July 22, 2025 • 30 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The Jack Penny program presented by Lucky Strike six Turbonama.
That's old melgun, gentle tobacco, smooth tobacco, tobacco that's deeply
enjoyable to smoke, puff after puff, that's Lucky Strike tobacco. Yes,
friends at the Tobacco Auctions, Lucky Strike buy is truly
(00:21):
fine tobacco and pays millions of dollars more than official
parody prices to get it. And you are the reason
Luckies are so particular to get fine, ripe mild tobacco,
For it takes fine tobacco to give you a fine cigarette.
Speaker 2 (00:35):
And ls m F t.
Speaker 1 (00:37):
Ls MFT Lucky Strike means fine tobacco, the kind of
tobacco you'll smoke with deep down enjoyment, for it's mellow,
mild from first puff to last. Yes, there's never a
rough puff in a Lucky Surely you want all the
enjoyment you can get from a cigarette, so why not
smoke The smoke is famous for fine tobacco, for enjoyment,
(00:59):
for taste, for mildness. Lucky Strike so wrong, so firm,
so fully tight, so free and easy on the draw. Yes,
make your next cart and Lucky Stripe.
Speaker 3 (01:18):
The Lucky Strike Program. Sorry, Jack Penny with Barry Livingston,
Cola Harris Rochester, Tennisee, and Hers ply Don Wilson, Ladies
(01:38):
and gentlemen. On last week's program, everybody made so many
mistakes and reading their lines that Jack called it was
necessary to call.
Speaker 2 (01:45):
A special meeting.
Speaker 3 (01:46):
At the moment, we find the cast assembled in Jack's
living room.
Speaker 2 (01:51):
Now, look, kid, I want you to take what I'm
going to say in the spirit in which it's given.
I'm not angry, I'm not upset, but I did feel
it was necessary to call this meeting.
Speaker 4 (02:01):
All right, Jack, what's the meeting about.
Speaker 2 (02:02):
Yeah, let's get it over with, uh little Phil. As
I said before, I'm not angry, but on last week's program,
I never heard. So Dennis, Dennis, you're not paying attention.
Get away from that fish bowl.
Speaker 5 (02:14):
Last time I looked in this bowl, there were only
two gold fishes.
Speaker 2 (02:17):
I know.
Speaker 6 (02:17):
I know.
Speaker 2 (02:18):
Now, kids, I'll come there are three of them now
because the first two fell in love and got married.
That's why. Now, kids, they just got married.
Speaker 5 (02:26):
Why are they're taking a border?
Speaker 2 (02:31):
Look if they didn't take in a border. The little
one as a baby.
Speaker 5 (02:34):
Oh yeah, the one on the right is the mother.
Speaker 2 (02:36):
No, No, Dennis, the one on the right is the father.
You could have fooled me, Dennis, Will you do me.
Speaker 4 (02:44):
A faith for Heaven's sake? Jack, you call us over
here for a meeting, so let's get on with it.
Speaker 3 (02:48):
Yes, Jack, tell us what's on your mind.
Speaker 2 (02:49):
I'm trying. Do I call this meeting to find out
why there were so many mistakes made on last week's broadcast?
Speaker 4 (02:54):
All right, so we made a few mistakes. That a
reason for you to get mad.
Speaker 2 (02:58):
I told you I'm not mad. Al right, Jackson, you're
burned up, and you know I'm not burned up.
Speaker 5 (03:04):
Jack.
Speaker 4 (03:04):
There's no reason for you to get so upsets up.
Speaker 2 (03:07):
What makes you think I'm upset?
Speaker 4 (03:09):
You look like a football coach whose team has to
play Notre Dame.
Speaker 2 (03:15):
All right, all right, you kids can have your little joke.
And one couldn't be a star of my magnitude without
being able to take a few gibes from his underlings.
What as I said before, I'm not mad all I
want to do?
Speaker 5 (03:30):
Manny?
Speaker 2 (03:31):
What do you want now?
Speaker 5 (03:32):
Are you sure the one on the left is the mother?
Speaker 2 (03:34):
Yeah, Dennis, the one on the left is the mother.
Speaker 5 (03:36):
The one on the right, is prettier?
Speaker 2 (03:38):
All right? All right? So the father is prettier than
the mother.
Speaker 5 (03:42):
That doesn't make sense, Sure.
Speaker 2 (03:43):
It does, Kid, take me an hour, He'll be quiet.
Speaker 7 (03:49):
Okay, Jackson, Okay, I'd like to get this meeting over anyway.
What kind of mistakes did we make last?
Speaker 2 (03:54):
Well, for one thing, Phil, you don't even know how
to speak the English language. If a word has over
two syllables, you don't even know what it means.
Speaker 5 (04:01):
I may not know what it makes.
Speaker 2 (04:02):
Jackson, But when I speak, I have perfect diction. Phil.
As long as you brought that up, I've got news
for you. I've heard better diction coming out of the
exhaust pipe of a Greyhound box. Believe me, Phill, the
only thing that sounds worse than Harris the speaker is
(04:22):
Harri's the music.
Speaker 6 (04:23):
All the Jackson, all the.
Speaker 7 (04:28):
It may interest you to know that I just got
an offer to make a guest appearance with our Tooro Totscanini.
Speaker 2 (04:34):
You you got an offer from Toscanini.
Speaker 7 (04:36):
Yes, he wants me to be first whip snapper when
he plays Mules.
Speaker 4 (04:43):
Well, La, you can do, I know, Jack, If you're
just gonna ball out, Phil, why did you call.
Speaker 2 (04:48):
The rest of it, because you all made mistakes.
Speaker 7 (04:50):
Last wait a minute, Jackson, I didn't make no mistake.
Speaker 1 (04:52):
Oh you didn't they Rochester, open the phonograph and play
that record of.
Speaker 2 (04:57):
Last week's program. Okay, now put the needle where I.
Speaker 5 (05:01):
Told you that the cool baby. Could you cut your cool?
Speaker 2 (05:03):
Then let's get your hand out of that fishball anyway
you're tickling the father. Now go ahead, Rochester, start the
record where I've got that little chalk mark. You say
you didn't make any mistakes. Hey, Phil, just listen. This
is the part where we were talking about your picture
(05:25):
Wabash Avenue. Now listen well, and I exactly retakes you.
Speaker 7 (05:29):
See there's a scene in the picture of me singing
that's what I like about the South, uh huh.
Speaker 2 (05:33):
And because the foreign market.
Speaker 7 (05:34):
I've been down to the studio dubbing in the lyrics
in French, German, Spanish, Greek, Portuguese.
Speaker 8 (05:38):
And I tell you.
Speaker 2 (05:44):
That's all. Rochester. Did you hear that, Phil?
Speaker 8 (05:46):
Did you hear that?
Speaker 2 (05:47):
Portra?
Speaker 6 (05:48):
Jeez?
Speaker 8 (05:48):
I thought it's sound a cute playing again, Roch.
Speaker 2 (05:55):
Never mind.
Speaker 4 (05:56):
Yeah, I don't think it's fair of you to ball
still out.
Speaker 2 (05:59):
I wouldn't wait for you to speak on. Rochester put
that other record on the one mark.
Speaker 4 (06:16):
Mary, Jack, you're trying to tell me that I make
a mistake now and then you needn't bother because I
know it.
Speaker 2 (06:22):
Mary, I don't mind the little fluffs you've made, like
the time you ordered a chist sweet sandwich. You make
little mistakes like that every now and then. But Mary,
what do you think was your biggest.
Speaker 4 (06:31):
Mistake leaving the Maid Company?
Speaker 2 (06:39):
I won't argue that point. If you want to eat
and get fat that you're I have a record here.
Speaker 5 (06:46):
Mister Binny. Are you sure, the one on the left
of the mother.
Speaker 1 (06:48):
I'm sure, I'm sure, I'm sure. And then to stop interrupting.
Speaker 2 (06:53):
I want to get this meeting over with because I
have to go to see Ronald Coleman on some very
important business. Now, look, Mary, you say you didn't make
any misass me. Look it. I want you to hear
a recording of a program we did a few weeks ago.
Rochester put it on where I got that little chalk mark? Yes, sir, Now,
isn't that Harry? All the networks are nice, and it's
about time people realize that there's no animosity between them.
(07:15):
There is of course not. I take Cbs.
Speaker 1 (07:18):
They even put Johnson's wax on the floors.
Speaker 4 (07:24):
Jack, CEBs didn't put us there.
Speaker 9 (07:26):
So many started to come over.
Speaker 4 (07:27):
They tracked it in on their heads, their shoes.
Speaker 6 (07:40):
They want to be acrobat.
Speaker 2 (07:43):
That's enough, Rochester, that's enough to hear that. Mary, the
word was supposed to be shoes. Now, how in the
world is your possibly arrive at the word head?
Speaker 6 (07:51):
Jack?
Speaker 4 (07:51):
That happened four weeks ago. I didn't deny it. I
said I was guilty. You sentence fee to three days
at hard labor. I painted your house. Now, let's forget it.
Speaker 2 (08:01):
Won't forget it until you finish the window sills. I
want him green, Jack is a meeting over. No, no,
don not yet. I want to show him Mary a
pluff that you made on last week's program. Rochester, play
that first record again. Yes, the place I'm looking for
is somewhere around the middle.
Speaker 3 (08:15):
Go ahead, pleasure, look wonderful out here on the ocean.
Speaker 2 (08:19):
You care nothing I love better than no obligation. Crew
that's not in Rochester. Move the needle further down.
Speaker 6 (08:24):
Yes, okay, ocean's a little rough, well.
Speaker 2 (08:27):
And can't get too rough for me. You know, during
the First World War, I used to be on the navy.
A little further down.
Speaker 7 (08:32):
Wait a minute, wait a minute, Play that last part again.
Speaker 2 (08:38):
What's the matter, Jack?
Speaker 4 (08:39):
You said you were on the navy instead of in
the navy.
Speaker 2 (08:42):
I did not. Oh you didn't, he Rochester, Play that
part again. Okay, Jack, you've burs it down.
Speaker 10 (08:48):
The ocean's a little rough, well, and.
Speaker 2 (08:50):
Can't get too rough for me. You know, during the
First World War, I used to be on the navy.
Well dance, shall we dance? Well? Jack, how could you
make a mistake like that?
Speaker 5 (09:07):
Yeah, the one on the right at the mother.
Speaker 2 (09:13):
Dennis be quiet?
Speaker 7 (09:14):
Oh you know, Jackson, your face is the color of
my eyes.
Speaker 4 (09:22):
Okay, Jack, what did he got to say?
Speaker 5 (09:24):
Now, I got this to say.
Speaker 2 (09:25):
I did not make a mistake. I said, I did
not make a mistake. But Jack, we.
Speaker 5 (09:30):
Heard it distinctly.
Speaker 2 (09:31):
You said you were on the navy. I said it
because it's correct. When I became a sailor during the
First World War, they put me on board a ship
called the USS Navy. Therefore I was on the Navy.
Speaker 6 (09:43):
Shut up and meeting the turn.
Speaker 2 (09:54):
I fail. You and Mary can leave, but don I
want you to stay? And you two, Dennis, I want
to hear your song.
Speaker 8 (09:59):
Sol I'm Jack Bye Jack.
Speaker 2 (10:01):
Hmmm, Leah made mistakes, all right, Dennis, what are you
gonna sing? Well?
Speaker 5 (10:05):
This is a no song, Mister Benny was written by
Ben Oakland and Herb Madison and Georgie Jessel wrote the lyrics.
Speaker 2 (10:09):
Oh, Georgie Jessel, what's the name of it?
Speaker 5 (10:11):
Here? Roses in December?
Speaker 6 (10:12):
Good?
Speaker 2 (10:12):
Let's hear it?
Speaker 11 (10:30):
Oh sas in the Samon.
Speaker 2 (10:36):
For you.
Speaker 11 (10:42):
Take a scar from warble, you lie upon au itn't
min What can I do.
Speaker 5 (11:09):
For you?
Speaker 11 (11:12):
If you like the stringing a for it would be
a trouble all. Give me you alone, and I can
(11:36):
make the most impossible things control oo shadows never sungeshine
forever rouses in the December for you if you would
(12:04):
lie the springing a hole with it work no troubles.
Give me you alone, and I can be composed impossible
(12:30):
a uncrown shadow, lever sunshine for aver rose as Indycember,
Oh you.
Speaker 2 (13:15):
Dens, Dennis, I was beautiful. I don't know. It seems
that lately your voice is getting better and better. M
You didn't even say goodbye.
Speaker 8 (13:29):
Or Rochester Jack.
Speaker 3 (13:31):
You said you wanted me to wait too.
Speaker 2 (13:32):
Huh oh, yes, now, don the reason I asked you
to stay is because I didn't want to embarrass you
in front.
Speaker 5 (13:38):
Of the others.
Speaker 2 (13:39):
Well, Jack, what did I do? Every week this season?
We've been using the quartet to do the commercial except once. Mind,
you only once were you required to do a straight commercial.
Speaker 1 (13:50):
And the mistakes you made, the fluffing of lines was
simply awful.
Speaker 3 (13:55):
But Jack, I remember that commercial, and I don't recall
making any mistakes.
Speaker 2 (13:59):
Oh you don't. You don't recall any mistake, Yester, Down down, Rochester,
play that fourth record over there and started where I
made that truck. Mind, now listen, don you don't remember
any mistakes, Just listen carefully to this. Go ahead, Rochester.
Ladies and gentlemen.
Speaker 12 (14:14):
Luckies pay more millions of dollars more than official parody
prices for fine tobacco. Millions of dollars. That's a lot
of money. But the makers of Lucky Strike spend it
for fine like naturally mild tobacco. So when you light
up a Lucky you're always sure of real smoking enjoyment. Yes,
when you're smoking a cigarette, a fine tobacco, you know
(14:37):
you can expect enjoyment.
Speaker 6 (14:38):
And plenty of it.
Speaker 12 (14:40):
Ls mft ls mft. Lucky strike means fine tobacco. Yes,
lucky strike means fine tobacco. That's the end of the
commercial bus it is why certainly, Jack, I didn't make
one mistake.
Speaker 2 (14:55):
Well, I guess I was wrong. Thanks for staying Come right, Jack,
I could have sworn he made some mistakes in that commercial.
Oh well, it was nice hearing it again. Anyway, say Rochester.
I gotta run over and see mister Coleman now in
some business. When I get back, have a little lunch
(15:16):
for me. I'd like scrambled eggs.
Speaker 6 (15:18):
Sorry, boys, we're all out of eggs.
Speaker 2 (15:20):
Oh well, as long as I'm going next door to Coleman's,
I'll borrow a couple. I'll be right back. I hope
their butler doesn't answer the door. I don't think he
(15:40):
likes me. Well, hello, Anita.
Speaker 4 (15:44):
Oh hello Jack.
Speaker 2 (15:57):
Ah jee Vanita, you look wonderful here the eggs, Banita.
How did you know I wanted to far away?
Speaker 10 (16:11):
Well, I saw you coming up the walk, and since
it was butter yesterday and sugar the day before, it
had to be eggs today. Oh yeah, so we've completed
the cycle, haven't we.
Speaker 2 (16:26):
Yes, we have.
Speaker 10 (16:27):
No Is there anything else you might want? Bread, cream, flour,
letty turnips? Well we're pushing turnips today.
Speaker 2 (16:40):
No, no, just the eggs will do well.
Speaker 10 (16:43):
Maybe you could use some cookies, cinnamon, jam, jelly beans.
Oh no, no, I gave you plenty of jelly beans.
Speaker 8 (16:49):
You gave me jelly beans.
Speaker 2 (16:51):
You gave me jelly whim two weeks ago.
Speaker 10 (16:53):
That night, and you rang my bell and said trickle treat.
Speaker 2 (16:59):
Oh yeah, God, MANDI I took such pains disguising myself
as little bowl Pie. How'd you recognize me?
Speaker 10 (17:08):
Because little bo pee for the lost a.
Speaker 2 (17:10):
Half, yet I didn't know where to find it.
Speaker 4 (17:15):
Well, thanks for the eggs, said all right, Jack, goodbye.
Speaker 2 (17:18):
Oh just a minute, Banita. The main reason I came
over was to see Ronnie. They have some very important
business to discuss with him.
Speaker 5 (17:23):
Oh I'm sorry, but Ron's at the studio.
Speaker 10 (17:25):
He's doing the final scenes on his picture Chantane to Caesar.
Speaker 4 (17:28):
Oh and it's gonn excuse me.
Speaker 10 (17:30):
I was just getting ready to drive out there to
see him.
Speaker 2 (17:32):
Well, that's swell, I'll go out with you, Banita.
Speaker 10 (17:34):
Oh a mint, Jack, Jack, No, I have to make
several stops on the.
Speaker 2 (17:38):
Way and oh, I don't mind waiting.
Speaker 10 (17:40):
Oh well, for goodness sake, we won't be able to
go after all. I just remembered my car has a
flat pie.
Speaker 2 (17:47):
Oh well, don't worry. We'll drive out in my car.
Speaker 10 (17:51):
Your car.
Speaker 2 (17:52):
Sure, I'll go and get it.
Speaker 10 (17:54):
You win, Jack, we'll drive out in mind.
Speaker 2 (17:56):
Good god, let's go.
Speaker 5 (18:05):
Here.
Speaker 10 (18:06):
You're Jack Stage five.
Speaker 5 (18:07):
Now you've got this pretty.
Speaker 2 (18:08):
Quiet in there, because I know, Benita, I know I've
made a lot of pictures myself.
Speaker 4 (18:12):
Oh yes, I forgot thank you.
Speaker 2 (18:16):
Come on, let's go here.
Speaker 1 (18:21):
The director says it'll be a few minutes before the
next scene.
Speaker 5 (18:23):
They have to change the lights.
Speaker 6 (18:24):
Mister Coleman, thank you. Call me when he's ready. Will you.
Speaker 2 (18:39):
See they've they've got a lot of extras on the
set today, haven't they been eating?
Speaker 9 (18:43):
Yeah?
Speaker 10 (18:43):
Oh there he is, Hello Ronnie, Hello Darling.
Speaker 6 (18:46):
Only three more scenes.
Speaker 2 (18:47):
In Hello Ronnie, Ronnie, how are you?
Speaker 6 (18:50):
Oh Jack, what are you doing here?
Speaker 10 (18:58):
He came out with me.
Speaker 5 (18:59):
He wants to see you on Disneys Darling.
Speaker 2 (19:01):
Yes, yeah, gee, it's good to see again. Ronnie Shay.
Speaker 8 (19:06):
I forgot to take the egg out of my hand.
Speaker 2 (19:15):
I'm sorry, Ronnie, didn't my fault.
Speaker 10 (19:18):
Stop wiping it off on my brisk.
Speaker 6 (19:22):
Jack.
Speaker 13 (19:23):
Normally, I am not a curious man, and I don't
cry into other people's affairs. But how in the name
of heaven did you happen to have an egg in
your hand?
Speaker 2 (19:33):
Well, Benita loaned me a couple of years.
Speaker 13 (19:37):
I'm glad you didn't borrow any vigoro.
Speaker 2 (19:41):
Yes, yes, Now, Ronnie, I have some business I want
to see you.
Speaker 13 (19:44):
About now, Jack, please, I don't know what it is,
but you'll have to wait. This is our last day
of shooting.
Speaker 6 (19:49):
We're behind the.
Speaker 13 (19:50):
Schedule and we still have to do the most important
scene in the picture.
Speaker 2 (19:53):
But Ronnie, this business will.
Speaker 1 (19:54):
Everybody on stage, all right, Ronnie, we're all ready to
shoot the scene.
Speaker 6 (19:58):
I'm ready for he Benita, it's.
Speaker 2 (20:00):
Good to see you.
Speaker 5 (20:01):
By the way.
Speaker 10 (20:02):
This is Jack, Benny, Jack, this is ronis director Richard Warf.
Speaker 2 (20:15):
Well, it's nice meeting you, mister Warf. It's a pleasure
meeting you too, mister Benny.
Speaker 13 (20:19):
Uh, just not to indict, don't shake hands.
Speaker 6 (20:22):
Don't shake hands. I'll explain it to you later.
Speaker 2 (20:26):
All right, now, Ronnie, this is the one we rehearsed
this morning.
Speaker 4 (20:29):
Remember the main feeling is.
Speaker 1 (20:30):
That you are expressing contempt, not hatred, merely contempt for
your business associates.
Speaker 13 (20:35):
Very good, and Dick, don't you think of it better
if instead of sitting I stood behind the desk.
Speaker 12 (20:39):
Yeah, let's try it that way.
Speaker 1 (20:41):
Quiet, everybody, what on the sirt action?
Speaker 13 (20:46):
Gentlemen, At last, I find courage to speak. I can't
let this go on without a word of warning. You
men are the forerunners of intellectual destruction in America, and I,
for one, refuse to see the educational system of this
country ruined by silly simpling.
Speaker 8 (21:04):
Whoops, drop my other age.
Speaker 1 (21:21):
I'm I'm so sorry. Goodness, mister Benny, would you let.
Speaker 6 (21:26):
Me handle this? Jenck? How many eggs did you borrow?
Speaker 2 (21:31):
Two?
Speaker 6 (21:32):
Good? He's out of them, Dick.
Speaker 2 (21:33):
We can go ahead, Yes, yes, go right ahead, Okay,
Quiet on the.
Speaker 1 (21:39):
Set, roll them take it, Ronnie, gentlemen, at last, tiphid
courage to speak. I can't let this go on without
a word of warning, you men of the forerunners.
Speaker 8 (21:51):
Cut of him.
Speaker 2 (21:52):
Sorry, Ronnie, isn't your fault, but I noticed too many
shadows in the background. Hey, Joe, turn up the yarks
on the right platform. That's better now, Ronnie, go through
the speech once more with a new lighting. This will
be just a rehearsal.
Speaker 13 (22:04):
Okay, gentlemen, I have finally found courage to speak.
Speaker 6 (22:09):
I can't let this go on without a word of warning.
Speaker 13 (22:12):
You men of the fore runners of intellectual distraction in America.
Speaker 2 (22:17):
That was perfect.
Speaker 6 (22:18):
Now this one will take.
Speaker 2 (22:20):
Ronnie, try to get a shade more contempt into your voice.
Speaker 6 (22:23):
All right, Dick, I'm ready, all right, good.
Speaker 1 (22:25):
Everybody quiet, while everybody, this was a take all right, Ronnie.
Speaker 13 (22:30):
Camera action, gentlemen, At last, I find courage to speak.
Speaker 2 (22:37):
I can't let this go on without a word of warning.
Speaker 13 (22:39):
You men are the forerunners of intellectual distraction in America,
and I for want cut.
Speaker 2 (23:01):
Ronnie. I thought you had a little too much contempt
in your voice, you see. I think that.
Speaker 1 (23:10):
You should have done using mister Benny, I happened to
be the director of this picture.
Speaker 2 (23:14):
I know, but I'm trying to give you the benefit
of my experience. Mister mister, what was your name again? Warff?
Speaker 5 (23:20):
Richard Warff?
Speaker 2 (23:21):
Say that sounds familiar, war War. I've heard that name before.
Speaker 1 (23:26):
Very likely I have a brother in San Francisco named Fisherman.
Speaker 2 (23:41):
M How could you I wanted to beat him to it.
What I've heard you on the radio, you pick on anything.
Speaker 5 (23:56):
I love, mister Warf.
Speaker 2 (23:57):
I'm only trying to help.
Speaker 5 (23:59):
I don't be.
Speaker 2 (24:00):
Your help is a war for your information. Making moving
pictures is not a cut and dry business. There's no
sure way to produce a good picture. The only way
we can learn is by mistakes.
Speaker 6 (24:09):
You better listen to him. Dickie's made some beaut.
Speaker 2 (24:21):
Thank you.
Speaker 6 (24:24):
Now the Benny.
Speaker 2 (24:25):
If you're gonna stay here, you'll have to keep quiet.
Speaker 13 (24:27):
Now, holdly just a second, thig, I'd like to talk
to my wife privately, Benita.
Speaker 6 (24:32):
Will you come with me for a moment?
Speaker 13 (24:36):
Yes, Ronnie, Benita, why in the world did you bring
Benny out here?
Speaker 10 (24:41):
But doing I couldn't help it.
Speaker 13 (24:43):
Couldn't help it, couldn't help it. Look, we've been married
a good many years, haven't we. Yes, In all those years,
we've never had in his serious arguments with no dear Well, Benita,
I'm warning you if a thing like this happens again,
I'm going to pack my oscar and move back to
the YMZ.
Speaker 6 (25:09):
How do you hear?
Speaker 5 (25:10):
Ronie?
Speaker 2 (25:11):
Stop raving your finger in my face. You're getting egg
on my nose. That's your fault too, Ronnie. I hate interrupt,
but we're way behind on schedule. Let's finish this scene.
Speaker 6 (25:21):
I'm sorry, Dick, I'm ready.
Speaker 1 (25:23):
Okay, Quiet everybody. This is a tape fired on the
set likes camera, gentlemen.
Speaker 2 (25:30):
At least I find courage to speak.
Speaker 8 (25:33):
I can't let this.
Speaker 1 (25:34):
Go out without a word of water, Jack Hume and
other foreigners of intellectual This touching in America? Jack, Hello,
ron refuse to see the educational system of this country.
Speaker 11 (25:46):
Oh ruin many.
Speaker 1 (25:47):
While you shut up and get out from.
Speaker 6 (25:49):
Behind that desk.
Speaker 2 (25:59):
I was only trying to Ronnie.
Speaker 5 (26:00):
How that speech?
Speaker 2 (26:01):
You don't need your help. I Heaven's sake, Ronnie, can't
you get rid of this?
Speaker 11 (26:05):
It's slip?
Speaker 2 (26:10):
Thank you.
Speaker 13 (26:11):
Look Jack, I don't mind too much. I'm used to you,
but you're new to mister walk Please leave.
Speaker 2 (26:18):
The set for Ronnie. Ronnie, I can't leave now. I
came out here to see you on business that's important
to you, all right, Jack?
Speaker 13 (26:26):
All right, you've delayed the picture for an hour, You've
ruined three days, You've upset my director and caused me
to argue with my wife. Now what is this important
business you?
Speaker 2 (26:38):
Want to talk to me about Ronnie. Ronnie, do you
realize that here it is the middle of November and
you haven't ordered your Christmas card? Yeah, now, Ronnie, I
have some cards with beautiful winter scenes.
Speaker 10 (27:01):
Oh, oh my goodness, what happened?
Speaker 2 (27:04):
An arc light fell down and hit him on the head.
Speaker 6 (27:06):
He badly hurts.
Speaker 2 (27:07):
I don't know if we better work fast lights camera.
Speaker 8 (27:11):
That's last Skifie's courage to speak.
Speaker 2 (27:14):
I can't let this go.
Speaker 6 (27:15):
Down without a word of warning.
Speaker 2 (27:17):
You mailed them all on.
Speaker 3 (27:28):
Ladies and gentlemen, help observe the first annual National Kids
Day on Saturday, November nineteenth, and you will be helping
the underprivileged children of your community. All funds raised in
your city remain there for the benefit of the children
of your community.
Speaker 5 (27:41):
Thank you.
Speaker 2 (27:46):
Jack will be back in just a moment.
Speaker 5 (27:47):
The first six turbon.
Speaker 2 (27:51):
Mama, do do Do Do Do do noma o MalCon.
Speaker 1 (27:55):
Luckies pay more millions of dollars more than official parody
prices for fine tobacco, and that's mighty important to you,
because fine tobacco and smoking enjoyment go hand in hand.
And ls MFT ls MFT Lucky strike means fine tobacco, ripe,
mellow tobacco that gives you a more enjoyable, a smoother,
(28:17):
milder smoke with never a rough puck. Yes, Luckys give
everyone more smoking enjoyment, including the men who are expert
judges of tobacco, the independent auctioneers, buyers and warehousemen, men
born and bred in the tobacco business. Take mister Lynwood L.
Sturdivant of Louisbourg, North Carolina, a veteran warehouseman.
Speaker 9 (28:38):
He recently said, when you talk tobacco, you're talkin' my language.
I've seen plenty of tobacco bought and sold about one
hundred and fifty million pounds a year after year. I've
seen the makers of Lucky Strike by a fine light
leaf that makes extra enjoyable smokin'. I've been smokin' Lucki's
myself for eleven years, and.
Speaker 1 (28:57):
That's an outstanding tribute to the real deep do on
smoking enjoyment in Lucky Strike. So take a tip from
the tobacco experts and light up a Lucky so round,
so firm, so fully packed, so free and easy on
the draw. Yes, next time you buy a cigarettes, ask
for a carton of Lucky strike.
Speaker 2 (29:19):
Ladies and gentlemen. I want to thank mister mister Ronald
Coleman and Richard war for being with us tonight so
late of this evening. I'm gonna be on Red Skelts
program and be sure to listen in next week when
we will have as our guest Sammy the Drummer.
Speaker 8 (29:36):
Good Night.
Speaker 6 (29:41):
A Life.
Speaker 2 (29:42):
I'm gonna stay the same time to SHAWMS follows the meeting.
Speaker 7 (29:48):
There there's Phibia, the Columbia broad scraping SI
The Jack Penny program presented by Lucky Strike six Turbonama.
That's old melgun, gentle tobacco, smooth tobacco, tobacco that's deeply
enjoyable to smoke, puff after puff, that's Lucky Strike tobacco. Yes,
friends at the Tobacco Auctions, Lucky Strike buy is truly
(00:21):
fine tobacco and pays millions of dollars more than official
parody prices to get it. And you are the reason
Luckies are so particular to get fine, ripe mild tobacco,
For it takes fine tobacco to give you a fine cigarette.
Speaker 2 (00:35):
And ls m F t.
Speaker 1 (00:37):
Ls MFT Lucky Strike means fine tobacco, the kind of
tobacco you'll smoke with deep down enjoyment, for it's mellow,
mild from first puff to last. Yes, there's never a
rough puff in a Lucky Surely you want all the
enjoyment you can get from a cigarette, so why not
smoke The smoke is famous for fine tobacco, for enjoyment,
(00:59):
for taste, for mildness. Lucky Strike so wrong, so firm,
so fully tight, so free and easy on the draw. Yes,
make your next cart and Lucky Stripe.
Speaker 3 (01:18):
The Lucky Strike Program. Sorry, Jack Penny with Barry Livingston,
Cola Harris Rochester, Tennisee, and Hers ply Don Wilson, Ladies
(01:38):
and gentlemen. On last week's program, everybody made so many
mistakes and reading their lines that Jack called it was
necessary to call.
Speaker 2 (01:45):
A special meeting.
Speaker 3 (01:46):
At the moment, we find the cast assembled in Jack's
living room.
Speaker 2 (01:51):
Now, look, kid, I want you to take what I'm
going to say in the spirit in which it's given.
I'm not angry, I'm not upset, but I did feel
it was necessary to call this meeting.
Speaker 4 (02:01):
All right, Jack, what's the meeting about.
Speaker 2 (02:02):
Yeah, let's get it over with, uh little Phil. As
I said before, I'm not angry, but on last week's program,
I never heard. So Dennis, Dennis, you're not paying attention.
Get away from that fish bowl.
Speaker 5 (02:14):
Last time I looked in this bowl, there were only
two gold fishes.
Speaker 2 (02:17):
I know.
Speaker 6 (02:17):
I know.
Speaker 2 (02:18):
Now, kids, I'll come there are three of them now
because the first two fell in love and got married.
That's why. Now, kids, they just got married.
Speaker 5 (02:26):
Why are they're taking a border?
Speaker 2 (02:31):
Look if they didn't take in a border. The little
one as a baby.
Speaker 5 (02:34):
Oh yeah, the one on the right is the mother.
Speaker 2 (02:36):
No, No, Dennis, the one on the right is the father.
You could have fooled me, Dennis, Will you do me.
Speaker 4 (02:44):
A faith for Heaven's sake? Jack, you call us over
here for a meeting, so let's get on with it.
Speaker 3 (02:48):
Yes, Jack, tell us what's on your mind.
Speaker 2 (02:49):
I'm trying. Do I call this meeting to find out
why there were so many mistakes made on last week's broadcast?
Speaker 4 (02:54):
All right, so we made a few mistakes. That a
reason for you to get mad.
Speaker 2 (02:58):
I told you I'm not mad. Al right, Jackson, you're
burned up, and you know I'm not burned up.
Speaker 5 (03:04):
Jack.
Speaker 4 (03:04):
There's no reason for you to get so upsets up.
Speaker 2 (03:07):
What makes you think I'm upset?
Speaker 4 (03:09):
You look like a football coach whose team has to
play Notre Dame.
Speaker 2 (03:15):
All right, all right, you kids can have your little joke.
And one couldn't be a star of my magnitude without
being able to take a few gibes from his underlings.
What as I said before, I'm not mad all I
want to do?
Speaker 5 (03:30):
Manny?
Speaker 2 (03:31):
What do you want now?
Speaker 5 (03:32):
Are you sure the one on the left is the mother?
Speaker 2 (03:34):
Yeah, Dennis, the one on the left is the mother.
Speaker 5 (03:36):
The one on the right, is prettier?
Speaker 2 (03:38):
All right? All right? So the father is prettier than
the mother.
Speaker 5 (03:42):
That doesn't make sense, Sure.
Speaker 2 (03:43):
It does, Kid, take me an hour, He'll be quiet.
Speaker 7 (03:49):
Okay, Jackson, Okay, I'd like to get this meeting over anyway.
What kind of mistakes did we make last?
Speaker 2 (03:54):
Well, for one thing, Phil, you don't even know how
to speak the English language. If a word has over
two syllables, you don't even know what it means.
Speaker 5 (04:01):
I may not know what it makes.
Speaker 2 (04:02):
Jackson, But when I speak, I have perfect diction. Phil.
As long as you brought that up, I've got news
for you. I've heard better diction coming out of the
exhaust pipe of a Greyhound box. Believe me, Phill, the
only thing that sounds worse than Harris the speaker is
(04:22):
Harri's the music.
Speaker 6 (04:23):
All the Jackson, all the.
Speaker 7 (04:28):
It may interest you to know that I just got
an offer to make a guest appearance with our Tooro Totscanini.
Speaker 2 (04:34):
You you got an offer from Toscanini.
Speaker 7 (04:36):
Yes, he wants me to be first whip snapper when
he plays Mules.
Speaker 4 (04:43):
Well, La, you can do, I know, Jack, If you're
just gonna ball out, Phil, why did you call.
Speaker 2 (04:48):
The rest of it, because you all made mistakes.
Speaker 7 (04:50):
Last wait a minute, Jackson, I didn't make no mistake.
Speaker 1 (04:52):
Oh you didn't they Rochester, open the phonograph and play
that record of.
Speaker 2 (04:57):
Last week's program. Okay, now put the needle where I.
Speaker 5 (05:01):
Told you that the cool baby. Could you cut your cool?
Speaker 2 (05:03):
Then let's get your hand out of that fishball anyway
you're tickling the father. Now go ahead, Rochester, start the
record where I've got that little chalk mark. You say
you didn't make any mistakes. Hey, Phil, just listen. This
is the part where we were talking about your picture
(05:25):
Wabash Avenue. Now listen well, and I exactly retakes you.
Speaker 7 (05:29):
See there's a scene in the picture of me singing
that's what I like about the South, uh huh.
Speaker 2 (05:33):
And because the foreign market.
Speaker 7 (05:34):
I've been down to the studio dubbing in the lyrics
in French, German, Spanish, Greek, Portuguese.
Speaker 8 (05:38):
And I tell you.
Speaker 2 (05:44):
That's all. Rochester. Did you hear that, Phil?
Speaker 8 (05:46):
Did you hear that?
Speaker 2 (05:47):
Portra?
Speaker 6 (05:48):
Jeez?
Speaker 8 (05:48):
I thought it's sound a cute playing again, Roch.
Speaker 2 (05:55):
Never mind.
Speaker 4 (05:56):
Yeah, I don't think it's fair of you to ball
still out.
Speaker 2 (05:59):
I wouldn't wait for you to speak on. Rochester put
that other record on the one mark.
Speaker 4 (06:16):
Mary, Jack, you're trying to tell me that I make
a mistake now and then you needn't bother because I
know it.
Speaker 2 (06:22):
Mary, I don't mind the little fluffs you've made, like
the time you ordered a chist sweet sandwich. You make
little mistakes like that every now and then. But Mary,
what do you think was your biggest.
Speaker 4 (06:31):
Mistake leaving the Maid Company?
Speaker 2 (06:39):
I won't argue that point. If you want to eat
and get fat that you're I have a record here.
Speaker 5 (06:46):
Mister Binny. Are you sure, the one on the left
of the mother.
Speaker 1 (06:48):
I'm sure, I'm sure, I'm sure. And then to stop interrupting.
Speaker 2 (06:53):
I want to get this meeting over with because I
have to go to see Ronald Coleman on some very
important business. Now, look, Mary, you say you didn't make
any misass me. Look it. I want you to hear
a recording of a program we did a few weeks ago.
Rochester put it on where I got that little chalk mark? Yes, sir, Now,
isn't that Harry? All the networks are nice, and it's
about time people realize that there's no animosity between them.
(07:15):
There is of course not. I take Cbs.
Speaker 1 (07:18):
They even put Johnson's wax on the floors.
Speaker 4 (07:24):
Jack, CEBs didn't put us there.
Speaker 9 (07:26):
So many started to come over.
Speaker 4 (07:27):
They tracked it in on their heads, their shoes.
Speaker 6 (07:40):
They want to be acrobat.
Speaker 2 (07:43):
That's enough, Rochester, that's enough to hear that. Mary, the
word was supposed to be shoes. Now, how in the
world is your possibly arrive at the word head?
Speaker 6 (07:51):
Jack?
Speaker 4 (07:51):
That happened four weeks ago. I didn't deny it. I
said I was guilty. You sentence fee to three days
at hard labor. I painted your house. Now, let's forget it.
Speaker 2 (08:01):
Won't forget it until you finish the window sills. I
want him green, Jack is a meeting over. No, no,
don not yet. I want to show him Mary a
pluff that you made on last week's program. Rochester, play
that first record again. Yes, the place I'm looking for
is somewhere around the middle.
Speaker 3 (08:15):
Go ahead, pleasure, look wonderful out here on the ocean.
Speaker 2 (08:19):
You care nothing I love better than no obligation. Crew
that's not in Rochester. Move the needle further down.
Speaker 6 (08:24):
Yes, okay, ocean's a little rough, well.
Speaker 2 (08:27):
And can't get too rough for me. You know, during
the First World War, I used to be on the navy.
A little further down.
Speaker 7 (08:32):
Wait a minute, wait a minute, Play that last part again.
Speaker 2 (08:38):
What's the matter, Jack?
Speaker 4 (08:39):
You said you were on the navy instead of in
the navy.
Speaker 2 (08:42):
I did not. Oh you didn't, he Rochester, Play that
part again. Okay, Jack, you've burs it down.
Speaker 10 (08:48):
The ocean's a little rough, well, and.
Speaker 2 (08:50):
Can't get too rough for me. You know, during the
First World War, I used to be on the navy.
Well dance, shall we dance? Well? Jack, how could you
make a mistake like that?
Speaker 5 (09:07):
Yeah, the one on the right at the mother.
Speaker 2 (09:13):
Dennis be quiet?
Speaker 7 (09:14):
Oh you know, Jackson, your face is the color of
my eyes.
Speaker 4 (09:22):
Okay, Jack, what did he got to say?
Speaker 5 (09:24):
Now, I got this to say.
Speaker 2 (09:25):
I did not make a mistake. I said, I did
not make a mistake. But Jack, we.
Speaker 5 (09:30):
Heard it distinctly.
Speaker 2 (09:31):
You said you were on the navy. I said it
because it's correct. When I became a sailor during the
First World War, they put me on board a ship
called the USS Navy. Therefore I was on the Navy.
Speaker 6 (09:43):
Shut up and meeting the turn.
Speaker 2 (09:54):
I fail. You and Mary can leave, but don I
want you to stay? And you two, Dennis, I want
to hear your song.
Speaker 8 (09:59):
Sol I'm Jack Bye Jack.
Speaker 2 (10:01):
Hmmm, Leah made mistakes, all right, Dennis, what are you
gonna sing? Well?
Speaker 5 (10:05):
This is a no song, Mister Benny was written by
Ben Oakland and Herb Madison and Georgie Jessel wrote the lyrics.
Speaker 2 (10:09):
Oh, Georgie Jessel, what's the name of it?
Speaker 5 (10:11):
Here? Roses in December?
Speaker 6 (10:12):
Good?
Speaker 2 (10:12):
Let's hear it?
Speaker 11 (10:30):
Oh sas in the Samon.
Speaker 2 (10:36):
For you.
Speaker 11 (10:42):
Take a scar from warble, you lie upon au itn't
min What can I do.
Speaker 5 (11:09):
For you?
Speaker 11 (11:12):
If you like the stringing a for it would be
a trouble all. Give me you alone, and I can
(11:36):
make the most impossible things control oo shadows never sungeshine
forever rouses in the December for you if you would
(12:04):
lie the springing a hole with it work no troubles.
Give me you alone, and I can be composed impossible
(12:30):
a uncrown shadow, lever sunshine for aver rose as Indycember,
Oh you.
Speaker 2 (13:15):
Dens, Dennis, I was beautiful. I don't know. It seems
that lately your voice is getting better and better. M
You didn't even say goodbye.
Speaker 8 (13:29):
Or Rochester Jack.
Speaker 3 (13:31):
You said you wanted me to wait too.
Speaker 2 (13:32):
Huh oh, yes, now, don the reason I asked you
to stay is because I didn't want to embarrass you
in front.
Speaker 5 (13:38):
Of the others.
Speaker 2 (13:39):
Well, Jack, what did I do? Every week this season?
We've been using the quartet to do the commercial except once. Mind,
you only once were you required to do a straight commercial.
Speaker 1 (13:50):
And the mistakes you made, the fluffing of lines was
simply awful.
Speaker 3 (13:55):
But Jack, I remember that commercial, and I don't recall
making any mistakes.
Speaker 2 (13:59):
Oh you don't. You don't recall any mistake, Yester, Down down, Rochester,
play that fourth record over there and started where I
made that truck. Mind, now listen, don you don't remember
any mistakes, Just listen carefully to this. Go ahead, Rochester.
Ladies and gentlemen.
Speaker 12 (14:14):
Luckies pay more millions of dollars more than official parody
prices for fine tobacco. Millions of dollars. That's a lot
of money. But the makers of Lucky Strike spend it
for fine like naturally mild tobacco. So when you light
up a Lucky you're always sure of real smoking enjoyment. Yes,
when you're smoking a cigarette, a fine tobacco, you know
(14:37):
you can expect enjoyment.
Speaker 6 (14:38):
And plenty of it.
Speaker 12 (14:40):
Ls mft ls mft. Lucky strike means fine tobacco. Yes,
lucky strike means fine tobacco. That's the end of the
commercial bus it is why certainly, Jack, I didn't make
one mistake.
Speaker 2 (14:55):
Well, I guess I was wrong. Thanks for staying Come right, Jack,
I could have sworn he made some mistakes in that commercial.
Oh well, it was nice hearing it again. Anyway, say Rochester.
I gotta run over and see mister Coleman now in
some business. When I get back, have a little lunch
(15:16):
for me. I'd like scrambled eggs.
Speaker 6 (15:18):
Sorry, boys, we're all out of eggs.
Speaker 2 (15:20):
Oh well, as long as I'm going next door to Coleman's,
I'll borrow a couple. I'll be right back. I hope
their butler doesn't answer the door. I don't think he
(15:40):
likes me. Well, hello, Anita.
Speaker 4 (15:44):
Oh hello Jack.
Speaker 2 (15:57):
Ah jee Vanita, you look wonderful here the eggs, Banita.
How did you know I wanted to far away?
Speaker 10 (16:11):
Well, I saw you coming up the walk, and since
it was butter yesterday and sugar the day before, it
had to be eggs today. Oh yeah, so we've completed
the cycle, haven't we.
Speaker 2 (16:26):
Yes, we have.
Speaker 10 (16:27):
No Is there anything else you might want? Bread, cream, flour,
letty turnips? Well we're pushing turnips today.
Speaker 2 (16:40):
No, no, just the eggs will do well.
Speaker 10 (16:43):
Maybe you could use some cookies, cinnamon, jam, jelly beans.
Oh no, no, I gave you plenty of jelly beans.
Speaker 8 (16:49):
You gave me jelly beans.
Speaker 2 (16:51):
You gave me jelly whim two weeks ago.
Speaker 10 (16:53):
That night, and you rang my bell and said trickle treat.
Speaker 2 (16:59):
Oh yeah, God, MANDI I took such pains disguising myself
as little bowl Pie. How'd you recognize me?
Speaker 10 (17:08):
Because little bo pee for the lost a.
Speaker 2 (17:10):
Half, yet I didn't know where to find it.
Speaker 4 (17:15):
Well, thanks for the eggs, said all right, Jack, goodbye.
Speaker 2 (17:18):
Oh just a minute, Banita. The main reason I came
over was to see Ronnie. They have some very important
business to discuss with him.
Speaker 5 (17:23):
Oh I'm sorry, but Ron's at the studio.
Speaker 10 (17:25):
He's doing the final scenes on his picture Chantane to Caesar.
Speaker 4 (17:28):
Oh and it's gonn excuse me.
Speaker 10 (17:30):
I was just getting ready to drive out there to
see him.
Speaker 2 (17:32):
Well, that's swell, I'll go out with you, Banita.
Speaker 10 (17:34):
Oh a mint, Jack, Jack, No, I have to make
several stops on the.
Speaker 2 (17:38):
Way and oh, I don't mind waiting.
Speaker 10 (17:40):
Oh well, for goodness sake, we won't be able to
go after all. I just remembered my car has a
flat pie.
Speaker 2 (17:47):
Oh well, don't worry. We'll drive out in my car.
Speaker 10 (17:51):
Your car.
Speaker 2 (17:52):
Sure, I'll go and get it.
Speaker 10 (17:54):
You win, Jack, we'll drive out in mind.
Speaker 2 (17:56):
Good god, let's go.
Speaker 5 (18:05):
Here.
Speaker 10 (18:06):
You're Jack Stage five.
Speaker 5 (18:07):
Now you've got this pretty.
Speaker 2 (18:08):
Quiet in there, because I know, Benita, I know I've
made a lot of pictures myself.
Speaker 4 (18:12):
Oh yes, I forgot thank you.
Speaker 2 (18:16):
Come on, let's go here.
Speaker 1 (18:21):
The director says it'll be a few minutes before the
next scene.
Speaker 5 (18:23):
They have to change the lights.
Speaker 6 (18:24):
Mister Coleman, thank you. Call me when he's ready. Will you.
Speaker 2 (18:39):
See they've they've got a lot of extras on the
set today, haven't they been eating?
Speaker 9 (18:43):
Yeah?
Speaker 10 (18:43):
Oh there he is, Hello Ronnie, Hello Darling.
Speaker 6 (18:46):
Only three more scenes.
Speaker 2 (18:47):
In Hello Ronnie, Ronnie, how are you?
Speaker 6 (18:50):
Oh Jack, what are you doing here?
Speaker 10 (18:58):
He came out with me.
Speaker 5 (18:59):
He wants to see you on Disneys Darling.
Speaker 2 (19:01):
Yes, yeah, gee, it's good to see again. Ronnie Shay.
Speaker 8 (19:06):
I forgot to take the egg out of my hand.
Speaker 2 (19:15):
I'm sorry, Ronnie, didn't my fault.
Speaker 10 (19:18):
Stop wiping it off on my brisk.
Speaker 6 (19:22):
Jack.
Speaker 13 (19:23):
Normally, I am not a curious man, and I don't
cry into other people's affairs. But how in the name
of heaven did you happen to have an egg in
your hand?
Speaker 2 (19:33):
Well, Benita loaned me a couple of years.
Speaker 13 (19:37):
I'm glad you didn't borrow any vigoro.
Speaker 2 (19:41):
Yes, yes, Now, Ronnie, I have some business I want
to see you.
Speaker 13 (19:44):
About now, Jack, please, I don't know what it is,
but you'll have to wait. This is our last day
of shooting.
Speaker 6 (19:49):
We're behind the.
Speaker 13 (19:50):
Schedule and we still have to do the most important
scene in the picture.
Speaker 2 (19:53):
But Ronnie, this business will.
Speaker 1 (19:54):
Everybody on stage, all right, Ronnie, we're all ready to
shoot the scene.
Speaker 6 (19:58):
I'm ready for he Benita, it's.
Speaker 2 (20:00):
Good to see you.
Speaker 5 (20:01):
By the way.
Speaker 10 (20:02):
This is Jack, Benny, Jack, this is ronis director Richard Warf.
Speaker 2 (20:15):
Well, it's nice meeting you, mister Warf. It's a pleasure
meeting you too, mister Benny.
Speaker 13 (20:19):
Uh, just not to indict, don't shake hands.
Speaker 6 (20:22):
Don't shake hands. I'll explain it to you later.
Speaker 2 (20:26):
All right, now, Ronnie, this is the one we rehearsed
this morning.
Speaker 4 (20:29):
Remember the main feeling is.
Speaker 1 (20:30):
That you are expressing contempt, not hatred, merely contempt for
your business associates.
Speaker 13 (20:35):
Very good, and Dick, don't you think of it better
if instead of sitting I stood behind the desk.
Speaker 12 (20:39):
Yeah, let's try it that way.
Speaker 1 (20:41):
Quiet, everybody, what on the sirt action?
Speaker 13 (20:46):
Gentlemen, At last, I find courage to speak. I can't
let this go on without a word of warning. You
men are the forerunners of intellectual destruction in America, and I,
for one, refuse to see the educational system of this
country ruined by silly simpling.
Speaker 8 (21:04):
Whoops, drop my other age.
Speaker 1 (21:21):
I'm I'm so sorry. Goodness, mister Benny, would you let.
Speaker 6 (21:26):
Me handle this? Jenck? How many eggs did you borrow?
Speaker 2 (21:31):
Two?
Speaker 6 (21:32):
Good? He's out of them, Dick.
Speaker 2 (21:33):
We can go ahead, Yes, yes, go right ahead, Okay,
Quiet on the.
Speaker 1 (21:39):
Set, roll them take it, Ronnie, gentlemen, at last, tiphid
courage to speak. I can't let this go on without
a word of warning, you men of the forerunners.
Speaker 8 (21:51):
Cut of him.
Speaker 2 (21:52):
Sorry, Ronnie, isn't your fault, but I noticed too many
shadows in the background. Hey, Joe, turn up the yarks
on the right platform. That's better now, Ronnie, go through
the speech once more with a new lighting. This will
be just a rehearsal.
Speaker 13 (22:04):
Okay, gentlemen, I have finally found courage to speak.
Speaker 6 (22:09):
I can't let this go on without a word of warning.
Speaker 13 (22:12):
You men of the fore runners of intellectual distraction in America.
Speaker 2 (22:17):
That was perfect.
Speaker 6 (22:18):
Now this one will take.
Speaker 2 (22:20):
Ronnie, try to get a shade more contempt into your voice.
Speaker 6 (22:23):
All right, Dick, I'm ready, all right, good.
Speaker 1 (22:25):
Everybody quiet, while everybody, this was a take all right, Ronnie.
Speaker 13 (22:30):
Camera action, gentlemen, At last, I find courage to speak.
Speaker 2 (22:37):
I can't let this go on without a word of warning.
Speaker 13 (22:39):
You men are the forerunners of intellectual distraction in America,
and I for want cut.
Speaker 2 (23:01):
Ronnie. I thought you had a little too much contempt
in your voice, you see. I think that.
Speaker 1 (23:10):
You should have done using mister Benny, I happened to
be the director of this picture.
Speaker 2 (23:14):
I know, but I'm trying to give you the benefit
of my experience. Mister mister, what was your name again? Warff?
Speaker 5 (23:20):
Richard Warff?
Speaker 2 (23:21):
Say that sounds familiar, war War. I've heard that name before.
Speaker 1 (23:26):
Very likely I have a brother in San Francisco named Fisherman.
Speaker 2 (23:41):
M How could you I wanted to beat him to it.
What I've heard you on the radio, you pick on anything.
Speaker 5 (23:56):
I love, mister Warf.
Speaker 2 (23:57):
I'm only trying to help.
Speaker 5 (23:59):
I don't be.
Speaker 2 (24:00):
Your help is a war for your information. Making moving
pictures is not a cut and dry business. There's no
sure way to produce a good picture. The only way
we can learn is by mistakes.
Speaker 6 (24:09):
You better listen to him. Dickie's made some beaut.
Speaker 2 (24:21):
Thank you.
Speaker 6 (24:24):
Now the Benny.
Speaker 2 (24:25):
If you're gonna stay here, you'll have to keep quiet.
Speaker 13 (24:27):
Now, holdly just a second, thig, I'd like to talk
to my wife privately, Benita.
Speaker 6 (24:32):
Will you come with me for a moment?
Speaker 13 (24:36):
Yes, Ronnie, Benita, why in the world did you bring
Benny out here?
Speaker 10 (24:41):
But doing I couldn't help it.
Speaker 13 (24:43):
Couldn't help it, couldn't help it. Look, we've been married
a good many years, haven't we. Yes, In all those years,
we've never had in his serious arguments with no dear Well, Benita,
I'm warning you if a thing like this happens again,
I'm going to pack my oscar and move back to
the YMZ.
Speaker 6 (25:09):
How do you hear?
Speaker 5 (25:10):
Ronie?
Speaker 2 (25:11):
Stop raving your finger in my face. You're getting egg
on my nose. That's your fault too, Ronnie. I hate interrupt,
but we're way behind on schedule. Let's finish this scene.
Speaker 6 (25:21):
I'm sorry, Dick, I'm ready.
Speaker 1 (25:23):
Okay, Quiet everybody. This is a tape fired on the
set likes camera, gentlemen.
Speaker 2 (25:30):
At least I find courage to speak.
Speaker 8 (25:33):
I can't let this.
Speaker 1 (25:34):
Go out without a word of water, Jack Hume and
other foreigners of intellectual This touching in America? Jack, Hello,
ron refuse to see the educational system of this country.
Speaker 11 (25:46):
Oh ruin many.
Speaker 1 (25:47):
While you shut up and get out from.
Speaker 6 (25:49):
Behind that desk.
Speaker 2 (25:59):
I was only trying to Ronnie.
Speaker 5 (26:00):
How that speech?
Speaker 2 (26:01):
You don't need your help. I Heaven's sake, Ronnie, can't
you get rid of this?
Speaker 11 (26:05):
It's slip?
Speaker 2 (26:10):
Thank you.
Speaker 13 (26:11):
Look Jack, I don't mind too much. I'm used to you,
but you're new to mister walk Please leave.
Speaker 2 (26:18):
The set for Ronnie. Ronnie, I can't leave now. I
came out here to see you on business that's important
to you, all right, Jack?
Speaker 13 (26:26):
All right, you've delayed the picture for an hour, You've
ruined three days, You've upset my director and caused me
to argue with my wife. Now what is this important
business you?
Speaker 2 (26:38):
Want to talk to me about Ronnie. Ronnie, do you
realize that here it is the middle of November and
you haven't ordered your Christmas card? Yeah, now, Ronnie, I
have some cards with beautiful winter scenes.
Speaker 10 (27:01):
Oh, oh my goodness, what happened?
Speaker 2 (27:04):
An arc light fell down and hit him on the head.
Speaker 6 (27:06):
He badly hurts.
Speaker 2 (27:07):
I don't know if we better work fast lights camera.
Speaker 8 (27:11):
That's last Skifie's courage to speak.
Speaker 2 (27:14):
I can't let this go.
Speaker 6 (27:15):
Down without a word of warning.
Speaker 2 (27:17):
You mailed them all on.
Speaker 3 (27:28):
Ladies and gentlemen, help observe the first annual National Kids
Day on Saturday, November nineteenth, and you will be helping
the underprivileged children of your community. All funds raised in
your city remain there for the benefit of the children
of your community.
Speaker 5 (27:41):
Thank you.
Speaker 2 (27:46):
Jack will be back in just a moment.
Speaker 5 (27:47):
The first six turbon.
Speaker 2 (27:51):
Mama, do do Do Do Do do noma o MalCon.
Speaker 1 (27:55):
Luckies pay more millions of dollars more than official parody
prices for fine tobacco, and that's mighty important to you,
because fine tobacco and smoking enjoyment go hand in hand.
And ls MFT ls MFT Lucky strike means fine tobacco, ripe,
mellow tobacco that gives you a more enjoyable, a smoother,
(28:17):
milder smoke with never a rough puck. Yes, Luckys give
everyone more smoking enjoyment, including the men who are expert
judges of tobacco, the independent auctioneers, buyers and warehousemen, men
born and bred in the tobacco business. Take mister Lynwood L.
Sturdivant of Louisbourg, North Carolina, a veteran warehouseman.
Speaker 9 (28:38):
He recently said, when you talk tobacco, you're talkin' my language.
I've seen plenty of tobacco bought and sold about one
hundred and fifty million pounds a year after year. I've
seen the makers of Lucky Strike by a fine light
leaf that makes extra enjoyable smokin'. I've been smokin' Lucki's
myself for eleven years, and.
Speaker 1 (28:57):
That's an outstanding tribute to the real deep do on
smoking enjoyment in Lucky Strike. So take a tip from
the tobacco experts and light up a Lucky so round,
so firm, so fully packed, so free and easy on
the draw. Yes, next time you buy a cigarettes, ask
for a carton of Lucky strike.
Speaker 2 (29:19):
Ladies and gentlemen. I want to thank mister mister Ronald
Coleman and Richard war for being with us tonight so
late of this evening. I'm gonna be on Red Skelts
program and be sure to listen in next week when
we will have as our guest Sammy the Drummer.
Speaker 8 (29:36):
Good Night.
Speaker 6 (29:41):
A Life.
Speaker 2 (29:42):
I'm gonna stay the same time to SHAWMS follows the meeting.
Speaker 7 (29:48):
There there's Phibia, the Columbia broad scraping SI
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Special Summer Offer: Exclusively on Apple Podcasts, try our Dateline Premium subscription completely free for one month! With Dateline Premium, you get every episode ad-free plus exclusive bonus content.
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!