August 31, 2025 • 28 mins
Step back in time with "Jack Benny," one of the most beloved comedians in radio history. His sharp wit, endearing personality, and hilarious routines made his show a staple of American entertainment. Tune in for a hearty dose of laughter and nostalgia, perfect for fans of classic comedy and vintage radio.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Health.
Speaker 2 (00:05):
The Jello program brought to you buy Jello and Jello
Pudding starring Jack Benny, with Barry Livingston, Phil Harris, Denis
Day Rochester and yours truly, Don Wilson. The Orchestra is
the program with free for all such flavor, such swell
(00:53):
rich flavor. That's what you're going to say, friends, the
very first time you taste the new Jello, because Jello
today is extra rich thanks to a new and exclusive
Jello process.
Speaker 3 (01:03):
By means of this amazing.
Speaker 2 (01:04):
Process, Jello's glorious goodness is locked in, protected for your pleasure.
And never before has jello.
Speaker 3 (01:11):
Tasted so downright grass. Never before has.
Speaker 2 (01:14):
It been a more perfect dessert, a more delicious tree.
Speaker 3 (01:17):
You'll enjoy it more than ever.
Speaker 2 (01:18):
Now the Jello's famous flavor is locked right into the
tiny jello particles. Just try it and see, prove for
yourself that Jello's.
Speaker 3 (01:25):
Flavor really is locked in. Open the package of jello.
Speaker 2 (01:29):
Notice that there's no telltale odor, no sweet fruity aroma,
the want of escaping flavor. But the instant you dissolved
the jello into a grand jellow dessert. I'll pouse its
captive flavor to make that dessert a wonderfully rich, tempting tree.
So order several baggages of Jello tomorrow. Remember, Jello's new
locked in flavor makes Jello more than ever the dessert for.
Speaker 4 (01:49):
You that was free for all played by the orchestra.
Speaker 2 (02:31):
And now, ladies and gentlemen, as you all know, daylight
Saving Time goes into effect tomorrow and clocks throughout the
country will be.
Speaker 3 (02:37):
Moved one hour ahead.
Speaker 2 (02:39):
That's right, So without further ado, we bring you a
man who will have only eleven hours sleep tonight instead
of his usual twelve.
Speaker 1 (02:47):
Jack Benny, I thank you you Loo again. This is
Jack Benny talk. And Don, I don't know where you
got the impression that I sleep twelve hours a night.
I'm up right and early in the morning, the same
as everybody else.
Speaker 5 (03:07):
Yes, Jack, but look at the time you go to bed.
Speaker 3 (03:10):
I am nine o'clock every night.
Speaker 1 (03:11):
You're in dream land, and not on Wednesday nights. They
don't raffle off the plymouth at the Oriental until nine thirty.
By the time I get through arguing with the manager,
it's usually two in the morning.
Speaker 3 (03:25):
What's the idea of arguing with the manager?
Speaker 1 (03:27):
Listen, Don, I've been going to that theater for years. Now,
it's about time I want a slab of bacon or
something anything.
Speaker 2 (03:36):
You mean, as often as you've gone there, you've never
won a prize.
Speaker 1 (03:39):
Well, my number was called on two different occasions, but oh,
forget it.
Speaker 3 (03:45):
Oh no, no, Jack, no Jack, what have you?
Speaker 4 (03:47):
Well?
Speaker 1 (03:47):
You see, Don, when they call your number, you have
to get up to the stage within sixty second. Uh huh.
Well the first time I didn't get there fast enough,
and the second time I was disqualified for wearing roller skates.
I missed out on a case of minute tapioca. Uh. Anyway, Don,
(04:13):
getting back to your introduction, you'll have to admit that
it was hardly fair. Oh come now, Jack, just because
you get the bed late on Wednesday nights, that doesn't.
Speaker 3 (04:20):
Make your night out.
Speaker 1 (04:21):
Well, it's not only Wednesday, big boy. You know you
know what time I hit the hey last night? Four am?
Speaker 3 (04:26):
Four am? My goodness, were you at night clubbing?
Speaker 1 (04:29):
No? It was mister Billingsley's Paul. He was playing soldier
outside my bedroom door, and just because I didn't know
the password, he wouldn't let me in. I'll know it.
I'll know it tonight, believe me. What is the password, Jack, Well,
it's it's not exactly a word, Don. I just have
(04:51):
to go a couple of time.
Speaker 6 (04:56):
Oh, hello, Mary, Hello Jack, what are you about.
Speaker 1 (05:00):
Oh it's just a password.
Speaker 6 (05:01):
Thank heaven. I thought radio had finally smacked you down.
Speaker 1 (05:05):
No, no, nothing like that. My ears ring frequently.
Speaker 7 (05:08):
But that's about all that's.
Speaker 8 (05:11):
Good, Say Jack, did you tell Don the bad news?
Speaker 1 (05:14):
Not yet?
Speaker 3 (05:15):
What bad news?
Speaker 8 (05:16):
Well, on account of daylight saving next week, Jack is
going to dock us all one hour's pay.
Speaker 2 (05:20):
One hours pay. It's only for the duration. You'll get
it back as soon.
Speaker 1 (05:27):
As the war is over.
Speaker 6 (05:29):
The hour of the money both wartime.
Speaker 1 (05:32):
Is there any more objections? Just read your contract?
Speaker 6 (05:35):
Who can read it? You've got one whole page written
in Eskimo?
Speaker 1 (05:39):
Well mine too. Now what's the big idea? Because when
the contracts were drawn up, my lawyers happened to be Smith's,
Mike Mullein and moose Face. Now drop it.
Speaker 6 (05:51):
Leave it to Benny to get a lawyer that can
spear fish.
Speaker 1 (05:54):
For him too, Mary, I retain moose Face by the year.
What's he going to do when someone isn't suing me?
Just sit around, be reasonable.
Speaker 2 (06:01):
Say Jack, What does that eskimof plause in our contracts mean,
I've never had a translator I have.
Speaker 8 (06:07):
It says that actor who wants raised can put high
heels on snow shoes.
Speaker 1 (06:14):
Well that's not a literal translation, but that's the gist
of it. And I don't want you all reading your contract.
Speaker 2 (06:19):
If I hear another word about contracts, I'll.
Speaker 1 (06:21):
Scream, Uh, Virgil Burgiol, just make with the noise or
no dialogue. You're only the sound man here. Well, I
get more plan mail than you, you old tin type.
Get away from that microphone. I'll beat it.
Speaker 6 (06:36):
Oh, Jack, stop picking on Virgil. He's very important to
our show, and you know it important. Yes and all.
I play the open doors, ring bell shoots gun.
Speaker 1 (06:44):
Oh.
Speaker 6 (06:45):
And when you're supposed to walk down the street, Virgil walk.
Speaker 1 (06:47):
For you, Virgil walks for me. Well, any sound man
can do that with your flip feet. That's hard, daddy, Virgil.
I told you to get a from that mike. I
never saw a guy.
Speaker 6 (07:02):
With hey, Jack, here comes night school, Joe.
Speaker 1 (07:05):
Oh, yes, our French students, Hello, phil bon Swire, folks
bon Swire, Hello, Jocqueeze, Jacqueis and Marie and doone doone? Phil,
a dune is a great big pile of sand. But
I guess you're right anyway. Why don't you cut out
(07:29):
that French? The stuff you say doesn't even make sense? Well,
I learned to know him this week. Get a load
of this, Jackson ma or cass ta don doone soup a?
What does that mean? My orchestra works in the soup toureen?
(07:50):
Your artistter works in the soup toreen. Yeah, that's as
close as I could get the Biltmore bowl. Well, Phil,
don't you think that before taking up a foreign language
you order learn how to speak English? And what's wrong
with my English?
Speaker 9 (08:02):
May?
Speaker 10 (08:02):
I ask?
Speaker 1 (08:03):
You're a kidding of course? And now, folks, I ain't
what's wrong with my English?
Speaker 10 (08:12):
Phil?
Speaker 1 (08:13):
I met a Fiji islander once with a ring in
his nose, who had only been in this country three weeks,
and he speaks better English than you do, much better. Well,
then I got to get one of him. Range won't
help you, believe me, Let him get one.
Speaker 6 (08:30):
This is an emergency.
Speaker 1 (08:31):
Mary. If Phil ever puts a ring in his nose,
Alice will snap a leash on it, sure as anything.
And now fold still Harris in his eighteen dream boat
will entertain us with a band number.
Speaker 10 (08:41):
Hit it Phil.
Speaker 1 (08:42):
We we amigo? Phil, Amigo is Spanish? You're talking Spanish? Now?
Then I want more money?
Speaker 10 (08:50):
All play? Play, go ahead, hold.
Speaker 1 (08:55):
It a minute, come in, Yes, if you recognize me? No,
I don't. That's my fault. I could never have taken
that ring out of my nose. Get out of hair.
He's a peg, all right? Look at that bush. He
had a hair.
Speaker 10 (09:17):
Whay a Megod, you did not.
Speaker 1 (11:03):
That was a medley of Deep in the Heart of
Texas and the Eyes of Texas are upon you, played
by Phil Harris and his orchestra, who may be heard
nightly except Sunday in the soup treen of the biltmore Ball.
Speaker 7 (11:17):
Say, Phil, that medley was really thrilling?
Speaker 1 (11:20):
How'd you hapen to play it? Well? I got a
lot of pals in taxes, and I don't want them
to forget me. Oh. Yes, you and the boys work
down there every summer, don't you. Yeah. Last year we
did one night's stands at Fort Worth, Dallas and Galveston,
and then we played three months and van Horn three months. Hey.
Speaker 10 (11:38):
Yeah, that's what.
Speaker 1 (11:39):
They gave my guitar player for stealing a cow. Uh.
Stealing a cow. Well, he didn't exactly steal it. He
tried to elope with it. You know how frank he
is what he drinks? Yeah, you must have eloped with
(12:07):
that guitar too. It's got Gene Autry's name on it. Now,
let's see, let's see where are we about?
Speaker 3 (12:15):
Time for my play, isn't it Jack?
Speaker 1 (12:16):
Oh? Yes, yes, you're played and our folks, Mister Don Wilson,
that eminent American author, has written another of his famous
one act plays. Take it doone Wilson.
Speaker 3 (12:26):
Ladies and gentlemen.
Speaker 2 (12:27):
The scene is the honeymoon cottage of a young couple
who have just been married. The bride, played by Mary Livingston,
married is awaiting the arrival of her husband, or whom
she had just prepared.
Speaker 3 (12:43):
Her first dinner.
Speaker 2 (12:44):
We take you now to the home of mister and
missus typical Americans.
Speaker 8 (12:48):
Oh dear, it's seven o'clock and my husband isn't home yet.
Speaker 6 (13:00):
Ah, here he comes.
Speaker 1 (13:01):
Now, Hello, sweetheart.
Speaker 6 (13:03):
Hello, did you have a busy day at the office? Typical?
Speaker 1 (13:13):
Oh awful, That fresh boss of mine had me sitting
on her knee all day. I'm a secretary, folks. Well,
look what's on the table. Are you working at jigsaw?
Puzzled darling? And no, that's your dinner, NiFe, So you
surprised me, eh, darling.
Speaker 6 (13:27):
Yes, sit down, tippy my, this looks so good.
Speaker 1 (13:31):
Uh.
Speaker 6 (13:31):
What would you like with your dinner, sweetheart? Coffee to
your milk?
Speaker 1 (13:34):
Milk please? Okay, Marjoe, the cow's milk already. The milk's
in the bottle, and I'll pay attention. Well, look at
those homemade biscuits. Look at those homemade biscuits. Did you
(13:56):
make it yourself?
Speaker 8 (13:57):
Yes?
Speaker 6 (13:57):
Take this hammer and botery them.
Speaker 1 (13:59):
They are they are a little cementy. And my goodness,
look at this platter of meat.
Speaker 6 (14:04):
You love it, dear. It's Swiss steak.
Speaker 1 (14:06):
Swiss steak only only, Virgil, what's the matter with you?
You're spoiling the illusion. I'll sit down and take that
alpine hat off your head. The cheese too, Yes, it's
a hold on outfit. I'll let us alone so we
can eat thirty minutes later.
Speaker 3 (14:32):
On all cars only. All cars go to.
Speaker 1 (14:35):
The home of typical American. He has a beautiful wife
and a cute indijection.
Speaker 6 (14:41):
Ooh, darling, what's the matter? Typical Typical speak to me?
Speaker 8 (14:48):
Ooh, poor boy, Well, it looks like I'll have to
eat this bowl of tempting and economical jello all by myself.
Speaker 1 (14:56):
Oh no, you don't give me some of that too,
even you you can make jell o right, Thank you, Don?
That was really marvelous. How did you ever think of
such a clever commercial?
Speaker 2 (15:18):
Well, I was sleeping on my back last night and
I dreft it.
Speaker 1 (15:21):
Well tell me down tonight please. Uh not that I
didn't like it, Don, But well I thought you were lost, Dennis?
Or were you a kid?
Speaker 9 (15:31):
I'm not a kid anymore. I just fell in a manhole.
Speaker 1 (15:48):
Oh fine, he fell in a manhole. Fell in a manhole.
That makes him a man. So I suppose if you
fell in a gopher hole, you'd be a.
Speaker 6 (15:55):
Golpher ye jack felling a rat hole?
Speaker 1 (15:58):
One?
Speaker 10 (15:59):
Oh?
Speaker 3 (15:59):
Why?
Speaker 1 (16:05):
Anyway, I'm I'm glad you got here, Dennis. And now
ladies and gentlemen.
Speaker 9 (16:09):
We'll say, mister Benny, have I got a surprise for you?
Speaker 1 (16:12):
Have I got a surprise.
Speaker 3 (16:15):
Later?
Speaker 10 (16:16):
Later?
Speaker 1 (16:16):
Kid? For our feature attraction? This is what do you mean? Surprise?
Speaker 2 (16:20):
Here?
Speaker 9 (16:20):
Read this? I cut it out a radio column.
Speaker 1 (16:22):
Let's see it. So al Well, I'll be darned get
a load of this fellas it is reported officially from
New York. That's starting March eighth, Fred Allen will switch
the time of his broadcast from Wednesday to Sunday night. Imagine,
well I do that He's replacing the Sunday evening Symphony Hour.
(16:46):
Alan's replacing the Symphony Hour. Well, they better tell everybody
in advance, or when they hear Alan's voice, they'll think
it's an old bassoon left over. Anyway, if Alan goes
on the Sundays, I'm going off. I can make a
don good living out of pictures.
Speaker 6 (17:04):
Oh how many postcards of your house do you sell?
Speaker 1 (17:06):
A week? Plenty?
Speaker 10 (17:08):
Sister?
Speaker 1 (17:09):
Anyway, I don't want Allan on the air the same
day as I am.
Speaker 2 (17:11):
But Jack, there are a lot of comedians besides you
on Sunday Night.
Speaker 3 (17:15):
One more won't.
Speaker 1 (17:15):
Hurt a lot of comedians.
Speaker 9 (17:17):
Name one, Edgar Bergen and Charlie McCarthy.
Speaker 1 (17:20):
That's two.
Speaker 7 (17:20):
Name one, I dare you?
Speaker 6 (17:31):
Oh, Jack, you know very well that Edgar Bergen's plays
both parts. McCarthy is a dummy.
Speaker 1 (17:36):
Oh oh, so you're falling for that stuff too, eh,
I happen to know that Charlie McCarthy is just as
much flesh and blood as I am on flesh.
Speaker 6 (17:44):
I won't argue.
Speaker 1 (17:47):
No argument on blood either, I got plenty in my veins.
Speaker 9 (17:51):
Mister Venny is right. I gave him a transfusion yesterday.
Speaker 1 (17:55):
You didn't give me anything. I paid you five dollars
a gallon. I'll be quiet.
Speaker 9 (18:05):
Gee, I'm so weak I can hardly stand up.
Speaker 1 (18:13):
Well well as your own fault. You didn't say when anyway. Anyway,
I've I've got to do something about allan Ysheim's disease.
Then Dennis eat liver. You'll get it back. I know what, Mary, Mary,
(18:38):
get me. Mister John Swallow on the phone. His private
extension is three oh nine. Okay, I'm gonna nip this
in the bud. He's the program manager. I'm gonna straighten
out this Allen Sunday night situation. I don't get mad often,
but when I do. Hello, Hello, mister swat, Oh, hello.
Speaker 6 (18:53):
Mister Swaller.
Speaker 8 (18:54):
When did you get back from Pa?
Speaker 1 (19:08):
Give me that fall? I'll mister Swallow, this is Jack
Benny Day. I just found out something and.
Speaker 10 (19:17):
I like to talk to you about her.
Speaker 1 (19:18):
Now. I'm not gonna.
Speaker 7 (19:19):
Stand for any I'm glad you called Jack.
Speaker 1 (19:21):
Why, I'm Williams. The sense that tells me he's been
having a little trouble with you, trouble with the censor.
Who me, Yes, now, Jack, when he tells you to
take a joke out of your program, don't argue about it.
Speaker 9 (19:33):
Take it out.
Speaker 1 (19:34):
Why wait a minute, mister Swallow, are you referring to
the gag we were going to do about cooking flapjacks
on a griddle?
Speaker 7 (19:41):
I certainly am, And you ought to be ashamed of yourself.
Speaker 1 (19:45):
Well, well, for heaven's sake, what's wrong with cooking flapjacks
on a griddle? The word griddle sounds exactly like girdle
sounds exactly, mister Swallow, I do by you, mister Williams
or Oscar of the Waldorf, to cook flap jackson a girdle.
(20:06):
It can't be done. That's not the point.
Speaker 7 (20:08):
The line is still double on Tunda, And don't pull.
Speaker 1 (20:11):
That Phil Harris up. I like that girdle gag very much. Well,
it's definitely out, all right, all right, goodbye, goodbye, harmless
little gag about hotcakes. And I can't even do it. Well,
come on, Dennis, sing your songs. Well.
Speaker 6 (20:26):
I like to do about Fred Allen.
Speaker 1 (20:27):
Who, oh my goodness, I forgot all about him. I'll
take it up later. Well, come on, come on, Dennis,
let's have a song. Okay, if they'll burn up lately,
I must be getting high blood pressure with my blood.
Speaker 7 (20:38):
Yet, oh quiet sing.
Speaker 1 (20:44):
There must be some way of fixing that Sunday.
Speaker 10 (20:46):
Night thing, this love of my.
Speaker 1 (21:13):
All since you have, you're.
Speaker 10 (21:23):
All hp on my mind.
Speaker 1 (21:31):
It's long untol.
Speaker 2 (21:35):
And no.
Speaker 5 (21:38):
No I cry my fall.
Speaker 10 (21:45):
It's all bray.
Speaker 1 (21:49):
S nothing.
Speaker 3 (21:55):
Prey.
Speaker 10 (21:58):
Why as sun amal.
Speaker 8 (22:07):
What to become moby?
Speaker 7 (22:11):
This love of my my.
Speaker 1 (22:18):
Cry my home? It's found.
Speaker 9 (22:25):
Pray sends nothing man.
Speaker 1 (22:32):
Lead pray?
Speaker 9 (22:35):
Why the sun amalal?
Speaker 1 (22:48):
What before moby love? Ah? That was this love of
(23:18):
mine sung by Dennis Dave and very good Dennis, sure,
and it was wonderful be daughter. And now ladies and gentlemen.
Speaker 6 (23:24):
Well Dennis, her blood is working on him.
Speaker 1 (23:27):
Yes, it isn't that here.
Speaker 9 (23:28):
It wasn't such a typeward. We all get a raisin.
Speaker 1 (23:31):
Hooray. I've got an alibi.
Speaker 3 (23:33):
And now for Zach, what are you gonna do about
the Fred Allum situation?
Speaker 1 (23:36):
Yeah, you're gonna let that guy get away with it. Well,
I've been thinking it over, gentlemen, and I'm going to
form a little group that will take care of him.
The s A A LC.
Speaker 6 (23:45):
What's that stand for?
Speaker 1 (23:46):
Sunday Artists against Low Comedy. I'm gonna send letters to Bergen, Abbot, Costello,
Phil Baker, Giler, Sleeve and all of them.
Speaker 3 (23:54):
What about me?
Speaker 1 (23:55):
I'm a Sunday artist, you're a Sunday Well. I'm having
enough for mister swallow. But I'll have my lawyer send
you a letter. Anyhow, it only costs ten dollars to
join that Eskimo isn't getting any ten dollars out of me?
Sugarfoot who asked you? I get this right, Virgil, You're
(24:16):
not a comedian. You're a sound man, and not a
very good one at that. I don't know why I
don't yet that wig right off your head. You lay
one hand on me, and you.
Speaker 8 (24:28):
Will Old Jack stop pointing at your glasses.
Speaker 6 (24:30):
He won't hit you.
Speaker 1 (24:32):
Never mind, I got more important things to do in
and argue with this guy until March eighth. I'll be
working day and night.
Speaker 2 (24:37):
You mean to say that you're going to all this
trouble just to keep outing off the air Sundays.
Speaker 1 (24:41):
I owe it to the public. It's a crusade, that's
what it is.
Speaker 9 (24:45):
Well, gee, I don't know what all this fuss is about. Personally,
I think Ms Rowland is wonderful.
Speaker 1 (24:49):
Dennis, you're fired anyway, don get out, get out scram
kids anyway. Don I think I'll send you Leave the
music here, Dennis, it's not your anyway. Don get back
(25:11):
in the manhole cover I think, don I think I'll
send you. I think I'll send you an application blank too,
and then if we all stick together, wait, I'll take it.
Speaker 5 (25:23):
Hello, Hello, mister Benny, this is Rochester.
Speaker 1 (25:26):
What do you want horse?
Speaker 5 (25:27):
I always thought that border of ours was poop Blois.
Speaker 1 (25:30):
Now I know it. Mister Billingsley, what's the trouble?
Speaker 5 (25:32):
Now he's playing soldier again?
Speaker 1 (25:34):
This morning he locked me in my room.
Speaker 5 (25:36):
For three hours.
Speaker 1 (25:37):
Well why didn't she get him the password? It's a
little little that was yesterday?
Speaker 3 (25:41):
Today is.
Speaker 8 (25:51):
Oh?
Speaker 1 (25:52):
So he so he changed today? Well I'm glad you
told me. I don't want to have to go to
a hotel tonight. Now a Rochester. You just humor, mister Billingsley.
Let him play soldier. He's perfectly harmless.
Speaker 5 (26:02):
What about that shotgun he carries around.
Speaker 1 (26:04):
That shotgun isn't loaded. No, you know that big picture
he got in the library of George Walton across the Delaware.
Speaker 5 (26:10):
Yes, well he'll never make it in that potus.
Speaker 1 (26:23):
Oh my goodness. Well, I'll tell you one thing, Rochester.
He's gonna pay for that painting.
Speaker 5 (26:28):
He paid for it already. Good you ought to see
his new fin hot of field. He's got my fixture
on him.
Speaker 1 (26:36):
Oh, for heaven's sake, you know what else?
Speaker 5 (26:38):
Why you're secretary of the Treasury.
Speaker 1 (26:41):
Oh well, he's just having fun. He prints him on kleenex.
He can't be a counterfeiter. Well, Rochester, I'll be home
pretty soon, so don't worry. Goodbye. Oh oh say Rochester,
where's mister Billingsby?
Speaker 5 (26:51):
Now he's out in the garage.
Speaker 1 (26:53):
Please orange juice, Please, an orange juice in the garage.
Speaker 10 (26:56):
Yeah.
Speaker 1 (26:56):
He nails and orange on the wall and then backs
the mask well into it. Well, I've seen a little
while so long. I was wondering where those yellow socks
on my garage wall came from. I thought there was
something wrong with my eyes.
Speaker 5 (27:15):
Playfell.
Speaker 2 (27:19):
If you have a family that glitch tempting dessert, then
don't wait another day to serve this one. It's a delightful,
jellow treat called Imperial Peach Mold, a grand.
Speaker 3 (27:27):
Looking, good looking.
Speaker 2 (27:28):
Dessert that's not only delicious but easy to make.
Speaker 3 (27:31):
Here's all there is to it.
Speaker 2 (27:32):
Simply dissolve one package of irons jello and a pint
of hot water and peach juice, and chill until slightly thicken. Next,
hold in one cup of cans sliced peaches drained, or
if you wish, use one box of quick frozen sliced
peaches freshly bard, then mold and chill until firm.
Speaker 1 (27:47):
And there's a really special treat, a rich.
Speaker 2 (27:50):
Shimmering combination of juicy sliced peaches and sunny orange jello.
So get a can of sliced peaches over a box
of quick frozen sliced peaches from your crosser tomorrow and
treat your out to this swell dessert.
Speaker 3 (28:01):
When you make it, be sure to.
Speaker 2 (28:02):
Use genuine jello because jello is extra delicious thanks to
its new locked in flavors.
Speaker 1 (28:11):
We're a little light, so good night, folks.
Speaker 11 (28:23):
Remember this name, folks, Jello butterscotch pudding. It's the name
of one of America's most popular desserts. The name of
a grand pudding that's sure to become one of your
special favorites. Jello Butterscotch pudding is marvelously smooth and bluscious
with a swell homemade goodness, and it's full of golden
butterscotch flavors. So tomorrow, when you order jello, get jello
(28:43):
puddings in all three flavors. Chocolate, vanilla, and butterscotch. Jello
puddings are just like Grandma's, only more so. This program
came to you from Hollywood. This is the National Broadcasting
Company k f I, Los Angeles,
Health.
Speaker 2 (00:05):
The Jello program brought to you buy Jello and Jello
Pudding starring Jack Benny, with Barry Livingston, Phil Harris, Denis
Day Rochester and yours truly, Don Wilson. The Orchestra is
the program with free for all such flavor, such swell
(00:53):
rich flavor. That's what you're going to say, friends, the
very first time you taste the new Jello, because Jello
today is extra rich thanks to a new and exclusive
Jello process.
Speaker 3 (01:03):
By means of this amazing.
Speaker 2 (01:04):
Process, Jello's glorious goodness is locked in, protected for your pleasure.
And never before has jello.
Speaker 3 (01:11):
Tasted so downright grass. Never before has.
Speaker 2 (01:14):
It been a more perfect dessert, a more delicious tree.
Speaker 3 (01:17):
You'll enjoy it more than ever.
Speaker 2 (01:18):
Now the Jello's famous flavor is locked right into the
tiny jello particles. Just try it and see, prove for
yourself that Jello's.
Speaker 3 (01:25):
Flavor really is locked in. Open the package of jello.
Speaker 2 (01:29):
Notice that there's no telltale odor, no sweet fruity aroma,
the want of escaping flavor. But the instant you dissolved
the jello into a grand jellow dessert. I'll pouse its
captive flavor to make that dessert a wonderfully rich, tempting tree.
So order several baggages of Jello tomorrow. Remember, Jello's new
locked in flavor makes Jello more than ever the dessert for.
Speaker 4 (01:49):
You that was free for all played by the orchestra.
Speaker 2 (02:31):
And now, ladies and gentlemen, as you all know, daylight
Saving Time goes into effect tomorrow and clocks throughout the
country will be.
Speaker 3 (02:37):
Moved one hour ahead.
Speaker 2 (02:39):
That's right, So without further ado, we bring you a
man who will have only eleven hours sleep tonight instead
of his usual twelve.
Speaker 1 (02:47):
Jack Benny, I thank you you Loo again. This is
Jack Benny talk. And Don, I don't know where you
got the impression that I sleep twelve hours a night.
I'm up right and early in the morning, the same
as everybody else.
Speaker 5 (03:07):
Yes, Jack, but look at the time you go to bed.
Speaker 3 (03:10):
I am nine o'clock every night.
Speaker 1 (03:11):
You're in dream land, and not on Wednesday nights. They
don't raffle off the plymouth at the Oriental until nine thirty.
By the time I get through arguing with the manager,
it's usually two in the morning.
Speaker 3 (03:25):
What's the idea of arguing with the manager?
Speaker 1 (03:27):
Listen, Don, I've been going to that theater for years. Now,
it's about time I want a slab of bacon or
something anything.
Speaker 2 (03:36):
You mean, as often as you've gone there, you've never
won a prize.
Speaker 1 (03:39):
Well, my number was called on two different occasions, but oh,
forget it.
Speaker 3 (03:45):
Oh no, no, Jack, no Jack, what have you?
Speaker 4 (03:47):
Well?
Speaker 1 (03:47):
You see, Don, when they call your number, you have
to get up to the stage within sixty second. Uh huh.
Well the first time I didn't get there fast enough,
and the second time I was disqualified for wearing roller skates.
I missed out on a case of minute tapioca. Uh. Anyway, Don,
(04:13):
getting back to your introduction, you'll have to admit that
it was hardly fair. Oh come now, Jack, just because
you get the bed late on Wednesday nights, that doesn't.
Speaker 3 (04:20):
Make your night out.
Speaker 1 (04:21):
Well, it's not only Wednesday, big boy. You know you
know what time I hit the hey last night? Four am?
Speaker 3 (04:26):
Four am? My goodness, were you at night clubbing?
Speaker 1 (04:29):
No? It was mister Billingsley's Paul. He was playing soldier
outside my bedroom door, and just because I didn't know
the password, he wouldn't let me in. I'll know it.
I'll know it tonight, believe me. What is the password, Jack, Well,
it's it's not exactly a word, Don. I just have
(04:51):
to go a couple of time.
Speaker 6 (04:56):
Oh, hello, Mary, Hello Jack, what are you about.
Speaker 1 (05:00):
Oh it's just a password.
Speaker 6 (05:01):
Thank heaven. I thought radio had finally smacked you down.
Speaker 1 (05:05):
No, no, nothing like that. My ears ring frequently.
Speaker 7 (05:08):
But that's about all that's.
Speaker 8 (05:11):
Good, Say Jack, did you tell Don the bad news?
Speaker 1 (05:14):
Not yet?
Speaker 3 (05:15):
What bad news?
Speaker 8 (05:16):
Well, on account of daylight saving next week, Jack is
going to dock us all one hour's pay.
Speaker 2 (05:20):
One hours pay. It's only for the duration. You'll get
it back as soon.
Speaker 1 (05:27):
As the war is over.
Speaker 6 (05:29):
The hour of the money both wartime.
Speaker 1 (05:32):
Is there any more objections? Just read your contract?
Speaker 6 (05:35):
Who can read it? You've got one whole page written
in Eskimo?
Speaker 1 (05:39):
Well mine too. Now what's the big idea? Because when
the contracts were drawn up, my lawyers happened to be Smith's,
Mike Mullein and moose Face. Now drop it.
Speaker 6 (05:51):
Leave it to Benny to get a lawyer that can
spear fish.
Speaker 1 (05:54):
For him too, Mary, I retain moose Face by the year.
What's he going to do when someone isn't suing me?
Just sit around, be reasonable.
Speaker 2 (06:01):
Say Jack, What does that eskimof plause in our contracts mean,
I've never had a translator I have.
Speaker 8 (06:07):
It says that actor who wants raised can put high
heels on snow shoes.
Speaker 1 (06:14):
Well that's not a literal translation, but that's the gist
of it. And I don't want you all reading your contract.
Speaker 2 (06:19):
If I hear another word about contracts, I'll.
Speaker 1 (06:21):
Scream, Uh, Virgil Burgiol, just make with the noise or
no dialogue. You're only the sound man here. Well, I
get more plan mail than you, you old tin type.
Get away from that microphone. I'll beat it.
Speaker 6 (06:36):
Oh, Jack, stop picking on Virgil. He's very important to
our show, and you know it important. Yes and all.
I play the open doors, ring bell shoots gun.
Speaker 1 (06:44):
Oh.
Speaker 6 (06:45):
And when you're supposed to walk down the street, Virgil walk.
Speaker 1 (06:47):
For you, Virgil walks for me. Well, any sound man
can do that with your flip feet. That's hard, daddy, Virgil.
I told you to get a from that mike. I
never saw a guy.
Speaker 6 (07:02):
With hey, Jack, here comes night school, Joe.
Speaker 1 (07:05):
Oh, yes, our French students, Hello, phil bon Swire, folks
bon Swire, Hello, Jocqueeze, Jacqueis and Marie and doone doone? Phil,
a dune is a great big pile of sand. But
I guess you're right anyway. Why don't you cut out
(07:29):
that French? The stuff you say doesn't even make sense? Well,
I learned to know him this week. Get a load
of this, Jackson ma or cass ta don doone soup a?
What does that mean? My orchestra works in the soup toureen?
(07:50):
Your artistter works in the soup toreen. Yeah, that's as
close as I could get the Biltmore bowl. Well, Phil,
don't you think that before taking up a foreign language
you order learn how to speak English? And what's wrong
with my English?
Speaker 9 (08:02):
May?
Speaker 10 (08:02):
I ask?
Speaker 1 (08:03):
You're a kidding of course? And now, folks, I ain't
what's wrong with my English?
Speaker 10 (08:12):
Phil?
Speaker 1 (08:13):
I met a Fiji islander once with a ring in
his nose, who had only been in this country three weeks,
and he speaks better English than you do, much better. Well,
then I got to get one of him. Range won't
help you, believe me, Let him get one.
Speaker 6 (08:30):
This is an emergency.
Speaker 1 (08:31):
Mary. If Phil ever puts a ring in his nose,
Alice will snap a leash on it, sure as anything.
And now fold still Harris in his eighteen dream boat
will entertain us with a band number.
Speaker 10 (08:41):
Hit it Phil.
Speaker 1 (08:42):
We we amigo? Phil, Amigo is Spanish? You're talking Spanish? Now?
Then I want more money?
Speaker 10 (08:50):
All play? Play, go ahead, hold.
Speaker 1 (08:55):
It a minute, come in, Yes, if you recognize me? No,
I don't. That's my fault. I could never have taken
that ring out of my nose. Get out of hair.
He's a peg, all right? Look at that bush. He
had a hair.
Speaker 10 (09:17):
Whay a Megod, you did not.
Speaker 1 (11:03):
That was a medley of Deep in the Heart of
Texas and the Eyes of Texas are upon you, played
by Phil Harris and his orchestra, who may be heard
nightly except Sunday in the soup treen of the biltmore Ball.
Speaker 7 (11:17):
Say, Phil, that medley was really thrilling?
Speaker 1 (11:20):
How'd you hapen to play it? Well? I got a
lot of pals in taxes, and I don't want them
to forget me. Oh. Yes, you and the boys work
down there every summer, don't you. Yeah. Last year we
did one night's stands at Fort Worth, Dallas and Galveston,
and then we played three months and van Horn three months. Hey.
Speaker 10 (11:38):
Yeah, that's what.
Speaker 1 (11:39):
They gave my guitar player for stealing a cow. Uh.
Stealing a cow. Well, he didn't exactly steal it. He
tried to elope with it. You know how frank he
is what he drinks? Yeah, you must have eloped with
(12:07):
that guitar too. It's got Gene Autry's name on it. Now,
let's see, let's see where are we about?
Speaker 3 (12:15):
Time for my play, isn't it Jack?
Speaker 1 (12:16):
Oh? Yes, yes, you're played and our folks, Mister Don Wilson,
that eminent American author, has written another of his famous
one act plays. Take it doone Wilson.
Speaker 3 (12:26):
Ladies and gentlemen.
Speaker 2 (12:27):
The scene is the honeymoon cottage of a young couple
who have just been married. The bride, played by Mary Livingston,
married is awaiting the arrival of her husband, or whom
she had just prepared.
Speaker 3 (12:43):
Her first dinner.
Speaker 2 (12:44):
We take you now to the home of mister and
missus typical Americans.
Speaker 8 (12:48):
Oh dear, it's seven o'clock and my husband isn't home yet.
Speaker 6 (13:00):
Ah, here he comes.
Speaker 1 (13:01):
Now, Hello, sweetheart.
Speaker 6 (13:03):
Hello, did you have a busy day at the office? Typical?
Speaker 1 (13:13):
Oh awful, That fresh boss of mine had me sitting
on her knee all day. I'm a secretary, folks. Well,
look what's on the table. Are you working at jigsaw?
Puzzled darling? And no, that's your dinner, NiFe, So you
surprised me, eh, darling.
Speaker 6 (13:27):
Yes, sit down, tippy my, this looks so good.
Speaker 1 (13:31):
Uh.
Speaker 6 (13:31):
What would you like with your dinner, sweetheart? Coffee to
your milk?
Speaker 1 (13:34):
Milk please? Okay, Marjoe, the cow's milk already. The milk's
in the bottle, and I'll pay attention. Well, look at
those homemade biscuits. Look at those homemade biscuits. Did you
(13:56):
make it yourself?
Speaker 8 (13:57):
Yes?
Speaker 6 (13:57):
Take this hammer and botery them.
Speaker 1 (13:59):
They are they are a little cementy. And my goodness,
look at this platter of meat.
Speaker 6 (14:04):
You love it, dear. It's Swiss steak.
Speaker 1 (14:06):
Swiss steak only only, Virgil, what's the matter with you?
You're spoiling the illusion. I'll sit down and take that
alpine hat off your head. The cheese too, Yes, it's
a hold on outfit. I'll let us alone so we
can eat thirty minutes later.
Speaker 3 (14:32):
On all cars only. All cars go to.
Speaker 1 (14:35):
The home of typical American. He has a beautiful wife
and a cute indijection.
Speaker 6 (14:41):
Ooh, darling, what's the matter? Typical Typical speak to me?
Speaker 8 (14:48):
Ooh, poor boy, Well, it looks like I'll have to
eat this bowl of tempting and economical jello all by myself.
Speaker 1 (14:56):
Oh no, you don't give me some of that too,
even you you can make jell o right, Thank you, Don?
That was really marvelous. How did you ever think of
such a clever commercial?
Speaker 2 (15:18):
Well, I was sleeping on my back last night and
I dreft it.
Speaker 1 (15:21):
Well tell me down tonight please. Uh not that I
didn't like it, Don, But well I thought you were lost, Dennis?
Or were you a kid?
Speaker 9 (15:31):
I'm not a kid anymore. I just fell in a manhole.
Speaker 1 (15:48):
Oh fine, he fell in a manhole. Fell in a manhole.
That makes him a man. So I suppose if you
fell in a gopher hole, you'd be a.
Speaker 6 (15:55):
Golpher ye jack felling a rat hole?
Speaker 1 (15:58):
One?
Speaker 10 (15:59):
Oh?
Speaker 3 (15:59):
Why?
Speaker 1 (16:05):
Anyway, I'm I'm glad you got here, Dennis. And now
ladies and gentlemen.
Speaker 9 (16:09):
We'll say, mister Benny, have I got a surprise for you?
Speaker 1 (16:12):
Have I got a surprise.
Speaker 3 (16:15):
Later?
Speaker 10 (16:16):
Later?
Speaker 1 (16:16):
Kid? For our feature attraction? This is what do you mean? Surprise?
Speaker 2 (16:20):
Here?
Speaker 9 (16:20):
Read this? I cut it out a radio column.
Speaker 1 (16:22):
Let's see it. So al Well, I'll be darned get
a load of this fellas it is reported officially from
New York. That's starting March eighth, Fred Allen will switch
the time of his broadcast from Wednesday to Sunday night. Imagine,
well I do that He's replacing the Sunday evening Symphony Hour.
(16:46):
Alan's replacing the Symphony Hour. Well, they better tell everybody
in advance, or when they hear Alan's voice, they'll think
it's an old bassoon left over. Anyway, if Alan goes
on the Sundays, I'm going off. I can make a
don good living out of pictures.
Speaker 6 (17:04):
Oh how many postcards of your house do you sell?
Speaker 1 (17:06):
A week? Plenty?
Speaker 10 (17:08):
Sister?
Speaker 1 (17:09):
Anyway, I don't want Allan on the air the same
day as I am.
Speaker 2 (17:11):
But Jack, there are a lot of comedians besides you
on Sunday Night.
Speaker 3 (17:15):
One more won't.
Speaker 1 (17:15):
Hurt a lot of comedians.
Speaker 9 (17:17):
Name one, Edgar Bergen and Charlie McCarthy.
Speaker 1 (17:20):
That's two.
Speaker 7 (17:20):
Name one, I dare you?
Speaker 6 (17:31):
Oh, Jack, you know very well that Edgar Bergen's plays
both parts. McCarthy is a dummy.
Speaker 1 (17:36):
Oh oh, so you're falling for that stuff too, eh,
I happen to know that Charlie McCarthy is just as
much flesh and blood as I am on flesh.
Speaker 6 (17:44):
I won't argue.
Speaker 1 (17:47):
No argument on blood either, I got plenty in my veins.
Speaker 9 (17:51):
Mister Venny is right. I gave him a transfusion yesterday.
Speaker 1 (17:55):
You didn't give me anything. I paid you five dollars
a gallon. I'll be quiet.
Speaker 9 (18:05):
Gee, I'm so weak I can hardly stand up.
Speaker 1 (18:13):
Well well as your own fault. You didn't say when anyway. Anyway,
I've I've got to do something about allan Ysheim's disease.
Then Dennis eat liver. You'll get it back. I know what, Mary, Mary,
(18:38):
get me. Mister John Swallow on the phone. His private
extension is three oh nine. Okay, I'm gonna nip this
in the bud. He's the program manager. I'm gonna straighten
out this Allen Sunday night situation. I don't get mad often,
but when I do. Hello, Hello, mister swat, Oh, hello.
Speaker 6 (18:53):
Mister Swaller.
Speaker 8 (18:54):
When did you get back from Pa?
Speaker 1 (19:08):
Give me that fall? I'll mister Swallow, this is Jack
Benny Day. I just found out something and.
Speaker 10 (19:17):
I like to talk to you about her.
Speaker 1 (19:18):
Now. I'm not gonna.
Speaker 7 (19:19):
Stand for any I'm glad you called Jack.
Speaker 1 (19:21):
Why, I'm Williams. The sense that tells me he's been
having a little trouble with you, trouble with the censor.
Who me, Yes, now, Jack, when he tells you to
take a joke out of your program, don't argue about it.
Speaker 9 (19:33):
Take it out.
Speaker 1 (19:34):
Why wait a minute, mister Swallow, are you referring to
the gag we were going to do about cooking flapjacks
on a griddle?
Speaker 7 (19:41):
I certainly am, And you ought to be ashamed of yourself.
Speaker 1 (19:45):
Well, well, for heaven's sake, what's wrong with cooking flapjacks
on a griddle? The word griddle sounds exactly like girdle
sounds exactly, mister Swallow, I do by you, mister Williams
or Oscar of the Waldorf, to cook flap jackson a girdle.
(20:06):
It can't be done. That's not the point.
Speaker 7 (20:08):
The line is still double on Tunda, And don't pull.
Speaker 1 (20:11):
That Phil Harris up. I like that girdle gag very much. Well,
it's definitely out, all right, all right, goodbye, goodbye, harmless
little gag about hotcakes. And I can't even do it. Well,
come on, Dennis, sing your songs. Well.
Speaker 6 (20:26):
I like to do about Fred Allen.
Speaker 1 (20:27):
Who, oh my goodness, I forgot all about him. I'll
take it up later. Well, come on, come on, Dennis,
let's have a song. Okay, if they'll burn up lately,
I must be getting high blood pressure with my blood.
Speaker 7 (20:38):
Yet, oh quiet sing.
Speaker 1 (20:44):
There must be some way of fixing that Sunday.
Speaker 10 (20:46):
Night thing, this love of my.
Speaker 1 (21:13):
All since you have, you're.
Speaker 10 (21:23):
All hp on my mind.
Speaker 1 (21:31):
It's long untol.
Speaker 2 (21:35):
And no.
Speaker 5 (21:38):
No I cry my fall.
Speaker 10 (21:45):
It's all bray.
Speaker 1 (21:49):
S nothing.
Speaker 3 (21:55):
Prey.
Speaker 10 (21:58):
Why as sun amal.
Speaker 8 (22:07):
What to become moby?
Speaker 7 (22:11):
This love of my my.
Speaker 1 (22:18):
Cry my home? It's found.
Speaker 9 (22:25):
Pray sends nothing man.
Speaker 1 (22:32):
Lead pray?
Speaker 9 (22:35):
Why the sun amalal?
Speaker 1 (22:48):
What before moby love? Ah? That was this love of
(23:18):
mine sung by Dennis Dave and very good Dennis, sure,
and it was wonderful be daughter. And now ladies and gentlemen.
Speaker 6 (23:24):
Well Dennis, her blood is working on him.
Speaker 1 (23:27):
Yes, it isn't that here.
Speaker 9 (23:28):
It wasn't such a typeward. We all get a raisin.
Speaker 1 (23:31):
Hooray. I've got an alibi.
Speaker 3 (23:33):
And now for Zach, what are you gonna do about
the Fred Allum situation?
Speaker 1 (23:36):
Yeah, you're gonna let that guy get away with it. Well,
I've been thinking it over, gentlemen, and I'm going to
form a little group that will take care of him.
The s A A LC.
Speaker 6 (23:45):
What's that stand for?
Speaker 1 (23:46):
Sunday Artists against Low Comedy. I'm gonna send letters to Bergen, Abbot, Costello,
Phil Baker, Giler, Sleeve and all of them.
Speaker 3 (23:54):
What about me?
Speaker 1 (23:55):
I'm a Sunday artist, you're a Sunday Well. I'm having
enough for mister swallow. But I'll have my lawyer send
you a letter. Anyhow, it only costs ten dollars to
join that Eskimo isn't getting any ten dollars out of me?
Sugarfoot who asked you? I get this right, Virgil, You're
(24:16):
not a comedian. You're a sound man, and not a
very good one at that. I don't know why I
don't yet that wig right off your head. You lay
one hand on me, and you.
Speaker 8 (24:28):
Will Old Jack stop pointing at your glasses.
Speaker 6 (24:30):
He won't hit you.
Speaker 1 (24:32):
Never mind, I got more important things to do in
and argue with this guy until March eighth. I'll be
working day and night.
Speaker 2 (24:37):
You mean to say that you're going to all this
trouble just to keep outing off the air Sundays.
Speaker 1 (24:41):
I owe it to the public. It's a crusade, that's
what it is.
Speaker 9 (24:45):
Well, gee, I don't know what all this fuss is about. Personally,
I think Ms Rowland is wonderful.
Speaker 1 (24:49):
Dennis, you're fired anyway, don get out, get out scram
kids anyway. Don I think I'll send you Leave the
music here, Dennis, it's not your anyway. Don get back
(25:11):
in the manhole cover I think, don I think I'll
send you. I think I'll send you an application blank too,
and then if we all stick together, wait, I'll take it.
Speaker 5 (25:23):
Hello, Hello, mister Benny, this is Rochester.
Speaker 1 (25:26):
What do you want horse?
Speaker 5 (25:27):
I always thought that border of ours was poop Blois.
Speaker 1 (25:30):
Now I know it. Mister Billingsley, what's the trouble?
Speaker 5 (25:32):
Now he's playing soldier again?
Speaker 1 (25:34):
This morning he locked me in my room.
Speaker 5 (25:36):
For three hours.
Speaker 1 (25:37):
Well why didn't she get him the password? It's a
little little that was yesterday?
Speaker 3 (25:41):
Today is.
Speaker 8 (25:51):
Oh?
Speaker 1 (25:52):
So he so he changed today? Well I'm glad you
told me. I don't want to have to go to
a hotel tonight. Now a Rochester. You just humor, mister Billingsley.
Let him play soldier. He's perfectly harmless.
Speaker 5 (26:02):
What about that shotgun he carries around.
Speaker 1 (26:04):
That shotgun isn't loaded. No, you know that big picture
he got in the library of George Walton across the Delaware.
Speaker 5 (26:10):
Yes, well he'll never make it in that potus.
Speaker 1 (26:23):
Oh my goodness. Well, I'll tell you one thing, Rochester.
He's gonna pay for that painting.
Speaker 5 (26:28):
He paid for it already. Good you ought to see
his new fin hot of field. He's got my fixture
on him.
Speaker 1 (26:36):
Oh, for heaven's sake, you know what else?
Speaker 5 (26:38):
Why you're secretary of the Treasury.
Speaker 1 (26:41):
Oh well, he's just having fun. He prints him on kleenex.
He can't be a counterfeiter. Well, Rochester, I'll be home
pretty soon, so don't worry. Goodbye. Oh oh say Rochester,
where's mister Billingsby?
Speaker 5 (26:51):
Now he's out in the garage.
Speaker 1 (26:53):
Please orange juice, Please, an orange juice in the garage.
Speaker 10 (26:56):
Yeah.
Speaker 1 (26:56):
He nails and orange on the wall and then backs
the mask well into it. Well, I've seen a little
while so long. I was wondering where those yellow socks
on my garage wall came from. I thought there was
something wrong with my eyes.
Speaker 5 (27:15):
Playfell.
Speaker 2 (27:19):
If you have a family that glitch tempting dessert, then
don't wait another day to serve this one. It's a delightful,
jellow treat called Imperial Peach Mold, a grand.
Speaker 3 (27:27):
Looking, good looking.
Speaker 2 (27:28):
Dessert that's not only delicious but easy to make.
Speaker 3 (27:31):
Here's all there is to it.
Speaker 2 (27:32):
Simply dissolve one package of irons jello and a pint
of hot water and peach juice, and chill until slightly thicken. Next,
hold in one cup of cans sliced peaches drained, or
if you wish, use one box of quick frozen sliced
peaches freshly bard, then mold and chill until firm.
Speaker 1 (27:47):
And there's a really special treat, a rich.
Speaker 2 (27:50):
Shimmering combination of juicy sliced peaches and sunny orange jello.
So get a can of sliced peaches over a box
of quick frozen sliced peaches from your crosser tomorrow and
treat your out to this swell dessert.
Speaker 3 (28:01):
When you make it, be sure to.
Speaker 2 (28:02):
Use genuine jello because jello is extra delicious thanks to
its new locked in flavors.
Speaker 1 (28:11):
We're a little light, so good night, folks.
Speaker 11 (28:23):
Remember this name, folks, Jello butterscotch pudding. It's the name
of one of America's most popular desserts. The name of
a grand pudding that's sure to become one of your
special favorites. Jello Butterscotch pudding is marvelously smooth and bluscious
with a swell homemade goodness, and it's full of golden
butterscotch flavors. So tomorrow, when you order jello, get jello
(28:43):
puddings in all three flavors. Chocolate, vanilla, and butterscotch. Jello
puddings are just like Grandma's, only more so. This program
came to you from Hollywood. This is the National Broadcasting
Company k f I, Los Angeles,
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Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
New Heights with Jason & Travis Kelce
Football’s funniest family duo — Jason Kelce of the Philadelphia Eagles and Travis Kelce of the Kansas City Chiefs — team up to provide next-level access to life in the league as it unfolds. The two brothers and Super Bowl champions drop weekly insights about the weekly slate of games and share their INSIDE perspectives on trending NFL news and sports headlines. They also endlessly rag on each other as brothers do, chat the latest in pop culture and welcome some very popular and well-known friends to chat with them. Check out new episodes every Wednesday. Follow New Heights on the Wondery App, YouTube or wherever you get your podcasts. You can listen to new episodes early and ad-free, and get exclusive content on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. And join our new membership for a unique fan experience by going to the New Heights YouTube channel now!
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The latest news in 4 minutes updated every hour, every day.