Beyond the Cube: Is the CBS/UFC Deal the Death of PPV?

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
Well, what's going on?

Speaker 2 (00:05):
Guys? You boys?

Speaker 1 (00:05):
Q four twenty here. Welcome y'all back another episode beyond
the Key. Of course, we got the powerful one with us.
As always, Corey heaves dab extraordinaire. Corey, are you doing well?

Speaker 2 (00:25):
No, All of a sudden, I'm not because I got
this new camera that kicks out and I can't receive
him to get the setting is right on it. It's
irritating me.

Speaker 1 (00:34):
Are you thinking? What do you think is the color
color thing?

Speaker 2 (00:36):
Yeah, it's going yellow blue. It's going back and forth
between yellow and blue. If you watch it long enough,
it'll phase between yellow and blue.

Speaker 1 (00:43):
I believe it's picking up the color from your screen,
from your computer screen. That's what it seems like he's doing.

Speaker 2 (00:55):
Yeah, potentially, Yes, I see that.

Speaker 1 (00:58):
Yeah, and this the the actual or by that light. Yeah.
So I remember whenever I was in the art building.
This is a long time ago, but whenever we're because
I was a photography major. So the thing that we
did we turn our uh page, your wallpaper into a

(01:19):
there was a certain shade of gray that you made
it so the wallpaper wouldn't change the colors in your photos.
It sounds crazy, but it's actually true, like your wallpaper
would kind of like if it was different gradients of colors,
it would kind of shine through and like change how
your photo looked. Then when you went to print it,
you were like the hell to me?

Speaker 2 (01:43):
On Obs, I was doing the last couple of shows
through OBS and it looks fine, like everything's good, but
the lighting's inconsistent and it's phasing yellow to blue. So
and I got one of them little led lights, the
broadcasting lights. I just can't find the fucking thing. If
I can find that, that'll add some consistent see and
lighting that should make it stop phasing in fucking color.

(02:04):
And the resolution looks like ship, but it's at two K.

Speaker 1 (02:08):
I'm just cursing two k.

Speaker 2 (02:10):
Yeah, I'm cursed with fucking I'm cursed with.

Speaker 1 (02:13):
Maybe you should die at Bay. Maybe it shouldn't be
a two K.

Speaker 2 (02:19):
I don't know if it'll let me do ship while
I'm on the stream.

Speaker 1 (02:21):
It might probably not.

Speaker 2 (02:23):
It might cut me off.

Speaker 1 (02:25):
Like, let's experimenter, oh dear, I mean we'll be experiment
on the fly, guys. This this is what we talk about,
all right.

Speaker 2 (02:34):
I'm experimenting on the fly. So here I'll drop a
ten a DP.

Speaker 1 (02:40):
Okay, here we go. God, I mean you blurry right
now until it refocuses.

Speaker 2 (02:47):
Uh, not any better or worse?

Speaker 1 (02:49):
Huh No, two k, it's two k. Yeah, I will
leave it at two k for right now. We'll have
to you have to finagle with it. What what type
of what type of came? I don't think you told everybody?

Speaker 2 (03:02):
Just this looks better when I ninety five degree at
when I do a bigger I got the anchor.

Speaker 1 (03:07):
Okay, okay, that's better at ninety three. Yeah, who's that
made by?

Speaker 2 (03:11):
Whose an anchor makes it?

Speaker 1 (03:14):
Huh shit? Okay, so I haven't heard of the anchor.
Mine's the all right, but mine's only ten ADP.

Speaker 2 (03:25):
Yeah, this looks better at the wider angle. You see.
Here's the deal. When they have it's not a real
it's got a zoom for the focus. But when they
say they can put it at different angles, it's virtual.
It's not they're not doing it with the camera, you
know what I mean. Like when they change the angle
and it zooms in, it's all virtual. It's not because

(03:46):
the camera angle is zooming in or anything. It's because
they're fucking virtually enhancing it so it looks like shit, so.

Speaker 1 (03:52):
That actually this actually looks better.

Speaker 2 (03:54):
Yeah at the wider angle. I this ale got to
clean up my desk because it got my fucking bowls
laying around and ship.

Speaker 1 (04:04):
Oh well no you can't see you this. You can't
see it, So you're good. I mean that's what's key.
But hey, guys, I got hold on. Let me pop
this open. I got the cake.

Speaker 2 (04:20):
Is it your birthday? That's a four layer cake? Motherfucker?
What's up with that?

Speaker 1 (04:25):
No strawberry cake from the Seahorse?

Speaker 2 (04:29):
No, no, no, no, no, you screwed up there. See,
if you want to go strawberry, what you gotta do
is you have to go vanilla with the layered strawberry icing.
But vanilla cake, that's acceptable. You can't go screwrawberry cake.
I'm sorry. All cake needs to be chocolate or vanilla,
no in between, no bullshit, and you differentiate through your icing.

Speaker 1 (04:51):
You see. This is this is where we start running
into issues back every week talking. I mean, it's got
to be chocolate or vanilla. Look, man, I'm trying to
get some damn hold on what we considered a strawberry
some ling ling cake? Okay, well you consider them strawberries
I'm trying to think who would be a strawberry of races.

(05:15):
I can't think there is.

Speaker 2 (05:17):
I don't know. That's a weird.

Speaker 1 (05:19):
Label, but that's the label I'm putting on it right now.
So it's okay, all right, that's what we're going with.
I mean, you got vanilla with us white, you got
chocolate that's black, butter pecan, I would say, Spaniard. Okay,
could we agree with that? Spangard in nature? Sure, I'm

(05:46):
just to be hanging. I mean, come on, man, I'm
trying to make some comparisons here, and you messing me
up anyway. And no, it's not my birthday, but my
girlfriend went out to eat with a her daughter and
some of her friends, and so she brought me back dinner,
and of course the cake, beautiful cake. Now, never mind

(06:12):
what Corey said with they have to be chocolate or
vanilla and then the ice, because that's nonsense, all right.

Speaker 2 (06:20):
So just sometimes I thought you were I'm sorry, I
thought you. I thought you were one of us.

Speaker 1 (06:27):
Sometimes you gotta overlook.

Speaker 2 (06:33):
Chocolate and vanilla cake.

Speaker 1 (06:35):
God Lee, Well, I mean, obviously this is probably some
artificial strawberry, right well, I mean, and everything we do
artificial in nature.

Speaker 2 (06:49):
Not if we tell us of it's not so.

Speaker 1 (06:52):
I don't think that's the way it works.

Speaker 2 (06:53):
Are you sure by that?

Speaker 1 (06:55):
Yes? Oh, bother that the way it works. But it's
okay too. This place, the Seahorse, it's actually really good.
But I had I had some uh, I had some
fried shrimp tonight, some French fries at some point, fry tramp.

(07:16):
That's how I get damn. Now, the cakes here, I
don't know if you've got if you've got a local
bakery Corey that sells like cakes by the slice, you
got that in in the area.

Speaker 2 (07:29):
Oh, I'm sure we do. We got everything here and form.

Speaker 1 (07:31):
Okay, I mean I didn't know. I didn't know if
you if you've been to one of those spots recently
to see how much a cake by the slices?

Speaker 2 (07:38):
Okay, If I had to take a guess, uh huh
off the top of my head, what would not shock
me to go into a cake store to buy one
slice of cake?

Speaker 3 (07:48):
Oh?

Speaker 2 (07:48):
I would say, I'm assuming they have a range of cakes,
and the slices will probably go from five to ten
ninety nine. Okay, Okay, that's good for slice for a slice, Yeah,
that's a good total total extortion racket.

Speaker 1 (08:10):
Yeah. Now, well, I mean this is a this is
a two person piece of cake.

Speaker 2 (08:14):
Technically, how much do you think that should go for.
I'd say that piece of cake if you went and
bought that at the.

Speaker 1 (08:18):
Store, seven dollars, I think seven dollars.

Speaker 2 (08:23):
I think that's the high end of reasonable.

Speaker 1 (08:26):
This is this is handmade that maybe as.

Speaker 2 (08:29):
Opposed to by sucking a robot.

Speaker 1 (08:32):
Yeah, yeah, you know, like the damn the ship you
getting food line. It's different when people put what they say,
like she stuck her foot in it. That's what this
type of stuff is. I've heard shit like that before.

(08:53):
I'm like, man, new feet clean. I mean, come on, now,
you tell about she stuck her foot in it, and
I'm like, this is this is like not real, right,
she didn't really stick her foot in it. It's like, no,
actually she did. It's some Indian shit like this shit
you showed us a few weeks ago where they stick
their hand, feet, spit in it and everything.

Speaker 2 (09:14):
But uh, fucking Indians a right, that should be a
weekly fucking segment of the show.

Speaker 1 (09:21):
Nah, there's a there's a spot in uh ingreen Woman
Connection Confection or confection connection, whichever one it is, past
confection connection. But I think there's slices of cake go
for I think they're twelve dollars of slice.

Speaker 2 (09:39):
That's fucking okay, here's the deal. You try twelve dollars
a slice, you should go to prison.

Speaker 1 (09:45):
No bud. Like you see how big this piece of
cake is. Man, Their cake is like twice the slice
of cake gets twice the size of that, Like literally,
like if you sat down and you ate all that,
you'd be eating like three thousand calories. Like it's a
big ass slice of cake for real. But I mean,
now they got the best peanut butter chocolate chip cookies

(10:08):
that that has ever graced this.

Speaker 2 (10:12):
You gotta forgive my laughing.

Speaker 1 (10:13):
Man, you just you've got an Indian ship up there.

Speaker 2 (10:16):
You're trying to find us a goddamn video on. I
stay laughing. The motherfuckers are gross.

Speaker 3 (10:23):
Fucking cord ue.

Speaker 1 (10:27):
Before you're trying to find the Indian folk up there,
you're distracting the audience. Cord that's what you do. Which
you are Indian Shenanigans. That's what we're going have to
call it now, Indian Shenanigans. Are you finding us a
good one. I don't know. Hey, we ain't gonna see
that much longer because uh, didn't Trump Trump put that

(10:48):
fifty tariff on him, didn't he?

Speaker 2 (10:50):
And know what he put on them on India?

Speaker 4 (10:53):
Yeah?

Speaker 1 (10:53):
I think so, uh India terraff? Here we go?

Speaker 2 (11:01):
Oh yeah, I can't share that.

Speaker 1 (11:08):
From good God almighty. Oh, I guess he's what this is?
Washing the pikes with water.

Speaker 2 (11:25):
It's like, so, I'm I think on nothing dead on
a you know one on mine?

Speaker 1 (11:33):
Young and young? Oh that needs you just stick it.
You're talking about bicycle, Na, what is it? I don't

(11:59):
mean that. We haven't dude, that's got to be it's
got to be rotten man, and so go, Yeah, no more.

Speaker 2 (12:09):
Extract sping.

Speaker 1 (12:14):
Are you just laying on the ground? Do you know
what they're making?

Speaker 2 (12:24):
I don't know what they're making right there? Magic, but
say yeah, but did high?

Speaker 1 (12:32):
Huh? Damn? Is what's that hash?

Speaker 2 (12:39):
Brown? Uh? Maggots?

Speaker 1 (12:46):
God? Or is that a woman?

Speaker 5 (13:01):
Oh?

Speaker 1 (13:02):
All of them? All?

Speaker 2 (13:09):
Right? Man, these motherfuckers.

Speaker 1 (13:14):
That's some tough ship right there. But hey, India's finest
right there. They ain't about that. The Indian rap was
was going off at one point in time.

Speaker 2 (13:26):
Fucking Indian rap. Yeah, man, oh no way, can we
play ticket?

Speaker 1 (13:33):
Oh hell no, you.

Speaker 2 (13:36):
Get struck.

Speaker 1 (13:37):
They just shut every channel down.

Speaker 2 (13:38):
That's what.

Speaker 1 (13:41):
It was. They call it the old Punjabbie rap rap
Punjabi you remember the Punjabi m C. But we're the
boys with the had jay z on. It had the
hove on. You had to do the back back. Yeah,
you know what I'm saying.

Speaker 2 (13:59):
That one I'm gonna check out. I'm gonna check out
some of this this Punjabi rap. Let me see what
we got going on here. This guy's name shub Oh,
he's got the little sh thing said.

Speaker 1 (14:19):
It's some bad stuff. Man, it needs to be left.
It needs to be letting. Oh yeah, but the India,
hold on, hold on, I'm trying to find what the
India tears said. Trump's not happy with India. Okay, here
we go, here we go all this see it six? Okay,

(14:41):
So Trump raises India tariff to fifty of Russian oil purchases.
So since they started buying oil from Russia, he said,
I'm gonna stick this d to you. What the hell
was going over these tears?

Speaker 3 (14:58):
Bro?

Speaker 2 (14:58):
Watching James Bond the other Octopussy uh. And the opening
scene is like beyond wild and shit and uh, he
is he's in India and this guy who helps him
with this ship is Indian and he gets him a
stack of cash and he goes. That should keep you
in Curry for a few weeks. Dang, like that movie

(15:19):
had the most racist and sexist ship in it. It
was fantastic.

Speaker 1 (15:28):
That's the way you won't it.

Speaker 2 (15:30):
He walks in. He walks in and he's talking to
que the guy who does all the fancy gadgets, and
he's got a camera there, and he takes the camera
and he zooms in on the secretary's tits on the
monitor that there. He's like, no muff fooling around. James
Bond was classic because you don't see that ship in
movies anymore at all.

Speaker 1 (15:50):
Right, right, ain't we need to We need we need
comedy to come back because it's it's a dying breed,
especially on the movie.

Speaker 2 (15:59):
So so that brings us right now in the theaters.
Is the Naked Gun remake. If we heard anything about this.

Speaker 1 (16:06):
They actually do. Hold on, let me bring up the
rotten Tomato scores. I think the rotten Tomato scores is
extremely high.

Speaker 2 (16:13):
Because it didn't look bad the the Let's play the
trailer for that, because that shit looked funny.

Speaker 1 (16:19):
Man playing their damn trailer.

Speaker 2 (16:21):
Hold on, yeah, and people turned in to be entertained.

Speaker 1 (16:27):
The trailers. Terrible mate beeing with his jank out. Let's
see said tomato meters eighty eight percent and popcorn meter,
which is the the fans, is seventy five percent, so
it's actually came down significantly. Oh, let me pull up
the trailer right quick. They't it good? Here we go.

(16:50):
It's good fishing twenty twenty five. All right, all right,
let's pull this up. It's got Pamela Anderson in it too.
I mean she looks not like Pamela Anderson, So that's
all good. Here we go.

Speaker 3 (17:10):
Thanks.

Speaker 5 (17:13):
Once you kill a man for the venge, there's not
going back. A voice in your head saying over.

Speaker 3 (17:19):
And over that was awesome.

Speaker 5 (17:24):
Huh, who are you driven, Detective Frank Dreven.

Speaker 3 (17:31):
Thanks, At least one has always been the elite of
the Frank love you, hey, dad, mhm.

Speaker 1 (17:47):
And you friend are the best of the best.

Speaker 3 (17:51):
Bathroom.

Speaker 1 (17:51):
I need this woman immediately there of the line, man
please Christmas.

Speaker 3 (17:58):
M hmm, I'm gonna ruin another suit.

Speaker 1 (18:05):
Over here the tunnel.

Speaker 3 (18:07):
I think someone murdered my brother. Please take a chair,
Thank you. I'll find them. This is what I do.

Speaker 5 (18:17):
Says you serve twenty years for man's laughter. You mean
man slaughter must have been quite a joke.

Speaker 3 (18:24):
They're going to shut down police Quad if you do
not solve this case. Jesus by the book. Why who's
going to arrest me? Other cops? Yess is he serious?

Speaker 5 (18:38):
No, it seems mister driving might be more of a
problem than we sought.

Speaker 3 (18:44):
And once you keep an eye on them, this is fantastic.
Rest assured. I won't stop until I phone justice. What

(19:05):
do you want, little one?

Speaker 5 (19:08):
Your ass nobody misses?

Speaker 2 (19:17):
Please, Squad, We've upgraded your car with the most advanced
crime fighting check.

Speaker 4 (19:24):
Drive forward, pretty smooth. This place is falling apart.

Speaker 1 (19:39):
What do you think.

Speaker 2 (19:42):
The jury's out? But I'm being optimistic. I'm hoping that
this is gonna be funny. I might actually pay money
to go see it because we need to win this ertainment.

Speaker 1 (19:53):
But sh it, it might be too late right here, shortly.
I mean she's staying in theaters for like a couple
of weeks. I think Superman's coming to digital this Friday, Friday,
already thirty four days.

Speaker 2 (20:11):
I saw two movies this week. Okay, I watched the
time loop movie told me about it was okay, not
worth talking about until dawn. Yeah, it was all right.
It was as far as time loop movies, and trust me,
I'm an expert at time loop movies, I love them.
It was at the bottom of the list of time

(20:33):
loop movies. There wasn't enough sudden. It was too anticipated
every time, that was build up to it every time.
The great thing about the other time loop movies it
was kind of all of a sudden, Oh shit, you know,
that's not how it was in this, And that's kind
of a trait of those movies, the surprise of the
loop starting over again. Not this. They had a fucking
timer and everything right, and they were just waiting for

(20:53):
it half a time, Like when the dude comes in
and he's like, She's like, okay, kill him first. Remember
that part? Did you see that? Did you watch the movie?

Speaker 1 (21:02):
I didn't watch it, my girlfriend. I was telling you
about my girlfriend. No literally, Okay, So I came home
from the GM last Saturday. My girlfriend's like, yeah, I
watched a horror movie something about until Dawn and I
was like, oh, okay, how was it. She was like, well,
I fast forward about fifteen about fifteen minutes when they

(21:24):
were doing just a bunch of random nonsense killing. So
you get to something else. I guess when the folks
just get dying over and over. She just said, just
get dying over and over in like stupid away. So
she was like, so I fast forward about fifteen minutes
and finished watching it. I was like, Okay, it.

Speaker 2 (21:40):
Had some really cool twists and stuff in it, and
it was I liked it over all, but it was
not And I hold those time loop movies to a
high standard. There's a really good one called arc I
don't know if you ever saw that one. Arq. That
one's pretty kick ass. And then of course Edge of
Tomorrow and then the grandfather of them all is like

(22:00):
groundhog Day.

Speaker 1 (22:01):
You know, but time movie. I forgot to tell you
about this one. Uh Caddo Lake, Caddo Lake. Yeah, that
one is own. Uh, I think HBO, Yeah it's HBO.

Speaker 2 (22:18):
Originally, So I did see another movie and I thought
was absolutely kick ass. Okay, Final Destination Bloodlines.

Speaker 1 (22:30):
Oh, so you liked that one.

Speaker 2 (22:32):
I liked it. It had the classic final destination charm,
you know what I mean. It had this is the
crazy series of events you know that would lead to
the death. And dude, some did you watch it?

Speaker 1 (22:52):
Main scene?

Speaker 2 (22:53):
You're lame? Just like you know, you're supposed to say,
we know what movies I watch, and then watch them
too so we can talk about them on the show.

Speaker 1 (23:04):
I didn't realize that because this shit look now. But
the bloodlines, well, I was hearing some stuff about it,
and it was kind of like like this was going
back in time, correct, kind of like it was trying

(23:26):
to kill people because it had no one ever supposed
to be born, right.

Speaker 2 (23:31):
But I thought that the story was going to be
connected to the other movies, like an anthology or wrapping
it up or something. It wasn't like that at all.
It was just another story.

Speaker 1 (23:38):
Okay.

Speaker 2 (23:40):
So basically it starts out and just right from the beginning,
the scenes is just crazy.

Speaker 1 (23:46):
Uh.

Speaker 2 (23:46):
This woman and her fiance go to this high rise,
you know, like one of those towers where you take
the elevator up, and then they got like the dining
hall up top, like you know, like this secret and
all that stuff right right, all that stuff, and so
they're having a good time, and then all of a sudden,

(24:08):
the glass cracks and people fall and you know, a
thing falls and this goes this way and something blows
up and next thing, you know, everyone dies, right, and
then the woman in it like snaps out of it
and she's like, oh my god, and it's like she
had the vision of what was going to happen. And
then she goes and she saves everybody in the building, right.

(24:30):
She gets everyone out of the building, saved everybody, right, and.

Speaker 1 (24:35):
So so so nobody stayed and died.

Speaker 2 (24:38):
Right, everybody lives, right, and so she so sixty like
death goes after everyone in the building who lived in
a certain order, right, And so we're talking this is
like fifty years later, and it finally catches up to
like a group. It catches up to the family of
the woman right who saved her everyone. And that woman

(25:01):
is now like a hermit because once she saw all
the stuff in her vision, she went and followed the
names of the people who were in the building that
night from the guest list and saw that they all
died these tragic deaths, and that death started coming for her,
and so she became like an expert at death and
detecting all these signs and stuff. So that part was
really cool. And uh yeah it was. It flowed even

(25:25):
though it was like a cast of nobody's, Like the
whole cast was a nobody's. It was totally okay. Yeah,
I liked a lot of it. It was really good.
Wasn't like a I give it like a you know,
eight out of ten. I'd say seven, eight out of
ten in that eight area as far as low bunch
of horror movies go.

Speaker 1 (25:45):
Okay, Okay, So we're comparing this with low budget horror, mate,
it's gotcha right right?

Speaker 2 (25:49):
Of course, of course this ain't no gone with the wind.

Speaker 1 (25:52):
So it's like it's like if you compare in you know,
McDonald's with Burger King as opposed to McDonald's with like
a yard hand or something like that. I got you,
I got you. I'm fine with that. I'm fine with that. Okay.
So Bloodlines, Hey, Corey's put his recommendation out there for people, Okay,
And look, there is no shortage of low budget horror films,

(26:14):
I think. But matter of fact, most of the low
budget stuff is horror films.

Speaker 2 (26:20):
Like the Case be Cheap or something.

Speaker 1 (26:24):
Everything you see, it's low budget. It's like it's got
it's got to have some type of horror involved in it.
It's like, yet it does what was it? One of
them popped up on my damn on my TikTok. I
don't know why all of a sudden, zombie stuff started
popping up. And this one it was a police officer
who had turned into a zombie and the people were
running away from her and she ran through through like

(26:47):
a fence and her shirt got caught in the fence
and it ripped his shirt over their tes and just
stopped it just stared at him for like thirty He's like,
oh man, I'm like, okay, movie, I got you.

Speaker 2 (27:02):
I watch I watched a scary movie the other day
that I haven't seen in like, dude. It was. It
was the It starts off with Carmen Electra and she
gets the phone call, you know, and then she ends
up running outside and he grabs her clothes, and the
clothes like I'll fall off of her, and she's like

(27:22):
wearing her like her like a Victoria's Secret lingerie stuff,
and she's running through the sprinklers, you know, and of
course she takes a second to like do a dance
and stuff. Dude, it was it was awesome. It was awesome.
And then with his name, Damon Wayans, who's like gay
as fuck throughout the whole movie. You know, help me
lift this guy, help me lift him up. I got
his ass.

Speaker 1 (27:47):
It's terrible. I think in that scene Carmen Electric gets
stabbed in the chance and it pulls out her damn TV.

Speaker 2 (27:52):
Plant pulls out her implant. It was great.

Speaker 1 (27:57):
Yeah, you see, they won't make stuff like that anymore
because everybody's says is now. I thought we were moving
away from sensitivity, but comedy still ain't returned.

Speaker 2 (28:07):
Yeah, So here's something. So I bought the old South
Park game from twenty fourteen. It was on sale for
like five bucks, so I got it. And it's like
you're if you're like the kids in South Park, but
you like play wizards and stuff, right, and then you
go on a Wizard Adventure and when you do your
character creation, you can play as like a rogue, a mage,

(28:28):
or like a wizard and a jew and a jew. Yeah,
you can play as a Jew and the Jew gains
buffs based on how much suffering it takes in the game.

Speaker 1 (28:43):
What it ain't real?

Speaker 2 (28:47):
That God is real? So I got a lank right here,
I'll show you.

Speaker 1 (28:54):
It. Is it based on this suffering. It's just that's
how the Jew gains his power. I don't know man
with immense suffering right now. I mean black folks and
Jews about running neck and neck. Let's see? Is this it?

Speaker 2 (29:15):
This is it?

Speaker 1 (29:16):
Okay?

Speaker 2 (29:18):
The Jew class it has access to many pieces of
armor and weaponry that grant bonuses on the Jews suffering.
The armor pieces, which are rewarded as the character progresses
through the game, grand bonuses based on the negative status
conditions the Jew is currently experiencing. For example, they may
increase damage dealt for each stack of bleeding afflicting the character.

(29:38):
Other bonuses include damage reduction and ppe regeneration while bleeding
on fire. Grossed out? So, yeah, you play as the Jew.

Speaker 1 (29:51):
They allowed that man that that must have slipped through
the cracks. I'm surprised that they haven't tried to ban
that game. I know as anti s because I mean
that's where we're at right now. I mean, everything's anti Submitty.

Speaker 2 (30:07):
Oh you know something, I've been going through some documents
today from the Roosevelt era, like nineteen thirty six through
forty five, and well not through forty four, yeah, through
forty five, but after forty five, this up is in
the Roosevelt library. But forty five who was president? He
had Eisenhower. No, it wasn't Eisenhower, it was was it

(30:28):
still Roosevelt through forty five? Yeah, it was, wasn't it. So,
but it's all it's all Jew documents. It's all Jew documents.
It's all them trying to send him documents about they're
sending him letters about trying to get a state of Israel.
And they had like they literally had colonies set up
all over the world, like already at the end of

(30:50):
World War two boom, they had colonies fucking ready to go,
and they kept petitioning to get funding just to get
one of them off the ground. It's really crazy. I
mean I found like hundreds and hundreds and hundreds of
ages of documents today, and it seems as though Roosevelt
was fucking all the way up their ass on. So
they got sold out a long time ago.

Speaker 1 (31:11):
Well look, every every everything is uh, it is for
sale for a particular price, all right, And that's the
way things are. I mean, you know what I seen
somebody the other day it's like, uh. They were like, oh, well,
there's only two hundred billionaires or whatever, and there's hover

(31:33):
many billions of us, and why are they Why are
we letting them control us? And I was like, Bud,
here's why. It's because they got the resources. And so
if they want to stamp at your movement, then they
just find folks they can pay off to stamp it out.
There's plenty of mercenaries. Ship like that, dude, Folks will

(31:58):
take some money. It reminds me of the Beast Games,
all right. And folks were sitting there like, oh, you
know love each other, and you know, we're all in
this together, and we all equality, my man. In Beast Games,
it got to the last ten people, all right. And
the way mister b set this up, wherever you were

(32:22):
in the competition, they voted on who would get the
first key. They had ten houses that you would go
into and that's where you stayed overnight until the next
day when you finished up the competition. And so they
picked the leader who would get the first key to

(32:43):
the first house, and then she gave her keys to
corresponding people from that point forward. So the way this
game was set up is that he put a million
dollars in a glass case. All right, Now there's ten people.
So depending on the order that you were picked in

(33:07):
is the order you went out and you could collect
some money from that one million, all right, and so
if you're first, you go first, second, and so forth.
So the black woman that was picked as the leader,
as the first person first house, she was like, well,
you know, because a million dollars, there's ten of us,

(33:30):
so all of us can leave with money. So I'm
gonna take one hundred thousand. Everybody can leave with a
hundred thousand. I figured if I do that, then everybody
will follow seat. Okay, So she took one hundred thousand. Honorable,
very honorable, very Now she was extremely honorable earlier because
she was a leader earlier. And this is like the

(33:51):
second to third episode. He ran the total up to
a million dollars. All you had to do was hit
a button. You would get a million dollars, but you
eliminate everybody that was part of your group. There was
like eighty people in your group, but you would get
the million dollars and you get to stay in the competition.
I was like, nobody hit the button. There was four

(34:15):
people up there four separate groups. Nobody hit the button.
Now it started out at zero dollars and kept going up,
you know, and it kept going up and up and
up and up. But nobody hit the button at all.
Nobody took the million, had the four people that they
chose as leaders. But anyway, getting this last one, she

(34:36):
took one hundred K. The second guy came out and
he said, you know, I had a number in my mind.
He took two hundred and twenty five K. All right,
So now the chain is broken, one hundred K to
twenty five Still a lot of money left, all right.
So you're like, okay, other people still be able to
get get their share. The third guy came out and

(34:57):
he's like, man, I need to do this for my family.
I'm gonna take six hundred and fifty thousand dollars. Yes,
it's like holy shit, you know what I'm saying. When

(35:18):
the fourth person walked out, they were like, because you
don't know how much the other people took the people
before you, so you just walk out and you just
see whatever the cash is left. Now. The guy who
took six hundred and fifty K, he's gay, all right.
He had adopted he adopted the Sun, and they had

(35:39):
bought some type of crazy house and the Sun had
some type of disease or whatever, and he said, look,
I'm five hundred and seventy five thousand dollars in debt.
He said, so I'm gonna take this money. This is
for me and my family. So the moral of this
is that at the end of the day, it'll take

(36:00):
don't look out for himself. Yeah, this is gonna look
out for himself. So when you think that you're gonna,
oh yeah, we're gonna have a movement, do you have
enough money to fund the movement, because folks are gonna
be looking to get paid. Just think about it. Think
about when we watched the first season of and Or.
One of the best episodes in that is when they

(36:21):
were going to try to steal money to fund the movement,
because otherwise it was gonna collapse. If you ain't got
no money to fund the movement, it's gonna collapse. It's
just all there is to do it. So people always
want to like, oh, man, there's only a certain amount
of these people who's got great wealth, and there's a
whole lot more of us. I was like, yeah, but
they can kind of pay everybody off.

Speaker 2 (36:44):
That's the issue, that's true.

Speaker 1 (36:47):
So how do you get past that? It usually has
to be a point of no return, some type of hunger.
You know, no water shelter gets taken away. You have
to be to the point where you know you're you're
gonna die anyway, So you're like, shit, I might as
well do something, which I don't know if you've seen

(37:07):
last week Corey the was it the real estate ceo
for uh what was it? Black So Blackstone ain't Blackstone Rock? Yeah,
black black Rock got shot in New York, got taken out.
Somebody went up to the thirty third. Yeah, somebody went

(37:29):
into the thirty third.

Speaker 2 (37:30):
Oh yeah, yeah, I heard about that story. That's I
thought he was going to kill NFL people or something.

Speaker 1 (37:36):
Yeah, somehow ended up right there where she was at.
I said, I just shoot you.

Speaker 2 (37:40):
Instead, and and they happened to work for black.

Speaker 1 (37:43):
Rock, Yeah, black Rock real estate ceo.

Speaker 2 (37:48):
That's like, it reminds me of that man GIONI case,
you don't hear much.

Speaker 1 (37:52):
What I'm saying. That's what I'm saying. Hold on, let
me see what her name was, black Raw.

Speaker 2 (37:58):
I started looking at these people are like not supporting
Israel or something.

Speaker 1 (38:05):
Let's see here, I probably ain't got it. Uh, let's
see they go, let's see the gotshd Okay, I'm sorry.
It was Blackstone to name, right? Was it Blackstone?

Speaker 2 (38:20):
Blackstone does the same stuff black Rock does, does it? Yeah?
I don't know how you could possibly mix up black
Rock and Blackstone. I mean, they're just totally different names.

Speaker 1 (38:32):
Yeah, okay, it was Blackstone. I'm sorry. I thought I
said it right the first time. Hey, when you hear it,
when you hear a name right out the gate, you're like, man,
ain't no woman. But her name was Wesley. Sometimes parents
just make like devastating mistakes you can't.

Speaker 2 (38:47):
Recab, Like dude's named Stacy.

Speaker 1 (38:50):
Yeah, it's like, yeah, but this is a young lady
right here. Wesley la Patner, Blackstone's global head of Core
Plus real Estate and CEO firms real Estate Investment Trust,
killed on July twenty eighth.

Speaker 2 (39:05):
Wesley, are we sure that's a fucking woman?

Speaker 1 (39:09):
Well, I mean it looks like one.

Speaker 2 (39:11):
It's fifty to fifty on the looks. It could go
either way.

Speaker 1 (39:15):
Well, if you look at old pictures of halle Berry,
she looks like a young Michael Jackson.

Speaker 2 (39:21):
Maybe it is. Did you ever see them in the
same room? Oh?

Speaker 1 (39:28):
Man? But yeah, somebody went up there and blood and
shot her. She had a family, what's she eleven year veteran?
I think I think she had a few kids. But
but yeah, yeah, they man went up there and popped her.
And so folks was like, is this a trend? I said,

(39:48):
I don't know, is it? I mean, it just seems
weird to me.

Speaker 2 (39:53):
So I don't buy at all. If there's any well
there's some, but very few than there one hundred percent mentally.
But I don't buy the people just going and randomly
shoot shit up that aren't pushing in the direction at
at a minimum, you know what I mean, right at all?
Like like when you do like the Buffalo shooter that
happened a year or two ago, or however fucking a

(40:15):
long three years or whatever the fuck the Buffalo shooting was.
That thing came and left in the news cycle like
this boom, the split second it came out that there
was fucking FBI was messaging that guy on some secret
fucking channel like before the shooting, the whole story just disappeared, right, I'm.

Speaker 1 (40:29):
Talking about the guy that was at a King Super right.

Speaker 2 (40:32):
It was not. I don't know if it was a
King super but it was the King Super. One was
here in Colorado. Now this one was like in Buffalo,
New York. This is the one where he had on
the fucking rifle he had fourteen fishes. He had the
fourteen fish, which is like, that's some Jewish symbology bullshit.

Speaker 1 (40:53):
Hmmm. Yeah, It's hard for me to believe that any
of the any of the shootings, most people to get killed.
It is not random unless it's just some drive by
you know, somebody just spray in the house. Right, That's
that's where the that's where random folks get killed. In
a war zone, you know what I'm saying, Where there

(41:14):
happens to be civilians in the war zone and we
just drop a bomb on the area, or it's just
go just start opening fire on the area. That's where
you have your you know, your casualties of war per se.
But me going to to New York and going in

(41:35):
the wrong building, into the wrong floor, and I was
planning on shooting some NFL folks. But see somehow I'm
here and you hear, might as well shoot you. I mean,
it don't even make no sense.

Speaker 2 (41:48):
It's just like and he made it all the way
up the elevator just holding a gun.

Speaker 1 (41:52):
Yeah, well, I don't I don't have the details of that.
I'm I'm I'm assuming it was concealed. But you would
figure building it's like that would have metal detectors or whatever.
You know. I would I would assume that you couldn't
just go in some of these high profile buildings without
being checked in some type of way. But I don't know.

(42:14):
I mean, they are getting into W n B game
W games with a dildo's on side.

Speaker 2 (42:20):
Well, are they doing a dildo pat down on the
wind or how's that working? I'd say, you shoving your
pants and say you got a big Johnson.

Speaker 1 (42:33):
It's like, sir, we're going to ask you to drop
your pants and confirm your penis size.

Speaker 2 (42:40):
What is TSA.

Speaker 1 (42:43):
That penis seems a little bit too hard for your frame?
You confirm that. I'm man, you wouldn't talk about about
terrible because there's just be some dudes coming through they
just legitimly got big Johnson's just be like it's like
I'm suing. It's like, look, man, we we just had

(43:05):
a slew of damn folks coming in with divdoys and
throw them on the court. It's a true dedication, man.
I still like, like you're dedicated to the meme at
that point in time, Like you're just you're fully involved
to the point where you would pay money to go

(43:26):
to a game to potentially get caught and thrown in
jail just so you can throw this dealdo on the court.

Speaker 2 (43:32):
Is the delda throwing really a big deal? I mean,
are they making it seem like you're terrorists or something?

Speaker 1 (43:38):
Well, I mean you're throwing it on the court, mad game.
I mean, somebody could step on it, roll my ankle
or whatever. I mean, I guess it won't. It won't
result in death, I don't think. But it's just a
little embarrassing I would assume, say, but oh no, they
got a lot of bull daggers in there, you know
what I'm saying. In the WNBA, the WNBA's play by

(44:00):
a whole bunch of issues. Like I said, the number
one issue that the w NBA is plagued by is
the fact that after the game, like they be going
and eating the poonai on the chick from a different team.
I mean, it's just like like the competition can't be
quite there, you know what I'm saying. So it's just
like y'all sexually attracted each other. Is kind of kind

(44:23):
of messes up the flow with this, you know what
I'm saying. Hey, you know after the game, you want
to go get a bike to eat. It's like, hold
on a second, now, I mean you supposed to you
supposed to. Hey, this is competition, and I hate you
at the moment. Okay, we're going to take you out,
but that's missing in that, and I guess that's okay.
But Corey, I wanted to talk to you about my,
uh my new headphones that I got. Look at shocks.

(44:47):
You ever heard of them? Uh? Huh shocks?

Speaker 3 (44:52):
Now?

Speaker 1 (44:52):
Look it is now this is the first time I've
seen these. I think I've heard about them, but the
first time I seen them. The these are just over
the ear, So you don't have the bud that goes
into your ear. It just hovers over the ear. Yeah,

(45:15):
So there's no bud. You know how You've got to
used to have your little tips. Yeah, so it goes
into your ear canal. This doesn't. It didn't go into
your ear canal?

Speaker 2 (45:24):
Is that for talking on the cell phone or is
that for listening to music?

Speaker 1 (45:30):
Doing both both? Okay, yeah, doing both? Yeah? So uh,
I got these from best Buy and shucks, shocks. I'm sorry, shocks. Uh.
You know, if you want to call us up, I mean,
we can hook you right on a brand deal. But shot,
because I mean, ain't nobody talking about these but we're

(45:52):
talking about them on Beyond the Cube. Yeah, yeah, I
actually put them on. I'm was like, because you know,
I'm used to have the beats, That's what I've been using.
But something about bo an Apple product, if it gets
a little bit of heat to it, and it didn't

(46:12):
always used to be like this, but if he gets
a little bit of heat to it, bro that shit
falls to pieces.

Speaker 2 (46:20):
So Apple is gonna be building sit in America, and
I gotta wonder they could save a lot of money
in China. I know they're paying tariffs, but what corners
are they gonna cut on their products when they build
that shit in America to save money. Yeah that's true,
because you in America working in a fucking factory, you're
making twenty five bucks an hour minimum. Like anybody who
takes a factory job working iPhone factory for less than

(46:41):
twenty five dollars an hour in America or any factory
job really is ridiculous. So I think that's what we're
gonna see. We'll see that in more, you know, And
so they're gonna have to cut the cost somehow. I
don't understand why you need people to make phones anyway
like thatw motherfuckers can do. How is that not a
completely rebotic fucking endeavor.

Speaker 1 (47:02):
Well, you still need people there to manage the robots
per se.

Speaker 2 (47:09):
Oh, that's starting to sound like having to have a
fucking gas generator in your trunk to charge your electric
battery in your car.

Speaker 1 (47:17):
Well, they had that. It's called hybrids. That's what hybrids are.
The hybrids are electric, but it's got a gas generator
to charge the battery once the battery uses up all
the energy and use them. On those the hybrid ones,

(47:37):
the battery didn't have that much range anyway, It's like
fifty miles range on the battery. Then the gas generator
would kick in. But yeah, shots, if anybody's looking at
some headphones, now, these were not cheap. They were one
hundred and ninety dollars so, but the beats are two

(48:01):
hundred and fifty dollars. So I was like, I'm gonna
buy these, and I used my best Buy card, so
they're gonna send me like ten dollars back and then
I can get me another PlayStation controller because my other
one's about messed up. So yeah, you know, I'm working
this system. That's what you gotta do. You gotta work
the system. You gotta continuously do that. But yeah, I

(48:21):
put them on and it's got it's got a good
base response. It feels weird though, because you're used to
having something in the ear canal and so with it
just hovering, you can actually feel the air going into
your ear.

Speaker 2 (48:37):
But I wouldn't think the sound caull. I would think
the sound quality it sounds destined.

Speaker 1 (48:42):
It doesn't. It does not. I don't know how. I
don't know if it's just because of the because it
didn't let it set up with them.

Speaker 2 (48:53):
You know how when you got the ear button and
it falls out a little bit and it's just a
little bit, you know, not in place, and it sounds
like it's distant. I would I think this would just
be like an extension of that. No.

Speaker 1 (49:04):
I put it on. I was like, dude, this sounds
great actually, and there's nothing like, you know, protruding in
the ear and she getting ear wax all in that
damn the little tip on it and all that shit.
But I had Okay, So I had two pairs of
the Beats Pro. I think they were Beats Pro two

(49:25):
the two, but no, it's just regular Beats pros, the
ones that you could slide that had the ear where
you could slide over it. Because when I'm when I'm
shooting basketball, nobody's out there. If nobody's out there, then
you know you run around, you want that to go
over the ear. My first pair it started like cutting

(49:47):
the music off, like it just randomly cutting the music
off like a button was messed up. And then the
second pair, which was my girlfriend's, but she didn't like
it because she just wears the she just likes the
regular AirPods, the left channel stopped working. So I was like, okay,
oh guy. I was like, okay, it's time to switch

(50:07):
it up. And so I actually went in the best
By today and these are the only ones besides the
over the ear ones that you could try. And I
was like, okay, I mean that seems like some JBL's
in there and things like that. I don't know how
good the jbls are, but they had a similar setup

(50:28):
with a open fits what they call it the open
fit earphones. But I put those on, I start playing.
I was like, shit, with these sound good. So I
went ahead and I jumped on the deal.

Speaker 2 (50:41):
See once upon a time, like I remember when Best
Buy was pretty new, like was it late nineties, and
it was like exciting to go in there because there
wasn't no Amazon. You couldn't get anything you wanted delivered
to your house in twenty minutes. And if you wanted
to see the new stuff, you had to and there
was no utube playing videos to go watch reviews. You

(51:02):
had to go to the goddamn store. And then you'd
watch them play the you know, the ten ADP fish
bowl video with the fish that looked like it was
like so real, you know, I was like, oh my god,
this is amazing. You know, like there was incentive to
go to the store, and there was incentive because they'd
play the video and you'd want you'd want to buy
and have it in your house. And so I love
that experience. Even though I couldn't afford to buy nothing,

(51:24):
I'd always love going to Best Buy and looking at
all the new shit now, it seems like the magic
is kind of gone. I went to.

Speaker 1 (51:32):
Say something magical today. I say something magical today because
I thought I thought TV prices were just like what
And then I walked in there and best Buy's got
nothing but what they called the O Led TVs, and
my god, dude, they they're almost too clear and those

(51:53):
things or well over one thousand dollars.

Speaker 2 (51:58):
You know, cause I'm kind of if I can get
a new TV for under three hundred dollars that's in
the fifty to sixty inch range. I don't care about
four K, but it seems like four K is just
how it is these days. Most TV's, even the cheap ones,

(52:18):
are four K, and it seems like there's been some
decent deals, particularly at best Buy. Well let me see,
you say best buying either the ship let me look
and see, because I thought I just last week I
was looking at TV's. Let me see TV.

Speaker 1 (52:33):
No, I'm gonna pull up on the screen with the
new sheet is best by that? The oh, the the
O lead, the O Lad? Yeah, this is this is
what they got all over their walls.

Speaker 2 (52:48):
Or what's the difference OH Lead and Q Lead because
this Q lead Also do you know what that is?

Speaker 1 (52:52):
Yeah, I'm not sure, but you see all these are
over one thousand.

Speaker 2 (52:58):
They got some cheap ass TV like they got Insignia
fifty five inch for one hundred and eighty nine, a
Samsung fifty five inch four K for two fifty nine, Roku.

Speaker 1 (53:12):
Thirty this is where you want. Yeah, these are like
there's no point in behind.

Speaker 2 (53:17):
The TV for me. Like I watched it before I
fall asleep and that's it. Like otherwise I'm sitting here
in front of my computer. It's really it's just kind
of pointless. But my TV that I've had, I've literally
had this fucking television for probably fucking ten years. I've
probably had this TV for ten years. And uh, some

(53:38):
of the pixels at the top are falling out, and
so even though it's not used that much, you know,
it's a I definitely want to look into replacing it.

Speaker 1 (53:48):
Okay, yeah, here go take like two card bucks.

Speaker 2 (53:50):
For let me see, here's a seventy inch LG. It's
just tapped for price. Doesn't want to tell me the price.
Still no price. I tapped it in.

Speaker 1 (54:01):
So you probably you probably have to put it in
your car in order to tell the price. They did
that on some of them.

Speaker 2 (54:07):
Well, seventy inches too bad, because my little table ain't
gonna handle it. I need that biggest, like a fifty
five actually.

Speaker 1 (54:13):
Right right shot.

Speaker 2 (54:16):
See Q leads in the five hundred range. The Q
leads are in the five hundred range.

Speaker 1 (54:21):
Yeah, the head is the experience experience.

Speaker 2 (54:24):
A Toshiba sixty five inch LED four K Smart TV
two fifty. That's the funny ship, ma'am.

Speaker 1 (54:33):
Yeah, if you just get them four k, you good.
But something about this O LED But the O LEAD
what is still it? Might? Okay? So old lid. It
is a light emitting dio containing in flexible sheets of
an organic electro luminescent materi.

Speaker 2 (54:52):
Organic has got baby fetus is in there?

Speaker 1 (54:54):
Oh shit, okay, so which one? Okay? So the deal
with the old is that it has a faster response
time than LED's. This means that they can refresh faster,
reduce the motion blur, and provide smoother transitions.

Speaker 2 (55:14):
So yeah, you see, progress these days is very incremental.
It used to be press with big stuff, but not
to more.

Speaker 1 (55:24):
Okay, Well, says O lead had significally wider and better
viewing angle. When compared to four k U H D
L D TVs.

Speaker 2 (55:30):
I'll make sure to remember that when I watched TV
at a forty five degree angle.

Speaker 1 (55:35):
Well, court, they're trying to tell you what the deal is.
I wonder how many of those TVs they sell them,
because I will walk in there and I'd be like, nigga,
please I TV.

Speaker 2 (55:50):
I would think, like the TV market, and I don't
know if I'm how off I am on this, but
I would think like restaurants, businesses, bars, night clubs, like
commercial sector probably buys a huge amount of the TVs
that are out there. Can you say maybe fifty percent
you think it's consumer fifty percent in business fifty percent

(56:13):
on TVs.

Speaker 1 (56:14):
I would guess so.

Speaker 2 (56:15):
But business, what you got into it had fifty TVs
in it.

Speaker 1 (56:19):
Well, if you got a sports bar or something, but
then you buying no O leads, they're gonna buy any
damn cheap shit. Four K, man, I could get four
k for them two hundred and fifty dollars. I'most spend
fifteen hundred dollars on an O lead. I don't like that, man.

(56:45):
I got a bunch of TVs in here, you know,
I mean, I'll put an olead at my house. No,
I won't. I'm lying about that.

Speaker 3 (56:54):
Man.

Speaker 1 (56:55):
M TV's was high. I walked up and I was okay.
So I walked up and I looked. I said, oh, okay,
seven hundred dollars. I said, okay, hey, it's a little high,
but seven hundred dollars within range. And I looked and
that actually wasn't for the TV. That was for the soundbar.
That was I said, what kind of soundbar is seven

(57:19):
hundred dollars? Man? Like? I like, well, this shit crazy
as hey? Oh come on, man, we know that stuff's
a dying breath. Nobody buying no soundbar for seven hundred dollars.
I'm just trying to listen to stuff, you know, I mean,
it's it ain't that serious. Hell, I think I've had
my I've had my Visio soundbar and my Visio TV

(57:44):
since two thousand and fifteen, the same TV and soundbar
for ten years.

Speaker 2 (57:54):
Yo. Didn't we just have a conversation about how cheap
TV's are Get rid of that shit?

Speaker 1 (57:59):
Are you talking about?

Speaker 4 (58:00):
Man?

Speaker 1 (58:00):
It works not wrong?

Speaker 2 (58:03):
Mu shit, bro Horse and Buggy works too, but nobody's
using them anymore. Bro.

Speaker 1 (58:10):
This thing, man, it goes up the TNADP or something
like that.

Speaker 2 (58:13):
No, thank you God, that's crazy for nineteen eighty ak.

Speaker 1 (58:17):
Yeah, but I mean I don't get no motion lag
on my video game and nothing. You know what I'm saying.

Speaker 2 (58:26):
Bro, I bet you put one of them new O
leads in there. You'd be like, goddamn, I wish i'd
gotten that ten years ago.

Speaker 1 (58:32):
Yeah, I put an If if I roll up in
here with an OLEAD, then I've lost my damn mind.

Speaker 2 (58:39):
You just headphones that you could have offered ten dollars.

Speaker 1 (58:44):
No, man, these are good. I'm gonna use these.

Speaker 2 (58:46):
You bout two hundred dollars headphones and that shocks only
five of those equals one of these old heads So
I think the cost ratio is better for the TV.

Speaker 1 (58:57):
Yeah, but you see, I'm gonna use the fuck out
of these, you know what I'm saying. So I felt
good about this purchase. I don't feel good about that TV,
you know, because did it look clear? Yes, but I
didn't feel it, you know what I'm saying. And I

(59:19):
had to be able to feel it. And like, sounds
my thing. So like when I buy a car, all right,
what I want is sound in it. I could give
a damn about how it looks. The outside could be
rested to pieces, you know what I'm saying. The willlsby Jankeity,
all that good stuff. As long as my sound system
sounds good, that's all I care about.

Speaker 2 (59:43):
I got a nineteen seventy two for Jeloppy, that fucking
you can have for ten thousand dollars, and you can.
It's got a great stereosystem at just smoke crack.

Speaker 4 (59:58):
Don't you look at me more?

Speaker 1 (01:00:10):
I made double, Man, I'm gonna give you a good
deal today, a good deal to day. I made double.
I got it.

Speaker 2 (01:00:23):
So so man, I got a So here's the deal.
We got this new thing going on with the podcast.
So we're making a whole bunch of more money, which
is great because we've been doing this podcast thing for
fucking ever. And so I got enough money coming in
and that I can afford a little more stuff. So
I've been paying off credit cards. You know, the next
couple of months. I got like a thousand dollars a

(01:00:44):
month in credit card payments scheduled, just so I can
knock them out in like six months. My roommate comes
to me and goes, hey, man, I'm getting a settlement
for this accident I was in. My car's in the
shop getting fixed. He's like, how about you buy my
car off me for two grand because I'm going to
get a new car and I can make payments. So
it's like, motherfucker, now I'm gonna get a.

Speaker 1 (01:01:04):
Car, Is that right?

Speaker 2 (01:01:08):
Yeah, I'm gonna be back to being broke again because
I'm gonna have to pay the insurance and I'm gonna
have to pay him, and I'm gonna be fucking poor again.
Like I never get ahead. I get a car, it's
ten years old, but you know, poor me No, But
I just hate I just hate that. Like every time
financially it looks like a smooth sale in ahead, something

(01:01:30):
pops up that eats another couple hundred bucks, you know
what I mean, Like without fail every fucking time. It's
like a pattern of what or something.

Speaker 1 (01:01:37):
Yeah, that's what life looks like. It's just life.

Speaker 2 (01:01:41):
Fucking No, I'm fifty, I'm almost fifty. I've been waiting,
I've been paying my dues. Okay, that's just not supposed
to happen after a certain amount of time.

Speaker 1 (01:01:49):
Oh you think that's how it works.

Speaker 2 (01:01:50):
That's I was supposed to work, isn't it.

Speaker 1 (01:01:53):
No? I mean, look, I mean, hey, what what about?
What about? For me? It might be the best movie
line that I ever heard. Denzel Washington in The Equalizer
to when he's standing outside of the house of the

(01:02:15):
guy who killed his friend and he's standing out there
talking to the four dudes, he says, what you do,
what you become is not my concern. That's so called
men like you everywhere in the world, and every once
in a while they do some bad things. Maybe you

(01:02:35):
can set things right, but most of the time it
goes unpunished. But this ain't one of them times. So
what I'm gonna do, I'm gonna kill every one of you.
And my only regret is that I only get to
do it one time. That's my fact. But because he
walks out there all cool and cough like, I like,
this is the best shit ever. This is, this is

(01:02:59):
setting up. But look, people do padshit all the time,
and there's folks to do good things all the time,
and just you know, it's great. Things just don't seem
to come their way. But and I know what they say,
just wait if you're patient, And it's easy to say
when you got the shit. Okay, folks who've got the

(01:03:19):
stuff be telling you to be patient, and you like, no,
my patient's runting thing, know what I'm saying, said man.
I said, then I ain't do nobody wrong, you know.
So it's just like I feel like my patients are
running thin.

Speaker 2 (01:03:33):
Well, it's fucked up because I had to call my
whole life until I moved to Florida for like four
or five months in like twenty twenty two, early twenty
twenty two. It must have been and my whole life.
That was like the low point of my whole goddamn life.
I literally lived like in a fucking insect and fested

(01:03:54):
apartment in the fucking hood where my only access to
food was the fried shit at the grocery store across
the street. I didn't have a car because my car
broke down in Denver before I got there, So I've
been out of a car for like three years, at
least three and a half years something like that, So
the idea of having a car would be fucking great.
I got a motorcycle, so I can get all over
the place with my motorcycle. But in the winter time,

(01:04:15):
I get shut down, and we're in winter like six
months a year, So having a car is kind of
a necessity.

Speaker 1 (01:04:23):
Yeah, yeah, you kind of you kind of needed in
your area. There's no doubt about that. Saw me ay, well,
you should look at it that you're moving back up
to status quo.

Speaker 2 (01:04:33):
Mm hmm.

Speaker 1 (01:04:35):
That's the way it should be looked at. So you're
not you're not you're not too high, and you're not
too late. You're right in the middle, which is where
most of us are, right in the middle here and
here in hell. But that's all good, Uh, Corey, I
want to talk about this, which is the main topic.

(01:04:57):
The UFC and CBS struck a deal last week. Yeah,
seven years, seven point seven billion dollars to get the
rights to show the UFC events. So the question is

(01:05:18):
is this the final nail in the coffin for pay
per view?

Speaker 2 (01:05:26):
I mean, pay per view always felt like an awkward
model and it got kind of expensive over time. You
want to do it pay per view, UFC, what is it?
It's like seventy bucks, It's like eighty just to sit
at home yourself and watch it.

Speaker 1 (01:05:42):
Right, we were paying for it anyway own those watching it. Yeah,
we were combining our funds together and paying for it,
but you know.

Speaker 2 (01:05:52):
So, but it just pay per view seemed like an
awkward model. It didn't seem like it flowed, and it
was a very unique standard loan product, you know what
I mean. I kind of like the model of subscribe
to UFC Premium for twenty nine to ninety nine a

(01:06:15):
month and you'll get all the all the events included
in that, right, and so that would end up being
cheaper than the current pay per view model. But you'd
pay for some months where you wouldn't have an event,
right because it's not every month, it's sometimes they skip
a month and sometimes it's it's like ten events a
year or something. So but you have filled with other stuff.

(01:06:37):
So part of a subscription model, I think it would
be way better because they would get everybody who buys
the pay per view would then subscribe because it would
probably end up saving them money in the long run,
and they get way more people because more people would
feel like they could afford the thirty bucks a month
as opposed to eighty bucks every couple months, you know.
So that's how I think.

Speaker 1 (01:06:54):
It would be done. This is going to be tied
to Wrinkly three paramount CBS, right, So there's gonna question it,
paaramount plus, how are.

Speaker 2 (01:07:04):
They going to make a billion dollars a year? I mean,
is the UFC pulling in a billion dollars a year themselves?
Are they going to be able to merchandise away UFC
to fucking pull in a billion dollars? Because that's a
lot of fucking money for a product that I don't
think is bringing in a billion dollars a year.

Speaker 1 (01:07:18):
Old. Let's see, let's see something here, what's average PPV buys?

Speaker 2 (01:07:23):
For you?

Speaker 1 (01:07:24):
Boy, already knew what I was gonna say. Okay, So
the average number of UFC pay per view buys has fluctuated,
but generally sits around three hundred to four hundred thousand
buys per event.

Speaker 2 (01:07:39):
And what's an event like, let's say eighty dollars, So
you're looking at what twenty four million dollars twenty five million? Right,
Let's say you do ten events a year, that's two
hundred and fifty million. Let's say you get some big events,
double that number to five hundred million. How the fuck
are they licensing it for a billion if if the
product itself doesn't even bring in.

Speaker 1 (01:07:57):
That well, I guess they're just assuming the AD revenue
from or the AD revenue.

Speaker 2 (01:08:08):
Okay. So UFC's revenue annually last year was one point
four billion, but that includes merchandise, that includes everything, that
includes all moneys they brought in was one point four.

Speaker 1 (01:08:21):
Billion, okay, And every once in a while they have
they have high marks.

Speaker 2 (01:08:29):
And so here's the numbers. Eight hundred and seventy nine
million from meteorites and content, two hundred and twenty million
from live events, two hundred and fifty one million from sponsorships,
and fifty five million from consumer products. I'm not seeing
a billion dollars worth of licensing here, a billion a year.

(01:08:54):
I'm not seeing that at all. Because what this means
is that Dana White will he has no choice. I'm
assuming here he will be giving up the two hundred
he'll keep the two fifty one and none sponsorships. He'll
be losing the two twenty million in live events and

(01:09:17):
the eight to seventy nine million from meteorites and content
that could be up in the air too. So the
money they're making has to come from that part of
their revenue model that they're engaging with at this has
to come out of money that's coming away from UFC
previous revenue sources. Because UFC is getting at one point
one billion a year guaranteed when they were generating before

(01:09:41):
one point four billionaire, so they must be they have
to end up making more than one point four billion
a year including the licensing deal. So let's say they
get one point one billion dollars a year from them,
plus they get the two fifty in sponsorships plus fifty
five and consumer products. They're up to about where they're
at now. It seems like a kind of break even deal.
It must be anticipating growth over time.

Speaker 1 (01:10:03):
Well I wonder if they're anticipating growth or they seen
the opportunity to jump on this, because viewership has potentially
been declining. Okay, so what I'm singing here.

Speaker 2 (01:10:15):
But in twenty twenty four, the revenue was up by
like two hundred and something million dollars from one point
two million to one point four billion. So the revenue was.

Speaker 1 (01:10:23):
Up, and that's fine, but it seems like the actual
the average of people buying per event is lower. Okay,
So so I'm wista say this. So they say that
it generally sits around three hundred to four hundred thousand
in recent years Okay, in twenty eighteen, the average was

(01:10:45):
full forty seven. Pre twenty eighteen, the average was five
point fifty seven. So they're they're going the wrong way.
Uh huh.

Speaker 2 (01:11:03):
Hm.

Speaker 1 (01:11:04):
And if you want me to be honest, I think
that the issue with the UFC now is that it's
almost become too technical. It's become so technical that you
have a bunch of stale fights. Think about Think about
how many superstars they had back in the day, because

(01:11:26):
every time they came out there, you knew them that
they were putting everything out there, but they would throw.

Speaker 2 (01:11:32):
In That's true. But over time, the science of the
sport becomes more worked out. They have much more resources
to pull from as far as like past media have
to watch and to understand and study, and so everyone's
technique is going to kind of shore up. It's kind

(01:11:53):
of inevitable an evolution, you know. So I don't think
there's anything that could be done with that at all.
You can't go back, which.

Speaker 1 (01:12:05):
Well, I mean, yeah, I'm not saying that, but I'm
saying that. I would say that they're the highlight of
the UFC will probably be from two thousand and six
to about twenty eighteen, I think I'm pretty sure they

(01:12:27):
had Star after Star after Star after Star, and then
they had the merger with Pride, which brought all those
those fighters from Pride who were household names, big stars,
all that finally in the.

Speaker 2 (01:12:39):
UFC Vondlei, Silva and all those guys.

Speaker 1 (01:12:42):
Mm hmm, Miracle Crow Cop and yeah like all the
showgun Rua, Yeah, so you sawlux.

Speaker 2 (01:12:52):
I'm rather surprised at how well there has been they've
maintained the separation between UFC and w W because I
had some major skeptical I was skeptical over the whole merger.

Speaker 1 (01:13:07):
They're both under TKA, that's what.

Speaker 2 (01:13:09):
They're under right, right, So I kind of anticipated WWE
would be pulling in all these UFC guys to make appearances,
and that hasn't happened, which is pretty cool they're maintaining
that separation. But I do anticipate some talent. If anyone's
got a personality, you're going to eventually see somebody go over,

(01:13:31):
you know, but it hasn't happened yet.

Speaker 1 (01:13:35):
Well, the issue that they got right now is is
star power. So they've got good fighters. So Alex Pereira,
I mean, he's been knocking folks out, I freaking't speak
no english Man. He's being the name English. So it's
just like, you know, how much Star Prayer is he

(01:13:57):
gonna really have the last star they had conn because
he could talk shit and he could whoop your ass
at the same time, you know what I'm saying, and
he says some outlandish stuff. Sean Strickland was kind of
moving into that rim, but Canada knocked him down.

Speaker 2 (01:14:18):
You think that was the one event that fucked him up, that.

Speaker 1 (01:14:21):
Lost Yep, yep, that moved him right down a peg,
because he was starting to become that guy who was okay,
you know, he'd beat uh Be Israel OUTISAGNYA and he'd
get up there to talk shit, he say crazy stuff,
and then he was saying crazy stuff in Canada, and
so they were like, ain't no problem, Ddp's gonna win

(01:14:43):
this one. When there's a ton of people thought that
Sean Strickley wanted to fight so he and I don't
think they're gonna let him sniff the title unless something
crazy happened from here on out. So like they're they're

(01:15:03):
missing like Iliot Tapoor knocking people out. He ain't got
no character to him. He's got a charisma is by
Maka Chill. The ain't no character Volkanotsky, like, these guys
are amazing fighters, Pantosia, amazing fighter. Fuckers are laying man saying,

(01:15:27):
they don't get up there and say nothing risky. They
don't do this kind of talking about your mom up
there on the stage. You know what I'm saying, it's
pulling some ship out of his ass. It's just like, oh,
this dude's entertaining. They wanted Sean O'Malley to be that guy,
but then he can't beat nobody that wrestles, so ain't
what fuck Like they intentionally would just don't want him

(01:15:48):
in title fights, like, man, we need somebody excitement. Okay,
he've been knocking folk out. Okay, he talking little shit.
Oh he's got wild, crazy colored hair. Yeah, let's get
this guy up here. Stay in power because they don't
have both things, the charisma and the skill that's got
to be and so that's what they're missing, tom aspinall.

(01:16:15):
You know what I'm saying, They've been knocking fk out.

Speaker 2 (01:16:19):
But it's like, so maybe they could have some influence
from WWE, because the WWE works on personalities it's school.
They school you want how to talk on that microphone,
you know what I'm saying. They teach you how to
generate your own character persona and stuff. That probably would
be a benefit to UFC.

Speaker 1 (01:16:41):
Yeah, yeah, they needed a character persona class for the guys.
But I just think that, God, what was it when
Leon Edwards was a champion the fucking brid terrible Usman terrible.
I mean, these guys are just I mean, I mean,

(01:17:05):
they got nothing. Man, It's just like, what is this,
Like y'all've got y'all got the fighting chops down, but
y'all didn't watch them wrestling when you were young. It's
like that. It's like they missed the whole entertainment boat.
And I guess they did because they're younger. So they

(01:17:26):
missed the golden days of when people talk shit in wrestling,
you know. And so that's what that's what A whole
lot of it was derived of your your older class
of people. So like your you've got your legends, like
your Chuck Lindell's, your Randy Coutures, you know who else

(01:17:47):
we got he got your show guns guys like that.
Back in the day that it was more of like
just pure gladiators for it. You know what I'm saying.
Those guys will go the reason you just because every
time they went out there, they were just throwing hands
to the max. Even when they took people to the ground,

(01:18:07):
they were trying to beat them through the mattress, you
know what I'm saying. So you watch it because it
was like pure gladiator sport. You know when Forrest Griffin
and all those boys were back there in the day
like it, it seemed there was something raw about it
still at that point in time, and as the as
it's progressed, because think about this, Corey in two thousand

(01:18:30):
and eight, how many people you've seen throw a leg kick?

Speaker 2 (01:18:35):
I remember.

Speaker 1 (01:18:37):
About none. Nobody kicking no damn legs. Now boy, be
kicking the shit out some legs. I'd be like, damn son,
they'd be wearing them legs out Back in two thousand
and eight, Man, they're like five ninjas throw a leg
kick and they were all from Brazil. Okay, been kicking
trees and ship their old life by me. Hey they

(01:19:02):
won't Nobody thought, Hey, it said we're gonna throw these
hands or I'm gonna slam you on the ground, and
I'm gonna beat you through the ground. What I'm saying.
That was it. That's what we did. And so we've
had these iterations and then we had the the era
where when McGregor was in it and like that's kind

(01:19:22):
of when it just like exploded, you know. And since
twenty twenty so we moved into this new era. The
just hadn't been as many I'm not gonna say. I
will probably say there's there's better fighters now than what
there's ever been, but there's not as many interesting fighters

(01:19:42):
as what they were back in the day. And you know,
Chuck Dedale, he came out with his mohaul. You know,
that was just that was just nuances. He was the iceman.
You know everybodyne oh the iceman. I love me some
Chulingdale back in the day. And then when Anderson Sailf
first came on the scene. Oh, Anderson Silver. I remember

(01:20:04):
his first fight against Chris Leabing. It was on a
UFC fight night. I'm like, who the hell is Anderson Silver?
I said, Man, Chris leaving. Chris Leving gonna dust this dude,
because Leaving was tough. He knocked people out, but he
would take a beat and couldn't never knock him down.
But in the first like thirty seconds, Anderson Silva and
knocked him down. I was like, oh shit, and Anderson

(01:20:28):
just proceeded to whoop the hell out of him. I
was like, it's like, oh hell this and this the
silver guy, and so he brought a level of excitement
to the game because of how he had. We just
moved through the competition. But he was whooping some folks
so bad that what was I think it was Demi

(01:20:48):
and Maya that he fought. Demi and Maya went out
there and just laid on the ground every time Anderson
would throw a punch at him. He just fall down
on the ground and want Anderson to go to the
ground like it was terrible. It ain't a white was
ps because anders was out there shaking his ass get
to fight, so like it got ridiculous. But this model

(01:21:10):
they got, I know, I was looking at a couple
of people talk about the UFC model now with it
moving to CBS next year, and what they were what
they were thinking in their mind is is this going
to affect the pay of the fighters because you know
they would get, you know, some proceeds from the pay
per view events, So how how is that going to

(01:21:31):
affect their pocket? But I don't know if it actually
will in a negative light or if they will actually
get more money.

Speaker 2 (01:21:38):
Well, you know, all those guys, if you sign a
contract with the UFC, they obviously are gonna put some time,
effort and money into your career. They might as well
give you some kind of salary, something that you can
live on and not have to stress and go work
at fucking pizza hut delivering pizzas between a teacher or
some stupid shit. Yeah, like, give them one hundred grand

(01:22:00):
a year. That's enough for anybody to live. Anybody could
live on one hundred grand a year, you know, that's
what they should do. Can you give these guys one
hundred grand a year? Maybe if you're like the bigger
guys who are making millions in the contracts, maybe you
don't have to pay them hunt the salary. But like,
these guys should all have one hundred thousand dollars year
salary and then they should adjust from there and then

(01:22:21):
fight bonuses. You know, however they want to stack that.
But some of these guys just make no money at all.
These new guys come in make ten grand in a
fight like, and then they might have a fight for
six months. Who are fucking live on twenty grand a year? Nobody? Right, So,
and if you're gonna be a professional, you got to
dedicate your time to what you're doing. You can't fucking
half asset, you know what I mean?

Speaker 1 (01:22:42):
Oh yeah, in fighting yet, I don't know, I've seen it.
There's a few teachers who came out there and do
some fighting close. Gotta remember Rich Franklin wined the best
middleweight to ever live. He was a dame school teacher.
I think it was middle school. Oh, Rich Franklin. Hey,

(01:23:03):
but Rich Franklin was the heat until he had to
fight Anderson Silver and then that shit just didn't work
out for But that's just the way it was for
most people back in the day. Uh. But yeah, this model,
we don't know what it means for the for the
salaries of the people within the UFC. Does that mean

(01:23:23):
that some people are now are gonna get cut even
further back because you don't have the proceeds of pay
per view and you don't have that type of revenue
sharing you see. I don't know if they've got like
a like a bargaining agreement within the UFC itself. I'm
assuming they don't, because the UFC just hands out contracts, right.

(01:23:45):
You might have a six fight contract, you might have
a ten fight contract, and then it'll have a certain
amount of money within each contract. And then I guess
if you move I'm assuming that within the contracts, if
you move up in the ranks, and now you move
up to this echelon of money, if you headline a

(01:24:05):
UFC fight night and you get you know what I'm saying,
they would, they will move the money, uh in that
form in fashion. So it's gonna be interesting to see,
I know, if I'm correct, I think they said there's
gonna be for free for technically free fights on CBS
next year. I think that's what the rumblins I heard. Uh,

(01:24:26):
So these would be just nationally televised on CBS, which
one of them, Dana White, has said he's confirmed is
going to be a July fourth fight at the White
House Independence State Flight because July fourth of Saturday is
coming up here.

Speaker 2 (01:24:43):
That's wild. It's like bread and circuses, man, It's I
like the idea. I like it. I like Trump's outside
the box stuff. You know, I'm downe with what Trum
doing everything except the jew stuff.

Speaker 1 (01:25:01):
So the Jew stuff got the game. But hey, I
mean lean the GW stuff. I mean, what we're gonna
do about that?

Speaker 2 (01:25:10):
Man, I don't know. Let me.

Speaker 1 (01:25:21):
Man, it's that now you can think of something. So
so the question is, Corey, uh is the is this
the day of the pay per view altogether? Because what's
left paper V box? Uh? W W E is w
W steel pay per view or do you get all
that via streaming services?

Speaker 2 (01:25:38):
I don't think you get that via the via the
streaming services, not the pay per view. It's not the
big events, the royal rumbles and the I mean this
year WrestleMania was the biggest they ever had at fucking
Las Vegas, like the two nights, two night WrestleMania, and
it was sold out every night, big pack fucking place.
The dude, I don't see them giving up pay per
view because it's the They are like a guarantee there.

(01:26:00):
WWE pay per view is less disposable than your UFC
pay per views. They do a great job with the
marketing and making each one a very like Summer Slam.
Every year Summer Slam, you know, every year Survivor Series, right,
each one is each pay per view is a special thing.

(01:26:20):
There's only room every year for one or two like
changes to make it a spontaneous, new kind of event. Right,
But every year it's the same on schedule. You got
people who love Summer Slam over fucking Survivor Series over WrestleMania. Right,
so each one gets its own fan. It's its whole,
its own marketing thing. That so, like a Summer Slam

(01:26:42):
is a much more important event than UFC two seventeen,
you know what I mean, Like it polds a lot
more weight. They get a ton of purchases. I don't
see that ever going away.

Speaker 1 (01:26:54):
Okay, okay, you see, I wouldn't sure if if you
got all the pay per view stuff, because I know
that was it Raw was on Netflix. Now I don't
I don't know what SmackDown is. Is it still SmackDown?
Is that still what it is?

Speaker 2 (01:27:11):
I don't know. I don't know. I haven't watched WW
in a while.

Speaker 1 (01:27:20):
Let's say smack that is the USA? Is that still
the thing? USA Network?

Speaker 2 (01:27:26):
No? No, no, Usa, USA.

Speaker 1 (01:27:29):
Really let me see something here?

Speaker 2 (01:27:33):
Oh no, USA Network is still around.

Speaker 1 (01:27:37):
Fridays at eight o'clock. SmackDown?

Speaker 2 (01:27:41):
Whoa Holy ship? The networks man, because USA doesn't have
a presence on YouTube at all that I've seen. I've
never come across any ads for USA or nothing there.

Speaker 1 (01:27:56):
Okay, so let's see Monday Okay, So Monday Night Raw
is on Netflix and Monday Night Raw started in nineteen
ninety three, so let's see here. Okay, yeah, yeah, so yeah, Netflix,

(01:28:22):
so you watch. But that's the way, that's the way
they've always had, that model though they've had. Back in
the day, Raw used to be on was on T
and TI or USA. It was on one of those
Rall was on cable, and then SmackDown was on Irregular TV, right,
and the people who were on Raw also fought on

(01:28:45):
SmackDown as well. I came to year they separated it.
There was there was a year where they separated.

Speaker 2 (01:28:51):
Them, right, right, and they had different belts and stuff,
and then they would make it a big deal to
have a pay per view where they fought each other
across the thing.

Speaker 1 (01:28:57):
Yeah.

Speaker 2 (01:28:58):
I mean, really, those guys that those guys were masters
of taking very little and making a fucking empire out
of it all. You got a bunch of dudes fake
fighting in a ring, and they manage to make it
up into this thing that is huge, which is goddamn
pretty amazing.

Speaker 1 (01:29:13):
Yeah, yeah, that is is what's crazy said. Uh, is
absolutely wild that they and they's still making money on
it today all these years later.

Speaker 2 (01:29:25):
You know, I still like watching from time to time.
I'm not as into it as I used to be
because I got so much going on. I can't watch
it as you want to watch wrestling. It's the soap opera.
You gotta keep up every week. You got to keep
up with the storylines, and if you fall out of
the loop, you're like, what's happening, it's like fuck.

Speaker 1 (01:29:39):
So yeah, yeah, yeah, you just could you be completely
out of it? So yeah, So pay per view Models
is going away for the time being. Four of the
UFC seven point seven billion. It's one point one billion
per year for the next seven years. We'll see how
this pans out. Uh, if it's beneficial for the fighters.
I've heard a lot of people saying it's not gonna
benefit for them. H so, but nobody asked them, did they. So,

(01:30:07):
So we'll see how this works out. I'm pretty sure
Dana White's got something up his sleeve, So guys, make
sure you going to Corey Hughes dot org. Okay, checking
out everything he does. Bloodyhistory dot subsect dot com for
all your history lessons from the One, the Only, the
Powerful One, Corey Hughes a warning from History Amazon, and

(01:30:32):
you can get the audiobook there as well. Leave Harvey
Oswald in black and white Edition one is out. Go
ahead and grab you a copy of that. Okay. Make
sure you're going and getting you a little bit of
Independent Media Token. Need you to pick up some of
that stuff Salona Network. Make sure you buy your little

(01:30:53):
Solana and then transfer that over to the Independent Media Token.
You can do that via the Phantom Wallet. So we
appreciate everybody for being out here with us tonight on
this episode Beyond the Cube. We're gonna see y'all Saturday
on Wheezy's channel because there is a UFC event should
IV versus DDP as long as should IV don't stump

(01:31:16):
his toe, get sick tomorrow, or somehow blow up fifty
pounds because he's insane like that. I don't know what
his fucking deal is, but he's the most inconsistent fighter
in UFC history besides John Jones. But that's because John
Jones be doing drugs. All right, so we appreciate everybody
for being with us to night. Free Boys Q four

(01:31:38):
twenty fiveform Corey Hughes catch on the next Beyond the Cube.
Be's Up.

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