ye're my guess. Well, thank you, ma'am,
I say, ma'am. Yeah, why don't that chest to taking
down of the lipystle later marks grimming? Can you use
a help and taking that in the meals and get
a place to stay?
Speaker 1 (04:04):
Yeh, that's a good idea. You boys know anything about horses, Yes,
you're a lot.
Speaker 5 (04:08):
Well, come on inside, let's say about.
Speaker 1 (04:10):
That fat you go on, boys, I'll uh be with
you in a minute. Huh, you'll still here, se would?
Speaker 4 (04:22):
I'm leaving Marshall. Last thing I want is trouble?
Speaker 1 (04:34):
Well what is it?
Speaker 4 (04:35):
Boys?
Speaker 1 (04:36):
Mass Grimmy says you can sleep up there in the
last and he'll tell you what to do in the morning.
Speaker 3 (04:40):
Okay.
Speaker 1 (04:41):
Oh uh, Miter Dinons has come to see him tomorrow
and he'll try to get in touch with your own pope.
Speaker 4 (04:45):
Oh thanks, mister Bromford.
Speaker 1 (04:47):
You want to call me Chester?
Speaker 2 (04:49):
Everybody else?
Speaker 6 (04:49):
Uh, we're sure lucky for this heat.
Speaker 8 (04:55):
We want yeah, be here in Dodge City. Are mighty nice,
especially that miss kitty she pretty inches.
Speaker 6 (05:03):
Yeah.
Speaker 4 (05:07):
Hello boys, Huo, I'm Orang Cybert.
Speaker 3 (05:12):
I'm bus Cheney.
Speaker 4 (05:13):
This here's my brother, Howie Hobby. I hear you boys
know about horses.
Speaker 1 (05:18):
You have a break any, sure, lots of 'em. Well, now,
if you can ride, you don't need to hang around
here cleaning out stalls.
Speaker 4 (05:25):
I got a real job for you out.
Speaker 1 (05:27):
Of my ranch. Make yourself some money. We get sure
you some all right, and you're hired. I get your horses.
Speaker 4 (05:33):
Meet me out back.
Speaker 3 (05:34):
We ain't got any horses, no, we say.
Speaker 1 (05:38):
I'll tell you what I'll do. I got ten head
need breaking. But next week you boys break them ten
for me. After that you can take your pick. You
mean it, oos, That's what I said, didn't. I come
on out and get in the wagon.
Speaker 2 (05:51):
Get your stuff.
Speaker 1 (05:52):
Howe hee.
Speaker 2 (05:52):
Let's go.
Speaker 1 (06:10):
Another visit with Joe and Daphne.
Speaker 8 (06:12):
Foreside overhead the moon is ba hold of Daphne.
Speaker 1 (06:19):
Hold it?
Speaker 2 (06:20):
Oh hi, Joe, just run, honey.
Speaker 4 (06:22):
I'm trying out to be operative.
Speaker 8 (06:24):
As what a singer.
Speaker 4 (06:26):
You could have fooled me.
Speaker 8 (06:27):
I was just practicing one of the songs.
Speaker 7 (06:29):
Well, I don't think you quite fit the role.
Speaker 8 (06:31):
Why not?
Speaker 7 (06:32):
Well at this version of the student prince is like
the version I know that particular number is sung by
a tenor.
Speaker 8 (06:39):
Oh, not that you don't come close.
Speaker 7 (06:41):
But I think you better stick to being a housewife.
Speaker 1 (06:44):
But I want to be a singer.
Speaker 7 (06:45):
Daphne, Honey, a singer you'll never be.
Speaker 9 (06:48):
I could take lessons, got.
Speaker 7 (06:50):
But lessons costs money. Money better invested for lessons savings.
Speaker 1 (06:54):
Bon you and your old savings bond.
Speaker 7 (06:56):
I can't help it, honey, I just can't get over
the way those savings bonds pay off four dollars for
every three That's what I call an investment.
Speaker 1 (07:05):
What good do they do me?
Speaker 5 (07:07):
Now?
Speaker 1 (07:07):
A lot?
Speaker 7 (07:08):
The money we put in those bonds every pay day
helps keep America strong and protects you and me. No
bonds may be no Operetta, ever think of that.
Speaker 1 (07:18):
I still want to be a singer.
Speaker 7 (07:20):
Well, when those bonds start bringing in the green, if
you still want to sing, you'll pay for the lessons
and more.
Speaker 5 (07:26):
Good.
Speaker 9 (07:27):
Gee, if those bonds be sure as fast as you say,
I bet to start practicing now, just.
Speaker 1 (07:31):
So that i'll be ready overhead.
Speaker 7 (07:34):
The moon is b Daphne, Daphne, did anyone ever tell
you you have a bad voice?
Speaker 8 (07:40):
Everyone?
Speaker 1 (07:58):
I'm more than us more my soon like dig yeah,
it'll get hot. Well, how are you new helpers working out?
What helpers? Uh? Uh? Cheney brothers. Those two boys that
Chester brought down here last.
Speaker 2 (08:10):
Night, h I ain't seen high n.
Speaker 1 (08:12):
Hear 'em or what happened to him? I guess he
just pulled out and less than the middle of the night.
That doesn't seem right. They talk like good straight boys
us anything turn up missing?
Speaker 4 (08:23):
No, I got that telegraphs in the office.
Speaker 1 (08:26):
You go, ah, thanks Chester. With the way things look,
we won't need it. The boys pulled out dur other night.
They did well, that's funny. When I left him here,
there was a dog tired day's near asleep on their feet.
They seem mighty grateful for everything too. You can never
tell about footroos youngsters like that testing. Oh they're gone.
There's nothing we can do about it. This got back
(08:47):
to the office. Chester. We'll see him us good long marks,
buy m U Genie Kitty shirts. Gonna be disappointed. She
did a real liking to them boys. Me too, Yeah,
me too? By him by.
Speaker 8 (09:20):
Hot up.
Speaker 2 (09:20):
Boy, he's muddy.
Speaker 5 (09:27):
Joke man.
Speaker 8 (09:28):
Hi, timer, I get my win, I'll take him around again.
Speaker 1 (09:39):
He was off of the ridding.
Speaker 6 (09:40):
Bore h much pretty much. I guess I'm getting used
to it after five days of this. Anyway, it's number seven,
three months ago.
Speaker 3 (09:55):
We'll make it. But that big standion is going to
be tough. Hey you yes, yes, Marcella going after the house.
I want you to take the wagon into town.
Speaker 8 (10:05):
Meet you.
Speaker 4 (10:06):
No you stay?
Speaker 3 (10:08):
Why don't you do any riding?
Speaker 8 (10:09):
Well, I'm gonna high boss. Are you leaving in bronx loan?
Speaker 1 (10:12):
You're here?
Speaker 8 (10:13):
You just do chores?
Speaker 2 (10:14):
I get back.
Speaker 8 (10:16):
Huh, I'll get busy now. I won't be going along.
Speaker 3 (10:20):
You just put some feed down, hide Buss, what.
Speaker 1 (10:30):
Are you fixing the do there?
Speaker 7 (10:31):
Boy?
Speaker 1 (10:32):
Huh?
Speaker 6 (10:32):
Put down some seas, mister sober Now.
Speaker 4 (10:35):
I didn't hire you to do chores. I hired you
to break horses.
Speaker 7 (10:39):
Buss told me not to ride while he was gone.
Speaker 1 (10:42):
He won't be back till supper time. You're gonna waste
the whole afternoon. No, super, then, what are you waiting for?
Speaker 8 (10:50):
W I I wouldn't mind riding.
Speaker 1 (10:52):
Buss told me he don't trust you. I've watched you ride.
You're near as good as he is.
Speaker 4 (10:58):
You can have any of 'em.
Speaker 6 (11:00):
I don't know, mister Sabers.
Speaker 1 (11:02):
You lost your nerve.
Speaker 2 (11:04):
No, sir, I'm not afraid.
Speaker 1 (11:05):
Well you sure acting like you're afraid. One thing I
can't stand is a coward.
Speaker 8 (11:11):
I ain't no coward.
Speaker 1 (11:13):
Man.
Speaker 4 (11:13):
Let's get a saddle on one of them horses, kiddy.
Speaker 1 (11:41):
If things stay this quiet, maybe like I have a
supper with it alight? Oh, thank you man.
Speaker 5 (11:47):
I was afraid i'd have to sit and watch Sam
noon and polish and borrow all night. And that look,
isn't that bus Cheney?
Speaker 1 (11:57):
Sure? Is hey? Bush?
Speaker 8 (12:02):
Oh?
Speaker 3 (12:02):
John?
Speaker 5 (12:03):
Well, we didn't think we'd ever see you again.
Speaker 2 (12:06):
Have you been?
Speaker 1 (12:07):
We've been working your old crippled live.
Speaker 4 (12:10):
We're breaking horses for mister Seybert Cyberg.
Speaker 3 (12:13):
You know him, Marshall?
Speaker 1 (12:15):
Yeah? Say did he come to the delivery stable that
night and hire you boys?
Speaker 5 (12:19):
Yes?
Speaker 1 (12:20):
I should have figured that. How What kind of a
bad deal did he give you? Oh?
Speaker 4 (12:25):
He give us a real good deal, Marshall.
Speaker 1 (12:26):
Doing we break ten head firm and he's gonna give
me and my brother eat your horse.
Speaker 2 (12:30):
We can take our pick.
Speaker 4 (12:31):
I never finished only got three.
Speaker 5 (12:33):
More to go, and how long has your leg done
like that?
Speaker 3 (12:36):
Five days?
Speaker 2 (12:38):
You have, Doc, take a look at that.
Speaker 1 (12:39):
You your m well, I gotta send a telegram for
mister Cybert and pick up some things at the store.
Speaker 4 (12:44):
Then maybe I will Bus.
Speaker 1 (12:46):
I'm not gonna stop you from going back to your job,
but or in Cyber it's no good. He'll try to
weasel out of your deals somewhere.
Speaker 3 (12:53):
Mister Jones, Mi, you don't we better get.
Speaker 1 (12:57):
Oh my, oh jessees, but we gotta find Doc right away.
A fella just rode in and told me told you what. Well, well,
he was passing Sybag's placing and there's somebody hurt, real
bad out there. Who oh, bus eet your brother. He's
(13:37):
he easy now, real is he? How bad is he?
Speaker 3 (13:41):
Doc?
Speaker 1 (13:42):
I'll get out of the way, Savage, get up, Buss.
You packed those robes in around good and tight.
Speaker 4 (13:48):
Yeah, sure, Doc, you had crazy kid.
Speaker 1 (13:51):
Said he was anxious to ride, but I never figured
he'd take on that big stallion, crazy fool killing up
talking Sybat And I'll shut up that right right. Yeah,
this spine matter, you understand, Yeah, Dark, I'll drive slow.
Speaker 10 (14:22):
Huh, Bush, I'm here Holly, it's getting cold since the
sun went down.
Speaker 9 (14:33):
Got I ain't no coward, every coward of course, she's
who says, so that's your sy said.
Speaker 8 (14:49):
What I ain't, Oh coward?
Speaker 3 (14:57):
Doc come back here?
Speaker 1 (14:58):
Keep driving mad every ready? Here? Let me let me
m yeah, Matt, no need to hold him in now,
give him their head, man, I'll get the lamp. They
(15:37):
we uh lay him hand the couchman.
Speaker 4 (15:41):
Yeah, that's it.
Speaker 1 (15:45):
Buss hell away bus. It won't do any good. No, Matt,
is some coffee in the kitchen. Good, I can use
you something reads that cup there, man, Yeah, the coffee's
been sitting all that's pretty strong. Nice. Now he stared
(16:09):
at his brother's buddy all the way back to town,
and he's in there staring at it. Now. I know
you know something else. Yes, he has n't cried, not
one tear. I wish he'd cry and let some of
that grief out. That's not natural. Duck, come on, let's
get bus. Uh he's gone dog. Come on, that boy's
(16:40):
in no condition to be by himself. Oh, he couldn't
have gotten very fired, doug. Uh, I don't see him
now then? W what was that lot of like I
came from back at the levery stable. That's him, duck.
Speaker 3 (16:56):
It's gotta be hitting back.
Speaker 2 (16:58):
The cyber chis Marks.
Speaker 1 (17:01):
Told me get full pint of the stable made over
the horse. Yeah, we heard it.
Speaker 2 (17:04):
That gun I kept behind the office too.
Speaker 4 (17:06):
It's going to come on, doc.
Speaker 1 (17:09):
No what Yeah, I'm a sign.
Speaker 8 (17:11):
I'll get him.
Speaker 2 (17:20):
There's no light showing in the house.
Speaker 1 (17:22):
It could be a good sign. Come on.
Speaker 4 (17:29):
See him. No, it's the stallion.
Speaker 1 (17:36):
Yeah, something like Corral's getting spooked. Hold the dog hill
there he is just inside the fence there. It's sip it.
He looks dead. But I'll see what I can do.
All right, kids, probably hold up in the barn. I'm
gonna see if I can find it. But you'll watch
that stallion now, I will. Bus. It's Matt Dylan.
Speaker 3 (18:07):
Uh, stay out as brother Marshall.
Speaker 1 (18:10):
You're a young fool.
Speaker 3 (18:11):
He killed my brother.
Speaker 1 (18:12):
You should have left him to me.
Speaker 3 (18:14):
You never put a proofs on it. I don't come
no closer.
Speaker 1 (18:19):
You did what you had to. I'm gonna do what
I have to. I'm gonna take here bus. No, I
put they gotten dumb, stay back put it. Uh, don't
make me kill you, I said, put it down.
Speaker 4 (18:44):
What'll happen to me?
Speaker 1 (18:45):
Now? I don't know, bus.
Speaker 3 (18:49):
You're doing matter not anyway?
Speaker 1 (18:51):
H Yeah, I ain't hair it dark.
Speaker 4 (18:56):
Cybe it.
Speaker 1 (18:57):
It's dead man. Uh, that's too but no, that's a
good thing. I was thinking of the boy, so was I.
He can ride, but he can't shoot. Huh. There's no
bullet hole in sibe it. I've heard the shots did
nothing more than scare him. But they scared him so
bad he turned his back on that stadium. That's what
killed him. How did you hear that buss? Yes, sir,
(19:23):
I heard Washington doo. Nah, I'll be ashamed. Just let
it out, son, Come on. Gunsmoke, produced and directed by
(20:42):
Norman McDonald, stars William Conrad as Matt Dylan US Marshall.
The music was composed and conducted by Rex Cory. Sound
patterns were composed by Ray Kemper and Bill James. Featured
in the cast were Partly Bare as Chester, Howard mcneer
as Doc, and Georgia Alliss George Wolf Speak runs again
(21:04):
next week for another story of the Western frontier of
America in the eighteen seventies.
Speaker 4 (21:08):
On gun Smoke.
Speaker 1 (21:15):
This is the United States Armed Forces Radio and Television
service
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshall and The Smell of
Guns Smoke Gongs, starring William Conrad, the story of the
(00:43):
violence that moved west with young America and the story
of a man who moved with it. I'm that man,
matt dllon United States Marshall, the first man they look
for and the less they want to meet. It's a
chancery job, and it makes a man worse and a
little lonely.
Speaker 2 (01:03):
Ah well, look who's in town tonight?
Speaker 1 (01:32):
Meant huh over the bar there? Oh yeah, I said, Marshall.
Speaker 3 (01:40):
Step up, I'll buy you a drink.
Speaker 1 (01:43):
Now, Thanks, Sibert. Something wrong with my money, Sibot.
Speaker 2 (01:46):
The only thing wrong with your money is it belongs
to you?
Speaker 1 (01:49):
Now, Doc, it's no way to be when I'm celebrating
my new contract.
Speaker 4 (01:53):
Oh what contract with the cavalry? I delivered the first
consignment of horses next week?
Speaker 2 (01:58):
And what's the cavalry going to do with the string? Wild?
Speaker 4 (02:01):
Run against your reat again?
Speaker 1 (02:03):
Now?
Speaker 2 (02:03):
You don't figure on breaking those horses, do they?
Speaker 1 (02:06):
You're not good enough to do it yourself, no rider
in this territory, or work for it. I'll find somebody.
I'll do it fast, cyber, and then get out of town. Alright, Marshall, Sure, yeah,
you know, mad. It makes me ashamed of myself the
way I feel about that man, but I I just
can't help him, and I feel the same money though.
Speaker 4 (02:26):
Nah, yeah, yeah, kidding.
Speaker 5 (02:28):
Come on over ahead of the window. No, yeah, I
want you to see something.
Speaker 1 (02:35):
What is it?
Speaker 5 (02:37):
I got the little two boys?
Speaker 1 (02:40):
Yeah? What about 'em? Do you ever see him before it?
Speaker 2 (02:43):
No?
Speaker 1 (02:43):
I don't think so.
Speaker 6 (02:45):
I've been watching 'em.
Speaker 2 (02:46):
They are real lost.
Speaker 1 (02:48):
Maybe we better go see Yeah, ill all boys, poor mister?
What are you done out on Front Street this time
of night?
Speaker 4 (03:08):
Is this front Street?
Speaker 1 (03:10):
Yeah? There is?
Speaker 2 (03:12):
Uh?
Speaker 1 (03:12):
Where are your folks?
Speaker 3 (03:14):
What do you wanna know that for?
Speaker 1 (03:15):
Mister?
Speaker 7 (03:15):
Uh?
Speaker 5 (03:16):
This is Matt Dillon. He's a US marshal here.
Speaker 3 (03:19):
We ain't done nothing.
Speaker 1 (03:20):
Or where your boy's from?
Speaker 4 (03:22):
Texas?
Speaker 1 (03:23):
Texas? You're a long way from home, yes hee, what
about your folks?
Speaker 3 (03:30):
We ain't got him?
Speaker 6 (03:31):
Mom, frog got brown up on our ranch?
Speaker 8 (03:33):
Cart fire?
Speaker 1 (03:34):
Oh h how'd you get here? The dodge follow the
trails very most of the way are your horses or
we had to sell 'em up river?
Speaker 4 (03:44):
But the money's long gone.
Speaker 6 (03:45):
Oh, Uncle is supposed to meet us here.
Speaker 5 (03:47):
You boys hungry, yes.
Speaker 1 (03:49):
Ma'am, but we don't wanna beg no food.
Speaker 5 (03:51):
Well you're not, ye're my guess. Well, thank you, ma'am,
I say, ma'am. Yeah, why don't that chest to taking
down of the lipystle later marks grimming? Can you use
a help and taking that in the meals and get
a place to stay?
Speaker 1 (04:04):
Yeh, that's a good idea. You boys know anything about horses, Yes,
you're a lot.
Speaker 5 (04:08):
Well, come on inside, let's say about.
Speaker 1 (04:10):
That fat you go on, boys, I'll uh be with
you in a minute. Huh, you'll still here, se would?
Speaker 4 (04:22):
I'm leaving Marshall. Last thing I want is trouble?
Speaker 1 (04:34):
Well what is it?
Speaker 4 (04:35):
Boys?
Speaker 1 (04:36):
Mass Grimmy says you can sleep up there in the
last and he'll tell you what to do in the morning.
Speaker 3 (04:40):
Okay.
Speaker 1 (04:41):
Oh uh, Miter Dinons has come to see him tomorrow
and he'll try to get in touch with your own pope.
Speaker 4 (04:45):
Oh thanks, mister Bromford.
Speaker 1 (04:47):
You want to call me Chester?
Speaker 2 (04:49):
Everybody else?
Speaker 6 (04:49):
Uh, we're sure lucky for this heat.
Speaker 8 (04:55):
We want yeah, be here in Dodge City. Are mighty nice,
especially that miss kitty she pretty inches.
Speaker 6 (05:03):
Yeah.
Speaker 4 (05:07):
Hello boys, Huo, I'm Orang Cybert.
Speaker 3 (05:12):
I'm bus Cheney.
Speaker 4 (05:13):
This here's my brother, Howie Hobby. I hear you boys
know about horses.
Speaker 1 (05:18):
You have a break any, sure, lots of 'em. Well, now,
if you can ride, you don't need to hang around
here cleaning out stalls.
Speaker 4 (05:25):
I got a real job for you out.
Speaker 1 (05:27):
Of my ranch. Make yourself some money. We get sure
you some all right, and you're hired. I get your horses.
Speaker 4 (05:33):
Meet me out back.
Speaker 3 (05:34):
We ain't got any horses, no, we say.
Speaker 1 (05:38):
I'll tell you what I'll do. I got ten head
need breaking. But next week you boys break them ten
for me. After that you can take your pick. You
mean it, oos, That's what I said, didn't. I come
on out and get in the wagon.
Speaker 2 (05:51):
Get your stuff.
Speaker 1 (05:52):
Howe hee.
Speaker 2 (05:52):
Let's go.
Speaker 1 (06:10):
Another visit with Joe and Daphne.
Speaker 8 (06:12):
Foreside overhead the moon is ba hold of Daphne.
Speaker 1 (06:19):
Hold it?
Speaker 2 (06:20):
Oh hi, Joe, just run, honey.
Speaker 4 (06:22):
I'm trying out to be operative.
Speaker 8 (06:24):
As what a singer.
Speaker 4 (06:26):
You could have fooled me.
Speaker 8 (06:27):
I was just practicing one of the songs.
Speaker 7 (06:29):
Well, I don't think you quite fit the role.
Speaker 8 (06:31):
Why not?
Speaker 7 (06:32):
Well at this version of the student prince is like
the version I know that particular number is sung by
a tenor.
Speaker 8 (06:39):
Oh, not that you don't come close.
Speaker 7 (06:41):
But I think you better stick to being a housewife.
Speaker 1 (06:44):
But I want to be a singer.
Speaker 7 (06:45):
Daphne, Honey, a singer you'll never be.
Speaker 9 (06:48):
I could take lessons, got.
Speaker 7 (06:50):
But lessons costs money. Money better invested for lessons savings.
Speaker 1 (06:54):
Bon you and your old savings bond.
Speaker 7 (06:56):
I can't help it, honey, I just can't get over
the way those savings bonds pay off four dollars for
every three That's what I call an investment.
Speaker 1 (07:05):
What good do they do me?
Speaker 5 (07:07):
Now?
Speaker 1 (07:07):
A lot?
Speaker 7 (07:08):
The money we put in those bonds every pay day
helps keep America strong and protects you and me. No
bonds may be no Operetta, ever think of that.
Speaker 1 (07:18):
I still want to be a singer.
Speaker 7 (07:20):
Well, when those bonds start bringing in the green, if
you still want to sing, you'll pay for the lessons
and more.
Speaker 5 (07:26):
Good.
Speaker 9 (07:27):
Gee, if those bonds be sure as fast as you say,
I bet to start practicing now, just.
Speaker 1 (07:31):
So that i'll be ready overhead.
Speaker 7 (07:34):
The moon is b Daphne, Daphne, did anyone ever tell
you you have a bad voice?
Speaker 8 (07:40):
Everyone?
Speaker 1 (07:58):
I'm more than us more my soon like dig yeah,
it'll get hot. Well, how are you new helpers working out?
What helpers? Uh? Uh? Cheney brothers. Those two boys that
Chester brought down here last.
Speaker 2 (08:10):
Night, h I ain't seen high n.
Speaker 1 (08:12):
Hear 'em or what happened to him? I guess he
just pulled out and less than the middle of the night.
That doesn't seem right. They talk like good straight boys
us anything turn up missing?
Speaker 4 (08:23):
No, I got that telegraphs in the office.
Speaker 1 (08:26):
You go, ah, thanks Chester. With the way things look,
we won't need it. The boys pulled out dur other night.
They did well, that's funny. When I left him here,
there was a dog tired day's near asleep on their feet.
They seem mighty grateful for everything too. You can never
tell about footroos youngsters like that testing. Oh they're gone.
There's nothing we can do about it. This got back
(08:47):
to the office. Chester. We'll see him us good long marks,
buy m U Genie Kitty shirts. Gonna be disappointed. She
did a real liking to them boys. Me too, Yeah,
me too? By him by.
Speaker 8 (09:20):
Hot up.
Speaker 2 (09:20):
Boy, he's muddy.
Speaker 5 (09:27):
Joke man.
Speaker 8 (09:28):
Hi, timer, I get my win, I'll take him around again.
Speaker 1 (09:39):
He was off of the ridding.
Speaker 6 (09:40):
Bore h much pretty much. I guess I'm getting used
to it after five days of this. Anyway, it's number seven,
three months ago.
Speaker 3 (09:55):
We'll make it. But that big standion is going to
be tough. Hey you yes, yes, Marcella going after the house.
I want you to take the wagon into town.
Speaker 8 (10:05):
Meet you.
Speaker 4 (10:06):
No you stay?
Speaker 3 (10:08):
Why don't you do any riding?
Speaker 8 (10:09):
Well, I'm gonna high boss. Are you leaving in bronx loan?
Speaker 1 (10:12):
You're here?
Speaker 8 (10:13):
You just do chores?
Speaker 2 (10:14):
I get back.
Speaker 8 (10:16):
Huh, I'll get busy now. I won't be going along.
Speaker 3 (10:20):
You just put some feed down, hide Buss, what.
Speaker 1 (10:30):
Are you fixing the do there?
Speaker 7 (10:31):
Boy?
Speaker 1 (10:32):
Huh?
Speaker 6 (10:32):
Put down some seas, mister sober Now.
Speaker 4 (10:35):
I didn't hire you to do chores. I hired you
to break horses.
Speaker 7 (10:39):
Buss told me not to ride while he was gone.
Speaker 1 (10:42):
He won't be back till supper time. You're gonna waste
the whole afternoon. No, super, then, what are you waiting for?
Speaker 8 (10:50):
W I I wouldn't mind riding.
Speaker 1 (10:52):
Buss told me he don't trust you. I've watched you ride.
You're near as good as he is.
Speaker 4 (10:58):
You can have any of 'em.
Speaker 6 (11:00):
I don't know, mister Sabers.
Speaker 1 (11:02):
You lost your nerve.
Speaker 2 (11:04):
No, sir, I'm not afraid.
Speaker 1 (11:05):
Well you sure acting like you're afraid. One thing I
can't stand is a coward.
Speaker 8 (11:11):
I ain't no coward.
Speaker 1 (11:13):
Man.
Speaker 4 (11:13):
Let's get a saddle on one of them horses, kiddy.
Speaker 1 (11:41):
If things stay this quiet, maybe like I have a
supper with it alight? Oh, thank you man.
Speaker 5 (11:47):
I was afraid i'd have to sit and watch Sam
noon and polish and borrow all night. And that look,
isn't that bus Cheney?
Speaker 1 (11:57):
Sure? Is hey? Bush?
Speaker 8 (12:02):
Oh?
Speaker 3 (12:02):
John?
Speaker 5 (12:03):
Well, we didn't think we'd ever see you again.
Speaker 2 (12:06):
Have you been?
Speaker 1 (12:07):
We've been working your old crippled live.
Speaker 4 (12:10):
We're breaking horses for mister Seybert Cyberg.
Speaker 3 (12:13):
You know him, Marshall?
Speaker 1 (12:15):
Yeah? Say did he come to the delivery stable that
night and hire you boys?
Speaker 5 (12:19):
Yes?
Speaker 1 (12:20):
I should have figured that. How What kind of a
bad deal did he give you? Oh?
Speaker 4 (12:25):
He give us a real good deal, Marshall.
Speaker 1 (12:26):
Doing we break ten head firm and he's gonna give
me and my brother eat your horse.
Speaker 2 (12:30):
We can take our pick.
Speaker 4 (12:31):
I never finished only got three.
Speaker 5 (12:33):
More to go, and how long has your leg done
like that?
Speaker 3 (12:36):
Five days?
Speaker 2 (12:38):
You have, Doc, take a look at that.
Speaker 1 (12:39):
You your m well, I gotta send a telegram for
mister Cybert and pick up some things at the store.
Speaker 4 (12:44):
Then maybe I will Bus.
Speaker 1 (12:46):
I'm not gonna stop you from going back to your job,
but or in Cyber it's no good. He'll try to
weasel out of your deals somewhere.
Speaker 3 (12:53):
Mister Jones, Mi, you don't we better get.
Speaker 1 (12:57):
Oh my, oh jessees, but we gotta find Doc right away.
A fella just rode in and told me told you what. Well, well,
he was passing Sybag's placing and there's somebody hurt, real
bad out there. Who oh, bus eet your brother. He's
(13:37):
he easy now, real is he? How bad is he?
Speaker 3 (13:41):
Doc?
Speaker 1 (13:42):
I'll get out of the way, Savage, get up, Buss.
You packed those robes in around good and tight.
Speaker 4 (13:48):
Yeah, sure, Doc, you had crazy kid.
Speaker 1 (13:51):
Said he was anxious to ride, but I never figured
he'd take on that big stallion, crazy fool killing up
talking Sybat And I'll shut up that right right. Yeah,
this spine matter, you understand, Yeah, Dark, I'll drive slow.
Speaker 10 (14:22):
Huh, Bush, I'm here Holly, it's getting cold since the
sun went down.
Speaker 9 (14:33):
Got I ain't no coward, every coward of course, she's
who says, so that's your sy said.
Speaker 8 (14:49):
What I ain't, Oh coward?
Speaker 3 (14:57):
Doc come back here?
Speaker 1 (14:58):
Keep driving mad every ready? Here? Let me let me
m yeah, Matt, no need to hold him in now,
give him their head, man, I'll get the lamp. They
(15:37):
we uh lay him hand the couchman.
Speaker 4 (15:41):
Yeah, that's it.
Speaker 1 (15:45):
Buss hell away bus. It won't do any good. No, Matt,
is some coffee in the kitchen. Good, I can use
you something reads that cup there, man, Yeah, the coffee's
been sitting all that's pretty strong. Nice. Now he stared
(16:09):
at his brother's buddy all the way back to town,
and he's in there staring at it. Now. I know
you know something else. Yes, he has n't cried, not
one tear. I wish he'd cry and let some of
that grief out. That's not natural. Duck, come on, let's
get bus. Uh he's gone dog. Come on, that boy's
(16:40):
in no condition to be by himself. Oh, he couldn't
have gotten very fired, doug. Uh, I don't see him
now then? W what was that lot of like I
came from back at the levery stable. That's him, duck.
Speaker 3 (16:56):
It's gotta be hitting back.
Speaker 2 (16:58):
The cyber chis Marks.
Speaker 1 (17:01):
Told me get full pint of the stable made over
the horse. Yeah, we heard it.
Speaker 2 (17:04):
That gun I kept behind the office too.
Speaker 4 (17:06):
It's going to come on, doc.
Speaker 1 (17:09):
No what Yeah, I'm a sign.
Speaker 8 (17:11):
I'll get him.
Speaker 2 (17:20):
There's no light showing in the house.
Speaker 1 (17:22):
It could be a good sign. Come on.
Speaker 4 (17:29):
See him. No, it's the stallion.
Speaker 1 (17:36):
Yeah, something like Corral's getting spooked. Hold the dog hill
there he is just inside the fence there. It's sip it.
He looks dead. But I'll see what I can do.
All right, kids, probably hold up in the barn. I'm
gonna see if I can find it. But you'll watch
that stallion now, I will. Bus. It's Matt Dylan.
Speaker 3 (18:07):
Uh, stay out as brother Marshall.
Speaker 1 (18:10):
You're a young fool.
Speaker 3 (18:11):
He killed my brother.
Speaker 1 (18:12):
You should have left him to me.
Speaker 3 (18:14):
You never put a proofs on it. I don't come
no closer.
Speaker 1 (18:19):
You did what you had to. I'm gonna do what
I have to. I'm gonna take here bus. No, I
put they gotten dumb, stay back put it. Uh, don't
make me kill you, I said, put it down.
Speaker 4 (18:44):
What'll happen to me?
Speaker 1 (18:45):
Now? I don't know, bus.
Speaker 3 (18:49):
You're doing matter not anyway?
Speaker 1 (18:51):
H Yeah, I ain't hair it dark.
Speaker 4 (18:56):
Cybe it.
Speaker 1 (18:57):
It's dead man. Uh, that's too but no, that's a
good thing. I was thinking of the boy, so was I.
He can ride, but he can't shoot. Huh. There's no
bullet hole in sibe it. I've heard the shots did
nothing more than scare him. But they scared him so
bad he turned his back on that stadium. That's what
killed him. How did you hear that buss? Yes, sir,
(19:23):
I heard Washington doo. Nah, I'll be ashamed. Just let
it out, son, Come on. Gunsmoke, produced and directed by
(20:42):
Norman McDonald, stars William Conrad as Matt Dylan US Marshall.
The music was composed and conducted by Rex Cory. Sound
patterns were composed by Ray Kemper and Bill James. Featured
in the cast were Partly Bare as Chester, Howard mcneer
as Doc, and Georgia Alliss George Wolf Speak runs again
(21:04):
next week for another story of the Western frontier of
America in the eighteen seventies.
Speaker 4 (21:08):
On gun Smoke.
Speaker 1 (21:15):
This is the United States Armed Forces Radio and Television
service
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