Showgirls Is TERRIBLE! - Hack The Movies (Tony's Birthday Special) (#420) - Hack The Movies

Episode Transcript
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Speaker 1 (00:01):
Hi everyone, and welcome to another live episode of Hack
the Movies. It's a very very special episode because it's
my birthday.

Speaker 2 (00:11):
Baby.

Speaker 1 (00:12):
Yes, it's another toty from Hack the Movies Mystery Birthday episode.
We've tried this a couple of times in the past.

Speaker 2 (00:20):
Uh.

Speaker 1 (00:21):
I think the first mystery birthday episode I did was
hijacked by mister Lobo and Ryan Hickey and they made
me review Fright Night instead of the movie I wanted
to talk about. And then last year we tried it
again and I was tricked into going into a cemetery
by myself while Lauren, Jess and Johannah review Charley's Angels

(00:43):
without me. But we don't have to worry about that today.
I've managed to secure everything. Okay, no one is coming
in here to take over my birthday.

Speaker 3 (00:55):
All right.

Speaker 1 (00:55):
This is gonna be a fun live review. I'm gonna
be talking about one of my favorite movies.

Speaker 3 (01:02):
Uh.

Speaker 1 (01:02):
But you know, since it is my birthday, we can't
have birthday without cake. I do have a cake on
the way. I'm very excited for it. And oh hold
on ah, it just got delivered.

Speaker 4 (01:14):
It just got delivered.

Speaker 1 (01:15):
I'm gonna go get that cake.

Speaker 2 (01:19):
All right first, Who are you? I'm the humble bunny man.

Speaker 5 (01:25):
Wow, I'm in the salad and I'm taking over this stream.

Speaker 2 (01:36):
I'm in salad. I saw Showgirls is directed by Paul
verho even written by Joe estra Haas and joining me
today we got a very lovely captain of the Seas,
Captain booms Ah.

Speaker 3 (01:50):
Hi, Hi men, you gorgeous thing. How the heck are you?

Speaker 4 (01:55):
Hello?

Speaker 2 (01:56):
I'm doing good. How's house being on this?

Speaker 3 (02:01):
You know, I've been floating pretty hard and I gotta
say though this, this film you asked me to help
your review is uh, you know, significantly lacking in water.

Speaker 2 (02:14):
Yeah, there's almost no water. It takes place in Vegas,
where there's no water. So chat, we're.

Speaker 4 (02:20):
Doing show Girls.

Speaker 2 (02:23):
What's your first exposure to Showgirls, Captain Boomis?

Speaker 3 (02:27):
I remember thinking, huh, Jesse from Saved by the Bell
looks awfully slutty, and that was in a trailer when
I was young enough to be shocked by it. And
then I heard that everyone got to see her tits
and I didn't until yesterday.

Speaker 2 (02:46):
Oh hell yeah? Uh, you know, I think I first
heard of this movie like years ago, and I was like,
I'm gonna watch it, and then I started putting. I
put it on, and I think I fell asleep at
some point because I only remember like them being in
the trailerting in the movie, and I was like, what
the fuck? Okay? And then I was like, is this

(03:08):
really good movie? And so I had a big of
a watch. And that's what we're going to be discussing today. Chat.
But before we do, since it is tone very famous
YouTuber Tony from Hack of the Movie's birthday and he
is not here, chat, uh, send all the super chats in.
Send more than usual, Send more than you would if

(03:31):
Tony was here, because that'll really get him. They'll really
teach Tony. Okay, chat, so send your super chats in.
We'll read super chats at the end of the show.

Speaker 4 (03:44):
And let's jump right into it.

Speaker 3 (03:46):
Shall we seriously give up the booty people? I want it?

Speaker 2 (03:52):
Show Girls NC seventeen film. Is it the first cry No,
I don't think it's the first of his kind, but
it's definitely like huge. Like I heard a show Girls
and I heard it was since he seventeen. I was like, oh,
is this like porn? No, it's not.

Speaker 4 (04:11):
Well, it's kind of is like would you describe it
as porn?

Speaker 3 (04:15):
Captain Boomies, I mean it. It mostly turned me off massively,
but yeah.

Speaker 2 (04:21):
There is so okay, I have a lot to talk
about with this. There are so many moments where I'm like,
what is going on here? Why is this happening? All right?

Speaker 3 (04:32):
My porn is different. This was not This was not
my kind of porn.

Speaker 2 (04:36):
Uh. Directed by Paul verho I was called him ar
Verejo even even though it's not how his name is pronounced.
How was his name pronounced? Ver Hoeven hover Van?

Speaker 3 (04:49):
I don't know this is this is a tony thing
and he's dead right now, so it is give me money,
give me money about it?

Speaker 2 (04:58):
Yeah, since acts send super chats? All right? So he done,
did it? Uh? He also directed Total Recall, Robot Cop,
and Starship Troopers, which I have done reviews of. These
are the thumbnails. You see him right here.

Speaker 3 (05:15):
You've watched all of these films, did you? Okay? So
is their overlap? I feel like.

Speaker 4 (05:25):
It definitely feels like Total Recall is pretty cool.

Speaker 2 (05:30):
RoboCop was pretty cool, Starship Troopers was pretty cool and funny.
The direction, the directing, and Showgirls is pretty remarkable. It's
probably the best part of the movie and total recall.
RoboCop and Starship Troopers also had pretty solid directing. The

(05:52):
only difference is just who is writing it. It's like
major difference in who done did the writing an association
with Carl Wait no, not Carl carol Co Pictures Incorporated.
So after they did show Girls, they went out of business.

(06:13):
Their studio went out of business because they did so bad.

Speaker 3 (06:18):
Yeah, I'm thematically doing that a lot with Tony lately.
He keeps giving me these films that tank entire studios,
and I'm frankly I'm glad he's dead.

Speaker 2 (06:31):
On the day of his thirty sixth birthday. So yeah,
the studio is dead, probably for good reason. Let's get
right into it.

Speaker 3 (06:44):
Oh wait a minute, that looks familiar. Maybe maybe you
all have seen my review with Tony where he made
me watch the longest pirate movie of all time where
Gina Davis could not be fucked to be there. Am

(07:04):
I allowed to swear on this?

Speaker 2 (07:05):
Yeah? I already swore.

Speaker 3 (07:07):
Oh so glad.

Speaker 2 (07:11):
So yeah we can. We can curse like sailors here
It's okay, So yeah, I had to go check this out.
Tony did the review with Captain movies. She's she's an
expert in all things captain, so she has she has
all the insights you'd need to watch to review this movie.
So we start, this movie starts and it's really preposterous.

(07:35):
So she's hitch hiking in the middle of Nevada and
I was like, man, that looks very familiar. That kind
of looks like Utah like. But then I looked it
up and I said it was filmed in Nevada. It's like, yeah,
that makes sense. I've been to Nevada a lot. Uh.
So she gets a hitchhike, she does a hitchhike, and
then she gets a guy to pick her up, and
is this guy and he's like creeping on her. What

(07:59):
do you think of the guy? Like, what's your vibe?
Check on him?

Speaker 3 (08:04):
I swear I knew who he was, but I was
trying to figure out who he's. Like, he's like if
Eddie Munster grew up. That was my interpretation of who
this was.

Speaker 2 (08:18):
He's just so crapy. He has like the creepy hairline. Honestly,
it's the hairline. Look at the hairline. It's not even
I feel kind of bad for him, honestly.

Speaker 3 (08:29):
Oh yeah, he was a tragic case.

Speaker 2 (08:33):
But anyway, So he's like, I'm gonna do I'm gonna
drive you to Vegas. And then she's like, don't even
think of any funny ideas, and he's like testing her
boundaries and she pulls out the switchblade knife.

Speaker 4 (08:48):
It's like, I'm gonna I'm gonna cut you if you
go any closer.

Speaker 2 (08:51):
And he's like, I'll just drop you off on the
side of the road.

Speaker 3 (08:56):
Yeah, I'm like, no, not just drop you off, like
cuts the wheel in front of an eighteen wheeler tire
squealing insanity ensues and she goes.

Speaker 4 (09:05):
Yeah, oh no, fine, I'll deal with it.

Speaker 2 (09:09):
I'm sorry, sir.

Speaker 4 (09:11):
I don't make the rules of.

Speaker 2 (09:15):
The encounter here, even I'm the one who is being
picked up by your graciousness, sir, And I'm sorry that
I've just chesting you. There's like a whole power dynamic
here that's just not healthy. But she's I know me,

(09:35):
her name is no Me. No. I hate her so much.

Speaker 3 (09:40):
I have a lot of hate in my heart. Yeah,
frizzy hair.

Speaker 2 (09:46):
So she is like, she gets hitchhiked to Vegas and
she's she's given ever opportunity in the world back to
back to back to back throughout this entire movie, but
this one she's just like, Okay, I guess I'll just
go to Vegas and oh yeah this uh home dick

(10:08):
yeah wrung oops, what the fuck? There we go.

Speaker 4 (10:12):
This guy he gives her when they go to.

Speaker 2 (10:16):
Vegas, he gives her ten dollars and he's like, gamble,
split it with me. And then classic classic gambling thing happens.
First time you play the sheet machines, you win, you
win big because that's so it's like you get hooked,
and so you start giving the casino more money, and

(10:37):
then you lose all of your money and then you're like, well,
let's just put more money into it. And next thing
you know, you're five thousand dollars in debt. Uh. And
it starts with this, with this first win, and so
she's like, I'm winning. Wow. And instead of like taking
that those earnings and giving it to the guy like
she promised, she instead starts gambling it all away. I'm like,

(11:02):
you fucking bitch, you did not keep your word.

Speaker 3 (11:08):
It was just such an unnecessary plot point, right, Yeah,
So like we need her to be desperate so that
she ends up in the situation she ends up in.
But but first we're gonna build her up and make
it like, oh, she's getting money from this guy who
didn't murder and rape her on the side of the road,
and now she's winning in a casino. And then we're

(11:31):
gonna take it all away from her. Like it's doing
it backwards. You're supposed to. You're supposed to start with
her really high and then and then like be taking
it away right Yeah, And like this this roller coaster
of build her up and drop her down and build
her up and drop her down is so infuriating.

Speaker 2 (11:52):
I just felt like, like it's it's fine to have
the roller coaster if it's motivated. Like everybody helping her
is not motivated at all. It's just like, oh, we're
going to help you out because we see you and
you're having a hard time. Welcome to Vegas. And I'm like, well,
I've been in the Vegas many many times. And Vegas

(12:13):
is not known for his hospitality, kind of known for
the opposite. It's kind of known for being sin city.
It's known for having a lot of crime. It's kind
of like a one for all, like one v one.
Everybody's on their own, free for all. That's what's called
a free for all, and any crime can happen at
any time, so everybody bending over backwards to help her

(12:37):
out is not at all like the spirit of Vegas.

Speaker 3 (12:41):
H But I will say I did appreciate that they
did have her lose I yeah, all this money. It
would have been inconsistent of her character so far to
suddenly have impulse control. In fact, I thought they should
retitle the whole movie to Impulse Control Problems the movie.

Speaker 2 (13:02):
That would be a better title.

Speaker 3 (13:04):
Seriously, yeah, she does.

Speaker 2 (13:07):
She has the worst impulse control I've ever seen. So anyway,
she runs out of the casino and the guy has left.
Before she left the car to go into the casino,
She's like, I don't know if I should Maybe I
should leave my suitcase in here, maybe I should take
it out. And then the guy's like, you know, I'll
just leave it here. Well, just leave her suitcase here,

(13:27):
and she leaves her suitcase in his truck, and now
the truck is gone, so she's like freaking out. She's
like where is it? And she starts banging on this
person next, like this person's car right here on the
very left.

Speaker 3 (13:43):
Impulse control problem, Yeah, just.

Speaker 2 (13:46):
She starts hitting it, like, what, lady, that's not your car. Well,
chill the fuck out, woman, ha.

Speaker 3 (13:57):
Yeah, even in the nineties people would not be okay
with that.

Speaker 4 (14:00):
She's running in the middle of traffic just like aggressively.

Speaker 3 (14:05):
Yeah, and everyone's just helping her. That the pretty the
pretty black lady like also runs into traffic to save her,
which okay, after she's been a total piece of crap
to this woman's car. Nothing, nothing has motivated these people

(14:25):
other than maybe she's a leggy, hot bitch with yes,
nice hits, which we will find out. But nobody else
knows this yet. Nobody else knows this yet.

Speaker 2 (14:37):
Yeah, it's just so, it's just so funny, like within
like the same thirty seconds you got her binging on
the car, and then yeah, the black Lady's.

Speaker 4 (14:47):
Like, chill out, stop hitting the car.

Speaker 2 (14:50):
And then then you get to the point where they
agree to start hanging out with each other. And like,
like you said, it's not motivated at all. If there
is like even a little bit of added extra dialogue
that might clear things up, even.

Speaker 3 (15:08):
If she had said like where she's from, right, yeah,
even if like oh I'm from there too, or like
my favorite aunt is from there. Oh, that makes me
feel connected to you. That that would have at least
gotten us somewhere. But instead she's nameless. No me, Uh,
she's locationless. She's just a perm with with tits. That's it.

(15:32):
She's a perm with tits.

Speaker 2 (15:33):
And she's like, she doesn't want it. Seems like she
doesn't want anybody's help, but she will take it. She
will take out of everybody's help, but she will make
such a problem about it. But then because she makes
a problem of it, somehow, they still decide to give
her help. Even though she's making such a big fuss

(15:56):
about it. It's just annoying her. So yeah, she runs
into front of the car and got the black lady.
She pulls her out. Good directed, good shots.

Speaker 3 (16:08):
Yeah, it was well shot. This stunt. Do you call
it a stunt in this situation?

Speaker 2 (16:15):
Maybe? Uh, there's only a couple of cars on the road.

Speaker 3 (16:19):
All right. Yeah.

Speaker 2 (16:20):
So six weeks later, they decide to move in together.
No motivation whatsoever why they're moving in. But they moved
into this trailer and they're being very I can't tell
if they're gay or if they're just being really close
female friends.

Speaker 3 (16:38):
It was Yeah, the whole time you're a little is
it isn't it? But the part the thing that I'm
surprised I wasn't in this slide show here is the
is the black lady buys her a meal before they
move in. Yeah, and this meal is the cringiest thing
I have ever seen on a many many Melley millions

(17:01):
of dollars budget film. She's I like, I want to
demonstrate how like I'm gonna drink this, but.

Speaker 5 (17:11):
I'm gonna eat this.

Speaker 3 (17:13):
I'm gonna ah and I and that's that's exactly how
that happens. And I just got a bunch of waters
spilled on me. Give me super chats for it, do it?
I need money to the fact that I'm I'm committing
to the bit over here.

Speaker 2 (17:32):
Send super chats. She deserves it. It's just so all
the dialogue, it's it feels like the dialogue was written
in such a way where it's like the clunkiest thing
that you could have to push whatever plot is happening

(17:53):
because I can't tell, Like I it feels like a
series of happenings this movie, like it doesn't feel like
there's an actual plot going on. There's like no story
pushing through except for it's just like this woman. I'm
following this woman, but like, what is this woman doing exactly?
While she's doing a bunch of stripping and getting fired

(18:14):
and doing more dancing and such, But like I don't
feel any like personal struggle that she has to deal with.
Like there might be a tiny bit, but it's like
it's never fleshed out to the point where we're like, oh, yeah,
this makes sense.

Speaker 3 (18:29):
She has a redeeming characteristics. Yeah, until the end. Weirdly,
she suddenly learns loyalty but took it this song. It's
like the last five minutes of the movie. Yeah, she
finally learns it. But in the meantime, though, there's something

(18:49):
about her whole performance that during the whole thing is
So's she's known as Jesse Saved by the l Jesse
right where she's the smart girl, the level headed one. Yeah,
and in this she is the dumbest thing who's ever

(19:10):
walked the earth. And on top of that, Okay, I'm
gonna be rude and asked, do you think that she's autistic?
Is she playing autistic because her reactions are.

Speaker 2 (19:24):
I don't think it's autism? The hell?

Speaker 3 (19:27):
Is it? Because her reactions BPD.

Speaker 2 (19:31):
Probably it's not autism because she would actually be answering
questions in like a really literal way, but she's not,
and she's being very emotional, which leads to me thinking
it's BPD.

Speaker 3 (19:45):
Okay, that makes sense to me.

Speaker 2 (19:48):
So yeah, they live in this trailer and they're hanging
out and you know me, she's like looking for a
job and this black chick, man, I don't remember her name,
like she's her name is the least rememberable part of
this movie.

Speaker 3 (20:05):
I have no idea what her name is at all.
Was it Jesse? Did they do that? Would that really
mess things?

Speaker 2 (20:11):
Maybe? Oh?

Speaker 3 (20:13):
Man, I'm not gonna make you look it up, but
maybe there's like a muffled sound in the closet that
might tell you.

Speaker 2 (20:21):
Maybe I'm listening, I don't hear anything. So the other
hanging out we got tell me she's like crashing out.
We got this black chick. She's like, why don't she
come to work with me? You know, why don't you
do that? It would be so much fun. I'm like, hmm,
what if what have you guys been doing in the

(20:42):
past six weeks? Is that this is like the first
time you're talking about bringing her to your job.

Speaker 3 (20:54):
I mean, I've actually never that's not true. I have
offered to bring my girl friends to work with me,
but that's because I have a cool job, and it's
you're a.

Speaker 2 (21:05):
Voter, you're on a boat. Yeah that's cool.

Speaker 3 (21:09):
Yeah totally. My girlfriends never say no. It just works
out really well that way. This is I don't know
why we spend an entire scene working it out and
discovering that there's this whole thing about potato chips or
something that we There's so much unnecessary information in here,

(21:32):
and I feel angry that I think about it.

Speaker 2 (21:37):
Is this just supposed to be in like the look
of a life of no mad, the failed, the failed
horror who thinks that she's not a whore but she
actually is a whore. And she's like, I'm in denial
of being a horror.

Speaker 4 (21:49):
I'm like, you're a whore.

Speaker 2 (21:50):
Just accept it. It's okay, it's okay, Yeah, it's okay.
It's a profession. It's the oldest profession actually, so.

Speaker 3 (21:57):
I mean, you know, at least do it, well.

Speaker 2 (22:00):
Yeah, exactly, at least do it with intent. So they
go to the place of the work and Naomi's looking
at what it is and it's like these though I've
actually probably been to a couple of the the Vegas
shows kind of like this. Oh cool, it was like

(22:21):
a long time ago, but yeah, they have these type
of shows in Vegas all the time, and this is
a topless one. This screenshot is not topless, but they
will be later topless.

Speaker 3 (22:35):
Oh yeah, it's it's a surprising moment for me because
I'd forgotten this was NC seventeen and therefore gratuitous titties
not just like a you know, like a normal rated
R like, oh, we're having a romantic scene and you
might see a little something like No, it's it's like

(22:57):
it's a whole stage of titties stage.

Speaker 2 (23:01):
I'm want a whole stage to titty run in front
of me. So yeah, I like I really like in
this movie the sets.

Speaker 4 (23:10):
I like the coordination with all the dancing.

Speaker 2 (23:15):
Although yeah, I do have contention when it comes to
know me, uh, whenever she's just starts picking up dance
the dancing part, she just immediately knows the choreography. I'm like,
why haven't you been like instructed how to do the
choreography and show me a little bit of struggle You

(23:35):
struggling to learn the choreography. But no, she's supposed to
be this amazing talented dancer that just picks up choreography
immediately when she sees it.

Speaker 4 (23:43):
And I'm like, that's not how it works.

Speaker 2 (23:45):
You're supposed to like do a little bit of a struggle,
but then depending on how good you are, you pick
it up really quick or very slow, not like immediately
like it's well, that's this is one of those things
where I thought this might be her autism superpower.

Speaker 3 (23:59):
And that's why I was asking you about it, because
I was like, I don't know, is this a thing,
like do you.

Speaker 2 (24:03):
I mean not this quick? No, I mean I would
consider myself an idiots savants when it comes to art,
and even with art and music, those are my two things,
two things. Nothing else.

Speaker 4 (24:19):
When it comes to those two things, I can pick up.

Speaker 2 (24:23):
I could pick up stuff that I haven't heard or
seen pretty quickly, but not as quickly as name. I
keep trying to call her, Naomi know me, uh know me.
She the rate in which she picks it up is
like lightning fast. She's like the flash. She's just going fast.

(24:43):
She's like, oh, I just know it. I don't even
have to watch somebody do it, like for the first time.
I just can just like go with the dancers for
the first time that I'm dancing and do it perfectly.

Speaker 3 (24:59):
I mean I actually like that they do this. This
is if only because thank god, it moves things along
a little faster.

Speaker 6 (25:06):
Yeah, everything else is a drag and we have to
sit through so much unnecessary information. So it is really
nice for me personally that she goes, oh yeah, I
got it, and it's always this smooth.

Speaker 2 (25:25):
Do this all the time, and she's like the way
she dances is so aggressive.

Speaker 4 (25:30):
She's like, like, stop it.

Speaker 2 (25:34):
Woman. Also chat, there's only two likes, like the stream
fare the stream around. You better do it or else
Tony will be very sad and he'll have a cry. Yeah,
I mean cry, He'll have a cry about it. So
leave a like chat.

Speaker 3 (25:54):
We've already massively, you know, tormented him over in his
I don't know where are we keeping him some dark
hole and a bunker or did he get tied up
in the closet?

Speaker 2 (26:06):
Birthday box right now in the birthday box watching he's
watching Halloween for the sixty ninth time. It's his favorite movie.
He's having a good old time. Oh yeah, they're just
having a big old dance and she's like, wow, I
can't believe it.

Speaker 4 (26:26):
I might want to tries to do something like this.

Speaker 2 (26:29):
M She's like a really good dancer according to everybody
that she talks to. And then after everyone says, oh,
she's a good dancer, then her dancing skills are proved,
And I guess, I guess the way to prove that
she's really good at dancing it is to have her

(26:50):
not even need to know the choreography before even going
in an auditioning for a thing, and then matching the
choreography of everybody else perfectly. Just she's great. So anyway,
she goes into the dressing room and she meets the
chick and the chicks like she's taking her makeup off whatever,

(27:11):
putting a makeup on, and she gets a little bit
of a behind the scenes of what it's like to
be a show girl, and she's like, wow, I kind
of want to be a dancer.

Speaker 4 (27:21):
I don't want to dance. And she's so mouthy.

Speaker 2 (27:29):
I can't believe how mouthy she mouthy to everybody in.

Speaker 3 (27:34):
This film Impulse control none, and she.

Speaker 2 (27:38):
Just starts yelling at the fucking chicks coworker, and I'm like, bro,
you could get her fired.

Speaker 4 (27:44):
You have no consideration for her whatsoever?

Speaker 2 (27:48):
Oh not the scene? Yeah, so she like runs out,
she runs NOI runs out. We got the black chicks
after her, and she's like, you could have got me fired,
and always like I don't care. I'm like, what the
fuck is wrong with you? Why would you not? Why
would you do this to somebody? Why would you get

(28:08):
somebody fired? Especially in Vegas where it's like pretty expensive
to live and it's very competitive, and who knows how
sensitive her position is, like whether she's like like guaranteed
to be there, or whether she's like one little mistake
and then she's gone.

Speaker 3 (28:31):
I've never had friends that have sabotaged my work. Ever,
it seems like if they did, I would not keep
them around for very long. I certainly didn't let them
continue to live with me. I just everything about this.
I do not understand the loyalty between these two at all,

(28:55):
because this blonde fucking monster does not give a shit
about her her pretty brown friend.

Speaker 2 (29:03):
No, And I don't understand why the black chick's dealing
with this.

Speaker 3 (29:10):
Uh.

Speaker 2 (29:10):
So we got this guy, uh, this black guy over here,
not notices her in a club, and she's like kind
of freaked out about him, but it's because he notices
her dancing, and he's like, oh, I gotta get I
gotta get some of that. I'm doing a dance by myself.

(29:31):
And she's like, oh, you're a stalker. You're you're stalking me.

Speaker 3 (29:38):
Well, she grinds up on him, right, she does a
whole like I'm so sexy and I'm doing this big
arm dance, and then she's sexy about it, and.

Speaker 2 (29:49):
Then she acts like the victim. She grinds on him
and then acts like the victim.

Speaker 3 (29:53):
Well, no, then she commits assault, straight up assaults him
by kneeing him in the balls. He ends up banging
into some other guy and it creates a whole kerfuffle.

Speaker 2 (30:04):
And then they have to go fight, and then she's
dragged out.

Speaker 4 (30:07):
She's like, why me, why me?

Speaker 2 (30:10):
Why like being dragged down?

Speaker 4 (30:12):
I did nothing wrong?

Speaker 2 (30:15):
Yeah, I like you stip acting like the victim. You
did you did everything this conflict. But yeah, she's grinding
on him. Of course, she's like, oh okay, interesting, wow,
and then she I remember her kicking him in the dick,

(30:39):
and then there's like a fight that happens like between
this these guys and this dude, and then like she
gets dragged out of the club from like these bouncers.
So I'm like, hmm hmmm, oh woman, why did you

(30:59):
do this to yourself?

Speaker 3 (31:01):
I like your thinking face makes me happy.

Speaker 2 (31:06):
So, yeah, she's being dragged out by these guys and
she's like, no one, what I do wrong? Uh? And
she goes to jail about it, like I didn't see
any police officers come and take her away. She gets
taken from the club and then next seasons in jail and.

Speaker 4 (31:25):
I'm like, why are you in jail? What crime did
you commit?

Speaker 3 (31:29):
Well, she did assault a man, but that's the man
she assaulted, and if he's not pressing charges, he shouldn't
have to bail her out, which does.

Speaker 2 (31:39):
Yeah, I'm like he's if he's not pressing charges, then
nobody should be in jail, Like, right, isn't that how
it works?

Speaker 3 (31:48):
Uh?

Speaker 2 (31:50):
But like he bailed her out even though presumably he
would be pressing charges in order for her to be
in jail in the first place. Yeah, But he's like,
come on, woman, I did this thing for you.

Speaker 4 (32:02):
Can you please just consider my offer?

Speaker 3 (32:05):
He is a very wiggly man, isn't he the whole time?
And I and then I'm really glad to find out
that he is a dancer because it suddenly makes all
of his wiggliness makes sense.

Speaker 2 (32:16):
Yeah, oh man, if I wish they established him being
a dancer earlier, but I'm glad they did it at
some point in the movie versus never. Yeah. So, yeah,
she's like, you fucking bitch, by you build me out,
I would have I would have done fine just staying
in jail. Oh yeah, so she goes to this club.

Speaker 3 (32:40):
Uh n, wells, she goes to work.

Speaker 4 (32:42):
Yeah, she goes to this work. She works out this club.

Speaker 3 (32:47):
Which which is which we learned is beneath the the
woman who set this whole uh BPD tirade off. Right, So,
so our dream girl, who's supposed to be the protagonist
of this movie, but you hate her so fricking much
at this point already, she's just a painful pain in

(33:11):
the ass. You find out that she's all offended that
somebody would think that the strip club she works at
is trashy, and so she assaults a man and gets
thrown in jail. And now we go back to work.

Speaker 2 (33:30):
But I guess Yeah, I wish I saw police officers
arresting her me too, Like that would have made the
transition from like the club to being arrested being in
jail so much smoother, regardless of like whether you can
be arrested if regardless if someone presses charges on you,

(33:54):
regardless of any of that, I just wish that police
officers were here just so be like, Okay, this just
this just got real. Yeah, but I was just a
sudden jump. So yeah, she goes to work, and honestly,
I really like this fat chick. Oh man, what's her name?
I don't remember her name.

Speaker 3 (34:12):
I don't remember her name either, I know, yeah.

Speaker 2 (34:16):
Establishing any of the names.

Speaker 5 (34:18):
Uh.

Speaker 2 (34:18):
I liked her gimmick where she goes like this or
whatever and like her her titches pop out.

Speaker 3 (34:25):
It was hilarious.

Speaker 2 (34:26):
Yeah, And like we got all the people heckling from
the crowd, Like one of the guys is like, oh,
pull your dress up. She's like, you couldn't handle all
these fat You couldn't see anything.

Speaker 3 (34:39):
You couldn't handle my rolls and my lump on my
vagina that she talks out at some point.

Speaker 2 (34:46):
You couldn't even see. You couldn't even see my vagina
unless I was pissing on you. And then that like
got the crowd going doing a roar like whoa, wow, whoa, And.

Speaker 4 (34:57):
I was like, you know, that was actually pretty that
was pretty baller.

Speaker 3 (35:02):
That was prettim it to. I mean, at this point,
I'm you know, I'm I'm like, oh, please please move
the plot along, like, yeah, yeah, we're establishing something. I
don't care though. Honestly, after you showed me that her
gimmick is the tip thing, I was like, that's fun
and we could have left it there. We didn't have
to like shoehorn her jokes in with. Frankly, they did

(35:29):
a really bad audio job of showing you that the
crowd was laughing and enjoying it. Yeah, but they had
like these big faces that they would pan to of
like ah, I don't know, I wasn't a fan of
this moment.

Speaker 2 (35:44):
Uh so yeah, so she I think this fat chick.
I can't tell if she's worked there the longest or
if she's just like really good business partners with the
headhn show right here, because they have like some sort
of camaraderie and it seems like the fat chick knows

(36:05):
what's up. She's like, she's just gonna do her job,
and that makes this guy happy. This guy brings in
a new chick. Her name is Hope, and she's like,
my name's Penny. My name's Penny, And I'm like, who
the fuck wants to be stripped on by a Penny?
I want to be stripped on by a Hope.

Speaker 3 (36:23):
Hope. Yeah, get that Hope exactly, get that Hope. I
thought this was a weird moment that we took way
too much time to spend on the name.

Speaker 2 (36:33):
Yeah, it was not necessary.

Speaker 4 (36:36):
And honestly, the only other time.

Speaker 2 (36:40):
Hope shows up is when she's like at the very
very end, I'm like, oh, that's Hope.

Speaker 4 (36:47):
Oh yeah, she was established earlier.

Speaker 2 (36:49):
That's right.

Speaker 4 (36:51):
Did show up any other time in the movie except
for the very end yep?

Speaker 3 (36:56):
Yeah. But also I'm totally bored by this ella skinny bitch.
Don't care bring back the fat lady. She was fun.

Speaker 2 (37:05):
Yeah, I never thought though, hear those sentences, bring back
the fat lady. But all these skinny bitches they have no,
they don't really have personalities except for bitch. Yeah, like
bitch is their personality really.

Speaker 3 (37:23):
Well, that's even the personality of the main character all
of the all of the sporting characters, they're just the
same bitch except for the nice black lady. She's just
a nice lady.

Speaker 2 (37:35):
She is a nice lady. She doesn't deserve any of
those No, So he got this guy in the shades,
and then we got this chick right over heres. They
it seems like the chick is from like a lot
of wealth, and then the guy is her pet or
something like. I can't tell the relationship between the two.

Speaker 3 (37:59):
Oh that's interesting, because it was immediately clear to me
that there, you know, it's a it's a relationship based
in total farce of this This lady, who is clearly
also a bitch whore, because every woman in here is

(38:20):
is a bitch horrer in the movie, is really done
up in a way that she thinks looks classy but
still totally freaking trash as far as I'm concerned. And
he is the douche bro money guy m And that
was immediately clear to me because, oh my god, haircut

(38:43):
and sunglasses, douche bro.

Speaker 2 (38:46):
That's a good read on that.

Speaker 3 (38:48):
Good costuming, excellent costuming, and the whole freaking thing. Honestly,
I gotta give it up costuming. You better give me
a super chat about this this freaking costuming.

Speaker 2 (38:59):
Do it chat?

Speaker 3 (39:00):
Give it?

Speaker 2 (39:01):
So, yeah, they're like looking at her, and she's looking
the pole, and I'm like.

Speaker 3 (39:06):
Look at this costuming brilliance.

Speaker 2 (39:09):
Look unhygienic. That is, you're licking at the pole the
other women have been on who knows like how often
they're sanitizing the pole, So she's just like straight up licking.

Speaker 3 (39:22):
I actually have a terrible story about this. Okay, I'm
at a strip club after COVID and yeah, they they
they're sanitizing the pole between like all right and next
up on the stage, jeez, candy, bring off candy. And
then all of a sudden, this little like Hispanic woman

(39:43):
jumps up and she's got wipes and she's like frantically
wiping the pole off, and the floor where the previous
ladies but was all smeared around. It was amazing. I
was like, Okay, I can get down with this on.

Speaker 2 (39:57):
Yeah, I'm glad that they sanitize the poles and real life,
that's good. But this bitch is licking this pole, and
the way that she's dancing, I think it's way too fast,
like like she's just doing the dancing stuff a bit
a bit, and then like when it comes to her
bra she's like too and like it's way too quick.

(40:22):
Like what a guy wants from stripping?

Speaker 3 (40:27):
Do tell I have no idea on it.

Speaker 2 (40:29):
A guy wants teasing, A guy wants as much teasing
as possible. As soon as you see the naked parts,
then all the mystery is gone, all the fantasy's gone.

Speaker 3 (40:40):
No, I think you're wrong, and let me tell you why,
all right, I think that's what women want. I think
women think the tease is part of it, but men
just want to see titties. As soon as they see titties,
they're very, very enthusiastic about it, and the rest of
this build up nonsense is not part of it. In fact,
the dancing part is frankly silly. I think that's really

(41:03):
just so that you can bring your uh, skanky, dressed
up crystal lady as a dude bro and she'll at
least be entertained and pretend like, oh it's sexy. Well,
while this woman licks a pole.

Speaker 2 (41:21):
Chat send super chats which one of us is right right?
Or is Captain Boomy's right?

Speaker 3 (41:26):
And you only know most money wins.

Speaker 2 (41:30):
Most money wins send super chats saying which one of
us is right? Who is? Uh? Do men want to
see a slow, teazy scene where you slowly uncover all
the goods and until like last like five minutes and
then you see all the goods? Or do you want
to see just all the goods immediately?

Speaker 3 (41:57):
All right? All right? Can we get out of this
fucking strip club?

Speaker 5 (42:00):
Yeah?

Speaker 2 (42:00):
Esus?

Speaker 3 (42:00):
Great?

Speaker 2 (42:01):
All right?

Speaker 4 (42:01):
Oh yeah, so she Oh my goodness, this freaking scene.

Speaker 3 (42:05):
You can't get out of this goddamn strip club.

Speaker 4 (42:08):
This scene.

Speaker 2 (42:11):
Oh man, I can't believe it. So she's like, so
we got the chick and this guy, and the chick's like.

Speaker 4 (42:19):
Oh, all for you five hundred dollars for a lap dance.

Speaker 2 (42:22):
And apparently there's this rule in where you can't do
a lap dance with the woman in or something or
the woman nearby unless, like you give a lot of money,
which is what she does. She gives five hundred dollars
instead of fifty dollars for a lap dance. And then
the way that Gnomi does this lap dance. I've actually

(42:44):
had a lap dance done in Vegas by a Vegas stripper.
I'm an stripper. Fucked. What are those chicks that just
like walk around on on the just around and there
are some strippers there, but they're like just walking around
to be like, oh do you want to like.

Speaker 3 (43:02):
Just waiting their turn?

Speaker 2 (43:04):
Just like she.

Speaker 3 (43:04):
You know, you do your floor, you do your pole routine,
and then you get on the floor and that's when
you make your real money.

Speaker 2 (43:10):
Yeah, so yeah, go on, there's chick on the floor.
And uh, for reference, I don't know when did this
come out, like the eighties?

Speaker 3 (43:20):
Uh, this is a nineties movie.

Speaker 2 (43:22):
Oh, nineties nineties movie. So five hundred dollars for a
fifteen minute lap dance, that's a lot for reference. Uh,
two years ago, I was able to get a lap dance.

Speaker 3 (43:33):
It's Jesus.

Speaker 2 (43:35):
For reference, I was able to get a lap dance
in Vegas and one like one of the top Vegas
strip clubs for two hundred dollars for fifteen minutes. So
this guy really paid heavy. And uh, I just price
comparisons are very necessary for anybody who doesn't actually have
any reference for the prices that are here. Five hundred

(43:57):
dollars for a lap dance is a lot. And the
way that she's acting about it, she's.

Speaker 4 (44:02):
Like, Oh, I'm just just said like, like, bitch, you
made five hundred dollars, what are you sad about?

Speaker 3 (44:10):
Oh, she's all offended because Crystal, we actually know this bitch.
At this point, Crystal is the one who bullied her
into five hundred dollars.

Speaker 2 (44:19):
Oh no, I'm.

Speaker 4 (44:20):
Being bullied into getting money.

Speaker 3 (44:24):
But this is when we get our first insight into
Crystals maybe less than straight proclivities.

Speaker 2 (44:32):
Yeah, so we got to know me. She's she's instead
of hovering over the person like you're supposed to do
in a lap dance. I've had a lap dance under me.
I know how it is, and said, she's grinding bry
humping this guy. She does the fish where she does
like a seizer thing, she like lays back from the

(44:55):
guy's uh like waist.

Speaker 3 (44:57):
Well, this is her signature move, we said this.

Speaker 7 (45:00):
Yeah, so she's like sitting on the guy's lap and
she's like leading back and she's like flopping like a fish,
like having a seizure.

Speaker 3 (45:11):
You're actually really good at that.

Speaker 4 (45:18):
And it's just like, why this is not how it's done.

Speaker 2 (45:23):
And I guess the guy comes in his pants and
she's like, oh I did it. I did it very quick. Okay, cool,
give me my five hundred dollars and then she gets
to five hundred dollars and like, what.

Speaker 3 (45:37):
Everything about this is? Like I don't think I could direct.
I don't think I could recreate this scene anywhere else
in the world, Like give me, give me this, give
me the same actors, give me the same like situation,
and I just I don't know how they managed to
turn what honestly is a very sexy dance on her

(45:59):
partuntil it becomes the flopping fish thing into something so uncomfortable, like, like,
am I laughing at this?

Speaker 2 (46:12):
Am? I?

Speaker 5 (46:13):
Like?

Speaker 3 (46:13):
He does? Come? And and uh and and Crystal's watching
and that's supposed to be a big plot point. I suppose.
I don't know, but at least she makes the money.

Speaker 2 (46:30):
Oh lord, I'm just like.

Speaker 3 (46:32):
Get me out of this fucking strip club.

Speaker 2 (46:34):
The first part of the first part of the dance
is all right, and then it starts getting weirder and weirder.
I'm like, why do you have your leg up like that?
And then yeah, the fish thing?

Speaker 3 (46:46):
So anyway, God, this poor man too, So this guy.

Speaker 2 (46:51):
Yeah, she goes to his wait, so she's like chilling
and he's like trying to get to like caught like
talk Okay.

Speaker 3 (47:02):
Wait, we gotta we got to remind everybody who the
hell this guy is. So this is a black guy
who bailed her out of jail. He was actually uh
spying on her through a peephole while she was doing
the dry hump dance. This and now he's back and
now he's like, hey, I you know, talk to me.
I'm not a soccer, not not at all.

Speaker 2 (47:24):
He's like, I saw you fucking that man and woman.
You are having sex with them. She's like, I was
not having sex. I'm like you were having sex. I'm
like you kind of were having sex. It's like dry humping. Yeah.
He makes a really solid point here.

Speaker 3 (47:41):
Like if somebody has an orgasm, that's sex, like I
you know, I've but when.

Speaker 2 (47:47):
It comes when you're a stripper, you're not supposed to
be dry humping them.

Speaker 4 (47:51):
You're supposed to be like hovering over them.

Speaker 3 (47:54):
I I don't know what the roles are. I don't
know how it works. Nobody has ever humped me to
completion at a strip clubs, Like you know.

Speaker 2 (48:01):
I mean, I've never been humped to completion.

Speaker 3 (48:08):
Uh man, I no, just saying like I mean, I
actually really hate strip clubs.

Speaker 2 (48:16):
They're really so hit and miss. They're so hit and miss.
Most strip clubs suck because all the women are fat
and have small tits, tragedy and OnlyFans exist. So anyway,
he's like, let me teach you how to dance and
she's like, no, I already know how to dance. He's like,
you're doing it wrong, you're doing the stripping thing wrong.

(48:37):
And she's like, I know, I know, Like do it right,
right if you already.

Speaker 3 (48:43):
Know, I mean you know, I don't. I don't know
who needs to hear this, But don't argue with strippers. Yeah,
it's just not it's not a smart thing to do.
You should walk away. If you ever find yourself arguing
with a stripper, you're wrong. Go go, just get the
fuck out of there.

Speaker 2 (49:02):
And she goes to work and she meets this guy
and he gives her a business card and he's like,
I saw you. I want you to be on I
want you to be dancing for me. And I'm like,
this is the third person that's asked, like that's like, hey,
here's an opportunity.

Speaker 4 (49:23):
Just here you go out of the blue, just I
saw you.

Speaker 2 (49:27):
I want you to have this opportunity, and I'm like,
you're not showing me that she's like a particularly better
dancer than the other chicks. Like I see the other
chicks and I'm like, Okay, they're dancing, but like, what
makes her dancing so special compared to the other chicks?
And this movie does not at all explain what makes
this dancing special.

Speaker 3 (49:49):
I'll say this later on. They do a pretty good
job of taking what are definitely professional dancers and telling
them to do it two degrees less than what would
normally do it at just so she can look more.
And it's painful because you can tell that these really

(50:11):
well poised and balanced like they're they're just their whole
energy is very like, I am a professional dancer, let
me not dance as hard as I can while she's going.

Speaker 2 (50:28):
She's like a machine. She's a dancing machine.

Speaker 3 (50:32):
Machine. I love that. Oh God, get me out of
this fucking strip club.

Speaker 2 (50:38):
Well, good thing. Uh So now she goes through the
auditions and it's like all on a line. They're going
down the line. The guy's like really choosy. He's like,
your tits are too big. Uh, you're gonna have to
go goodbye. Uh, your your ears are too big, goodbye.

(50:59):
But like the questions that he asks the women are
like half of them are like the most soft questions ever,
and then like the other half are just like the
meanest thing in the world. And I'm like, why are
you choosing to why are you specifically choosing specific women

(51:20):
for mean questions and other women for not mean questions?

Speaker 3 (51:24):
Like, well, this is you having a whole sense of
fairness that is anathema to this character being this character.
I actually he's my favorite character in the whole fucking
movie because he's so consistent, he's so clearly motivated. His
motivation is to be kind of a terrorist to these
women so that they respect and do what he wants.

Speaker 2 (51:46):
And they have a good show going. And I respect that.

Speaker 4 (51:48):
I respect I respect him being like, we need a
good show.

Speaker 2 (51:52):
I'm all, I'm all here for the show. I'm going
to be a major prick because I am I want
the show to go on.

Speaker 3 (51:58):
Yeah, his I feel like his character is so clear
and so well done and interesting compared to anybody else
in this whole movie, exactly because I also had no
idea why he was up here, down here, up here,
down here, except that I knew he was creating chaos
in people's minds to fuck.

Speaker 2 (52:19):
Yeah, I like to know me a response though she's like,
I'm just here to see you be a prick.

Speaker 3 (52:26):
Honestly, this was the one time that I was like,
oh I like that, Yeah me too, I'll be healthy
and it was fun.

Speaker 4 (52:34):
Yeah.

Speaker 2 (52:35):
So yeah, they're having a mouthy moment. I can't. I
really like his face because you can't get any emotion
out of it except for like he's pissed off that
he's not making money.

Speaker 3 (52:50):
Yeah, yeah, respect make that money, bitch. Speaking of, where
the fuck are my super chats?

Speaker 2 (52:57):
Chat? Get your super Chat?

Speaker 3 (52:58):
Say any dollars. We've we've murdered Tony. We took away
his whatever birthday this is he's.

Speaker 2 (53:07):
Thirty thirty sixth birthday.

Speaker 3 (53:10):
Chat a little pudding. Uh, we took it from him
and and for that, I think we deserve a little
dollary due for it. Plus, we're still trying to solve
the mystery of whip your tits out or do it
so and it's teazy.

Speaker 2 (53:25):
Like, yes, Chat, we need we need you to super
chat in order for us to clear the air on
what is better slow and teasy or just straight up
whip it out.

Speaker 4 (53:38):
When it comes to tits, you gotta let us know chat.

Speaker 2 (53:41):
So anyway, they're in the they're in the dressing room,
they're in the green room, and this crystal chick, she'sier,
and she's like antagonizing No Me.

Speaker 3 (53:55):
Yeah, you know what. Having looking at this again, maybe
No Me is such a horror two people because she
actually has a sixth sense about who is a bad person,
because like when I think about who she's immediately weird

(54:17):
reactive to, they always end up being a bad person.

Speaker 2 (54:21):
Yeah that's true.

Speaker 3 (54:23):
So maybe I'm looking at this whole movie wrong.

Speaker 2 (54:26):
Maybe she's the good guy and like everybody else sucks.

Speaker 3 (54:29):
Maybe she's got like a maybe this should have been
a like a psychological thriller where we find out that
she's got these superpowers that she can detect assholes.

Speaker 2 (54:43):
Now, that would be a fun movie. I love that.
I wish it was this movie though. So anyway, we
got this freaking guy's back and they're like hanging out
and he's got her arm around her, and I feel
like this isn't earned at all because the previous times
we saw him, she's like running away from him, like

(55:04):
she doesn't want to do with him.

Speaker 4 (55:06):
Uh, and she's like, stop giving me advice. I already
know this advice.

Speaker 2 (55:11):
Please stop talking. Ah, it's just annoying that now like
he's hanging out.

Speaker 3 (55:20):
This is where we find out that he's a dancer. Yeah,
and suddenly all of his wiggliness makes sense because he
was trained in New York and now he's a valet.
What a great dancer, What a great dancer? And uh
and and this is where we find out that, oh,
there's this plot now, Like we have a plot point,

(55:43):
which is he's created a dance for you and uh,
he wants you to see it or whatever?

Speaker 5 (55:51):
Is that?

Speaker 3 (55:51):
Or am I getting ahead? I'm not sure?

Speaker 2 (55:53):
No, that's it yesh either.

Speaker 3 (55:57):
So so this almost feels like plot right, this almost
almost I'm.

Speaker 2 (56:05):
I'm like curious as to how he's gonna pay these
women to do the dancing for him. I'm like, we
are you gonna get these funds to fund these women
doing this stuff for you? Like, I really don't know
what his plan is here, fully, Like I feel like
he's like, oh, yeah, I could create a dance and

(56:26):
I get some women.

Speaker 3 (56:26):
But like they have like a fringe fest in in
Vegas for slutty dancing if they don't, I'm starting it
and I'm gonna make so much fucking money. Oh my god.
Maybe that's doing Maybe that's slutty dancing. I need a
better name for it, though, I don't think I can
trick bitches into doing it if I call it that.

Speaker 2 (56:49):
The teasing that happens is this film is just so weird.
So they like start grinding on each other, and like
he's like touching her tits and like his hands goes
down her pants and then she then she leaves.

Speaker 3 (57:05):
After that, she tells him that she's on her period
and then proves it.

Speaker 2 (57:11):
Oh, I didn't even like get that. I didn't even
get that from the dialogue. I just thought she's like wet,
Like the dialogue's not clear enough to me, Like, I
feel like a lot of the dialogue.

Speaker 4 (57:22):
It's made so you put whatever you think of in there,
and okay, that's fair.

Speaker 3 (57:30):
Yeah, look everything about this I'm already I'm I'm pretty
checked out. I'm titillated, but I'm also checked out. It's
a weird push pull of like, Okay, there's sexy things
happening and I couldn't care less, like and I'm just confused,
and I don't like it.

Speaker 2 (57:49):
I don't like it exactly. And she goes back to
the trailer after she runs out, and she's like, oh,
I just I just want to dance. I don't want
to dance for him though maybe I don't know. I
don't know. Actually, Like she's like really conflicted about everything.

Speaker 3 (58:09):
Okay, yeah she is because she's a terrorist. Yeah she
gets it. She gets an audition though.

Speaker 2 (58:15):
Yeah, she gets an audition.

Speaker 3 (58:18):
Oh no, she gets the role. And then she finds
out that this guy's a whore.

Speaker 2 (58:22):
Mm hmm.

Speaker 3 (58:23):
Oh well, and.

Speaker 2 (58:25):
Like offers the dancing position to like her, yeah, to
to that chick, the penny chick whose.

Speaker 3 (58:32):
Name we actually know yay hope, oh hope, oh Penny Hope.

Speaker 2 (58:38):
And then oh yeah, the entire movie she said she
pronounces VERSACEI for sace.

Speaker 3 (58:46):
Yeah, I get that. The like, was this supposed to
be endearing? Was this supposed to be cringey? Was this
supposed to be I had no idea why they wanted
this joke to exist.

Speaker 4 (58:58):
I really think it's just the show her class.

Speaker 2 (59:01):
It's like it's to show that she's Oh.

Speaker 3 (59:03):
I knew she was trash. Like that is one hundred
percent clear. I don't need I didn't need none of this.

Speaker 4 (59:09):
I didn't need her to pronounce versata.

Speaker 3 (59:11):
Honestly, the choice of Versace dress is trash. Like it's
got fucking holes where her twat is. She's trash.

Speaker 4 (59:21):
Yeah, it's a Versace. How much would that cost?

Speaker 2 (59:25):
Like, I know, like a Versace dress now goes for
like a thousand dollars.

Speaker 3 (59:31):
Look, it's a very expensive brand. It would have been
a very expensive brand at the time. I completely understand that. However,
even if it's an expensive brand, there is an appropriate
time and place for this dress in particular, and it is.

Speaker 2 (59:48):
Not this place right here.

Speaker 3 (59:50):
Not the office. No, maybe not the office when you're
sitting across from HR lady who is such a dumpy thing.
Oh they're so mean to her if we don't have
a picture of her, do we.

Speaker 2 (01:00:04):
Maybe?

Speaker 3 (01:00:04):
But the fact that we have to sit there while
she goes through HR during her job starting thing is
so exhausting.

Speaker 2 (01:00:15):
Ah, I didn't know they had, Like I didn't know
they had like an HR building for her job. But like,
as soon as this came up, I was like, oh, yeah,
that does make sense kind of because.

Speaker 3 (01:00:27):
For a hotel chain, Yeah, yeah, you.

Speaker 2 (01:00:30):
Do need a central location and guess who's there. It's
that freaking guy. It's the dude.

Speaker 3 (01:00:36):
Yeah, and I'm like, who is surprisingly unashamed that he
has been dry humped to completion.

Speaker 2 (01:00:46):
I think it's just like, ah, I'm gonna get you.
I'm gonna get you in my I'm gonna get you
in bed or in my pool, and we're gonna bang.
I think that's what he's thinking the entire time, during
this entire conversation.

Speaker 3 (01:01:01):
And oh yeah, and now the gay guy yells at
her to hump harder.

Speaker 2 (01:01:05):
Yeah, look at those bridges.

Speaker 3 (01:01:07):
God, I love this. Who is this guy? He's been
in other things and I really enjoy him. And he
does always play the gay guy right like very femme, very.

Speaker 2 (01:01:19):
Yeah, he seems familiar. Man, I'm blanking on his name,
but I love When I was watching this scene, I
was like, man, I just love the way those wrinkles
on her leg look like. I was like, Wow, this
looks really good. I've never seen anybody with uh with

(01:01:39):
pants tight pants have bridges that look that good. Apparently
he's the tour guide in Austin Powers whatever his name is,
So that's who he is.

Speaker 3 (01:01:53):
Okay, Wait, I mean I love these pants, don't get
me wrong. Yeah, and I now need a pair. But
I'm just confus use us to you're into the is
this is this like a weird fetish thing that you
have that I that I'm just missing.

Speaker 2 (01:02:08):
About the pants? Yeah, I just like aesthetics. Okay, it's
just aesthetically.

Speaker 3 (01:02:12):
Please we're gonna draw us later. That sounds fun, probably, yeah, okay,
all right, So look how hard she's working and then
she gets to actually do the show, right, Yeah, and
oh my gosh, she's now working at the same place
that she visited when her roommate brought her. Oh, isn't
that amazing?

Speaker 2 (01:02:30):
It's amazing, man, there is Do you remember the monkeys
that's just like randomly show up in the middle of
this movie for no reason.

Speaker 3 (01:02:38):
There's there, Yeah, apparently they're part of the show, but
we never get to see that part of the show.

Speaker 2 (01:02:43):
And apparently they like they ship on the stage, and
I'm like, okay, so they're gonna shot on the stage.
Somebody's gonna slip on the ship and.

Speaker 4 (01:02:50):
They never do.

Speaker 3 (01:02:52):
They get the Checkov ship. The Chekhov's monkey shit is
never paid off. Yeah, not once.

Speaker 2 (01:02:58):
Why would you establish that if you're not going to
have it pay off, like really?

Speaker 3 (01:03:05):
Yeah, Well we do get to actually see the monkeys
later when she like hugs a monkey and it's weird.
I do like this part just because I'm like, yeah,
I would love to lay down and take a breather
after I've essentially run a marathon doing this this insane
choreography of like, wow.

Speaker 2 (01:03:28):
You know, her makeup in this scene reminds me of
Manny Musket's favorite artist, Melanie Martinez. She has makeup just
like this. Oh cool, uh, red freaking rad Do we
have a guest?

Speaker 3 (01:03:44):
Oh my god.

Speaker 5 (01:03:49):
You.

Speaker 4 (01:03:52):
Guys doing a great job, way better than Tony f y.

Speaker 3 (01:03:55):
I him back in that box? What the what get
that piece of ship back in the box?

Speaker 2 (01:04:12):
Wait? How Tony?

Speaker 3 (01:04:16):
What the hell put that thing back in the.

Speaker 2 (01:04:20):
He's just fo okay, hold on, okay, was I don't
know how the funk that happened? I guess he. I
didn't even pull him on to the stage. He just
showed up anyway.

Speaker 3 (01:04:34):
Uh, we're gonna.

Speaker 2 (01:04:38):
The show got hacked, hacked, the movies got hacked exactly.
So yeah, now they're having like a confrontation. We got
this dude. Uh, then we got this other guy, and
she's like, oh, yeah, we're gonna I'm gonna see what's
gonna happen. Yeah, yeah, Well.

Speaker 3 (01:05:01):
I mean, you know, I suppose I would be flattered
if somebody came in their pants and bought me flowers.
About it.

Speaker 2 (01:05:12):
I wouldn't want to deal with flowers, man, Like I
see those flowers, I'm like, man, those flowers are just
gonna die in like two days. I don't want to know.

Speaker 3 (01:05:20):
That's that's it. That's one hundred percent of you problem.
I love flowers. Please send them to me.

Speaker 2 (01:05:25):
Look, I've never had flowers last longer than the week.

Speaker 3 (01:05:29):
I mean, that's a long time for flowers. That is
a normal amount of time for flowers.

Speaker 4 (01:05:33):
I want flowers the last logger.

Speaker 3 (01:05:35):
I wish the emerald fleeting nature of the flowers is
part of the joy.

Speaker 2 (01:05:41):
I want things to last for at least a year
until I have to get rid of it and replace it. Like,
I really don't like replacing things very often.

Speaker 3 (01:05:49):
And I'm not one of those women. I'm one of
the you know, give me, give me flowers, give me chocolates.

Speaker 2 (01:05:56):
And give me super chants and give.

Speaker 3 (01:05:58):
Me super yeahs, give me money.

Speaker 2 (01:06:03):
Seriously, so they're we got Crystal, we gotta know me.
They're having a they're having a sit down, they're having
a chat, and they're like, it's the tension in this scene.
It seems there's just like.

Speaker 3 (01:06:18):
Is it tension or is it are you exhausted because
it feels like you're overhearing the popular girl's table talk
about absolute nonsense.

Speaker 2 (01:06:29):
Yeah, okay, it feels like there should be tension here,
but there's not, Like because the dialogue it doesn't actually
set up any tension.

Speaker 3 (01:06:37):
I'll give you this. There's a lot of open mouthed
like eyes. It's a lot of this.

Speaker 2 (01:06:44):
It's a lot of eyes just looking at each other.
They're like.

Speaker 3 (01:06:51):
An open let's let's be real.

Speaker 2 (01:06:55):
Exactly. Oh yeah, we got uh.

Speaker 3 (01:07:02):
Oh my god, that's right. So we have some champagne
at lunch. We find out that Crystal named herself after
Crystal the Champagne, which is trash. What trashy trash trash
this is. And so now we're gonna get all handsy rapie,
you know, agro about it.

Speaker 2 (01:07:24):
She really just wants to rape, know me. What's the
She's really into her, Like she's really into her. She
keeps like finding ways to be in her presence and
like finding ways.

Speaker 4 (01:07:38):
To be alone with her every which way.

Speaker 2 (01:07:41):
It just seems like she has ultimate power and any
situation he goes in to do this, Like, is she
like queen whore? Is that why she can do whatever
she wants?

Speaker 3 (01:07:53):
Well, yeah she is. Actually she's the headliner. She is
queen hohrr. Like literally, they put a crown on her
head and sent her out with her tits out going
like this to music and everyone else has to dance
around her while she queen horse. So what are you
not getting about this?

Speaker 2 (01:08:11):
So this makes it so she's it's okay for her
to just like rape know me.

Speaker 4 (01:08:16):
That's or actually the.

Speaker 3 (01:08:21):
The know me rapiness. If I'm honest, if this had
been a male character who was kept maneuvering no me
into situations where she had to be in this in
her presence, his presence whatever I'm getting I'm getting confused
over here, then this this would almost make sense because

(01:08:47):
you're you're creating a bad guy, but you can't really
make this person a bad guy because of the final
plot nonsense.

Speaker 2 (01:08:57):
Oh man, So yeah, they're all getting for the performance.
And by the way, I just love their makeup and wigs.
In this scene, they're all like wearing the same wigs.
They're all put them on, putting all the wigs on,
and I just like how perfect the wigs are and
how perfect they're putting their wigs on, because I put
on wigs before, and I've maintained wigs, and never ever,

(01:09:22):
ever did they stay good after like one good wearing,
unless you like put them on like a mannequin head.
But even then they'll still get fucked up.

Speaker 3 (01:09:31):
I mean, I'm not a showgirl. I have done like
shitty Halloween wigs, but I have seen some nice wigs, and.

Speaker 2 (01:09:40):
There are some nice wigs out there. I have shitty
Halloween wigs too.

Speaker 3 (01:09:48):
Oh but yeah, let's talk about how every woman is
just a catty, terrible bitch.

Speaker 2 (01:09:53):
In this Yeah, in this movie, everyone's just like terrible
to each other and then it's like, okay, we're just
gonna make it up. We're gonna make up to each
other when it's convenient, and then we're gonna be terrible
to each other again, and that's what the movie.

Speaker 3 (01:10:06):
Is, right. Well, okay, so I will I do respect
this moment though. So this woman, the the black Dancer,
yelled at this woman's children. Yes, it's all upset. So
it finally this woman has a legitimate motivation to do
the evil shit she's about to do.

Speaker 4 (01:10:26):
But also, you should have got your children there.

Speaker 3 (01:10:29):
No, you should not have your children backstage at a
titty dancing place.

Speaker 2 (01:10:33):
Yeah, I do think like the black chic was correct
and like, why the fuck are your children here? And
I'm like, you're right, they shouldn't be here in fact.
But you know, of course she's like, oh, fuck you,
you made my child cry. I'm gonna do some evil
upon you. Yeah, it's motivated. Yeah.

Speaker 3 (01:10:52):
Oh boat show. That's right, there was a boat show.
I got really, really excited. Let's talk about the boat show.

Speaker 2 (01:10:59):
Yes, nice boat.

Speaker 3 (01:11:01):
I've never seen dancers at a boat show, but I
have been hot girl standing around on a boat, and
they thought I was just the hot girl who didn't
know anything. But secretly I'm judging the shit out of
them for the dumb questions they're asking about the boat.

Speaker 2 (01:11:21):
What a beautiful boat. Give me all the knowledge facts
about this boat.

Speaker 3 (01:11:26):
Oh my god. So well craft back in the day
was supposed to be the fancy comparison boat to Bayliner.
So at this time, during when this convention Hall would
have been open. The boat that would have been getting
pooped on would have been the Bayliner. This was the

(01:11:46):
fancy go Fast. It did a whopping twenty knots and
they had streamlined all the windows in that brand new
flexi plat stick so that they could do this this
extra dark line of windows. Isn't that fun?

Speaker 2 (01:12:07):
Is fun?

Speaker 3 (01:12:08):
Sorry?

Speaker 2 (01:12:08):
Thank you for the boat snacks, boat knowledge snacks. So
oh yeah, this fucking Asian man, he was at the
strip club earlier that she was.

Speaker 3 (01:12:19):
Why would bang this guy? I don't know why she
was being such a prude about it. Because he's hot.
I'm into this guy. I like this silver fox over here.

Speaker 2 (01:12:27):
I'm not No, he seems like he has a lot
of money.

Speaker 3 (01:12:32):
Though, I'm not into hair plugs. Look at him.

Speaker 4 (01:12:37):
I don't know how to identify a hair plug.

Speaker 2 (01:12:40):
Oh uh.

Speaker 3 (01:12:42):
His hairline is weird, right, it's it's brushy. He's he
actually doesn't have hair plugs, but he does have powder,
so his his hairline is doing this right, yeah, and
it's going all the way back here. But he has
darkened everything in here with that terrible hair stuff so

(01:13:04):
that it looks fuller than it is. Because he's also
thinning right here as well.

Speaker 2 (01:13:09):
Okay, yeah, well, I like, I uh, I wish that
there was more.

Speaker 3 (01:13:15):
Where is that luxurious mop on top of that very
tan Asian man with his nice suit. I'm into it.

Speaker 2 (01:13:23):
I wish there was more character development with the Asian
man because he is established early on and then he's
like and then he's here.

Speaker 3 (01:13:33):
So I'm like, So I'm feeling guilty because people people
might not have seen it, actually seen this movie. So
let me explain. Nomi is doing this event, and she's
confused as to why they're paying so much money for
her to go and do a little bit of the
number on top of a boat, which seems like just
a fun thing to do. I understand. I would have

(01:13:55):
totally gotten tricked by this. And then creepy pale face
over here says, Hey, we're gonna go have some dinner
and drinks and then we're gonna go back to the
suite at the hotel and you're gonna do some pervy
stuff to this Asian guy, and that's what I'm paying

(01:14:17):
you for.

Speaker 4 (01:14:20):
She's still in this point of the movie.

Speaker 2 (01:14:22):
She's still like, I'm not a whore. The entire time,
She's like, I'm not a whore, even though she keeps
getting paid to do whore things. I'm not a whore.
I'm a dancer.

Speaker 3 (01:14:33):
We've seen her tits a lot at this point, Like, yeah,
I would say we're at thirty percent of the movie tits.
I don't know how Tony found these images or how
you found these images, because it's a shocking lack of
nipple when I know for a fact that I was
getting tired of seeing her goddamn nipples.

Speaker 2 (01:14:54):
Yeah, it was just all over the place, like they were.

Speaker 3 (01:14:56):
They were you know, third main characters nipples galore in
this movie. H Okay, Uh so.

Speaker 2 (01:15:08):
Yeah, they're Like I felt like the end closer towards
the end of the movie was just kind of weird
because it just it felt like it just suddenly stopped,
like like there's like some conflict that happens, and then
it just stops, like she just decides to leave, and
like it's just it's just so sudden that I'm like, wait, what,

(01:15:30):
why did why she just stops wanting to be a whore. Okay,
but like you didn't like give me like a good
lead up to that, Uh what do you think about that?

Speaker 3 (01:15:44):
Okay? My interpretation, my kind interpretation is she does want
to be a dancer. She does see this show as
her fulfilling that dream, and so she keeps holding onto
it even though it is just a titty show. Everyone
tites are out and everyone is that's there is a
Japanese businessman who thinks, gosh, I sure do like titties,

(01:16:08):
and those are some right there, and I will pay
money for them. You know what, I like even more
titties that put their mouths on my member. And if
that happens, all the better. I've got money. I'm a
Japanese businessman. Bring it on. And she forgets that that's
what this is because she's so focused on the choreography,

(01:16:29):
because that's her superpowered.

Speaker 2 (01:16:31):
Yeah or whatever. She's so focused on the art part
that she forgets about the business part.

Speaker 3 (01:16:37):
Right.

Speaker 2 (01:16:38):
So now her.

Speaker 3 (01:16:40):
Finance bro savior here tells the other bro, hey, I
can't believe you try to turn this whore into a
whore with some Japanese businessman. How dare you? And then
we find out that it was all a lie and
he didn't really give a shit.

Speaker 2 (01:17:03):
What a beautiful scene, oh man, I really like the
coloring and the scene.

Speaker 3 (01:17:09):
Why they had to do it on stage. I don't know.

Speaker 2 (01:17:12):
I don't know why they had to do it on stage.
I think it's just so it looks cool personally.

Speaker 3 (01:17:19):
But he's like, all right, fabulous, all right, this woman,
this woman, this stage. What's next?

Speaker 2 (01:17:32):
Oh yeah, this scene?

Speaker 3 (01:17:34):
You know what. I have never shaved up to my butthole,
and I haven't said I'm gonna try. Like watching this movie,
I was like, wow, she went like all the way
to her butt.

Speaker 2 (01:17:47):
I mean that's what I do.

Speaker 3 (01:17:49):
Oh wow, okay, I'm I I've just never thought about it.
There's just not that much hair there.

Speaker 2 (01:17:55):
I'm a hairy woman. Okay, I'm polish. I have a
lot of hair. I have to shave it. I'll give
it a try, try it, see how it works. Oh yeah,
the marbles. Why did this bitches throw the marbles on
the stage like that?

Speaker 3 (01:18:10):
Oh? Because the Black Lady was mean to her children.
This is actually motivation only motivated thing.

Speaker 2 (01:18:17):
Ever in this It seems like it seems like this
is the only motivated action in the movie. Where she
throws the marbles and that guy who's carrying the Black
Lady falls and the Black Lady injures herself and the
guy falls as well, and it stops the entire show,

(01:18:40):
and I'm like, finally, some conflict.

Speaker 4 (01:18:43):
Finally is this going to be addressed at all.

Speaker 3 (01:18:48):
Some conflict that isn't the direct result of the main
character being a cunt.

Speaker 2 (01:18:53):
Yeah, finally.

Speaker 3 (01:18:56):
Okay. So, so poor black lady breaks her leg, arm
or hip, I don't know, I don't even nobody cares.
That's part of the problem. But we bring back the
fat lady yay.

Speaker 2 (01:19:08):
And she like she lies by saying that like she's
Nomi's mom or something in order to get to see her.
It was yeah, okaythos was weird. Anyway, they have like
a chat. I'm like, okay, why are you here? And
then here and.

Speaker 3 (01:19:25):
Then all of a sudden we're banging. We're banging, douche bro.

Speaker 2 (01:19:28):
Yeah, we're in the pool. But the way that they
have sex is, uh, her cinnature is a seizure move.

Speaker 3 (01:19:35):
Yeah, the flop. Wait, you's the water at it? You
do it? You do it? Do the flop?

Speaker 2 (01:19:41):
Yeah, that's the one.

Speaker 3 (01:19:43):
But it looks like they're practically waterboarding her because there's
also the dolphin fountain, right, do we have the dolphin
fountain in here? Or is there titty showing, and so
you can't show that.

Speaker 2 (01:19:53):
No either, there was titty showing, but like she like
while they're having sex in this pool, like there's water
fountain on top of her face, just like.

Speaker 3 (01:20:03):
Rousing being waterboarded. Wow, this sex scene is going on,
and I was I had all new respect for this
actress because I couldn't do that.

Speaker 2 (01:20:14):
Also, it's really funny. Is like the way that they
show sex in movies is like so wrong because like
in this one, like her legs are around his waist,
like they're nowhere near his penis whatsoever. Like otherwise she
wasn't real hung Yeah unless he's like thirteen inches then like,

(01:20:38):
uh no, that's not possible, like like it would look
different if they were actually having sex.

Speaker 3 (01:20:45):
Yeah. Oh, look at the disappointment faces on both of
our dads.

Speaker 2 (01:20:54):
I was so disappointed.

Speaker 3 (01:20:56):
Ah ah No, I don't even know why this is
in here. I can't remember anymore.

Speaker 2 (01:21:02):
I don't remember.

Speaker 3 (01:21:04):
She's auditioning to be the understudy now, yeah, the main
chick who touched her titties and made her feel bad,
whose name is Crystal. For some reason, Jesus Christ, this
movie is so difficult to deal with, right, and the
black guy does finally get to do his show, but
it's ship because he doesn't have her being an aggressive

(01:21:28):
flinger of dancing dance flame dance fling.

Speaker 2 (01:21:32):
What's interesting about dance scene is like he is on
the stage finally and everyone is booing him off.

Speaker 4 (01:21:40):
They would get off the stage, get off the stage.

Speaker 2 (01:21:43):
I want, I want the chase to be dating good
mad not on.

Speaker 3 (01:21:47):
You or something like that, something like that.

Speaker 2 (01:21:52):
I guess they have a reconciliation. Yes, they're like they
finally get to be uh chatting to each other about
what it's like to work in this the business of
being a show person.

Speaker 3 (01:22:07):
How do you feel about being a show person?

Speaker 2 (01:22:09):
Ment? I feel fine because I decided to do it
with all consideration of my future, and I treat it
like it's a mortgage that I put down on a
house that I will have to dedicate for thirty plus years.
That's how I feel about show business. But this chick

(01:22:31):
Noman's over here is she's like, I'm just gonna do it,
and then I'm not gonna do it, and then I'm
gonna do it and then I'm not gonna do it
or something like that. That's just how it feels like
to me, like she's.

Speaker 3 (01:22:40):
Half committed, half committed.

Speaker 2 (01:22:44):
We only have so many more slides.

Speaker 3 (01:22:47):
What unable to offer you? Right? Okay, so she doesn't
get the understudy roll, and then so she gets the
under study roll. Then she doesn't get the understudy roll.
Then she makes this face with entire too much lipliners.

Speaker 2 (01:23:04):
She has a lot of lipliner.

Speaker 3 (01:23:07):
Like it's the cattiest, bitchiest thing that I've ever said
in my life. But this is fucking too much lipliner.
It looks like her mouth is a butthole. I cannot.

Speaker 2 (01:23:15):
I really don't like it when lips look too big
because then it's like, this looks weird. I don't know,
it just looks weird to me. I like the normal such.

Speaker 3 (01:23:26):
A brown hole away next ah gee, I do like
this jacket costuming. The costuming is fucking spectacular.

Speaker 2 (01:23:36):
It looks she's here at the work again. She's following her,
she keeps following her. Oh here it is okay. I
remember when they were going up the scenes the stairs.
At some point earlier in this movie.

Speaker 3 (01:23:51):
They do check off the fuck out of these stairs.

Speaker 2 (01:23:53):
I will say, finally, I'm like, finally a Chekhov's stairs. Yeah,
actually like went through and paid paid, paid off. That's
what I meant paid off. Finally, so they pushed this
woman down the stairs. She is at the hospital and
they're like trying to confront uh, they're trying to confront

(01:24:14):
know me, I think about pushing her down the stairs,
and she's like, I didn't do it.

Speaker 3 (01:24:19):
No. She doesn't even have to say it because that
other the chick who pretty much murdered the other lady
who spilled the beads, said oh my god, no, she
just tripped. I was watching the whole thing. Nomi definitely
didn't do it, even though she was directly behind the
woman and totally could have pushed her.

Speaker 2 (01:24:35):
Yeah, amazing. So she gets the leads, she gets to
be the main star, and she's having a good time.
Look at the fake smile.

Speaker 3 (01:24:46):
That So we're repeating a scene which is actually an
impressive movie technique that should have you know. We're going, oh, okay,
so the cycle is repeating itself. She's now the big
star and she's doing the press junket in the exact
same way as the previous lady did it. Great literally

(01:25:07):
down to the makeup.

Speaker 2 (01:25:09):
Yeah exactly, and now know me.

Speaker 3 (01:25:14):
She's big, but Jiminy Black Lady Cricket decides to be
her conscience and like, and this is where the whole
movie takes a whole fucking turn. Yeah, and then I
liked it.

Speaker 2 (01:25:30):
Oh man. I liked the movie at the starting, at
the very beginning, when she's like being a huge bitch
to everyone, I was like, maybe she like redeems herself.
And then like, as the movie went on and on,
I was like, there's no redeeming her, is there? No?

Speaker 3 (01:25:47):
But at least the movie gets fun.

Speaker 2 (01:25:49):
At least he gets fun.

Speaker 3 (01:25:50):
Yeah.

Speaker 2 (01:25:51):
So yeah, uh this guy, oh man, So the Black
Lady got the very closer to the beginning movie, she
sees his poster of this guy right here. He's like
a like a singer of some sort or dancer, some
sort of performer. Yeah, and she's like, wow, I get
to see him and then guess who it is?

Speaker 3 (01:26:14):
Her dancer? Yeah, he's singer.

Speaker 2 (01:26:18):
It's a singer.

Speaker 3 (01:26:20):
So Yo Fabio is good looking, Like this is not
a flattering picture of him, but there are pictures of
there's there's shots of him. As this movie goes on,
I'm like.

Speaker 2 (01:26:30):
Okay, I get it. Yeah, I like the beard. Uh.
But then like even though.

Speaker 3 (01:26:38):
The only person, yeah, she's a fan. Yeah, and.

Speaker 2 (01:26:45):
I don't understand why he decides that he needs to
take advantage of her and like just start like rapy,
you don't understand like like like she's already a fan,
like she would have problem we said yes to sex.

Speaker 3 (01:27:02):
Yeah, but that's not his thing in the same way
that like Crystal wanted like weird mind games with no me,
like it had to be like a power thing where
there's like he's just he's just a terrible person.

Speaker 4 (01:27:24):
Is this movie just about power dynamics?

Speaker 3 (01:27:27):
Yes? Hm, that is the theme.

Speaker 2 (01:27:32):
Yeah, it's the theme is power dynamics.

Speaker 3 (01:27:34):
So and you know who is always fucking powerless because
she has zero self control? No me yep, yep, She's
very powerless until she finally fucking gets them. And you
know how she does it anyway, we'll get there in that.
Put a fucking pin in that.

Speaker 2 (01:27:52):
So, yeah, she's in the hospital. Uh, she's in the hospital,
rip and she's very injured. She got like beat up
and everything. And also this guy is like choke and
know me out like another power move. Yeah, oh man,
now if you mentioned it, Okay, Yeah.

Speaker 3 (01:28:16):
So this is where I did have a conversation with
somebody today about the cult classicness of this movie and
how like, if you can survive the first hour and
fifteen minutes of this movie, the last half hour is
a fucking sleigh ride and it is crazy and it

(01:28:40):
ties so many things together and it is it is
the reason why I'm like having to go through it
right now. I am furious that I had to sit
through that first part, but also like I get why
it's a cult classic.

Speaker 2 (01:28:58):
It does like the back, the back part of the movie,
like the last half hour does have like this climax
feel to it.

Speaker 3 (01:29:09):
Yeah.

Speaker 2 (01:29:11):
That, like you take all the characters that were introduced
in the first two acts and then you got like
they're all coming together in this power dynamic battle and
like the power dynamics were established early on and then
now they're they're getting challenged here.

Speaker 3 (01:29:28):
Yeah, yeah, which I like.

Speaker 2 (01:29:31):
I like that she's like finally.

Speaker 3 (01:29:34):
Finance bro is finally trying to put the screws to
her in a way that she hasn't experienced before, and
she is not going to take it well yep. In fact,
she takes it so poorly that she commits extreme assault.

Speaker 2 (01:29:52):
Oh yeah, this guy for revenge, like this guy gets freaking.

Speaker 3 (01:29:59):
This guy gets well, Okay, Suddenly it becomes a kung
fu movie as well, Like she's doing these kicks that,
like you know, are full roundhouses, and I'm all about it,
and I'm real sad we don't have any video of it.
I wish roundhouse kicks well because her titties are out
the whole time she's doing it, so it's like a
I've seen that porno. It's fun.

Speaker 2 (01:30:20):
I wish that it showed her doing like Kiki moves
earlier in the movie. That would have been cool. I mean,
she does her leg thing, but that's not like kicking.
It's just like her she's putting her leg on somebody.

Speaker 3 (01:30:32):
Yeah. They they spend a lot of time talking about
her turns as a dancer not being that good. They
should have talked about her kicks, yeah, and having to
work on those, because damn, girl just kicks the shit
at this guy. Literally, her kickiness.

Speaker 2 (01:30:47):
Her kickyness factor is off the charts. She's pissed, like,
look at that face.

Speaker 3 (01:30:55):
This is also the worst her makeup has ever looked,
like the foundation does not actually match her skin tone
for the first time, which weirds me out. But whatever,
Go go as the mask of death that you are
and then go talk to your rival.

Speaker 2 (01:31:13):
Oh yeah, this is uh yeah, she's uh, she's she's
also in the hospital.

Speaker 3 (01:31:20):
Uh, why are you saying it that way?

Speaker 2 (01:31:23):
This is fun. I like saying hospital. Okay, worse, I mean, okay,
I could say hospital like.

Speaker 3 (01:31:32):
The average American says it.

Speaker 2 (01:31:33):
Yeah, but do I want to be the average American.

Speaker 3 (01:31:37):
You'll never be the average American.

Speaker 2 (01:31:41):
It's it's hospital, not with the be with the s host,
spit hole host. Okay, anyway, Uh, I'm letting chat.

Speaker 5 (01:31:51):
No.

Speaker 2 (01:31:52):
Uh so, yeah, she like visits her in the in
the hospital.

Speaker 4 (01:32:00):
They're like so close to like.

Speaker 3 (01:32:03):
We get the kiss, We finally get the finally creepy
lesbian kiss. It's it's now got an added tinge of
extra fetishism because somebody's hospitalized and we're doing power dynamic
and we're doing terrible fake nail extensions. This is a

(01:32:24):
lot of all.

Speaker 2 (01:32:25):
At once, I didn't even notice her nails, But now
that I notice it, yoh looks really bad.

Speaker 3 (01:32:31):
Lack.

Speaker 4 (01:32:32):
Why couldn't you paint those hide it a little bit?

Speaker 3 (01:32:36):
You take a hoe to a hospital? Yeah? Sorry, I
just saw.

Speaker 2 (01:32:40):
That I take the hose to the hospital. Oh yeah,
and then she like she's like, I'm getting out of here,
I'm leaving.

Speaker 3 (01:32:50):
I couldn't believe this was the last fucking scene of
this movie.

Speaker 2 (01:32:53):
Yeah, me too. And it's the same guy that like
picked her up. Now he's leaving at the scene. Then
that's she's leaving and she's like, give me back my suitcase.
Where's my suitcase?

Speaker 3 (01:33:06):
It is, So it's literally the same guy. I can't
tell you how impressed I am she has. She should
just start a detective agency, because there's no way I
would have been able to figure out who the hell
is this guy is? Yeah, why she hasn't gone after him
sooner if she had this ability to track him down?
Holy shit, it's an impressive Ugh.

Speaker 2 (01:33:28):
It's very impressive.

Speaker 3 (01:33:29):
And uh I would watch Detective Stripper. That sounds like
a great movie.

Speaker 2 (01:33:35):
Like she has her tit's house. She's like distracting people
while she's like looking for clues. But that's like her
whole gimmick. She's distracting people while she clues.

Speaker 3 (01:33:44):
Yeah, I love that.

Speaker 2 (01:33:46):
Yeah, No me Malone as goddess. So she's on a billboard.
She made it fabulous and what's the last one? Oh yeah,
box office. This is not the last one. It's box office.
The film was released to one thousand, three hundred and
eighty eight theaters in North America on September twenty second,
ninety five. Two theater chains in the South Texas Cinema

(01:34:10):
and George's Carmike the client to screen the film on
its opening weekend. The film made eight million dollars and opened.

Speaker 3 (01:34:20):
That sounds like more than I would have.

Speaker 2 (01:34:21):
Thought, yeah, and opened in the number two spot behind seven.
In the second week, it slipped to the fifth spot
in grosses fell sixty percent. Its total domestic take was
twenty million dollars, less than half of its forty five
million dollar budget. Ooh. While the film's theatrical run was

(01:34:44):
underwhelming and did not recoup its budget, it went on
to gross over one hundred million in the home video
and rentals market. I Wonder Why Nerves?

Speaker 3 (01:34:53):
And as God bless curves Chat, If you're a curve,
do it?

Speaker 5 (01:34:58):
Do it?

Speaker 2 (01:34:58):
Now? Do it? We know you And as of twenty fourteen,
the film is still one of MGM's highest selling movies.

Speaker 4 (01:35:08):
Okay, Chat, bring in your super chats.

Speaker 2 (01:35:12):
Right after these two slides, three slides. Then we're gonna
cover all the super chats. So we'll get your super chats
in now while you can, and also hit a like
on that stream if you have nots I only see
three likes chat. We need more. There's one hundred and
seven people here and only three likes. Y'all are slacking.
Get to that like, and y'all girl to dates, show

(01:35:38):
the thumb do it to date. Show Girls is the
second highest grossing NC seventeen production after Last Hango in Paris,
earning twenty million dollars at the North American Box Office.

Speaker 3 (01:35:53):
Awards won awards Wow Okay So.

Speaker 2 (01:35:58):
The film was winner of the Then the film was
the winner of a then record seven ninety five Golden
Raspberry Awards from a record thirteen nominations, a record that
still a stands, putting Worst Picture, Worst Actress, Worst Director,
Worst Screenplay, Worst New Star or a Screen Couple, and

(01:36:23):
Worst Original Song. Walk into the Wind originally written by
David A. Stewart and Terry Hall in ninety two, covered
in the film by main antagonist Andrew Carver. Verhoven appeared
in person at the Razzie ceremony to accept his Award
for Worst Director. I think that gives him a good

(01:36:44):
sense of humor.

Speaker 3 (01:36:46):
I like him. I like him now, okay, and look
at it all. He accepted the award.

Speaker 2 (01:36:53):
Yes he is, and that's that's all. I got it so.

Speaker 3 (01:37:01):
Exhausted, get me into this fucking strip club.

Speaker 2 (01:37:05):
Well would you rate this movie? Uh?

Speaker 3 (01:37:09):
Titties out of exhaustion?

Speaker 2 (01:37:12):
Uh, let's stay. Let's say out of ten. But it
has to be an increments of two because of titties. Okay,
it could be two, four, six, eight or ten.

Speaker 3 (01:37:23):
I'm gonna give it four nipples, all right.

Speaker 2 (01:37:26):
I'd also give it a four as well, Okay. I
really like the directing and the collaring. I just hate
the story.

Speaker 3 (01:37:33):
It was beautiful, it was so pretty again, so well produced,
but like we sat in places for so long without
anything happening, and I wanted to.

Speaker 2 (01:37:47):
Kill someone me too, That's how I felt.

Speaker 3 (01:37:51):
Have we murdered Tony yet? Or is he still in
the box?

Speaker 2 (01:37:54):
I think he's still in the box. Let's read these
super chats, uh, Psycho jet Black for five. I always
knew bullying from your friends, loved ones, Space Cat and
myself would set you on the right path in life.
You're welcome. Hashtag puffin no's hashtag love.

Speaker 3 (01:38:13):
Oh I'm that sweet. I have no idea what any
of that means.

Speaker 2 (01:38:16):
I mean neither Hughesy Entertainment for two pounds. Not a
fan of this episode so far.

Speaker 3 (01:38:24):
Do you better go to bed. It's way past your
fucking bedtime over there in Poundland.

Speaker 2 (01:38:29):
That was sent at six am. By the way, oh okay,
Matthew Miller became a new member at twelve thirty one am.
These were before the stream. Psycho Jet Black at nine am,
five dollars. Happy birthday, Tony. May your happiness be as

(01:38:49):
wide as your wistlin May your happiness be as wide
as your waistline and forehead combined.

Speaker 3 (01:38:56):
Oh shit, that's massive.

Speaker 2 (01:39:00):
Please don't forget to shower like you always do. Hashtag love.

Speaker 3 (01:39:05):
Um as somebody who's actually been around Tony, he kind
of smells pretty good.

Speaker 4 (01:39:09):
Actually yeah, he doesn't smell. Psycho Jet Black for two dollars.

Speaker 2 (01:39:14):
You look very red and bloated in that thumbnail that
was sent at seven twenty seven pm. When did the
stream start? All? Right, here we go. Here's when the
stream started.

Speaker 4 (01:39:23):
See Krueger, Krueger, love you baby, thank you.

Speaker 2 (01:39:29):
It's just a supersticker, but I don't see the sticker.
Thanks Streamyard, Uh su Pervy. Maybe disco hero Vision for two.
Rip Tony oh seven O seven O seven. That's just
a salute. Salute Rip Tony. He'll forever be remembered because
he was very famous. Aus see Dragoon for five dollars.

(01:39:53):
Captain Boomies must be honored to review both movies that
led to the depth of h Beryl Co Pictures back
to back.

Speaker 3 (01:40:03):
I am honored. You're right, I am honored and pissed
off at Tony for making me watch both of these films.
Since a short order.

Speaker 2 (01:40:12):
Back to Lensky sent a fifty dollars, Redino said, halfy birthday, Tony,
thank you so much for the fifty dollars.

Speaker 3 (01:40:20):
Oh fitty fitty fitty.

Speaker 2 (01:40:23):
I'll make sure Max, I'll make sure that fifty dollars
ghosts arts. Uh. I'll just like put it next to
Tony's head, and because Tony's head is so large, the
gravitational force of his head will just like bring the
money in.

Speaker 3 (01:40:37):
I like that. Yeah, that is like physics. People. We
might be women, but we understand.

Speaker 2 (01:40:46):
Lots. So mid sent twenty three dollars Tony come back.
We need you pretty please.

Speaker 3 (01:40:51):
Oh Tony, we'll bring him back from the.

Speaker 2 (01:40:56):
From the box that he's in the movie box wherever
whatever he said earlier. Carre You Pilot three seven nine
for four ninety nine. Oh no, Tony's been bunny napped
and probably dead. Oh well, at least he doesn't need
to get his car fixed anymore. That's true.

Speaker 3 (01:41:15):
That's true. That car is a serious piece of shit.

Speaker 4 (01:41:19):
Uh watch, so mid sent two dollars mint.

Speaker 2 (01:41:22):
Have you ever eaten dog chow? I have not.

Speaker 3 (01:41:24):
Oh I forgot about that in that fucking movie when
they're sitting across from each other going oh my god,
I ate dog chow? Didn't you eat dog chow? Isn't
this like oh cute four play we're lesbians cross who
eat dog?

Speaker 2 (01:41:41):
Is dog chow the same as dog food? Yes?

Speaker 3 (01:41:44):
Yes it is. You don't remember this part of the movie,
Good for you. I'm jealous.

Speaker 2 (01:41:50):
I mean a lot of it. Like I remember the
parts I got really angry at, But the parts that
I just was like really bored at, I don't remember
as well, just because yeah, that's fair, Kiro Sorry, Cure
you Pilots three seventy nine, So which one of you

(01:42:10):
ladies are the new host of the show with the
death of Tony, or does it automatically go to Johanna.

Speaker 3 (01:42:16):
I probably goes to Johannah. You want it, I'll take it.

Speaker 2 (01:42:22):
I'll steal it. I'm gonna hack a show. I'm gonna
steal it. I'mna steal it from him when he's dead.
Chat Uh wats mid for five Captain Booms? Can you
be the first to pronounce my user name? Wats so mid?
You have been a great guest over all the episodes.
Can we get Captain Ron.

Speaker 3 (01:42:43):
Whats so m D? I'm guessing that's how I'm supposed
to he was a medical doctor? What so MD?

Speaker 2 (01:42:52):
We got a doctor in.

Speaker 4 (01:42:53):
The house, doctor doctor Watts over here?

Speaker 3 (01:42:59):
My mother wished but didn't happen.

Speaker 2 (01:43:05):
Uh curyu pilots three seventy nine for nine ninety nine.
What a way to go? Presumably being pumble to death
by a giant bunny man on they are Birthday? Anyone
have that? On? They are bingo card? Or was it
all pasta related?

Speaker 3 (01:43:27):
I mean, look, I love a ten I love a
tenor this is a nine ninety nine er, but uh,
look I don't Yeah, he's Italian. There's some pasta involved,
and there is a giant bunny man, which honestly I
loved that. Yeah attack, it really made me happy. Schizogean

(01:43:52):
is hilarious. I love that guy.

Speaker 2 (01:43:54):
You never know when the Bunny Battalion's gonna pull up.
Whoa whoa uh see Krueger, who is this Tony with
Emoji's cake, Emoji party, Emoji president emoji us Watts wats
So m D for twenty dollarsnos, can Joey Cee make

(01:44:15):
a video appearance and tell me in a super chat
it is just not the same.

Speaker 4 (01:44:20):
The upcoming wrapop wrap up is lame.

Speaker 3 (01:44:23):
Who the hell is that bitch Joey.

Speaker 2 (01:44:27):
He's probably hanging out with Grimace somewhere. You gotta look
for Grimace and then you'll find Joey c. So that's
your lead. Wat So MD sent twelve dollars. You both
all right, depending on the stripper?

Speaker 3 (01:44:41):
Oh I remember so wait wait wait that's a that's
an even split. That's no fair, all right.

Speaker 2 (01:44:46):
What's see see Krueger one n you're both actually but
the captain smile waity.

Speaker 3 (01:44:52):
I'm taking this, okay, I get I get a dollar
ninety nine I'm taking it.

Speaker 2 (01:44:55):
I'm riding all right, KIU pilot Threesome nine. I agree
with the watch so MD. It would depend Also, there
may be some you don't want to see it all that's.

Speaker 3 (01:45:05):
True, Okay, okay, so again, that's a fucking zip. I
think I think I am winning so far.

Speaker 2 (01:45:13):
Wat SOMD for two.

Speaker 3 (01:45:15):
Aclaholic. I freaking love that guy. I'm obsessed cap and
you watch Alaholic, you watch Akuaholic. What's your dream whip?
Oh god, I've got a couple right now.

Speaker 2 (01:45:30):
Mm.

Speaker 3 (01:45:32):
This is a tough one. Right now, I'm really obsessed
with Oh god, you know what screamed? I can't. I
can't say this because I'm being sponsored by other boats
right now?

Speaker 2 (01:45:47):
All right? Uh, watch so MD for five dollars. Captain's
hair is so on point. It is like I'm watching
The Lost Boys. You do have very nice hair.

Speaker 3 (01:45:58):
Thank you, ippreciate it. I have a hair product line,
by the way.

Speaker 2 (01:46:02):
Oh that's cool.

Speaker 3 (01:46:03):
I know this hell hair product. I'll have to get
who s A plugs you fucking bitch, Tony whor.

Speaker 2 (01:46:14):
Ryan Powell for five dollars. This movie is so unsexy.
I'm going back to Yiffy furry art.

Speaker 3 (01:46:22):
Honestly, I'm genuinely turned off by this movie. There was
so much sexiness that was unsexy.

Speaker 2 (01:46:32):
I did not get turned on at all. But also
I don't get turned on by tits and ass, so
I just like seeing them. It's okay, they're there, Okay.
Uh the Deep Striker for five dollars, hack the movies,
f that ship, more mint salad, hippie salad salad. I'm

(01:46:59):
gonna I'm going to hack his streams, more chat and.

Speaker 4 (01:47:05):
One more Panic Pun member for nineteen months.

Speaker 2 (01:47:08):
Yo, this show got Yo, this show all of a
sudden got so much better.

Speaker 3 (01:47:14):
Hell yeah, dude, hell yeah, we did it for nineteen months.
That's a long time.

Speaker 2 (01:47:21):
Damn, that's more than a year. Thank you Panic Pun
for being a member for more than a year. For
nineteen months, and that has been all of the super
chats chat Uh, I.

Speaker 3 (01:47:35):
Won by the way, one we did win.

Speaker 2 (01:47:37):
You did win, Sergeant smoke them Australian five dollars requests
for one or both to call Tony Raving Tony Well,
random joke from a comment I made in a stream.
He joked, yes, everyone calls me raving Tony. I'll call
him raving Tony for you, Sergeant Snake, em I got you.

Speaker 3 (01:47:57):
Thank you so much, Snake. Motherfucking raving Tony is dead.
Don't worry about it.

Speaker 2 (01:48:03):
He's raven and hell, dude, he's uh, he's taken all
the rave drugs. He's raven in hell. That's what he's doing.
That's what fairy famous.

Speaker 4 (01:48:13):
YouTuber Tony's from hacking movies is doing.

Speaker 2 (01:48:15):
Where can we find you, Captain Boomies.

Speaker 3 (01:48:17):
Oh, hoy, hoy. I am Captain Boomies. I am at
Captain Boomies dot Com. I'm on all of the socials
at Captain Boomis no space, no underscore, none of that nonsense.
And I am the host of the Yacht Life though.
I'm sure they would be very disappointed in me for
plugging it on this stream where I swore a lot

(01:48:37):
and talked about titties chures.

Speaker 2 (01:48:40):
Uh. I do a daily review every single day on
YouTube dot com slash as Presents seven pm Eastern Time. Uh.
Currently I'm like a thousand and one hundred and twenty
days in row.

Speaker 3 (01:48:54):
Yeah that's You're a wizard. You're a goddamn wizard.

Speaker 2 (01:48:58):
So if you want me to uh, this month September
is Black and White Movie Month, So go Chat love.

Speaker 3 (01:49:05):
When you do this, you always do those sexy pictures
to go with it.

Speaker 2 (01:49:08):
God yeah, yes, And you can find those sexy pictures.
You can find that at my link tree, link tr
dot e E slash Titsman Salad. That's where you can
find me, and that's where you can find all of
my links. And thank you so much, Captain Boomis for
being here. Thank you so much, Chat for being here.
We'd done it. We talked about this Show Girls movie.

(01:49:30):
It was a movie that exists and if you've ever
wanted to see it, if you like titties, I advise
you watch it, but only in the sense that there's
a lot of titties. The plot doesn't really make that
much sense. Uh, thank you guys so much for hanging
out and we'll see you guys later.

Speaker 4 (01:49:47):
Audios Nah, audios don't like

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Showgirls Is TERRIBLE! - Hack The Movies (Tony's Birthday Special) (#420)

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Showgirls Is TERRIBLE! - Hack The Movies (Tony's Birthday Special) (#420)