October 3, 2025 • 49 mins
Hey my lilies 🌺
When we talk about inspiration, we can’t leave out music. Music has always been more than sound—it’s an expression of truth, struggle, and freedom. In this episode of Ink&Impact, we’re reflecting on one of the most influential groups in hip hop history: N.W.A. From Compton’s raw reality to shaping a culture, Dr. Dre, Eazy-E, and Ice Cube left behind legacies that teach us about following dreams, standing on values, and sparking belief in others.
We’ll dive into their beginnings, their music timelines, their impact, the Straight Outta Compton biopic, and how holding onto your vision can inspire generations—even when the world says no.
Shop at iLilyink.com now for your Halloween themed journals and Notebooks 15% Sale! 🎉
Become a supporter of this podcast: https://www.spreaker.com/podcast/ink-impact-podcast--6678694/support.
When we talk about inspiration, we can’t leave out music. Music has always been more than sound—it’s an expression of truth, struggle, and freedom. In this episode of Ink&Impact, we’re reflecting on one of the most influential groups in hip hop history: N.W.A. From Compton’s raw reality to shaping a culture, Dr. Dre, Eazy-E, and Ice Cube left behind legacies that teach us about following dreams, standing on values, and sparking belief in others.
We’ll dive into their beginnings, their music timelines, their impact, the Straight Outta Compton biopic, and how holding onto your vision can inspire generations—even when the world says no.
Shop at iLilyink.com now for your Halloween themed journals and Notebooks 15% Sale! 🎉
Become a supporter of this podcast: https://www.spreaker.com/podcast/ink-impact-podcast--6678694/support.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:12):
Violent street gangs from Los Angeles are now trafficking and drugs.
Speaker 2 (00:16):
And cities far from their own or no dark alley
ways to hide an growl North, I don't recall that conversation.
Speaker 3 (00:22):
Los Angeles police departments crash the gangs to become better
and better organized.
Speaker 4 (00:27):
Liber gangs drove.
Speaker 2 (00:28):
Out more drugs just focused on a crack. The super
addict drugs are menacing our society. You are now about
to witness the strength of street knowledge.
Speaker 5 (00:43):
Hey, my lilies, welcome back to Incan impact will reflect
on how culture, creativity, and faith golide to shape our lives.
Will we talk about inspiration? We can't leave out music.
Music has always been more than sound. Its testimony, its memory,
(01:08):
its resistance. The way we listen to it and live
through it expresses who we are. And there's something about
reality music music that tells the truth that makes us
feel closer to the artists. And if we're talking about
(01:31):
truth and hip hop, we have to talk about NBA,
one of the most influential and controversial groups and music history.
From nineteen eighty seven to nineteen ninety one, they shocked
Middle America with raw, political charge lyrics and fearless attitude.
(01:55):
So today on Incan Impact, we're reflecting on the story
of n w A and how following your dreams, staying
grounded and your values and using your voice can build
a legacy that outlives you. Let's get into it.
Speaker 6 (02:56):
My life.
Speaker 7 (02:58):
It's a sun shot, the sunshine, sunshine, sunshine.
Speaker 8 (03:23):
What happened?
Speaker 2 (03:25):
She didn't? What happened with what? Andre?
Speaker 4 (03:27):
Boy?
Speaker 8 (03:27):
Don't play with me? Do you even care how it
makes me look? Called in favors to get your thoughtless
ass an interview and you can't even show home.
Speaker 2 (03:39):
Look, I'm I'm sorry, man, I just I guess we'll
caught up in this DJ stuff.
Speaker 8 (03:43):
I I forgot you have a child, Andre, spending records,
ain't paying none of the bills around here.
Speaker 2 (03:49):
You're talking about I get paid.
Speaker 8 (03:52):
Fifty dollars, So that makes you rich.
Speaker 4 (03:55):
It's a start you riding.
Speaker 8 (03:58):
I'm not riding you, babe. I'm trying to make you understand.
And you know how I run my house. Now you're
gonna have to go to school or you're gonna have
to go to work. Now. I don't even care if
you are a janitor.
Speaker 2 (04:09):
I don't care what the hell you're I own the
company I know, I.
Speaker 8 (04:12):
Know, but you don't own the company.
Speaker 4 (04:15):
Lonzo.
Speaker 8 (04:15):
Does you think we're done here?
Speaker 4 (04:19):
Yeah?
Speaker 8 (04:19):
I mean you want something to say to me?
Speaker 4 (04:21):
You don't care what I'm fighting for.
Speaker 9 (04:23):
Okay, I already don't know what I wanna do with
my life, and it definitely ain't sitting in some cubicle
taking orders on a bullshit ask job.
Speaker 2 (04:31):
I'm shut out.
Speaker 8 (04:35):
People used to tell me I was too young.
Speaker 4 (04:37):
When I had you.
Speaker 8 (04:39):
Said I wouldn't be shit, said you wouldn't be shit.
Now I worked my ass off. Together's here and I
refuse to let you throw it all away.
Speaker 5 (05:05):
To understand NWA, we have to understand where they came from.
Nineteen eighties Compton, imagine this. The crack epidemic was raging,
gangs controlled corners, unemployment was high. The lapd under Darryl
(05:35):
Gates at the time used the military eyes policing. Young
black men were constantly stopped, harassed, profiled, and most of
that more likely has not stopped. But it wasn't paranoia,
(05:56):
it was life.
Speaker 6 (05:59):
This was a soil.
Speaker 10 (06:01):
N w.
Speaker 5 (06:02):
A grew from out of pain, out of pressure, out
of survival.
Speaker 11 (06:31):
To do Now I was spensing woman fon capabilities and
now I'm living in the correction, no facilities because some
I don't agree what I would do this.
Speaker 12 (06:40):
I can't straight men say like a Buddhist and I'm
trying to play on my behavior.
Speaker 10 (06:44):
It's a meditary, but my technique is very necessary.
Speaker 4 (06:47):
Claim it on ice cube.
Speaker 13 (06:49):
You've got to set it.
Speaker 2 (06:49):
Get phone kicks.
Speaker 4 (06:50):
We ain't gotta something. Get a predicant, add it on
the top. Then it'll make your things something something.
Speaker 10 (06:56):
Just take on me.
Speaker 4 (06:56):
Play too much stomach because it's stay on like this one.
Speaker 11 (07:00):
You know what? Imnna hesitate that this woman to before
sy to sing this drop silence English. Even if yellow
makes an acapella, I still express.
Speaker 4 (07:11):
You what don't smoke you. Don't do that because it's
going to keep a brother. Brain damis the brain damage
on the mic.
Speaker 11 (07:16):
Don't manage nothing but making a sucking you weak wolves,
don't be another.
Speaker 4 (07:21):
Sea Wolves c.
Speaker 2 (07:27):
S.
Speaker 5 (07:36):
What I love about that track is how it reminds
us that music can be rebellion. Express yourself, speak your truth.
Don't anyone else silence you. That's what we're doing, given
(07:57):
a voice to the voiceless. Drey was already balancing fatherhood
and his love for Djaying Easy was hustling, running the
streets but dreaming bigger.
Speaker 6 (08:13):
I Sky was still in.
Speaker 5 (08:14):
High school, scribbling rhymes in a notebook like they were weapons.
DJ Yella and mc wren brought the glue, the sound,
the fire, young adults trying to figure out life just
(08:35):
like us, but instead of suppressing their rage, they put
it on wax and the world couldn't look away.
Speaker 4 (09:00):
Crazy motherfucker named ice Cube from the gang called.
Speaker 11 (09:03):
Niggas win out of tools with them, called off, I
gotta sold off, squeeze a cligger and body's all harmed
off you too, woy.
Speaker 4 (09:10):
If you're fuck with me, the Melissa gonna have to
come and get me on your ass.
Speaker 12 (09:15):
That's how it's going out.
Speaker 4 (09:16):
But of course, motherfucker's that's showing out. Niggas fucking up.
Speaker 10 (09:20):
They want a buck, makes a man cut them in
a fix. Life go both going off on the one
fucking like that with a cat. That's when it at
your pass.
Speaker 8 (09:29):
So give it up, spoons, ain't.
Speaker 10 (09:30):
No telling when I'm down for jack.
Speaker 14 (09:32):
Move.
Speaker 4 (09:33):
It's a matter of after keep your damn sin with
a client record life.
Speaker 10 (09:36):
Chass Man said, ain't take forty seven is a tool.
Speaker 4 (09:40):
Don't let me at the motherfucking pool man. You can
go toe to tok. No mate, I'm knocktting niggas out
the box.
Speaker 11 (09:46):
Dat yo wait clee monthly dead Lee until them tell motherfucker.
Speaker 4 (09:50):
See clearly that I'm down with.
Speaker 15 (09:52):
The cap of those CVT.
Speaker 4 (09:54):
Boy, you can't cluck with.
Speaker 8 (09:55):
Me, so win them in your neighborhood.
Speaker 4 (09:57):
You better come this ice que.
Speaker 11 (10:01):
Believe I'm starting when I come straight.
Speaker 5 (10:13):
So let's start with Dre aka Andre Young. Before n
w A, Dre was part of the world class wrecking
crew making club hits, but he wasn't satisfied. Like we
(10:35):
heard in the beginning of the movie, he was only
making like fifty dollars, so he wanted to make music
that reflected reality, not just fun.
Speaker 6 (10:48):
With n w A, Dre.
Speaker 5 (10:50):
Became the architect of their sound. Heavy beats, hard bass,
smooth production. Dre knew how to make anger sound beautiful.
Now album Timeline with NWA straight out of Compton that
(11:13):
came out nineteen eighty eight, Niggas Fell Life nineteen ninety one,
now his solo career, The Chronic nineteen ninety two, two thousand.
He I'm sorry, uh he did two thousand and one,
(11:33):
and then he and that was in nineteen ninety nine,
and then he did Compton recently in two thousand fifteen,
so that's his timeline.
Speaker 6 (11:44):
I felt like with Dre he gave little I think
of his craft for himself.
Speaker 5 (11:56):
You know, he'd usually he's more so like a giving
of his sound, and I felt like that was something
that I couldn't ignore throughout, Like he was more willing
to just give the music away when it came down
to the songs or like the beats, he more so
(12:21):
wanted to give that to artists. So I can see
why he doesn't have like a list, you know, but
with his list, you can't go wrong with what he's
given out and what he's given to others, so we
(12:42):
know he's very gifted.
Speaker 16 (12:52):
Sloop doggy dog get back to drink and thus up
and didn't make a drink, So bad goose. If I
can bust like a bubble popping and lone beets together.
Speaker 4 (13:03):
And that you knew, you know, troubles ain't jud but
a jeep.
Speaker 17 (13:05):
Bag babe man to death, tick us up with craves
and death bro is the label that's paid. Man, I'm
played up some prizzle try. I'm safe, shit you, but
I'm back till the leure at pains.
Speaker 16 (13:17):
Perfection is perfecticed on a landam on the stage from
the young cheeks perspect shit.
Speaker 4 (13:22):
And before me digging a bitch. I have to find
the kind of perceptive you never know.
Speaker 16 (13:26):
She could be earning her man and learning her man
ain't at the same time turning her man.
Speaker 4 (13:30):
That you know rain with this ship. So Jenny ain't
no pussy good enough to get her while I'm a
finished And that's real up, in real deal humpy field,
and that you looked up and holds.
Speaker 16 (13:39):
No have what failed will if it's good enough to
get both of a proper junk and take a small
piece of some of that funky stuff.
Speaker 11 (13:45):
It's like this isn't like that, and like this sat up,
it's like that, like this isn't like that, and it's
like this isn't like that, and like this set.
Speaker 4 (13:53):
Up Drake Creek till I'm like like a prae.
Speaker 11 (13:56):
I'm freaking, But I tell them they got killed because
more people could sheep and that was tough for me
to make my impression felt. So sit back, relax and
strap on your seat. Such a numbok bent on the
rock like this the float what if who can drap
to control the my stroke?
Speaker 4 (14:10):
That's the same sign. But the soap proms at our chick,
you know, and I know I'm put.
Speaker 11 (14:14):
Some more spy ships some my collection just selection shin
SIMPLI just don't take the soap.
Speaker 4 (14:20):
That don't choke if you're too you have no flue
or whatn't me you're my home snoops case too was
like this isn't like that, like this set up.
Speaker 18 (14:28):
It's like that, like this and like that that.
Speaker 4 (14:30):
It's like this simple the fuck up.
Speaker 19 (14:32):
Out blow so just shame.
Speaker 4 (14:34):
So it makes that sub.
Speaker 6 (14:39):
The chronic.
Speaker 5 (14:41):
In ninety two introduced us a g funk laid back
beats with heavy funk samples. Then came two thousand and
one in ninety nine, giving us steal Dre and forgot
about Dre classics truly I love 'em, and years later
(15:05):
at Compton in two thousand fifteen, tying his legacy back.
Speaker 6 (15:10):
To where it all began. Dra also built.
Speaker 5 (15:16):
Empires death Row Records, Aftermath Entertainment Without Drey, we don't
get Snoop tupac Eminem fifty cent Kendrick and in two
(15:38):
thousand fourteen, he made history with the biggest deal three
billion dollars with Apple for Beats by Drey, the biggest
deal in music history. Dre teaches us this, evolve, be
(16:04):
patient with your vision. Don't trace trends, create them. From
DJ to producer to mogle. Dre kept building and that's
the mark of visionary.
Speaker 18 (16:29):
What do you do?
Speaker 2 (16:30):
Let me produce. Yeah, I feel like it's getting weird
and shut up, get comfortable. Let's go.
Speaker 8 (16:42):
Cruising down the street in my sixth both.
Speaker 2 (16:51):
What the fuck is so funny? Not? Oh?
Speaker 20 (16:54):
Can you hear me?
Speaker 11 (16:55):
Yeah?
Speaker 4 (16:55):
I can hear you? He how much?
Speaker 2 (16:56):
Y'all fucking laughing? You good? Just see that first? Be
hard man, you gotta come in on be cruising down
the street? You cruising?
Speaker 15 (17:07):
You good?
Speaker 4 (17:07):
Right?
Speaker 8 (17:08):
Hey?
Speaker 2 (17:09):
No, no, no, no, no, it's dope. But on be again.
All right, let's go.
Speaker 1 (17:16):
Cruising, all right, cruising down the street in my sixth boat.
Speaker 4 (17:28):
That ain't in it really?
Speaker 2 (17:30):
Hey, that's right, you gotta go.
Speaker 20 (17:31):
If we're gonna do this, cute, you gotta go out, Nah, nigga,
both of y'all. You're talking to me O cute and
Joe like, get the man, yes, so we can get
this stung.
Speaker 2 (17:42):
Cue shut the fuck up. C wait que yes, man,
you know what what mother fucking come on finished?
Speaker 4 (17:55):
Dright, you won't laugh too.
Speaker 2 (17:56):
I stayed in this bitch by myself. Hey, just say
the words. All right, this ain't me, man, Just say
the ship with me all ain't cruising?
Speaker 8 (18:03):
Cruising?
Speaker 2 (18:04):
Yeah, cruising. Let's dope, dray.
Speaker 4 (18:12):
You know that shit ain't gonna never learn.
Speaker 2 (18:15):
Alright, it's trying to be funny. But you see how
you said that ship right like you believe it?
Speaker 4 (18:20):
Yeah, I believe that shit.
Speaker 1 (18:21):
Just say this shit like you believe it, man, Like
it's a motherfucking Sunday and you're cruising down krin sharp
in the motherfucking six folk.
Speaker 2 (18:28):
Come on, say that shit like you believe it, man
like it's your words. Fell that shit. It's not playing
around loosing the fuck up.
Speaker 4 (18:33):
There you go.
Speaker 8 (18:41):
Cruising down the street in my sixth folk.
Speaker 2 (18:44):
Oh shit, Hey, that was dope, dude. That shit was dope, man. Yeah,
that's what I'm talking about.
Speaker 9 (18:51):
Man's feeling that shit right nown we only got fifty
nine more.
Speaker 4 (18:56):
Lines to function, he was what's that?
Speaker 8 (18:59):
The FAMA found that way easy? But you shure, shut
the fuck up.
Speaker 19 (19:05):
Get the fuck out of here, your drenk what fuck
give me a fucking you ass baseline, what the fucking.
Speaker 21 (19:21):
Sauce off in the blister be He kind of on
the mike. It's easy, motherfucking easy, trends on the beat,
yelling us on the see that close money, bitch, shut up,
shot up, shoot.
Speaker 4 (19:34):
Walk. I'm easy.
Speaker 15 (19:35):
I got the bitches galore.
Speaker 12 (19:36):
You won't have a lot of bitches, but I got
much more want my super duper moof coming out to
shoot easy.
Speaker 11 (19:42):
Even motherfucker's come out in the mood cause I'm a
pot dumpster.
Speaker 15 (19:46):
I used to be a monster. Get to hurt.
Speaker 4 (19:49):
They got on a drug store getting stupid because I
know how. And if a sucker talk shit, I.
Speaker 22 (19:54):
Give him up eight boss up and the bitches off
the pens to down ahead at depend continue. I didn't
my switches clicking my pitches and the money that I'm
make so I can add to my riches.
Speaker 4 (20:06):
I'm must ad.
Speaker 15 (20:06):
Got to start rubbing my gut, got his hand to.
Speaker 4 (20:09):
Couse my buckets, afract a lot of non Roman the streets,
and with.
Speaker 12 (20:14):
A holy light, dread to supplying the beach because Immergate's
gonna haven can never believe to put it all back.
Speaker 8 (20:21):
In the guard.
Speaker 12 (20:22):
Didn't want gonna make your act. What wasn't ever you
should have known by now Easy does Easy cass to.
Speaker 2 (20:28):
Talk about.
Speaker 5 (20:34):
Eric Right aka motherfucking Easy E, the godfather of Gainst rib.
He wasn't supposed to be the rapper. He was a hustler,
the businessman, the guy funding ruthless records. But when q
(20:57):
Robe boys in the hood, no one else could deliver
like Easy, his high pitched delivery, his charisma. He became
the face of NWA. So let's go through his timeline.
So Easy doesn't the track that you just heard nineteen
(21:20):
eighty eight that hit our ears. I wasn't even born
by one five zero Home for the Sick nineteen ninety two.
Speaker 6 (21:33):
I was just too.
Speaker 5 (21:36):
It's on with dre on eighty seven killer. That was
in ninety three, and if you notice his hits were
back to back at least.
Speaker 6 (21:49):
Two year mark. Now straight off the hit, straight off
the streets.
Speaker 5 (21:56):
Of motherfucking Compton. Now that one it was post humans,
uh humans, post humans. I don't even know what that
even is supposed to mean. So I'm not even probably
gonna keep that. But yeah, I'm not really sure what
(22:23):
that even means. So let's look that up, I guess,
and see what that means, because what the heck posthumans,
I don't know.
Speaker 6 (22:35):
Let's see.
Speaker 5 (22:38):
Post humans. Ah okay, I'm assuming occurring award or appearing
after the death of the originator. Oh okay, so okay,
(23:03):
So I guess that was supposed to be. I should
have known that was what that meant, because I am assuming. Yeah, yeah,
(23:24):
I was right, yeah, okay, So that was random. That's
how I am with my thoughts. That was writing in
real time. So as I learned a little bit more
about him and his albums and how they came out,
cause I like to learn about stuff like that, about
the artists, their birthday, the death they're passing, the deaths
(23:47):
between the albums before the death of so his he
died March twenty six, so this album was nineteen ninety five.
For this to be able to come out posthumous means
it was gonna be released after his death. So I'm
assuming that's what happened.
Speaker 4 (24:08):
They released it.
Speaker 6 (24:08):
Other his death, even though it was pre recorded. So
there we go.
Speaker 5 (24:13):
We learned something together right there. Besides that, behind the
scenes was Jerry Hiller's management division. Uh in Qube left first,
(24:34):
so we already know that Dre left later, Uh, both
citing money disputes with Jerry Hiller in their division. In
his division, Easy stuck with Heller and that loyalty created
fact fractions.
Speaker 6 (24:47):
That never fully healed.
Speaker 5 (24:49):
And we all know that in the movie He kind
of they displayed that perfectly in regards to Howl. Heller
was actually being able to to kind of pull the
wool over Easy's eyes.
Speaker 6 (25:02):
And then came tragedy.
Speaker 5 (25:06):
In nineteen ninety five, Easy announces UH that he had aids.
Weeks later, he was gone at just thirty years old.
His death shocked the world, so I definitely know for
sure it made an impact on most of us, including myself,
to know such a young influence to us as a generation,
(25:33):
not even just for younger pay people in general, but
for the black community. He meant something and Easy shows
us that loyalty is powerful, but loyalty without wisdom.
Speaker 6 (25:46):
Can cost you everything. His story is both.
Speaker 5 (25:50):
Inspiring and heartbreaking, a reminder of how fragile life can be.
Speaker 4 (26:03):
And Uh, you been.
Speaker 2 (26:10):
The call in you all day? Sit down, JA, what
is this all about?
Speaker 18 (26:21):
Uh?
Speaker 3 (26:21):
The groupie executive assistant you even go to college, and
it's so much fucking smarter than us.
Speaker 13 (26:31):
Sitting down jam he saying about to me, jear, it's
(26:57):
about shoot and you can stop. I feel like you
ain't never done nothing wrong.
Speaker 15 (27:01):
Man.
Speaker 2 (27:02):
I know that your upset. I understand, but I'm asking you,
I'm advising, take a breath, okay, I'm don't look at
the paper work.
Speaker 20 (27:12):
Eric, you can stop giving as of that. Here's just
about to happen. I'm gonna get n w A back together,
and you ain't gonna have nothing to do.
Speaker 2 (27:22):
With it this time. How the fuck can you even
say something like that? What the fuck is going on
with you? Man? I know what's good for you.
Speaker 3 (27:33):
I know what's good for ruthless, and we have worked
up a trust after years of hard work, and that
trust is our foundation.
Speaker 2 (27:40):
Eric. I don't give a ship. Eric, you're a glousy man,
are you okay? Trust? Trust as a motherfucker?
Speaker 21 (27:56):
Is it?
Speaker 2 (27:58):
Let me ask you something, Eric. If what I'm doing
is so illegal, how come I've never been sued?
Speaker 14 (28:05):
If I'm such a fucking thief, such a liar, such
a motherfucker, how come nobody's ever come to collect?
Speaker 2 (28:11):
Because this is business and this is how it works,
and it's not always pretty. No. Do I cover my
own ass? Do I cover my own end? Absolutely?
Speaker 4 (28:21):
But don't you dare fucking tell me that I have
not taken care of you.
Speaker 14 (28:25):
Don't you fucking tell me that I have not had
your back from day one day one?
Speaker 4 (28:36):
Is this taking care of me?
Speaker 14 (28:39):
But you're fucking kidding me. It's taking care of the
whole fucking thing. It's business and this is how it works.
Have I covered my end? Do I cover my ass? Absolutely?
But don't you dare fucking tell me that I have
not taken care of you?
Speaker 2 (28:55):
This business tool, Yes, this is business. This is how
fucked up.
Speaker 8 (29:00):
I can't get up.
Speaker 2 (29:00):
But I didn't start this.
Speaker 8 (29:01):
I didn't fuck it up.
Speaker 18 (29:04):
You did?
Speaker 2 (29:07):
Oh you did?
Speaker 21 (29:13):
You?
Speaker 2 (29:13):
Fuck jack, Eric. This isn't how we do things.
Speaker 4 (29:18):
This is not you. This is not you, Eric.
Speaker 15 (29:23):
This is an important colony.
Speaker 2 (29:25):
Eric, I'm not gonna let you fuck us up.
Speaker 4 (29:55):
Just waking up in in the morning, gotta thank god.
I don't know what today he seeks kind of eye,
no bucking from the dog, no small and Mama cooked
the breakfast with no hump. I got my girl up
on but didn't pig out.
Speaker 10 (30:10):
Finally got a call from a girl I want to
dig out.
Speaker 4 (30:13):
Hooked it up for later and rest.
Speaker 10 (30:15):
I hate to don't thinking where I lived another twenty funk.
Speaker 4 (30:18):
I gotta gold because I got me a drop top
of that.
Speaker 10 (30:22):
The switch I can.
Speaker 4 (30:23):
Make the ass drop. Had to stop at a red.
Speaker 9 (30:27):
Light looking at my mirror out of jack are sight
and everything is all right.
Speaker 4 (30:32):
I gotta beat from Kim and she could do it
all night. Called up the homies in a max and yard.
Speaker 10 (30:39):
Which part are y'all playing basketball?
Speaker 4 (30:42):
Getting me on the court? And I'm troubled. Last week
messed around and got a triple double. Freaking brothers every
way like in day. I can't believe.
Speaker 11 (30:52):
Today wasn't good of tag.
Speaker 2 (31:01):
It's what they all say, the right you got the rons.
I stayed with the brons. Man, I'm talking about that
hard ship.
Speaker 4 (31:11):
All I'm right is that hard ship?
Speaker 2 (31:12):
Right? So what's up? Man?
Speaker 9 (31:15):
You ready for do those? Do those ready for me?
You know that's counting right? They got body bags at
the death. Okay, your ass better bring it, cause if
you don't, you might do nothing.
Speaker 2 (31:27):
Want for real, body bag? I don't know about that ship. Yes,
can tell your moms to fix this fucking ac and.
Speaker 4 (31:36):
What are you doing here, homeless.
Speaker 15 (31:55):
Home man?
Speaker 8 (31:56):
Not even more nothing.
Speaker 2 (31:57):
Put the hands off talking, chat the fuck.
Speaker 8 (32:05):
Up ru here. Look these boys, they all grew up
on this global out set on my side. That ladies
get that inside.
Speaker 4 (32:17):
I promise you I will ruin your fucking night.
Speaker 23 (32:20):
You ain't got to talk to my moms like that
fucked up mother fuck nigger call him a nigga. Now,
oh wait a minute, My ass fucker said, you swim
when you're jacking us?
Speaker 2 (32:31):
Right now, man, I ain't explaining.
Speaker 4 (32:33):
Ship to get the fucking property. I can stand right here.
Speaker 18 (32:37):
You got that.
Speaker 4 (32:39):
Son right here?
Speaker 2 (32:41):
What were you got? The fucking laps boy? Not everybody slaying.
Speaker 4 (32:44):
Don't get the.
Speaker 2 (32:45):
Fucking this l A D D. I'm rolling against you
out here, all right, they all check.
Speaker 4 (32:50):
Out out, Check what bag I'm over here fucking with
them up.
Speaker 8 (32:54):
You got cards down all them anyway, pick your.
Speaker 2 (32:56):
Ship up out here, that whole.
Speaker 6 (33:21):
Oh say.
Speaker 5 (33:24):
Jackson aka ice Cube, the pen the Poet, The power
Cube wrote much austraatic compting. His words turned anger into anthems.
(33:48):
When he left n w A and eighty nine people
doubted him, But in ninety one he dropped no Vassiline,
one of the most brutal distracts ever, and it proved
Hube was unstoppable. Now his timeline America's Most Wanted nineteen ninety,
(34:18):
Death Certificate nineteen ninety one, The Predator nineteen ninety two,
Lethal Injection nineteen ninety three. Later, War in Peace, Life,
now Cry later, Everything's corrupt.
Speaker 6 (34:42):
Do you see the pattern here? Do you see why
I left ice Cube for the end? Do you see why?
Speaker 5 (34:51):
Like these details matter, the details of how much someone
puts into their craft.
Speaker 6 (34:57):
He was back to back to back to back. Every year.
Speaker 5 (35:02):
He made sure to not deny his presence in this industry,
and it showed in his work.
Speaker 6 (35:11):
Every year.
Speaker 5 (35:12):
He made sure he was in somebody's list for UH
album drops and he made sure that that it was
every year. And that's what I I I love about
someone's work ethic and what they love is first for
their passion. Not saying anything about Drey or about Easy,
(35:36):
because we know the difference between the two or should
I say the three. Dre was behind the scenes. Drey
was the producer, but he had developed multiple companies and
his craft in his ear. He developed a product that
made sure to be seen off rip because of who
(35:59):
he was, because of his craft. So all three of
these men definitely gave their presence to how it made
them individually stand out. And Cube's solo career cemented him
as one of hip hop's sharpest voices. So then when
(36:20):
he flipped the script, let's talk about that, when he
flipped the script and conquered Hollywood with his movies like
Boys in the Hood.
Speaker 6 (36:30):
Friday Barbershop.
Speaker 5 (36:32):
From going from Rhyme's to script, Cube approved definitely for
sure that you can wear many hats and still stay true.
Cube teaches us this, bet on yourself.
Speaker 6 (36:58):
Don't let anyone box you in.
Speaker 5 (37:03):
Your gift can carry you further than you imagine if
you stayed disciplined and unapologetically you. In twenty fifteen, The
(37:25):
Bio picked straight out of Compton reintroduced NWA to the
new generation. It showed us their brotherhood, their business battles,
their struggles with Jerry Heller, and Dre's break from death Row.
(37:46):
It also gave us reconciliation moments, reminding us that before
Easy passed, there was healing. The film reminded the war
world that NWA wasn't just a group. They were a movement.
Speaker 24 (38:12):
No person shall disturb the peace by participating or abetting
in any rude and decent, drunken, riotous or violent conduct,
or the use of any boulder, obscene or abusive language
in a public place.
Speaker 25 (38:27):
Note Also, the performance of the song f the police
will not be permitted.
Speaker 2 (38:34):
Refusal to abide by all the Detroit City.
Speaker 24 (38:37):
Ordinances will result in immediate arrest and forfeiture.
Speaker 4 (38:42):
Are we finished here?
Speaker 2 (38:44):
We got a show to do. Just watch yourself.
Speaker 15 (39:00):
And because of the did I want and whatever? They
got to make the bus and we're going it a house?
This is I'm you know we ever fought with me?
He gets again? Why the wo to the wall play.
Speaker 2 (39:40):
My sis?
Speaker 15 (40:07):
Hey?
Speaker 4 (40:07):
Hold on, y'all know the.
Speaker 26 (40:11):
B the pupa police trying to tell us backstage? They
try to tell us what the fuck rechat? What the
proper sna tell us what the hook prechant say?
Speaker 15 (40:30):
We said that lay no, what is it? So let
you what the middle biggess I is till the po
gass come backstage?
Speaker 23 (41:05):
Yo?
Speaker 15 (41:05):
Jack?
Speaker 4 (41:06):
What a I got something to say? Right about?
Speaker 20 (41:14):
Now?
Speaker 4 (41:14):
Win?
Speaker 2 (41:14):
W ain't Carter said? Full of faith?
Speaker 20 (41:17):
That's Gray reciting and the case up the jelling away
versus the police.
Speaker 12 (41:21):
The buck it probecuting your coney's arm and see rad
ice cube.
Speaker 11 (41:26):
And eats the motherfucking heave or on the hard ice
cue take the motherfucking's stag.
Speaker 2 (41:31):
These wanna tell the truth.
Speaker 10 (41:32):
The whole truth, and nothing but the truths.
Speaker 2 (41:34):
So huff your black ass.
Speaker 11 (41:35):
You got damn right want to tell everybody what the
fucking gotta say.
Speaker 4 (41:40):
The fucking police coming straight from the underground.
Speaker 11 (41:43):
The younger nigga got him back because I'm brown and
not the other colors of police. Fake they have the
authority to kill a minority.
Speaker 17 (41:50):
Fuck that shi cause ain't the one for a pump.
Speaker 10 (41:53):
Motherfucker would imagine a gun to beep beeting on and
so on. This jail we can come to the talk
in the middle of a sound fucking with me because
I'm a teen nature with a little bit of gold
and a page.
Speaker 4 (42:04):
Of searching my car looking for the poduct taking every
nigga is selling arcatas you rather.
Speaker 10 (42:10):
See me and the pening, then men, little benzo.
Speaker 4 (42:13):
Rolling in a benzo be the police.
Speaker 15 (42:16):
Out of shape.
Speaker 11 (42:16):
And when I finished, bring me yellow tape to take
off the scene of the starter.
Speaker 4 (42:21):
Stemking stole off bread and water.
Speaker 10 (42:24):
I don't know if the facts of what such a
nigga down and grabbing his nut.
Speaker 4 (42:28):
Sitting on the other hand, went out a gun that
can't get none.
Speaker 10 (42:31):
But don't let it be a black and a white one.
They'll slam your down to the street top black holy
showing out for the white cop.
Speaker 8 (42:39):
Ice Q will swarm on any motherfucker in the.
Speaker 10 (42:42):
Food in the form just because I'm from the CPT.
Poor police are afraid of me, your nigga on the
wall path and when I finished, it's gonna be a
blood bath of cops dying.
Speaker 4 (42:55):
In La Yo. Drag got something to say.
Speaker 5 (43:12):
That track was recorded in nineteen eighty eight, but listen today,
it's still relevant.
Speaker 6 (43:22):
Their truth was timeless.
Speaker 8 (43:26):
And that's why.
Speaker 6 (43:28):
Their impact.
Speaker 15 (43:31):
Lives on.
Speaker 5 (43:40):
So what can we take from MWA right now. Well,
they showed us that truth has power, pain can become art,
and dreams can become movements. But they also showed us
that cost of success without unity and money without morals.
(44:09):
So in all and all for us here on in
eken impact. The lesson is this, when you believe in
something so strongly, people will believe in it too. And
once the spark is lit, no one can stop it.
(44:30):
So inclosing, I do wanna say thank you for tuning
in my lilies.
Speaker 6 (44:37):
That's all for.
Speaker 5 (44:38):
Today's reflection on NWA and the strength of street knowledge.
Until next time, keep writing your truth, keep walking in
your vision.
Speaker 6 (44:53):
And remember your voice has impact.
Speaker 18 (45:00):
But for now, at least, Pocket is gonna steal your
brain every day Snoop is doing his thing.
Speaker 4 (45:20):
What y'all do?
Speaker 2 (45:21):
Y'all niggas getting too comfort handling Sugar. You know what
I'm saying, my sir, Dre flucks. I'm out. I'm out
of death Row. You ain't done, doctor Dre and death Row.
Speaker 4 (45:39):
Wanted to sing.
Speaker 2 (45:39):
You just can't up and leave. I'm doing my whole thing, Sugar,
starting fresh. Nobody asks it to but myself. It's time.
You want a stupid motherfucker.
Speaker 11 (45:50):
You're gonna walk away from all this money If you leave,
everything we created is mind?
Speaker 2 (45:56):
Wait? Okay, well you know what you can have it.
You ain't taking nobody with you.
Speaker 25 (46:05):
Defro stays there, throw and you even think about touching
my money, motherfucker.
Speaker 2 (46:11):
You know how it gets down. Do what the fuck
you gotta do?
Speaker 18 (46:15):
You gotta an artist, the money the masters, all your
fucking bullshit.
Speaker 2 (46:19):
I'm done starting my own thing. You can't put a
price on a piece of mind.
Speaker 15 (46:29):
I'm out.
Speaker 25 (46:36):
I got all this niggas money, I got everything. Get
the fuck out go. So what you're gonna call that bullshit?
Speaker 2 (46:53):
After man, you.
Speaker 4 (46:58):
Are now about to win.
Speaker 2 (47:00):
It's the strength of street knowledge.
Speaker 8 (47:07):
It's just like they try to hide what's going on,
and we tell it like it is.
Speaker 4 (47:10):
You know, straight out of Count dext crazy motherfuck your
name nice too, from the gang car niggas went out
of tools.
Speaker 2 (47:16):
You know, it's got to be hard because after that hard,
it's week you too, what.
Speaker 4 (47:22):
You get your punk with me?
Speaker 15 (47:23):
I Plissa's gonna have to come and get me.
Speaker 9 (47:25):
Ran and h when making the records, got out some
pipe legs and you got that.
Speaker 20 (47:29):
It's gonna sat straight out of count Sticks another cracky
asnigg pos a smoke yo.
Speaker 4 (47:33):
My Reford gets bigga.
Speaker 1 (47:34):
I'm believe he was one of the night house kits
who you ever would.
Speaker 4 (47:37):
Have known the night had ens. You better up here
and right. But I'm gonna give a fuck.
Speaker 11 (47:40):
I'm gonna make my snaps if I'm from the records
from taking across It's like persons who make.
Speaker 21 (47:45):
A record based on stuff that's happened leg and people
out there that y'all life is fuck.
Speaker 4 (47:52):
Them gonna right out of Count Sticks is it brother
that was mother?
Speaker 18 (47:55):
Yet Mother there is easily got.
Speaker 2 (47:57):
There had already been telling it. It's gonna septation and
its blew up the doctor great.
Speaker 26 (48:01):
Way in the rest pool.
Speaker 2 (48:05):
We want to invite you to the resident's lunch.
Speaker 8 (48:07):
I said, if I go down there, this is five
you ship's.
Speaker 4 (48:10):
Kind of funny showing nothing.
Speaker 2 (48:12):
I end double in the way.
Speaker 20 (48:13):
It wasn't really music to me.
Speaker 2 (48:15):
It was more like a real lifestyle. Brothers for my
neighbor was dated out the fucking bump.
Speaker 10 (48:20):
Don't want to pump makes a man put the minute
five flights cos you got.
Speaker 2 (48:24):
To do't wanna s out.
Speaker 11 (48:25):
About this Year't like thanks man, more than that you
get my career going.
Speaker 15 (48:28):
Like I wanted to go. Just tell me whenever sis time.
Speaker 4 (48:33):
You know take what seven.
Speaker 15 (48:34):
Is a two?
Speaker 20 (48:35):
You gotta know how Lord, I waited for get it
from got curry out there going ready for you.
Speaker 4 (48:40):
Man.
Speaker 2 (48:40):
We do all my life up straight out of Count Grant.
Speaker 10 (48:43):
The erection was definitely become up strong real office, which
I am now where you think when you count it,
don't see, dude, you can't fuck with me.
Speaker 2 (48:52):
Ray has taught me a lot, not just rath wise
for business fires. You know what I'm saying. You have
to credit both eminems and my success to Doctor Beach.
Apple's purchase of Beats Movie, the biggest deal in its
history of music, was like our we we let people
know that it's okay. I'll say what you want to say.
Speaker 4 (49:10):
I mean believe I'm starting when it comes back one
come stand. Thanks, Thanks, thanks,
Violent street gangs from Los Angeles are now trafficking and drugs.
Speaker 2 (00:16):
And cities far from their own or no dark alley
ways to hide an growl North, I don't recall that conversation.
Speaker 3 (00:22):
Los Angeles police departments crash the gangs to become better
and better organized.
Speaker 4 (00:27):
Liber gangs drove.
Speaker 2 (00:28):
Out more drugs just focused on a crack. The super
addict drugs are menacing our society. You are now about
to witness the strength of street knowledge.
Speaker 5 (00:43):
Hey, my lilies, welcome back to Incan impact will reflect
on how culture, creativity, and faith golide to shape our lives.
Will we talk about inspiration? We can't leave out music.
Music has always been more than sound. Its testimony, its memory,
(01:08):
its resistance. The way we listen to it and live
through it expresses who we are. And there's something about
reality music music that tells the truth that makes us
feel closer to the artists. And if we're talking about
(01:31):
truth and hip hop, we have to talk about NBA,
one of the most influential and controversial groups and music history.
From nineteen eighty seven to nineteen ninety one, they shocked
Middle America with raw, political charge lyrics and fearless attitude.
(01:55):
So today on Incan Impact, we're reflecting on the story
of n w A and how following your dreams, staying
grounded and your values and using your voice can build
a legacy that outlives you. Let's get into it.
Speaker 6 (02:56):
My life.
Speaker 7 (02:58):
It's a sun shot, the sunshine, sunshine, sunshine.
Speaker 8 (03:23):
What happened?
Speaker 2 (03:25):
She didn't? What happened with what? Andre?
Speaker 4 (03:27):
Boy?
Speaker 8 (03:27):
Don't play with me? Do you even care how it
makes me look? Called in favors to get your thoughtless
ass an interview and you can't even show home.
Speaker 2 (03:39):
Look, I'm I'm sorry, man, I just I guess we'll
caught up in this DJ stuff.
Speaker 8 (03:43):
I I forgot you have a child, Andre, spending records,
ain't paying none of the bills around here.
Speaker 2 (03:49):
You're talking about I get paid.
Speaker 8 (03:52):
Fifty dollars, So that makes you rich.
Speaker 4 (03:55):
It's a start you riding.
Speaker 8 (03:58):
I'm not riding you, babe. I'm trying to make you understand.
And you know how I run my house. Now you're
gonna have to go to school or you're gonna have
to go to work. Now. I don't even care if
you are a janitor.
Speaker 2 (04:09):
I don't care what the hell you're I own the
company I know, I.
Speaker 8 (04:12):
Know, but you don't own the company.
Speaker 4 (04:15):
Lonzo.
Speaker 8 (04:15):
Does you think we're done here?
Speaker 4 (04:19):
Yeah?
Speaker 8 (04:19):
I mean you want something to say to me?
Speaker 4 (04:21):
You don't care what I'm fighting for.
Speaker 9 (04:23):
Okay, I already don't know what I wanna do with
my life, and it definitely ain't sitting in some cubicle
taking orders on a bullshit ask job.
Speaker 2 (04:31):
I'm shut out.
Speaker 8 (04:35):
People used to tell me I was too young.
Speaker 4 (04:37):
When I had you.
Speaker 8 (04:39):
Said I wouldn't be shit, said you wouldn't be shit.
Now I worked my ass off. Together's here and I
refuse to let you throw it all away.
Speaker 5 (05:05):
To understand NWA, we have to understand where they came from.
Nineteen eighties Compton, imagine this. The crack epidemic was raging,
gangs controlled corners, unemployment was high. The lapd under Darryl
(05:35):
Gates at the time used the military eyes policing. Young
black men were constantly stopped, harassed, profiled, and most of
that more likely has not stopped. But it wasn't paranoia,
(05:56):
it was life.
Speaker 6 (05:59):
This was a soil.
Speaker 10 (06:01):
N w.
Speaker 5 (06:02):
A grew from out of pain, out of pressure, out
of survival.
Speaker 11 (06:31):
To do Now I was spensing woman fon capabilities and
now I'm living in the correction, no facilities because some
I don't agree what I would do this.
Speaker 12 (06:40):
I can't straight men say like a Buddhist and I'm
trying to play on my behavior.
Speaker 10 (06:44):
It's a meditary, but my technique is very necessary.
Speaker 4 (06:47):
Claim it on ice cube.
Speaker 13 (06:49):
You've got to set it.
Speaker 2 (06:49):
Get phone kicks.
Speaker 4 (06:50):
We ain't gotta something. Get a predicant, add it on
the top. Then it'll make your things something something.
Speaker 10 (06:56):
Just take on me.
Speaker 4 (06:56):
Play too much stomach because it's stay on like this one.
Speaker 11 (07:00):
You know what? Imnna hesitate that this woman to before
sy to sing this drop silence English. Even if yellow
makes an acapella, I still express.
Speaker 4 (07:11):
You what don't smoke you. Don't do that because it's
going to keep a brother. Brain damis the brain damage
on the mic.
Speaker 11 (07:16):
Don't manage nothing but making a sucking you weak wolves,
don't be another.
Speaker 4 (07:21):
Sea Wolves c.
Speaker 2 (07:27):
S.
Speaker 5 (07:36):
What I love about that track is how it reminds
us that music can be rebellion. Express yourself, speak your truth.
Don't anyone else silence you. That's what we're doing, given
(07:57):
a voice to the voiceless. Drey was already balancing fatherhood
and his love for Djaying Easy was hustling, running the
streets but dreaming bigger.
Speaker 6 (08:13):
I Sky was still in.
Speaker 5 (08:14):
High school, scribbling rhymes in a notebook like they were weapons.
DJ Yella and mc wren brought the glue, the sound,
the fire, young adults trying to figure out life just
(08:35):
like us, but instead of suppressing their rage, they put
it on wax and the world couldn't look away.
Speaker 4 (09:00):
Crazy motherfucker named ice Cube from the gang called.
Speaker 11 (09:03):
Niggas win out of tools with them, called off, I
gotta sold off, squeeze a cligger and body's all harmed
off you too, woy.
Speaker 4 (09:10):
If you're fuck with me, the Melissa gonna have to
come and get me on your ass.
Speaker 12 (09:15):
That's how it's going out.
Speaker 4 (09:16):
But of course, motherfucker's that's showing out. Niggas fucking up.
Speaker 10 (09:20):
They want a buck, makes a man cut them in
a fix. Life go both going off on the one
fucking like that with a cat. That's when it at
your pass.
Speaker 8 (09:29):
So give it up, spoons, ain't.
Speaker 10 (09:30):
No telling when I'm down for jack.
Speaker 14 (09:32):
Move.
Speaker 4 (09:33):
It's a matter of after keep your damn sin with
a client record life.
Speaker 10 (09:36):
Chass Man said, ain't take forty seven is a tool.
Speaker 4 (09:40):
Don't let me at the motherfucking pool man. You can
go toe to tok. No mate, I'm knocktting niggas out
the box.
Speaker 11 (09:46):
Dat yo wait clee monthly dead Lee until them tell motherfucker.
Speaker 4 (09:50):
See clearly that I'm down with.
Speaker 15 (09:52):
The cap of those CVT.
Speaker 4 (09:54):
Boy, you can't cluck with.
Speaker 8 (09:55):
Me, so win them in your neighborhood.
Speaker 4 (09:57):
You better come this ice que.
Speaker 11 (10:01):
Believe I'm starting when I come straight.
Speaker 5 (10:13):
So let's start with Dre aka Andre Young. Before n
w A, Dre was part of the world class wrecking
crew making club hits, but he wasn't satisfied. Like we
(10:35):
heard in the beginning of the movie, he was only
making like fifty dollars, so he wanted to make music
that reflected reality, not just fun.
Speaker 6 (10:48):
With n w A, Dre.
Speaker 5 (10:50):
Became the architect of their sound. Heavy beats, hard bass,
smooth production. Dre knew how to make anger sound beautiful.
Now album Timeline with NWA straight out of Compton that
(11:13):
came out nineteen eighty eight, Niggas Fell Life nineteen ninety one,
now his solo career, The Chronic nineteen ninety two, two thousand.
He I'm sorry, uh he did two thousand and one,
(11:33):
and then he and that was in nineteen ninety nine,
and then he did Compton recently in two thousand fifteen,
so that's his timeline.
Speaker 6 (11:44):
I felt like with Dre he gave little I think
of his craft for himself.
Speaker 5 (11:56):
You know, he'd usually he's more so like a giving
of his sound, and I felt like that was something
that I couldn't ignore throughout, Like he was more willing
to just give the music away when it came down
to the songs or like the beats, he more so
(12:21):
wanted to give that to artists. So I can see
why he doesn't have like a list, you know, but
with his list, you can't go wrong with what he's
given out and what he's given to others, so we
(12:42):
know he's very gifted.
Speaker 16 (12:52):
Sloop doggy dog get back to drink and thus up
and didn't make a drink, So bad goose. If I
can bust like a bubble popping and lone beets together.
Speaker 4 (13:03):
And that you knew, you know, troubles ain't jud but
a jeep.
Speaker 17 (13:05):
Bag babe man to death, tick us up with craves
and death bro is the label that's paid. Man, I'm
played up some prizzle try. I'm safe, shit you, but
I'm back till the leure at pains.
Speaker 16 (13:17):
Perfection is perfecticed on a landam on the stage from
the young cheeks perspect shit.
Speaker 4 (13:22):
And before me digging a bitch. I have to find
the kind of perceptive you never know.
Speaker 16 (13:26):
She could be earning her man and learning her man
ain't at the same time turning her man.
Speaker 4 (13:30):
That you know rain with this ship. So Jenny ain't
no pussy good enough to get her while I'm a
finished And that's real up, in real deal humpy field,
and that you looked up and holds.
Speaker 16 (13:39):
No have what failed will if it's good enough to
get both of a proper junk and take a small
piece of some of that funky stuff.
Speaker 11 (13:45):
It's like this isn't like that, and like this sat up,
it's like that, like this isn't like that, and it's
like this isn't like that, and like this set.
Speaker 4 (13:53):
Up Drake Creek till I'm like like a prae.
Speaker 11 (13:56):
I'm freaking, But I tell them they got killed because
more people could sheep and that was tough for me
to make my impression felt. So sit back, relax and
strap on your seat. Such a numbok bent on the
rock like this the float what if who can drap
to control the my stroke?
Speaker 4 (14:10):
That's the same sign. But the soap proms at our chick,
you know, and I know I'm put.
Speaker 11 (14:14):
Some more spy ships some my collection just selection shin
SIMPLI just don't take the soap.
Speaker 4 (14:20):
That don't choke if you're too you have no flue
or whatn't me you're my home snoops case too was
like this isn't like that, like this set up.
Speaker 18 (14:28):
It's like that, like this and like that that.
Speaker 4 (14:30):
It's like this simple the fuck up.
Speaker 19 (14:32):
Out blow so just shame.
Speaker 4 (14:34):
So it makes that sub.
Speaker 6 (14:39):
The chronic.
Speaker 5 (14:41):
In ninety two introduced us a g funk laid back
beats with heavy funk samples. Then came two thousand and
one in ninety nine, giving us steal Dre and forgot
about Dre classics truly I love 'em, and years later
(15:05):
at Compton in two thousand fifteen, tying his legacy back.
Speaker 6 (15:10):
To where it all began. Dra also built.
Speaker 5 (15:16):
Empires death Row Records, Aftermath Entertainment Without Drey, we don't
get Snoop tupac Eminem fifty cent Kendrick and in two
(15:38):
thousand fourteen, he made history with the biggest deal three
billion dollars with Apple for Beats by Drey, the biggest
deal in music history. Dre teaches us this, evolve, be
(16:04):
patient with your vision. Don't trace trends, create them. From
DJ to producer to mogle. Dre kept building and that's
the mark of visionary.
Speaker 18 (16:29):
What do you do?
Speaker 2 (16:30):
Let me produce. Yeah, I feel like it's getting weird
and shut up, get comfortable. Let's go.
Speaker 8 (16:42):
Cruising down the street in my sixth both.
Speaker 2 (16:51):
What the fuck is so funny? Not? Oh?
Speaker 20 (16:54):
Can you hear me?
Speaker 11 (16:55):
Yeah?
Speaker 4 (16:55):
I can hear you? He how much?
Speaker 2 (16:56):
Y'all fucking laughing? You good? Just see that first? Be
hard man, you gotta come in on be cruising down
the street? You cruising?
Speaker 15 (17:07):
You good?
Speaker 4 (17:07):
Right?
Speaker 8 (17:08):
Hey?
Speaker 2 (17:09):
No, no, no, no, no, it's dope. But on be again.
All right, let's go.
Speaker 1 (17:16):
Cruising, all right, cruising down the street in my sixth boat.
Speaker 4 (17:28):
That ain't in it really?
Speaker 2 (17:30):
Hey, that's right, you gotta go.
Speaker 20 (17:31):
If we're gonna do this, cute, you gotta go out, Nah, nigga,
both of y'all. You're talking to me O cute and
Joe like, get the man, yes, so we can get
this stung.
Speaker 2 (17:42):
Cue shut the fuck up. C wait que yes, man,
you know what what mother fucking come on finished?
Speaker 4 (17:55):
Dright, you won't laugh too.
Speaker 2 (17:56):
I stayed in this bitch by myself. Hey, just say
the words. All right, this ain't me, man, Just say
the ship with me all ain't cruising?
Speaker 8 (18:03):
Cruising?
Speaker 2 (18:04):
Yeah, cruising. Let's dope, dray.
Speaker 4 (18:12):
You know that shit ain't gonna never learn.
Speaker 2 (18:15):
Alright, it's trying to be funny. But you see how
you said that ship right like you believe it?
Speaker 4 (18:20):
Yeah, I believe that shit.
Speaker 1 (18:21):
Just say this shit like you believe it, man, Like
it's a motherfucking Sunday and you're cruising down krin sharp
in the motherfucking six folk.
Speaker 2 (18:28):
Come on, say that shit like you believe it, man
like it's your words. Fell that shit. It's not playing
around loosing the fuck up.
Speaker 4 (18:33):
There you go.
Speaker 8 (18:41):
Cruising down the street in my sixth folk.
Speaker 2 (18:44):
Oh shit, Hey, that was dope, dude. That shit was dope, man. Yeah,
that's what I'm talking about.
Speaker 9 (18:51):
Man's feeling that shit right nown we only got fifty
nine more.
Speaker 4 (18:56):
Lines to function, he was what's that?
Speaker 8 (18:59):
The FAMA found that way easy? But you shure, shut
the fuck up.
Speaker 19 (19:05):
Get the fuck out of here, your drenk what fuck
give me a fucking you ass baseline, what the fucking.
Speaker 21 (19:21):
Sauce off in the blister be He kind of on
the mike. It's easy, motherfucking easy, trends on the beat,
yelling us on the see that close money, bitch, shut up,
shot up, shoot.
Speaker 4 (19:34):
Walk. I'm easy.
Speaker 15 (19:35):
I got the bitches galore.
Speaker 12 (19:36):
You won't have a lot of bitches, but I got
much more want my super duper moof coming out to
shoot easy.
Speaker 11 (19:42):
Even motherfucker's come out in the mood cause I'm a
pot dumpster.
Speaker 15 (19:46):
I used to be a monster. Get to hurt.
Speaker 4 (19:49):
They got on a drug store getting stupid because I
know how. And if a sucker talk shit, I.
Speaker 22 (19:54):
Give him up eight boss up and the bitches off
the pens to down ahead at depend continue. I didn't
my switches clicking my pitches and the money that I'm
make so I can add to my riches.
Speaker 4 (20:06):
I'm must ad.
Speaker 15 (20:06):
Got to start rubbing my gut, got his hand to.
Speaker 4 (20:09):
Couse my buckets, afract a lot of non Roman the streets,
and with.
Speaker 12 (20:14):
A holy light, dread to supplying the beach because Immergate's
gonna haven can never believe to put it all back.
Speaker 8 (20:21):
In the guard.
Speaker 12 (20:22):
Didn't want gonna make your act. What wasn't ever you
should have known by now Easy does Easy cass to.
Speaker 2 (20:28):
Talk about.
Speaker 5 (20:34):
Eric Right aka motherfucking Easy E, the godfather of Gainst rib.
He wasn't supposed to be the rapper. He was a hustler,
the businessman, the guy funding ruthless records. But when q
(20:57):
Robe boys in the hood, no one else could deliver
like Easy, his high pitched delivery, his charisma. He became
the face of NWA. So let's go through his timeline.
So Easy doesn't the track that you just heard nineteen
(21:20):
eighty eight that hit our ears. I wasn't even born
by one five zero Home for the Sick nineteen ninety two.
Speaker 6 (21:33):
I was just too.
Speaker 5 (21:36):
It's on with dre on eighty seven killer. That was
in ninety three, and if you notice his hits were
back to back at least.
Speaker 6 (21:49):
Two year mark. Now straight off the hit, straight off
the streets.
Speaker 5 (21:56):
Of motherfucking Compton. Now that one it was post humans,
uh humans, post humans. I don't even know what that
even is supposed to mean. So I'm not even probably
gonna keep that. But yeah, I'm not really sure what
(22:23):
that even means. So let's look that up, I guess,
and see what that means, because what the heck posthumans,
I don't know.
Speaker 6 (22:35):
Let's see.
Speaker 5 (22:38):
Post humans. Ah okay, I'm assuming occurring award or appearing
after the death of the originator. Oh okay, so okay,
(23:03):
So I guess that was supposed to be. I should
have known that was what that meant, because I am assuming. Yeah, yeah,
(23:24):
I was right, yeah, okay, So that was random. That's
how I am with my thoughts. That was writing in
real time. So as I learned a little bit more
about him and his albums and how they came out,
cause I like to learn about stuff like that, about
the artists, their birthday, the death they're passing, the deaths
(23:47):
between the albums before the death of so his he
died March twenty six, so this album was nineteen ninety five.
For this to be able to come out posthumous means
it was gonna be released after his death. So I'm
assuming that's what happened.
Speaker 4 (24:08):
They released it.
Speaker 6 (24:08):
Other his death, even though it was pre recorded. So
there we go.
Speaker 5 (24:13):
We learned something together right there. Besides that, behind the
scenes was Jerry Hiller's management division. Uh in Qube left first,
(24:34):
so we already know that Dre left later, Uh, both
citing money disputes with Jerry Hiller in their division. In
his division, Easy stuck with Heller and that loyalty created
fact fractions.
Speaker 6 (24:47):
That never fully healed.
Speaker 5 (24:49):
And we all know that in the movie He kind
of they displayed that perfectly in regards to Howl. Heller
was actually being able to to kind of pull the
wool over Easy's eyes.
Speaker 6 (25:02):
And then came tragedy.
Speaker 5 (25:06):
In nineteen ninety five, Easy announces UH that he had aids.
Weeks later, he was gone at just thirty years old.
His death shocked the world, so I definitely know for
sure it made an impact on most of us, including myself,
to know such a young influence to us as a generation,
(25:33):
not even just for younger pay people in general, but
for the black community. He meant something and Easy shows
us that loyalty is powerful, but loyalty without wisdom.
Speaker 6 (25:46):
Can cost you everything. His story is both.
Speaker 5 (25:50):
Inspiring and heartbreaking, a reminder of how fragile life can be.
Speaker 4 (26:03):
And Uh, you been.
Speaker 2 (26:10):
The call in you all day? Sit down, JA, what
is this all about?
Speaker 18 (26:21):
Uh?
Speaker 3 (26:21):
The groupie executive assistant you even go to college, and
it's so much fucking smarter than us.
Speaker 13 (26:31):
Sitting down jam he saying about to me, jear, it's
(26:57):
about shoot and you can stop. I feel like you
ain't never done nothing wrong.
Speaker 15 (27:01):
Man.
Speaker 2 (27:02):
I know that your upset. I understand, but I'm asking you,
I'm advising, take a breath, okay, I'm don't look at
the paper work.
Speaker 20 (27:12):
Eric, you can stop giving as of that. Here's just
about to happen. I'm gonna get n w A back together,
and you ain't gonna have nothing to do.
Speaker 2 (27:22):
With it this time. How the fuck can you even
say something like that? What the fuck is going on
with you? Man? I know what's good for you.
Speaker 3 (27:33):
I know what's good for ruthless, and we have worked
up a trust after years of hard work, and that
trust is our foundation.
Speaker 2 (27:40):
Eric. I don't give a ship. Eric, you're a glousy man,
are you okay? Trust? Trust as a motherfucker?
Speaker 21 (27:56):
Is it?
Speaker 2 (27:58):
Let me ask you something, Eric. If what I'm doing
is so illegal, how come I've never been sued?
Speaker 14 (28:05):
If I'm such a fucking thief, such a liar, such
a motherfucker, how come nobody's ever come to collect?
Speaker 2 (28:11):
Because this is business and this is how it works,
and it's not always pretty. No. Do I cover my
own ass? Do I cover my own end? Absolutely?
Speaker 4 (28:21):
But don't you dare fucking tell me that I have
not taken care of you.
Speaker 14 (28:25):
Don't you fucking tell me that I have not had
your back from day one day one?
Speaker 4 (28:36):
Is this taking care of me?
Speaker 14 (28:39):
But you're fucking kidding me. It's taking care of the
whole fucking thing. It's business and this is how it works.
Have I covered my end? Do I cover my ass? Absolutely?
But don't you dare fucking tell me that I have
not taken care of you?
Speaker 2 (28:55):
This business tool, Yes, this is business. This is how
fucked up.
Speaker 8 (29:00):
I can't get up.
Speaker 2 (29:00):
But I didn't start this.
Speaker 8 (29:01):
I didn't fuck it up.
Speaker 18 (29:04):
You did?
Speaker 2 (29:07):
Oh you did?
Speaker 21 (29:13):
You?
Speaker 2 (29:13):
Fuck jack, Eric. This isn't how we do things.
Speaker 4 (29:18):
This is not you. This is not you, Eric.
Speaker 15 (29:23):
This is an important colony.
Speaker 2 (29:25):
Eric, I'm not gonna let you fuck us up.
Speaker 4 (29:55):
Just waking up in in the morning, gotta thank god.
I don't know what today he seeks kind of eye,
no bucking from the dog, no small and Mama cooked
the breakfast with no hump. I got my girl up
on but didn't pig out.
Speaker 10 (30:10):
Finally got a call from a girl I want to
dig out.
Speaker 4 (30:13):
Hooked it up for later and rest.
Speaker 10 (30:15):
I hate to don't thinking where I lived another twenty funk.
Speaker 4 (30:18):
I gotta gold because I got me a drop top
of that.
Speaker 10 (30:22):
The switch I can.
Speaker 4 (30:23):
Make the ass drop. Had to stop at a red.
Speaker 9 (30:27):
Light looking at my mirror out of jack are sight
and everything is all right.
Speaker 4 (30:32):
I gotta beat from Kim and she could do it
all night. Called up the homies in a max and yard.
Speaker 10 (30:39):
Which part are y'all playing basketball?
Speaker 4 (30:42):
Getting me on the court? And I'm troubled. Last week
messed around and got a triple double. Freaking brothers every
way like in day. I can't believe.
Speaker 11 (30:52):
Today wasn't good of tag.
Speaker 2 (31:01):
It's what they all say, the right you got the rons.
I stayed with the brons. Man, I'm talking about that
hard ship.
Speaker 4 (31:11):
All I'm right is that hard ship?
Speaker 2 (31:12):
Right? So what's up? Man?
Speaker 9 (31:15):
You ready for do those? Do those ready for me?
You know that's counting right? They got body bags at
the death. Okay, your ass better bring it, cause if
you don't, you might do nothing.
Speaker 2 (31:27):
Want for real, body bag? I don't know about that ship. Yes,
can tell your moms to fix this fucking ac and.
Speaker 4 (31:36):
What are you doing here, homeless.
Speaker 15 (31:55):
Home man?
Speaker 8 (31:56):
Not even more nothing.
Speaker 2 (31:57):
Put the hands off talking, chat the fuck.
Speaker 8 (32:05):
Up ru here. Look these boys, they all grew up
on this global out set on my side. That ladies
get that inside.
Speaker 4 (32:17):
I promise you I will ruin your fucking night.
Speaker 23 (32:20):
You ain't got to talk to my moms like that
fucked up mother fuck nigger call him a nigga. Now,
oh wait a minute, My ass fucker said, you swim
when you're jacking us?
Speaker 2 (32:31):
Right now, man, I ain't explaining.
Speaker 4 (32:33):
Ship to get the fucking property. I can stand right here.
Speaker 18 (32:37):
You got that.
Speaker 4 (32:39):
Son right here?
Speaker 2 (32:41):
What were you got? The fucking laps boy? Not everybody slaying.
Speaker 4 (32:44):
Don't get the.
Speaker 2 (32:45):
Fucking this l A D D. I'm rolling against you
out here, all right, they all check.
Speaker 4 (32:50):
Out out, Check what bag I'm over here fucking with
them up.
Speaker 8 (32:54):
You got cards down all them anyway, pick your.
Speaker 2 (32:56):
Ship up out here, that whole.
Speaker 6 (33:21):
Oh say.
Speaker 5 (33:24):
Jackson aka ice Cube, the pen the Poet, The power
Cube wrote much austraatic compting. His words turned anger into anthems.
(33:48):
When he left n w A and eighty nine people
doubted him, But in ninety one he dropped no Vassiline,
one of the most brutal distracts ever, and it proved
Hube was unstoppable. Now his timeline America's Most Wanted nineteen ninety,
(34:18):
Death Certificate nineteen ninety one, The Predator nineteen ninety two,
Lethal Injection nineteen ninety three. Later, War in Peace, Life,
now Cry later, Everything's corrupt.
Speaker 6 (34:42):
Do you see the pattern here? Do you see why
I left ice Cube for the end? Do you see why?
Speaker 5 (34:51):
Like these details matter, the details of how much someone
puts into their craft.
Speaker 6 (34:57):
He was back to back to back to back. Every year.
Speaker 5 (35:02):
He made sure to not deny his presence in this industry,
and it showed in his work.
Speaker 6 (35:11):
Every year.
Speaker 5 (35:12):
He made sure he was in somebody's list for UH
album drops and he made sure that that it was
every year. And that's what I I I love about
someone's work ethic and what they love is first for
their passion. Not saying anything about Drey or about Easy,
(35:36):
because we know the difference between the two or should
I say the three. Dre was behind the scenes. Drey
was the producer, but he had developed multiple companies and
his craft in his ear. He developed a product that
made sure to be seen off rip because of who
(35:59):
he was, because of his craft. So all three of
these men definitely gave their presence to how it made
them individually stand out. And Cube's solo career cemented him
as one of hip hop's sharpest voices. So then when
(36:20):
he flipped the script, let's talk about that, when he
flipped the script and conquered Hollywood with his movies like
Boys in the Hood.
Speaker 6 (36:30):
Friday Barbershop.
Speaker 5 (36:32):
From going from Rhyme's to script, Cube approved definitely for
sure that you can wear many hats and still stay true.
Cube teaches us this, bet on yourself.
Speaker 6 (36:58):
Don't let anyone box you in.
Speaker 5 (37:03):
Your gift can carry you further than you imagine if
you stayed disciplined and unapologetically you. In twenty fifteen, The
(37:25):
Bio picked straight out of Compton reintroduced NWA to the
new generation. It showed us their brotherhood, their business battles,
their struggles with Jerry Heller, and Dre's break from death Row.
(37:46):
It also gave us reconciliation moments, reminding us that before
Easy passed, there was healing. The film reminded the war
world that NWA wasn't just a group. They were a movement.
Speaker 24 (38:12):
No person shall disturb the peace by participating or abetting
in any rude and decent, drunken, riotous or violent conduct,
or the use of any boulder, obscene or abusive language
in a public place.
Speaker 25 (38:27):
Note Also, the performance of the song f the police
will not be permitted.
Speaker 2 (38:34):
Refusal to abide by all the Detroit City.
Speaker 24 (38:37):
Ordinances will result in immediate arrest and forfeiture.
Speaker 4 (38:42):
Are we finished here?
Speaker 2 (38:44):
We got a show to do. Just watch yourself.
Speaker 15 (39:00):
And because of the did I want and whatever? They
got to make the bus and we're going it a house?
This is I'm you know we ever fought with me?
He gets again? Why the wo to the wall play.
Speaker 2 (39:40):
My sis?
Speaker 15 (40:07):
Hey?
Speaker 4 (40:07):
Hold on, y'all know the.
Speaker 26 (40:11):
B the pupa police trying to tell us backstage? They
try to tell us what the fuck rechat? What the
proper sna tell us what the hook prechant say?
Speaker 15 (40:30):
We said that lay no, what is it? So let
you what the middle biggess I is till the po
gass come backstage?
Speaker 23 (41:05):
Yo?
Speaker 15 (41:05):
Jack?
Speaker 4 (41:06):
What a I got something to say? Right about?
Speaker 20 (41:14):
Now?
Speaker 4 (41:14):
Win?
Speaker 2 (41:14):
W ain't Carter said? Full of faith?
Speaker 20 (41:17):
That's Gray reciting and the case up the jelling away
versus the police.
Speaker 12 (41:21):
The buck it probecuting your coney's arm and see rad
ice cube.
Speaker 11 (41:26):
And eats the motherfucking heave or on the hard ice
cue take the motherfucking's stag.
Speaker 2 (41:31):
These wanna tell the truth.
Speaker 10 (41:32):
The whole truth, and nothing but the truths.
Speaker 2 (41:34):
So huff your black ass.
Speaker 11 (41:35):
You got damn right want to tell everybody what the
fucking gotta say.
Speaker 4 (41:40):
The fucking police coming straight from the underground.
Speaker 11 (41:43):
The younger nigga got him back because I'm brown and
not the other colors of police. Fake they have the
authority to kill a minority.
Speaker 17 (41:50):
Fuck that shi cause ain't the one for a pump.
Speaker 10 (41:53):
Motherfucker would imagine a gun to beep beeting on and
so on. This jail we can come to the talk
in the middle of a sound fucking with me because
I'm a teen nature with a little bit of gold
and a page.
Speaker 4 (42:04):
Of searching my car looking for the poduct taking every
nigga is selling arcatas you rather.
Speaker 10 (42:10):
See me and the pening, then men, little benzo.
Speaker 4 (42:13):
Rolling in a benzo be the police.
Speaker 15 (42:16):
Out of shape.
Speaker 11 (42:16):
And when I finished, bring me yellow tape to take
off the scene of the starter.
Speaker 4 (42:21):
Stemking stole off bread and water.
Speaker 10 (42:24):
I don't know if the facts of what such a
nigga down and grabbing his nut.
Speaker 4 (42:28):
Sitting on the other hand, went out a gun that
can't get none.
Speaker 10 (42:31):
But don't let it be a black and a white one.
They'll slam your down to the street top black holy
showing out for the white cop.
Speaker 8 (42:39):
Ice Q will swarm on any motherfucker in the.
Speaker 10 (42:42):
Food in the form just because I'm from the CPT.
Poor police are afraid of me, your nigga on the
wall path and when I finished, it's gonna be a
blood bath of cops dying.
Speaker 4 (42:55):
In La Yo. Drag got something to say.
Speaker 5 (43:12):
That track was recorded in nineteen eighty eight, but listen today,
it's still relevant.
Speaker 6 (43:22):
Their truth was timeless.
Speaker 8 (43:26):
And that's why.
Speaker 6 (43:28):
Their impact.
Speaker 15 (43:31):
Lives on.
Speaker 5 (43:40):
So what can we take from MWA right now. Well,
they showed us that truth has power, pain can become art,
and dreams can become movements. But they also showed us
that cost of success without unity and money without morals.
(44:09):
So in all and all for us here on in
eken impact. The lesson is this, when you believe in
something so strongly, people will believe in it too. And
once the spark is lit, no one can stop it.
(44:30):
So inclosing, I do wanna say thank you for tuning
in my lilies.
Speaker 6 (44:37):
That's all for.
Speaker 5 (44:38):
Today's reflection on NWA and the strength of street knowledge.
Until next time, keep writing your truth, keep walking in
your vision.
Speaker 6 (44:53):
And remember your voice has impact.
Speaker 18 (45:00):
But for now, at least, Pocket is gonna steal your
brain every day Snoop is doing his thing.
Speaker 4 (45:20):
What y'all do?
Speaker 2 (45:21):
Y'all niggas getting too comfort handling Sugar. You know what
I'm saying, my sir, Dre flucks. I'm out. I'm out
of death Row. You ain't done, doctor Dre and death Row.
Speaker 4 (45:39):
Wanted to sing.
Speaker 2 (45:39):
You just can't up and leave. I'm doing my whole thing, Sugar,
starting fresh. Nobody asks it to but myself. It's time.
You want a stupid motherfucker.
Speaker 11 (45:50):
You're gonna walk away from all this money If you leave,
everything we created is mind?
Speaker 2 (45:56):
Wait? Okay, well you know what you can have it.
You ain't taking nobody with you.
Speaker 25 (46:05):
Defro stays there, throw and you even think about touching
my money, motherfucker.
Speaker 2 (46:11):
You know how it gets down. Do what the fuck
you gotta do?
Speaker 18 (46:15):
You gotta an artist, the money the masters, all your
fucking bullshit.
Speaker 2 (46:19):
I'm done starting my own thing. You can't put a
price on a piece of mind.
Speaker 15 (46:29):
I'm out.
Speaker 25 (46:36):
I got all this niggas money, I got everything. Get
the fuck out go. So what you're gonna call that bullshit?
Speaker 2 (46:53):
After man, you.
Speaker 4 (46:58):
Are now about to win.
Speaker 2 (47:00):
It's the strength of street knowledge.
Speaker 8 (47:07):
It's just like they try to hide what's going on,
and we tell it like it is.
Speaker 4 (47:10):
You know, straight out of Count dext crazy motherfuck your
name nice too, from the gang car niggas went out
of tools.
Speaker 2 (47:16):
You know, it's got to be hard because after that hard,
it's week you too, what.
Speaker 4 (47:22):
You get your punk with me?
Speaker 15 (47:23):
I Plissa's gonna have to come and get me.
Speaker 9 (47:25):
Ran and h when making the records, got out some
pipe legs and you got that.
Speaker 20 (47:29):
It's gonna sat straight out of count Sticks another cracky
asnigg pos a smoke yo.
Speaker 4 (47:33):
My Reford gets bigga.
Speaker 1 (47:34):
I'm believe he was one of the night house kits
who you ever would.
Speaker 4 (47:37):
Have known the night had ens. You better up here
and right. But I'm gonna give a fuck.
Speaker 11 (47:40):
I'm gonna make my snaps if I'm from the records
from taking across It's like persons who make.
Speaker 21 (47:45):
A record based on stuff that's happened leg and people
out there that y'all life is fuck.
Speaker 4 (47:52):
Them gonna right out of Count Sticks is it brother
that was mother?
Speaker 18 (47:55):
Yet Mother there is easily got.
Speaker 2 (47:57):
There had already been telling it. It's gonna septation and
its blew up the doctor great.
Speaker 26 (48:01):
Way in the rest pool.
Speaker 2 (48:05):
We want to invite you to the resident's lunch.
Speaker 8 (48:07):
I said, if I go down there, this is five
you ship's.
Speaker 4 (48:10):
Kind of funny showing nothing.
Speaker 2 (48:12):
I end double in the way.
Speaker 20 (48:13):
It wasn't really music to me.
Speaker 2 (48:15):
It was more like a real lifestyle. Brothers for my
neighbor was dated out the fucking bump.
Speaker 10 (48:20):
Don't want to pump makes a man put the minute
five flights cos you got.
Speaker 2 (48:24):
To do't wanna s out.
Speaker 11 (48:25):
About this Year't like thanks man, more than that you
get my career going.
Speaker 15 (48:28):
Like I wanted to go. Just tell me whenever sis time.
Speaker 4 (48:33):
You know take what seven.
Speaker 15 (48:34):
Is a two?
Speaker 20 (48:35):
You gotta know how Lord, I waited for get it
from got curry out there going ready for you.
Speaker 4 (48:40):
Man.
Speaker 2 (48:40):
We do all my life up straight out of Count Grant.
Speaker 10 (48:43):
The erection was definitely become up strong real office, which
I am now where you think when you count it,
don't see, dude, you can't fuck with me.
Speaker 2 (48:52):
Ray has taught me a lot, not just rath wise
for business fires. You know what I'm saying. You have
to credit both eminems and my success to Doctor Beach.
Apple's purchase of Beats Movie, the biggest deal in its
history of music, was like our we we let people
know that it's okay. I'll say what you want to say.
Speaker 4 (49:10):
I mean believe I'm starting when it comes back one
come stand. Thanks, Thanks, thanks,
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