BONUS AUDIO: Last Night In Soho With The All Apologies Podcast

Here is a review I did for Last Night in Soho over on the All Apologies Podcast. I am glad I finally got to see this before The Running Man comes out. Did you enjoy this Edgar Wright movie? Let me know! 
https://youtu.be/jTiqCvsQjDs?si=mpuGOIc4IjBV3p6v

Episode Transcript

Speaker 1 (00:00):
Hello everyone, Tony here with more bonus audio. This time
it's for an egger Write movie. That's right. Running Man
is about to come out, and I finally watched Last
Night in Soho. After many years, I finally got around
to it. I don't know why it took me so long,
but yes, my good friend Andy from All Apologies, the

(00:23):
All Apologies podcast, he's been going through all the egger
Wright films for a mini series he did called All
the Right Movies, which is funny title. A good friend
of the show, Kaylee, was on an episode, had a
lot of really good guests and it ended with me
talking about Last Night in Soho. So yeah, here's the episode.

(00:47):
I think you guys will love it. We talk about
our love for Eggor Wright. We talk about Space a
little bit, we talk about a very classic episode of
Space and how it got me recognized by egger Wright
at some point. But yeah, without further ado, here is
the episode of All Apologies. Please subscribe to All Apologies.
It is a very fun podcast and I think you

(01:08):
would enjoy it. Okay, enjoy.

Speaker 2 (01:20):
That's right, you've pressed play on All the Right Moves,
a limited series from the Director's chaired network about the
filmography of Edgar Wright, and here we are the penultimate
movie in the filmography as we anxiously wait for the
running Man to arrive. But that doesn't excuse us from
having to talk about Last Night and so, so I

(01:43):
have invited I saved the best for last Everybody, please
welcome Tony from Hack the Movies to discuss Edgar Wright's
Last Night and so, Tony, how are you.

Speaker 1 (01:54):
I'm doing great. I finally watched Last Night and so
I don't know. I think I told you behind the scenes.
But like every time I review a Nagger wrighte movie,
I have to remind the audience that I still haven't
seen Last Night, and so I'm meaning to I just
suck now, you.

Speaker 2 (02:13):
Know why you've been putting it off for so long.

Speaker 1 (02:16):
I enjoyed it.

Speaker 2 (02:17):
I enjoyed it. But it's it's very It's a big
departure from maybe everything that you would come to expect.

Speaker 1 (02:27):
I thought Baby Driver was a pretty big departure for
him too, It was honest.

Speaker 2 (02:31):
Yeah, and he he's whatever trying to grow as an
artist and do something different, not do the same thing
over and over again. As far as you know. Sean
of the Dead Version four with you know, now we're
an outer space fighting an unbeatable horde of aliens in
a comedic way. So you got you gotta do something different.

(02:52):
And this is co written because one of the things
that I've really been grasping as I've gone through these
recently is the relevance of who co wrote the movies
with Edgar Okay, because Sean and Hot Fuzz World's end,
these are all Simon Pegg Yes, and that personality that

(03:17):
shines through that sense of humor that everybody really enjoys,
is so much of that is Simon peg Yeah, because
once you get to Baby Driver, where it was that
was only Edgar. He had no writing partner for that.

Speaker 1 (03:33):
Yeah.

Speaker 2 (03:34):
And I don't know how much you remember about Baby Driver.

Speaker 1 (03:36):
But you know it's funny. I love Edgar Wright, I
love Agar White. Like I rewatched his movies a lot.
Baby Driver I saw once in the theater. I thought
it was very good, and I went, that's all I need.
Like I just I was like, I don't really need
to rewatch it. Maybe I will at some point, but
I never had the urge to rewatch Baby Driver like

(03:57):
the way I watch a lot of his other stuff.
And I like that was the weird thing. I liked
Baby Driver, just not enough to own it or rewatch it.
It was like a weird experience. I felt the same
way as you know, I love my best friend Christopher Nolan,
you know, we're best pals. But I felt the same
way where like I loved all his stuff. And then

(04:17):
like Dunkirk came out and I went as all right,
I was like, like watching it again, that was what
Baby Driver was by Dunkirk for eger Wright.

Speaker 2 (04:27):
Okay, fair enough, because I honestly we just released that
one on before this one, and when I was watching it,
I had just had that feeling that I don't care
about the character Baby at all. There's no the way
that in Shawn of the Dead they talk about their

(04:48):
record collection and video games and they really make these
characters three dimensional. That was completely absent in Baby Driver.
And it's the perfect point to make about the co
writer and how why Simon Pegg's character creations of Sean
and like the great performances that are nuanced between Sean

(05:10):
and Hot Fuzz and World's End, Like Nick and Simon
Pegg are doing very different character work in each one
of those movies that are basically just kind of the
same movie over and over again with a different theme,
you know, but those they're they're acting is fantastic. So
now you remove Simon Pegg and Nick Frost from like,

(05:32):
let's say they were in Baby Driver, it probably would
have been a way better movie. But because it's only
Simon worrying about the visual like the way that the
visuals sync up to the audio, and it's and it's
all very amazing. That's cool.

Speaker 1 (05:48):
But again it was cool like the first time, and
I'm like, I don't know what is because I love
car stuff. I love car chases and everything. But for
some reason I was just like, you know what, fine
one and done well.

Speaker 2 (05:59):
And that's the thing. He does it in so many
movies very well in a more special way, and in
Baby Driver it's just kind of hollow where you're just like, oh,
I wish that, uh, you know, there was that John
Hamm and John Barenthal were in this movie a lot more,
because once they're not on screen and it's just baby
it's becomes very forgettable.

Speaker 1 (06:20):
It's a weird thing where it like swaps villains, right, like,
isn't Jamie Fox like the villain? And then it becomes
John Ham. I sometimes that can work for me. I
remember that not working.

Speaker 2 (06:30):
I was like, it was bizarre. It was it was
very like it's a swing that it felt tacked on
at the last minute.

Speaker 1 (06:37):
Kind of it's a swing again. It could work, might
go for it for me. It didn't. Land. I'm like,
I was kind of more invested in the Jamie Fox thing.
I mean, yeah, air about John Ham. So when he
became the bad guy, I was like, whatever, yeah, yeah,
But anyway, we're here to talk about last night.

Speaker 2 (06:56):
And so my only the only reason we're recapping this
is because now we're we've I've watched them all and
what I'm saying is that what makes Sean of the
Dead so great is Simon Pegg's character development and writing
of that. And then you get uh, Scott Pilgrim, which
was co written by Michael Bacall, who is also co

(07:18):
writing Running Man. Okay, is significant. That's very significant to me.

Speaker 1 (07:24):
No, it's funny. He's an actor too, yeah, glorious bastards.

Speaker 2 (07:28):
He is a lot of things.

Speaker 1 (07:30):
But recently we did hold on. I was really sure
it's the right guy. Recently we reviewed, Yes, we reviewed
Urban Legends Final Cut, the sequel to the slasher movie
Urban Legends. Oh, by the way, way better than the
first movie.

Speaker 2 (07:45):
I don't know that I've seen. I've seen that a
couple of times.

Speaker 1 (07:47):
It's a fun slasher. Urban Legends final Cut is fun
because it's a slasher in film school and it's all
about film and I went to film school, like I had.
I never saw the sequel before, but yeah, he's an
actor in that. He's Anthony Anderson's like best friend in that.

Speaker 2 (07:59):
Hell yeah, okay, now I remember that. Yeah, he'll like
turn up here and there he's and whatever death proof
and it's certain.

Speaker 1 (08:07):
The cool thing was actually real quick. The cool thing
with like Scott Pilgrim was it was also based off
a comic, but comic that wasn't done yet. So that's
actually that was a fun thing with that movie. So
like that's why, and it's funny. I don't know if
you mentioned it that like both like the comic and
the film were borrowing from each other for the ending.

Speaker 2 (08:26):
I didn't know that.

Speaker 1 (08:27):
Yeah, obviously the movie made its own ending, but it
knew what the author was trying to do. But then
the author liked some of the stuff the movie was doing,
so in the last book for Scott Pilgrim, Ramona was
wearing the dress because he liked how it looked in
the movie. So the end, it was funny how like
they ended up influencing each other.

Speaker 2 (08:43):
Oh, that's funny kind of the way that probably like
George R. R. Martin had to work some shit from the
show and with the book or something like that. But yeah,
Brian Brian le o'nealy, the comic creator, his writing was
so significant, you know, they used a lot of that
in Pilgrim. So again, that's what makes Scott Pilgrim special,

(09:04):
the same way that Simon Pegg makes Sewn of the
Dead special. Yeah, Brian Lee O'Malley and Michael baccall made
Scott Pilgrim very different from Sean and Hot Fuzz. But
is my favorite Egga wrighte movies is Scott Pilgrim versus
the world it is? I had. Yeah, I've said it
from the beginning and as a bass playing video game
geek that I could very much relate to Scott Pilgrim.

Speaker 1 (09:28):
No, I totally get that. I love I love the movie.
I know it's like cool to hate on it, but
I feel like a lot of people hate on Scott
Pilgrim didn't actually.

Speaker 2 (09:34):
People hat these people.

Speaker 1 (09:36):
Yeah, they make fun of like the mannic Pixie dream
girl thing, but also like the Wealthy was kind of
critical of that as well. The movies, Like the movie
was making fun of that character and how like they're
not great, they won't save your love.

Speaker 2 (09:50):
That's exactly the point that we made when we talked
about Scott did you haven't had a chance to see
it yet. The episode that I did with producer Chris
I pointed out both Scott and Ramona suck.

Speaker 1 (10:01):
Yeah, And that's like the point. The point is that
they had to take accountability. But I think, yeah, I
think some people don't actually watch the movie and then
they just assume.

Speaker 2 (10:08):
But anyway, anyway, the movie is fucking amazing. But I
guess I want to ask you, since we're kind of
at the end of the discussion of all of these films,
what is your favorite.

Speaker 1 (10:20):
I'm just gonna be safe and say Sean of the Dead,
that is the one that maybe that is the one
that maybe fall in love with him. I am a
hard guy. I love the Georgia Marrow zombie movies, so
that one just hits everything for me. If we're going best. Overall,
it's definitely the show of Space. If we include TV,
it's definitely the show Space. One. Out of the movies,

(10:41):
it's definitely shown of the Dead, Hot Fuzz, and then
Scott Pilgrim. Yeah, and then World's End is pretty good.
They almost go in order, honestly almost in order. A
World's End is good, but I don't rewatch that one
as much.

Speaker 2 (10:56):
I think i'd prefer to watch Baby Driver over World's
End personal me, but.

Speaker 1 (11:02):
I don't know. I don't have to watch Baby Driver again.
But yeah, I will say I think after Scott Pilgrim
and World's End, I think I'm gonna rank as last
Night and soho there. I actually really enjoyed it, wait,
more than I thought I would. Oh great, But yeah,
Seana the Dad that was like a hugely influential film
for me. Came at like the perfect point in my
life in high school and everything. While I was getting

(11:23):
into learning about behind the scenes, especially when it came
to horror and the Ramera movies. I went to a convention.
I got it early because it wasn't in America yet,
so like everyone was seeing in theaters and I had
a bootleg of it. See That'll always be the gold
standard for me, a Sean of the Dead.

Speaker 2 (11:41):
Yeah, and I have a very special place in my
heart for Sean. When you can do both things like
the light and the dark, so well, that's what every
other movie that tried to duplicate the success of that
always fails at. So I think you're it's very it's
it's such a strong debut that it's it's hard to beat.

(12:05):
And yeah, and it's pretty much beloved. I don't know
a single person that would say that's not a good movie.

Speaker 1 (12:10):
So I'm sure there's some asshole out there.

Speaker 2 (12:13):
Trari and Dick. Dick. I'm glad you brought up space though,
because we have been doing segments about space and we're
getting very close to the end with episode five and
episode six of season two, wherein episode five starts with

(12:34):
the it's kind of like a twenty four Jack Bauer
intro where they're being chased by some kids.

Speaker 1 (12:56):
Oh what do you think we should do?

Speaker 2 (13:12):
Set are trying to get.

Speaker 1 (13:15):
Oh I remember that one need Yes, yes, yes, okay,
I've seen space a million times, but you're blindside of
me with this up here. Now, that's the one with
the car keys and they're trying to get home to
get their house keys.

Speaker 2 (13:29):
Yeah, got it, and you get Dwayne Peter. Sarah Finowitz's
character shows up after not being in the series since
the Paintball episode in season one, which is maybe the
best episode of the series.

Speaker 1 (13:41):
That was a good one. Uh no, no, no, Actually,
what was it this season with the male telepathy with
the gun shoot shooting?

Speaker 2 (13:51):
That's this episode. Yeah, wait, that's this episode. Yeah, that's
that's episode five.

Speaker 1 (13:56):
Okay, fun fact.

Speaker 2 (13:57):
Yeah.

Speaker 1 (13:59):
I made a short film in film school about how
I loved that episode and I tried to like do
it in real life, and like the whole thing is
me doing fake gun stuff and no one in the
film lab reacting because they don't know what I'm referencing. Yeah,
and I like I remember, like I tweeted it to
eggar right and like he put it on his blog

(14:20):
and like it blew up. Briefly, I'm like, wow, he
like friended me on I might still be friends with
egga right on Facebook. He doesn't use it, but like, yeah,
so that was like our cool mode. I'm like, wow,
this is awesome. And then like two days later he
put out the trailer for Scott Pilgrim, and that killed
all the fuse from my video because they were only
coming from that blog anyway. So I love this episode

(14:41):
with the male telepathy and everything. That's probably one of
my favorite Space moments ever.

Speaker 2 (14:45):
If a group of women spend enough time together, their
minstrual cycles synchronize. But then I got that too, Mike,
Oh no, no, Then.

Speaker 1 (14:55):
I got an unspoken telepathy, a biological connection between Miles
Psyche's I know each other or not? Put a group
of them together always.

Speaker 2 (15:02):
The same, she was showing to him, Mike, I really
am not in them.

Speaker 1 (15:22):
Cute. This is a solid episode. I love this episode.

Speaker 2 (15:56):
Yeah, there's great moments. I really like drunk Daisy doing
elbod Oh because tigers play too off. Yeah, then you
get you do get that bathroom scene with the teens
that is basically the same scene as World's End.

Speaker 1 (16:15):
You having a good night? Are you having a good knight?

Speaker 2 (16:21):
Yeah, when Gary King is trying to ditch his childhood
friends and hook up with the local teens because his
friends don't want to party with them anymore. So that
really reminded me of that.

Speaker 1 (16:35):
One thing I like about this, he said. Peter Sir
Fanowiz was in it. I love when he like he
quotes Darth Maul and they put red light on his
face to kind of make fun of him that he
was starth Maull. He yep, because at that point they
very much hated Star Wars.

Speaker 2 (16:51):
Oh yeah, there's a lot of Judge arbingks hate and
episode one hate this series.

Speaker 1 (16:56):
And then they put Simon Peg into Star Wars. And
now he pretends that people care about the black girl
from Obi Wan even though no one does. You see
him out there, It's like, I can't believe people don't
like this character of like sided twenty years ago, Like
what was the point of that character? That was stupid?
Her play? It was the bunk Darth Vader on the head.
Why did she think that would work? But now he
gets paid by them, so he's like, guys, are just

(17:17):
mean to the stupid opium?

Speaker 2 (17:18):
Yeah, that's such a big deal.

Speaker 1 (17:21):
You and mc craig or Obi Wan Kenobi why are
you defending it?

Speaker 2 (17:26):
Yeah?

Speaker 1 (17:26):
Anyway?

Speaker 2 (17:27):
Sorry, No, that's fine because I like to Edgar loves
a running gag and he loves carrying things over from
space into his films, So I would like pull it,
like pointing out what has been rehashed from Space, and
you know that the red Light and then even the
well that I like pointing out the references too. So

(17:48):
you get the frozen Jack Torrents shining references, Yeah, sitting
outside I'm cold, which yeah, I enjoyed that as well.

Speaker 1 (18:08):
And you get the Jurassic Park reference through the Clever Boys.

Speaker 2 (18:12):
Yeah. Yeah, so, and that is why Space is so
much fun. I was talking about how much I think
that Edgar back then was influenced by Kevin Smith and
the Clerk's dialogue, like what Kevin Smith was doing with
dialogue and mal rats and clerks, because this is maybe

(18:34):
two or three years after that, and it's got all
the comic culture, all of the pop culture references that.

Speaker 1 (18:41):
Were annoying, right, that kind of stuff. People started overdoing
it and ended up not feeling organic. You get like
Big Bang Theory, it's like, well, no, these people referencing
it because they liked that stuff. And then you had
writers just pulling up nerdy references. Yeah, and that's how
you get like cring shit like Vito just Superkiller, like
to actually care about American superheroes to make these kind

(19:05):
of jokes. You can't just be an anime video game
guy who's trying to do superheroes because you think you'll
get a movie at some point.

Speaker 2 (19:11):
Yeah, not gonna get but control Eric July.

Speaker 1 (19:15):
Yeah, yeah, yeah, but it was. It's fun when you
go back to watch Space and like the first three
Agger movies, like, well, it wasn't cringe yet other people
made it cringe.

Speaker 2 (19:25):
And there's a way to do it properly that is
endearing and that that's why Simon Pegg's writing was so
good and so significant to the success of Space and
Sean and Hot Fuzz soh. And then just to recap

(19:45):
episode six, this is the second last episode. It's Daisy's
birthday that starts with. It reminded me when Brian is
developing the pictures of David Fincher, maybe like seven or
eight milimeter something. Oh wait is that kind of vibe?
But he's developing the pictures. No, I think that's an
omen reference. Okay, yeah, in the omen.

Speaker 1 (20:06):
The photographer, he's developing pictures and he sees like omens
of how the people are gonna die. I think it's
a bad reference to the open.

Speaker 2 (20:14):
That's a better pull because as an omen of what's
going to happen with Everybody's relationship upstart thing.

Speaker 1 (20:20):
Did you not watch this on your Space Season one
and two DVD box set?

Speaker 2 (20:25):
I did not.

Speaker 1 (20:26):
Well, if you did, you could have put the reference
subtitles on where they mentioned what every single reference is
in the show.

Speaker 2 (20:35):
Interesting, And that's what an amazing feature that is.

Speaker 1 (20:39):
There's a subtitle track that literally tells you every single
reference in the show as they appear on screen.

Speaker 2 (20:45):
Interesting apropos of nothing. I did watch a YouTube video
about where all of the Beastie Boys samples come from,
and they play like the beast Boys song and then
what the actual thing is sampled from. That was an
interesting watch, but I could see how You know, what
I'd like to do is try and get as many

(21:09):
as that that I can get and then see the
ones that I missed. That would be good.

Speaker 1 (21:15):
You're gonna want to get that box set that it's
actually really good. They have like guests commentators, so they like.
Quentin Tarantino is a guest commentator on the episode where
they referenced pull fiction, and it was an accident they
had him on the episode for a different reason. They
forgot it was the pulp fiction reference with the pop
tarts and everything.

Speaker 2 (21:33):
Oh, funny.

Speaker 1 (21:34):
Patton Oswold's in it when he used to be funny.
Oh yeah, that dvd is worth it. Look. Bill Hayter's
on it and he talks about like a hot rod.
They were watching like season two and someone came to
interrupt them and they were like, get the fuck out
because they wanted to watch the End of Space because
they finally got a copy of it. I don't know
why I'm plugging the Space DVD box set, but everyone should.

Speaker 2 (21:54):
Get because it's fantastic and it would be remiss of
me to not that. Ricky Gervais is also in episode
six here, the guy that sucks up Marsha's post for
the flat.

Speaker 1 (22:07):
He's not paying attention and the girls, Marsha's telling him
like what she wants for the tenants, and so he's
like flirting with a girl and I think she says
professional couples only, and he accidentally writes it into the thing.
So the whole like catalyst for everything was Ricky Gervais
not paying attention. Oh it's a professional couple only.

Speaker 2 (22:27):
Sounds nice. Professional couple only, professional couple only, professional couple
in professional.

Speaker 1 (22:32):
Couple in professional Sorry but that missus time?

Speaker 2 (22:36):
Is that everything great, not going tomorrow.

Speaker 1 (22:40):
Yeah, I love what Marsha goes. I don't think he
was paying attention.

Speaker 2 (22:42):
To certainly wasn't. And then yeah, so then I don't know.
I just like to point out that the logan's run
reference and it ends like Empire strikes back. So these
are all you beloved properties that Edgar loves to shoe
horn into space and makes everybody feel like that we're

(23:03):
all friends together because we all like the same things.
It's a very clever way to endear yourself to your audience.
And then that leaves off with you know, you're wondering
if Tim is a Daisy's going to admit her feelings
to Tim, and if they're going to end up together
for the last episode.

Speaker 1 (23:23):
So and like Marsha runs away at the end, right,
they have to like find her. Yeah, because it ends
like Empire the strikes back.

Speaker 2 (23:28):
I think they like Mike and Brian go off to
try and find.

Speaker 1 (23:32):
Yeah, I think if I remember right, one of them
is like wearing white and black or something.

Speaker 2 (23:36):
Yeah, Brian is just like Han solo.

Speaker 1 (23:40):
Real quick. So plug the TVD box at once again.
You're gonna want to watch the behind the scenes documentary
that's featured on it because it has the official ending
of Space at the very very end of it. Really, yeah,
they shot they secretly work in an epilogue at the
end of the behind the scenes documentary, and it's considered

(24:01):
the official ending of Space.

Speaker 2 (24:03):
Okay, I'm gonna have to track that down for the
very last episode. Yeah yeah, send it to me and
I'll include it when we finally do the review for
The Running Man, which is something that usually I do
this at the end of the episode, Tony, but I
don't even care about now, let's save it for the end.
I do want to talk about Running Man, but let's

(24:24):
get through Last Night and SOHO, just because we're obligated to.
We could talk about Space and all the other movies
that we love.

Speaker 1 (24:32):
You know how many times in my life I've derailed
things by talking about space. This is one of the
many many times. But yes, last night at SOHO, it's
fresh in my brain. Yes, and pulling up all the
characters' names because I forgot them.

Speaker 2 (24:44):
Hold on, Aloise is basically the only one you really
need to know.

Speaker 1 (24:48):
But I just don't want to say things like the
Black Guy, so I want to make sure I have
the characters names out, Thank you very.

Speaker 2 (24:54):
Much, Black Pete Davidson. That's but I did start off
trying to express the significance of the co writer and
the co writer for Last Night in soho is Christy
Wilson Karens who is significant because she wrote nineteen seventeen.

Speaker 1 (25:15):
Which and you never saw? Was it good?

Speaker 2 (25:18):
It is good if you like World War One movies.
It was.

Speaker 1 (25:22):
I don't not not like that it was.

Speaker 2 (25:25):
It's good, but I will say I watched it once
and then never watched it again. So is that the
benchmark of a good movie. I don't think so. I'd
probably probably if it was good, I probably would have
seen it twice. I don't know.

Speaker 1 (25:37):
There's plenty of movies that I think are like great,
and I kind of only want to watch them once
or at least not for many many years. Yeah, and
I'll wait to watch that, that's true. But yeah, so
I'm very unfamiliar with this writer.

Speaker 2 (25:50):
So yeah, I was as well, and I was surprised
that her other big achievement in credit was nineteen seventeen,
very different movie than Last Night and So, which of
course has to start with a musical number. There's no

(26:13):
Edgar Wright movies complete without some kind of musical. I
swear one of these days he's just going to do
a straight up musical. He has to whatever it is,
but a new Jackman in it.

Speaker 1 (26:26):
And yeah, he's done like music videos and ship.

Speaker 2 (26:30):
He could do it.

Speaker 1 (26:30):
Yeah, he could do it easily.

Speaker 2 (26:31):
I'm sure he could. And it seems like he wants to.
I don't know what he's waiting for. We'll see what
he let's see. Is there gonna be a musical number
in Running Man? Where would that fit in? Probably?

Speaker 1 (26:41):
Well, is like it's game show. There could be like
a segment where there is dancing and ship. That's a
feasible that there could be dance sequence in it.

Speaker 2 (26:52):
You said you didn't want to say black guy. But
who's that black guy that's in Running Man? From? Is
it from?

Speaker 1 (26:58):
His name is Michael A. Joll He plays John.

Speaker 2 (27:04):
Uh, he's from Severance or from Oh yeah, They're the
Walking Dead?

Speaker 1 (27:10):
Sorry? Sorry sorry? The black guy from Running Man? I
meant the Black Eye and last night in soho oh
the black guy and Running Man is from Severance, which
I hadn't watched, but I've seen clips of him in
that show, so.

Speaker 2 (27:21):
Yeah, I could see him doing a musical number in
the Running Masle. Okay, but I digress like digress. So yeah,
this is the introduction of Eloise Turner or Ellie whatever.
Thomason Mackenzie said, actresses name who I'm not very familiar with.
But I found her very charming in this movie.

Speaker 1 (27:44):
Her voice irked me the wrong way. She's very bubbly
and whatnot. I have only ever seen her in one
other thing. Oh never mind. Okay, the bitchy girl in
this movie was in another movie I watched, and I
thought it was this Thomas and Girl because I hadn't
seen Last Night and So yet. But I'm rongy about

(28:05):
the bitchy girl. I'll bring up the movie I saw her. Sure, yes, Thomason,
I haven't seen her in anything. I guess she played
a character in Hobbit three. I haven't seen her in anything.

Speaker 2 (28:16):
Yeah, I don't really remember for much of anything either.
But she gets accepted to fashion school in London, so
she leaves her sleepy English town and.

Speaker 1 (28:28):
It can't you can't forget that they introduced early on
that she has the shining by my thoughts, you've got
the shit in you mean, Charle, you want to get
sued she didn't see ghosts. That's like a this is
very Stephen King, where it's just like, oh, and by
the way, this character they got the shining and they

(28:49):
have some kind of special a building.

Speaker 2 (28:51):
Yeah.

Speaker 1 (28:52):
Story, it's very Stephen King like everything story. Someone has
a little bit of the shining. They call it different names. Yeah,
but that's her thing. She could kind of see spirits.

Speaker 2 (29:02):
It's also innocuous too, because she she leaves her childhood
home where her mother committed suicide. For we don't do
this like an a linear way, Tony, So don't worry
about like skipping to the end or talking about something
that happens later. But and I'm bringing that up because
she sees her mom when she's leaving her bedroom, and

(29:23):
then you don't see the mom again in any single
way until the very end of the movie. So it
was only to really establish that she has some sort
of premonition psychic visions that don't really seem to like
when you say it's like the shining, but it's and
then she's like lucid dreaming or it doesn't really seem

(29:45):
to be the same thing. I started equating it to inception,
where she's now she's like in a dream within a
dream where that's kind of bleeding into reality.

Speaker 1 (29:54):
So I think it is this particular version of the
Shining again, if you free enough, Stephen King, there's many
different versions of the Shining. They don't always call it
the Shining. I just decided this is the Shining. Fucking
I guess her thing is that she can communicate with
the dead, and knowing the twist at the end of

(30:16):
the movie, there's so much dead in that room, yea,
that she's able to like go into those so she's
like going into the memories of these dead people. She
thinks it's the dead girl, but these dead people, so
she's able to communicate with them that because I don't
think they can just straight up talk to her, like
her mom can't actually talk to her right like Look,
so I think that's like them asking for her help

(30:39):
kind of, and the best way they can do it
is have her go into dreams and have her experience
the story.

Speaker 2 (30:45):
Yeah, has this ability, She's able to do that no
one else can, right, And I want to maybe ask
you not that I'm not expecting you to be this answer,
but I feel like it's a plot hole since, like
I said, spoilers, It turns out that the Anya Taylor
Joy Sandy character isn't actually dead at the end. So

(31:07):
when we're saying that Ellie can communicate with the dead,
and she is seemingly living this life of Sandy who
is not actually dead, So it's just that's my point
is that her abilities are innocuous, but everyone don't really
whend them, like it doesn't do you any favors as

(31:30):
the viewer of.

Speaker 1 (31:30):
The movie, when she meets sand the very first encounter
she has through Sandy's body is her meeting Jack, who
is one of the ghosts. There's nothing before that, so
I think that is like, I mean, obviously there's some
wiggle room because they want it to be dramatic at
a mystery, and shit, maybe the ghost can go into
Sandy's memories and bring them along with her. Yeah, again,

(31:52):
they don't. They can't like actually talk. It takes it
takes to the end of the movie for one of
them to get a line of dialogue. So I think
the best thing they're doing, like, let's just start at
the beginning. Who died first? Jack? Okay, we're gonna take
her to her memory of Jack?

Speaker 2 (32:08):
Yeah maybe? Yeah, So all right, let's uh backtrack a
little bit. She gets to London before she anything crazy happens,
and she has her bitchy roommate that you brought up, Ja.

Speaker 1 (32:21):
Costa, played by It's spelled all weird.

Speaker 2 (32:26):
Hold on and I like that. You sent me a
screenshot and you were saying, I don't understand what the
fuck anyone say. I watched a.

Speaker 1 (32:33):
Lot of like British television and British movies, but these
yapping broads with their thick accents and whatever the British
version of a valley Girl is. Yeah, I was like,
what the fuck are these bitches saying? I had put
some titles on.

Speaker 2 (32:47):
Yeah, it was a little hard dude Sinove Carlson.

Speaker 1 (32:54):
But the O is like one of those stupid o's
with a line through it because it's all like European.

Speaker 2 (32:58):
Yeah.

Speaker 1 (32:59):
She was in a movie called Black Cab with Nick
Frost about a hunted uh cab A cab. Yeah, Okay,
it's not very good. It's not very good. It was
a unique role for Nick Frost to take.

Speaker 2 (33:14):
I was gonna say, I'll watch Nick Frost in anything.

Speaker 1 (33:17):
Uh, I I'd say check it out just for his performance.
But the movie it's one of those we're at the
end of this movie, I got it. I mean, the
mechanics of how the ghosts are doing stuff are a
little confusing, But I remember at the end of Black
Cab I went, what the fuck was that? I didn't
understand any of uch. But that's the only thing I know.
This actress from Okay, And because her and her friends

(33:39):
dress up as the girls from The Craft, I finally
had an excuse to wear this light as a feather
stiff as a board shirt that a fan sent me. Andy,
I am a fan who for years now has been
trying to get me to review The Craft Legacy. Do
you want to see how ed he wants me to
review the.

Speaker 2 (33:55):
Craft leg that's a sequel to The Craft.

Speaker 1 (33:58):
Yeah, he sent me three copies of The Craft Legacy.

Speaker 2 (34:01):
I didn't even know that that was a thing.

Speaker 1 (34:03):
Yeah, it's okay, very well, Andy, No, I like the Craft,
so he keeps wanting me to review it. He found
a book, a coffee table book about the Philadelphia Art Museum,
and he sent it to me, and I didn't get
why he sent it to me until a day later
when I realized the title of the book was called
crafting a legacy. He was subliminally messaging me to review

(34:25):
the craft. I haven't done it yet. I haven't done
it yet. I don't know if I ever will. And
I want to see how many more things will send?

Speaker 2 (34:33):
How many copies of that movie do you need? But anyway, anyway, yeah,
because that's a bitch, right, And this is this is
the catalyst to get Eloiez to move out of her
dorm room and into the haunted flat of what is
the lady's name?

Speaker 1 (34:49):
Uh, she has a misleading name.

Speaker 2 (34:52):
Hold on, miss miss Collins on Good Street, Alexandra Collins. Yes,
the land lady of the Haunted they have like.

Speaker 1 (35:03):
They haven't I know, that is her full name, but
she has like a weird thing in front of her name.
Hold on, let me let me.

Speaker 2 (35:09):
Find I know. And they keep like throwing it in
your face at the end of the movie to be
like get ith.

Speaker 1 (35:15):
Yeah, they're just miss Collins, but there was something else
that That's why it wasn't super obvious at first. But yes,
yes I got it.

Speaker 2 (35:20):
And this is what I was saying previously, that the
power Eloise's powers don't make sense because this plant, this
old land lady is Sandy who that Eloise starts dreaming
and like living her previous life. She is obsessed with
London in the sixties as inspiration for her fashion designs,

(35:43):
and at first she's very charmed by going back in
time in the dreamscape.

Speaker 1 (35:50):
But by the way, I love how this is all shot.
I love like when she's under the bed and it
goes on for like ever, and I love all the
use of the mirrors and stuff was really really cool.
I know Egar Wright, he's like real meticulous on how
he film stuff. This must have been a fucking pain
in the ass. Yeah, shoot and edit and digitally composite
and all that stuff, But it's pretty flawless. I enjoyed

(36:11):
the whole thing.

Speaker 2 (36:12):
I really like it. Yeah yeah, And he definitely takes
all of the tricks that he's learned in all of
these previous movies and employs them in a very different
and effective way, like you were saying, with certain shots,
but also when it it kind of looks like a reflection.
But Anya Taylor Joy and the other one is the

(36:35):
elie K character, and they they'll do like that person
when the dance sequence, when somebody will like walk in
front of the camera and then and they switch places.

(37:09):
So all of that fast cut editing that is, you know,
the meticulous, the medial task edits of Hot Fuzz are
basically built out to very you know, planned out impressive
editing shots in Last Night in Soho And it's a
beautiful film.

Speaker 1 (37:28):
Yes, And in case anyone was wondering, this is before
Anya Taylor Joy cut her cheeks off.

Speaker 2 (37:34):
Yeah.

Speaker 1 (37:34):
I got very nostalgic for twenty twenty one and I
was just like, oh, yeah, she still.

Speaker 2 (37:38):
Had her cheeks. Yeah, I'd love Yeah, I would love
to see a time lapse evolution of Anya Taylor Joy
from what was that Spliced? Where she's like the alien
spliced not spliced? What is it? It's she's like the imprisoned
hybrid human spit.

Speaker 1 (38:01):
Yeah, No, she's a girl in split She's.

Speaker 2 (38:03):
Not no, you no, you're right. She is in that too. Yeah,
I'm talking about the one where she's the alien in
the prison and then she escapes and is like killing
the scientists that were experimenting on her. Morgan Morgan is
the movie I'm thinking.

Speaker 1 (38:16):
Of, and she's in it.

Speaker 2 (38:18):
Yeah, she's the alien.

Speaker 1 (38:20):
I never heard of this movie.

Speaker 2 (38:23):
It's basically what I described but a different name but
not called splice from six Oh yeah, Kate Mara is
like this corporate lawyer investigator agent that is trying to
like just discover whether or not the their ip of
this alien hybrid on you Taylor Joy Morgan character is

(38:47):
you know, a liability and.

Speaker 1 (38:50):
Uh, I gotta check that out.

Speaker 2 (38:52):
It's not bad anyway, I'm not crazy. I just forgot
the name of the movie.

Speaker 1 (38:56):
They're right, You're right. Also, your description of kidding gray
hoodie alien didn't really help Google service.

Speaker 2 (39:01):
Yeah is that eat just funny because it.

Speaker 1 (39:04):
Is the poster. It is her and a great hoodie,
but on a tiny thumbnail. I couldn't tell, right, don't
let it out?

Speaker 2 (39:12):
Yeah, anyway, I want to see a time lapse super
cut of Anya Taylor Joy's appearance between from Morgan to
present day, because.

Speaker 1 (39:25):
In this movie she looks pretty normal. There are some
parts where she has sunk it in cheeks, but I
just looked up like the premiere of the movie, and
her cheeks were like gone. I'm like, oh, so after
the movie, maybe she's got rid of them.

Speaker 2 (39:37):
I think she. I mean, she's a beautiful woman.

Speaker 1 (39:40):
Still Wood still was, Yeah, it was unnecessary I'm like,
why did you do that? You didn't need to do that.

Speaker 2 (39:46):
Yeah, who is.

Speaker 1 (39:47):
The doctor who keeps doing that? I don't understand.

Speaker 2 (39:52):
So then we get the great Terence Stamp starts making
an appearance.

Speaker 1 (39:57):
This was another big Terence Stamp.

Speaker 2 (40:00):
Yes, but this was another loophole that I didn't enjoy
about the movie. You would think that if this guy
was a regular barfly that was seemingly a problem for
one of the young bartenders, that somebody would know the
guy's name, somebody would bring up that this is not

(40:20):
in fact Jack, which they lead you to believe for
basically the entire because red Herring, Yes, I know, but
it's not realistic that would It wouldn't happen. She wouldn't
say who's that fucking creep that guy that I'm dreaming
about killing people? And oh that's I can't names like Chauncey.

Speaker 1 (40:41):
Year, that was Leslie, Leslie and the right. I don't
think she ever asked to his name is I think
she just I don't know, if you know this is
about women, Andy, Sometimes they will come to a conclusion
in their head and they won't cact check it, and
they'll just decide it's right. To her head. She's like,
that's gotta be Jack. I'm not gonna not gonna look
this up. I just assumed that it was Jack.

Speaker 2 (41:02):
And that's yeah, because that is something that this movie
plays into. There's a lot of themes to these movies,
and there's a lot of themes to egg Wrights movies
in general. Yeah, it's very layered and very specific. I
don't want to get into the other movies now, but
this one plays more around with you know, feminine youth

(41:24):
and beauty and aging, but also like sanity and free
will and subconscious and so a lot of this is
significant to the main character, Ellie's grip on reality when
you look at it through the history of her mom's

(41:47):
death and her powers, and then you juxtapose that with
the arc of the Sandy character and how how they
are parallel and how they are not and how basically
the whole movie is Ellie's struggle with sanity. Yeah, but

(42:09):
to your point, when with just women be shopping or
you know, just like you can't. They're just like ruled
by their emotions. At one point, it's just I'm watching
this and I'm going, oh, so this is just a
movie about vilifying men, and there's no there's no such
thing as a heterosexual relationship where the guy isn't a

(42:32):
piece of shit.

Speaker 1 (42:33):
Well honestly, like, look, well, I think that's why our
character whose name we remember and we're definitely not going
to call him the black guy, and I definitely remember
his name. I'm not David.

Speaker 2 (42:44):
John is not typing.

Speaker 1 (42:45):
It's John. Yeah, I think that's like John exists to
show that they're not all like that. Unfortunately, Sandy got
into a business at a time where all the men
were terrible because she was only dealing with John's and pimps. Yeah,
it's not like she was dealing with anyone better. She
did meet one guy who tried to help her out
and she.

Speaker 2 (43:06):
Didn't take somebody and he regretted it, but he and
then he comes back for more, even though he should
have went running screaming down the street. But it should
be pointed out that this came out in twenty twenty one.
On the heels of Me too. This might as well
look just last night and me to London. Yeah, because
I haven't.

Speaker 1 (43:24):
I have an issue with the end, but they all
deserved it. I'm like, Okay, I don't think they I
don't think every single one of them deserved to be
horribly murdered. I'm sure there were real assholes. I'm like,
I'm sure they were just like a lonely horny guy.
They were all manipulative. And also if they were people
of high stature, someone would have caught on that you

(43:46):
were killing all of them, you would have gotten away
with it. So she was definitely killing just sad, lonely dudes.

Speaker 2 (43:51):
At one point, exactly, you're not going to take any
accountability for your decisions that you made that led you
to be in the position that you're in, which is
what does end up happening at the end, but almost
all the way up until the last yeah, ten minutes
five minutes of the movie, it's just like all manner

(44:12):
pieces of shit.

Speaker 1 (44:13):
But I feel like I feel like because it was
post me too, that they kind of I feel like
the end, the original ending probably was a little bit like, hey,
I know you might have had your reasons, but you
went about this the wrong way, and you're right. The
movie tries to do that, but it it's more leaning
toward they had it coming you just, you know, any

(44:35):
other way to do this. I feel like there might
have been an ending that was a little bit more even,
but because on the heels of Me two and whatnot,
they were like, well, that's play it up that they
all had to come.

Speaker 2 (44:43):
But doesn't it just kind of shit on its own,
like all of the table setting that it did, thinking
while you're watching it the whole time that that's the message.
Then you get to the end you realize the old
lady is the killer, and then they walk it all
back and they're just like, bitch, just be crazy, and
it's just like throws at the whole message the last hour,

(45:07):
like almost two hours out there, and I feel like.

Speaker 1 (45:08):
There would have been a better movie that was just like, hey,
you know, shitty things happened. But then there is a
choice you have to make, and she picked. She could
have just, I don't know, switch careers, left town. Well,
she decided to just stab and murder people. And I
think in a better script at the end they would
have addressed that and shown that the main girl, Ellie,

(45:29):
wasn't going to go in that route. She's learning from
what not to do, like you know. But again, they
made it after me too, so they played up the
whole like it's go cat.

Speaker 2 (45:42):
I feel like.

Speaker 1 (45:43):
Reeks of like rewrts andsing the the ending to fit
what was going on at the time, which again sometimes
can work. Now I feel a little dated after the
space Z's I'm sorry got canceled for just having a
bad date, so it'll certain Do you remember that whole fiaskact?
Did you guys cover that on your show?

Speaker 2 (46:05):
No? Not yet.

Speaker 1 (46:07):
Oh dude, you got to do that one where the
girl wrote like a whole article and it was just
like and then he asked me to do this and
I said yes. And even people who were like super
meant too and stuff are like, wait, so you can
sense it.

Speaker 2 (46:17):
They're like, your whole story is that you were just constantly.

Speaker 1 (46:20):
Conflicting things and asking you if you were okay with it,
and you kept.

Speaker 2 (46:24):
Saying yes, yeah. I want to point out how much
like some of the referential things that I really liked
about this, which were the I liked the blue and
red lighting of the beast Tros sign that reminded me
of Dario Argento.

Speaker 1 (46:41):
You meant the blue and red writing eye. I just
always sit in blue and red light, Andy.

Speaker 2 (46:46):
Yeah, you're just bisexual, Yes, sitting bisexual lighting.

Speaker 1 (46:51):
Yeah, And I just imagine what it would be like
to be I imagine, I'm you Andy, I see.

Speaker 2 (46:55):
By like, yeah, yeah, you're living vicariously through, vicariously through
you're watching them. You're watching the movies that I watched.
But I liked the Thunderball poster when she arrives in
old school London, and I like the Fembot Austin Powers
uh Adia Taylor Joy outfit. That was delightful.

Speaker 1 (47:18):
We didn't mention it. Uh the older what's her face
is Diana Rigg who was emm appeal in The Avengers,
the British Avengers, the spank.

Speaker 2 (47:26):
You thank you for saying that, because I was trying.
I knew that I recognized her from about one hundred things,
but I did not realize that's what she was famous.

Speaker 1 (47:35):
So I feel like that was like kind of in
that era. So I do like the whole Bond girl
aesthetic for the whole moviemm hmm. That also kind of
plays in the meet so because now people look back
on old Bond movies and they're like, those are kind
of sexists. They were accepted at the time.

Speaker 2 (47:49):
No shit, you don't say, is that a meme that
they're taking all the guns out of the bond posters
or is that real?

Speaker 1 (47:58):
It might be real. They do that sometimes.

Speaker 2 (48:00):
I remember so stupid.

Speaker 1 (48:01):
We're back in like two thousand and seven, there was
like a controversy with stamps because they did an Audrey
Hepburn stamp, but they air brushed out the cigarette that
was in her hand, so she was just sitting like
this for no reason. I feel like they're just doing
it to put it on like the thumbnails and stuff.
They're not taking it out of the movies.

Speaker 2 (48:19):
Right right, that would be insane.

Speaker 1 (48:21):
Yeah, but hey, we'll not get in trouble if we
don't have a gun on the thumbnail on our app, like,
because if they're uploading it to like YouTube, YouTube kind
of weird with guns in the thumbnail. I it's stupid, Andy,
it's fucking dumb.

Speaker 2 (48:36):
But Eddie, yeah, okay, yeah, I get it too. And
I recently went to Disney World and they have taken
the the suice, the hung guy that kills himself in
the lobby, like when they the lightning crashes and you
see the guy hanging from the ceiling.

Speaker 1 (48:55):
Uh, and the Huntman.

Speaker 2 (48:56):
Yeah, yeah, they've taken that out because I guess they
don't want to kids think that suicide is an option,
which fair enough.

Speaker 1 (49:07):
I just it took him a really long time decide
that that was problematic.

Speaker 2 (49:12):
I know, it's so it's so cool, but it's like, okay,
let's not, let's not put that option on the table
for it.

Speaker 1 (49:20):
Finally went like, hey, you know what, that might be
a little too much.

Speaker 2 (49:23):
Yeah it was, but that's what makes it so great.
It's probably the scariest part of that ride.

Speaker 1 (49:29):
But the one change that I do agree with in
Disney World and Disney like the Disney theme parks alone.
It's the only place I'll allow this is not letting
Jasmine have her bear middriff. I remember people are like
they cover Jazmine up in the park. I'm like, yeah,
that makes a lot of fucking sense. There's a lot
of weird dudes at that far. I'm probably get a little.
I don't like that when they remade the movie they

(49:51):
put a hot baby in and they covered up her
middrift I'm like, what the fuck?

Speaker 2 (49:54):
The movie it's fine.

Speaker 1 (49:58):
Anyway?

Speaker 2 (49:59):
Yeah, Well, I mean it's a cartoon in one place,
and then in Disney World it's a bunch of probably
bets and kids getting bonner. When I saw people naked.

Speaker 1 (50:10):
When people complained about that, I was like, nah, it
makes sense there, it was weird that they weren't doing
that at the beginning.

Speaker 2 (50:19):
So then I have in my notes, is Matt Smith
handsome or just tall? Because I think he does a
good job of being charming and then also a creep.
But when when they first introduced him, I'm just like,
this guy looks like a fucking dick Tracy villain, Like
without the makeup, he just he looks like he should
have been, you know, with flat top and al pacinos.

Speaker 1 (50:41):
I know Matt Smith has always looked weird to me.
I mean, obviously we all love him as Milo and Morbius,
but when they gave him his vampire face, I'm sure
you know Morbius like the back of your hand. I
don't think they needed to make a digital They could
have just gave him thanks, because he already looks.

Speaker 2 (50:57):
Weird, bizarre looking person.

Speaker 1 (50:59):
But doctor, he's British, He's British and has nice hair.

Speaker 2 (51:04):
Anyone that was ever doctor who gets a pass? And yeah, no, no, okay,
you're right.

Speaker 1 (51:10):
Only this modern generation of doctor who fans from like
the early twenty tens, who are just like sad girls
who liked handsome British men. Isn't it funny? Once they
made him old and turn him into a woman and
then a gay black guy. Women just stopped talking about
doctor Who.

Speaker 2 (51:24):
Did you notice that?

Speaker 1 (51:25):
Note what they made him like an old guy? Obviously
you're gonna keep something around because some girls have daddy issues.
But they made Doctor Who a woman and then a
gay black guy. Every woman I know who love Doctor
Who just stopped talking about Doctor Who.

Speaker 2 (51:37):
Yeah, funny how that works.

Speaker 1 (51:38):
It's almost as if they were in it just because
it was handsome British man.

Speaker 2 (51:43):
How shallow.

Speaker 1 (51:46):
It's just so funny talking about like not understanding your audience. Like, no,
women pretend to do all that liberal stuff, but they
want a handsome British man. At the end of the day,
what are you doing?

Speaker 2 (51:56):
And at this point Eloees is starting to imitate Sandy
in real life. She is having so much fun innergy. Yeah,
he dyes her hair blonde and she buys some retro clothing.

Speaker 1 (52:11):
This is that pickup line where he's like, it's the
least I can do. She's like, what's the most you
can do? She's like, I don't know why I said
that I thought it sounds cool.

Speaker 2 (52:17):
Yeah, but seriously go down on me. So and now
this is this is the other thing that what you
brought up when we started talking about the end and
how the older woman, the older version of Sandy, and

(52:37):
her having to take accountability for the decisions that led
her to be because she wants to be a singer,
like she wants to be famous, And how how quickly
from Matt Smith's jack character saying Oh, I'm going to
make you a star and she auditions and then she's

(53:00):
just in a burlesque show blowing guys. They when at
one point are you saying this isn't what I signed
up for and go and signed a different job.

Speaker 1 (53:10):
The movie should call her out for just walking in
club like I want a headline. It's like, who the
fuck are you?

Speaker 2 (53:18):
Uh?

Speaker 1 (53:20):
The movie wants you to feel bad because she wants
to be a star and she has to work her
way up as a backup dancer. It's like, yeah, that's
how it happened. J Lo was a backup dancer for
Janny Jackson. Sometimes you have to work your way up places.

Speaker 2 (53:35):
Yeah to this, will you work your way up?

Speaker 1 (53:39):
You don't always have to do that.

Speaker 2 (53:41):
But by being a you know, a core and a
shooting gallery that nightmares.

Speaker 1 (53:48):
I do love that we're watching this movie from a
woman's point of view, because if this was a man
watching it, like, oh yeah, I guess that's how she
got her start. But of course the woman's lens are like,
he didn't make her a star right away, she earned
it by doing nothing.

Speaker 2 (53:59):
I'm like, of course that would be her reaction to this.
And when you think that this is a female point
of view empowerment or me too kind of movie, when
they have the bartending scene where even though John is

(54:21):
the good guy in the movie, he shows up at
her bar and she is, it just reminded me how
bartenders are forced to put up with a bunch of
nonsense that is just part of their job, whether and
even her boss at the end was like, you're they're
supposed to tell you their problems, not you tell them yours.

(54:45):
But at the same time, it just reminded me of
so many bartenders that I know that just have to
sit there and listen to some sad loser talk about
how his kids won't see him anymore and he's suing
two podcasters for making fun of it. No I'm just saying,
all these bartenders have to listen to everybody's problems, and

(55:05):
they're just kind of held hostage with it against against
their will. And that's just another layer of what's happening
to Ellie in this movie. On a more normal level.
I feel like that's a more relatable thing than whatever
what's happening in her dreams. So I did enjoy a

(55:27):
lot of the tracks, which I know Edgar Wright puts
a lot of thought into, but got my mind set
on You was one of the ones that I really enjoyed,
and always something there to remind me with personnet's favorite.

Speaker 1 (55:50):
Of mine, and I loved Anya Taylor Joys, like rendition
of Downtown.

Speaker 2 (55:55):
To go down things will be ground.

Speaker 1 (56:02):
Downtown no fun place for sure, down Town Everyone's that
was really good. Yeah, yeah, I like that one.

Speaker 2 (56:16):
Yeah. So that's another fun element to an otherwise kind
of depressing movie about going insane. And then I'd be
forced to have sex with guys that you don't love.
What a fun time we're having.

Speaker 1 (56:34):
I don't. I don't want to pick him blame, but
it's just like waity, you could have like left an
audition somewhere else. I don't know if everyone was in
on the rapie stuff. I'm sure there was like a
gay guy who might have been a manager that you
could have worked with, Like I really you could have
went around. You're just like I've already went all in
on this one guy, and it's like, okay, m hmm,

(56:54):
well you found out.

Speaker 2 (56:55):
He's a pip Maybe look for someone who's actually in
show pistons, right, And that to punctuate that, they the
only time anybody sort of starts to pretend to give
a shit is when she goes to the police station
and the only person that cares is another female cop.

Speaker 1 (57:14):
Yeah. Well again, because she's like, I'm having psychic visions,
and I thought men would be like.

Speaker 2 (57:21):
Oh, insane, you're hysterical, But of course the.

Speaker 1 (57:24):
Female cop is like, you know, my crystals told me
that I yeah, yeah, I have a new experience, and
that my horoscope said that the visual will bring something
to my attention. So yeah, yeah, I can see why
the lady cop be like, you know what, I think
she might be right. By the way, the man cop
was right, a woman wasn't murdered, so technically he was

(57:46):
the smartest guy in the room.

Speaker 2 (57:48):
Yeah, and your vagina hormones are making you crazy. Yeah,
we get it. Uh So, I just thought that was
another It's not just another brick in the road that
they're leading you down before they rug pull all of
this dynamic that they're setting up to make it seem

(58:10):
like men are a problem, only to just walk it
all back right at the end, which, as a man,
I'm glad they did. But well, it.

Speaker 1 (58:18):
Could be that men created her as a monster, so
it's still men's fault.

Speaker 2 (58:24):
Okay, you're such an ally, Tony.

Speaker 1 (58:27):
Well yeah, yeah, me the guy who does Boys Month
where he kicks the blog up the battles very much
an al good friends with the author of Men Are
Better Than Women? I'm an al.

Speaker 2 (58:40):
Because it does get very creepy with the rape sequence
dream where all of the all of the faceless John's
start showing up to be a visit to Ellie. Yeah,
and you know she's trying this. At this point, she's
losing control of she's not so much lucid dreaming as

(59:00):
being dragged into these dreams against her will. At one point,
Jack just like drags her into the dream and then
now in reality they're popping up in Ellie's regular life,
not not just in the sixties.

Speaker 1 (59:14):
So she sees like the murder, uh thinks is a
murder and it happens while the guy is there, and uh,
you know, the landlady's like, what the hell's going on?

Speaker 2 (59:25):
Oh right, So do you think that wouldn't have happened
if John if she didn't Is that why missus Collins said,
don't have guys here, because that if she didn't invite
John there, that wouldn't have happened.

Speaker 1 (59:39):
Well, I just think she doesn't want her fooling around
with guys in the house, especially after her history. Yeah,
but then I think I think it was so intense
that night because I do think the girl drugged drugged her.

Speaker 2 (59:52):
Oh yeah, okay, a girl.

Speaker 1 (59:54):
Might have drugged her. They almost suggest that. He's like,
but she's like, no, I was seeing suck before that.
I'm like, yeah, but it was real intense that night. Yeah,
of got drugged and must have fucked up your psychic
vision because you saw the thing wrong. Yeah. I like
the effect of the ghost guys where it's like it's
like three guys layered on top of each other and they're.

Speaker 2 (01:00:10):
Like faceless, like slender manny looking guys, and this is
when you so much of this movie doesn't play into
all of like the Edgar Right tropes that are like
the quick cut menial task stuff or the fence gag,

(01:00:30):
no cornetto and all of these and no cars. Well
there's a little bit of the car stuff, but this
is such a departure from that until you get the
who I was calling the Dead John's which is very
much like the Automatons and World's End or the zombies

(01:00:51):
and Shawn of the Dead. This is kind of something
that you would expect Right to do, especially with the
library scene where you know they're just kind of like
surrounding her.

Speaker 1 (01:01:01):
For she almost stabs the woman in the head.

Speaker 2 (01:01:16):
Yeah.

Speaker 1 (01:01:17):
Well, look, I get that girl's a bitch and she
might have drugged her, but I mean, from her point
of view, she doesn't know ghosts or real.

Speaker 2 (01:01:26):
She's like security. The movie still wants you to think
she's a bad guy.

Speaker 1 (01:01:28):
I'm like, well, I guess it was never confirmed if
she drugged her, So if she didn't drug her, it's like,
the girl's just a bitch. But Ellie is definitely a problem.

Speaker 2 (01:01:37):
Oh yeah, at this point in the movie, she's a
completely different person from the beginning of the movie, shared
her clothes and her hair, her happiness, Like she's this
miserable emo kid now as opposed they got country girl
in the beginning the end of.

Speaker 1 (01:01:52):
The movie, skipping ahead to the end, she gets to
do a fashion show and everything, And I'm like, she
didn't get kicked out of the school for trying to
stab the girl in ahead, which, by the way, I
don't know when that girl made fun of her, Why
didn't she just call the British police and they could
have arrested her because they liked doing that over there.
They like arresting people for saying mean things.

Speaker 2 (01:02:11):
Yeah, because somebody's feelings got hurt.

Speaker 1 (01:02:14):
Why did Why did no one ever investigate the death
of those men? They were probably investigating someone who used
a naughty word instead, Like this takes priority.

Speaker 2 (01:02:23):
Yeah, that's the worst part.

Speaker 1 (01:02:25):
Of watching Hot Fuzz is that now we know what
the British police are actually like. And I'm like, uh,
this only in the movies. Only in the movies.

Speaker 2 (01:02:35):
I guess I forgot. You just saw it, so you
didn't know how it was going to end, and I
had watched it and I forgot how it ended. But
when I was taking notes I wrote, is sex work
work for our women victims? Like?

Speaker 1 (01:02:48):
What do we do?

Speaker 2 (01:02:49):
The message?

Speaker 1 (01:02:50):
I don't think through the sixties, from her generation, she
would considered it legitimate work. Now now, as a sex worker,
I do it, and only time we know it is
legitimate work. Yeah, but she's still using the W word,
which I don't think modern sex workers appreciate so much. Yeah,
He's like, yeah, you know, being an actress and a

(01:03:11):
horse kind of the same thing I was waiting for.
Ellie'd be like, You're not supposed to say that anymore.

Speaker 2 (01:03:16):
Yeah, come on, Grandma, I will say.

Speaker 1 (01:03:23):
I knew for sure Terrence Stamp was a red herring.
I kind of called that right away. And then when
they showed like the guy in the flashback saying she
doesn't belong there, and I'm like, that's going to be
Terrence Stamp. Yeah, And I knew there was going to
be some kind of twist with what's her very sandy,

(01:03:43):
But I will admit I guess I was just so
focused on being proud of calling out the red herring.
I totally didn't catch that the landlady was going to
be Sandy.

Speaker 2 (01:03:50):
I'm like, oh, I celebrated.

Speaker 1 (01:03:53):
So much I actually took my eye off the big Yeah.

Speaker 2 (01:03:56):
I think when I watched it the first time, I
was like, well, who are the old people in this
movie that were alive during the sixties, And I narrowed
it down to her. So I think it was one
of those things where right before they reveal it, I
figured it out so that I felt smart they let
they let me figure it out. So Terrence Stamp is

(01:04:18):
the red Herring, and I did like the way that
he died. It reminded me of the way that Kevin's
I didn't like that he died, but it reminded me
of Kevin Spacey getting killed in the Driver. And you're
always sort of waiting for that Edgar Wright over the
top violent kill you, I said, that is a trope

(01:04:42):
of his.

Speaker 1 (01:04:43):
So it takes a while for the violence to show up,
because then we get like the flashbacks all the other murders,
and they're super bloody, But it takes a long time
to get there.

Speaker 2 (01:04:51):
Right, and we get the end of the third act,
it does start to get I guess that's a good
point to make about this. I wonder if I would
have liked it more if they had more horror forward
sequences in the beginning of the movie, because when it
gets towards the end, it starts getting pretty freaky.

Speaker 1 (01:05:11):
And yeah, no I was haunted house. But you know,
I like slow burn. I like the slow burn.

Speaker 2 (01:05:16):
I like okay it.

Speaker 1 (01:05:18):
I didn't know. I know there was gonna be like
a thriller aspect. I didn't know how much horror we
were gonna get. I didn't realize it was gonna be
like a straight up mystery. Though I enjoyed the mystery
aspect of it, like what happened to the girl? What's
the twist? I really enjoyed that. So now the slow
burn worked for me. The whole build up to the
ghosts and what not work for me too.

Speaker 2 (01:05:36):
Yeah, and I agree. I like a good mystery and
figuring out why things are happening. So that reveal that
the old lady was actually you thought that the Jack
or whoever I guess said that is the question, like
why were the ghosts of the the dead John's showing up?

Speaker 1 (01:06:02):
If well, I think she buried them in under the floorboards.

Speaker 2 (01:06:06):
Well, right, I know, I know in the end when
they finally reveal it why they were all there, But
it's like, why was she seeing them before that, and
you could just say, well, it was the sixties, they're
all dead now and she's just seeing the goes to
the people that were once there.

Speaker 1 (01:06:17):
Well, it might be it might be like the Shining
where like, you know, the hotel learns that Danny has
the Shining and they're like, oh shit, excuse the ghost
might have been like, hey, there's someone who can actually
like communicate with us in a weird way.

Speaker 2 (01:06:31):
So yeah, yeah, like we should all be in.

Speaker 1 (01:06:33):
There given her vision, so we get revenge and like
at the end, like they're holding her down but they
want to just give her the phone.

Speaker 2 (01:06:40):
Yeah, their souls can't rest until she dies. Yeah, and
they're reaching out to her for help instead of attacking her,
which you think the whole time. Yeah, it was a
little confusing, but in a way that leads to the
big revealer at the end, which is cool with the
fire and the when there. I guess I did not

(01:07:02):
like that sequence where it looked like Sandy was on
the spectral staircase. It's really the old lady on the stairs,
and I didn't I didn't think that looked very good
from a from a visual effects point of view. Unfinished yeah,
and maybe it wasn't inten.

Speaker 1 (01:07:23):
That's maybe that's there were like reshoots at the end.
I'm not sure because that's usually like wonky digital effects
at the end of a movie usually signifies like reshoots.

Speaker 2 (01:07:33):
Yeah, yeah, so I guess I got that impression from
that sequence when it did remind me a little of
the fight Scott Pilgrim where they're at it was reminiscent
of that, so I know it.

Speaker 1 (01:07:47):
There might have been in the original ending there might
have been a scene where Ellie's like, Hey, I can't
that you killed your pimp. Why did you keep soliciting
men just to murder them? Yeah, it seemed like you
were out of it at that point and right just
became a landlord. Why did you It seems like you
just like murdering. That's that's usually what they do and
move like that was a lot of superhero movies where

(01:08:09):
it's like, Okay, I'm sympathetic to your cause and I
understand where you're coming from, but you're going about it
the wrong way.

Speaker 2 (01:08:14):
Yeah, the movie.

Speaker 1 (01:08:16):
I feel like the movie is trying to build up
to that, but I feel like they rewrote it to
be like they all deserved it, but you're bad.

Speaker 2 (01:08:23):
That's what That's what I mean. But they walk it
all back. You stabbed the guy downstairs and he's one
of the good ones, so you're bad.

Speaker 1 (01:08:29):
Now I guess Sandy's like, ah, well he wasn't one
of them, so I guess I'm bad.

Speaker 2 (01:08:35):
Well right though, And it goes back to what when
she first gets turned out, it's like, Okay, this isn't
what you signed up for. Why are you staying? And now,
all right, you've killed your pimp. Maybe that you could
argue that it was in self defense. Why do you
continue to kill men? Then? Yes, you eight men.

Speaker 1 (01:08:53):
It's really out of her way to lord men and
kill them. And it's not even like I mean people
will stay in shitty stuff. It's like she hooked it.
She didn't seem to be hooked. I know there were
people were hooked on drugs, but she didn't seem like
one of them. Yeah, yeah, she was drinking a little much,
but she clearly kicked that in her role.

Speaker 2 (01:09:09):
Man, it seemed. But there was a lot of people
getting like tying off in that Nightmare Secrets, those low
jobs in the Heroine.

Speaker 1 (01:09:35):
She was one of them. But like, that's like I
guess that's.

Speaker 2 (01:09:38):
How a lot of people do it. Though a lot
of pimps do that. They make you not that. I'm
I yes, and I've done it to all my girlfriends.

Speaker 1 (01:09:46):
Tell us worried about your pimpres we all.

Speaker 2 (01:09:50):
My pimppand is strong Tony and uh my heroin deal
with my heroin connections in my pimppand. But so, yeah,
you wanted to be a famous lounge singer. You got
turned out, but you stayed. Then you kill your pimp.
Now everything, everybody's dead. And I think now that we're

(01:10:11):
talking about this, and I'm and I'm saying, why is
this painting every guy is a bad guy and vilifying men.
It's because that's the perception of Sandy, that she's poisoning
Ellie's mind with and driving Ellie insane. Okay, because because
Sandy is a psycho killer that hates men, and you

(01:10:34):
just kind of think that that is the message of
the movie, when really it's just the motive of the killer.
So I think, I'm i'm while we're talking about this,
I'm answering my own question about why this movie does
such a one to eighty right at the end. And
it's because it's it's too on to reveal the motive

(01:10:56):
of the killer. Yeah, yeah, okay, and I this movie
is better than I thought.

Speaker 1 (01:11:02):
But it's good. I just I feel like the movie
should have made it more clear at the end that
she did because no matter how tragic she is, at
some point she decided to become a bad guy. And
they're afraid to say that because it was so post
me too, and say it now because now every girl
watching this is gonna think she's a hero. They're not
gonna relate to her being like, maybe I should have

(01:11:22):
been doing that. Ye you didn't think they may now
you'd be able to do it the right way.

Speaker 2 (01:11:29):
It wasn't clear enough that they kept cutting to the
male envelope with her real name on it, Eleg Xander
sand raw Eleg Sandy, Like you can show me ten times,
it doesn't mean more because it showed it a fifth time.

Speaker 1 (01:11:48):
I love that she just had the picture of her
I guess, I guess she never went into her apartment downstairs.

Speaker 2 (01:11:54):
But yeah, there wasn't any great.

Speaker 1 (01:11:56):
Picture of Anya Taylor Joy there. And I'm like, all right,
I guess you. For a minute, I'm like, how did
she miss that? But I'm like, all right, if she
was never in that room, then I'll give her a pair.

Speaker 2 (01:12:04):
Maybe she was though when she first moved in. Maybe
that scene was down there. I don't know if they
cut to that or not. I'd say that I'm gonna
go rewatch it, but I'm not.

Speaker 1 (01:12:16):
I might watch this one again now that I know
all the pieces. I want to see if I missed anything. Yeah,
because he does layer his movies with stuff, and this
one actually got my interest. I think I might want
to watch it again, not anytime soon.

Speaker 2 (01:12:27):
Yeah, see if there's like some breadcrumbs, like usual suspects
type of because I do like to with a mystery,
feel like I had a chance to figure it out.
So yeah, And knowing Edgar, he loves Easter eggs and
you know, running gags and putting something in the beginning
that's gonna be relevant at the end. So yeah, yeah,

(01:12:49):
maybe it is worth a second watch. But I want
to thank you for watching that one, because I know
you've been been waiting to get around to it, and
it wasn't really I saved you, and you you saved me.
You saved everybody else from me having to find somebody
to do this one because you said, oh I want

(01:13:09):
to watch I haven't seen last night, and so yet
this will be a reason for me to watch because
you were obviously one of the first people I reached
out to do this, and you this one.

Speaker 1 (01:13:18):
Big one, so I'm like, well, let's do one of
the smaller ones.

Speaker 2 (01:13:21):
Yeah. So, uh yeah, you you you jumped in front
of the bullet for everybody else that didn't have to.

Speaker 1 (01:13:29):
I thought it was fine.

Speaker 2 (01:13:30):
Yeah. Honestly, all the other ones that I thought would
be more tricky to find people to want to watch,
we did uh World's End with Hughesy, so the perfect
I'm sure was great, a perfect guest to do a
pub crawl movie with. And uh yeah, and then a

(01:13:50):
baby driver. You know that that was a pretty easy
one to fill too. So they're all good. I've been
sitting here picking these apart and saying what's wrong with
and what's good? But I'm just saying what I like too.
But while I throw all this criticism at him, it's
only because I enjoy edgar write so much. Pretty much

(01:14:12):
all of the films that as we get to this
last episode that we've talked about, I just like them all.
So I was very excited to do this.

Speaker 1 (01:14:25):
I really can't miss out with him real quick. I
was going to ask at some point, me and Johannah,
because we did the Scott Pilgrim movie together, we kept
saying we would do eventually do a live episode on
the Scott Pilgrim Netflix show, and then we never did.
Have you ever checked that out?

Speaker 2 (01:14:41):
I I swear I've seen the first one or two,
but I forgot it even existed. So I think you
know what happened. I think it was coming out like
week to week, and I watched the ones that were available,
and then they stopped being available, and then I forgot
it existed.

Speaker 1 (01:14:59):
If at any point want to do that, the problem
with that is it's a continuation of the comic and
it has the voice cast from the movie. That was
fun to do it, so we should try to do that,
and so.

Speaker 2 (01:15:08):
I wouldn't mind doing that, and I was trying.

Speaker 1 (01:15:11):
I didn't mind that show. Yeah, I thought the show
was fine, but a lot of people watched the first
episode and they were like woke, and I'm like, oh,
come on, guys, check it out a little bit. It's
not what I would have done with the Scott Pilgrim Show.
But it worked. It worked for me. Will you do
that in the future.

Speaker 2 (01:15:29):
Yeah, well, at least they didn't make Velma different race
or something like that. Oh, and that's something that happened
in Space too. I remember in episode six or one
of the episodes, they walk in and throw the keys
on the thing and it's Shaggy and Velma. And in
episode one they compared Tim and Daisy two Shaggy at

(01:15:51):
Velma and they did like it's still where they were
dressed like them. It was a callback to the very
first episode. And I found that until lightful, So.

Speaker 1 (01:16:01):
You know what, I you know what I think I
might have found? Yep, I found it. If we should
do a bonus thing the Space Unaired two thousand and
nine US pilot, they remade Space for an American audience. Really,
Oh yeah, Will Saslow I think is the mic character

(01:16:22):
in it. Okay, the pilot never I I remember seeing
clips of it years ago. But I'm seeing on Reddit
now someone uploaded the full Space Pilot from two thousand
and nine. I think we should take a Patreon bonus.

Speaker 2 (01:16:37):
Yeah, I want to do that. I'll just live it live. Okay,
let's do that.

Speaker 1 (01:16:42):
Let's set that up at some point.

Speaker 2 (01:16:44):
Yeah, and the Scott Pilgrim Show. I kind of want
to look at some of the other tangential at your
right stuff, that sight Seers movie that Kayleie brought up
on her new latest episode. Yeah, and then he was
very close to directing ant Man as well. And I
feel like when you and everything, Yeah, when you watch
ant Man, it feels like an Edgar Wright movie. So

(01:17:05):
maybe that could be a follow up companion episode two
block is good. Oh yeah, I bring up Attackable and
Nick Frost is in that. So did Edgar produce that?

Speaker 1 (01:17:18):
Yeah? He produced it.

Speaker 2 (01:17:19):
Oh I love that. The creature design of those yeah.

Speaker 1 (01:17:22):
I remember was awesome if I remember right. The director
of it is Joe Cornish, who is He's usually Igor
Wrights cinematographer ha h or or co writer looks like
co writ it's his co Yeah, it's his co writer,
not cinematographer. Yeah, like he helped write ant Man, Adventures

(01:17:43):
of Tin Tin and a bunch of other stuff.

Speaker 2 (01:17:45):
So yeah, great, Yeah, that makes sense because I love
attack the Block and that remind see, how did how
did I not know that? Since even just Nick Frost
is the biggest clue. But then you have those they
the kids look like the kids in Hot Fuzz, like Wrecking. Yeah. Yeah,

(01:18:06):
so that makes total sense now that you mention it.
But I have to ask your hopes and dreams and
opinion of Running Man. Well, what is your thoughts about
the original and your anticipation of the new one?

Speaker 1 (01:18:24):
Running Man? The movie is probably my top am my
top four favorite Arnold movies. Let me see Predator obviously
number one, Cone of the Marvarian number two.

Speaker 2 (01:18:37):
Uh, total recall.

Speaker 1 (01:18:39):
It, total recalls good. Not up there we're going to say,
and uh, I think Running Man.

Speaker 2 (01:18:44):
Mike Hindergarten cop No, No Running Man for sure. For me,
I remember seeing it when I was like far too
young to be watching it on HBO at my grandmother's house,
not knowing what it was going to be, and it's
just blowing my mind.

Speaker 1 (01:18:59):
So yeah, I love the original Running Man. Having said that,
knowing a bunch of Stephen King fans, the one thing
I hear is that it is like almost nothing like
the book. So when it comes to remakes based off
a source material, I'm usually more lenient, Like everything in

(01:19:22):
me should be like, oh fuck that remake, Oh fuck that.
But I'm like, now, if it's based off a book.
I'll give it a pass, especially since the as much
as I love Running Man, it's not like the book.
I'm I am going to listen to the audiobook before
the new movie comes out to see how close it is.
Sometimes they'll use the book as an excuse for it
to be different and then it's nothing like the book
and it sucks. But I am pro the new Running Man. Oh. Also,

(01:19:47):
number four is Terminator one. Yes, Terminator one more than
Terminator two. Uh, because my boy Glenn Palell is in it,
and as you know, me and Glen Power are like
the same person. Did you know that in it?

Speaker 2 (01:19:59):
Obviously?

Speaker 1 (01:20:00):
Yes?

Speaker 2 (01:20:00):
Well we were both thought I was talking to Glenn
pell this whole time.

Speaker 1 (01:20:03):
A lot of people do, because you know, in Twisters
he was a YouTuber soul shirts, soul shirts with his
face on it, and we were both in the Dark
Knight Rises, and we're both extremely handsome and our butt
looks good in jeans. I people often say, is that
Glen Pelle and I go no, ladies, Nick, I'm Tony
from Hack the movies. I have a beard. I'm different in.

Speaker 2 (01:20:23):
The comparisons, don't end I do like.

Speaker 1 (01:20:26):
Clen Pale though you know it's funny. It started off
as a joke, but now I'm just like, actually really like,
I'm excited for his show chat.

Speaker 2 (01:20:32):
Yeah, I'm excited. I remember him back when he was
on Chad Dwell on Scream Queens, on that Fox show
with Emma Roberts, and he was fucking hilarious on that.
So I've been aware of this guy for a while
in it and glad to see him.

Speaker 1 (01:20:48):
The trailer for Running Man was a lot of fun.
It was a lot of fun. I'm like, all right,
I'm on board with this. It looks like a good time.
I'll read the book, but I honestly, if it sucks,
it's not like it's gonna ruin the original Running Man
for me.

Speaker 2 (01:21:05):
Yeah, I don't know, Yeah, the original running Man. Enough
time has gone by where I think it can be
mutually exclusive, and yeah, the book is different enough from
the Arnold one that yeah, we can enjoy this for
what it's going to be and not hold it hold
it too precious to the Arnold one.

Speaker 1 (01:21:25):
Yeah.

Speaker 2 (01:21:25):
Yeah, I think it's a perfect story for Edgar with
based on what I know of the Arnold One with
the various villains versus the way that like Scott Pilgrim
has all the different villains that he fights. It seems
like a one to one kind of pacing that Edgar
is going to be able to lean into. And especially

(01:21:48):
when I said, like I said at the beginning, Michael
baccall and Edgar are co writing this one together, which
and everything that I just described, or Scott Pilgrim and
Running Man being similar. So I think it's gonna work.
And if I'm wrong, then I will come on this

(01:22:08):
program and admit that the movie sucked. But I don't
think it's going to And if you have a chance
to watch it opening weekend, I think we're going to
do a live stream where everybody that participated in the
reviews of the whole catalog will have their chance to
say what they thought of The Running Man. So yeah,
probably for that, Yeah, yeah, I'll let you know about that.

(01:22:29):
And do you have anything that you would like to
plug it this time? As we get to do about
the show.

Speaker 1 (01:22:34):
Just hack the movies.

Speaker 2 (01:22:35):
Follow me on hat alliah.

Speaker 1 (01:22:37):
These new episodes once or twice a week, put out
little bonus videos here and there. I've recently started live
streaming games again. I don't know how consistent I'll be
at the time, the sayers, what are you playing right now?
I'm playing Silent Hill f because I reviewed the first
Silent Hill movie and just coincidentally, a brand new game

(01:22:58):
came out, so I was like, no, I guess I'll
I never actually played a full Silent Hill before, and
this one is so far removed because it's in Japan
or whatever, so I'm like, oh, I guess I'll start
with the one that's least like all the other one.

Speaker 2 (01:23:10):
You're like, Halloween three is my favorite Halloween.

Speaker 1 (01:23:13):
Well, I wanted to play the remake of Silent Hill too,
but there's like a year long exclusivity to PlayStation and
I'm an Xbox guy, so I'm like, oh, I gotta
wait until that runs out. Luckily the new one was
on all platforms. I'm like, good boom, got it. But yeah,
just following me on Hack of the Movies Patreon dot
com slash hack the Movies, you can sign up for free.

(01:23:35):
I put my public podcast feed there, so it's got
better notifications. You should do that. If you haven't done
that yet, we'll talk about that off air. Yeah, so, uh,
better notifications because YouTube sucks with notifications. So all the
free videos I also put on Patreon, so it's like
becoming your hub for everything.

Speaker 2 (01:23:53):
Nice.

Speaker 1 (01:23:54):
Yeah, look up where I'm gonna be next. Unfortunately not
all three days of Monstermania because I forgot to buy
a table.

Speaker 2 (01:24:01):
Oh no, I'll keep an eye on them.

Speaker 1 (01:24:03):
Where I'll be.

Speaker 2 (01:24:04):
Next fantastic, And yeah, I want to thank everybody for
checking this out. Please be on the lookout for the
final live stream of Running Man. I'm sure I'll take
Tony's advice with notification. So if you haven't hit subscribe
like a subscribe to this channel so you know when
the Running Man episode is gonna come out. And if

(01:24:25):
you want to support the show financially, please find us
on Patreon, it bit dot lee slash. Stay sorry. And
if you're thinking about missing the next episode of All
the Right.

Speaker 1 (01:24:37):
Moves, don't don't don't don't, don't

Speaker 2 (01:25:00):
M