It Would Seem As Though It's Holiday Season

This week we talk about the holidays, problematic actors, Movies, and wigs that ruin everything.

Episode Transcript

Speaker 1 (00:01):
H m. It was a style.

Speaker 2 (00:24):
Morty happy holiday week.

Speaker 3 (00:26):
I mean, it's the week of thanks Forgiving, which, of course,
you know, as a holiday that was started by you know,
the government to celebrate murder.

Speaker 2 (00:39):
Murder. We of course are one hundredercent behind it, because
we love a lot, a lot of murder.

Speaker 1 (00:45):
I love, I hate all the Indigenous culture.

Speaker 2 (00:50):
So is it.

Speaker 3 (00:53):
Because it's Thanksgiving that it's also Indigenous Heritage Month?

Speaker 1 (00:58):
That's weird to me. I don't know. It just feels
like trying.

Speaker 2 (01:01):
To make you know, I realized we killed so many vollebles.

Speaker 3 (01:05):
Yeah, but we're gonna celebrate you for a hot minute
here in November.

Speaker 2 (01:09):
Yeah, weird, right, I really know.

Speaker 1 (01:13):
Yeah, I'm not sure. I Thanksgiving.

Speaker 3 (01:15):
I'm always First of all, I never really believed the
Pilgrim Native story because I knew, you know, I was
told the real story from a young age. But like
I always was like, well, it's a feast day, we
all get together, and like, you know, me being a
little pagan witch, I'm like, oh, it's just a harvest day.
We get together because it's the end of the harvest.

Speaker 1 (01:36):
Blah blah blah. But also I think I was talking
to my man this morning Mimi and mymian this morning
about it and saying go Gavin, go Gavin.

Speaker 2 (01:46):
We love him, Yes, we do that.

Speaker 1 (01:49):
I think it's important. Obviously. I don't think it's important
to celebrate Thanksgiving. I don't care if anyone celebrated Thanksgiving.
It's great. But here's the thing. Yes, you should support,
celebrate on or the Indigenous people who were here, that
were taken over, that were pushed out, that were you know,
genocided against.

Speaker 2 (02:08):
You should honor them.

Speaker 1 (02:09):
But we cannot forget that even though that fairy tale
of Thanksgiving, the first Thanksgiving we were told, we need
to remember that it was a slaughter. We have to
remember that it was a decimation of.

Speaker 2 (02:25):
A people for being a people, you know what I mean.

Speaker 1 (02:27):
Which is still going on today, not just for I
mean Indigenous people, but there are still people being persecuted
today for being who they are. Right, So I think, yes,
we need to see that.

Speaker 2 (02:37):
The other day a kid was taken out of it.

Speaker 1 (02:39):
I did, I did. Yes, I don't have a high
school alma I didn't graduate from one.

Speaker 2 (02:47):
So because she's so stupid.

Speaker 1 (02:49):
So stupid, I know, but I have two college alma maters.

Speaker 2 (02:54):
So how ado do you.

Speaker 3 (02:58):
If you get your GED, like out of college like
my husband did as part of alater.

Speaker 1 (03:05):
Well, I always consider all the water being where you
went to school, sure, but also where you were like
embedded in the culture. Right, So if you got your GED,
often you a lot of times you take a class,
a couple classes to prepare you, and then you sit
for like a couple tests and you know, for hours whatever.
Because I also got my GED out of college. I

(03:26):
got my mount Hood commuter to college. But I didn't
prep or anything. I just went and took the test
because I said, ma'am, I'm fresh out of junior year. Given,
let me take the stupid fucking test. And it was fine.
I still have my GED results too, which was really funny.
They're high scores, but I mean, of course they are.

Speaker 2 (03:45):
Did you pass with flying cobals?

Speaker 1 (03:48):
But I also feel like I don't. And this isn't
a read. I've just really been academically inclined and I
enjoyed that shit. But like I didn't think it was complicated,
you know what I mean, right, right? It wasn't a
super complicated test.

Speaker 2 (04:00):
You know what I have.

Speaker 3 (04:01):
Heard is really complicated is the citizenship test is really
complicated and complicated because they ask you questions that we
as native Americans, Nope, nope, we as Americans who were
born here, we as America yea, yeah, but not naturalized.
But yeah, we wouldn't know most of those answers because

(04:23):
they ask you like how many people, how many seats
are there in the House and Senate? How who was
this president? You know number or what numbers? Like lots
of questions that I think, who knows that? And why
would you need to know that?

Speaker 1 (04:37):
But at least I mean, and that's the thing that was,
they do give you material just exactly so study the material.
But also I every time I've heard of someone taking
a citizenship test, it's only been on TV and your
movies and shit, and so every time I've heard of it,
it's been like they studied really hard, and then it's
like what colors are on the American flag?

Speaker 2 (04:58):
You know there's a flag behind it?

Speaker 1 (04:59):
Yeah, yeah, was the first president of the United States?
And then George Washington's on the wall, like you know,
things like that. So I didn't I've heard that, like
the material they gave is very hard, but I've never
heard of it any actual people to who've taken the test,
you know. Yeah, interesting, So I don't know. I mean,
I believe you, but i've heard yeah, I don't know.

Speaker 2 (05:20):
Obviously I didn't have to take the test. I was
born here.

Speaker 1 (05:23):
We should all have to, I mean, and not that
they're going to kick us out, but then if we
don't pass it, we have to go through like civics classes,
you know what I mean, Sure, I'll take it.

Speaker 2 (05:31):
And I feel the same way about parenthood. I think
you should have to take a test, Mama.

Speaker 1 (05:34):
I feel like I feel that way about most things.

Speaker 3 (05:37):
But I also feel like, you know, at some point
you can say no, I opt out, you know, and
then be either given your life supply of birth control
or have a little snipitty snipisode.

Speaker 2 (05:50):
You don't have to worry about it. If that's you know,
if you were like absolutely.

Speaker 3 (05:53):
Certain, it's like no, I never want kids, I don't
like kids, blah blah blah, then I.

Speaker 2 (05:57):
Think you should be one of those people are worn. Yeah.

Speaker 1 (06:00):
Absolutely.

Speaker 2 (06:02):
I remember many years ago and ready go right off.
The earth had cooled.

Speaker 1 (06:08):
I was actually I think I was working at Perfect Looks.
So this was like thirty years ago.

Speaker 2 (06:16):
But there was a program that had been.

Speaker 4 (06:22):
Or a bill that had been put forward to offer
women who struggled with addiction to.

Speaker 2 (06:34):
Come in and have their tube side free. Yeah, and
they would get a.

Speaker 3 (06:38):
Little check so that way they weren't throwing kids into
the system, because typically people who are putting kids into
the system put several kids in yeast.

Speaker 2 (06:53):
And if you.

Speaker 1 (06:54):
Struggle with addiction, you know you're not making the best
choices already.

Speaker 2 (06:59):
But we're up in arms about it.

Speaker 1 (07:01):
That's crazy. Well, go ahead, it's the eugenic I mean,
here's the thing. If they were if it was consensual
and it wasn't mandatory, right, like a woman could go
by her own volition and do this, right, I'm good
with that. But the moment that it becomes more of
like a you must because you're an addite or is eugenics?

Speaker 2 (07:20):
Right? No, And I agree with you. I would never
be behind something like that.

Speaker 3 (07:23):
But if you know some of these like I don't
want kids and I keep getting pregnant because of bad choices, sure,
oh this thing's and I guess the money, yeah, the
money on sure. Yeah, But at the same time, it's like,
how many millions is that going to save the system?

Speaker 1 (07:43):
Right?

Speaker 2 (07:43):
Well?

Speaker 1 (07:43):
And I think that the US now.

Speaker 2 (07:45):
And everybody wins.

Speaker 1 (07:46):
I agreed. I think the US now is going to
catch twenty two of sorts because they need They want
everyone to have kids. Oh, they want everyone to have
kids because we're not you know, repunishing population or whatever.
But they don't make the environment and the situations and
the circumstances of having children bearable. Everything is you know, expensive,

(08:12):
everything is time consuming, Like everything is hard because it's
not communal. Everything is hard because it's like you individual
family must raise your children when it doesn't have to
be like that. The government could absolutely help you could
absolutely take care, could absolutely do that. But instead they
make it like a social war zone everywhere you go.
So having kids isn't desirable. No one can afford a house,
people have like loads of debt. People don't want children,

(08:35):
and so how do you fix that. It's not by
forcing people to have children. It's by fixing the society. Right,
So it's by giving everyone free education. Guess what, all
that debt's wiped out. Give people housing, you know what
I mean? And maybe they pay a small they pay
a portion of rent, but rent is astronomical based on
where you live, Like it's astronomical based on the amenities

(08:59):
around you. That's stupid and it's all capitalistic. So if
we just gave everyone housing and grew gardens and had
people happy, like, it would be a better society. If
people just had more services that everyone benefited from, it'd
be a better society. More people would want to settle down,
more people would buy houses, would want children. But that's
it's not the fucking nineteen fifties anymore, right, It's not

(09:20):
a time period where a one person, how like one
breadwinter household, can buy a house. You know, we're not
there anymore, and we're college tuition is five hundred dollars
for the year, like, we're way past that, and it's
not And that's the thing. We're at that point. And
I'm sad to live in this time a lot because
it's like it's not tenable, right, And so we're at

(09:43):
that point where everything is just so astronomical. Going to school,
buying a house, doing anything is too much fucking money,
And so what's going to happen. People can't afford that, right,
People can't afford to live. You can't have like a
one bedroom apartment anywhere in this country with a normal
minimum wage forty hour work now because the place is
where that rant is so much lower, so is the

(10:05):
minimum wage.

Speaker 2 (10:06):
So you still it's percentage wise, it does not work.
It does not add up.

Speaker 1 (10:11):
No, So something where I was like.

Speaker 3 (10:12):
You know, and we've talked about this before, when I
was young and for start working, I was making garbage
for money, a couple cents, but everything was so much cheaper.

Speaker 1 (10:20):
Yeah, so different. Well and what and that's the thing too,
is it decades past, like insurance, car insurance wasn't really
a thing, you know, buying a car was much cheaper.
Was health insurance a thing? Yeah, okay, but it wasn't
like it is now. No, no, no, right, And so

(10:42):
my point is is everything cost you money to drink
water costs you like it's this is dystopian, right, And
dystopian novels and movies are always written about the current issues, right,
They're written to be a mirror. It's it's saying this
will is what will happen if the society continues to
act this poorly? Right, But it's supposed to. It's not

(11:03):
supposedhow us the future it shows us now, right, but
it is you know, how many people are houseless how
many kids are in the system, and how many how
many people are taking care of how many people have
like college debt, Like it is just a ridiculous thing.
And we teut as being this smart, great, beautiful country.
There's so many countries that outpace us in so many things. Well,

(11:24):
how many kids can't even afford to move away from
home exactly because there are lots of you know, and
I know that people of my generation, not myself included,
people of my generation are all like, oh kids today,
they don't have any ambition, they don't want to do anything,
they have no idea, I can't afford to do anything,
they have no And it was like you could work

(11:44):
full time and still not be able unless you move
into an apartment with like six of your best friends
in a two bedroom apartment.

Speaker 2 (11:51):
Yeah, you're not going to be able to afford that, No,
you know. And it's like unless you.

Speaker 3 (11:57):
Are on you know, a trust fund exactly or generational health.
So yeah, if you're wealthy, sure when your parents are
still fine as you so you literally.

Speaker 2 (12:06):
Couldn't do it on your own. No, no, no, So
I don't know.

Speaker 1 (12:11):
How we think as a society that this is you know,
the route we should be on it's all such a
mess right now. Well, and the uptick of multi generational
living is like bigger than before ever in the United States,
which is so parents living with their child, children still

(12:31):
living with their parents as adults or like grandparents or aunts,
and like everyone under one house is happening more and more,
and there's articles about it. People are like, why are
children staying at home longer? The sole reason is because
it's too expensive, right, like we all.

Speaker 2 (12:47):
Not that they don't want independence.

Speaker 3 (12:48):
It's not that they are like I can never leave
home because I've I mean, it could be if you
were one of those people who had a helicopter parents
who never let you do anything, that maybe you don't
know how to adult and whatever, but mostly because no
one can afford it.

Speaker 1 (13:02):
Well, yes, and I think, though I kind of sorry,
I kind of think it's good because how many other cultures,
most of Asia, families lived together for kind of ever,
you know, like you grow up, you find that you
get married, but you live with your parents until you
get married, and often you move into your spouse's house

(13:23):
with their family. Like, so it's not abnormal. I think
we as Americans have made it abnormal.

Speaker 3 (13:30):
But we've also somehow, for some reason, as you know,
white people with no culture have done this thing where
it's like, well, you're eighteen, you.

Speaker 2 (13:39):
Have to get out. You got to get out. Yeah,
go to your own thing, because that's how the system
is supposed to work.

Speaker 1 (13:45):
Yeah.

Speaker 2 (13:45):
I don't understand that.

Speaker 1 (13:46):
No.

Speaker 3 (13:47):
I mean, I know when I was old enough to
move away from home, I absolutely wanted I had to
get away from the country and my family.

Speaker 2 (13:55):
Yeah, but it shouldn't be that.

Speaker 3 (13:57):
You know, you have to if your family is cool
and you are comfortable there and everybody. I do think,
you know, once you've graduated high school that you should
be helping out, you should be pitching in I don't
think unless you're in college then you're doing that.

Speaker 2 (14:12):
And I say, if you can afford to go to.

Speaker 3 (14:14):
College without having a job, I think that's great because
you're focusing.

Speaker 2 (14:18):
On one thing, you know.

Speaker 3 (14:20):
But then when you're no longer in school, if you
still want to be home, I think you need to
be responsible to helping out, pitching financially, and you know
physically like helping out around the house, come.

Speaker 1 (14:33):
In the bathroom, take out the garbage or whatever. But
basic shit that you would do if you had a roommate,
you know what I mean.

Speaker 3 (14:38):
If you had your own apartment, unless you're a pig,
you would be taking out the garbage. You would be
not leaving a pile of dishes in the sink whatever.
But you know, yeah, I think Now. I had a friend,
believe it or not, who was She was from here,
but her boyfriend lived in Italy, and so she would
fly back there several times a year.

Speaker 2 (14:59):
It's been time with him, and he'd fly over here.

Speaker 3 (15:01):
But when she first went over to visit him, she
was surprised, you know, being a typical American, she was
surprised that his entire family lived in one home like.

Speaker 2 (15:17):
His generation.

Speaker 3 (15:18):
And he was, you know, a young adult, probably thirty,
and his parents and his grandparents all lived in the
same generational house that belonged to I believe it was
the grandparents' parents, so they had lived in that house
for generations. And she was like, they even have furniture
that has been in the family for like hundreds of years,

(15:41):
which you know, that just tells you that shit was
made to last.

Speaker 2 (15:45):
But it was like, but it's.

Speaker 1 (15:47):
Not abnormal, no, girl, and I love it. I have
lived with family or next to family most of my life.
I mean, granted when I lived in La No, but
I don't. Here's the thing I like. I don't like
being alone most times. I like being left alone, but
I like the option of being Like going into a
living room and there's family, you even going to the

(16:08):
table and the like. That to me has always.

Speaker 2 (16:10):
Been comfortingly right.

Speaker 1 (16:13):
And I you know, sometimes I would think about because
when I would bring friends over when you know, living here,
especially when they were foster boys, are so new people
under one house that I'm like, do people that I
know coming here think like this is abnormal? And probably right?
Because there was all of us living under one house,
but no one, I mean, that was just my own thing.

(16:33):
No one ever said anything or whatever. But I think
also growing up poor people, I mean I knew people
whose grandparents lived with them, you know what I mean
growing up.

Speaker 3 (16:44):
I also think growing up the way that you and
I did, you do think about.

Speaker 2 (16:48):
Other people's perception of you because you.

Speaker 3 (16:52):
Know, like you have mentioned, you grew up in a hovel,
so sometimes your laundry wasn't clean and sometimes yeah, you know,
sometimes you get sprayed by his gun and something whatever,
and so you are very conscious of what other people's
perception of and so then I think that carries on.
You know, So as an adult, you're living what to

(17:12):
you feels like a perfectly normal life. But then when
you look at your friends who have a very different life, Yeah,
what if they think.

Speaker 2 (17:19):
Of my life?

Speaker 1 (17:19):
Yeah?

Speaker 2 (17:20):
Yeah?

Speaker 1 (17:20):
Yeah? Well, And I don't think though, if you live
on your own, your life is more enriched, you know
what I mean. I don't think necessarily if you live
on your own, you're doing better, you know what I mean? Like,
I think maybe you could say financially, but I don't
think everyone who lives at home either does it strictly
for finances. It's no, because it's also nice to have community,

(17:40):
and that's it, right, you know. And speaking of speaking
of community, actually, I don't know there's nothing people.

Speaker 2 (17:47):
I was gonna say, I'm.

Speaker 1 (17:48):
Just looking for a sea, and I have done because
you know, we're like eighteen minutes indoor, I think, and
we haven't even induced to show who we are. If
they're here, they better know.

Speaker 2 (17:56):
Yeah, I mean, so.

Speaker 3 (17:58):
Welcome to another week of It would seem as though
the podcast where we talk about anything, everything.

Speaker 1 (18:01):
And nothing mostly nothing. I'm Snanaka, I'm here with my
Shenannikins sixteen and pregnant. What are the kind of exactly,
by the way, your favorite lying from Juno because it's
such a funny movie. It's interesting on that particular note.
I've seen the movie, you know, I don't know, half

(18:23):
a dozen times. It's such a good movie.

Speaker 2 (18:24):
So, but now it feels weird to me because.

Speaker 1 (18:31):
Elliott Page is transitional.

Speaker 2 (18:33):
Page is now Elliott Page. And when they.

Speaker 1 (18:36):
Didn't you say, didn't you just say Elliott Page now
Elliott Elliot?

Speaker 3 (18:39):
Yeah, yeah, Elliott is Elliott now. But when they made
you know, they were add in transition yet. Yeah, And
so it feels I mean, obviously it's part of their history,
but it almost feels kind of.

Speaker 1 (18:52):
Wrong, like problematic. Yeah, like you're watching it and it's not,
of course, because they they're not out there going please,
you know, don't watch old stuff whatever, because that was
a very successful movie and it was very pivotal in
their career. But it feels interesting to be It's like
when I watched drag Race and there are queens like

(19:13):
old episodes and there are queens on there who have
since transition and you're seeing them in you know what
they referred to as their boy persona.

Speaker 2 (19:21):
Yeah, and it's like, that's weird.

Speaker 1 (19:23):
It makes me uncomfortable, It really does.

Speaker 3 (19:25):
It makes me a little uncomfortable, like you're seeing something
you shouldn't agree. And I feel that same way because
I've watched within the last year, I watched the movie
The Wedding Singer and Alexa Sarquette.

Speaker 1 (19:37):
Isn't it Oh? And you know it's.

Speaker 3 (19:38):
Still she plays George, but still very like make up
because of the very boy George right.

Speaker 1 (19:44):
In the sense. But Alexa Keet then transitioned, and so
it feels like stop it, like the shouldn't be watching it.
But yeah, it's interesting. You know, it's the reverse of
watching something where someone's problematic.

Speaker 3 (19:57):
It was a movie that she made, uh years before
she transitioned, and in parts of it is very scanceily
clad and.

Speaker 2 (20:08):
Seeing her Wait what movie?

Speaker 3 (20:10):
I don't remember the name of it, but I know
that we watched it. Okay, But what's funny is I
think it feels it almost feels like almost voyeuristically, you know,
this isn't something we should.

Speaker 1 (20:22):
Be looking at, I know, which is silly because obviously,
you know they have this body of work and as
they transition.

Speaker 2 (20:29):
You know that's going to still be out there.

Speaker 1 (20:31):
Yeah. Yeah, And a lot of times it's not a problem.
I mean, because they're playing characters, right, I'm sure a
lot of time before them, it's not so much of
a problem. But like I was saying, it does feel
like the reverse of when you're watching something and you're like,
oh shit, this has Kevin Spacey and I shouldn't be
watching it makes me uncomfortable, or like this has Roseanne
bar Or home alone too when Donald Trump is in

(20:52):
the lobby of the hotel and I'm like ew, you know, like.

Speaker 3 (20:55):
Okay, but since you brought that up, let's talk about
that for a minute. I know for me that when
someone turns out to be problematic, yeah, that I don't
want to watch their stuff.

Speaker 2 (21:07):
I don't want it. Like for example, I mean.

Speaker 3 (21:11):
You brought up Kevin Spacey, who I used to love
and I love to move right, But I will not
watch any of his stuff now, even if it's a
movie I loved. I know, I don't think I've watched
any I love to Pay It Forward, yeah, I you know,
and several other things.

Speaker 2 (21:27):
That's just the one that pops on my mind.

Speaker 3 (21:29):
But I will watch none of it now because even
though me watching it, say, on, you know, a streaming
channel is not putting money in his pocket because they've
paid however much to have his stuff on there. But
I'm like, I can't enjoy it because I'm looking at
a creep.

Speaker 1 (21:48):
Yeah. The most I'm of two minds, right one it's
I find it like emotionally and mentally hard to watch.
Like my example, because I talked about before, but is
the Roseanne Show, right, so the first whatever ten eleven seasons,
whatever it is that we're filmed in the eighties and nineties,
I still love and I can watch, right, It's not

(22:11):
because that to me is like literally ingrained in my mind.
I don't see any problems. It's Roseanne before she lost
her mind, right, But I can justify it. But when
she like when they remade the show before they turn
it into the Corners, right, and I gab and I
tried to watch it, and I'm so uncomfortable watching her
because when I knew her political stances to what she

(22:31):
was talking about on the show, her character on the show,
it was such a like a hard turn from who
she was, And so it's hard for me to watch.
And I didn't watch it, and I don't watch anything
with her. And now the reason I'm of two minds
is because I think about Pay It Forward. That's a
good example of Kevin Spacey Haley Joel Osmon is also

(22:52):
in that movie, you know what I mean, And I
think about there's so many other characters. There's so many
not character actors. There's people who put this together. Other
people like and so, yeah, he sucks and he's a shithead,
but like what about all those other people, you know
what I mean? And that's hard. Like I didn't watch
the new snow White because I can't fucking stand gal
Gado gal Gado, which I.

Speaker 3 (23:12):
Don't understand because she's such a great actress and she's
such a great human rights activist.

Speaker 1 (23:19):
And her singing is baho. I know, shouldn't say, I'm
just keeping her off, shut bitch. So here's the thing
I've never seen wonder Woman, which I know is kind
of where she got her big break, which you want
to know why, because she's beautiful, She is beautiful and Israeli.
Those are the reasons why.

Speaker 2 (23:38):
But you know, I didn't see it, so I had nothing.

Speaker 3 (23:43):
But so the first movie I actually saw her in
was deaf on the Nile and it was fine, you know,
it was fine.

Speaker 2 (23:53):
Yeah, but I watched the new snow White.

Speaker 3 (23:56):
Because I am hardcore Disney. I love all the Disney movies.
It's not true I watch all the Disney movies.

Speaker 2 (24:02):
I don't love them all. Yeah, I watched them.

Speaker 1 (24:03):
All were whimsical old bitches, okay, Right, And so I
had heard that it was terrible, and I had heard
it was problematic, and I had heard she was problematic.

Speaker 2 (24:13):
Well, the biggest problem she can't act.

Speaker 1 (24:15):
She can't sing. I mean, her singing is average at best,
but her acting is terrible, terrible, And it.

Speaker 3 (24:22):
Is just because she is so beautiful that people go, whoa,
but she's a great act No, she's not a great.

Speaker 2 (24:29):
And no, she's beautiful.

Speaker 1 (24:31):
Okay, so she has pretty privilege movies because she's pretty. Yeah,
but I was going to say there was a montage
of her best acting going around TikTok for a while,
and so it was all these awful lions. When she's
like trying to tell Superman, no, his real name is
kal el right, his alien and she's all kl no,

(24:54):
like it's all monotone, and then enough Champagne on death
by the Nile enough Champagne to fail Denial, like it's
such a bad job that I'm like, yeah, well, and
so I'm going to tell you they Death on the
Nile and.

Speaker 2 (25:12):
Murder on the.

Speaker 3 (25:12):
Orient Express are Agatha Christie novels that were made into
really great movies a long time Yeah, it was like
a while, a long time ago.

Speaker 2 (25:24):
And but they're like a really cool who done it?

Speaker 1 (25:28):
Where you get to the end?

Speaker 2 (25:31):
And Murder on the Orient Express?

Speaker 1 (25:33):
Okay, and there's a few more, sure, but they're the
murder Mystery is her cue Pirole okay? In all of them? Yeah,
oh god?

Speaker 3 (25:46):
And it's Kenneth Bronna played it in the newer movie. Yeah, okay,
but and he is great. I love Kenneth Bronna.

Speaker 2 (25:53):
He's great, and most everyone else in the movie was great. Sure,
Except here's my other problem is Armie Hammer's also it. Now.
Armie Hammer is in.

Speaker 3 (26:04):
A new movie that I'm so pistoo because I wanted
to see it and now I can't.

Speaker 1 (26:07):
I can't believe people are hiring him same. It's weird
because he's a fucking creep. Isn't he like or didn't
he want to be a cannibal or something. He's physically
and emotionally abusive and yeah, threatened someone you know that
he wanted to eat her and it was like it's weird, gross,
you know whatever.

Speaker 2 (26:27):
But he also comes like.

Speaker 3 (26:28):
Generationally his father was really Yeah, his grandfather was a creep.

Speaker 2 (26:34):
So he was raised by creeps.

Speaker 3 (26:36):
You guys, I need you to also incredibly rich, so
he's gotten away with his bad behavior.

Speaker 1 (26:42):
Yeah. Are they the founders of armand Hammer?

Speaker 2 (26:45):
I don't think so.

Speaker 1 (26:46):
Damn his but maybe I don't know because his grandfather's
name is armand Hammer. Are you fucking kidding me?

Speaker 2 (26:54):
I'm not kidding you.

Speaker 1 (26:55):
I hate it.

Speaker 2 (26:56):
Arm and Hammer.

Speaker 3 (26:57):
Yeah, I believe that's his name as well, his Armond,
his Armond you know, like the third or the twelve.

Speaker 1 (27:06):
Anyway.

Speaker 2 (27:07):
But now, like there's.

Speaker 3 (27:09):
The movie Mirror Mirror Julia Roberts, which is also a
snow White adapt adaptation. I love that movie one because
snow White is a badass.

Speaker 2 (27:23):
I can't remember the actress's name.

Speaker 1 (27:24):
At this moment, I thought you almost and I was like, well,
kissed me already, bitch, Yeah, can you reach me?

Speaker 3 (27:35):
I know, But I really liked the movie because it
put a really different spin out, like the the Seven
Dwarfs are bandits, oh right, and they're they're outlaws because
the Queen has like basically that a lot of anybody
who's different and doesn't want to see them because like

(27:58):
that's not the aesthetic I want to and so they
become bandits total. You know, Ermie Hammer plays the Prince,
Ermie go.

Speaker 2 (28:12):
Back and watch it now.

Speaker 1 (28:13):
Yeah, and Julie Roberts as great as the Queen. I'm
with you see, and and I have a few that
are like that. Well, and it's now. I just have stances, right,
like if it's going to make give you money, I
don't want to do it. But also I have to
writ will not watch anything where I'm putting money into
their pocket. No, And I again, I just it depends

(28:35):
on the movie, depends on who's in it. Because if
it's like gal Gado and all these other people, then
I'm gonna watch it, you know what I mean? Because
she sucks. I won't be thrilled about it. And there
are times I don't want to watch that. Again, I
don't watch The White because of gal Gado. That was
the whole reason.

Speaker 2 (28:51):
Well, there really were so many reasons.

Speaker 1 (28:54):
But Rachel Ziegler, Zengler, whatever her name is. She's precious
and beautiful and she stands with Palestine so big, you know.

Speaker 2 (29:03):
Scandal Blue, I'm saying, you know, Palestinians are humans, I know.

Speaker 1 (29:09):
And now all she's she's always wearing like a red
little I think it's a poppy or flower whatever, but
it's for Palestine. I love it. Okay, this is kind
of a segue. But I've been watching I watched this
trilogy of movies recently with beautiful Mia Goth. Okay, I
watched the ex trilogy, so there's three of them. X

(29:32):
is a movie about her in set nineteen seventy nine, Texas,
and she and her co stars of an adult film
rented a little like worker shack off the main house
of a farm, Okay, and it's two old people, Harold
and Pearl, old oldest sin and they go to film

(29:52):
this movie. Basically everyone dies, everyone's murdered. The old people
are kind of crazy, and it's really dark and really twisted.

Speaker 2 (29:59):
Right.

Speaker 1 (30:00):
It's by I don't remember what his name is, just kidding,
I'll tell you later. And so that one happens and
the only character who survives is the Mia Goth character.
Her name's Maxine. In that movie, Mia Goth plays Maxine,
and she plays the thousand year old woman Pearl.

Speaker 2 (30:15):
Okay.

Speaker 1 (30:16):
So then they made a movie so far okay, and
then they made another movie. Okay. That first movie is
called X. They made a second movie.

Speaker 2 (30:23):
Called Pearl, okay, and Pearl is.

Speaker 1 (30:27):
About the old woman that put Mia Goth played right,
but in her it's a set around World War One.
Pearl lives in that same farmhouse, but it's much nicer
because it's you know, I don't know, sixty years prior
or something. She lives with her mom, who is German
in a hard ass, and her dad, who is it's

(30:48):
around Spanish flu so either he got the flu or
he was injured in more or something. But he's like catatonic.
He's on morphine constantly. He has to be in a wheelchair.
But Pearl really wants to be a star and get
off the farm and basically anyone who gets in her
way or anyone who tells her no, or she'll get
a little psychotic and she's murderous. Okay. And then the

(31:09):
third one is called Maxine, and it's about it's a
I don't know, less than a decade later that film
star who survived the first film ex Maxine. It's her
trying to make it into like real movies instead of porn. Oh,
but she's made it to the top of her field
in porn. And so they're horror movies. But I would

(31:31):
just say mostly they're just like, they're eerie, they're suspenseful,
and they're kind of crazy. They were like acclaimed because
Mia Goth is fucking phenomenal actress and she's beautiful and weird.
Her voice is like, I don't know, she's odd, but
these movies where people loved them. So I just recently

(31:53):
watched all three of them, like one ray off the other,
and I would say, if you're into horror movies and
movies that are like have really good depth and are
just beautifully shot, I would watch them because they're eerie.
Is shit. I know you can't watch it. You had
the nightmaires.

Speaker 2 (32:10):
I'm a big maul.

Speaker 1 (32:11):
You has the nightmares? I know. But then the other
thing I'm on and back on my Law and Order
Special Victims Unit bullshit because there's two full seasons I
haven't seen, so I had to watch them. So I'm
watching them currently watching my parents.

Speaker 2 (32:27):
Okay, so I'm gonna jump back for a second mirror. Mirror.
Oh good. The girl who plays Still White is Lily Collins.

Speaker 1 (32:34):
Okay, who is currently in Emily in Paris. Okay, but
she's also in that movie that you just talk about, Maxine. Oh.

Speaker 2 (32:43):
She plays someone called Molly Bennett.

Speaker 1 (32:47):
Let me see her, Molly Bennette.

Speaker 3 (32:53):
Oh yeah, okay, ye. Brittany Snow is also in the
first one.

Speaker 1 (32:57):
Of those movies. I love Britney Snow and Kid Cuddy
if you know who that is, don't.

Speaker 2 (33:03):
He's a rapper.

Speaker 1 (33:04):
Oh and Jenna Ortega well, and I love her well okay.
And I was watching Maxine the other night and it
was like, Kevin Bacon, isn't it who else that really
tall woman who played Princess Diana in the Crown.

Speaker 2 (33:19):
Name She's amazing if people.

Speaker 1 (33:21):
Kept popping up and I'm like, what the fuck are
you doing in it? Kevin Bacon? Like it was so weird?
I think it was interesting now is it used to be?
Horror films were strictly.

Speaker 2 (33:32):
Like the actors.

Speaker 3 (33:33):
Yeah, never big name actors unless they were the star
of it. Yeah, you know, and then went on to
do bigger and better things like Jamie Lee, you know,
being in Halloween and stuff. Of course nobody knew who
she was other than her parents, but I mean, she
wasn't a name yet.

Speaker 1 (33:50):
No, and she got fired from her first acting job, yes, yeah.

Speaker 3 (33:53):
Which was a soap opera I think, so called something
I've never heard of.

Speaker 2 (33:58):
I can't remember.

Speaker 1 (33:59):
Yeah, I don't know anyway, But now it feels like
lots of horror films, which also.

Speaker 2 (34:06):
Our bigger budget horror films, are drawing in a lot.

Speaker 3 (34:12):
Of more famous people like Kevin Bacon just did that
other one.

Speaker 2 (34:16):
I don't remember. It was like out of Gay Camp.

Speaker 3 (34:21):
What was that movie that he did? Kevin Bacon did
the Gay Camp one?

Speaker 2 (34:26):
Gay Camp one?

Speaker 3 (34:28):
Wasn't it like a horror film?

Speaker 1 (34:32):
Or it was, Oh, Kevin Bacon, you know who I
was thinking of, not Kevin Bacon, even though I said
Kevin Bacon three times. Yeah, it was like I should
have made him appear. Was it called them?

Speaker 2 (34:43):
I think?

Speaker 1 (34:43):
So, yeah, that's the way that you watched it, Yeah,
I mean, and I enjoyed it. I also think Kevin
Bacon's great, but stir of echoes, I still I'm still
yeah echoes hollow man. Yeah, So Kevin Macon's done some
really great horror film. There is a movie called No Dancing.

(35:05):
There's a movie called Invisible Man with Elizabeth Moss that
came out. Yeah, it was spooky, scary, but it was
a different concept than hollow Man. Hollow Man scared the
funk out of me. It was so unsettling and a
stir of eCos. I haven't seen that in probably two decades.
But when broke the dragging across the ground and watching

(35:28):
the bitch's nails, I know, I know, same, same.

Speaker 3 (35:37):
Yeah, yeah, yeah, But it is interesting to me how
many big name celebrities we are now doing horror films
and they're getting and I think because uh I just
heard their name me Jordan's Peel, okay, because I.

Speaker 2 (35:54):
Know Key and Peel, Yeah he is. Peel has made
now the series of.

Speaker 3 (36:04):
Really horror film get Out Saul have attracted like big.

Speaker 2 (36:09):
Name people to be in them. Yes.

Speaker 1 (36:12):
Well, but I think horror the nineties really did it.
I think where horror started to get bigger and bigger,
right because started I was gonna say scream because Courtney
Cox was in it, Rose McGowan was in it, Drew
Barrymore was in it. You know what I mean? What's
her name, Nev Campbell, And all of them were in
other things simultaneously.

Speaker 2 (36:34):
Well, so Nev wasn't she known.

Speaker 1 (36:35):
For like Party of thirty five? Yeah, But like Rose
McGowan was in lots of shit. She was in the
movie Jawbreaker. She was doing a lot of shit in
the nineties, right, but there was. And so I think that,
and then David Arquette and I think because movie series
they get bigger and bigger, right Like, often they can
get bigger and as long as far as the movie goes,

(36:56):
And when it comes to sequels, and you know, trilogies
and shit, horror movies really are where it's at, you know,
because a lot of times, a lot of sequels or
trilogies of other movies have they get a bad rep
because they're not as good, right right, Like like Wicked currently,
people don't like Wicked for good as much as the

(37:19):
first one, which I don't understand, which and here here's
what I'll say. I think a lot of the time
in musical theater, the first act is better than the second.
That happens a lot of the time. Sure, yeah, a
lot of the better songs are in it or whatever. Right,
people just enjoy that better. I thought it was amazing.
I thought for Good was amazing the same. But it's

(37:41):
the sing and it's kind of irritating people don't like it.
But I also that happens with so many sequels, you know.
But I do think the horror movie craze really started
in the nineties Scream, I know what you did last summer.
You know all those that became franchises.

Speaker 3 (37:55):
Right, yeah, once she brought up Wicked for Good, yeah,
I got gosh, you've already seen twice, Yes, ma'am. I'm
gonna go see it for a second time on Friday
and take my family. I'll allow them to see it.

Speaker 2 (38:06):
Now. That good.

Speaker 1 (38:09):
Yeah, because I saw it the night you came out
in a cute old theater in Portland, the Bagh, Dad,
and it was great. I don't really care about the
bag Dad, I don't need to go back, but now
you've done it, but now I've done it, and it
was beautiful inside. Yeah, it felt very Pirates of the
Caribbean to me, like it was. Yeah, anyway, and then
we saw it with you on Friday, you and Antalsia.

Speaker 3 (38:28):
Yeah, it was so good. And here's what I'm gonna say,
because I've been hearing the here's.

Speaker 2 (38:34):
The issues people have. Yeah.

Speaker 3 (38:36):
So one of the issues is they wrote two new
songs for the Yeah, for the second half of the movie.

Speaker 2 (38:41):
And it's not a sequel.

Speaker 3 (38:42):
It is the second half of the movie, which we
should be used to by now because they did it
with Harry Potter, they did it with Twilight, Get over it.

Speaker 2 (38:50):
It's the second half of a movie. Yeah, But they
wrote two new songs for it.

Speaker 3 (38:54):
I don't have an issue with because they were both
beautiful songs you fit right in, and they were written
by the man who wrote the play.

Speaker 1 (38:59):
So Mama, who cares.

Speaker 2 (39:00):
I don't care if it was if you hired some
Joe off the street.

Speaker 1 (39:04):
Taylor Swift wrote these songs where I would be pissed.

Speaker 2 (39:07):
Yeah, yeah, or I mean because like the Moana to.

Speaker 3 (39:13):
The music wasn't written by Lynn Manuel Miranda, so it
was a whole different feeling. So if it was something
like that, I'd be like, no, that's not good. The
songs were same, you know, the same vibe. There was
stuff in the second act of the you know, the
movie that was not in the play, but it was

(39:34):
in the book, like the stuff with the animals and
I'm not giving any spoilers, but all of the things
where she interacts with the animals, it is suggested in
the play, but of course they're not going to have
a bunch of animals, but in the book it absolutely happens,
you know. And so I thought it was fantastic. I

(39:54):
thought it was beautiful cinematically.

Speaker 1 (39:58):
Yeah, whatever, but I cannot get enough of those two no, okay.
But there's a lot of hate going around online because
of how the cast interacts with each other in interviews, because.

Speaker 2 (40:11):
They all love each other.

Speaker 1 (40:12):
Yeah, and I'm like, he oh no, and people are
like hate that. Well, there's this one pitch online who
was like, and I've seen it several times, but they're like, okay, people,
the cast of Schindler's List and the cast of Twelve
Years of Slave didn't even act this traumatized, Like what's
going on with them? And I'm like, what have you know?
First of all, theater kids right. Second of all, they

(40:34):
have all been together for years at this point. Yeah,
that's I'm sorry that together is five hours of movie.
Traumatize they're not because they cry constantly, because they're crying
and shaking and holding each other. The one thing. I
will say, look at pictures of all, like specifically Ariana,
Cynthia and Michelle Yo prior to filming, and then look
at pictures of them now because they all have lost

(40:56):
considerable amount of weight. I will say that it's that's
been to me, but I don't think they will traumatize something. Also,
Ariana Grande has was a kid in this industry. You know,
damn well, shit happened to her, you know what I mean,
whether or not someone who's a creep adult. How many
fucking documentaries do they have to make before we're like
child actors probably had a heart.

Speaker 3 (41:16):
We also know that she was in Victoria and the
Cat and the man who was featured very heavily in
the documentary. Yes, the shit had happened at Nickelodeon was
one of the people that she worked with, agreed, and
there are clips of shit that he did specifically to her. Yes,
you know, and so whatever. But I'm going to tell

(41:38):
you as someone who has done you know, theater but
like local theater, nothing big, but still, but I've done theater.
At the end of a production, it's very sad that
you're leaving all these because no matter what, you're never
going to be in that exact same formation of people again.
You know the fact that these people keep getting together

(41:59):
for different things to promote the movie whatever.

Speaker 1 (42:01):
Fantastic, Well, they're also bonded now for like.

Speaker 3 (42:04):
Well, one of the things, and I don't understand why
this bothers people, is the close relationship between Ariana and Cynthia,
And they are always touching each other when they're in public,
and Cynthia came to Ariana's rescue on the Red Carpet
and when they when they sing together, they both cry
and it's like, I love that.

Speaker 2 (42:24):
It just warms my heart.

Speaker 1 (42:25):
And I'm like, have you never had a friend that
you just loved so dearly? Like it doesn't make any
sense to me. And then there's always like, oh, well,
Cynthia is gonna corrupt Ariana and make our lesbian, and
I'm like, you're all fucking dumb.

Speaker 2 (42:36):
And that's a big part of it.

Speaker 3 (42:38):
I think if Cynthia Rivo had a husband, nobody would
probably think anything of it. But the fact that she
has a girlfriend, uh, by the way, is also stunning.
But it's like there that therefore she's obviously trying to corrupt. Yeah,
I know, little tiny Ariana Grande, who isn't a little

(43:00):
girl and also grown ass woman.

Speaker 1 (43:02):
And she's also done her fair share of being a
little hell. You know, she's been engaged multiple times, she's dated,
she has tattoos on her hands, you know what.

Speaker 2 (43:10):
I mean, like that right there.

Speaker 1 (43:12):
Yeah, she's a criminal.

Speaker 2 (43:14):
But it's like why why does this bother you?

Speaker 1 (43:17):
Because she's a black woman.

Speaker 3 (43:19):
But it's like why, But I also don't understand why
any of this shit that affects you?

Speaker 2 (43:26):
Not at all, I know, And I'm referring to everything
going on in the.

Speaker 1 (43:29):
World, like pick a thing, bitch, like right, you know,
it's like the trans bathroom issue, the you know fact
that I actually do want to touch on this for
a second.

Speaker 3 (43:40):
One of my least favorite people in the entire world,
Marjorie Taylor Green, who has now resigned and her but
her resignation doesn't take effect until January, right after her
uh benefits.

Speaker 1 (43:55):
Her like retirement pension pension.

Speaker 2 (43:57):
Yeah, so her pension kicks in.

Speaker 1 (43:59):
It's her retirement starts like right after her I mean
her pension whatever, yeah, dear thing.

Speaker 2 (44:06):
And she's you know, changed her stance on so many things.
M hm.

Speaker 3 (44:10):
However, she also just was trying to push through a
bill to make any and all trans healthcare illegal.

Speaker 2 (44:18):
So she's still a.

Speaker 3 (44:19):
Garbage you know, so great you think that Trump is
doing whatever.

Speaker 2 (44:26):
Blah blah blah.

Speaker 3 (44:27):
Trump is on her ship list because she wanted to
run for Congress and he put the kebash on it.
And it's like, first of all, why does he have
that power? But the second of all, great, I'm glad
that something has lifted a little bit of that veil
over your eyes to make you see a little bit
more of what a creepy well, but it's Aoever, however,

(44:48):
she's still agree.

Speaker 1 (44:49):
Oh yeah, just because she does one thing that I'm like,
I agree with, doesn't negate all the horrible shit she's done, right,
I will say. Also it has to do with Epstein Files.
A large part of it has to do Friles, because
she's like, really, Sam, we need to believe these women,
which is one of the few, right.

Speaker 3 (45:05):
You know, who's still not in the Epstein files. Drag
queens who read you children?

Speaker 1 (45:08):
Do you know what?

Speaker 2 (45:09):
Okay?

Speaker 1 (45:09):
Wait, can I tell you something? There was one drag
queen mentioned Epstein Files.

Speaker 2 (45:14):
Okay, it was Rue Paul.

Speaker 1 (45:16):
I wonder why why? Because they downloaded All Stars two
to watch on the way to Epstein Island? Is that
not so funny?

Speaker 3 (45:23):
I love that In the files it says, or there's
something where they downloaded RuPaul's All Stars season two on
the way to Epstein Island.

Speaker 2 (45:31):
Congratulations x Matau.

Speaker 1 (45:32):
I know, but is that so fucking funny? RuPaul is like, sorry, Alaska,
but yeah, so funny. Yeah, there's still you know.

Speaker 2 (45:44):
People are like, oh, RuPaul isn't the files. Oh my god,
I knew it.

Speaker 1 (45:49):
The world people are like, oh, well, what's gonna happen
in your favorite actors in the Epstein Files? And I'm like,
miss Piggy is not an Epstein Files, motherfucker. Don't even
try me. They're kidding me.

Speaker 2 (46:01):
I didn't realize she was one of your favorite movies.

Speaker 1 (46:05):
I've seen many of her movies.

Speaker 2 (46:06):
I think I've seen them all. Yeah, you know.

Speaker 1 (46:09):
I've seen her act a lot more so than some other.

Speaker 2 (46:14):
Don't even.

Speaker 1 (46:16):
Man. Dario is, yes, prettier, but pig I don't even someone.
You know. What's funny is the older I get the
fact how someone looks is to me, it changes depending
on how shitty we personally think they are. Like gal
Gado good bitch ass how she uh beautiful, face stunning,

(46:40):
She's a gorgeous woman. And then I started to learn
more and more, and then I'm like, so what, she's
not even that pretty. I don't even think she's pretty.
You know I would, yeah, but we've talked about this before.

Speaker 2 (46:52):
There.

Speaker 3 (46:52):
You know, I've always, since I was very young, I say,
young ish, teenager, I have realized.

Speaker 2 (46:58):
That the people who are the most.

Speaker 3 (47:02):
Beautiful are the people who are you know, esthetically pleasing,
but are great people agreed.

Speaker 2 (47:08):
You know, It's like, but there are.

Speaker 1 (47:09):
Even people who if you just looked at him, without
knowing anything, with no context, would go, well, you know,
they're not really that attractive, But then he used to
know them.

Speaker 2 (47:17):
And how by how by their personality?

Speaker 1 (47:20):
I'm jumping fucking bones.

Speaker 2 (47:22):
Well, which is.

Speaker 3 (47:22):
Why people say, you know, if you're beautiful on the inside,
it really does make it.

Speaker 1 (47:26):
Haense.

Speaker 3 (47:27):
I had a friend, I'm just the one who started
dating this guy who esthetically quite pleasing if he never
opened his mouth.

Speaker 2 (47:37):
But he had to have never opened.

Speaker 3 (47:39):
His mouth because he was a fucking piece of garbage.

Speaker 2 (47:44):
And the first thing.

Speaker 3 (47:46):
I noticed about him when he opened his mouth is
that he also was a pathological liar love. So I mean,
he just said it was the kind of lies that
you go, what, why would you even tell that lie?
That line doesn't make sense, Like, and I'm going to
tell you one of his life, but.

Speaker 2 (48:01):
Because it's so fucking stupid.

Speaker 3 (48:03):
He was talking about how he was skiing one time,
you know, in Aspen with his rich friends.

Speaker 2 (48:10):
And skid into a tree.

Speaker 3 (48:13):
He sucked up his face and had to have reconstructive
surgery narry a scar on his face. Now I'm gonna
tell you what, if you've fucked up your face, even
with the best reconstructive surgery, there's gonna be signs of it,
you know. And he says to me, because I said, well,
then how do you have no scars? Well, because they

(48:33):
did this new form of you know, classics are where
all the stitching is on the inside. That wouldn't that's
not a thing one, And you would still have scars.

Speaker 1 (48:43):
Also, so you're like upholstered.

Speaker 3 (48:45):
Right, And so then he told me that he had
a steel plate in his head. And because at this
point I'm already thinking you're full of ship, I said, so,
then you obviously have the card that they give you
so you can get through the airport, like my good
friend Quincy Jones head because Quincy had a steal plate
in his head, and so when he traveled he had
a little card that said I was still plaiting in

(49:06):
my head. So when I set off the metal sectors,
here's why.

Speaker 1 (49:09):
I'm pistol in my head.

Speaker 3 (49:12):
And he was like, oh yeah, well I had one.
But you know, every time we move somewhere near you
have to get a new bullshit. You know, it's like
you're dumb and your lives are done. But it also
made him perfectly hideous to me. I couldn't stand a
look at him. I thought he was a piece of garbage.
And I was so glad my friend broke up with
it because I'm like, oh my god, that shouldn't have
taken you more than five minutes if you'd have just

(49:34):
sucked him and dropped him. Great, right, because he, like
I said, it was pretty to look at, but as
soon as he opened his mouth, it was like.

Speaker 1 (49:39):
I know, listen, I mean I told you I broke
up with a boyfriend because he was the N word
one time.

Speaker 2 (49:45):
Yep.

Speaker 1 (49:45):
So he was the ugliest person I ever met. Like
shit like that, though, where people like men will often
say crazy shit, crazy, off color, racist, homophobic shit right,
and immediately I'm like, you're ug as fuck to me.
You you think, like, I don't know, my friend is fag, okay,

(50:07):
but like, why would you say that out loud first
of all? And why are you so hateful? You know,
I don't care what you look like. Now I hate you.
You're ugly and it's crazy how I just immediate Ill know, well.

Speaker 3 (50:18):
And there to me are some boundaries that you can't uncross.

Speaker 1 (50:23):
Me.

Speaker 2 (50:23):
Once you've crossed them, it's.

Speaker 3 (50:24):
Like, oh, we're done. Oh yeah, we're absolutely done. You
you know, the secret word is dropped from the ceiling
and we're leaving the building because we're done.

Speaker 2 (50:32):
Yeah, because there are just some to me. You know,
if you.

Speaker 3 (50:39):
Use that word, you know that you just spelled out
for the for the show.

Speaker 2 (50:44):
Unless you are one oh girl, which is fine.

Speaker 1 (50:48):
But if you are using it or the end word
or whatever, or the R word, or using words that
are derogatory that don't apply to your group of people,
don't use them. No.

Speaker 3 (50:59):
I'm gonna say, when I first met my husband, I
occasionally used the art and I say the art word
just so is retarded. But I would say it about myself.
I would never call someone that. I would go, well, clearly,
I am. You know this because I did this stupid thing.
And when I met well, it was a very very

(51:22):
very first dating my husband twenty three years ago.

Speaker 2 (51:25):
He said to me, how dare you don't say that word?

Speaker 1 (51:27):
Yeah?

Speaker 3 (51:28):
And I was like, what, He goes, One, don't talk
to it about yourself, but two, that word is highly
offensive because you're using it to mean that you're stupid.

Speaker 2 (51:38):
It's like when people were using gay to mean stupid.
Oh god, that's so gay. God, that's so gay.

Speaker 1 (51:42):
I love saying that.

Speaker 2 (51:43):
Now, well it's different.

Speaker 1 (51:45):
But he then educated me on it, and I was like, oh,
and have never said it since you broke down, your cried.
You said, I'm a white woman, how dare you?

Speaker 2 (51:55):
And then I weaponized my white woman's tears.

Speaker 1 (51:58):
You had him deported to Florida, even though where would
he be to Port Florida, Florida.

Speaker 3 (52:05):
I said, go back to Florida, you go back to
how dare you challenge.

Speaker 2 (52:09):
Me white white women?

Speaker 1 (52:11):
Yeah?

Speaker 2 (52:11):
Oh my god, I know, Oh my god.

Speaker 3 (52:14):
So the other day one of my friends was reading
a book and it was called something like the problems
of white women, And I was like, is that like
a multi.

Speaker 2 (52:24):
Series because that book looks too thin?

Speaker 1 (52:29):
Is that just a yeah, that's just.

Speaker 2 (52:32):
As a part two?

Speaker 1 (52:35):
Yeah, right, Jesus, that book doesn't feel big enough to
really have all the problems of white women. Well you
can't fit all of them.

Speaker 2 (52:44):
Girl, Well they're too problematic.

Speaker 1 (52:47):
I don't know either.

Speaker 2 (52:51):
I was going to say something else because I know
there was a few things that had come up in
the last.

Speaker 3 (52:56):
Week that I and you know, I actually was going
to write them, but that felt way too organized.

Speaker 1 (53:02):
What a loser.

Speaker 3 (53:06):
I wouldn't even do that because I usually make notes
on my phone. I'm like, from this time, Oh my god,
she's an old person who's just teleported here and she's like,
where am I? So the other night, took the family
to see the musical at the high school that my
children go to. Yeah, they did Legally Blonde the musical, which,

(53:28):
by the way, super cute, supercute. The cat but I
was such a bitch that really I'm watching the whole
play and it was lovely. The kids did a great job.
They cast it well. I thought everybody did really great
in their parts.

Speaker 2 (53:44):
Other than the the super queer boy that played the
main love interest.

Speaker 1 (53:49):
I was like, a marry maybe in this day and
age may never know. Maybe I don't know, but all
I could see was it the wig that they put
l wig.

Speaker 2 (54:01):
Yeah, wig needed to be brushed.

Speaker 3 (54:03):
And curled, okay, ycause it was like it was a
human hair wig. Sure that had been curled, but the
curl had fallen out and so it looked a bit broomish.
And the whole time I'm like, could I beat you
back in the dressing room just curled that oh like hair?

Speaker 2 (54:20):
No whatever? No, But the answer was no, right, yeah,
but that was my I was like, great show with
that wig. Okay, girl, I know, I know, I know that.

Speaker 1 (54:32):
No, I know I've met you, but it was like
I couldn't just go yeah, the show was great. No,
you can't make yeah, I except that bitch is a wig. Okay.

Speaker 2 (54:40):
Hed.

Speaker 3 (54:40):
When I got the car, I was like, oh my god,
that was so good because my kids were so excited.

Speaker 2 (54:43):
They loved it. It's such a good time, and I
was like, yeah, I loved it. They did great with
that wig.

Speaker 1 (54:47):
No wig, and they're all shut up, you're complaining us.
How I see where they get it now? Absolutely. I
gaminery watching the show called Titans, which is about d
C Titans, like DC the comic book, right, and the
Titans are all basically the sidekicks of other superheroes, so
it's like Robin essentially, it's all those same characters, but

(55:08):
it's a much more adult show. There's a girl in
it named Raven. Her dad's a demon, blah blah blah.
She has a little black bob. It's fine most of
the time. It's fine. At one point they're all standing
outside of a helicopter and it's getting a load of
a stuff and they're watching and her hair's getting blown back,
so she has like a widow's peak. Bitch, it looks
like that shit was just drawn on with sharpie. It's

(55:30):
such a hard fucking Dracula fucking from all we couldn't
invest a little more money into this bitch's wig because
there's what, like, she's one of the main characters. Why
did you give her this hard fucking v right here,
Charlie Chaplin looking goddamn ugly ass wig. But it was

(55:51):
so I saw it. It's supposed to be an emotional
scene because her friend passed away. She's being bitch take
your wig off. God, your friend would if you were
here in that way. She didn't know.

Speaker 3 (56:03):
What's funny to me is it's not that much more
money to get some extra wefts and create a new
lace front, bitch, or buy a little lace front piece
so that you have a widow's peak.

Speaker 1 (56:15):
H oh. I paused it, and I said, do you
see that? That's a bad wig? And Gavin's like, uh huh,
And I said.

Speaker 2 (56:21):
I love you stopped it to go.

Speaker 1 (56:23):
Do you see that? Huh? That's a bad I cannot.

Speaker 2 (56:25):
Get into the emotional part of this scene because her
wig is so bad.

Speaker 1 (56:29):
I was like, what they couldn't get a lace front
for her?

Speaker 3 (56:31):
And Govin's like, all right, So I am going to
tell what because we are nearing the end of our.

Speaker 1 (56:38):
No, it's time, but.

Speaker 2 (56:40):
I want to tell you a story.

Speaker 3 (56:42):
So several years ago, my good friend Alicia Yeah, said.

Speaker 2 (56:46):
Hey, I have tickets to go to this thing where
we're going to actually watch the like raw hut or
whatever it's called a movie that so it's not the
finished edited product because they want this little group of
people the raw cut.

Speaker 1 (57:02):
I can't watch this movie and then give feedback, So
I'm with you.

Speaker 2 (57:08):
Right, and the movie was you know, it was okay,
it was fine.

Speaker 3 (57:14):
But there's a part in the movie where the lead
character goes to a salon and the lead character's hair
is dark and she gets it bleached and.

Speaker 2 (57:28):
So now she's blonde, and.

Speaker 3 (57:31):
Then after all her girlfriend doesn't like it or whatever,
and she ends up dying.

Speaker 2 (57:37):
It back to dark.

Speaker 3 (57:40):
As a hairdresser, I'm looking at the wigs they use
for this, and I said at the end when they're
like so comments and I'm all, wig wig, I said,
here's my problem. And I said, I am a hairdresser,
and I have been for about one hundred years, roughly
approximately since they vented scissors. But I said, the wigs

(58:06):
that you chose for her going blonde and then her
whatever is we're so bad. And it's like they don't
look like that could happen in nature because it's so
obviously a wig, and Beat.

Speaker 1 (58:20):
These are shapes not found nature, is it?

Speaker 3 (58:25):
And Beat, if she went from having dark dark hair
to platinum blonde hair, one her hair would be fried,
but two then if you're putting her back to dark,
it's gonna look like a mud And it's like, I
don't care how talented your hairdresser is because if you're
going from platinum, it's not gonna hold the color.

Speaker 2 (58:45):
No, you have to fill it. You have it.

Speaker 3 (58:46):
It's a several step process. And they were looking at
me like, bitch, nobody cares. He was about suspension of disbelief,
and I was like, but I can't suspend my disbelief
because I'm looking at going wig.

Speaker 1 (58:57):
Did you have Do you have any real comments or questions?

Speaker 3 (59:00):
Do you have a comment about the story, like now,
a comment about the editing, the acting.

Speaker 1 (59:07):
No, let me tell you about that bitch.

Speaker 2 (59:09):
Just wig. That's all I could see in those scenes.
I swear to gone.

Speaker 3 (59:14):
It's as if everybody else had disappeared. There was just
a wig on a stick. Because that's all I see.
Somebody was walking around with just a wig on the string.

Speaker 1 (59:24):
Yeah, it was.

Speaker 2 (59:25):
Because of it.

Speaker 1 (59:26):
Everyone else is everyone else was real. But that wig,
the wig should have gotten its name and the credits
starring wig wiggle, yeah girl starring in.

Speaker 2 (59:39):
This movie which I can't even remember the name of it.

Speaker 1 (59:40):
Yeah, so clearly lost an impression.

Speaker 3 (59:43):
Well, and I don't think it ever got released for like,
you know, I because the way and because that they
were like, we can never make this believable.

Speaker 1 (59:51):
No, not that one old bitch was all. You weren't
old at that point, girl, you were just a young
fucking No when I'm.

Speaker 2 (59:58):
So old and it wasn't that long ago.

Speaker 1 (01:00:00):
Oh I thought it was at a while ago.

Speaker 2 (01:00:02):
It's been a while. It's been in the last decade.

Speaker 1 (01:00:04):
Oh okay, so you were still I was already old.

Speaker 2 (01:00:07):
Oh right, I was an old Wow having a bitch
fit about a week.

Speaker 1 (01:00:12):
Wow, I thought this was like younger.

Speaker 2 (01:00:14):
Oh no, I wasn't.

Speaker 3 (01:00:16):
I mean, I've always been country, but I wasn't nearly
so outspokenly.

Speaker 2 (01:00:20):
To what I was. Wow, I ruined some of these
movie dreams.

Speaker 1 (01:00:24):
Yeah, they we should see if they're still alive, because
they probably be alive themselves. Girl, No hired a hitman
to take him out.

Speaker 2 (01:00:34):
And what I've had enough?

Speaker 1 (01:00:35):
Yeah, me too, I've had enough. Like my my husband
and my daughter on their way home, she had to
go to the salon today. She get her nailed done
and her teeth brush.

Speaker 2 (01:00:46):
And she doesn't get back with a bad way.

Speaker 1 (01:00:47):
I know you gott get here before she gets home
or she's gonna attack you.

Speaker 3 (01:00:52):
So, speaking of getting out of here, we do this
every week. We've done this for about twenty five years now,
just approximately, although we're in season four, but whatever.

Speaker 1 (01:01:05):
Four years that felt like a quarter of a century.

Speaker 3 (01:01:07):
Right, And let's send your questions and comments, squeries, whatever
to it would seem as though at gmail dot com
and look for us on all podcasting apps. Tell your
friends and enemies about us. Go listen to it at Thanksgiving.

Speaker 2 (01:01:22):
Oh my god, you know, just say Alexa, but it
would seem as though. And do it. Make sure all
the family.

Speaker 1 (01:01:29):
Is around, yes, make sure you can't stop it or
turn it off? So bit more like, how do I.

Speaker 2 (01:01:36):
Push the little lock button?

Speaker 1 (01:01:37):
Uh huh?

Speaker 2 (01:01:38):
And then the end?

Speaker 1 (01:01:41):
Ye? Stream it through your television. No sports, just us,
just us.

Speaker 2 (01:01:46):
All day everything. Yes, you know there's enough episodes. Could
listen to it to Christmas. Yes, on a constant.

Speaker 1 (01:01:53):
Oh my god, I'm so excited for that. I really
hope that happens me too.

Speaker 2 (01:01:58):
That would be awesome.

Speaker 1 (01:01:59):
But until then, we go, yeah, girl, we'll see you
next week. You'll hear us talking at you next week. Okay, bye.

Speaker 2 (01:02:08):
It would the same as though,