EP 73 - The History of Wolfgang Amadeus Mozart - History for Foos

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:45):
History for foods with your host a bunch Escobar after
the press bars are right here dropping knowledge. Knowledge is power.

Speaker 2 (00:54):
Knowledge is power.

Speaker 1 (00:56):
Yeah. Man. Also, man, shout out to the best city
of of the whole United States, Los Angeles, California, the
biggest city in the country probably be next to New York.
And and we live in Los Angeles, and let me
tell you right now, man, we're safe.

Speaker 2 (01:17):
We're safe. This is the thing is like hard to
like sit here and watch because I usually I watch
the news and I don't really go crazy, but I'm
I'm sitting there. I live, Bro, I live in the
area where it's supposed to be happening. And I'm not
saying it isn't. It's just I can't hear nothing.

Speaker 1 (01:34):
Bro.

Speaker 2 (01:34):
I don't see no cop cars. I mean obviously I
see helicopters all the time. But it's like it's not
that bad. It's not that bad.

Speaker 1 (01:41):
And so many people, you know, besides what's going on. Okay, Yes, man,
there's protests, there's ice protests, there's some that's the president say. Man,
there's bad people on both sides.

Speaker 2 (01:53):
Yes, absolutely, there's.

Speaker 1 (01:54):
Good people on both sides. Absolutely, Yeah, that one, there's
a one officer bro that was pepper sprayed and he
was rushed inside Mexican restaurant and they made them tackles
and they and they uh yeah, fandom the fan bro. Yeah.
These are people that say Fox News won't show that,
right and stop asking people why they don't show this. Okay,

(02:18):
you believe in something, so you're gonna be fed that.
Other people don't believe in that, so they're gonna be
fed a different thing. It's called a narrative. And how
you presented, you know, like if I if I was
if I'm hardcore liberal, right, hardcore liberal, I'm gonna show
you videos from ten years ago of people protesting peacefully,

(02:40):
just to show you that everybody peace.

Speaker 2 (02:41):
Yes, that's the thing too. That's bothering me is that obviously.

Speaker 1 (02:46):
I'm I'm saying, I will show you peaceful, right, peaceful
protesting from ten years ago to make it look like
all of our le being peaceful. And I will show
you videos of that video of that one cop stomping
that old man that was just going to the Social
Security office. I would show that video and say that

(03:07):
happened in Collington Park. But see, if I'm from the
conservative side and this is what really happened. I will
show that I went to the biggest soccer game in
America two Sundays, two Sundays, two Saturdays ago with the
Club America versus Los Angeles Football Club LFC. And if

(03:30):
you would have saw Club America, they were wearing yellow,
red and blue and they marched from I don't know
what street it was, but there was like at least
a thousand of them and they all walked with yellow,
chanting their thing, and they went straight to where to
play in so Far where they play the original sports arena,

(03:54):
and they had their they had their they had their game,
you know, they had their game man and and the
other team was the l f C, where's black and gold,
and they wear black face sometimes and they're more hardcore,
and they have fucking fireworks of black smoke. That's the video.

(04:14):
They showed as protesters and they were not protesting, no
part of the soccer Get the fuck out of here.
The left side was showing that the left side was
showing and the right side was showing that as the
hard The left side was showing as showing as larasa,
the brown people sticking together for the protests, the conservatives.

(04:38):
I was sharing the same video as these animals look
at their dress like Antifa and they're ready to go up,
but they're going to a fucking football game, right, Yeah,
this is what really happened.

Speaker 2 (04:51):
Bro, that's weird.

Speaker 1 (04:53):
You know, this is how the narrative got mixed up
that l f C game. Why was that hundreds of
them marching together dress than black? Right? But you know,
if you don't know soccer, and if you don't know
fucking the LAFC, you don't know, that's a badass team spirit.

Speaker 2 (05:13):
That's the part of the tradition, right, tradition like to
march to the Yeah, as a group of fans.

Speaker 1 (05:20):
That's like getting a bunch of Raider nations. People are saying,
look bro and TIFA.

Speaker 2 (05:25):
Yeah yeah right. But the thing is is that so
they took that, they took.

Speaker 1 (05:31):
That footage parade, yeah, the parade, and then they.

Speaker 2 (05:34):
Fucking showed it as like like on Fox News or something.

Speaker 1 (05:37):
They showed it.

Speaker 2 (05:38):
I mean on both sides, a lot of influence.

Speaker 1 (05:39):
Who were showing it. My people make me proud, No dude,
what and so so somebody from arcandam Ohio when my
riditis that wedding, they don't know ship Bro, they see
that they're getting scared. Bro.

Speaker 2 (05:55):
My girlfriend came out to pick me up. We're going
back to the Bay today and her dad was like,
I don't think you should go there. It's really bad.
And it's like, you know, and he was like, is
everything okay? Or you near the chaos? And it's like
people think outside of I don't know, I even want
to say California, but even outside of Los Angeles, that

(06:17):
Los Angeles is on fire right now, and that all
of California is becoming unasked and it's fucked up. And
it's like, okay, yeah, there's people taking a shit on
the street in San Francisco, we have a homeless problem
in LA and obviously crime is everywhere. But this is
the This became the fourth largest, went from being the
fifth to the fourth largest economy in the country. How
is this a bad place? How is like like all

(06:39):
the country, the rest of the country thinks California is
fucked up in a mess.

Speaker 1 (06:43):
But it's And then what was what's crazy about this
is that I'm learning a lot of facts football California.
They didn't know. I didn't know that California receives less
federal funding than any other other stage. Yes, and we
more in taxes and we receive less Alabama, I think

(07:04):
it's Alabama, Mississippi, Georgia survive Federal Yes, the money we
give them welfare isn't that crazy. But it's funny how
those people don't know that because they've been served this
narrative as we're the freeloader states and we and we give,

(07:25):
we give welfare to immigrants. And even even if that's happening,
how the hell is California still paying more and receiving less.

Speaker 2 (07:37):
We make the most money, but if we are.

Speaker 1 (07:39):
But California really giving, Like the narrative is that California
gives money to homeless, to immigrants to buy a house,
California gives in sentatives to homeless, other take care of whatever.

Speaker 2 (07:54):
Yeah, how are we giving all this money away and.

Speaker 1 (07:56):
We're still we're still receiving less, right, Yeah.

Speaker 2 (07:59):
Yeah, it's fucked up. That's the thing, bro. I don't
know these facts, man, California is right now. I didn't
know the reason.

Speaker 1 (08:06):
I didn't know that without California's taxes, those people wouldn't
be able to survive.

Speaker 2 (08:11):
Other states, those states would have to be I read
them into this and I don't know if it's true
because someone kind of argued it with me, But this
is what I read that if it wasn't for California,
Alabama wouldn't be Alabama anymore. It would be absorbed by
another state that could afford to take care of it
because it can't. Because the whole reason for states is
we're able to supposed to be able to sustain ourselves.

Speaker 1 (08:31):
You know what Alabama is like that because Alabama was
was one of the biggest slave states during the Confederacy.
Remember we were doing when we were doing the slavery.
Why when I wore Alabama had Georgia already under before
there was Georgia, and they had all those other states
around them, and they just were bigger states.

Speaker 2 (08:54):
I never thought about that.

Speaker 1 (08:55):
Yeah, they were, they were. They were the bigger state,
right because they had all the slaves there, and then
they were trying to They were the ones that were
trying to start other plantation, other states, open up all
the they want to open up all the states with
slavery states, right because they broke up Alabama to make
it smaller.

Speaker 2 (09:13):
Oh no, shit, See that's the thing, bro is. I
never even thought about that, that it's poor because there's
no other Like, when Alabama became a state, it was
strong because of slavery and it's supportive slavery. But now
that it doesn't support slavery.

Speaker 1 (09:28):
Blama, they broke it into Tuesdays.

Speaker 2 (09:31):
WHOA, bro, that's crazy. I never even thought about that.
And it's like, but these people don't realize that nobody
thinks about this.

Speaker 1 (09:39):
That Alabama's territory got smaller after the Civil War.

Speaker 2 (09:44):
Wow, Bro, that's crazy. They're so no wonder they're poor.
They don't have any real export, they don't have anything
to like make money off of after.

Speaker 1 (09:52):
Se Alabama Former nine, eighteen nineteen. It was not, it
was not got smaller or got bigger a all. No, Actually,
Alabama was initially part of the Mississippi Territory. Okay, so
that became Alabama in eighteen ninety one when it used
to be part it became Anlabama in eighteen ninety one
eighteen nineteen, So that means that was part of me

(10:13):
in the Stippi before the Stimpy was the one that
owned all those states.

Speaker 2 (10:16):
So then it's quite possible that Mississippi would have.

Speaker 1 (10:20):
Been sleepy loose states after the Civil War.

Speaker 2 (10:23):
Yeah, dude, that's interesting that you pointed that out because
I never even thought about that up until right now,
that that's probably why they're poor because they don't have
a major export anymore, and their major export when they
became a state was slavery. So like, what do you
do when all your free help goes away and there's
not much else to do? You have to survive as
a state.

Speaker 1 (10:41):
You know, I'm on one of the protests Friday or Saturday, Saturday?
Right Saturday, it was Saturday, last Saturday, and Saturday it
was last Saturday, right, Okay, so last Starday was a
hardcore in that area where city Hall was always happens,
right right, So Sunday it was all calm bro, not
really crazy. But the media needs to show something so

(11:03):
that you can play an old video over and over.
And they kept saying President Trump is bringing in two
thousand troops. But and then they kept saying that over
and over, but they kept showing the same video. Like
you know, It's like it's like everything you watch on television,
even on social media, is to sell you something. Because

(11:26):
the Fox News, CNN, ABC, NBC, CBS, whatever network you watch,
they cannot grab you to the television instead of your
phone with a positive story of a black man running
into a building and rescuing five women being raped by

(11:47):
another by a vicious white man. They can't show you
something like that, you know, because I don't the narrative
of black people committing crimes. So they can't show you that.
They can't show you that, you know.

Speaker 2 (12:01):
Just sad, Oh, they can't tell you.

Speaker 1 (12:02):
Also, a lot of people don't want to watch that.
They don't want to watch something good, right They want
to watch something tragic like what they want to They
want to watch like five immigrants attack non immigrant person, right, Well,
that sells. That sells newspaper back in the days, that
was the newspaper.

Speaker 2 (12:20):
Well, they're also not right now, like when we're talking
about immigration, they're not mentioning that Russians are like Russians
and Ukrainians, white people are a big part of illegal
immigration right now, like that that's a thing, you know
what I mean, Like they're not mentioning that on Fox,
they're only talking about brown people being a problem with immigration.

(12:42):
But we have a huge problem with white people coming
into this country right now, Like like European Ima.

Speaker 1 (12:48):
We're sugging you that it's no where to send them to.
Right during argument something we got to argument, white people
you don't know where to send them to, Like they
tell you go back to Nicarawua, but I like to no,
you know, I want to go, hey man, go back
to the Ukraine, go back to Slovakia.

Speaker 2 (13:07):
Yeah, dude, there's a huge immigration problem. I lived in
a house full of twenty two illegal Russian immigrants.

Speaker 1 (13:14):
I think for Halloween, bro, this would be the best costume.
You're like five brown people and you dress them out
like ice agents, right, and you get twenty twenty of
the best looking white people, blue eye, blonde hair, yea

(13:35):
and children and just walk. You have them all locked
up and ship like like locked up like this, and
you have them parading them around with Hollywood.

Speaker 2 (13:44):
Like ReSpectacle ReSpectacle. Yeah, that'd be great. No, that'd be
a great protest.

Speaker 1 (13:49):
Because people were like, what they'll the it will be
like an art project, you know, like because people will
react to it. And then when as soon as they react,
you give them a cart. What's really happening in the world?
Do you care?

Speaker 2 (14:01):
Oh? That is a good form because I think in
your like because for a white person to see them
being harrassed.

Speaker 1 (14:09):
They never seen it, No, and they don't know what it's.
That's the thing, Bro, is like, that's the problem is
that all they see is Darth Vader going after them. Bro,
I think people are ignorant of their own White people,
the only thing they know about oppression is watching Star
Wars and Stormtroopers chasing them.

Speaker 2 (14:29):
Like the only struggle they ever see is Star Wars.

Speaker 1 (14:32):
But start Lactica breaking bad.

Speaker 2 (14:35):
That's true. Bro.

Speaker 1 (14:40):
You should have found a time in America when it
was where where white people were being oppressed in America,
the Clippers.

Speaker 3 (14:47):
Bro.

Speaker 1 (14:51):
Yeah, I can't why white people always gotta make up
an oppression like Star Wars or Darth Vader, the Stormtroopers
they want to kill.

Speaker 2 (14:57):
Out of the like how we brought fifty people from
South Africa lately, Like how President Trumble was like these
these people are being persecuted in their country by black people.

Speaker 1 (15:08):
Oh. Bro. People are saying stuff like how come nobody
said nothing when President Obama deported three million? All right,
how come you didn't say that? When President and Trump
was saying Democrats are weak on immigration?

Speaker 2 (15:26):
Yes, yeah, exactly. If we were doing so much jamage,
then why weren't you speaking up when your guy.

Speaker 1 (15:34):
Was because it doesn't fit their narrative. That's why. Because
we got one size saying this guy is not tough
on crime. But but bretherdy Clinton, he's the one that
came up with a three striking law and the fucking
battle round, right, how's not that?

Speaker 2 (15:53):
Yeah?

Speaker 1 (15:53):
I mean Democrats are tough for crime, and.

Speaker 2 (15:56):
Anybody militarized the police department. That's why you didn't start
seeing them in tanks up until, like you know, Clinton
started coming.

Speaker 1 (16:05):
History of militarizing, PERI. It started off slowly hot. Imagine, bro,
you're just chilling your pat eating cheerills, and his big
old tag was the long fucking your house. Then they
stay in my bad the door, the house next door,
you're fucking whole wall.

Speaker 2 (16:24):
I've seen videos where they pull the whole wall off
and there's a guy standing there in his underwear with
a gun, you know, and it's like, that's crazy, dude.
But we that's Clinton. That's Clinton being tough. Three strikes,
that's Clinton being tough. That's a Democrat being tough on
on on on bro. We This is the thing is

(16:46):
that I don't think people understand when they see stuff
it's like, you know, like you want like I don't
want to like I'm not taking sides here or anything.
But it's like Obama did did come out. There's a
video of Obama and he's like, what if I did this?
What if I was doing this right now? How would
you guys be reacting? And it's true, bro, if Obama
was sending people in just fuck whatever's happening right now,

(17:07):
if Obama just started doing the last three months of
the presidency, whatever Trump was doing, they would lose their mind.
I don't think people understand that. And I think about
that all the time, where I'm like, what if it
was my guy doing that? You know, like I'm always
like that or would like when when Biden was in
charge of people were getting mad at him. I was alway,
if Trump did this, would I fucking be upset at this?

(17:28):
You know?

Speaker 1 (17:28):
And it's like I think Brother and Obama was sued
by the by one of those leagues leagues, Yes, and
they end up and they won, and then brother and
Obama had to turn laid back because the judge, whatever
federal judge told him to lay back. I forgot what
it was.

Speaker 2 (17:48):
For deporting all those people.

Speaker 1 (17:49):
Yeah, because they were just grabbing motherfuckers, bro grabbing him now. Yeah. Also,
and there was there was somebody there that said that
we're all these protesters during Obama. Well you know they
had they had kids in cages. Well they had kids
in cageas during pro Obama in Marietta, California. Marietta, California.

(18:12):
Look up Marieta, California immigration detention camp for Obama. And
there was a lot of people there like take the
kids out. And one of the biggest people that was
there speaking for those children with singer Loupio Rivena. He
was out there, and he was out there. There were

(18:35):
no maga people back then. He was out there protesting
against the tea baggers.

Speaker 2 (18:42):
That's right, It is right there, that's right. What were
those guys called.

Speaker 1 (18:47):
That tea bag party? Party? Party?

Speaker 2 (18:50):
Yeah, yeah, we had a tea party for a minute
during the Obama uh and uh and late Bush administration
tensively seeing increase in migrants falling end of title forty two. Dude,
this is how long ago interesting? This is a very
interesting time to be alive.

Speaker 1 (19:07):
Dude.

Speaker 2 (19:08):
It's weird to me. It's just weird to me. How
like there's a movie you ever heard of the movie
Wag the Dog. Yeah, that's what I feel like. That's
that's kind of what's happening right now. I know, man,
I feel like, I mean, now it's overblown because they
brought people in and everything.

Speaker 1 (19:23):
Like people don't people are like, we have so many
influences out there, like getting it all wrong, and also
like they want to be they want to be the
first to put something out there. They don't even check
the to see if it's real or not. Bro and
then if it's real, if it's fake, they just take
it off or a I didn't know.

Speaker 2 (19:45):
So much disinformation I didn't know, like the one I've
never seen, the one with the ALIFC.

Speaker 1 (19:50):
That's the one that was overshared bro right. And and
then I think Eave Zone told one of those persons,
hey man, this is the fucking soccer game.

Speaker 2 (19:58):
And they didn't say nothing. Did they take it down?
Oh see. This is the thing that bothers me, bro is.

Speaker 1 (20:03):
That nobody wants to be wrong.

Speaker 2 (20:05):
Nobody wants to be wrong. But the other problem is
is I've put I put a video out and I'm like, hey,
rest in peace to my homemade Felipe. As far as
that he died last night, right, and you didn't really die,
and it gets thousands of comments where people are like, yo,
you're an idiot. He didn't die. He's still alive. I've
seen people keep those up because it generates traffic onto

(20:26):
their channel. The amount of people commenting and being negative
still generates traffic on their channel. So instead of going, hey, redacting,
I was wrong, Felipe is still alive, like that person
would keep it going, you know, and they'd be like,
oh well, because there's times where I've like jumped in
and been all hey, bro, tp tup tighting, you know

(20:46):
that this is the real thing here and they're like, yeah,
I know that whatever at this point, and it's like,
so that's what we're dealing with, dude. We have a
lot of people with this information that are looking at
LA right now thinking it's all fire.

Speaker 1 (21:00):
They're not even a fire.

Speaker 2 (21:02):
Brown They had like there's nothing going on back there.

Speaker 1 (21:05):
There's that one night they had like twenty arrest Bro,
they got those fools.

Speaker 2 (21:09):
Yeah, well that was the initial riot with exactly how
many rests are there? Twenty what out of thousands of
people that I'm watching on TV said shit on fire?
You've arrested twenty people. How bad was it wasn't that
bad That original riot that we first saw on Friday
or Saturday whatever it was, dude was so small that

(21:30):
someone was like said so and said, I don't think
we need the National Guard because Laker, like when the
Lakers win, it gets worse. LAPD's got this.

Speaker 1 (21:41):
They got this MALEYPD man. When it comes down to
like a Dodger World Championship or RAMS or whoever wins,
like especially the Laker have won, is the most crazier one.
But because it brings out all the crazy cholos bro right,
all the hardcore shoulder won a gang bang two went
to celebrate, you know.

Speaker 2 (22:01):
Yeah, both, Well that's the thing, and I think that
happens in Philly as well.

Speaker 1 (22:05):
In Boston broke. Then we get Boston.

Speaker 2 (22:07):
Another town where like, uh, it just comes out Pittsburgh.

Speaker 1 (22:12):
I forget about the Ysers.

Speaker 2 (22:15):
That's Raights.

Speaker 1 (22:20):
Throwing up.

Speaker 2 (22:21):
Yeah. Uh. The first time we wanted World Series in
San Francisco, we fucked up San Francisco. I mean, buses
were lit on fire. Was crazy.

Speaker 1 (22:30):
But it's just a celebration like the one when when
when the Lakers won, there was full on top of
trees and they were turning down signs up and looting. Broke.

Speaker 2 (22:42):
That was with the Dodgers won last year. That guy
blew his hands off, dude.

Speaker 1 (22:47):
Yeah, man, give it up for him, man. And then
that girl, poor lady man, that that one she fell
off that truck and broke her back.

Speaker 2 (22:56):
Yes, dude, did she break her back? I don't know, man,
Oh my god, damn.

Speaker 1 (23:02):
I haven't seen her dancing in one of those videos that.

Speaker 2 (23:06):
You know, the twins that they have on, uh, Food's
gone wild all the time.

Speaker 1 (23:10):
No, no twins.

Speaker 2 (23:13):
Yeah, they're these two ladies that like, hey, we're that dot,
we're from LA and we love the Dodgers. You don't
know what I'm talking about. Bro, It's crazy, dude. They
do these poems and they dress up in Dodgers outfits
or Raiders outfits, and then they post them and they
get shipped on all the time. And then this time
they put one out where they're like, stay away from Ice,

(23:36):
don't go out into La, don't riot. I was dying, dude,
but yeah, fucking you would.

Speaker 1 (23:43):
What that podcast what's it called? I don't know the podcast.
I can't think right now straight. But they always have,
like cholos on Willie was on.

Speaker 2 (23:53):
Oh yes, hoodstocks, yes, hood stocks. Yeah, I'm trying to
think of it too. Well, it was set up with locked.

Speaker 1 (24:00):
Up like they had. They had a girl on the
show recently and she's like a gang banger, but she
just she dressed up, you know, like that, right, with
a with a with a little, a little you know,
old school, right, old school lady. And I think I
know that.

Speaker 2 (24:18):
And then talking about.

Speaker 1 (24:19):
And a lot of people like who dress like that,
they actually think that they could dress like that outside
of that swat meat and walk around their daily that's
kidd that gonna that's not gonna happen in Oakland. Huh No,
if you're walking around dressed like that, we're wearing a
bandana just for the look like that, that's your lifestyle.

(24:41):
You can't be a cholo on weekends either in the
Bay right.

Speaker 2 (24:45):
No, wellolos are only in like mostly San Jose. There's
something that Yeah, no, no, you would get sucked up
for sure, Like if you were dressing like that, you
would get sucked up for sure, especially if you were
in Oakland where there's no cholos, because they'll fuck you up.
If you're from another city. So it's like, you know,
like I was walking through I had a sound was
a shirt on. I was walking through Border Brothers Territory

(25:06):
and they wanted like they were calling me out.

Speaker 1 (25:08):
And then you said, look at my shorts. Bro, do
I look I want to start trouble. Yeah, look at
my shorts. You have wooden legs.

Speaker 3 (25:16):
Bro.

Speaker 2 (25:20):
I always forget not to wear shorts to this because
if my knees pop up. Now it used to be
cropped up to here, but now Ray wants to see
my legs.

Speaker 1 (25:31):
Wooden legs, got wooden legs.

Speaker 2 (25:33):
Wooden boy.

Speaker 1 (25:34):
You know it's crazy that that protest for the one percenters.
The the takeover of Wall Street was bigger than.

Speaker 2 (25:43):
This, yes, way big.

Speaker 1 (25:45):
But they were letting these food run the city. Bro.

Speaker 2 (25:47):
Right, they were letting them camp out.

Speaker 1 (25:48):
And I was like, we're the national Guard, then right
that neither the national Guard. There were white people, Oh
I know they were a white and then I would
I would I remember coming out when was that on nine?

Speaker 2 (26:00):
Yeah? I think so.

Speaker 1 (26:00):
I remember coming out of my house when I was
living in downtown on Second in Maine, and all of
city Hall, bro was our encampment and there was not
homeless people. They were regular people, regular people that were
like against the ninety one percent. Well people, now.

Speaker 2 (26:19):
Exactly you want to know to me? And that when
I watched it, I was always like, the United States
is the one percent of the world. Like, it's so
funny to me that they we would have that protest
were the ones who consume most of the like and
fuck up most of this world.

Speaker 1 (26:36):
Like that protest was like a big protest all over America.
I know that Portland and Seattle they have their own police.
For a while, like the people took over the city. Yeah,
there was people that had their own village. Yeah, no
one did anything bro Be back then, Bro, I was like,
oh man, sign me up, bro, send me over it

(27:00):
to go and knock these hipsters back to poor, back
to beabert. I will fight these back to California. And
you know the people that were getting you know, the
people that were getting checks bro right for being homeless?

Speaker 2 (27:18):
Yes, yeah, dude. And that's the thing is like.

Speaker 1 (27:22):
That they were they were getting services that belonged to veterans,
that belonged to homeless people, right, So they were, and
but all the people quantify for all that, So there
were some of them were beds, and some of them
were homeless.

Speaker 3 (27:35):
Right.

Speaker 2 (27:35):
Well, I mean if you if you put yourself in
a park with your tent, if you make yourself homeless,
you're still homeless, I guess, is what I'm trying to say.

Speaker 1 (27:44):
Like like tentless.

Speaker 2 (27:46):
Yeah, because those people were like leaving their house deliberately
to go live in a park and protest, and then
they started claiming stuff, right yeah, are you talking about
the actual homeless people who like you like me? Yes, yes,
like that, Yeah, exactly like those people.

Speaker 1 (28:08):
You know.

Speaker 2 (28:08):
That's the thing is that those people don't have a
problem with bro, Like, if you're really struggling in this world,
then you know that's what's like, this country's great, gives
your money to help you out. Why are people mad
at that? Why are people Why are we mad that
we have abundance in this country and we're giving we're
giving people who need money. I'm alright with Daddy, You're

(28:29):
all right with that.

Speaker 1 (28:30):
If I pay a lot of taxes and they want
to give my money to keep this guy from walking
down the streets and scaring people, I'm alright with Addie Dame.

Speaker 2 (28:39):
That's the thing is like I've always said that. I've
always been like, I don't care, Like they're like, you know,
these people are stealing your welfare, and it's like, go
for it. They're not bothering me, they're not bothering me,
they're not stealing from my house.

Speaker 1 (28:49):
They're not inside at Ruth Chris Takhouse asking me for
butter broke exactly, asking me for a loaf of reddit there.
Once they're in there, we're done, bro Then now I'm mad.

Speaker 2 (29:07):
Now i want it, now, i want reform.

Speaker 1 (29:09):
And like rich people say, that's what rich people say,
like like the whoop, like the big corporate, like the
whole Yeah, you're throwing a couple of cramps. Yeah, hey,
but rich people like this is a podcast history for fools.
We talk about Mozart and Mozart. I'm Wolfgang, I'm Aday Mozart. Yeah,

(29:31):
speaking of a risk eighteen ninety one, eighteen ninety one,
and he was around, he was around where there was
no middle class, like you know, you know how you
talk about how we're living right now, how there's rich
people like President Donald Trump, President bideny and President Obama,
Elon Musk, all the big shots. Man Carlos Slim big

(29:57):
shots man, big big bucks, you know those type of people. Right, well,
back in those days, those there was only one or
two that's three the kingdom. There were no big shot
guy that said. There was no big shot blacksmith running
all the blacksmith in the world.

Speaker 2 (30:16):
Right right, right right, no, no no care.

Speaker 1 (30:20):
We either a king or you were not.

Speaker 2 (30:23):
Also, your world wasn't as big as it is now,
like you weren't able to know what was happening in
another country, like well not even in another state or area.
It's like what was happening in your country was what
was happening.

Speaker 1 (30:36):
Like Mozart, he played for the If you ever watched
The Moved Mozart, he played for the Emperor. And if
you know the Emperor of that movie, he's the one
that comes out in fast Time my Brigamin High. He's
Dean Warmer. And also he's the he's the guy that
that he together ate the Chili and Howard the Duck.

Speaker 2 (30:56):
Yeah, down Ball is that the guy from Howard the
Duck the Chili's super young, Yeah, plays the German Chancellor.

Speaker 1 (31:02):
Right yeah. And he plays the German Chancellor.

Speaker 2 (31:05):
Yeah.

Speaker 1 (31:06):
And there's a part of the movie and it's that
where Mozart, So I didn't want to he's asking him
to release him, right, I mean, if if that was
his composer, that's it. If like I own Michael Jackson
and he's gonna only play here in my country, okay,

(31:29):
So it's like this if or I own, it's like
Trump owning you and and you wanting to be and
go do comedy and travel. But Trump's like, let's say
Trump's actual king what he wants to be, and and
he goes, no, no, you're gonna stay with me, you
know what, It's crazy. I never thought about it too,
right now, is that that chancellor, whether that German, whether

(31:51):
guy he owns like the theater almost like I would
say it's a it's a kingdom, but it's someone that
he runs that the theater is the royal theater. It's
not a theater for the poor now, the theater only
for the rich white wigs, right right, Like so his

(32:11):
shows are presented for those people, for just the homies.
And you know, if you ever notice if you go
to an operas, you know, when you watch those type
of opera with Amadea's Beethoven, all the rich people are
sitting on top, right, there are other rich people. The
higher the seats where the richer. The people were right,

(32:34):
and they're holding their little napkins and they're watching a
show going at this it's because they could smell everybody
from the sitting in orchestra, because all the poor steam, all.

Speaker 2 (32:44):
The poor were down there sticking it up.

Speaker 1 (32:47):
Going home.

Speaker 2 (32:48):
What he's a master, No way, I didn't even know that.
That's crazy.

Speaker 1 (32:52):
But they have their little handkerchief. They have a little
handkerchief and the wrist to take it out to like
to with little perfume to smell it. Sometimes you know
where plays a little really.

Speaker 2 (33:04):
Bad because there's no ventilation.

Speaker 1 (33:06):
The yeah, they're no so they will just spray the
lone napkin and they.

Speaker 2 (33:11):
Just well, I'm watching this movie and because I've never
seen this movie until you start talking about this. Uh,
by the way, my favorite movie now almost ever is
fucking so good. But one of the scenes that I
noticed is when they're lighting the candles on the chandelier
and they're raising it before the show and they're raising
it up and I'm like, dude, the heat in that

(33:33):
building must be out of control, because I don't know,
have you ever been on a plane when it fills
up and they don't have the ac running at that's
and it gets super hot in there. It's collective body heat.
And I can only imagine the collective body heat plus
the fucking candles giving off heat, because one candle you
can't really feel it, but a thousand candles in a room,
you're gonna feel that heat. So people are down there

(33:55):
fucking sweating on top of it too.

Speaker 1 (33:57):
How about even back then, bro, they had insane asylum. Yes,
how fucked so.

Speaker 2 (34:07):
I never thought about that. When you think of sanitariums,
are are insane asylums? You think about the joker, You
think about the joke, you think about the sixties or
the fifties, that far as farthest back, right, Yeah, and
those were heinous when you watch them in movies, like
when you watch like, yes, you know, and it's like
people shitting in the corner or what's that movie with

(34:28):
the Bronson Bronson's a great fucking depiction of what I
thought insane asylums were at that time. But when I
think about that, but I never thought about one during
the seventeen hundreds, during the like eighteenth century.

Speaker 1 (34:42):
Like and remember when they the style of one to
me was when they're like when they're going to look
for the priest, it's gonna go meet up with Salieri. Yeah,
and there's a guy laying on a flat cage on
a floor.

Speaker 2 (34:57):
I saw that with his arm coming out and he
was trying to sleep.

Speaker 1 (35:02):
I was like, whoa, and so this is I was
watching It was you know, this guy must attack and
pull people's pass down or something.

Speaker 2 (35:11):
Bro, what's he doing to be in there?

Speaker 1 (35:14):
Yeah?

Speaker 2 (35:15):
Uh, my girlfriend was saying she was an anthropologist. She
was saying was Legitmini, Well she is now and she
just works with plans, but she went to school for anthropology,
and she was saying that back then, if you just
had a sickness that they couldn't figure out, you go
there like it didn't even matter, like like, oh, we

(35:36):
don't know what's wrong with this guy. The devil's got him,
let's send him over there.

Speaker 1 (35:38):
Also, the barber doesn't know what to do with you either.
The barber that, which is true. That's actually at the
the barber was like that, that's one of the things
like that.

Speaker 2 (35:51):
The yes, because they would fuck it, like because they
were like doctors. They were like pulling teeth out like
it was like, come get a haircut, or get your
teeth pulled out, or get your fucking.

Speaker 1 (36:03):
You know that song pump bump bump. Yeah, it's from
that shaven a haircuts, right, yeah, that's what shaving a haircut.
It's that barber thing where it's red is was the
towels hanging off of the bloody.

Speaker 2 (36:24):
Towels, right, I guess that's what it was. Dude, was like, uh,
it was.

Speaker 1 (36:29):
There because people back then they don't know how to read,
so you would write barber, they would have they would
have passed by it, bro not knowing the idiots, so
they have to put like that thing right there to
let people know that's a barber. And they wouldn't know
that it's a drug store because they have that little

(36:49):
that little cup right with the brush little yeah, the grinder.

Speaker 2 (36:58):
Yeah yeah, that's right. Dude. What was that call? I
can't remember. It's got a name, but I can't remember that.

Speaker 1 (37:10):
But people were poor, like so they come with the
name of the chancellor, the emperor back then.

Speaker 2 (37:18):
The German Philip or it was Philip.

Speaker 1 (37:22):
And he will read. This guy related to Marie Antoinette.

Speaker 2 (37:25):
Right, and Leopold is Mozart's father who And if you
want you know, if you watch the movie, I think
most of us, except for me, up until a few
days ago, had our knowledge. And I didn't know who
Mozart was period. So I'm done, but I think most
of us.

Speaker 1 (37:41):
He wrote his first opera at the age of four.

Speaker 2 (37:43):
He wrote his first opera. Okay, so he wrote this
thing at four, right, he hands it to his dad
because that was the thing is that's how smart he was,
is that he wrote his own news. So his dad
gets this thing and he goes, what is this. He
and his buddy laugh at him because they're like, this
isn't music, and then he goes, yes, it is, and
he puts it down on the thing and he starts
playing and he plays really well, and it's like an

(38:05):
eight minute concerto, and like, he fucking plays it really well.
And his dad's like, he wrote his own music. He
didn't know how to write music, so he wrote his
own keys in order to you know. And then his
dad was like, his dad tried to play it, and
he goes, he goes, you got to practice really hard

(38:25):
to do this one. Yeah, you know, and then he
went and played it again. That's actually I think we're
that scene in the movie where he does the march. Yeah,
they're like the guy comes in and he and the
Celiary plays the march for him, and then he takes
Salary's march and he plays it better, and he's like, seeing,
you should do this and do that, and here we go.

(38:47):
That's kind of where they got that from, because he
would do that to his dad.

Speaker 1 (38:50):
Yeah, that's good, right, right, a young he was bro
right there a movie, but he was a young kid man.

Speaker 2 (38:58):
He was a little kid who was already doing stuff
like that. And again that scene because like after I
read the history and then went back and watched the
movie again, there's a little homages to Uh, there's little
homages to different parts of his life, like that one
where he plays the violin. Uh, there's this. There's a

(39:21):
scene in his real life where he plays the piano
really well. And then he's not yet what do you
call it, a he's not a maestro yet. He's just
a regular musician and he's supposed to play the piano.
But the violinist gets sick and and and the next song,

(39:41):
and so he goes over to the violin and he
plays the violin and he runs back to the piano
plays the piano runs back, and he's never played the
violin in front of anybody, and he's still like a
little kid. So people are like, holy fuck, this guy
could just pick up instruments and play it, and that's
what he was good at.

Speaker 1 (39:57):
And he would play piano blank board. Of that kid too,
he played piano blindfolded upside.

Speaker 2 (40:03):
Down, which is another like those are like this, I
think what this movie was across. Yeah, it was all
these different moments in his life put together fictitiously. But
there was another scene in his life where he well, like,
that's the thing is that kings and noblemen would pay
for him. It was like a kind of a thing.
It was like tig he was to me, he was

(40:25):
more like the Tiger Woods of that time, because do
you remember being a little kid and watching Tiger Woods
on TV? Like that was a spectacle. And so like
noblemen paid to have four or five year old eight
year old Mozart come and play for them, and the
dad would bring him everywhere. And the story actually goes
is that the dad taught the sister to play piano first,

(40:50):
and then Mozart came along and started playing next to
his sister just for fun and then started playing better
than everybody, and so the sister kind of because he
kind of was like, what the fuck? The other thing
that was the sister was just as good as Mozart
at the time, maybe a little not as good, but
she was still a really good piano player. But back

(41:10):
then women weren't allowed to play instruments after a certain names,
and they had to get married. So you know, who
knows what sister Mozart could.

Speaker 1 (41:19):
Have been those scene in that where when or Salieri
picks up mozart music, like the music was written so
perfect and like somebody was dictating it and writing it down. Yes,
But also, man, you gotta give Salieri, he gotta he

(41:40):
even though he was like a hater in that movie,
he was actually very very good at music too. He
was because I could I know how to read music.
I could read it, but I can't hear it while
I'm reading it, right. Salieri could right because he's looking
at those pages. He's hearing everything already, the symphony in

(42:03):
his head. Bro, I tint to do that.

Speaker 2 (42:05):
I love.

Speaker 1 (42:06):
I don't know. If I don't know, he knows, like
the notes he could hear the notes. He could hear
the timing, and.

Speaker 2 (42:12):
So he's reading his music and he's like in the movie,
it was such a great description of how he was
able to read it because he's sitting there and he
starts to like close his eyes and he starts to hear,
like the horns come in and then the clarinet, and
throughout the movie he's doing that. And it's like, what's
funny to me is because I read up on Salary's

(42:33):
life too. I read as much as I could on Salary.
There's not a lot out there. There's like not even
really a book, but I read up on his life.
And this is what's amazing about Mozart is that Salary
who uh you know. I don't think we really properly
introduced him into the podcast kept, but he's the German
Chancellor's main musician. And in the movie he's supposed to

(42:57):
like kind of help Mozart become work for him and stuff,
but he hates him, so he wants to get rid
of him in the movie. But in real life, Saliary
was a great musician. He was one of the greatest
musicians ever, and they kind of showed that in the movie.
When they're like, he's all, give me a challenging composer,
and then they give him all these names too easy,

(43:18):
too easy, and then he says Salary and then he
starts playing, you know, looking like a dummy. But he
used that because that's the thing is Saliary was so good.
He was, if not the best, one of the best
composers at the time. But that's how good Mozart was.
Is that Mozart came along and made him look dumb. Yeah,

(43:38):
you know, and made him look like he was incoonfident
at his job. According to the movie, I think there's
a little bit of embellishment there, but there was a
rivalry between the two of them.

Speaker 1 (43:48):
Yeah, man, you know I let that part when he
goes and I don't nowhere followed by a clarinet. It
was nothing music. They performed by a performer monkey. Yes
there was music I.

Speaker 2 (44:01):
Never heard right, it was the voice of God.

Speaker 1 (44:03):
The voice of God.

Speaker 2 (44:06):
That's the thing.

Speaker 1 (44:07):
Is I love like that part, Bro, where I like
that part where he thought he's hating Bro and staring
at the cross. He goes, why why would God give
me the yearning for music, the heart for music? But

(44:28):
give all the talent, this pje.

Speaker 2 (44:32):
This monster. I looked at my girl when we were
watching that wall. That's how I feel.

Speaker 1 (44:39):
He goes, how about that Foo gave up his chastity
for talent.

Speaker 2 (44:44):
Yeah, he gave up everything.

Speaker 1 (44:46):
He stopped master Baby, he stopped being with chicks for
talent in.

Speaker 2 (44:50):
The movie to be because he wanted to sacrifice himself and.

Speaker 1 (44:54):
That full loves sweets though, Hliary yes, throughout the whole
movie that everything he touched with his hands is delicious.

Speaker 2 (45:03):
The nipples of Venus were one of the things when
he when the you.

Speaker 1 (45:08):
Know in the movie, there's a there's a move, there's
a scene that's cut. Remember how his wife Constancia goes
ask him to take out the music.

Speaker 2 (45:18):
Yeah, and she has the cookies and then he comes
he will come back later.

Speaker 1 (45:21):
He gets her naked. Bro, there's a scene where he
gets her naked, really and then and then his messenger
comes in and sees her naked too, and then he
changes his.

Speaker 2 (45:31):
Mind, Saliary, Yeah, oh, because he wanted to get him back.
He wanted to get Mozart back for sleeping with the
girl that he was with at the beginning of the movie.

Speaker 1 (45:40):
But he didn't want to be with his wife.

Speaker 2 (45:42):
They take that scene out or something, No.

Speaker 1 (45:45):
Out of the food. I've seen the full length version.

Speaker 2 (45:48):
I want to see that because I love this movie.
There's like bro, Like, I'm fascinated with this movie over it.

Speaker 1 (45:54):
Was he the first party animal when rock Star bro
it seemed like orgies.

Speaker 2 (45:58):
Huh orgies. That's the thing is when I read about
like because I want I watched the movie first and
then I went and read about his life and it
was like he was fucking. He was like totally into that.
But then when he got with his wife, he was
really dedicated to her. But the book kind of alluded
to without being gross, that they fucked all the time,

(46:21):
that they were fucking everywhere, that they were like and
and that they were kind of into that scene themselves.
They had seven kids.

Speaker 1 (46:28):
If you noticed in that world back then, not only
were the so many rich, high end people that were
part of the royal family, but your your style of
hair was your position in life. Man. Like you know
how they say the big wigs, but this was the

(46:49):
era of the big wigs, like like the Emperor that
the thought the German sendler all beautiful powdered wig, right,
powdered wigs. That's where, right we come from, beautiful powdered wigs.
It doesn't the scene where where where most started putting
on his whibs. His wigs, all his wigs are the

(47:11):
stature of his where he's that in life, since he's work.
He's up there with the Emperor that he could really
talk to him. He's up there. His wig is powdery,
pink or powdery, but not too big, you know, or giant,
and the salie is brown. Bro, that's right, his wig
is just a brown wig. Bro to everybody know his

(47:33):
position in life, not one white wig his whole life.

Speaker 2 (47:37):
No, I never even.

Speaker 1 (47:38):
In that movie, you don't have a white wig. I
know the other guys do, like the German ones. The
German guys do. Bro. Yeah, he's not since he's not
from that country, maybe he's not allowed to be a
big wig there.

Speaker 2 (47:51):
Okay. And this is the other thing is is that
today in this state of America, Itellian people are considered
white people, right, and they're part of just the white culture.
But then I'm pretty sure because they had like just
a different colored tone olive skin that they were like
probably like they were treated like Mexicans.

Speaker 1 (48:09):
Yeah, you look at the like when when when everybody
was part of wig with white on top, brow in
the bottom people no wigs.

Speaker 2 (48:17):
Right imagine, bro, Like, is that where the Wig party
came from? Is that where they came up? I want,
I know we talked about it, but I can't remember now,
but I know that that we adopted the Whig Party
here in the United States from the Whig Party in Europe.

Speaker 1 (48:35):
But it's it's it's crazy, how like how far we've come,
bro from living like that?

Speaker 2 (48:42):
Right? Yeah? Yeah?

Speaker 1 (48:44):
Like if your dad with a blacksmith, you're going to
be a blacksmith, right like most of it couldn't be
a blacksmith. Go back to you to be in a
position differently. Wig w h I G all right, all
right if I'm pulling a wig under you? What just kidding?

Speaker 2 (48:58):
Interesting antime is Tonic party?

Speaker 1 (49:00):
Wow? The anti freeman right?

Speaker 2 (49:04):
Yeah. They didn't want any freemasons, they didn't want any gathering. Oh,
I remembering about that, honestly, I do remember reading about
that that it was like a lot it was to
keep from people favoritism each other, like if me but anyway,
we keep going.

Speaker 1 (49:18):
Maria Antoinette was that wasn't was in power at the
time when Mozart was around. They say, I don't know
how faction that it, but they allude to the fact
that people already protesting in France and one of its
plays it seems controversial Figaro Figaro, which is a bad app.
I wanted to go to see it. Did you like it? Exactly?

Speaker 2 (49:40):
I want to see it the.

Speaker 1 (49:41):
Way the the way the movie is ding sing shing
ding ding, Lady may in the bed right, and and
then have you seen shortshat Redemption? Yes, that part of
the two girls singing, isn't that within the merria Figaro? Oh?
So bro? When they started When I saw the play,
and it's because I remember they started singing, I lost

(50:04):
it about it. I was the only one going shark right.

Speaker 2 (50:09):
Oh do you remember what figur is about and why
it was so controversial? I don't remember. That's why I
want to like because I don't remember, because that's actually
a real that really happened in real life with most.

Speaker 1 (50:20):
Because the people are getting married are not part of
the royal royal society, the the lower people. Okay, yeah,
and back then, bro, like, if you you want to
get married in the kingdom and you live with the king.
You have you have to for the king from our
mission through the play is hidden.

Speaker 2 (50:38):
So it would like, uh, they didn't, it would That's
how it wouldn't. Yeah, because it's about poor people.

Speaker 1 (50:44):
Yes, and also they're getting married without the king knowing,
you know, they hide it through the whole play. So
later on they tell him that's so interesting, dude, the
marriage of marriage. And then.

Speaker 2 (50:59):
So Marie Antoinette was against it.

Speaker 1 (51:03):
Oh no, no, no, The two other people were telling
that controversial so we can't get the people all hyped up?

Speaker 2 (51:11):
Right?

Speaker 1 (51:12):
That play would have hyped up the poor people.

Speaker 2 (51:14):
Right, which is something did I mean obviously she got?
Is that Marie Antoinettes who who got her.

Speaker 1 (51:21):
Head cut off? And we talked about Napoleon.

Speaker 2 (51:23):
Yes, that's right, that's right.

Speaker 1 (51:26):
They were already lated.

Speaker 2 (51:27):
Bro huh, they were already inbreds. Well, there's that one
family that we talked about a little bit.

Speaker 1 (51:36):
You were seeing the you ever seen a movie or
a cartoon people who are watching the History for Food
podcasts where a person talking like this, are you know
the rich people? That was that was started because all
the inbreeding.

Speaker 2 (51:56):
Real quick Haicksburg, Habsburg, h A B. S. B U RG.
And so this family was alive during the time that
Mozart was alive. This allows to do a lot with
the royalty at the time. In fact, Mozart's dad. Yes,
So those are the Habsburgs. And the reason why they

(52:18):
look all fucked up like this is because they're inbred.
And the reason why they're so and this is like
at a time, this family ruled for six hundred years
because they were the last generation of the of the
leaders of the Roman Empire. So in order to maintain
their hold on Europe for six hundred years, they had
to keep it in the family, if you will. And

(52:38):
so they were so they were deliberately inbreeding. They weren't
inbreeding because Alabama, and you got nobody to fuck and
your sister's over there just you know, sucking on a
piece of fucking fried chicken.

Speaker 1 (52:51):
Now it was like it wasn't like sister against sister.
It'll be like something will be dad with the granddaughter
or that. That's how bad it was. Yeah.

Speaker 2 (53:02):
See that's a Habsburg skull right there, and they call
it a Hapsburg chin. And so when people would love me,
bring over the dishes please, we need that comes from
making fun of Habsburg's that like that's like was a
in the like. There was a trope in the early nineteen.

Speaker 1 (53:21):
Hundred that they did so much in breeding that the
last they left through kingdom, everything hung.

Speaker 2 (53:26):
They lost everything. And then I can't remember exactly because
I think we should do it a history of fools
on this though. But they loved music. But the final
blow to them was their last thing was this king
in Spain who was just a blob. Everybody worked for
him and did everything for him, but he couldn't think.
He was like not even you know, uh, mentally disabled.

(53:51):
I don't want to say retarded, but uh he was,
but like he couldn't. He didn't even have faculties. He
was just a piece of skin with like heart, lungs
and eyes, just sitting there.

Speaker 1 (54:04):
Damn. And so they will, so they will put a cyst.
They will take over a kingdom, probably right, and they
will put it in a brother over there to run
it for twenty years, yes, and then that person will
have a baby, and then they'll put that baby over
there with another another RelA tipt because.

Speaker 2 (54:22):
As long as one of them was in charge somewhere
in the kingdom, then the kingdom belonged to the House.

Speaker 1 (54:28):
Family and they're taxi half of the worlhouh.

Speaker 2 (54:31):
They're taxing bro.

Speaker 1 (54:32):
They eating good eating cake, Bro. What nobody will eat
like I see Sally, I see Salieri eating those good
ass those nipples, cake and the other stuff, bro, because
I'm nobody eating let that.

Speaker 2 (54:44):
Huh No, no not then. So that's the other thing
is I was watching this again, you know, it helped it.
I watched it with someone who was in anthropology, but
I was like, how is the food back then, like,
because they're bringing in that scene where he follows the
guy in with the food and he grabs a piece
of chocolate, and it wasn't. The food was horrible even

(55:05):
for the rich people because right now and this day
and age, everybody has access to spices, sugar, stuff like that.
So the more of us collectively making food, the better
the recipes are. But when you only have rich people
making food, nobody else has salt, like things are missing,
like salt, any type of real spice like cinnamon. Sugar
is totally a big, big, huge commodity.

Speaker 1 (55:27):
So like the people are having no dessert, right and
so the food.

Speaker 2 (55:32):
Is terrible even there because they don't know how to
understand spices yet, you know. And again it's why we
make fun of Europeans.

Speaker 1 (55:38):
So you say, no, dessert don't teeth good?

Speaker 2 (55:41):
Yah? Fuck No. She was saying that the chocolate was
probably really bitter. There was like very little sweet in it.

Speaker 1 (55:49):
That's funny, man. They learned they have to go to
like Soals America or North America to learn about chocolate, huh,
or Africa? Right?

Speaker 2 (55:57):
Yes, But even then, bro, it's like because of a
collective group of people throughout the world learning how to
make chocolate taste here to where you have like things
like Hershey's, which is really delicious. That's because poor people
were getting involved in being they like now, like the
masses were able to have sugar and salt.

Speaker 1 (56:15):
You're telling me when the Native Americans were cookingese buffalo,
there were no salt.

Speaker 2 (56:19):
No, bro, No, can you imagine eating meat with no
like not even meat like from the grocery store.

Speaker 1 (56:27):
Like you just like what a buffalo already salty enough.

Speaker 2 (56:31):
I don't know if you've ever had because you go
back east a lot with your wife, have you ever
had like venison or like any wild animal?

Speaker 1 (56:39):
Oh?

Speaker 2 (56:39):
That's right, because you guys are vegan. Dude, it tastes disgusting.
It tastes like you ever had lamb? Yeah, it's like lamb,
but worse that like gaminess, that lamb mass, which a
lot of people like I get, but it's so gross, bro,
like I've had while like my dad to me, we
shot a pheasant one time and brought it home. Is
when I decided to stop going hunting because it was

(57:01):
so gross. And we put spices, like fucking that thing.
We soaked it in KARAOKEI it still tasted like shit.

Speaker 1 (57:07):
I thinking about those gooses they talk about it. A
Christmas curl can be that good. Huh. No spices then, huh?

Speaker 2 (57:15):
Those ones were like by then we had already like but.

Speaker 1 (57:20):
The little young hand they're eating a mozart.

Speaker 2 (57:22):
Right. So there's a guy you could watch called and
it's called the Townsend. Shout out to John Townsend, another
YouTube maker. He's got a a channel called eighteenth Century
Cooking and he talks about cooking during that time here
in America though, But the overall, like, but what I've

(57:43):
learned is that it wasn't until spices and sugars became
globally available that we started making the recipes that were
eating today. But back then, bro, people ate like I
watched this guy all the time and it's so fucking
gross to see what people eat, dude, But it's interesting.
It's a very interesting thing. But yeah, they so spices.

(58:06):
That's why she's like, let them eat cake. That's why
she got killed because we couldn't eat cake because poor
people didn't eat cake even well, there was no middle club.

Speaker 1 (58:16):
Imagine being so rich like her and thinking that everyone
else has cake, right, not knowing that they don't have
but so being out of toudge with the people that
you don't know what. They don't have bread either.

Speaker 2 (58:28):
Right, which we still have a problem with with rich people.
They're like, I don't you.

Speaker 1 (58:32):
Know what that happened to them? Because I think that
that happened. Didn we talk about why that happened because
Ben Franklin, they bank wrote the American Revolution and they
had no more money. Right, also friends with fighting people
at the times.

Speaker 2 (58:51):
What's funny is is that they break bankrolled our revolution
and then they ran out of money, and then our
revolution inspired their revolution and then so it was like
it backfired on them.

Speaker 1 (59:05):
Yeah, man, Yeah, history for fools. There wasn't a time
when they didn't know where Mozart.

Speaker 2 (59:12):
Was, right, you know what, bro, I'm like, I was, uh,
I was really interested in this because I watch you musically,
and I'm gonna just say this, like everybody, we had
this big party here I don't know, a few weeks back.
It was like a studio warming party, and I watched
people really really impressed with you, and honestly because I

(59:33):
know you so well, but like you were watching because
we had a ukulele guy. Yeah, it was really good,
and Felipe kind of just wandered over there with his ukulele,
sat and watched him for a minute and we all watch.
You know, it's Felipe, So we're all watching him and
he's watching the ukulele guy. And then you start strumming
along and then you start playing with him, and we

(59:56):
were all like holy and someone was like dude, I
wasn't because I'd see can you do this? But everybody
else was like holy fuck. He could like play by
ear and so I have a lot of respect for
you musically. So when you were like, oh, this guy
is like a like one of my favorite things. And
I know a lot about Mozart and this movie, like
I went to go watch it when I was a kid,
bro Amids looked fucking boring as fuck, and I was like,

(01:00:19):
why do people love this shit? And now I've been
listening to Mozart. My poor girlfriend's dying because I'm listening
to Mozart. And you know, we watched this movie three
times already. So Craig suggestion, great subject.

Speaker 1 (01:00:33):
The first time I heard of Mozart was I was
in eighth tenth grade and I was in a show
that I was in a class that I was I failed,
called down Electronics broad and learn anything about that class.
We had a book and our teacher will come in.
I forgot his name, and we had I learned about

(01:00:55):
old hm Olms and Watts. What's uplo coming in?

Speaker 2 (01:01:00):
Bro?

Speaker 1 (01:01:01):
To my that's my oh me, nobody, what's up Olms?
So our teacher comes in one day bro and talking
talking guys. I just saw about amazing movie my whole life.
And then and then what movie Foo wolf Gang i'mas

(01:01:24):
Mozart and most summer there? What's that? Oh man? It's
a beautiful movie about this composer Mozart. And I remember
I heard of Mozart bro because I took music one
on one with mister Bowles bet Oh and mister Bowles
and seventh grade Bro, and that was music one on one,

(01:01:45):
and I learned all the wood instruments and all the
brass instruments, so I couldn't I could wait. One of
the tests on her seventh grade was they had all
the wood instruments and you had to know which one
was the cello, a violincello, and a base check.

Speaker 2 (01:02:03):
Where did you first learn to play music?

Speaker 1 (01:02:05):
That there was tenth grade and tenth grade at the
piano one oh one bro, Okay, and fucking Roads of
Ball High School, Theodore Roadeva High School.

Speaker 2 (01:02:16):
I have a belief that there's only certain people that
are musically inclined, because I desperately wanted to be a
musician and I could never, like as much as I
tried to take classes, I could never learn to play anything.
It's very impressive to me that you're able to like
pick something up and play it and just like fuck
around with it or like, you know, like one of

(01:02:37):
the things that I love is when we go on
tour Forlibe will find a piano and he'll just start
playing it. He'll just start fucking going and like, you know,
and people will be like, who's that analy it's Felipe,
you know, who's that food back there? And it's like, uh,
it's just impressive to me. I think it's a very Uh.
I've only met one other person that's Chris Dorn who

(01:02:59):
can pick things up, listen to it, and make music
out of it. It's a it's a really impressive talent
to me that I I don't think everybody has. And
I think it's it's not an I don't think it
comes to I don't think you can, just like I
think some people can pick up music and learn to play,
but not ever be good at it.

Speaker 1 (01:03:18):
That's funny because I never I remember music like in
my head. If I hear it once, I could hear
it and other songs over and over. See, I can't
like if I hear like I'll hear a song the
other day and they go, that has to be this song,
it has to be this song, right, And I looked
it up and it was that song.

Speaker 2 (01:03:35):
And you can hear Can you hear a key and
identify what it is, get music and go back and
play it? See, I can't do that, Like like what
I noticed you do is you'll listen to a song, right,
I've watched you to do this where you pull up
a song and you listen. He makes these little noises
while he's watching it, and then he puts it on
the piano, and then he turns it off and then

(01:03:55):
he goes boom boom boom, and he starts playing. And
in my mind and I know that he's picking up
a key somewhere in the in the song, and he's
playing from there. I can't even know. Like, if you
play a song for me and then tell me to
find the key on the piano, there's no way I can.

Speaker 1 (01:04:11):
I told my dad when I wanted to be a musician,
he said, we want we want to be a trained monkey.
You want to want me to dress see you around
like a trained monkey. My favorite part of that movie,
Bro Mozart was when in a miracle his dad starts
choking on me. Bro, his dad dies, Oh yes, what

(01:04:31):
He wanted his dad to die because his dad wouldn't
play music.

Speaker 2 (01:04:34):
And he's like, I prayed to be a competent.

Speaker 1 (01:04:36):
I think everybody that loves stand up comedy or been
in a stand up comedy game should watch Mozart. Bro
just to see yourself in Stallieri and see herself in Motiro.

Speaker 2 (01:04:46):
Because that's the thing is, I saw myself in Saliary
and both of them, Yeah, and both of them I have, Yeah,
definitely because cos Mozart, right, Yeah, but I definitely was like,
uh like when Saliary started talking about like almost any
point he talks about, but there's a one part where
he's like and then this animal just that was off.

(01:05:08):
That's how I feel. I looked at my girl Ball.
That's how I feel as a comic every day. No,
the part where he goes, how could God give me
the yearning and the ability to play music but not
the talent? I looked over my girl Ball. That's how
I feel right now.

Speaker 1 (01:05:36):
I want to dressed up as his daddy with him.

Speaker 2 (01:05:39):
Yes, dude, oh my god, that's so hilarious.

Speaker 1 (01:05:42):
Dud jove. When when fucking Busart is down and out,
he's doing the open microom bro the fucking horrible shoulders.

Speaker 2 (01:05:56):
That's the thing is, Yeah, if you're a comic, this
movie really eight.

Speaker 1 (01:06:00):
Big either Ding domb Show is ship writing libretto for
Don Beras. I learned that when libretto and libretto the
music for the play.

Speaker 2 (01:06:16):
It's a it's a written opera. Do an opera?

Speaker 1 (01:06:20):
Yeah, I want to. I want to go see the
Marriage of Figaro.

Speaker 2 (01:06:22):
That's right, you talked about it.

Speaker 1 (01:06:23):
When you want to go When when you go see
the Measure of Figaro. There's the guy that's that's conducting
the music. He's dressed, he's always dressed like a Mozart
and everyone in the whole choir is dressed in no
time with white wigs.

Speaker 2 (01:06:38):
Let me ask you something, were you do? Were you
entertained the whole because like, I kind of want to
go see an opera, but I'm afraid that I'm gonna
get trapped in a room for four hours that I
don't want to, like, I won't have any fund. Were
you entertained?

Speaker 1 (01:06:50):
Yeah? Man? But it's in German and the subtitles are
on top, so you're like this, Oh so there is
subtitles in German.

Speaker 2 (01:07:00):
If you didn't watch the subtitles, were you able to
still get the gist of what was happening?

Speaker 3 (01:07:04):
Oh?

Speaker 2 (01:07:05):
Yeah, bro, Because that's what an opera does, right. It's
translatable through the movements and music, which is interesting to me.
That's why I want to really watch it.

Speaker 1 (01:07:13):
Why do I have to submit my music?

Speaker 2 (01:07:17):
Oh that's the part where so the king has a
daughter or has a niece, and this is like a
great scene in the movie where he rolls up to
Saliary and he goes, this is my niece. She wants
to learn how to play music, and I'm going to
do I'm gonna give it. I'm gonna give her music lessons,
and Salary immediately thinks that he's asking him and he goes,

(01:07:37):
this would be a great I'd love I would love
to and he goes, well, I was thinking it would
be for Mozart and he gets mad, but then he goes,
well I don't and he goes, what do you think?
And then he goes, I think that it would look
like you were playing favoritism, so you should put out
like an audition and I'll be the.

Speaker 1 (01:07:55):
Thrown people under the buff for that. That's should I
booked that guy? I don't know, bro, And they're like,
you're booking on your homies and ship Bro. So many
times where people like what do you think of so
and so, and they're like a really good comic of all,
he's good, bro, really really hard. I'll be like he's
great comedian. But he doesn't have a car, bro, and

(01:08:20):
he's not fun to hang out with after the show.
And we're talking an hour and a half drive with
this guy bro.

Speaker 2 (01:08:25):
Right, Yeah, dude, that's hilarious and true.

Speaker 1 (01:08:27):
At if this guy could get his own way, perform
and somehow get out of our faces, right, we're fine,
right yea, but this guy man is a no sexual predator.

Speaker 2 (01:08:40):
Bro, I've definitely done that. I've definitely done that as
a comic. Where someone's asked of a comic.

Speaker 1 (01:08:44):
I've told people, look, as long as this guy gets
there on his own and after the show he leaves everything,
he'll be fine.

Speaker 2 (01:08:51):
Right.

Speaker 1 (01:08:52):
But if they're hanging out with you, bro, you know,
to touch your lady's toes, you know they something.

Speaker 2 (01:09:00):
Did you do that deliberately to have them not booked
or is that like a.

Speaker 1 (01:09:04):
Total straight up bro, it's not gonna fair. Ladies told so.
If you don't really want to book this guy, try
to wear long socks. Also, if your wife is a
flirtatious lady, this guy bites.

Speaker 2 (01:09:22):
It's hilarious, dude. Yeah, yeah, we do that as artists.

Speaker 1 (01:09:27):
I notice that you book a lot of ugly people
at this show.

Speaker 3 (01:09:29):
Bro.

Speaker 1 (01:09:30):
Look at this guy, Bro.

Speaker 2 (01:09:33):
And that's what Sallyary did is he kind of threw
and then so like he goes, I think in order
to not show favorite toism because he didn't want Mozart,
he goes, uh, maybe you should do tryouts for people.
And so that's when Mozart gets pissed and he's like,
this guy wants me to fucking try out. I'm the
best musician in the world.

Speaker 1 (01:09:52):
And in one of the Cubs scenes and is a fact,
he gets called in to teach somebody and they're paying
a lot of money and he's playing for all the
dormant pinchers.

Speaker 2 (01:10:05):
Yes, I I've heard this before. They hired him to
play for the animals.

Speaker 1 (01:10:10):
Yeah, all the dogs are going who.

Speaker 2 (01:10:16):
Well, yeh got to get this fucking edited.

Speaker 1 (01:10:19):
But they're playing Bro and they keep bland, keep blading.
Play the dogs love you, Moto, we love you. But
they're like it's like as a stand up comedian, you
know later along the way you're gonna be subjected to
the same kind of treatment where somebody's gonna pay four
hundred dollars and he's gonna be him and his wife
and eight people in that barbecue I've done that. I

(01:10:42):
did it, Bro, one hundred dollars. Bro asked the La
Joya's cousin. He booked me do comedy and he paid
me like one sixty. We get through that two and
it's only like eight people there. Bro. Everybody left, so okay, man,
this is gonna work. It's all huddle up. You know,

(01:11:03):
they're twenty five minutes of being silly and that little
Hoddel people. I got my Carnas cold Carnas al burrito,
that got me sake and I left.

Speaker 2 (01:11:12):
He got food poisoning at the end.

Speaker 1 (01:11:14):
As a little hoyo cousin. He stayed because they say
he liked me. So I went over there to the backyard. Bro.
Some hot chicks and I mean them all laugh and
I'm boned out.

Speaker 2 (01:11:24):
Bro. Nice. I did a baby shower one time, which
was the weirdest thing to do for rich people, like huge,
like I mean big time rich people huge. But yeah, dude,
it was the same thing. It was like, what the
fuck am I doing here?

Speaker 3 (01:11:41):
Bro?

Speaker 1 (01:11:41):
I did a show one time, Bro, for these twins.
They were called they're called Burt and L. They're Albert,
but they're called L. One of them with L and
they got burt but they're called but they're short for albums.
They're twins, Twins, I din go twins. How clever Me
and gibrig Glass got booked to do this show, bro,
and then they threw a monkey into our game. We

(01:12:01):
met their crazy cousin and she's one of those chicks
on that on that debutante videos with that dirty poor star.

Speaker 2 (01:12:11):
Oh the dirty Debutants No way.

Speaker 1 (01:12:14):
Yeah, what's that guy name? Yeah? Anyway, she won b
J of the Year for the ABN at that time
for that video.

Speaker 2 (01:12:23):
Good for her.

Speaker 1 (01:12:24):
So she's there at the party and then she goes,
she goes, young, want to move some wheek. Yeah, she
fucking brings out this bong and start recognizing her right,
and then gave her a glance. This bros, It goes,
I don't know, want to hit the fucking bong after
this check? Right, So I go like, this is the

(01:12:45):
first time I ever cleaned the bong, and I hit it.
Next then this crazy chick goes, I heard my cousin
paid you guys for this gig. Yeah, ah man, she
offered to take care of us, bro and give them
money back.

Speaker 2 (01:13:02):
Oh, she offered to pay you guys and give the
money back to the cousins.

Speaker 1 (01:13:06):
The cousins, so she was gonna pay us in her
with her trophy, bro, with her her skills.

Speaker 2 (01:13:15):
Oh oh, that's what she was saying, like, I'll take
care of you guys. Yeah, give the money back to
my cousin.

Speaker 1 (01:13:21):
And we'll call it even.

Speaker 3 (01:13:23):
No.

Speaker 1 (01:13:24):
See, that's how I alwish I had a cousin, that
great brother that loves me so much that goes over
there and goes, listen, guys, I know you got paid
for you. You dj this place. So Bro me looked
at each other and then she then like we looked
at the twins and she's serious. We only see her

(01:13:47):
once a year.

Speaker 3 (01:13:47):
Bro.

Speaker 2 (01:13:53):
He was like, we don't even know what that was.

Speaker 1 (01:13:55):
I can't believe it. Bro, I don't know West Covino somewhere,
the fucking blow job champion of the world who did
her two three video debut debutants and she's there, Bro,
she looking like and then she offered us.

Speaker 2 (01:14:09):
Look cool, like like you know what, Oh yeah, of
course she did, Bro, But like, but she.

Speaker 1 (01:14:16):
Didn't look cool in that movie though, because they're like
choking her and ship like with with without Like if
you play that video without and clothing your eyes. It
sounds like they're strangling somebody in a fucking toilet. Bro,

(01:14:39):
Like it's not like gabble gabble.

Speaker 2 (01:14:41):
Yeah yeah yeah bro and f bro.

Speaker 1 (01:14:47):
Yeah. We said, nah, man, we need that money. We're
going to our don't. We're gonna go to the jacket
o bux bitch.

Speaker 2 (01:15:07):
Blow jobs don't pay for fucking uh jumbo jack. Sorry,
I don't know.

Speaker 1 (01:15:11):
I got two hundred dollars brough. I don't think brothers
a lot of money back then.

Speaker 2 (01:15:14):
Bro, No, but it's definitely not worth a blowjobrouck. No, dude,
I'm sorry.

Speaker 1 (01:15:19):
And brother, what what what?

Speaker 3 (01:15:20):
What? What?

Speaker 1 (01:15:22):
Those guys will be telling this story right now on
the podcast. One time we booked filips with a blow
job and Ship, Oh my crazy cousin with cold source
showed up.

Speaker 2 (01:15:31):
And you know what's funny, dude, is comics don't think
about that at all.

Speaker 3 (01:15:34):
I do.

Speaker 2 (01:15:35):
I do too, because I'm like, what if I make
it one day and that comes back to haunt me?
Like I think about Ship like that all the time,
so which is what keeps my nose clean. But still, dude,
that's crazy, bro. That would have been a story that guys.

Speaker 1 (01:15:47):
I want people to stay. They're playing out there. Some
guys gonna stayed, Like Bro, Felippe hung out with us
one time for a whole eight bohawk. Remember we's already
that out there. Remember here cracking jokes for three days
eight never put in one dollar. We have to call
his old lady to take him out of here.

Speaker 2 (01:16:08):
Yeah, there's already that out there. That's already out there, Bro,
that's fucking funny, dude.

Speaker 1 (01:16:14):
There's a story out there. Somebody knows that Philippe has
swept our whole house for a whole bump.

Speaker 2 (01:16:21):
Is the really a story?

Speaker 1 (01:16:23):
Oh man.

Speaker 2 (01:16:24):
I'm sure that there's gonna be.

Speaker 1 (01:16:26):
Most of them through a hard time story Philippe.

Speaker 3 (01:16:28):
Bro.

Speaker 2 (01:16:28):
Yeah, good for you, Bro, good for you. Look at
where you're at now, dude. Yeah, I'm sure there's stories
of me that are gonna come out one day if
I've ever famous that.

Speaker 1 (01:16:37):
And then I said, what happened, brold chample the house
with them Hitler, you shorts and did the whole march.
The ladies literally took him out of a mannequin, bro
and put him on.

Speaker 2 (01:16:52):
I know, I have like really skinny legs and no
hair and no hair here, but hair here. So this
side's this up to here is Mexican and below is
Native American.

Speaker 1 (01:17:05):
That's funny because I'm the opposite of that. Bro. My
lais are Native American because they belong to a five
foot two man. My torso is all colonizer.

Speaker 2 (01:17:16):
It's straight. Yeah, dude, that's hilarious.

Speaker 1 (01:17:18):
Dude, like I'm a catdog body.

Speaker 2 (01:17:24):
That's good.

Speaker 1 (01:17:26):
All right, oh ship, Yeah, history for fools, Mozart. We'll
get back to it.

Speaker 2 (01:17:30):
We'll get back to it. Thank you guys for watching.

Speaker 1 (01:17:34):
Be careful out there. I'll lay number one.

Speaker 2 (01:17:36):
Yeah, please be safe you guys. And uh, stay inside.

Speaker 3 (01:18:00):
Book thinking so books so thinking so s

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EP 73 - The History of Wolfgang Amadeus Mozart

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}EP 73 - The History of Wolfgang Amadeus Mozart