February 20, 2025 • 24 mins
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This episode was first broadcasted through the Armed Forces Radio Service (AFRS).
This episode was first broadcasted through the Armed Forces Radio Service (AFRS).
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:07):
What an evening queen, both have had a gallery over
the door over the lefty flight and fettle the door
the last way of over. We want to fact it.
Speaker 2 (00:18):
Oh, what a lot door of the hop. Good evening,
friends of the Inner Sanctum.
Speaker 3 (00:35):
This is your host.
Speaker 4 (00:36):
Opening the squeaking door for another session of the AGGMS,
the Association of Goold Goats and Midnights.
Speaker 2 (00:46):
Tod may.
Speaker 4 (00:47):
I see your membership card as your entertain but I
don't know. It's not a printed card. All you have
to do is show me your wrists if there's any
blood closing.
Speaker 2 (00:59):
In your artery. But then you're done along here at
the night.
Speaker 3 (01:03):
Better come back and twice some other time have.
Speaker 4 (01:06):
To pass to a mortuary. Tests you see you allow
for the knights in the Sanctum Mystery. It's an original
radio play by Amal Temperment call make ready my Grave,
(01:28):
uh and stars to radio papers John Banks and Richard
Goodno if about a boy and a girl, just the man,
a piece of colored strings, an open grave and be hanging.
(01:50):
That train is the Southeast Cemetery Fire, long, sleek and powerful,
taking off the miles on the hunting rays from night.
That's the piece twentieth century mechanical perfection. Nothing about it
to suggests making hate, yeah, or sir petition or that.
(02:13):
But let's take a left in the compartment a god
seventeen diamond bet be limits. Just mated, are going into
a honeymoon the dons incensuous state.
Speaker 5 (02:24):
You had?
Speaker 6 (02:24):
I'm so hot. How's when do we get a.
Speaker 3 (02:28):
Little smoke in?
Speaker 2 (02:28):
About an hour ago?
Speaker 6 (02:30):
Just suit, I'm married and do one of the oldest
time maybe in the streets I.
Speaker 3 (02:35):
Felt would be very happy. Don oh, I well, little,
we'll be happy with doing the join of course I
do go. We aren't always let you always dont matter
what happens, we no matter what happens, what couldn't happen?
Speaker 6 (02:54):
Say and something's done?
Speaker 2 (02:55):
No, No, it's nothing at all.
Speaker 3 (02:57):
We're hiring something.
Speaker 6 (02:58):
It's something we haven't proved.
Speaker 3 (02:59):
It's less a that it's something I worried about it.
You don't want to to No, not now, maybe later.
Speaker 7 (03:07):
Time.
Speaker 6 (03:08):
You're telling me about seper in this tree.
Speaker 3 (03:10):
H you been playing the art since the turn under
the teen Hm?
Speaker 5 (03:15):
Hm, yes, i'd another notice. I watched you you been
telling on martin Ans.
Speaker 3 (03:25):
Good look, I must have tied it without knowing what
I was doing.
Speaker 6 (03:30):
Hm, we tied it into the rooms.
Speaker 3 (03:36):
A hang us. I don't know how I came to market.
I ll to then what a time? This che Yes,
it's something more pieces true, but it how did it
cheave get like this?
Speaker 6 (03:52):
I can it would have all right.
Speaker 8 (03:55):
If I should ever try to if I should ever
try to stranger, you listen, if I should ever try
to stranger, you promise me to use that gun on me?
Speaker 6 (04:04):
What are you talking about?
Speaker 9 (04:06):
All that start?
Speaker 3 (04:07):
Oh? This seth that this is well, we can try.
Speaker 6 (04:09):
I must have all about that peoples that are stringing
and now this gun?
Speaker 3 (04:12):
What other way that? I don't remember what I said?
Don't ever forget. Oh it's a dog ke.
Speaker 2 (04:31):
This is just a way station.
Speaker 3 (04:32):
The train always starts.
Speaker 2 (04:33):
At the line I saw it.
Speaker 3 (04:34):
Otherwise it goes right to m I thought lewisting. There
is a big town. Boy. It used to be a
hundred years ago, but now there's only the lunar system. Well,
I will fall from the steak about two miles. Oh.
When a god should be able to.
Speaker 8 (04:50):
Think it's up in the station or anything? You gart
mean he's the handy man. There's been a gult working
for the Lumen standing for the last hundred and fifty years.
Speaker 7 (05:00):
Son, I don't like it.
Speaker 3 (05:00):
He is.
Speaker 7 (05:02):
Dark.
Speaker 3 (05:03):
What I did that? Who can god be? I wrote
them what train we would take you?
Speaker 5 (05:09):
John?
Speaker 7 (05:09):
Oh?
Speaker 3 (05:09):
God, if you frightened my wife, I'm.
Speaker 10 (05:12):
Sorry if I scared you.
Speaker 6 (05:13):
Oh, that's that's all right.
Speaker 3 (05:15):
It it just the way you spoke, so suddenly out
of the darkness.
Speaker 10 (05:19):
If you follow me, I've got the station wagon back there.
Speaker 3 (05:24):
Tell me what does it like me?
Speaker 2 (05:26):
No, that's just his way.
Speaker 3 (05:27):
He's very devoted to the family. Where don't you get
to know? I don't think I care to him.
Speaker 6 (05:42):
Sonny got into the fantasy.
Speaker 3 (05:44):
It's so DoD the worry, Baddy, darkness, this rod like
the back of this man. You'll be wary of you. Men,
I'll be fighting. Don't please tell me why you get
rid of g Oh I I can't tell you about Baddy.
Maybe left to give me Uncle at r John? Well,
what's that mean?
Speaker 2 (06:05):
M well?
Speaker 3 (06:08):
Well never pink extreme well read run this time?
Speaker 1 (06:13):
Well?
Speaker 3 (06:14):
I uh, I want to put up want to see seven?
Speaker 6 (06:17):
How to live and do another?
Speaker 3 (06:18):
Hans stop best? Yes, Mr John, it's principal string. Did
you put it here? No, it's sad but how do
you get here? You are to know? Yes, yes, I
I uh uh, God, why are you stopping here? Well, oh, ma'am,
this is the entrance to the Looms the state.
Speaker 10 (06:40):
I've got to get out and open the gates.
Speaker 3 (06:43):
I'll be right about, Betty. I I've got to get
out too. I've got to see for myself what.
Speaker 2 (06:48):
You stay here, Betty, get stay right where you are.
Speaker 6 (06:50):
Wait a minute. I'm coming to when you get back.
Speaker 10 (06:52):
In the car. That John is right now, you shouldn't
go with him. Take care of a god.
Speaker 3 (06:56):
I won't be left where be gone. That is the
Loomis family. What does you wanna see a man in
the middle of the night.
Speaker 10 (07:05):
You tell you himself, ma'am, And.
Speaker 3 (07:07):
You tell ma'am, I'm gonna find out right now.
Speaker 10 (07:09):
Better not, ma'am. Better come John, John might for me.
Speaker 6 (07:12):
I told you that I'm going with you. I wanna
know what there isn't that take about you? That calm
you all right now? I haven't right to know what
this is all about.
Speaker 3 (07:18):
I'm going with you, alright, deessantly A feel about it.
Let's hold on to that friend I gave you. If
you put in your hand all the time, John fine,
you'll find out soon enough. This is the gate of
the family. Senate s.
Speaker 8 (07:37):
All the says in the rhymes, fah, it's.
Speaker 3 (07:44):
A shame one WoT toon Jones look like gross on
the hands. You know that's hold a lot of that
got too?
Speaker 6 (07:53):
Who's going with this with me?
Speaker 11 (07:54):
Hi tombs to me by great grandfather's story. He found
out to me miss the street.
Speaker 3 (08:04):
This is nice. Stand fires you his wife.
Speaker 5 (08:10):
It was my father, my mother, Hm, hm, that's all
I shoot, yell m. He's got to get That's what
I came to see. This is what I've been afraid of.
Speaker 3 (08:28):
Shock John, you can help the clam fessional dog best.
It was just Doug to night whoever got it done?
I I a bad at steeved In.
Speaker 2 (09:00):
Remember that, and now let's hurry back to our stays
in the grave.
Speaker 4 (09:09):
You remember with poor Betty whose husband had just told
her he's a play professionally about the grave for her.
Speaker 6 (09:18):
So what do you mean good?
Speaker 5 (09:21):
That is great for me?
Speaker 2 (09:22):
Incluse it right?
Speaker 3 (09:25):
Sort that you'd think I was crazy? Now you got
to tell me to find a danger.
Speaker 6 (09:28):
I have a right to know him?
Speaker 10 (09:30):
Was it gold?
Speaker 6 (09:31):
You know what good I do?
Speaker 7 (09:32):
No?
Speaker 3 (09:32):
Whats like, don't Prince, he's right, Christine, Betty's do you
believe that a ghost could dig your gray?
Speaker 10 (09:42):
But ghost?
Speaker 3 (09:47):
Excuse me now, I don't bring you from up good?
I told you you think I was crazy?
Speaker 6 (09:54):
And what now you looking at me like that?
Speaker 2 (09:58):
Uh?
Speaker 3 (10:01):
How do they got that friend with you? M?
Speaker 6 (10:03):
I left him to cos that's what what I gunna
do I do?
Speaker 7 (10:10):
Go there's the station where I can still waiting at.
Speaker 3 (10:20):
The give, but I can't see goll.
Speaker 6 (10:22):
Maybe you went up to the house. Gods, where are
you hold that?
Speaker 3 (10:25):
Un?
Speaker 5 (10:25):
What?
Speaker 1 (10:26):
What's up?
Speaker 5 (10:26):
What?
Speaker 2 (10:26):
Correb Art?
Speaker 1 (10:27):
What happened to Golf?
Speaker 3 (10:28):
You come up to the house?
Speaker 7 (10:30):
He gone into the cemetery? I thought, I bet it
come down? Oh?
Speaker 3 (10:34):
Yes is it there? Yes, it's uh.
Speaker 11 (10:40):
Especially Doug Gray, Uncle I Ard, this is my wife
Betty and lot you a Betty?
Speaker 3 (10:47):
You know huh you saw the grave?
Speaker 7 (10:49):
Do Betty?
Speaker 10 (10:50):
Yes?
Speaker 6 (10:50):
And and John says he thinks it's m I don't
see that.
Speaker 3 (10:56):
I don't understand me. You haven't told her anything yet? John, Well,
just just uh a letter. Well I couldn't bring myself too.
I think it's time you did.
Speaker 9 (11:14):
What do you bet he do's?
Speaker 1 (11:15):
You're a good right, I will have a little more.
Speaker 3 (11:17):
The John no beast too bad.
Speaker 7 (11:21):
Christina's ear he's upstairs in my room.
Speaker 3 (11:25):
But I hope you'll be better about tomorrow.
Speaker 2 (11:27):
You can see her the end. Maybe what do you mean.
Speaker 12 (11:33):
About gray about that it'll be It'll be filled tomorrow, John,
I hope you think it's time and kept your promise
to tell me what this is all about. You'll tell
your uncle left rot well about any there's a ghost
to middle of his family.
Speaker 3 (11:50):
That's it in a nutshell? Oh oh, why see? And
it was a ghost to god Grob Green.
Speaker 5 (11:59):
I know it sounds his man there for a hundred
and fifty years, we knows it would come to the
conviction that it can't be anything potical a hundred and
fifty years mm. John's great grandfather, Stuart Thomas, settled a
slip of seacoast under a pattern from the colonial governor.
There's his picture over the fireplace. He he doesn't have
(12:23):
must like you to Stuart Clomas was a hard way.
There was a French privateer in these world.
Speaker 3 (12:30):
Who's a made a lot of trouble in those days.
Guest in Lerue, who sailed the seas with his wife.
Speaker 7 (12:35):
And went in.
Speaker 3 (12:36):
But what is a French pilot and his wife to
do with the grave? Stuart Bill has captured.
Speaker 5 (12:41):
LaRue and his wife and under their party CONFI upon
by the governor.
Speaker 7 (12:46):
Had the power to hang us.
Speaker 3 (12:49):
You know, I mean we wouldn't too.
Speaker 5 (12:51):
Yes, he hanged them both and a ghippet where our
family cemetery outstairs?
Speaker 3 (12:58):
Who'll tell? Oh?
Speaker 5 (13:00):
Before he died rest in the room made a curse
in the Loomis family. His father just as his wife
was hanging, so would all Allumas woman died his swather
he would come back and be the grave with the
wife of a lullness every generation and punished the noose
by which a Loomis strangled.
Speaker 3 (13:19):
His own life. That's incredible.
Speaker 5 (13:23):
Short while afterward, the fresh grave was found beside the
gibbet Wallerud and hung.
Speaker 3 (13:29):
That night, Stewart Loomis's.
Speaker 5 (13:31):
Wife, John's great grandmother was found hanging by the neck
from the eaves of his very.
Speaker 3 (13:37):
House, and.
Speaker 5 (13:42):
Stuart Loomis I told your Stuart UMAs was a hard
man and had made many enemies.
Speaker 3 (13:48):
There were many who hated him deeply ambitity.
Speaker 5 (13:52):
He was arrested and tried for the murder of his
wife convicted and excuse him. Now I removed the Loomis stand.
But John that that still doesn't prove it's a good No,
that one incident doesn't prove it. But it happened again
when the next glim Is married John's grandfather, and to
(14:13):
the next glim Is John's father, sometimes a year after married,
sometimes five years.
Speaker 3 (14:19):
The curse never fails. It's happened in every generation.
Speaker 5 (14:25):
Yes, and now John Mumis has brought a new wife home.
There's a freshly dug grave waiting in the family cemetery, and.
Speaker 6 (14:39):
I'm next.
Speaker 2 (14:41):
I don't know, Benny.
Speaker 3 (14:44):
Maybe that grave isn't for you? What Maybe it's for
Christine or my wife.
Speaker 6 (14:53):
This this is all ridiculous. A ghost couldn't think of
grave like John strong on me to death.
Speaker 3 (14:59):
I what ud you?
Speaker 6 (15:01):
You can't believe such a legend.
Speaker 3 (15:02):
It can't be true.
Speaker 5 (15:04):
They've been out, my dear, But the graves of the
stranger of Lumis women.
Speaker 3 (15:09):
Are out there to prove it. Where this is your room, Betty,
I'd have God called you with it to my money.
Good good night, your glove, right, good night, John, good
out a clove right? This it's such a beat groom.
(15:35):
It's so gloomy. The whole house is like that. It blies,
blew me a sullen under the loomis curse? Oh Betty,
I love you so much. We would beat the curse together.
Let me go down. I woulda changed my cloes and wash.
(15:59):
Well is the gu's room over there?
Speaker 6 (16:02):
How long would you in it?
Speaker 7 (16:03):
Ah?
Speaker 3 (16:03):
I die?
Speaker 10 (16:04):
Oh?
Speaker 9 (16:04):
I just lovely that Betty?
Speaker 3 (16:07):
What is? Look?
Speaker 6 (16:09):
Hang him from the shower bottle?
Speaker 3 (16:13):
Okay, what shot?
Speaker 6 (16:16):
It's a real one?
Speaker 9 (16:17):
This time.
Speaker 3 (16:19):
A rope read eat and some.
Speaker 6 (16:25):
Who put it there?
Speaker 3 (16:27):
It's cause it at must curse. We can't get away
from it.
Speaker 6 (16:29):
And no ghost could have hung that rope player?
Speaker 3 (16:31):
What what? Let's call it?
Speaker 7 (16:32):
God?
Speaker 10 (16:32):
Oh?
Speaker 3 (16:33):
Could you got the gun with you?
Speaker 7 (16:34):
Oh?
Speaker 6 (16:34):
It's in my hand, dorn got it?
Speaker 3 (16:36):
What good?
Speaker 10 (16:36):
I say?
Speaker 1 (16:38):
All right?
Speaker 7 (16:38):
John?
Speaker 8 (16:40):
Here here, I got it all right. Now keep it
with you all the time, and don't be afraid to
use it on me if necessary.
Speaker 6 (16:46):
Let's get your uncle.
Speaker 3 (16:47):
This is his rule. I wonder if I ought to
waken it might upset Aunt Christine. She said, well you
got to waken.
Speaker 6 (16:56):
Let in my carter.
Speaker 3 (16:59):
H it wasn't lock hing.
Speaker 1 (17:05):
A glove.
Speaker 3 (17:08):
A glove right, there's noise.
Speaker 9 (17:13):
There's a light.
Speaker 3 (17:14):
Now push the door further open. Well, there's nobody in
the room. The bed's empty.
Speaker 6 (17:24):
A glove, eh, Christie m made in the bathroom.
Speaker 10 (17:31):
The door is open.
Speaker 3 (17:33):
Stay and Christiane, she's hang on by the wake.
Speaker 10 (17:43):
She she's dead.
Speaker 3 (17:49):
This same kind of a noise is in her bath
or fell epp a ride hanger. It's the loomis curse
catching up with it? Well, God in trace of Uncle Ebon.
Speaker 2 (18:02):
I stood the whole house basement duatic, not a sign of.
Speaker 3 (18:06):
We must have gone not come along, But it's wrong.
We got to find him that he come on.
Speaker 6 (18:16):
The hold little poun.
Speaker 10 (18:18):
I have a flashlight, ma'am.
Speaker 8 (18:20):
You look well, great footprints in the slush. Oh there
must be Uncle Everard's. But lead down for the cemetery.
Speaker 3 (18:25):
Come on, co.
Speaker 10 (18:29):
Yeah, mister John, you.
Speaker 3 (18:30):
Can see for yourself the foot Prince.
Speaker 10 (18:32):
Lead right to this new grave.
Speaker 6 (18:33):
Why do we come home?
Speaker 3 (18:36):
There's the sky across at the head of the empty
gray very flash find on a comp something written on it.
It says Christine looked. What is.
Speaker 10 (18:50):
Good?
Speaker 6 (18:52):
Oh the day.
Speaker 3 (18:54):
Another's grave?
Speaker 5 (18:57):
He stuck another one there the cross on this one
to the same, Yes, yes, it does, it, says Betty Loomis.
Speaker 6 (19:14):
John's too close to me. That prot to the Stewart
numas over the fireplace, looks they really right?
Speaker 3 (19:20):
No, remember that, whatever happens, hold on to that gun
and don't be afraid to use it tonight.
Speaker 6 (19:25):
Well, God, you.
Speaker 3 (19:27):
Ought to be his son. You want to look for
some weapons your eyes?
Speaker 6 (19:30):
John, God, you always frightened me coming in so quietly.
Speaker 10 (19:34):
I'm sorry, ma'am.
Speaker 3 (19:35):
Dear mister John.
Speaker 5 (19:36):
These ought to be pretty good weapons sighted if I
had them sharpened only the other day, they could slice
a man's head off in one's trunk.
Speaker 10 (19:46):
Take one, mister John.
Speaker 3 (19:48):
Nice. But I's g to use it on earth forever.
Speaker 10 (19:52):
If he shows.
Speaker 5 (19:53):
Up tonight, you'd better use it.
Speaker 6 (19:55):
Maybe he come back into the house through the back way.
Speaker 10 (19:57):
I'll go through the house again. If you like this time,
I'll start with be attic.
Speaker 2 (20:02):
Be careful about I will.
Speaker 6 (20:06):
John.
Speaker 3 (20:06):
I don't like him, and I don't think he likes me.
Speaker 9 (20:09):
I don't that's that you that's there?
Speaker 8 (20:12):
Must be got ready, man, I'm gonna about hiding up
that Stay right here, bed and hold on.
Speaker 10 (20:18):
I'll be careful.
Speaker 6 (20:20):
Come down.
Speaker 9 (20:20):
I'm fraid.
Speaker 7 (20:21):
I'm afraid to be a.
Speaker 6 (20:22):
Hold it's it's mother would be a trader, have this gun?
And the saynbody comes, Oh all right, nice?
Speaker 10 (20:41):
What all? Who's there?
Speaker 9 (20:47):
Hold in the room.
Speaker 6 (20:50):
Don't come any courses. But I want a gun and
I shooting. I can't see you gonna I'm shoot at
the town.
Speaker 10 (20:59):
Oh right, my girl, shoot, it's not loaded. I took
the bullets out.
Speaker 3 (21:07):
When you left it in the car.
Speaker 5 (21:09):
Colt, yes, ma'am, it's gault. Mister John is busy up
there in the attic of the body of mister Everard.
I killed him too. When mister John comes downstairs, he'll
find you, and I've cut him down in the dark
with my side. Were others besides the pirate LaRue, who
hated Stuart Loomis like my own great grandfather. He was
in the service of Stuart Loomis and he hated him.
(21:31):
When LaRue laid the curse Hona lumis Is, my great
grandfather decided to make it come true. It was he
who strangled the wife of Stuart Loomis. Through the years,
the gods from father to son have handed.
Speaker 10 (21:41):
Down there your mad Maybe I'll tightened the loose. Why
is it Dargan job.
Speaker 3 (21:54):
And so I left.
Speaker 9 (22:01):
Out.
Speaker 3 (22:22):
We say at.
Speaker 2 (22:37):
The well, that was a pretty rough honeymoon for Betty.
Speaker 4 (22:42):
But you know there's a lesson in her story for
forget a little wise and if you keep tying little
colored strings your fingers to remind you of things and
you still can't remember them.
Speaker 2 (22:54):
When I try a rope neatly tied around your neck.
Speaker 3 (22:58):
It sure to help you. For guy m, it is
just very.
Speaker 1 (23:20):
But I thank you that the earth and I enjoyed
with perform him, and I looked to his buildings of
had a got around remind him?
Speaker 3 (23:27):
In three what time? O y ont aga, I'm first
ever video save it
What an evening queen, both have had a gallery over
the door over the lefty flight and fettle the door
the last way of over. We want to fact it.
Speaker 2 (00:18):
Oh, what a lot door of the hop. Good evening,
friends of the Inner Sanctum.
Speaker 3 (00:35):
This is your host.
Speaker 4 (00:36):
Opening the squeaking door for another session of the AGGMS,
the Association of Goold Goats and Midnights.
Speaker 2 (00:46):
Tod may.
Speaker 4 (00:47):
I see your membership card as your entertain but I
don't know. It's not a printed card. All you have
to do is show me your wrists if there's any
blood closing.
Speaker 2 (00:59):
In your artery. But then you're done along here at
the night.
Speaker 3 (01:03):
Better come back and twice some other time have.
Speaker 4 (01:06):
To pass to a mortuary. Tests you see you allow
for the knights in the Sanctum Mystery. It's an original
radio play by Amal Temperment call make ready my Grave,
(01:28):
uh and stars to radio papers John Banks and Richard
Goodno if about a boy and a girl, just the man,
a piece of colored strings, an open grave and be hanging.
(01:50):
That train is the Southeast Cemetery Fire, long, sleek and powerful,
taking off the miles on the hunting rays from night.
That's the piece twentieth century mechanical perfection. Nothing about it
to suggests making hate, yeah, or sir petition or that.
(02:13):
But let's take a left in the compartment a god
seventeen diamond bet be limits. Just mated, are going into
a honeymoon the dons incensuous state.
Speaker 5 (02:24):
You had?
Speaker 6 (02:24):
I'm so hot. How's when do we get a.
Speaker 3 (02:28):
Little smoke in?
Speaker 2 (02:28):
About an hour ago?
Speaker 6 (02:30):
Just suit, I'm married and do one of the oldest
time maybe in the streets I.
Speaker 3 (02:35):
Felt would be very happy. Don oh, I well, little,
we'll be happy with doing the join of course I
do go. We aren't always let you always dont matter
what happens, we no matter what happens, what couldn't happen?
Speaker 6 (02:54):
Say and something's done?
Speaker 2 (02:55):
No, No, it's nothing at all.
Speaker 3 (02:57):
We're hiring something.
Speaker 6 (02:58):
It's something we haven't proved.
Speaker 3 (02:59):
It's less a that it's something I worried about it.
You don't want to to No, not now, maybe later.
Speaker 7 (03:07):
Time.
Speaker 6 (03:08):
You're telling me about seper in this tree.
Speaker 3 (03:10):
H you been playing the art since the turn under
the teen Hm?
Speaker 5 (03:15):
Hm, yes, i'd another notice. I watched you you been
telling on martin Ans.
Speaker 3 (03:25):
Good look, I must have tied it without knowing what
I was doing.
Speaker 6 (03:30):
Hm, we tied it into the rooms.
Speaker 3 (03:36):
A hang us. I don't know how I came to market.
I ll to then what a time? This che Yes,
it's something more pieces true, but it how did it
cheave get like this?
Speaker 6 (03:52):
I can it would have all right.
Speaker 8 (03:55):
If I should ever try to if I should ever
try to stranger, you listen, if I should ever try
to stranger, you promise me to use that gun on me?
Speaker 6 (04:04):
What are you talking about?
Speaker 9 (04:06):
All that start?
Speaker 3 (04:07):
Oh? This seth that this is well, we can try.
Speaker 6 (04:09):
I must have all about that peoples that are stringing
and now this gun?
Speaker 3 (04:12):
What other way that? I don't remember what I said?
Don't ever forget. Oh it's a dog ke.
Speaker 2 (04:31):
This is just a way station.
Speaker 3 (04:32):
The train always starts.
Speaker 2 (04:33):
At the line I saw it.
Speaker 3 (04:34):
Otherwise it goes right to m I thought lewisting. There
is a big town. Boy. It used to be a
hundred years ago, but now there's only the lunar system. Well,
I will fall from the steak about two miles. Oh.
When a god should be able to.
Speaker 8 (04:50):
Think it's up in the station or anything? You gart
mean he's the handy man. There's been a gult working
for the Lumen standing for the last hundred and fifty years.
Speaker 7 (05:00):
Son, I don't like it.
Speaker 3 (05:00):
He is.
Speaker 7 (05:02):
Dark.
Speaker 3 (05:03):
What I did that? Who can god be? I wrote
them what train we would take you?
Speaker 5 (05:09):
John?
Speaker 7 (05:09):
Oh?
Speaker 3 (05:09):
God, if you frightened my wife, I'm.
Speaker 10 (05:12):
Sorry if I scared you.
Speaker 6 (05:13):
Oh, that's that's all right.
Speaker 3 (05:15):
It it just the way you spoke, so suddenly out
of the darkness.
Speaker 10 (05:19):
If you follow me, I've got the station wagon back there.
Speaker 3 (05:24):
Tell me what does it like me?
Speaker 2 (05:26):
No, that's just his way.
Speaker 3 (05:27):
He's very devoted to the family. Where don't you get
to know? I don't think I care to him.
Speaker 6 (05:42):
Sonny got into the fantasy.
Speaker 3 (05:44):
It's so DoD the worry, Baddy, darkness, this rod like
the back of this man. You'll be wary of you. Men,
I'll be fighting. Don't please tell me why you get
rid of g Oh I I can't tell you about Baddy.
Maybe left to give me Uncle at r John? Well,
what's that mean?
Speaker 2 (06:05):
M well?
Speaker 3 (06:08):
Well never pink extreme well read run this time?
Speaker 1 (06:13):
Well?
Speaker 3 (06:14):
I uh, I want to put up want to see seven?
Speaker 6 (06:17):
How to live and do another?
Speaker 3 (06:18):
Hans stop best? Yes, Mr John, it's principal string. Did
you put it here? No, it's sad but how do
you get here? You are to know? Yes, yes, I
I uh uh, God, why are you stopping here? Well, oh, ma'am,
this is the entrance to the Looms the state.
Speaker 10 (06:40):
I've got to get out and open the gates.
Speaker 3 (06:43):
I'll be right about, Betty. I I've got to get
out too. I've got to see for myself what.
Speaker 2 (06:48):
You stay here, Betty, get stay right where you are.
Speaker 6 (06:50):
Wait a minute. I'm coming to when you get back.
Speaker 10 (06:52):
In the car. That John is right now, you shouldn't
go with him. Take care of a god.
Speaker 3 (06:56):
I won't be left where be gone. That is the
Loomis family. What does you wanna see a man in
the middle of the night.
Speaker 10 (07:05):
You tell you himself, ma'am, And.
Speaker 3 (07:07):
You tell ma'am, I'm gonna find out right now.
Speaker 10 (07:09):
Better not, ma'am. Better come John, John might for me.
Speaker 6 (07:12):
I told you that I'm going with you. I wanna
know what there isn't that take about you? That calm
you all right now? I haven't right to know what
this is all about.
Speaker 3 (07:18):
I'm going with you, alright, deessantly A feel about it.
Let's hold on to that friend I gave you. If
you put in your hand all the time, John fine,
you'll find out soon enough. This is the gate of
the family. Senate s.
Speaker 8 (07:37):
All the says in the rhymes, fah, it's.
Speaker 3 (07:44):
A shame one WoT toon Jones look like gross on
the hands. You know that's hold a lot of that
got too?
Speaker 6 (07:53):
Who's going with this with me?
Speaker 11 (07:54):
Hi tombs to me by great grandfather's story. He found
out to me miss the street.
Speaker 3 (08:04):
This is nice. Stand fires you his wife.
Speaker 5 (08:10):
It was my father, my mother, Hm, hm, that's all
I shoot, yell m. He's got to get That's what
I came to see. This is what I've been afraid of.
Speaker 3 (08:28):
Shock John, you can help the clam fessional dog best.
It was just Doug to night whoever got it done?
I I a bad at steeved In.
Speaker 2 (09:00):
Remember that, and now let's hurry back to our stays
in the grave.
Speaker 4 (09:09):
You remember with poor Betty whose husband had just told
her he's a play professionally about the grave for her.
Speaker 6 (09:18):
So what do you mean good?
Speaker 5 (09:21):
That is great for me?
Speaker 2 (09:22):
Incluse it right?
Speaker 3 (09:25):
Sort that you'd think I was crazy? Now you got
to tell me to find a danger.
Speaker 6 (09:28):
I have a right to know him?
Speaker 10 (09:30):
Was it gold?
Speaker 6 (09:31):
You know what good I do?
Speaker 7 (09:32):
No?
Speaker 3 (09:32):
Whats like, don't Prince, he's right, Christine, Betty's do you
believe that a ghost could dig your gray?
Speaker 10 (09:42):
But ghost?
Speaker 3 (09:47):
Excuse me now, I don't bring you from up good?
I told you you think I was crazy?
Speaker 6 (09:54):
And what now you looking at me like that?
Speaker 2 (09:58):
Uh?
Speaker 3 (10:01):
How do they got that friend with you? M?
Speaker 6 (10:03):
I left him to cos that's what what I gunna
do I do?
Speaker 7 (10:10):
Go there's the station where I can still waiting at.
Speaker 3 (10:20):
The give, but I can't see goll.
Speaker 6 (10:22):
Maybe you went up to the house. Gods, where are
you hold that?
Speaker 3 (10:25):
Un?
Speaker 5 (10:25):
What?
Speaker 1 (10:26):
What's up?
Speaker 5 (10:26):
What?
Speaker 2 (10:26):
Correb Art?
Speaker 1 (10:27):
What happened to Golf?
Speaker 3 (10:28):
You come up to the house?
Speaker 7 (10:30):
He gone into the cemetery? I thought, I bet it
come down? Oh?
Speaker 3 (10:34):
Yes is it there? Yes, it's uh.
Speaker 11 (10:40):
Especially Doug Gray, Uncle I Ard, this is my wife
Betty and lot you a Betty?
Speaker 3 (10:47):
You know huh you saw the grave?
Speaker 7 (10:49):
Do Betty?
Speaker 10 (10:50):
Yes?
Speaker 6 (10:50):
And and John says he thinks it's m I don't
see that.
Speaker 3 (10:56):
I don't understand me. You haven't told her anything yet? John, Well,
just just uh a letter. Well I couldn't bring myself too.
I think it's time you did.
Speaker 9 (11:14):
What do you bet he do's?
Speaker 1 (11:15):
You're a good right, I will have a little more.
Speaker 3 (11:17):
The John no beast too bad.
Speaker 7 (11:21):
Christina's ear he's upstairs in my room.
Speaker 3 (11:25):
But I hope you'll be better about tomorrow.
Speaker 2 (11:27):
You can see her the end. Maybe what do you mean.
Speaker 12 (11:33):
About gray about that it'll be It'll be filled tomorrow, John,
I hope you think it's time and kept your promise
to tell me what this is all about. You'll tell
your uncle left rot well about any there's a ghost
to middle of his family.
Speaker 3 (11:50):
That's it in a nutshell? Oh oh, why see? And
it was a ghost to god Grob Green.
Speaker 5 (11:59):
I know it sounds his man there for a hundred
and fifty years, we knows it would come to the
conviction that it can't be anything potical a hundred and
fifty years mm. John's great grandfather, Stuart Thomas, settled a
slip of seacoast under a pattern from the colonial governor.
There's his picture over the fireplace. He he doesn't have
(12:23):
must like you to Stuart Clomas was a hard way.
There was a French privateer in these world.
Speaker 3 (12:30):
Who's a made a lot of trouble in those days.
Guest in Lerue, who sailed the seas with his wife.
Speaker 7 (12:35):
And went in.
Speaker 3 (12:36):
But what is a French pilot and his wife to
do with the grave? Stuart Bill has captured.
Speaker 5 (12:41):
LaRue and his wife and under their party CONFI upon
by the governor.
Speaker 7 (12:46):
Had the power to hang us.
Speaker 3 (12:49):
You know, I mean we wouldn't too.
Speaker 5 (12:51):
Yes, he hanged them both and a ghippet where our
family cemetery outstairs?
Speaker 3 (12:58):
Who'll tell? Oh?
Speaker 5 (13:00):
Before he died rest in the room made a curse
in the Loomis family. His father just as his wife
was hanging, so would all Allumas woman died his swather
he would come back and be the grave with the
wife of a lullness every generation and punished the noose
by which a Loomis strangled.
Speaker 3 (13:19):
His own life. That's incredible.
Speaker 5 (13:23):
Short while afterward, the fresh grave was found beside the
gibbet Wallerud and hung.
Speaker 3 (13:29):
That night, Stewart Loomis's.
Speaker 5 (13:31):
Wife, John's great grandmother was found hanging by the neck
from the eaves of his very.
Speaker 3 (13:37):
House, and.
Speaker 5 (13:42):
Stuart Loomis I told your Stuart UMAs was a hard
man and had made many enemies.
Speaker 3 (13:48):
There were many who hated him deeply ambitity.
Speaker 5 (13:52):
He was arrested and tried for the murder of his
wife convicted and excuse him. Now I removed the Loomis stand.
But John that that still doesn't prove it's a good No,
that one incident doesn't prove it. But it happened again
when the next glim Is married John's grandfather, and to
(14:13):
the next glim Is John's father, sometimes a year after married,
sometimes five years.
Speaker 3 (14:19):
The curse never fails. It's happened in every generation.
Speaker 5 (14:25):
Yes, and now John Mumis has brought a new wife home.
There's a freshly dug grave waiting in the family cemetery, and.
Speaker 6 (14:39):
I'm next.
Speaker 2 (14:41):
I don't know, Benny.
Speaker 3 (14:44):
Maybe that grave isn't for you? What Maybe it's for
Christine or my wife.
Speaker 6 (14:53):
This this is all ridiculous. A ghost couldn't think of
grave like John strong on me to death.
Speaker 3 (14:59):
I what ud you?
Speaker 6 (15:01):
You can't believe such a legend.
Speaker 3 (15:02):
It can't be true.
Speaker 5 (15:04):
They've been out, my dear, But the graves of the
stranger of Lumis women.
Speaker 3 (15:09):
Are out there to prove it. Where this is your room, Betty,
I'd have God called you with it to my money.
Good good night, your glove, right, good night, John, good
out a clove right? This it's such a beat groom.
(15:35):
It's so gloomy. The whole house is like that. It blies,
blew me a sullen under the loomis curse? Oh Betty,
I love you so much. We would beat the curse together.
Let me go down. I woulda changed my cloes and wash.
(15:59):
Well is the gu's room over there?
Speaker 6 (16:02):
How long would you in it?
Speaker 7 (16:03):
Ah?
Speaker 3 (16:03):
I die?
Speaker 10 (16:04):
Oh?
Speaker 9 (16:04):
I just lovely that Betty?
Speaker 3 (16:07):
What is? Look?
Speaker 6 (16:09):
Hang him from the shower bottle?
Speaker 3 (16:13):
Okay, what shot?
Speaker 6 (16:16):
It's a real one?
Speaker 9 (16:17):
This time.
Speaker 3 (16:19):
A rope read eat and some.
Speaker 6 (16:25):
Who put it there?
Speaker 3 (16:27):
It's cause it at must curse. We can't get away
from it.
Speaker 6 (16:29):
And no ghost could have hung that rope player?
Speaker 3 (16:31):
What what? Let's call it?
Speaker 7 (16:32):
God?
Speaker 10 (16:32):
Oh?
Speaker 3 (16:33):
Could you got the gun with you?
Speaker 7 (16:34):
Oh?
Speaker 6 (16:34):
It's in my hand, dorn got it?
Speaker 3 (16:36):
What good?
Speaker 10 (16:36):
I say?
Speaker 1 (16:38):
All right?
Speaker 7 (16:38):
John?
Speaker 8 (16:40):
Here here, I got it all right. Now keep it
with you all the time, and don't be afraid to
use it on me if necessary.
Speaker 6 (16:46):
Let's get your uncle.
Speaker 3 (16:47):
This is his rule. I wonder if I ought to
waken it might upset Aunt Christine. She said, well you
got to waken.
Speaker 6 (16:56):
Let in my carter.
Speaker 3 (16:59):
H it wasn't lock hing.
Speaker 1 (17:05):
A glove.
Speaker 3 (17:08):
A glove right, there's noise.
Speaker 9 (17:13):
There's a light.
Speaker 3 (17:14):
Now push the door further open. Well, there's nobody in
the room. The bed's empty.
Speaker 6 (17:24):
A glove, eh, Christie m made in the bathroom.
Speaker 10 (17:31):
The door is open.
Speaker 3 (17:33):
Stay and Christiane, she's hang on by the wake.
Speaker 10 (17:43):
She she's dead.
Speaker 3 (17:49):
This same kind of a noise is in her bath
or fell epp a ride hanger. It's the loomis curse
catching up with it? Well, God in trace of Uncle Ebon.
Speaker 2 (18:02):
I stood the whole house basement duatic, not a sign of.
Speaker 3 (18:06):
We must have gone not come along, But it's wrong.
We got to find him that he come on.
Speaker 6 (18:16):
The hold little poun.
Speaker 10 (18:18):
I have a flashlight, ma'am.
Speaker 8 (18:20):
You look well, great footprints in the slush. Oh there
must be Uncle Everard's. But lead down for the cemetery.
Speaker 3 (18:25):
Come on, co.
Speaker 10 (18:29):
Yeah, mister John, you.
Speaker 3 (18:30):
Can see for yourself the foot Prince.
Speaker 10 (18:32):
Lead right to this new grave.
Speaker 6 (18:33):
Why do we come home?
Speaker 3 (18:36):
There's the sky across at the head of the empty
gray very flash find on a comp something written on it.
It says Christine looked. What is.
Speaker 10 (18:50):
Good?
Speaker 6 (18:52):
Oh the day.
Speaker 3 (18:54):
Another's grave?
Speaker 5 (18:57):
He stuck another one there the cross on this one
to the same, Yes, yes, it does, it, says Betty Loomis.
Speaker 6 (19:14):
John's too close to me. That prot to the Stewart
numas over the fireplace, looks they really right?
Speaker 3 (19:20):
No, remember that, whatever happens, hold on to that gun
and don't be afraid to use it tonight.
Speaker 6 (19:25):
Well, God, you.
Speaker 3 (19:27):
Ought to be his son. You want to look for
some weapons your eyes?
Speaker 6 (19:30):
John, God, you always frightened me coming in so quietly.
Speaker 10 (19:34):
I'm sorry, ma'am.
Speaker 3 (19:35):
Dear mister John.
Speaker 5 (19:36):
These ought to be pretty good weapons sighted if I
had them sharpened only the other day, they could slice
a man's head off in one's trunk.
Speaker 10 (19:46):
Take one, mister John.
Speaker 3 (19:48):
Nice. But I's g to use it on earth forever.
Speaker 10 (19:52):
If he shows.
Speaker 5 (19:53):
Up tonight, you'd better use it.
Speaker 6 (19:55):
Maybe he come back into the house through the back way.
Speaker 10 (19:57):
I'll go through the house again. If you like this time,
I'll start with be attic.
Speaker 2 (20:02):
Be careful about I will.
Speaker 6 (20:06):
John.
Speaker 3 (20:06):
I don't like him, and I don't think he likes me.
Speaker 9 (20:09):
I don't that's that you that's there?
Speaker 8 (20:12):
Must be got ready, man, I'm gonna about hiding up
that Stay right here, bed and hold on.
Speaker 10 (20:18):
I'll be careful.
Speaker 6 (20:20):
Come down.
Speaker 9 (20:20):
I'm fraid.
Speaker 7 (20:21):
I'm afraid to be a.
Speaker 6 (20:22):
Hold it's it's mother would be a trader, have this gun?
And the saynbody comes, Oh all right, nice?
Speaker 10 (20:41):
What all? Who's there?
Speaker 9 (20:47):
Hold in the room.
Speaker 6 (20:50):
Don't come any courses. But I want a gun and
I shooting. I can't see you gonna I'm shoot at
the town.
Speaker 10 (20:59):
Oh right, my girl, shoot, it's not loaded. I took
the bullets out.
Speaker 3 (21:07):
When you left it in the car.
Speaker 5 (21:09):
Colt, yes, ma'am, it's gault. Mister John is busy up
there in the attic of the body of mister Everard.
I killed him too. When mister John comes downstairs, he'll
find you, and I've cut him down in the dark
with my side. Were others besides the pirate LaRue, who
hated Stuart Loomis like my own great grandfather. He was
in the service of Stuart Loomis and he hated him.
(21:31):
When LaRue laid the curse Hona lumis Is, my great
grandfather decided to make it come true. It was he
who strangled the wife of Stuart Loomis. Through the years,
the gods from father to son have handed.
Speaker 10 (21:41):
Down there your mad Maybe I'll tightened the loose. Why
is it Dargan job.
Speaker 3 (21:54):
And so I left.
Speaker 9 (22:01):
Out.
Speaker 3 (22:22):
We say at.
Speaker 2 (22:37):
The well, that was a pretty rough honeymoon for Betty.
Speaker 4 (22:42):
But you know there's a lesson in her story for
forget a little wise and if you keep tying little
colored strings your fingers to remind you of things and
you still can't remember them.
Speaker 2 (22:54):
When I try a rope neatly tied around your neck.
Speaker 3 (22:58):
It sure to help you. For guy m, it is
just very.
Speaker 1 (23:20):
But I thank you that the earth and I enjoyed
with perform him, and I looked to his buildings of
had a got around remind him?
Speaker 3 (23:27):
In three what time? O y ont aga, I'm first
ever video save it
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