This week on Inside The Industry January 8

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hello, everybody, it's James Bartlay.

Speaker 2 (00:02):
Happy New Year, Welcome to twenty twenty five, and welcome
to our first broadcast of the year for Inside the
Industry with James Bartolay. We're here in the kitchen because
I'm going to be baking up some big monster baked potatoes.
So we can have the regular baked potatoes or we

(00:24):
can have the new special James's steak and Eggs baked potato,
and we're going to show you that recipe and just
a little bit. But we've got some incredible guests on
the show calling in tonight. One of the most popular
publicists to be not only in the adult industry but

(00:45):
also the mainstream industry as well, The Loveliness sous Proco
is going to be calling in and just a little
bit and talking about a special master class workshop that
she's going to be doing about how to handle yourself
on the red carpet, which is very important because we're
at award season.

Speaker 1 (01:05):
I was just at the Golden Globes over the weekend, but.

Speaker 2 (01:08):
Now we've got X three X Biz coming up next weekend,
and then after that we have the Avian Awards. So
Sue's going to be calling in and then Christy Kanyon
is going to be calling in at the top of
the hour at seven o'clock and we'll be talking to
the legendary Miss Christy Canyon. But in the meantime, we've

(01:29):
got two incredibly legendary great guests here right now, Aria Banks,
who has been in the industry for six years now,
a very lovely woman who has got a huge list.

Speaker 1 (01:41):
Of credit of movies. You look her up on the
ifd IMBD I am that too, You look her up
on that and this list just goes on and on
and on. It's huge.

Speaker 2 (01:53):
But she has got some interesting new projects she's doing
and she's going to be signing at X three AVN. So,
ladies and gentlemen, the lovely Aria Banks is here with us.
And I don't know why you're calling in when I'm
on the air. I'm on the air, Harry, okay, And

(02:17):
that's probably Harry Sparks reminding me to tell everybody Scissors
will be premiering on to be this weekend, so that's
going to be exciting now also here with us. We
are very honored to have this, gentleman, because we have
never had somebody with this list of credentials on him

(02:37):
eleven count them, eleven Emmy Awards.

Speaker 1 (02:42):
Damien is here with us tonight and for two two.

Speaker 2 (02:47):
Four zero two four zero two four Roh Damien too
far Roh is here. He has got a brand new,
very exciting, brand new reality show that is coming up,
and it's starring such stars as Kiki Dare and my
buddy Katie Morgan, and he's going to be talking to us.

Speaker 1 (03:11):
It is in pre production right now.

Speaker 2 (03:14):
So for all of you people that are new to
show business terms, pre production means the months or weeks
that we spend before we put out a mainstream or
an adult production.

Speaker 1 (03:26):
It's called pre production.

Speaker 3 (03:28):
There's a lot of homework that goes into it before
you actually start shooting. Oh yeah, it takes all those
Oh yeah, so we're in that stage right now.

Speaker 1 (03:35):
Well, we're putting this together. So we're going to talk
to both of them.

Speaker 2 (03:40):
Have the mall dot sexy has their list of movies
you can check out twenty four hours a day, three
hundred and sixty five days a year.

Speaker 1 (03:48):
The mall has it all. So we have the mall dot.

Speaker 2 (03:53):
Sexy is what you want to know, and then we
have a listing of the news, and we have special
questions from you the fans out there for our guests
that are on tonight, So all of that and food,
and we're coming to you live. Even though southern California
is burning everywhere right now, we are here still doing

(04:17):
the show. We thought about it this morning, if we
should do a show, and you know what, I contacted
my guests and everybody said that they can come on,
no problem. And I know you guys want to see
all of us, so it goes on. But we'll tell
you this. I won't pussy foot around this. It has

(04:38):
been very, very very devastating.

Speaker 1 (04:41):
Lives have been.

Speaker 2 (04:42):
Lost, homes have been lost, Iconic restaurants and businesses have
been lost. And I was very sad to hear that
one of my favorite restaurants and a place that I've
gone too many times. And I know, Damian, buddy, you've
been there. Moonshadows on pch burned down to the ground,

(05:02):
full on restaurants, full on supermarkets and shopping centers just gone.
This fire has jumped over the freeway and burned all
the way down to the ocean. Then we have fires
out here in Alta, Dina, and Pasadena that are burning
we have fires up here in Silmar, their fires burning

(05:26):
everywhere to Penga is burning. So it is devastating out there.
So hopefully you're able to tune into this show. You
might be seen in an archive because the internet may
be out in your area. We have been hoping that
we're going to the internet's going to stay on right now,
it is not windy. So our hearts and our prayers

(05:51):
and our thoughts go out to all of you who
have been affected by this. I'm sure you know somebody
here in southern Californa that's probably been affected by this fire.
And for all of you people out there, you little
cowards that hide behind your keyboards and talk smack about

(06:11):
this about the yes, yeah they are, they are there.
They sit on there and they ride on their little post.
Well fuck them and full California and all that stuff.
You don't know what we're going through. This is devastating
for us. Any natural disasters going And I see these
same characters when the hurricane hit down in Florida and

(06:34):
all the southern states. They set smack about that there
are people that have nothing better to do than to
talk crap.

Speaker 3 (06:43):
Well, they sit in their safe zone and they talk
crap about.

Speaker 2 (06:45):
What to try to make themselves feel better, they make
themselves you, Yeah, don't do that, that's wrong.

Speaker 1 (06:53):
The karma will come back to you.

Speaker 2 (06:54):
The internet karma will come back to you, absolutely, because
they'll find out that you spend your night going to
thy ladyboy websites and stuff like.

Speaker 1 (07:03):
That and whacking off. So no, no, no, no, no, no,
cancel you okay, So what it's true.

Speaker 3 (07:12):
It happens, very firm grasp on the truth, James.

Speaker 1 (07:16):
Thank you.

Speaker 2 (07:17):
All these people that are opponents to porn say shame
on you for walking off to porn, but with the
right hand they're going.

Speaker 3 (07:27):
Because it's always the ones that complain the most.

Speaker 1 (07:30):
Yeah, they're the ones.

Speaker 3 (07:32):
Yes, absolutely, No.

Speaker 1 (07:33):
You get good response, don't you from fans, I know.

Speaker 4 (07:37):
Fantimes I've gotten. I've gotten a very mixed response from
the public. A lot of people I have gotten those
people that are very much anti porn and anti me.

Speaker 5 (07:51):
Yeah.

Speaker 2 (07:51):
Why, I mean, I've just known you for a little bit,
but you're a very very nice person. You're very professional,
you're very acute.

Speaker 5 (07:59):
Well, the public sy is porn in a very negative way.

Speaker 4 (08:02):
Yeah, so online like the public image that I have
from the society, not even from the industry. The industry
is fine, but from the rest of society, it's like
they can kind of be very upset at what I
post in my lifestyle.

Speaker 1 (08:21):
They have something to say And and when did you start?

Speaker 5 (08:24):
In two thousand nineteen is when I started mainstream port.

Speaker 2 (08:27):
Wow, and you were just eighteen years old nineteen nineteen,
but you were really young.

Speaker 1 (08:33):
Yes, Now, did you tell your family and friends that
you were doing this?

Speaker 4 (08:37):
I did.

Speaker 5 (08:37):
Yeah, I knew they were gonna find out. My family's
very supportive.

Speaker 4 (08:42):
Shout out to you, mom, if you're watching tonight I live.

Speaker 5 (08:44):
Oh yeah, my friends are too, and I might have
some friends watching tonight. Hello friends. But yeah, everyone's been
really supportive.

Speaker 4 (08:53):
I am blessed to have a lot of unconditional love
in my life.

Speaker 1 (08:55):
So good for you.

Speaker 4 (08:57):
Yes, thank you.

Speaker 1 (08:58):
And that's what you crave too, right of course, of course.

Speaker 2 (09:01):
And I think aria you prefer to do a scene
where there's more passion instead of the robotic sex.

Speaker 4 (09:10):
Oh yes, I definitely think it's very important to build
chemistry with my co stars before, like even the cameras
rolling like to be nice and learn what each other likes,
and to have fun while you do it instead of
doing like just whatever, like the robotic stuff.

Speaker 2 (09:29):
Because it is very tough when we show up on
the set. You know, sometimes you're meeting somebody for the
first time, and you go over the dues and don'ts,
and then you fill out tons of paperwork yes and
hair and makeup and wardrobe if it's a big feature,
and then you go over your blocking and you just
met this person five minutes ago and you need to

(09:51):
have an intimate.

Speaker 1 (09:54):
Act with this person.

Speaker 2 (09:56):
How do you deal with any kind of problem, Like
if there's the chemistry, isn't there? How do you get
over that because.

Speaker 1 (10:04):
You still have to do the scene?

Speaker 5 (10:06):
So, you know, I try to see the best in everyone.

Speaker 4 (10:09):
You know, sometimes if the guy shows up and he's
a bit of a schmuck, I just kind of focus
on his more redeeming qualities.

Speaker 1 (10:17):
And what about if the girls are schmuck.

Speaker 4 (10:20):
I've had that happen a few times, you know, and
guys too, and you just kind of got to be
a professional about it. Like you know, there at any job,
you can have coworkers where like they're not your favorite
person to be around.

Speaker 1 (10:34):
But would you recommend would you recommend doing this.

Speaker 5 (10:38):
To only certain types of people. All these certain types
of people.

Speaker 4 (10:44):
I would say, you know, if you're open and you
can handle what comes with it, I say, if you
have really been honest with yourself about the repercussions of
doing this job, the stigma, and what your family's going
to think, what your friends are going to think, what
dating is going to be like, relationships are going to
be like. Once you have accepted all of that and
you still want to do.

Speaker 5 (11:05):
It and it's still something open to you, it could
be a great job.

Speaker 4 (11:09):
But if you have stipulations and like there's things that
you know you would be uncomfortable with in the industry,
don't don't do it.

Speaker 3 (11:19):
Just don't do it right on right on?

Speaker 1 (11:22):
Your new movie coming out?

Speaker 5 (11:25):
You're a new movie, My new movie.

Speaker 1 (11:27):
You're a new movie. Yeah? Your my new movie.

Speaker 6 (11:31):
Do I have a new movie coming out?

Speaker 1 (11:32):
Do you have a new scene coming out?

Speaker 5 (11:34):
I have some new scenes coming up, for sure. I
just had a few scenes come out.

Speaker 4 (11:42):
I know my Team Skeate scene has been doing very
well well. Yeah, where I think it's like a helping
hand is what it's called. So my Team Skate a
helping hand scene is doing really well. I've been focusing
a lot of independent projects as well, in doing like
my own movie, use for my own website.

Speaker 1 (12:01):
And so oh congratulations, And where is that?

Speaker 5 (12:04):
Where do we find that ariafans dot com?

Speaker 1 (12:07):
Aria fans dot com And your.

Speaker 5 (12:09):
Of is that's that raydoricts to my only fans.

Speaker 1 (12:13):
So you have that link tree.

Speaker 4 (12:16):
It's actually more of like a domain like changer. So
my only fans domain handle is ariafans dot com. So
if you type in rifans dot com, it goes directly
to my only fans.

Speaker 6 (12:29):
Very cool, awesome.

Speaker 1 (12:30):
Now, Damien James eleven Emmy Awards. You have worked on
the Voice, Yes, I have. You have worked on the
MTV Awards.

Speaker 7 (12:39):
The Vinti Music Awards. I did a lot of work
for MTV in the nineties. I actually kind of came
up with MTV in the nineties in New York. I
started my career in New York City.

Speaker 3 (12:50):
Oh wow, Yeah, so I did a lot of work
for MTV.

Speaker 7 (12:54):
We did TRL I must have done a dozen unplugs,
all those terrific concerts.

Speaker 3 (12:58):
Used to shoot music vias.

Speaker 6 (13:00):
Yeah, yeah, it was a lot of fun.

Speaker 3 (13:01):
It was a great place to learn, and that studio
was off of it was in Times Square.

Speaker 1 (13:07):
It was off at Times Square.

Speaker 3 (13:08):
Yeah, it was forty seventh in Broadway, I think.

Speaker 1 (13:11):
Forty seventh Broadway.

Speaker 2 (13:12):
Yeah, and it had that glass window that would look
down on the street there, and that was very meek.

Speaker 1 (13:16):
At that time, it was.

Speaker 7 (13:18):
And I was lucky enough to get in with MTV
a few years before that. We actually developed that studio.
It started with just having one small room that was
like an office that we turned into a studio and
we're like, why don't we shoot Carson Daley, Why don't
we shoot you know, Kennedy against the background of these
you know, like, oh, let's let's try this.

Speaker 6 (13:39):
I love it.

Speaker 3 (13:39):
And it worked out.

Speaker 7 (13:40):
Great, and a year later they had a whole studio
built around Times Square and it was over at Fox.

Speaker 1 (13:46):
Now.

Speaker 3 (13:47):
Is she at Fox Now?

Speaker 8 (13:48):
Yeah?

Speaker 1 (13:48):
I did some Man on the Street thing with her
last year Box. Yeah. She's a great gal, she is.
And Carson is a very nice guy.

Speaker 7 (13:56):
Carson is one of the most amazingly talented people in
this business, and I'm always amazed at how he's able
to He's been able to create a terrific career for
himself and also stayed low key, you know.

Speaker 6 (14:06):
He doesn't choose to.

Speaker 1 (14:07):
Do these interviews on NBC that were late. I think
it came on after Saturday Night Live and he would
interview d Yeah. I worked on that show also, did
you really? Yeah, that was some of the most iconic
places on the Sunset Strip. You guys shot it, we did.
It was a great play.

Speaker 3 (14:25):
It was a great show to be some of.

Speaker 2 (14:26):
The hippies fucking places. There were little lounges or coffee
places or something, because there was one that I co owned,
and I remember you guys filmed over there and he
came in and it was really nice.

Speaker 1 (14:40):
You guys set up there really quick. The celebrity came in,
it was a music star or a movie star or
music yeah.

Speaker 3 (14:48):
Those movies also.

Speaker 7 (14:49):
But he's just a natural when it comes to interviewing
musicians and understanding that energy. And we had terrific guests
on his show. I mean we had Peter Gabriel and
David Bowie and real like you know. And we used
to shoot in at NBC in New York in the
same studio as SNL when the show was in New York.
Then it moved to la obviously. Yeah, yeah, Carson, I

(15:12):
just have such respect.

Speaker 3 (15:13):
For that guy.

Speaker 7 (15:13):
He's a terrific, terrific DJ, terrific host and knows really
understands the business.

Speaker 1 (15:19):
And you've done like variety shows, special shows. You did
the Hairspray Live.

Speaker 7 (15:25):
I did several live musicals I worked on. The first
one I did was Grease Live, which was directed by
Alex Berdzinski, who was just a phenomenal that she was
in that and she had we went it was a
live obviously a live musical.

Speaker 3 (15:40):
She lost her dad the night before we went live.

Speaker 7 (15:44):
Her father passed away and that was just I mean,
you know, you know, one incredibly talented woman, but especially
to be under that kind of stress and her father
passed away, and she still was amazing when we went
live and we did Beast Live and.

Speaker 1 (15:58):
Your Friends Lake. Yeah, And how did Ricky like the
live version of Hairspray? He did.

Speaker 7 (16:07):
I heard nothing but good things from her, and I
think she especially she liked being part of the project.
One of the things that was terrific about Wow, well,
they One of the things they did which I thought
was terrific is they brought back all the original Tracy's
I mean, you know, Ricky played Tracy Turnblatt in the
original Hairspray directed by John Waters and eventually became a

(16:27):
live musical and it was a Broadway show. And so
when we went and did the live musical, Ricky was
was invited back along with and I'm going to get
names wrong, I apologize, but two other people that played Tracy.
There was Melissa Jarrett Winoker Broadway, and there's one other Tracy.
But they invited all three of them back. And that's

(16:48):
when her and I reconnected to a certain extent because
I had gone to high school with her, we grew
up together.

Speaker 1 (16:54):
And Tracy were very sorry that we heard that you
lost your house. Yeah there, yeah, yeah, sorry.

Speaker 7 (16:58):
I went up a bit of a tangent. But she
just posted on Facebook this evening that she lost her place.

Speaker 1 (17:04):
And that's I know a lot of friends and people
that lost their house. It's devastating. Yes, now let's talk
about the porn life.

Speaker 3 (17:14):
That is the adult life.

Speaker 1 (17:16):
The adult life. I'm sorry, so the adult life.

Speaker 2 (17:19):
We want to reiterate to everybody out there that this
is not nudity in this thing. You're right, and you
actually went and you said, instead of this being about
the adult film industry, I want to make this about
these people who are in the industry, which is a
great angle.

Speaker 9 (17:36):
I want to make it about the performers, and I
think that when it comes to this business, what I'm
really trying to do with this show is get away
from the negative stigma that has very often been attached
to this business.

Speaker 3 (17:49):
Oh, these women are sex.

Speaker 7 (17:50):
Traffic, they're drug addicts, but they they don't really want
to do this or being exploited.

Speaker 2 (17:54):
And I trust that you'll really do this because when
we did Hot Girls Want It, they.

Speaker 1 (18:00):
Ended up going a totally different way. Yes, they did
a whole one eighty and went a different way.

Speaker 2 (18:06):
And I'm embarrassed that I was in that because I
thought it was going to be something positive and my
segments weren't negative, but they went in a negative thing because.

Speaker 1 (18:18):
I went on there. It was me and Misty and
a bunch of gals and we were doing a live
show from the Hustler Store.

Speaker 2 (18:26):
But they went a whole negative way. But I trust
that you're going to paint the picture a lot differently.

Speaker 7 (18:33):
Well, I think there's yeah, you know, I don't think
my job is that difficult to show the bright side
of it and the positive side of it and the
female empowerment side of it, and I'm amazed.

Speaker 3 (18:45):
That no one has done that before.

Speaker 4 (18:46):
And listen, Cory is not without criticism, though it is
important to magnify is that the industry itself is not
perfect and there's many places in which it can improve,
but that conversation needs to be centered around the safety
and the well being of the.

Speaker 5 (19:07):
Performers and not should not We should not be.

Speaker 4 (19:11):
Being spoken for by people who are not working to
survive in this very good Yeah, absolutely.

Speaker 7 (19:20):
So.

Speaker 2 (19:20):
As trying to call in, she said, the calls and
coming through. Can you text her and get that set?

Speaker 6 (19:27):
That's a beautiful.

Speaker 5 (19:28):
Concept to do a show about the girls.

Speaker 7 (19:31):
Well, yeah, I mean that's that's you know, this is
this is a television show about you know, there's two
sides to it. Obviously there's the you know, there's a
pornographic arousal side to it. But there's also the side
to it that is like, well, what are these people like,
how do they think?

Speaker 3 (19:49):
What are their lives like?

Speaker 1 (19:51):
Eddrick?

Speaker 3 (19:51):
And I find that fascinating.

Speaker 7 (19:53):
I find that and I find that long term that
lasts longer than just am I excited to you know,
to masturbate to watch this person?

Speaker 1 (20:02):
I want to.

Speaker 3 (20:03):
I want to concentrate on what's more of a long
term commitment to these people.

Speaker 7 (20:07):
And I think that my experience over the last couple
of years spending time with these people, developing this show,
shooting a lot of footage, meeting a lot of these people,
is that they're obviously they're not sex traffic drug addicts.

Speaker 3 (20:19):
They're people that are.

Speaker 7 (20:20):
You know, girlfriends and wives and mothers and mothers and
homeowners and homemakers. Yeah, you know, and there's that's a
really great side of the business. These are people that
that I think anyone can relate to.

Speaker 6 (20:34):
But at the same time, they.

Speaker 3 (20:35):
Have they have issues that may be you know, unique
to what they do for a living. So there's that
side of it also. But you know, I feel I
find that these.

Speaker 7 (20:46):
People are they're happily married or they're happy either their
girlfriends or husbands or wife and they love that role.

Speaker 3 (20:53):
They also love being porn actresses.

Speaker 2 (20:56):
And this is what attracted you to doing this project,
because I mean, this Damien is a huge leap from
what you've done before.

Speaker 1 (21:04):
It is I mean, it really really is.

Speaker 3 (21:09):
Well it's it's quite a change from working in the
broadcast industry, and.

Speaker 1 (21:14):
It is.

Speaker 3 (21:15):
It's something that I'm passionate about, because.

Speaker 1 (21:18):
Are you okay, okay, okay, great, thank you. I'm sorry.
I didn't mean it's.

Speaker 6 (21:22):
Snap, no, no, it's okay.

Speaker 7 (21:24):
It's funny you bring up the mainstream industry because there's
a big part of me that feels like the main
mainstream industry is not always being honest and not always
being fair with what the way these people are portrayed.

Speaker 3 (21:35):
And I think that, you know, we have to get
away from that. And I think if we can.

Speaker 7 (21:42):
Turn that part of the business into a positive, then
I think we have a really terrific show we can
self the mainstream industry.

Speaker 1 (21:51):
I think so too. Yeah, I think it's great.

Speaker 3 (21:53):
Yeah, thank you.

Speaker 1 (21:54):
I'd love to be a part of it. It's exciting.

Speaker 3 (21:57):
Well, I wouldn't be here if I didn't want you
all to be part of it.

Speaker 1 (22:00):
I don't.

Speaker 3 (22:00):
It means the world to me that you have me here.

Speaker 1 (22:02):
All right, let's take a call here right now. Hello, caller,
who's this where you're calling from? You little caller? Tease?

Speaker 2 (22:15):
Okay, folks, again, there's been a lot of technical problems
here now on the internet and power going out, not
only here in the San Fernando Valley, but all southern
California we do.

Speaker 1 (22:32):
Sue, is that you?

Speaker 8 (22:34):
It is me?

Speaker 1 (22:36):
Yay, ladies and gentlemen.

Speaker 2 (22:37):
As I said at the top of the show, if
we would have a statue put up for the number
one publicist and just power.

Speaker 1 (22:47):
Person in the industry would be this lady who's calling
in right now, a woman who's not only a power
player in.

Speaker 2 (22:54):
The adult industry but in the mainstream industry as well.
Sue Proco is with us right now on the phone.

Speaker 8 (23:02):
Oh, thank you, thank you, Thanks for having me.

Speaker 1 (23:06):
Thank you.

Speaker 2 (23:06):
Now we've got Aria Banks and Damien two for two
far oh who is on?

Speaker 4 (23:16):
Hello?

Speaker 2 (23:18):
Damien used to do all of these TV mainstream TV shows,
eleven Emmys, and he's got a brand new mainstream reality
show coming up called The Adult Life.

Speaker 1 (23:31):
Yes, oh wow, so they're idea. Yeah, I mean we're
all doing these things.

Speaker 2 (23:37):
I start my mainstream series next month. You're starting this
reality series. I mean, it's an exciting time, but Sue,
exciting and busy for you because of everything coming up
in two weeks in Vegas.

Speaker 1 (23:52):
But you are taking time right now, and thank you
for doing this.

Speaker 10 (23:57):
She is your degree. Thanks for having me.

Speaker 1 (24:00):
You are doing a mainstream workshop that I understand is free.

Speaker 10 (24:06):
No, it's actually not free. Oh it's not free.

Speaker 1 (24:08):
Okay, is there an can we get a coupon on
goupon or something?

Speaker 10 (24:13):
You know what, I could probably put in a cupeon code.
I can do that.

Speaker 1 (24:20):
Okay, tell us about this. This is a workshop. Yeah,
it's a workshop.

Speaker 8 (24:26):
It's a masterclass. It's a master class on learning all
of the particulars of a red carpet.

Speaker 1 (24:33):
Wow.

Speaker 8 (24:34):
So you take acting classes, you take beach classes, you
go to a stylist, you go get your hair and
makeup done, you do all that stuff, but no one
ever keepes you the terminology of a red carpet, what
people are doing on a red carpet, what roles everyone plays,

(24:57):
and some tips and tricks to get the most noticed
out of that one minute or two minutes of your
fifteen minutes of fame.

Speaker 1 (25:06):
And I think this is so important. Do you also
go over etiquette on the red carpet too?

Speaker 8 (25:12):
Abserbutely, My number one rule is to be kind to
other talents, to security, to publicists, to photographers, to broadcast
because you don't know who those people know or what

(25:36):
they're going to do. After the carpet closes, or any
of those things. I mean, we should all be kind anyway. Yeah,
but when it comes to the carpet, there's a reason
why somebody might have.

Speaker 10 (25:49):
To jump in front of you.

Speaker 8 (25:51):
It doesn't have anything to do with where you fall
in the pecking order of the business. It just might
be that they have to get to the present rehearsal,
or they might have to be backstage for some reason,
or in your case, James, they might have to run
over to the broadcast carpet.

Speaker 10 (26:09):
To be doing interviews.

Speaker 1 (26:10):
Yeah, yeah, sure, you know.

Speaker 8 (26:13):
So there's always a reason that you may not necessarily know.
So I always always tell people to be kind, you know.
I've got story after the story after story of people
who think that they've pulled the wool over my eyes
and gotten onto the carpet. But what they don't realize
is the photos didn't show up for a reason.

Speaker 1 (26:32):
Ah and Sue, may I ask a question please. I
wanted to know if.

Speaker 2 (26:42):
This masterclass is it also open to mainstream actors. Yes,
so this is something that mainstream actors could use.

Speaker 8 (26:53):
Yes, absolutely, Because I've worked the majority of the carpets
that I have worked through my career, have been on
the mainstream side annually. I do produce the AV and
Red Carpet, and I also produced the Nomination the AV
Nomination Red Carpet, But beyond those two, the rest of

(27:16):
the time is mainstream.

Speaker 2 (27:19):
Now, you've done some major motion pictures and you've done
the Red Carpet for these now, yeah, is there any
horror stories from those mainstream things that you don't have
to say names? Ye?

Speaker 8 (27:35):
I don't know if I've really got any horror stories
per se. I mean I've done I've done the Award,
I've done the Emmys. I guess I have had a
horror story, but it's more at the Emmys it was
more a photographer problems than it was talent. Yeah, there's

(27:57):
one particular photographer that will we'll go unnamed, that other
photographers have an issue with and talent have issues with.
And she does a lot of screaming on the carpet
and I told her to stop and the next year

(28:24):
and I got backed up by the Emmys when I
did that, But the next year she tried to switch
spots with another photographer and tried to pretend like she
didn't foot spots. So I think she's been kicked off
the Emmy coverage.

Speaker 1 (28:41):
Now, oh god, Now in the adored world, do you
remember that?

Speaker 2 (28:47):
One year and I believe we were at Mandalay Bay
Max Hardcore, the late Max Hardcore.

Speaker 1 (28:56):
Yeah, he passed away. He showed up with a girl.

Speaker 2 (28:59):
I guess she had a trench coat on to get
through the casino, but when she got to the red carpet,
she lost that coat.

Speaker 1 (29:06):
She was stark naked, nothing on but a dog collar
and a leash.

Speaker 2 (29:10):
And he proceeded to try to go down the carpet
with this girl that was stark naked.

Speaker 1 (29:18):
That doesn't remember that, but.

Speaker 8 (29:22):
Yeah, well, I mean I've had yeah, I've had a
lot of you know there there with the adult carpet.
You know, you have to make sure that there are
pasties on and certain areas of the bodies are covered
because you're going through the casino. Yes, and you can't

(29:45):
mix alcohol and nudity, according to the casino, otherwise it
can cost the casino huge fine. And and so we
do a pasty check at the top of the carpet.
But there have been times when I have actually stood
in between the photographers and talent.

Speaker 1 (30:07):
Oh aiolas, Oh god too.

Speaker 8 (30:13):
Yeah, I've stood in between the photographer and the talent
before you.

Speaker 2 (30:18):
Now, I know that there's probably some mainstream fans out
there that are watching and listening to this show and going, well,
so what, it's a porn convention.

Speaker 1 (30:27):
But no, no, no, no, no, no, no, this is no.

Speaker 10 (30:32):
I'm going to say this.

Speaker 8 (30:34):
The first time I went was two thousand and three,
and I had worked on the mainstream side, and I
had asked the producer of the Avan Awards, Gary Miller,
for tickets, and I walked it was it was up
the Venetian at that time, and I walked through the
Venetian and I happened to walk through and came upon.

Speaker 10 (30:59):
The teams and they were all together.

Speaker 8 (31:04):
They were all in the same color of gown yep.
And I remember them trying to get through and they
couldn't get through. And I'm a solution's oriented kind of person,
and I just turned to one of the town I
don't even remember what talent it was, and I said,
take my hand, and I pushed our way through all

(31:25):
the way through, thinking, oh, well, we're going to get
to the red carpet.

Speaker 10 (31:28):
Sooner or later. There was no red carpet. Oh wow,
And I was like, well, that's weird.

Speaker 8 (31:34):
I mean, all these women are dressed so elegantly and
they looked gorgeous, and the men are in Texas and
everybody very.

Speaker 10 (31:43):
Just looked amazing.

Speaker 8 (31:46):
And I thought, well, that's such a weight to not
have a carpet at an event like this. And so
the next year, so well, a few weeks later I
told Gary what I thought, and he set up a
meeting for Paul Fishbine and I and we started talking
about it. And the next year I produced the.

Speaker 10 (32:05):
First red carpet.

Speaker 1 (32:07):
Wow wow, but it.

Speaker 8 (32:09):
But for me it was like that was the Oscars
of the adult world.

Speaker 10 (32:14):
And now it still is and oh it is absolutely.

Speaker 8 (32:18):
Hands down, it's it's it's done in such a way
that I mean, the musical guests are amazing, the comedian
our first class, you know. And it's been a really
it's been a labor of love for me to build
this carpet because when it started it was twenty feet long.

(32:39):
There were probably eight people on the carpet, eight outlets
on the carpet, and I would say five or six
of those were avan photographers.

Speaker 1 (32:47):
Wow. Yeah, Now we used to have cars. They were
on risers, like three or four Deep. Yeah, rights didn't.

Speaker 3 (33:00):
Vans used to be at the hard Rock. That was
a long time.

Speaker 8 (33:03):
They used to with the hard Rock and yeah, they
were the hard Rock.

Speaker 6 (33:07):
In the hard Rock Hotel in Vegas.

Speaker 1 (33:09):
It's the same venue. It's now called the Virgin.

Speaker 3 (33:12):
Okay.

Speaker 8 (33:12):
Yeah, So this year, this year will be the first
year that it was. It'll be at the Virgin, which
I think is the greatest.

Speaker 7 (33:20):
The last couple of years it's been at Resorts World,
and from what I understood, a lot of the performers
weren't crazy about that for various reasons.

Speaker 1 (33:27):
Yeah, it's good, it's good exactly. Yeah, And it's nice
to be back over there.

Speaker 2 (33:33):
And I would be remiss if I didn't remind everybody
the Avian Awards show is open to the public.

Speaker 1 (33:41):
You can purchase tickets to go.

Speaker 8 (33:43):
Yeah, yes, you can you tickets to go. There's also
a fan experience that I believe you can purchase online
where you can watch part of.

Speaker 10 (33:52):
The red carpet.

Speaker 1 (33:54):
Oh wow, that's new.

Speaker 10 (33:58):
Yeah, actually that's been around for a while. It's the
high ticket items.

Speaker 3 (34:02):
Wow.

Speaker 10 (34:02):
So you don't even you don't.

Speaker 8 (34:04):
Even notice it when you're in the carpet. But I
think there's probably like twelve spots for people to watch.

Speaker 2 (34:11):
That's really exciting. What a great deal. Yeah, I know
that we have a lot of fans that come out
from Europe and other countries, and really, if you're coming
out here, go for the whole kitten kaboodle.

Speaker 1 (34:25):
Go for that experience, exactly, go for the entire experience.
Thanks for telling us about that, soo and reminding thats yeah.

Speaker 4 (34:31):
I think.

Speaker 8 (34:32):
I think one of the coolest things about being at
the hard Rock and now the.

Speaker 10 (34:37):
Virgin is that.

Speaker 8 (34:39):
The talent walked through the casino, so they had and
they used to do this at the Venet as well,
and it gave the talent a chance to interact with
the fans in a controlled environment, create social media content
as they were walking to the actual carpet okay, as

(35:01):
well as the fans got to watch the pomp and
circumstance so to speak, of the talent walking up to
the carpet area. So it was I always really liked
that experience, even though it was a lot of running
back and forth for myself to make sure that things

(35:23):
were going right at the top of the or at
the top of the entrance to the carpet all the
way to the actual carpet and then onto the broadcast carpet,
because we've always had two different carpets. We've had one
carpet that's just photographers and then the other is broadcast
in prints.

Speaker 1 (35:39):
Right. And you've got a wonderful staff that works with
you too, that are very polite.

Speaker 2 (35:44):
Yeah.

Speaker 8 (35:44):
I have a really really good group of people, and
they come from all over. I mean, I have one
guy that flies.

Speaker 10 (35:52):
Out from Jersey every year.

Speaker 8 (35:53):
He used to cover the adult industry. In fact, he's
the person who introduced me to the adult industry. And
then I have a team that doesn't the Emmys every year,
so they come and help. And then just a few
others that we have working with us. But I've always
had a really good team and I couldn't do it

(36:16):
without them.

Speaker 1 (36:17):
And are you also handling red carpet for the Gavians
that go under come?

Speaker 4 (36:24):
I am not.

Speaker 8 (36:24):
The Gavians are Monday night, so I don't handle that.
My counterpart, Brian handles that.

Speaker 1 (36:32):
Yes, I know Brian.

Speaker 10 (36:34):
Yeah, so Brian is the one who handles that.

Speaker 2 (36:36):
One. Now, one thing that I want to add before
we let you go. People are going to be coming
up to you and Peter and going oh I need
to get my pass and blah blah blah, and try
to throw these things at the last minute. Everybody should
have rsvped already now for the award show.

Speaker 8 (36:55):
Yes, if they are talent, they should have RSVP'd at
this point, and they will be picking up their passes.
I think there's a little bit of a different I'm
looking it up right now how they're picking them up,
but I believe that they'll be picking them up when
they're getting their expo passes, so it's going to be

(37:16):
a little bit different.

Speaker 2 (37:17):
They can just do it all at once, which is
a good thing, and don't lose any of that stuff.
I know, content you want to take that risk band off.

Speaker 1 (37:28):
Yeah, I love my.

Speaker 5 (37:30):
Red carpet badge in Caesar's.

Speaker 1 (37:32):
Palace because you were doing this scene.

Speaker 6 (37:35):
Yeah.

Speaker 5 (37:35):
No, I had just left for the red carpet. Go
all the way to the Resorts World and had left
my badge for the red carpet in Caesar's Palace.

Speaker 6 (37:44):
Oh wow, I barely made it.

Speaker 5 (37:45):
I was like the second to last to walk the carpet.

Speaker 8 (37:49):
Oh my god, such a mess.

Speaker 2 (37:51):
Oh my god. Well, you got to remember, folks, you
got to bring your a game, and please be nice
to Sue, Please be nice to Peter, Please be nice
to their staff.

Speaker 1 (38:04):
Don't be snapping your fingers and demanding stuff.

Speaker 2 (38:07):
Nobody cares that you've got, you know, one hundred followers
on your only fans or whatever.

Speaker 1 (38:13):
You think you're a start and helping me figure.

Speaker 4 (38:16):
Out how to RSVP get everything set up. So thank
you Peter for helping me out last year, and Sue too.

Speaker 8 (38:22):
Yeah, but I mean, please, Peter Pere's always terrific and
about getting getting with the talent and helping them walk
through it. And he even days later to make sure
people who haven't picked up their passes are getting their passes.
I cut him off, yeah, a couple of times, and
he'll still like, I'll hand him the stuff and he'll

(38:44):
go do.

Speaker 10 (38:44):
What he needs to do, as we don't get.

Speaker 8 (38:46):
Ready for the carpet itself.

Speaker 10 (38:47):
But he's terrific.

Speaker 1 (38:49):
But just be be on time, get this stuff done
right away, and just be be early. Yeah, be EARLYI.

Speaker 10 (39:00):
Yeah, because one of the things is is that.

Speaker 8 (39:03):
If you're early it, you you just never know you
might get in a little extra time or whatever. I mean,
I know that we're pushing a lot of people through
that particular carpet, but we try to get everyone that
we've that we've agreed to walk it and and don't

(39:24):
be Here's what, don't take things personally on the carpet.
Don't take them personally. It's so so important because, for example,
there's a lot of leap frogging or jumping in the
broadcast area and if you are, if you are selected
to walk the broadcast area. I want to explain something. First,

(39:45):
everyone walks the photo carpet pretty much. Okay, it's a
little different in than at the Emmys. Not everybody walks
the carpet at the Emmys.

Speaker 1 (39:57):
That's true.

Speaker 8 (39:57):
For example, the people who are presenting will walk people
who are and usually the people are presenting are usually
from shows of the network airing the Emmys. That's how
that works politically. And then the second thing is is
that it's usually people who are nominated. Right, we have

(40:18):
so many nominations or so many nominees within the adults
on the adult side, that we're putting a lot of
people on that carpet. Those photographers are exhausted when they
leave me. Yeah, I mean they're working three and a
half solid hours straight when normally a carpet's working an
hour to two hours, and some.

Speaker 2 (40:40):
News outlets will want to get that interview with this
person and maybe skip on the other person.

Speaker 8 (40:47):
So doin right, Well, there's that, so the lead bragging.
What I meant by that too, is like, we don't
want you to like start lining up behind a particular outlet.
If we can pull you over to.

Speaker 10 (40:57):
Another outlet that will talk to you, and if we
can bring you back to.

Speaker 8 (41:01):
That outlet and that outlet needs to get you, we will.
I will tell you one thing that I do on
the carpet that's a little different than other carpets and
or is I try not to have documentary cruise on
there because documentary crews are usually following one or two talents.

Speaker 11 (41:23):
Reality there's a couple of things.

Speaker 1 (41:25):
Yeah, things with that.

Speaker 8 (41:28):
Well, if you're only covering one or two and I've
got three hundred people, it's really unfair for you to
take up a spot away from a media outlet that's
going to talk to a hundred of those people versus
two of those people.

Speaker 1 (41:44):
So where do you put those people?

Speaker 8 (41:45):
Then I don't put them.

Speaker 10 (41:47):
They get it at the expo, Oh good, I don't
sell on my carpet, you know.

Speaker 7 (41:53):
So can I say, I think you make a very
very good point about and I've worked a lot of
red carpets when I work in the broadcast industry, and
there is a certain choreography to it.

Speaker 3 (42:02):
There's a certain balance, there's a certain etiquette, you know,
which really can benefit you once.

Speaker 1 (42:08):
You yeah, you've done the MTV Awards there.

Speaker 7 (42:10):
Well, I do mostly now, I do mostly the main shows.
I've done the Emmys and then you know, Grammy's Oscar.

Speaker 6 (42:15):
All that nonsense.

Speaker 7 (42:17):
But when I was first starting out, I did red
car worked red carpets, and I saw that and I
think Sue made a really good point.

Speaker 3 (42:23):
There is that balance. There is that you want to have.

Speaker 7 (42:26):
You want to have a good relationship with the still photographers,
you want to follow certain rules, certain there's a certain
way of presenting yourself on the red carpet, and then
you need some like.

Speaker 3 (42:36):
Sue who knows the drill to help you out with that.

Speaker 8 (42:39):
You know, it's an important role, right And that's and
that's one of the reasons that I started this class.

Speaker 10 (42:44):
By the way, the class is online.

Speaker 8 (42:46):
I'm teaching it this Friday, and it's about an hour
in link and we talk about the terminology. So you
know what the terminology is. You're walking up to that
carpet and you're going to know sort of a boreography
that goes on. Ye, you have a better understanding of
that choreography. You have a better understanding of what it

(43:06):
is you need to take away from what it is
you just did and how to maximize what you just
did on that carpet. Like, for example, what Damien was
just saying about knowing the.

Speaker 10 (43:19):
Still photographers, that is invaluable.

Speaker 8 (43:23):
I mean if you walk away with a name like
Albert Ortega, who's one of the you know, one of
the the why are choographers in Los Angeles. Albert may
be working a small event and as a publicist.

Speaker 10 (43:36):
I've been called by Albert before and he said, hey.

Speaker 8 (43:38):
Listen, I have this new challenge, or I have this
person who's kind of coming up, or I have this
person I want to get more photos of.

Speaker 10 (43:44):
Is it okay if she.

Speaker 8 (43:45):
Walks the carpet, she doesn't have to come to your event?
And I said yes to him before.

Speaker 1 (43:50):
Wow.

Speaker 8 (43:51):
You know, so knowing those photographers and having that DM
relationship with them on social media could get you to
other mainstream events that get you coverage and get you
in Albert photos that he's filing for Shutterstock.

Speaker 7 (44:08):
Yeah, and those you know, those stilp shoppers, they want
that that they want that relationship with the talent as well.

Speaker 1 (44:13):
It works well, absolutely, and that will help you action.

Speaker 2 (44:17):
Plus, it will help you grow in your career. Whether
you're an adult or mainstream, getting those pictures done, especially
from a mainstream outlet will benefit you. So bring your
a game and best of all, go to Sue's master
class this Friday and get your edge for the red carpet.

Speaker 3 (44:42):
Yeah.

Speaker 8 (44:42):
Absolutely, Yeah, it's just uh, it's I taught one last night.
It went really really well. They had great questions. And
we're going into awards season, you know. I mean, yes,
have been canceled so far, you know, but we're going

(45:03):
into awards season and it's it's it can be intimidating,
but it doesn't need to be right.

Speaker 1 (45:12):
And remember does workshop will benefit you whether you're just
a mainstream actor or actress.

Speaker 10 (45:19):
I don't think.

Speaker 8 (45:20):
Yeah, I don't teach it. Yeah, I don't teach it
as though it were mainstream or adults, although I do
talk about both both types of carpet. But I talk
about the history of red carpet. I talk about the
purpose of the class. I talk about the terminology of red.

Speaker 10 (45:40):
Carpet that you need to know.

Speaker 8 (45:42):
I will talk about tips about walking the carpet, what
to do with photographers, still photographers, what to do on broadcasts,
what's important about a sound bite, how to prepare your SoundBite,
and then taking advantage of the carpet after the fact.

Speaker 1 (45:57):
Yeah, you know, that's an important time.

Speaker 8 (46:00):
How to prepare It's a really important take it. Like, yes,
it's one thing to walk to carpet, but what are
you doing with those photos or those interviews after the fact.
You should be publishing them to your social media and
tagging those photographers or tagging that outlet because they need
that traffic just as much as you do.

Speaker 1 (46:19):
Yeah, and there'll be more like it.

Speaker 10 (46:21):
Lends credibility for you.

Speaker 8 (46:22):
Yeah, and it learns more credibility for you.

Speaker 1 (46:26):
So where do they go to sign up for this masterclass?

Speaker 8 (46:33):
There is a link. It's uh, it's it's mastering your
Red Carpet Moment.

Speaker 12 (46:43):
Yeah, and.

Speaker 10 (46:46):
I'm trying to think what's the best way to get
this link to you.

Speaker 8 (46:53):
Well, if you are on Instagram, I'll put it in
my Instagram link, and my Instagram is to Hue dot
froco p r O d k O.

Speaker 2 (47:05):
And then I'll post this on our I'll post this
on our website and we'll post it on my social
media as well.

Speaker 10 (47:11):
Yeah, okay, okay, yeah, let me I'll just send that
to you in a text.

Speaker 1 (47:16):
I know you're super busy, and I appreciate you taking
this time too.

Speaker 8 (47:19):
Oh no, I'm so glad. I just was where I
was worried about all of you, with the fires and everything.
I've been trying to watch it so closely from I'm
in Savannah.

Speaker 1 (47:29):
Oh you're Oh you're not here.

Speaker 8 (47:31):
Oh I'm not there.

Speaker 1 (47:33):
No, it's bad.

Speaker 10 (47:36):
It's been breaking my heart. I heart.

Speaker 3 (47:39):
I cancel the podcast, honestly.

Speaker 1 (47:41):
No, we no way we're going to keep going.

Speaker 2 (47:44):
But no, I had scores of friends, uh, you know,
celebrities and just civilians that live in Palisades in Malibu
and they've lost their homes, they've lost their businesses. People
in the Alta Dina area. They're finding dead bodies out there.
It's spreading all over southern California.

Speaker 1 (48:05):
It's yeah.

Speaker 8 (48:06):
I've got so far probably four alerts about Runyon Canyon
in the last hour and a half.

Speaker 1 (48:12):
Yeah, it's it's it's so bad that sky. It feels
like we're in a movie, a disaster movie. It really does.

Speaker 6 (48:22):
Yeah.

Speaker 1 (48:22):
But will we will. We're going to rebuild. That's what
we do. We're resilient, We're Californians. We will rebuild.

Speaker 2 (48:29):
And same as the people that got affected by the hurricanes,
they rebuilt and we'll rebuild here.

Speaker 6 (48:36):
Yeah.

Speaker 1 (48:36):
Absolutely, Thank you again, Sue so much.

Speaker 8 (48:40):
Safe everyone, and I hope to see I hope to
see everybody on the carpet.

Speaker 10 (48:46):
I know I will see you. James, Yes, and.

Speaker 8 (48:51):
Thanks for having me on.

Speaker 1 (48:52):
Jain, you got it. Thank you, supe proper everybody. And
I think this is Christy Canyon calling in now. Yeah,
it is.

Speaker 10 (49:03):
Christy baby.

Speaker 2 (49:09):
How are you Christy Canyon on the phone with us
right now? Uh, it's it's been crazy. But say hello
to Aria and Damien, who.

Speaker 1 (49:20):
Are on with us. We just had Sue Proco on
the other line.

Speaker 10 (49:24):
Well aren't you just a busy little beam?

Speaker 1 (49:26):
Well, and you're missing the food. Oh with the food.

Speaker 6 (49:33):
But it's great to hear your voice, great to have
you with us.

Speaker 8 (49:36):
You are so cute. Oh my god, thank you and
I'm glad it was delayed because tis some boys just
called me to see how I'm doing.

Speaker 10 (49:43):
And I love that man absolutely.

Speaker 2 (49:47):
Now, yeah, Christy, we've got some fans that send in
some questions, so we'll run it by you guys. Also,
this was guy. He's sending a question. He says, a
queen bye any other name. But you know, you're a
goddess in the industry. Thank you for being the entertainer
for all these years and sharing your beauty and skills

(50:09):
with millions of us worldwide. In twenty twelve, the pioneer
of clown porn, Holly.

Speaker 1 (50:15):
Stevens, passed away.

Speaker 2 (50:17):
If you had the power to revive the clown porn
genre and take it to the next level, would you?

Speaker 1 (50:24):
That's an interesting question for Christy Kenyon.

Speaker 10 (50:28):
That took a that took a left turn real fast.

Speaker 8 (50:32):
I didn't know where that was going, you know what.
The minute you said clown porn, I thought of how
I want to fuck Dick Tibbles right, Yes he is
and his beautiful white Daisy. I mean, what a good
looking couple. He looked way better, not in the clown makeup,
by the way.

Speaker 2 (50:51):
Oh yeah, yeah, we did a lot of movies together,
but the big one was that Saw.

Speaker 1 (50:58):
Movie right right.

Speaker 10 (50:59):
Yeah, Wow, you guys are so cute.

Speaker 8 (51:03):
Hey, if we aren't burnt down by tomorrow, can I
come by and get some of those.

Speaker 10 (51:07):
Potatoes you want? You want?

Speaker 1 (51:11):
What is that you want?

Speaker 8 (51:13):
It isn't completely catato.

Speaker 10 (51:22):
I don't think I worked with Pete yet. Yes, yet,
Oh my god, I gave it to you. If it
was Sibbles, I would totally screwm Yes, you wait, did
you screw?

Speaker 3 (51:42):
Have you fucked him?

Speaker 1 (51:43):
Thank you?

Speaker 4 (51:43):
No, he wasn't a clown, but he gave me a
free copy of his book.

Speaker 13 (51:48):
Oh my god.

Speaker 8 (51:49):
He back in the day when James Barlay and I
were on Playboy Radio, he came in one day to
be interviewed and it was clown porn, and he ever
thought that was more eighties and nineties porn.

Speaker 10 (52:01):
So I had never heard of that, like wound porn.
Who gets off on this? But I think he made
a mint.

Speaker 8 (52:07):
It's it's a concept that if I dated a guy,
let me put it this way, and his fetish was
putting on clown makeup and a like wig and all that.

Speaker 10 (52:16):
I don't think I can handle that. I've dated guys
that had bingerie.

Speaker 8 (52:20):
Fetishes and all kinds of weird stuff. But if they
wanted to dress up like a clown, I think i'd,
for the first time have to draw the line.

Speaker 14 (52:27):
There was a stripper, a stripper, and she used to
do her strip act, dress up like a clown, and
she was so popular.

Speaker 1 (52:39):
Was do you remember her name?

Speaker 3 (52:41):
Oh jeez, it was this eighties nineties.

Speaker 6 (52:43):
You remember her name?

Speaker 2 (52:44):
No, it doesn't, does not, because and she would just
she dress up like a female clown and come out there.

Speaker 6 (52:54):
Let me give you a lot dance stuff. I'm gonna
jiggle stuff that.

Speaker 10 (53:02):
Doesn't sound familiar. But you, guys, I want you to
answer me.

Speaker 8 (53:07):
Is James getting a hard on doing that right now?

Speaker 10 (53:09):
Because he sounds way too into it?

Speaker 4 (53:11):
No, I'm.

Speaker 15 (53:17):
You guys.

Speaker 8 (53:21):
Now, Are you guys going to be at the X
three with James and me next week?

Speaker 3 (53:27):
I'm gonna be a sorry to hear the question.

Speaker 6 (53:29):
She wanted to know if you're going to be at
X three?

Speaker 13 (53:31):
Yes for me, I hope, so, oh my god, Well good,
because I want to meet you guys as a person,
and I'm so sorry that I'm not there.

Speaker 8 (53:43):
But I'm I'm like, you know, I'm like packing, and
you just never know when you're going to get that
call to get out of your house.

Speaker 6 (53:49):
That's very.

Speaker 2 (53:53):
I don't know if you heard earlier on the show,
I was talking about this Christy, but we lost that
wonderful restaurant movie Shadows piece.

Speaker 10 (54:01):
I know, and I used to sit there in the eighties.

Speaker 8 (54:04):
It was an institution.

Speaker 10 (54:06):
It's just crazy.

Speaker 8 (54:08):
So that's the only thing is otherwise I would be
so there in person that and I already started to drink.

Speaker 10 (54:13):
I probably couldn't drive. But with all that being said,
I wish I was there. Well, we're just we're.

Speaker 6 (54:20):
Cooking and we're thinking of you.

Speaker 2 (54:22):
Now, you're going to be signing at the inside the
Industry Legends Booth.

Speaker 10 (54:30):
Yes, I yep.

Speaker 8 (54:33):
In two weeks next week and I will be signing
at X three. We're going to be downstairs in the
main hall, and then we're off for two days and
then go right to Vegas for four days.

Speaker 10 (54:45):
So and then I want to do nothing for a week.

Speaker 6 (54:47):
And we're also going to be broadcasting.

Speaker 16 (54:51):
From X three day out there.

Speaker 10 (54:54):
Oh yeah, Oh, we are gonna have so much fun.

Speaker 8 (54:58):
We are going to have such a great time, and
we're going to need it.

Speaker 10 (55:01):
After the week weeks that we're having.

Speaker 6 (55:03):
Yeah, yeah, well you get to do that. I started
I started production on the TV series right after that.

Speaker 10 (55:11):
Oh good for you, Yeah, good for you.

Speaker 6 (55:15):
Now you have had an incredible year because you came
back and I did sorts, didn't you.

Speaker 10 (55:25):
I did.

Speaker 8 (55:25):
I made a little kind of here's the thing, I
made a comeback on films for companies.

Speaker 10 (55:31):
But I was also before that. Don't forget.

Speaker 8 (55:33):
I was like still doing stuff for my only fans
and this and that. So it wasn't like I was
the secretary or working at the local supermarket for twenty
years and then like I was. I was always in
the business, just different aspects. I mean, eighteen years I
was on serious xtam and then you know, only fans
and sextamps. They're like, I've never like just completely left.

Speaker 10 (56:00):
I choked on.

Speaker 4 (56:02):
You're on the.

Speaker 6 (56:02):
Balcony calling me and you're inhaling all that smoke from.

Speaker 10 (56:06):
The Oh my god, you are so funny trying to
call in. Let's get him on.

Speaker 6 (56:13):
Let's add him on.

Speaker 10 (56:14):
For the love of Pete, I'm here, Let's do it.

Speaker 6 (56:18):
What okay?

Speaker 2 (56:21):
Well, sweet Pee, I know you're trying to call in,
so yeah, anytime Christy's on the show, sweet Pee has
to call in.

Speaker 3 (56:33):
You know, Christy, I hope to see you at We're
talking about X three and a v N.

Speaker 7 (56:37):
I would love to introduce you to the cast of
my show, and they'd all be very happy to meet you.

Speaker 10 (56:44):
Okay, I'll be there time, absolutely, definitely.

Speaker 8 (56:50):
Now Wild James is figuring out how to get Sweepee on.
Are you in the business as well as an actor?

Speaker 1 (56:58):
Yeah, I am.

Speaker 7 (57:00):
I'm not an actor in the business. I am developing
a television show that's that's obviously revolves around actors in
the adult business.

Speaker 3 (57:10):
But no, I'm not a performer myself.

Speaker 8 (57:12):
Okay, okay, because I'm producing.

Speaker 3 (57:14):
A television show about the business.

Speaker 8 (57:15):
Okay, because James introduced you guys, but he didn't say
what your roles were in life, Like I didn't know.

Speaker 11 (57:21):
What you guys did.

Speaker 10 (57:21):
Obviously I did.

Speaker 6 (57:23):
He has eleven Emmy Awards.

Speaker 10 (57:25):
Okay, I don't recall you saying that.

Speaker 3 (57:29):
It doesn't come up in conversation too often.

Speaker 1 (57:33):
Is that again.

Speaker 10 (57:36):
They're post take Yes, yes, of course it's.

Speaker 11 (57:43):
It's hello, sweetie. Are you all doing tonight?

Speaker 1 (57:46):
Years?

Speaker 10 (57:48):
Yeah?

Speaker 8 (57:48):
How sweete how do you see on? Baby?

Speaker 10 (57:51):
You have that bypass or three.

Speaker 11 (57:54):
Yeah, I'm still feeling effects from that, but I'm glad
we're talking with you all tonight.

Speaker 8 (57:59):
Oh sweet, are we sure wish that you were feeling
better and could fry out here to do Little Smoky La.

Speaker 10 (58:06):
And go to the convention with us.

Speaker 11 (58:09):
Well, if all goes well, maybe we'll see him going
to Ezuga Miami. We'll see about that later this year.

Speaker 10 (58:15):
Okay, hopefully you could do that. That's right in your backyard.
So but I understand, you know if you can't. Absolutely,
but it's great to hear your voice, Sweepy.

Speaker 8 (58:25):
And I just want everybody on James's show to know
that Sweepy has been in our lives and especially Machi
for what about thirty years now.

Speaker 11 (58:34):
Absolutely is.

Speaker 10 (58:36):
Sweepy. And I go back to the first time we met.
It was apt now defunct Erotica La.

Speaker 6 (58:42):
Yeah, and that one was hosted by Bob Hope. That's
how long ago it was.

Speaker 10 (58:47):
And it was not Hope by Bob Hope. You're thinking
of something. All sweet people came on stage.

Speaker 2 (58:59):
He looked at Canyon and you know his old song,
thanks for the Memories, He saw Christy and he goes,
thanks for.

Speaker 6 (59:06):
The memories and then he grabbed and the moves.

Speaker 8 (59:09):
And gave him the kids, and then and then he's
taking me aside my Beta tape.

Speaker 6 (59:16):
That's right, we were not even not long that it
was on Beta and laser discs.

Speaker 1 (59:25):
Wow.

Speaker 10 (59:25):
But most of the dhs BETA lost out on the boat.
They didn't act fast enough.

Speaker 8 (59:31):
From what I recall, Beta just want to deal with
adult material. And by the time they realized the money
train that they were losing out on, the VHS had
taken over. But I remember a few titles long data,
not many though.

Speaker 2 (59:44):
Actually the one who did the long the oldest doing
porn was Ron Jeremy.

Speaker 6 (59:50):
The first porn was on the side of the hieroglyphics
on the on the Gray Temple of Visa.

Speaker 3 (59:58):
Was it really yeah?

Speaker 6 (01:00:00):
Yeah, he did his first scene with Cleopatra. It was
called Don't.

Speaker 1 (01:00:04):
Touch My Past. And what year was that?

Speaker 8 (01:00:11):
That was fifty a d I believe, yes, Oh my god,
you are so fine and it's not he was definitely
from the film in the seventies, but sweepy. What else
did you want to ask us, baby before we let
you go?

Speaker 11 (01:00:27):
I just wanted to ask the guests about your the
pre production, how long does it take to go from
pre production to the final product?

Speaker 1 (01:00:34):
Oh?

Speaker 10 (01:00:34):
Good, great question.

Speaker 6 (01:00:35):
This is this is he gets it, he gets a
gold star.

Speaker 3 (01:00:38):
Yes, listening, very good question.

Speaker 6 (01:00:40):
Yes, go ahead.

Speaker 3 (01:00:42):
Are we talking broadcaster or reality or be a little
more specific.

Speaker 11 (01:00:47):
For like for adult adult films in that kind of nature.

Speaker 10 (01:00:53):
Your department, I think, yeah, he only does main.

Speaker 11 (01:00:57):
Sixty and mainstream as well. Let's do mainstream as well.

Speaker 17 (01:01:00):
Okay, so for it for whether it's mainstream or adult.
Pre production can be anywhere from four to maybe ten months.

Speaker 7 (01:01:12):
Yeah, I was going to say it can be as
short as three to four months, but it can take
much longer, depends on the nature of the show and
the budget.

Speaker 6 (01:01:22):
Manager has to start putting that stuff together.

Speaker 2 (01:01:24):
You get the location scouts and the talent scout comes
in and auditions nowadays, since the pandemic, all auditions now
are done.

Speaker 3 (01:01:33):
By zoom right, it's done remove.

Speaker 7 (01:01:37):
I'd like to speak to that if we have a
quick moment that has really changed the fact that since
the pandemic, like James said that that now a lot
of actors and actresses are sending in their real sending
in their their auditions. It's basically something they did at home.
Which the problem with that is that it brings in

(01:01:58):
a different level of competitives. Now you can add production
value to that you can add, and that doesn't seem
fair to me. You know, there was a time and
I understand things have changed, but there was a time
when you would go in and everyone kind of at
least was on the same level in.

Speaker 3 (01:02:11):
Terms of audition.

Speaker 7 (01:02:12):
And now because they're allowing people to send stuff from home,
you can add a certain amount of production value that
you can manipulate the results a little bit more.

Speaker 1 (01:02:21):
And that that to me is.

Speaker 7 (01:02:25):
That doesn't seem fair to a certain extent, that doesn't
seem like the level playing field.

Speaker 2 (01:02:28):
And post production can also take a long time too,
for sure, especially if you have a lot of special effects.

Speaker 7 (01:02:35):
Yeah, or in terms of reality show, if you have
a tremendous amount of footage, I mean the you know,
the whole right, well, yeah, the whole theory behind you know,
if you want to talk about theory behind relative behind
reality television is shoot everything, figure out the story later.

Speaker 3 (01:02:52):
So there's a tremendous amount of footage that's shot.

Speaker 7 (01:02:54):
Everything is shot, and you have music scoring you have
to do, yes, h absolutely, balance have to do.

Speaker 1 (01:03:01):
Sure.

Speaker 6 (01:03:01):
I mean, this is something that we did with Murder
Motel and with scissors.

Speaker 18 (01:03:04):
And you know, we have to have that color balance
because some color watching a movie, if it's a bad movie,
you'll see nighttime scenes look different than the daytime scenes.

Speaker 2 (01:03:17):
And things are blending, or it looks like it was
totally shot in the daytime.

Speaker 6 (01:03:22):
It's supposed to be nighttime.

Speaker 3 (01:03:24):
It's not color corrected.

Speaker 6 (01:03:25):
Yeah, it's not color corrected, right.

Speaker 2 (01:03:26):
And these are little tiny things that I'm sure it's boring,
that's fucked to you guys, but these are little things
that you guys pick up and you're watching that movie,
you're watching that TV show, and you're watching that reality show,
and you go, WHOA, I appreciate that show because it
went the extra mile with details. So again, to answer

(01:03:50):
your question, it takes months of pre production, takes months
of post production.

Speaker 1 (01:03:55):
But that's to put out your quality thing.

Speaker 10 (01:04:00):
That's mainstream.

Speaker 8 (01:04:01):
I have to interject and say for adult them, it
could take anywhere a day. To somebody like a Vixen
or a Wicked or a VID that could take two
to three months, like the one that I did.

Speaker 10 (01:04:14):
Last year for Vixen.

Speaker 8 (01:04:16):
That was a fourteen day shoot, which is unheard of
to the adult wow culture.

Speaker 10 (01:04:22):
Oh okay, yeah, it works.

Speaker 8 (01:04:26):
Cross.

Speaker 1 (01:04:26):
What was the title, milty milfy milty.

Speaker 3 (01:04:32):
Okay, yeah, it's fourteen day shoot.

Speaker 2 (01:04:34):
Fourteen day shoots, unprecedented. But it's Vixen, that's the number
one company. Well, and they turned things around really quick.
They have post production people that are working twenty four
hours a day.

Speaker 6 (01:04:46):
Yeah, editing these things.

Speaker 10 (01:04:48):
Boy, I'm telling you, And it's beautiful.

Speaker 8 (01:04:52):
And the thing with that is, I bet post production
or pre production, I guarantee you. Caden Cross sent a
good month, which is considered eternity.

Speaker 10 (01:05:02):
In your you know, in adult world.

Speaker 8 (01:05:06):
Oh and you know what, it's probably her and rich
Greenwa are my two favorite directors. Like they put time
into they care about their products. It's not just the
wam bam, thank you, ma'am. Whereas some of these and
I dare call them companies, they take a day to
do it. They don't care that it's turning out pov crap.

Speaker 1 (01:05:26):
Yeah.

Speaker 2 (01:05:28):
And and and you hit the nail on the head there,
Christy Canyon when you said crap.

Speaker 6 (01:05:34):
Because you know what it is.

Speaker 10 (01:05:37):
That's yep, it's so true. It is so true. But anyway, Sweete,
that was a great question.

Speaker 8 (01:05:44):
We're too, completely different question.

Speaker 11 (01:05:46):
Thank you take here and be save everyone.

Speaker 10 (01:05:48):
All right, all right, thank you, all right now, I will.

Speaker 6 (01:05:54):
See you probably tomorrow, right, Christy did she's hanging up.

Speaker 2 (01:06:00):
She's probably getting in the car right now and coming
over because she was watching this on TV and seeing
these delicious potatoes. Now, any potatoes that are left over,
you can do that. Twice baked potato.

Speaker 3 (01:06:11):
You ended twice baked potato. Yeah, good choice.

Speaker 1 (01:06:15):
You are so lovely.

Speaker 6 (01:06:17):
Thank you, and I love how you eat my food.

Speaker 13 (01:06:21):
It just cut me off, Oh it did?

Speaker 6 (01:06:23):
I welcome back?

Speaker 8 (01:06:25):
Oh just I know you were saying goodbye, but it
just cuts you off mid sentence.

Speaker 10 (01:06:29):
And I didn't want you to think.

Speaker 8 (01:06:31):
I like had to flee my plate because the fire.

Speaker 10 (01:06:33):
Was heading my way.

Speaker 8 (01:06:34):
I adore you, and I'll keep tomorrow, maybe about twelve.

Speaker 10 (01:06:37):
O'clock money, I'll see you for lunch tomorrow, all right.
I love you you guys.

Speaker 8 (01:06:42):
I can't wait to meet you next week.

Speaker 10 (01:06:44):
At X three.

Speaker 3 (01:06:45):
Well we're looking for it also, Christy.

Speaker 10 (01:06:47):
Absolutely, all right, than have a great show by everybody.

Speaker 6 (01:06:52):
Do you like yellow shit sushi?

Speaker 5 (01:06:54):
I like sushi? Yeah, okay, I love sushi.

Speaker 4 (01:06:58):
I got a great to take you to think sushi
and oysters are similar, like how oysters are aprodisiac.

Speaker 5 (01:07:05):
I get the same feeling when I eat sushi.

Speaker 1 (01:07:08):
Yeah.

Speaker 6 (01:07:08):
Absolutely. You had oyster shooters.

Speaker 5 (01:07:12):
Yeah, it's like the shot and the oyster sake.

Speaker 1 (01:07:16):
I have had that.

Speaker 3 (01:07:19):
And San Diego I got I have all that stuff share.

Speaker 2 (01:07:25):
There is a place called Kinsa Sushi there on Van
Eyes Boulevard in Vance, and they have the James roll
over there.

Speaker 6 (01:07:33):
They named a hand roll after.

Speaker 10 (01:07:35):
Me, totally.

Speaker 6 (01:07:37):
They do the oyster shots, do them there.

Speaker 2 (01:07:41):
And it's January and you get the oysters, So where
were they coming from?

Speaker 3 (01:07:47):
Have a hand roll named after you, James? That's pretty impressive.

Speaker 6 (01:07:51):
I just had a big mouth. I got my own show.
You have your own show.

Speaker 7 (01:07:56):
You can go in there, well make a roll for
you when the show was a success, which I know
it will be. Plus, you know the way of designing
the show, it's it's very open to franchise possibilities as well.
You know what I'm hoping to do The Adult Life
Las Vegas, the Adult Life Los Angeles, by which what.

Speaker 6 (01:08:14):
You guys did on MTV, Yes, and.

Speaker 5 (01:08:17):
Then international international.

Speaker 3 (01:08:19):
Yeah, of course, you know there there's so many possibilities.
And you know, look at these.

Speaker 6 (01:08:25):
People coming back.

Speaker 2 (01:08:27):
I mean they got those two, the Hilton and the
other Gown, the two little blondes that had.

Speaker 6 (01:08:35):
That glamour life thing.

Speaker 3 (01:08:36):
Oh, I mean Paris Hilton and Nicole Richie.

Speaker 6 (01:08:42):
Nicole Richie. Yeah, they're coming back.

Speaker 3 (01:08:44):
Well they are.

Speaker 5 (01:08:47):
I didn't I didn't know Paris ever left.

Speaker 3 (01:08:49):
Yeah, she's always been around, right, But they're.

Speaker 1 (01:08:52):
Bringing them back for.

Speaker 6 (01:08:55):
My granddaughter is looking at that. She said, I see that,
and I go, first of all, you're four, right, so
no right? Second of all, year four, why are you
watching terrifier?

Speaker 5 (01:09:07):
She should definitely not be watching.

Speaker 2 (01:09:09):
She goes with Grandpa makes horror movies and they go, yes,
but you're four years old.

Speaker 6 (01:09:15):
You should be like watching Tell Tuller Blue or something
like that.

Speaker 2 (01:09:21):
I am not the clown pulling a baby out of
a woman's stomach and throwing it against the wall.

Speaker 6 (01:09:26):
That's terrifier.

Speaker 3 (01:09:27):
That's that's terrifier.

Speaker 6 (01:09:29):
But they love them, they do.

Speaker 7 (01:09:31):
I you know, I've worked as a probably heard of
big brothers big sisters that I've worked as a volunteer
big brother for about thirty years. And my last little brother, Charlie.
Yet he was ary into horror movies and Terrifier that
was one of his favorites.

Speaker 3 (01:09:43):
So I remember going to see that and it's terrifying.
It's it's disturbing. I gotta give him a lot of credit.

Speaker 6 (01:09:50):
Willard, that's a terrifying movie.

Speaker 3 (01:09:52):
I never saw Willard Willard with the Rats. Oh Willard, Yes,
of course, I haven't seen my old James Olds.

Speaker 6 (01:10:00):
I will give you.

Speaker 7 (01:10:02):
You want to talk about a terrifying film that I
saw when I was very young, probably about Charlie's age,
was the original Texas Chainsaw Massacre.

Speaker 5 (01:10:10):
How did you guys feel about Nosaratu?

Speaker 3 (01:10:12):
Though I haven't seen it yet, the new one?

Speaker 6 (01:10:16):
Yeah, yeah, even though I love William de Vallue.

Speaker 2 (01:10:20):
Sure you see the original in the black and white
stuffs terrifying.

Speaker 3 (01:10:25):
That is a classic.

Speaker 1 (01:10:26):
But no.

Speaker 2 (01:10:28):
And the month of December, I went around and I
surveyed probably close to one hundred and seventy five and eighty.

Speaker 6 (01:10:36):
Young adults and asked them the kind of movies they
wanted to watch.

Speaker 2 (01:10:40):
Interesting fact here, yeah, ninety five percent of the women
that I interviewed all horror.

Speaker 1 (01:10:48):
Horror, horror.

Speaker 3 (01:10:49):
Yeah, it's it's made it quite a comeback. It's very popular.

Speaker 6 (01:10:53):
Guy I home coms.

Speaker 3 (01:10:56):
The guys wanted rom com I didn't. I didn't expect that.

Speaker 6 (01:11:02):
When it's Jennifer us to do and then you see
this girl.

Speaker 12 (01:11:08):
She looks so dainty and she does popping down. They
make between the legs. They love the horror movies they do.

Speaker 5 (01:11:22):
The horror movies are fun.

Speaker 6 (01:11:23):
But girls love it. Why do women love horror movies
so much?

Speaker 3 (01:11:27):
Has questions.

Speaker 5 (01:11:28):
It has something to do with dopamine. I think watching
horror movies, it's like a micronse.

Speaker 3 (01:11:34):
No, it's dopamine is naturally produced.

Speaker 4 (01:11:38):
I was about to give you a psychology lesson, so
I think because it's like it's almost like.

Speaker 5 (01:11:44):
Microdosing adrenaline and girls.

Speaker 4 (01:11:47):
We talked before the show started about misogy and the
way women have to live constantly on edge and afraid.
It's like we get so used to it that like
we need that to like get dopamine. It's like, why
are girls into rough sex? Girls into horror movies? It's
the same answer, are you in the rough sex?

Speaker 5 (01:12:03):
Yeah?

Speaker 6 (01:12:05):
Yeah, it's always a little white innocent ones in, isn't it.

Speaker 1 (01:12:09):
Yeah?

Speaker 6 (01:12:12):
Out put on a trump masket. No, horror movie.

Speaker 3 (01:12:21):
No Trump, that's where we draw the line.

Speaker 6 (01:12:23):
I'm drawing the line.

Speaker 5 (01:12:24):
Yes, okay, put on a Trump mask and let me
peg the ship out of you. How about that.

Speaker 1 (01:12:31):
Peg? All right now?

Speaker 6 (01:12:32):
The lines are lighting up right now from the mag
up people. Hello, Hardy Tegor Now.

Speaker 4 (01:12:39):
Are you.

Speaker 1 (01:12:41):
Her?

Speaker 3 (01:12:42):
Sorry?

Speaker 2 (01:12:43):
All right, we're gonna break away for a commercial. When
we come back, we've got the news and what you
must watch from the mall dot sexy and taking more
of your phone calls right after this.

Speaker 6 (01:13:02):
Inside the industry, Aria and Damien are here with me.
We've got the news coming up and what you want
to know. They're having a shot right now. And I
would be remiss if I didn't bring.

Speaker 3 (01:13:15):
This out, roll Scott, Are you kidding me?

Speaker 2 (01:13:20):
Cake that comes out after the holidays? This signifies the
time when the three wise men went to go and yes,
but they can't be that wise because they got there late.

Speaker 5 (01:13:35):
And I kid, I kid, I don't know.

Speaker 6 (01:13:42):
Does that smell okay to you?

Speaker 5 (01:13:45):
It smells like it smells yeasty.

Speaker 3 (01:13:48):
It's a little bit of easty, but it's remind me
of a boy girl girls saying up a feeling that
was that was going to come up here's two a
very happy twenty twenty five. Yes, have success for all
of us.

Speaker 1 (01:14:06):
Absolutely, I don't know.

Speaker 6 (01:14:10):
This does still a little funky. Oh there, Oh no,
that's terrible.

Speaker 3 (01:14:19):
Okay, Well, lady Spizer was right that James are a
terrific host.

Speaker 6 (01:14:24):
Oh, thank you, thank you. No, you've got your your
hoos there like what you call foods in the old lace.

Speaker 1 (01:14:37):
What do we call it?

Speaker 2 (01:14:37):
Now?

Speaker 6 (01:14:38):
What's the.

Speaker 3 (01:14:41):
Alright, this is your question towards you.

Speaker 5 (01:14:44):
Oh no, we could have Mexican houch on the drink.
The drink, you know, the scissors enough, that's.

Speaker 1 (01:14:53):
Much so there's that.

Speaker 6 (01:14:55):
There's a whole bunch of other little stuff. But if
you want a little dessert, these are fantastic. These are
called bowl mamone, the little charcolates. M mkay.

Speaker 3 (01:15:06):
I can relate and uh sounds very sounds very French.

Speaker 6 (01:15:12):
Yeah.

Speaker 3 (01:15:12):
I was gonna say that's more of uh Ari's department.
But uh, you can certainly relate, right.

Speaker 6 (01:15:19):
One of these things pips zero mm oh.

Speaker 7 (01:15:24):
So, James, I wanna hear more about your mainstream work.
This the stuff that you did in the past. Curious
about that, and.

Speaker 6 (01:15:31):
You're the guys we talk about it. Yeah, hopefully.

Speaker 3 (01:15:39):
I mean before time, HM.

Speaker 6 (01:15:41):
My name you would your us do now? Because you
have fout? Alright, let's step Marcone number to fall in.

Speaker 2 (01:15:52):
You can call it right down and talk to us
at eight one eight two three one two five eight zero.

Speaker 6 (01:16:00):
That's eight one eight two three one eight zero.

Speaker 2 (01:16:04):
If you're calling from overseas, remember to put in that
zero one one.

Speaker 3 (01:16:09):
International copy for overseas.

Speaker 6 (01:16:11):
Yeah, because I had some fans calling from Europe and
they were life. We couldn't get through, and I go,
you have to put the zero one.

Speaker 1 (01:16:18):
One in all right.

Speaker 6 (01:16:21):
We got a couple of questions from some of our
fans here. God wrote in Aria Banks, congratulations.

Speaker 2 (01:16:27):
On your one hundred and ninety nine if IA FD credits.

Speaker 6 (01:16:33):
You were definitely a productive performer in the industry.

Speaker 2 (01:16:37):
Of all the production companies and distributors you've worked with,
who are your favorite, top three and what do you
like the most about it?

Speaker 5 (01:16:46):
I really really love working with VIC and Media Group.

Speaker 4 (01:16:49):
They yes, they always I feel like they really spoil
their talent and it's always such a luxurious, like pampered
day on set when I do vixed it.

Speaker 1 (01:17:00):
How he worked with on that.

Speaker 4 (01:17:02):
I've worked with on with Fixed media group. I've done
Blacks and Blacks were all and I worked with Anton Harden.

Speaker 5 (01:17:09):
I worked with James Heffner which rest in peace. And
also no, no, no, I have worked with Isaiah in
the past. I'm trying to remember. The third one that
I believe is rocket Power.

Speaker 6 (01:17:27):
Yes, you know, I do the Urban ex words with
g and I met him this last year. Really nice,
very nice young man, so polite, very very professional. That
makes me feel good about these young guns coming out.

Speaker 5 (01:17:44):
Yes, yes, some of them do.

Speaker 4 (01:17:47):
Some of some of the male talent that have come
up recently in the past year or so have really
impressed me with their.

Speaker 5 (01:17:55):
Amount of talent and their amount of yes.

Speaker 4 (01:17:58):
Of course, and even the success I like within the
past year, like some of these male talents are seeing
like unprecedented like popularity for a male talent, for a
straight male talent right right when.

Speaker 7 (01:18:12):
You if they're gonna just interduct your question when you
say talent and explain that what makes a young male
performer talent or what makes him what makes great to
work with?

Speaker 4 (01:18:22):
Whatever that definition besides eight to twelve inch cock, besides that,
perhaps manners and.

Speaker 3 (01:18:34):
Well that's but that's with all the respect.

Speaker 5 (01:18:38):
Okay.

Speaker 4 (01:18:39):
Well, I won't deny that I am a size queen.
It's okay to have a preference, right, sure, No, I mean,
if I'm being honest, my perfect size is eight inches
seven eight inches.

Speaker 5 (01:18:52):
Wow, that's my perfect size?

Speaker 6 (01:18:54):
You got?

Speaker 1 (01:18:55):
Yeah?

Speaker 4 (01:18:56):
Yeah, anything more than like eight, I can do nine,
but it's a bit much. And then anything above nine,
I'm just like it's way too much.

Speaker 6 (01:19:02):
Yeah.

Speaker 5 (01:19:04):
What about your personal life, Yeah, that's what I prefer.

Speaker 1 (01:19:07):
Wow.

Speaker 5 (01:19:08):
But I like a variety of things because I also
really like.

Speaker 4 (01:19:12):
I do professional dominatrix work on the side sometimes you Yeah,
and I'm really into that lately.

Speaker 5 (01:19:18):
I'm like, really really really into the submissive mine. Yeah,
don't worry, I don't find days.

Speaker 6 (01:19:28):
Wow, but yeah, take out for sushi and.

Speaker 5 (01:19:33):
Like unless you not unless you ask very nicely.

Speaker 6 (01:19:44):
Okay, Danian, I have a question for you.

Speaker 3 (01:19:47):
Okay, listen.

Speaker 2 (01:19:49):
Your two Awards twenty seven nominations eleven ammys clearly defines
your reputation as a consummate professional in the adult industry
bas upon the technical aspect of what many of your
nominations are from the camera aspect.

Speaker 6 (01:20:07):
If you were a set designer, what do you see
a strengths of.

Speaker 2 (01:20:10):
Many adult industry sets as how you would improve most sets.

Speaker 3 (01:20:16):
Wow, that's a terrific question. The first answer I would
have is.

Speaker 7 (01:20:24):
What I've seen on some point industry sets, not all,
but I find the lighting or the rather flat. So
I would think that I'd want to add a little
more dimension to it, a little more of a which
I guess is also philosophically the way I see the
adult industries, I want to add an extra dimension to it.

Speaker 3 (01:20:42):
So it's an interesting question to ask me.

Speaker 7 (01:20:46):
I think that lighting for porn obviously is very light,
different than lighting for broadcasts and different, you know obviously
the the you know, but at the same time, you know,
someone told me a long time ago. Let tell the
story with your lens. Always find out what is the
most important moment, How can you you know?

Speaker 3 (01:21:04):
Whatever that is? You know, whatever, give the director what
he doesn't have, tell the story of your lens.

Speaker 7 (01:21:09):
And always, because television is a two dimensional medium, whether
it's broadcaster, always you're always looking for depth. You're always
looking to make it a three dimensional medium, and and
so to a certain extent, and that applies broadcasts, por
and whatever you know, you want to you want to
portray the performers in the best light possible. But you

(01:21:30):
also want to perform portray the the scene, the environment
and the best light possible, right right.

Speaker 4 (01:21:37):
I like people, I feel like people do like especially
producers and like you know, people in charge of the
background often see porn as very two dimensional and superficial,
just to churn out a product rather than looking at
like how it can be made.

Speaker 5 (01:21:54):
Into an art.

Speaker 6 (01:21:55):
That's a good point. Sure, that's a good but you
both make good points there.

Speaker 7 (01:21:58):
Yeah, yeah, absolutely, well, that's that's the essence of what
we do is telling a story, whether it you know,
however that story unfolds.

Speaker 4 (01:22:05):
But and I think, but that's so erotic though, like
the story of it, the chemistry, the anticipation, the how
the context, the context is so it's so sexy. To
take that away, to take the story away from it
takes away some of the eroticism, in my opinion.

Speaker 6 (01:22:23):
In my opinion, now, if you had a budget that
was a good sized budget, okay, then you could make
any movie you want.

Speaker 3 (01:22:31):
What would you do A good question?

Speaker 4 (01:22:34):
Okay, So I was thinking about this recently. I'd really
really like to do first musical theater porn.

Speaker 3 (01:22:42):
Would be just hilarious and so fun.

Speaker 5 (01:22:45):
Would we've done I'm sure, I'm sure.

Speaker 4 (01:22:47):
Rule thirty four is if you can think of it,
there's porn of it, right, So I'm sure anything that
I can think of has already been done.

Speaker 5 (01:22:55):
But also Victorian era like Rococo.

Speaker 8 (01:22:57):
Like of course, of course, but if I could do it,
I haven't Renaissance porn.

Speaker 5 (01:23:04):
The rock Victorian eras after.

Speaker 3 (01:23:07):
The Renaissance is right, Okay, I'm a history nerd, no,
I so well, thank.

Speaker 7 (01:23:12):
You more less you know last century history nerds, but
you're pre pre Industrial Revolution history.

Speaker 3 (01:23:19):
Yes, okay, all right, look at that very well balanced.
I like a very well balanced cast.

Speaker 4 (01:23:26):
I like medieval history, and I like Renaissance history, the
Gothic period, the Victorian periods.

Speaker 5 (01:23:32):
Everything created us.

Speaker 3 (01:23:33):
Oh that's so interesting. I love European history and Russian history.

Speaker 4 (01:23:35):
Yes, I'm writing a novel now about what if the
Industrial Revolution never happened?

Speaker 6 (01:23:40):
So why don't you do it?

Speaker 5 (01:23:42):
Why don't I do it?

Speaker 7 (01:23:43):
That the Victory Victorian we can make an industrial do
a short version.

Speaker 5 (01:23:48):
Only that I need to find a Victorian dress, and
I'm so picky. I need to like find a good.

Speaker 2 (01:23:53):
Victorian dress, and I know they would Western costumes out
here in the valley.

Speaker 4 (01:23:58):
Well, the Western is, yeah, is Victorian, but I'm looking
for more like European Victorian.

Speaker 5 (01:24:03):
Like I said, the Rococo stuff costumes.

Speaker 2 (01:24:06):
Okay, Glendale, California, they have wonderful stuff like that, But
go round and then just get your talent and shoot.

Speaker 6 (01:24:17):
It's kind of like doing a little pilot.

Speaker 13 (01:24:19):
Yeah.

Speaker 4 (01:24:19):
You know, I'd love to have like a little like
love story like Pride and Prejudice with it, you know,
just like really sexy like yearning.

Speaker 7 (01:24:28):
Prime prejudice to a little merchant ivory, throw a little
production value into it exactly.

Speaker 2 (01:24:33):
I mean, we did porn Shakespeare's stuff. It just didn't
work because the talent was so wrong.

Speaker 4 (01:24:39):
To find someone with a passion for it, you have
to find the right I feel like when.

Speaker 2 (01:24:44):
Even probably like Keanu Reeves when you first started out,
what fow suck it?

Speaker 6 (01:24:53):
I'm coming with.

Speaker 3 (01:24:55):
You know, you can't be like that, you know you
gotta well, yeah, and to get probably the best way to.

Speaker 1 (01:25:01):
Come Romeo, Romeo, give me your bonio.

Speaker 6 (01:25:06):
You got to be careful with this. Yeah, but I'd
love that idea, the prejudice.

Speaker 1 (01:25:13):
Sure true? You like that?

Speaker 3 (01:25:14):
I do, absolutely, Yeah, go for it, honey, do that?

Speaker 6 (01:25:18):
They are you waiting for it? Come on, it's the
beginning of the year. Why don't you set that do it?

Speaker 4 (01:25:22):
I'll set that intention, set that goal for the years
to make my promontory and foreign Yeah, freaking prejudice.

Speaker 5 (01:25:28):
Yeah, why not?

Speaker 3 (01:25:29):
I think of any other questions we can answer or no,
I'm curious.

Speaker 1 (01:25:33):
That's it.

Speaker 6 (01:25:33):
We're going to go for the news right now, all right? Okay?

Speaker 17 (01:25:38):
Ab and Hall of Famer Holly Randall has launched X
s I V Magazine.

Speaker 6 (01:25:45):
You can get more information at x s i vmag
dot com.

Speaker 2 (01:25:51):
A e b N has revealed their top ten sign
starts of twenty twenty four. Penny Barber and Sir Peter
were the top stars of the year for the straight
and gay theaters.

Speaker 10 (01:26:05):
Some of the.

Speaker 2 (01:26:06):
Stars that got on this list include Penny Barber, d Williams,
Laurence Phillips, Kenna James.

Speaker 3 (01:26:14):
Kenna, James one of my cast members.

Speaker 19 (01:26:16):
Yes, she's terrific, Coco Lovelocke, Julie An, Sirene Damar and
Magdalene Saint Michael's and Jennifer White and India Summer.

Speaker 6 (01:26:27):
That is incredible because I know Magdalen really isn't doing
a lot of scenes too much anymore. I think Siren
is doing some India.

Speaker 2 (01:26:38):
I don't know her doing anything, and I don't think
Julia Anne has been performing for a while.

Speaker 3 (01:26:44):
Coco love Lock, I thought Julian retired.

Speaker 6 (01:26:46):
I thought she retired.

Speaker 1 (01:26:48):
Yeah.

Speaker 2 (01:26:48):
Yeah, And here's a trivia question. Before she was calling
herself Coco love Lock, she used to go by what
poort me.

Speaker 4 (01:26:58):
Ah, she told me, but remember it's cow Maybe no, no,
Coco love Lock.

Speaker 6 (01:27:04):
Before she was Coco love Lock was known by this
stage name.

Speaker 1 (01:27:10):
What was it?

Speaker 6 (01:27:11):
What did they say in the Truth in.

Speaker 3 (01:27:14):
The Job that one?

Speaker 6 (01:27:15):
That one?

Speaker 3 (01:27:15):
I don't know, I'm not let me take a guess.

Speaker 6 (01:27:19):
Yeah, it was Coco love Cock or Coco loves cocks.

Speaker 3 (01:27:26):
Oh, there you go.

Speaker 1 (01:27:27):
Perfect.

Speaker 6 (01:27:28):
It's very difficult too. When she went to d m V,
you know, get her registration. All these guys, God, God.

Speaker 1 (01:27:35):
I love the guy.

Speaker 3 (01:27:36):
Yeah, and of course you get the cream of the
crop at the d m V.

Speaker 1 (01:27:39):
Yeah.

Speaker 3 (01:27:39):
Or if you're gonna get the best men there.

Speaker 1 (01:27:41):
Man, that's three and four inch guys you can find
in the same fornato. Yeah, but all right.

Speaker 2 (01:27:48):
Penthouse has revealed the January Penn of the Month is
brook Tilly visit of at house dot com, Mollie and
Emma Rosie.

Speaker 6 (01:28:01):
Loved both of those gals.

Speaker 2 (01:28:03):
They're in a bunch of new virtual reality releases from
vr bangers. I love working with those guys. Go check
out the new releases on vrbangers dot com. Rachel Steele
has a new production company called Red Milk Productions and
they have got lots.

Speaker 6 (01:28:21):
Of new scenes that are coming out, so go and
check it out.

Speaker 2 (01:28:25):
And Adas Foche she's been on this show before she
started just starting out in her career, but she has
already landed the cover of the January issue of Hustler Magazine.

Speaker 6 (01:28:40):
Congratulation Attis and she's also a Hustler of the Month
for January. Now our good friends at the Mall dot Sexy.
It's more than just shopping.

Speaker 2 (01:28:51):
You can also watch in great movies there at the
Mall dot sexy.

Speaker 6 (01:28:56):
Check out these movies this weekend.

Speaker 1 (01:28:58):
Why not? Why not?

Speaker 6 (01:29:00):
What are you gonna do?

Speaker 5 (01:29:04):
You?

Speaker 6 (01:29:04):
Binge watched everything to show it's what's im porn? Go
at them all about sexy.

Speaker 1 (01:29:09):
It's one of the people.

Speaker 3 (01:29:10):
Come on, yeah, get with the program.

Speaker 2 (01:29:12):
Check out Lapdog with Bellow Roland and Charlotte Simms, Cheeky
Fourteen with Kitty Deville and Queenie Sattin, Cheating with the
Boss Too with Chloe Temple and Melina Melendez, and the
Career Perspective is on our dear friend. Aga Carrero, who

(01:29:32):
started her career in nineteen ninety three, has paired in
over four hundred movies. She became the first Asian performer
ever to win the av AND Female.

Speaker 6 (01:29:43):
Performer of the Year Award. Oh That's retires in Stars
and three.

Speaker 1 (01:29:52):
She has been.

Speaker 2 (01:29:54):
Involved in so many things, but she was also in
the documentary called After in two.

Speaker 3 (01:30:01):
Yes I remember hearing about that.

Speaker 6 (01:30:03):
Yes, yeah, But you can go to the mall dot
Sexy and check out some of her movies.

Speaker 2 (01:30:07):
Including Poem Star Legends with Asia Carrera, Legends with Asia Carrera,
and a Witch's Tale with Alexandra Silk, Lovely Gel Animal.

Speaker 6 (01:30:20):
And Aha Carrera. And speaking of Legends, you are going
to find the Legends at the inside the Industry.

Speaker 2 (01:30:28):
Legends Booth at ABM Wednesday, Thursday, Friday and Saturday. Check
out some of the stars that I got besides yours truly,
James Bartley, you got, Christy Candy, you got Ginger lind
you got Misty.

Speaker 6 (01:30:42):
Stone, Dominique Simone. Wow, Gauge, that's right, James is bringing
Gage back. Kria, I'm on the air. What else we have, Tria,
I'm on the air. Aren't you watching? Okay? Also at

(01:31:05):
the Inside the Industry Legends Boot.

Speaker 2 (01:31:07):
This woman who just rudely interrupted by talking there, prior
Ri is gonna be there also Brad Armstrong.

Speaker 20 (01:31:15):
Wow, Brad Armstrong is gonna be in our booth. Well,
t is gonna be in our booth. Another big legend.
Mickey Lynn is gonna be in our booth.

Speaker 2 (01:31:28):
Another legend, Jennifer Lopez's dry cleaner, another legend.

Speaker 6 (01:31:33):
We've got legends all over the place. It'll be in
the Inside the Industry Legends Boot.

Speaker 13 (01:31:41):
Wow.

Speaker 6 (01:31:41):
Seriously, what Wow?

Speaker 3 (01:31:47):
We'll use that music for the credit.

Speaker 6 (01:31:48):
Bed Pria, what part? If I'm on the air, don't
you understand? Okay?

Speaker 2 (01:31:55):
So she's probably calling to tell me your backyard is
on fire. Well, I'm watching you on Fox News. Your
backyard's on Claire, Yeah, get out of your house all
right now.

Speaker 6 (01:32:09):
We still have a contest going on. You still have
eight days to enter this contest. What is this contest?
You asked, well, I guess you must have just crawled
out from under their piers.

Speaker 3 (01:32:21):
James, what is this contest?

Speaker 6 (01:32:23):
I'll tell you. This contest is where we're giving away
five passes.

Speaker 2 (01:32:28):
Like Willie Walker gave away five tickets to kids to
go to a chocolate factory. You're gonna go to the
Live factory and go to the AVN Expo, not one day,
but all four days.

Speaker 6 (01:32:40):
Okay, you will win a free ticket. The value is
hundreds and hundreds of dollars each for this. Okay, thank
you AVM for being so cool and giving this pass. Okay,
so five of you can get a chance to go
the AVN Expo. Right into Inside Contest at gmail dot com.

(01:33:02):
That's Inside Contests at gmail dot com. Put avian contests.

Speaker 1 (01:33:06):
In the header.

Speaker 6 (01:33:07):
Now, if you're watching this live or you're watching.

Speaker 2 (01:33:10):
This on the repeat, that means you've got to get
that entry in by January.

Speaker 6 (01:33:18):
Sixteenth, I'll be nice, January eighteenth.

Speaker 13 (01:33:23):
That's that.

Speaker 3 (01:33:23):
We also means you've got six days to cancel your
free trial.

Speaker 11 (01:33:26):
Yeah.

Speaker 2 (01:33:27):
Now, Also we are giving away four free tickets to
go to X three, which is X Business big signing
event at the world famous Hollywood Palladium. Next weekend, So
write in now You've got until Sunday to enter that
contest again inside contest at gmail dot com put X

(01:33:49):
three contest in the header. I'm giving away four tickets
to go to X three.

Speaker 6 (01:33:57):
Such a deal, Come on, I'll throw in.

Speaker 2 (01:34:01):
Some tartlets, okay, So any of those contests right now.
Anything you want to tell your fans out there, this
is your opportunity.

Speaker 4 (01:34:11):
I love you, guys, Thank you so much for tuning
in and supporting everything I do. Without you, guys, and
my life would be possible.

Speaker 10 (01:34:19):
So thank you.

Speaker 5 (01:34:19):
You guys mean so much.

Speaker 6 (01:34:22):
Wonderful and Damien.

Speaker 2 (01:34:23):
Anything you want to tell to young filmmakers out there,
or camera people or fans of all of your work.

Speaker 3 (01:34:32):
Good, good question.

Speaker 7 (01:34:36):
I hopefully what I say is not too cliche, but
I really do believe that when you get into this
business you have a certain you start to have a
certain dream, or you have a certain vision, it's very
easy to get pigeonholed and sidetracked.

Speaker 6 (01:34:49):
So I will say this to your point.

Speaker 3 (01:34:52):
Yeah, I will say this to a lot of young
people coming in the business.

Speaker 7 (01:34:55):
Whatever your dream is, pursue that, not necessarily because it's
your only option, but because it's your favorite option, and
other people will try to dissuade you to take out
all the roles or we'll take you know. So I
had a vision when I was I had a goal
when I was my early twenties to become a broadcast
television cameraman and was very, very lucky it worked out
for me. But I had a lot of people to

(01:35:16):
try to, you know, pull me in different directions as
I was coming up. And now I have a vision
to make a terrific reality show about the adult business.
And I've had nothing but excited the adult life it
does and thank you, And I've had just nothing but
great people support me. And the fact is I've also
had a few people. You're always gonna have people that
will root against you. Well, yeah, so you know, there's

(01:35:39):
always that in the business. There's always a lot of
people that will try to pull you in different directions
and make you self conscious about your ambition, and never
be self conscious about being ambitious.

Speaker 3 (01:35:50):
That's the most important thing. That's don't think less of
yourself for being.

Speaker 7 (01:35:54):
Ambitious, because there are a lot of people like that
will try to do that to you, and you deserve
much better.

Speaker 3 (01:36:01):
So that's what that's my message to anybody.

Speaker 7 (01:36:04):
You know, I just I was like a twenty year
old who got a wild hair up, has asked and
decided I want to be a cameraman. And you know,
eleven Emmy Awards later, things are still going pretty well.
But I mean, I'm just saying I had no natural talent.
It was just this is what I wanted to do,
and it worked out well. And I wish that that
level of success and a lot more to everyone who's

(01:36:26):
trying to break into this business.

Speaker 2 (01:36:28):
And I don't think you're taking a big career risk
by working with adult stars.

Speaker 3 (01:36:32):
No, not in the slightest No, it's twenty twenty five,
it's not a risk at all. If anything, it's it's
a real boost.

Speaker 7 (01:36:40):
Yeah, I mean, the lack of for lack of a
better word, it's just a great adrenaline rush. It's you know,
after thirty five years in broadcast, it's so terrific to
see this other part of the.

Speaker 3 (01:36:48):
Entertainment industry and meet such terrific people.

Speaker 7 (01:36:51):
Like thank you, like both of you, and the people
that have been part of this project and helped me
develop this show, who have been so supportive and so
genuine and you know, every day I spend with them,
every day I work on this project. I will give
myself credit that I feel like it's I think I
had the right idea. Like I give myself avotit credit.

(01:37:13):
I knew that these people were really interesting, had a
great story to tell, and we're you know, very genuine,
terrific people who are comfortable in their own skin. And
that's the kind of show I wanted to make.

Speaker 3 (01:37:22):
And every day I spend this developing this project, that
notion I had is reinforced. And I'm blessed for that.
I really am blessed. So, you know, good people. I'm
surrounded by good people. Yeah, and I couldn't be happier.

Speaker 2 (01:37:36):
Well, I think that this is a nice little thing
to end with here, a little note to make. It's
a brand new year of people making the resolutions.

Speaker 6 (01:37:46):
Why bother you're going to only have it for forty
eight hours and.

Speaker 2 (01:37:50):
Stop, but make a resolution for something for the whole year.
It surround yourself with more positive people, more people that
will be good, not for you making necessarily a lot
more money or getting.

Speaker 6 (01:38:10):
Laid more that there's anything wrong with that.

Speaker 3 (01:38:13):
There's nothing wrong, but no more money and more sex.

Speaker 15 (01:38:16):
Get laid and get money, but enriching yourself with people
that are going to keep you happy all the time,
that are going to.

Speaker 16 (01:38:27):
Be there for you, that call you up, you know,
on Aoholiday, or return your calls, or return your emails
or your d MS.

Speaker 6 (01:38:38):
Or something like that. You know, people that have positive
things to say when they call you or you call them.
You know people that are on this next level.

Speaker 21 (01:38:50):
Because that's what you want to do is come up
to that level too, right, Yeah, yeah, and to proquess
in this industry, whether it's adult or mazzetam is, having
a positive.

Speaker 6 (01:39:03):
Attitude is what keeps you in the game constantly and.

Speaker 2 (01:39:09):
Keeping you in the know and keeping you popular and
beloved not only by people you work with in the productions,
but with the fans as well.

Speaker 1 (01:39:20):
Okay, be a.

Speaker 2 (01:39:21):
Good positive person, be a nice person, being nice when
you're out and when you're in public.

Speaker 6 (01:39:26):
Don't put on airs. You know fellow performers out there
that they're watching it nice see them walking around.

Speaker 2 (01:39:34):
And I was like, wow, seriously, you're making porn. There's
no reason for you to put on these airs like
you're I know, some very big name celebrities and they
don't act like that.

Speaker 6 (01:39:49):
Well, don't you know.

Speaker 7 (01:39:51):
There's a great saying I heard when I first started
in the broadcast industry. They said, you know, the people
that are really really talented but are difficult to work with,
they'll get some work. The people that are maybe not
top of their game, but are really fun to be
around and really a good part of the set, they'll
get some work. The people that work the most are
the ones who are extremely talented and also very very

(01:40:12):
humble and just know that, hey, this is a team effort,
and you know, no.

Speaker 1 (01:40:18):
One is more.

Speaker 7 (01:40:20):
Perfect example of a real professional, enormously talented and one
of the nicest guys.

Speaker 3 (01:40:26):
And those are the people that will last in this business.

Speaker 6 (01:40:28):
Yeah, I don't know.

Speaker 2 (01:40:30):
Personally, I've known him, working with him and just a
super super nice guy I see is to the fans
and how nice he is.

Speaker 6 (01:40:39):
On the set.

Speaker 2 (01:40:41):
And then there's people that work in this adult industry
and I've seen them, the real nice people, and they keep.

Speaker 6 (01:40:49):
Working all the time.

Speaker 2 (01:40:51):
You know, Angela White is a perfect example that she
is a very very sweet person.

Speaker 6 (01:40:57):
She is super nice and wonderful to work with, very professional.

Speaker 3 (01:41:00):
Oh, people like having her around.

Speaker 6 (01:41:02):
Yeah, people like having her around, and I like having
her on the set. Now there would be some girl
that could have the same type of body, like just
has got this piss poor attitude. Yeah, you know, now
you're a nice person.

Speaker 2 (01:41:17):
Everybody says how nice Aria Banks is, Oh, thank.

Speaker 6 (01:41:21):
You, very sweet and long time and professional and no
drama and stuff. And you come and you do your
work and you get your check and you go home,
and that's the way it should be.

Speaker 1 (01:41:31):
Yeah.

Speaker 5 (01:41:31):
Absolutely, just another day at the office.

Speaker 1 (01:41:34):
I know a lot of girls a Lulu Chu.

Speaker 5 (01:41:37):
I love her.

Speaker 6 (01:41:38):
Yeah, she's fantastic. Misty. She might be late, but I'm
going to tell you she's one of the consummate actresses
in this adult film.

Speaker 2 (01:41:47):
She really, really, really is, and she should have been
nominated for Best Female because.

Speaker 6 (01:41:54):
She does great work. But there are wonderful performers out there.

Speaker 2 (01:41:58):
Go out, watch the poor in this weekend, watch the
mainstream projects.

Speaker 6 (01:42:05):
Get but get outside, get some fresh air.

Speaker 2 (01:42:07):
Unless you live here in something, in which case outside
unless you have the mask on, got smoky.

Speaker 1 (01:42:15):
Out of that.

Speaker 6 (01:42:17):
Let's just hope they get those fires put out very soon.

Speaker 5 (01:42:20):
Thank you for firefighters song, Yes.

Speaker 6 (01:42:24):
Thank you to the firefighters.

Speaker 3 (01:42:27):
And the first the first responders yes, absolutely.

Speaker 6 (01:42:30):
First responders, yes, well next time.

Speaker 5 (01:42:32):
I'm James Fartlay, I'm Ari Banks.

Speaker 3 (01:42:35):
I'm Damien Tuffro.

Speaker 6 (01:42:36):
Good night and good sex.

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}This week on Inside The Industry January 8

Episode Transcript

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.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}24/7 News: The Latest

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This week on Inside The Industry January 8

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