August 5, 2025 • 29 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Jagiell The Jello Program starring Jack Benny, with Mary Livingston
and Phil Harrison his orchestra. The Orchestra opens a program
with Midnight in Paris from Here's the Romance. According to
(00:27):
the calendar, spring is practically here. The weather doesn't always
follow the almanac, so you can't count on it. You
can count on jello, though, and the jello's color and
fragrance and freshness will bring a real touch of springtime
to your main us and the springtime. It's quick and
easy to get for. Jello is quick and easy to prepare.
It dissolves in a moment in hot water. It's quick setting,
and it's delicious. Father's extra rich fruit flavor in jello.
Speaker 2 (00:51):
It's crammed with it.
Speaker 1 (00:52):
You'll smell that tempting fruit fragrance the minute you open
the package, and your first taste tells you here is
a swell deserves. No matter how you serve jello, perfectly
plain or decked off with fruits and nuts, It's always
a favorite with the whole family. All six flavors are
fresh and bright and tempty. All six are packed without
extra rich fruit goodness. Just be sure to get genuine
(01:14):
jello and be sure to water some tomorrow. Then you
can treat the whole family to a real touch of springtime.
(01:39):
That was Midnight in Paris, played by Phil Harrison. His
us for now, ladies and gentlemen, tomorrow being the first
day of spring, we bring you sulfur molasses, and Jack Penny.
Speaker 3 (01:55):
Thank you very nice, Jelo. Again, it's a jag Danny.
Youre a little spring tiny coming to you to open
your mouth, swallow and make a fade. Now that wasn't bad,
was it, You.
Speaker 1 (02:04):
Know, Jacket, it's nice to see spring rolling around.
Speaker 3 (02:07):
Again, Yes it is, Don. Trees are butting, flowers are
beginning to bloom, Bears and good humor. Men are coming
out of hibernation, Yes, sir, Birds are coming back from
the South, oh, flocks of them. And you know, Don,
yesterday I saw a robin in our backyard who just
flew in from Miami.
Speaker 2 (02:23):
How did you know he was from Miami?
Speaker 3 (02:25):
He was building a nest with tickets from high a
lee apart. You know, Don, one thing about the beginning
of spring. It sure PEPs you up, doesn't it.
Speaker 2 (02:36):
I've noticed that too, Jack. It makes you feel lively
and energetic.
Speaker 3 (02:40):
Energetic, Why Don, when I popped out of bed this
morning and started to dress. I laced my shoes and
didn't miss one single hole. But honestly, Don, isn't spring
the most marvelous time of the year. I mean, you
walk out in the country and see babbling brooks, rabbits
scampering around, snakes coming out of their holes.
Speaker 4 (03:00):
Did you call me Jack?
Speaker 3 (03:09):
No? Phil?
Speaker 4 (03:10):
Oh, then I'll crawl back in again.
Speaker 3 (03:11):
Yeah? By all means? Hey, Phil, wait a minute, I
nearly forgot you know I'm not going to be able
to use your orchestra on next week's broadcast. You're not?
Speaker 2 (03:18):
Why?
Speaker 3 (03:19):
Well listen, Phil, you two Don, I've got a surprise
for you. Tomorrow. I'm leaving for New York, New York. Yes,
I'm just going for a little pleasure fit, see a
few shows, and next Sunday I'm going to broadcast from there.
Speaker 2 (03:30):
Well, are we going with him?
Speaker 5 (03:32):
No?
Speaker 3 (03:32):
Don, You're all going to get a week off, you, Kenny,
Merry and Phil.
Speaker 4 (03:35):
Does that mean I'm not going to get my check
next week?
Speaker 3 (03:38):
Well, I won't tell you, Phil, but don't be surprised
if your bank book misses a beast You'll just have
to You'll just have to forget one week's salary. Oh
I'm supposed to forget a yes. Well, with the amount
you pay me, I won't have to join the foreign legions.
(03:58):
Oh I don't know.
Speaker 1 (03:59):
You do all right, I'll say, Jack, who's going to
be your announcer in New York next Sunday?
Speaker 3 (04:03):
Well done? Harry Vonzell promised to help me out. And
he's such an effervescent type. I think he'll be swelled,
don't you.
Speaker 6 (04:11):
Well, yes, if you like this sort of stuff.
Speaker 3 (04:17):
And now, of course you will have to admit that
he is very popular.
Speaker 2 (04:21):
You mean with me or with the public.
Speaker 3 (04:24):
With the public, and they ought to know Bonzell is
an extremely capable announcer. I know, Jack, but I just
can't picture Harry saying jello is America's favorite dessert.
Speaker 2 (04:33):
It comes from six.
Speaker 1 (04:34):
Delicious flavors strawberry, raspberry, cherry, orange, lemon, and lime.
Speaker 2 (04:38):
It won't come from the heart.
Speaker 3 (04:40):
Oh it won't a Well, it better and I'll tell
you who else we Oh, hello, Kenny, Hello Jack?
Speaker 7 (04:46):
Do you have a nice time in New York?
Speaker 3 (04:52):
I'm not going to Lamara Kenny anyway, How did you
know I was leaving for New York?
Speaker 8 (04:56):
You borrowed a suitcase from me.
Speaker 4 (04:58):
Oh, yes, I.
Speaker 3 (04:59):
Forgot all of about that, And say, Kenny, that's a
very unusual bag. It's the only suitcase I ever saw
with legs on it. Well, it's made out of fresh alligator.
Oh that's why the handle snapped at me. A fine thing,
a live alligator suitcase. How am I going to get
my clothes in?
Speaker 1 (05:18):
Wait?
Speaker 3 (05:19):
Let John's Well, I'll man it somehow. By the way, Jack,
as long as I'm not going with you, what archs
are you going.
Speaker 4 (05:27):
To use next Sunday?
Speaker 3 (05:28):
Anyone but abe Lyman? His music is all right, But
I don't want that tug hanging around me.
Speaker 4 (05:35):
Doug.
Speaker 3 (05:36):
Yes, I'm going to New York for a vacation, not
a breakdown.
Speaker 2 (05:40):
Why Jack, you might have had a little trouble with Liman,
but oh he's not huff.
Speaker 3 (05:44):
He's not a last fall. When he was here, he
gave me a slap on the back and my socks
changed feet. I don't want any part of that guy.
Speaker 2 (05:57):
Well, you'll have to have music. Who are you going
to get.
Speaker 3 (05:59):
Well white Man and Olson? Better? Of course the Kowski
is in Italy. I can't get him now. Let's see, Hey, Jay,
what is it Kenny when Takowski comes back, is garb we're.
Speaker 8 (06:11):
Gonna sing with his band?
Speaker 3 (06:21):
Yes, Kenny, if they can get high FETs to play
the bazuka bazukah. WA's that? I don't know? Say Phil,
have you got any bazuokahs in your band? No?
Speaker 4 (06:30):
Just pelucas?
Speaker 3 (06:31):
Oh No. Tell them to put down that jug and
get ready for Kenny's song. What's gonna be tonight? Kenny?
Speaker 2 (06:38):
A little number called I See your face before me?
Speaker 3 (06:41):
Well, that's all right, Kenny, give him high class stuff
all the time. Hit it, Phil, Hold it a minute,
come in telegram for Jack Kenny? Right here, boys, it's collecting.
Speaker 6 (06:52):
Am I gonna have trouble?
Speaker 3 (06:57):
Never mind that? How much is it? Dollar fifty four? Here?
Speaker 2 (07:01):
You are elect?
Speaker 3 (07:03):
I wonder who it's from, Hey, fellows, it's from Abe Lyman.
Speaker 2 (07:08):
What does he say?
Speaker 3 (07:09):
He says, Dear Jack, understand you are coming east next week.
I suggest that you use my band if you want
to see New York from both eyes. We'll meet you
at the station with my car and an ambulance. Take
your choice, sincerely yours A Well.
Speaker 4 (07:34):
How do you like that for a threat?
Speaker 3 (07:36):
Who does he think he's bluffing? Anyway, sing Kenny, I'll
use the band I want to use.
Speaker 9 (07:43):
There all love, little and glow in a world of
(08:06):
tinsull and show to the y from the real thing
is hard to No, I've discovered somebody.
Speaker 10 (08:21):
Who could be truly worthy and true.
Speaker 5 (08:29):
Yes, I met my ideal one. When may.
Speaker 11 (08:41):
I see your face before me? Crowding my every dream?
There is your face before me.
Speaker 3 (08:55):
You are my only.
Speaker 9 (09:00):
It doesn't matter where you are.
Speaker 10 (09:04):
I can see how fast I close my eyes and
there you are away.
Speaker 5 (09:21):
If you could say the magic, if you could see
me too, there would be nothing strategy.
Speaker 10 (09:34):
See in all my dreams of you, would that my
love will want you all.
Speaker 12 (09:44):
No, I can't erase your beauty to.
Speaker 5 (10:06):
It wasn't mother you wall can see.
Speaker 7 (10:18):
Oh that's why I see your face before me, sung
(10:45):
by Kenny Baker.
Speaker 3 (10:47):
Well, Kenny, I won't be able to hear you now
until a week after next. I suppose you'll be listening
in next Sunday.
Speaker 12 (10:52):
Yeah, but say Jack, who's going to take my place?
Speaker 3 (10:55):
Well, Kenny, this is really a surprise and a thrill.
You'll never guess who's promised to come and sing for
you and be just as.
Speaker 4 (11:02):
Good as you are.
Speaker 11 (11:03):
Lawrence Timmitt.
Speaker 3 (11:04):
No, it's not a man.
Speaker 5 (11:09):
Grace Moore.
Speaker 2 (11:10):
No, Janet mcdougle.
Speaker 3 (11:14):
That's Janete McDonald, but it's not her. We're going to
have Kate Smith. Kate Smith, Yes, sir, isn't that swell?
And that's not the only surprise?
Speaker 7 (11:23):
You know?
Speaker 3 (11:23):
Who else is coming on the program?
Speaker 4 (11:25):
Al Smith?
Speaker 3 (11:26):
No, as as a special tree. We're going to have
fred Allen Gid. It'll be good to see that lovable
old lous again. He's a pretty good guy at that.
Speaker 2 (11:42):
Well, how do you know Allan will appear?
Speaker 3 (11:43):
Jack?
Speaker 2 (11:43):
Did you ask him?
Speaker 3 (11:44):
Ask Freddie why? He'll be tickled death to go on
with me? I bet he can hardly wait till I
get in New York. And don believe it or not,
we're going to have Bob Ripley too. How's that?
Speaker 2 (11:54):
Well?
Speaker 13 (11:55):
Hello everybody?
Speaker 3 (11:56):
Hello? Well Mary, I'm glad you dropped in before we
went off the Where were you?
Speaker 10 (12:02):
Oh?
Speaker 14 (12:02):
I went for a long walk and just started lost myself.
Speaker 13 (12:05):
Isn't spring wonderful?
Speaker 10 (12:06):
Jack?
Speaker 14 (12:07):
Yeah, hats are butting in the windows, dresses are beginning
to bloom.
Speaker 3 (12:11):
Yeah, I know. And Hattie Carnegie is coming out of hibernation. Hey,
that's a new bonnet you've got on there now? Isn't
marry Huh?
Speaker 13 (12:18):
I made it myself. Isn't it cute?
Speaker 3 (12:20):
Yes? But it's got a lot of stuff on it
in such colors? Where'd you get the idea from.
Speaker 13 (12:24):
A fresh vegetable place?
Speaker 3 (12:27):
Oh? Yes, I see that poached egg on top there?
You know, Mary, women's hats this season are certainly the women.
Most of them look like something to eat.
Speaker 14 (12:35):
Yeah, you gotta see my new pork and beanie?
Speaker 3 (12:41):
Say? Don can you imagine if men wore the kind
of hats that women do, wouldn't it be awful?
Speaker 2 (12:46):
Yeah?
Speaker 3 (12:46):
Imagine walking into a store. How do you do, sir?
I'd like to see something in a bacon and tomatoes stetson?
No mayonnaise on the crown? Please?
Speaker 2 (12:57):
Would you care for a pickle with a hat? Band?
Speaker 6 (12:59):
Sweeter will Gill is very popular this season.
Speaker 3 (13:03):
Oh, I don't know what kind of get, but I
do want a hat that's nourishing.
Speaker 14 (13:06):
Why don't you get a New England boyl for Dora?
Speaker 3 (13:10):
Well, you're not kidding, Mary, that's just about how silly
women's hats are.
Speaker 1 (13:14):
Oh Mary, did Jack tell you that he's going to
New York tomorrow.
Speaker 14 (13:17):
Oh sure, are you gonna have a girl on the program?
Speaker 3 (13:19):
Jack Well, Mary Kate Smith has promised to help me out.
First she's gonna read Kenny's lines. Then she's gonna sing
Kenny's song. Then she's gonna play your part, and then
you know what else she's gonna do collapse. No, but
she will be very busy.
Speaker 13 (13:33):
Is Is he gonna take tickets at the door too?
Speaker 3 (13:36):
Of course not. NBC has well trained ushers for that,
and I hope they let me in this time.
Speaker 14 (13:46):
I'll bet you're all excited about going.
Speaker 13 (13:48):
What archister are you gonna use?
Speaker 3 (13:49):
Well, Mary, I haven't decided yet. It's between Paul Whiteman
and Abe Lyman. Of course, Lyman is in New York
right now.
Speaker 4 (13:58):
Oh, the telegram's working.
Speaker 3 (14:00):
Well, Lyman is in New York. So it's Paul Whiteman,
I know. But Lyman is thinner than Whiteman and it's
a small studio. Besides that, Abe has a trombone in
his orchestra. Well, of course every orchestra has a trombone,
I know, but his has a Derby hat.
Speaker 4 (14:17):
But all trompon't you Derby hat?
Speaker 3 (14:19):
Well, this one fits me, and let's drop it. See Mary,
Phil thinks I'm hiring Lyman because he threatened me in
a telegram?
Speaker 13 (14:33):
Did he scar it?
Speaker 3 (14:34):
Why should I be scared of him? If you want
to know something, merry Abe wears a charm.
Speaker 13 (14:37):
Bracelet well watch out.
Speaker 14 (14:39):
He's a blackjack on us.
Speaker 3 (14:42):
Just the same. That wire had nothing to do with
my decision.
Speaker 13 (14:45):
Well supposed to Whiteman threatened.
Speaker 3 (14:47):
You don't worry about that, Abe, and I will take
care of him. And by the way, I better answer
Lymon's telegram. He was nice enough to offer his services
take a wire, marye okay, uh, Dear Abe, Abe, how do.
Speaker 14 (15:01):
You sell that ape?
Speaker 3 (15:03):
No ade? For Heaven's sake, don't make that mistake? Eight?
That's all I need.
Speaker 13 (15:15):
Well, you told me he looked like one.
Speaker 3 (15:17):
I did not. I merely said that if he went
to the zoo and fell in the monkey cage, they'd
have a little trouble sorting him out. That's all I said.
I've never referred to Lyman as an eighth.
Speaker 13 (15:31):
Well, you're gonna pay him off in penus, an't you.
Speaker 3 (15:37):
Oh? Quiet? I write the telegram, dear Abe, regarding your
offer to appear on my program next Sunday night. I
will consider the matter if you keep your price and
temper down. Furthermore, I must insist that you come to
rehearsal on time if you can make it so. In
(15:58):
conclusion that these conditions are met, I will give the
matter further considerate consideration. Have you got that married? Yes,
and read it back to me.
Speaker 14 (16:07):
Dear Ad, the job is yours.
Speaker 3 (16:13):
It's not what I said, but let it go. Oh wait,
put another line in there. Please see that the boys
in your orchestra eat their lunch before we go on
the air, because last time I was broadcasting Knee Deep
and Herring Bones.
Speaker 4 (16:28):
Say, Jack, did Lyman's boys really eat during your broadcast?
Speaker 3 (16:31):
Yes? They did. Phil take out your dinner. Payols man,
we're as good as they are. Hey, cut that off. Now,
that'll be all Mary. Just sign my name.
Speaker 13 (16:42):
Shall I send a wire collect Jack?
Speaker 3 (16:44):
No, I better pay for it. He's liable to kill
the messenger.
Speaker 5 (16:46):
Boy.
Speaker 3 (16:51):
Well, I'm all set. Now I've got my orchestra's singer announcer.
I'll take it. Hello long, Yes, I'll take it. I
wonder who it can be. I hope there's no Hello.
Oh Hello Fred, it's Fred Allen Fellas see well, say Fred,
(17:12):
it'll be nice having you on my program next Sunday night.
Why well, look Fred, none of the others are asking anything.
I said. Nobody else is getting anything for us. Well,
this isn't like you, Fred, Aren't you being just a
(17:32):
wee bit mercenary? All right, i'll give it to you. Yes,
you can take my word for it. You'll get it
before the broadcast. So long, What a guy?
Speaker 2 (17:42):
What's the matter? Jack?
Speaker 3 (17:43):
Oh? Nothing?
Speaker 2 (17:44):
Come on? What is it? Oh?
Speaker 3 (17:45):
Allan won't go on the program unless I give him
my boy Scout knight. I hope he cuts himself on
the bottle opener, but he wants your boy Scott knife. Yeah, Gee,
I hate to give it up. I've had it since
I was a tenderfoot. Oh well, he's not gonna get
(18:09):
the chain anyway, say fellas. I got to run home
now and get ready, so carry on with the show.
I haven't even started packing yet.
Speaker 13 (18:15):
I'll come along in healthy.
Speaker 11 (18:16):
Yah.
Speaker 3 (18:16):
Thanks, Mary, I'll come to Jack. No, Kenny, you'll only
be in the way. Well, it's my alligator and I'm
gonna pack it all right, Come along playfield. Gee. I
hate to give up that knife. I've just had it
sharpened to.
Speaker 5 (19:32):
Anything.
Speaker 9 (19:51):
One says.
Speaker 6 (20:14):
That was who stole the jam played by Phil Harrison
his orchestra.
Speaker 1 (20:17):
Now, folks, we sput you over to Jack's house where
he was preparing for his trip to New York.
Speaker 3 (20:25):
M Now, let's see. I've got my dark swe two
pair of shoes, my Razor shaving cream. Oh, Mary, did
you pack my toothbrush?
Speaker 14 (20:33):
Yes, it's in the box with your extra teeth, My
extra teeth?
Speaker 3 (20:42):
Where right there? Those are my new couplings, extra teeth. Jack,
were your neck cries and hacked cheese? Mary's packing him,
aren't you? Marry?
Speaker 14 (20:54):
Yes, I put away your handkerchief, tie stocks and cigars.
Speaker 3 (20:57):
I don't want my cigars packed such a long cryp
they'll get now, they won't.
Speaker 14 (21:01):
I put them in the bowl with a gold fish.
Speaker 3 (21:04):
Marry, My pets aren't going to New York with me?
Can I No?
Speaker 8 (21:07):
And I better take the canary.
Speaker 12 (21:08):
I have a hot water bottle.
Speaker 3 (21:12):
What why, Kenny? The bird's suffocate in that hot water bottle.
Speaker 4 (21:15):
If you will not, I punch toles in it.
Speaker 3 (21:19):
I know I should have left you in the studio.
Hey Rochester, Yes, sir, how are you coming along with
the wardrobe trunk?
Speaker 8 (21:24):
Okay, bought some almost finished.
Speaker 3 (21:26):
You know it's liable to be pretty cold in New
York this time of year. I wonder if I should
buy some long underwear.
Speaker 8 (21:32):
Don't bother I soap leggings on your shorts.
Speaker 3 (21:42):
I suppose you glued ear muffs on my derby, No,
I put them on your two ps. Well, little fit
snugger that way, say, Rochester. You made my reservations on
the train, all right, didn't you.
Speaker 8 (21:57):
Yeah? I got your drawing room, d and cough with.
Speaker 3 (22:00):
A drawing room. I told you I wanted a lower
berth so I could get some air. Fine things.
Speaker 14 (22:06):
Take a drawing room, Kenny will punch holes in it.
Speaker 3 (22:10):
And I never can get what I want. What am
I going to do with a big drawing room.
Speaker 8 (22:13):
Maybe you've been submitted.
Speaker 3 (22:19):
So this. I'll take care of the important things myself.
Speaker 8 (22:22):
I wish you would. I'm all in, all in.
Speaker 3 (22:24):
I don't work you so hard, Rochester.
Speaker 8 (22:26):
I'll never get any time.
Speaker 3 (22:27):
Hold you don't, eh?
Speaker 8 (22:28):
Why the other night, when I was walking into my sleep,
you struck a bag. I'm cleaning my hands.
Speaker 3 (22:45):
Well, I figured, as long as you're wearing out the rug,
you might as well clean us.
Speaker 14 (22:52):
What are you laughing at lock when Kenny just packing
your suitcase.
Speaker 3 (22:56):
Kenny, take that mouse trap out of my dress. They
got everything in there but the family album. Oh say Rochester,
you have to drive me down to the station in
the morning, so you better put the luggage in the
car tonight.
Speaker 8 (23:10):
And I think you better take a cab, mister Benny.
Speaker 3 (23:12):
Why what's the matter with the car? We got a
pleff a flat. Well you can fix that before morning, No, sir,
this is the whole end fine thing. How does that happen?
Speaker 8 (23:24):
Well, I was backing out of the garage this morning.
You know that big concrete post. It stands up in
front of the driveway.
Speaker 3 (23:30):
Yeah, well it's laying down now. Well I'll see that
it's fixed before I get back. Answer the door.
Speaker 14 (23:43):
Yes, well, Jack, you gets you're all packed and ready
to go. You want lockey counts?
Speaker 3 (23:47):
No, I gotta wake of slapperm and brings my tuxedo.
I had to have it cleaned.
Speaker 14 (23:50):
And pressed, clean and press that old thing.
Speaker 3 (23:53):
Oh my tuxedo isn't so old.
Speaker 13 (23:55):
Go on, if I'm off and there with rheumatism and.
Speaker 3 (23:57):
Both wings, Mary, I know the moth you're referring to.
When he's not that old.
Speaker 14 (24:02):
He isn't And why do you feed a milktoast?
Speaker 3 (24:06):
Leave me alone and don't drag herman into this. Oh
hello Andy, Hi you Buck?
Speaker 15 (24:12):
Just drop in to say goodbye to you. She I
wish I was going along?
Speaker 3 (24:17):
No do I Andy? Why don't you come?
Speaker 8 (24:19):
Well? Buck, we're awful busy right now on the farm.
We got a lot of plowing to doing. Besides that,
our goat just had a blessed.
Speaker 4 (24:25):
Advamp she did.
Speaker 3 (24:28):
That's funny. I didn't see anything in Winchell's column about.
Speaker 11 (24:30):
It for me neither.
Speaker 8 (24:32):
He must be slipping.
Speaker 3 (24:35):
Well, Andy, I imagine you're pretty busy this time of
year at that.
Speaker 15 (24:38):
Uh yes, Sir Mar's doing her spring cleaning. And when
I left the house she was washing paws here, I say, And.
Speaker 8 (24:45):
You ought to come up later. There's gonna be a
lot of fun there. Well, yeah, she's gonna put it
through the wringer.
Speaker 4 (24:54):
Hey, i'd like to be there at that.
Speaker 8 (24:56):
Well, here's a ticket. Everybody's coming. Well, Buck, I think
I'll be running along now. I hope you have a
nice trip.
Speaker 3 (25:05):
Thanks Andy, So long, So long, Buck.
Speaker 15 (25:08):
Don't let him sell you The Brooklyn Bridge's.
Speaker 10 (25:11):
Not so hot.
Speaker 3 (25:16):
Good old Andy. Nice of them to drop over.
Speaker 13 (25:19):
Oh Jack, Yeah, where are your scissors here?
Speaker 3 (25:21):
What do you want them for?
Speaker 13 (25:22):
I want to tim your suitcase.
Speaker 14 (25:24):
There a lot of neckties sticking out.
Speaker 3 (25:28):
Don't be so lazy, open it and tuck him in.
Answer the door. Now, let's see what else. There's my
overnight bag, that's all said.
Speaker 4 (25:36):
And a Rochester.
Speaker 3 (25:38):
Hey, WA's this in my hat box?
Speaker 8 (25:39):
I thought you might get hungry, so I made some
jello in us.
Speaker 3 (25:43):
That's fine, but you should have taken my hat out first.
I was alone. I'd have been through an hour ago.
Speaker 12 (25:48):
Hello Jack, you boy?
Speaker 3 (25:49):
Oh hello, slep, did you bring my tuxedo?
Speaker 5 (25:51):
Here?
Speaker 8 (25:52):
There's a fugitive from my rummed tail.
Speaker 3 (25:55):
I'll give it to me now, look, sleap, look at
that lapel.
Speaker 4 (25:59):
I told you.
Speaker 3 (25:59):
I told you to take the stains out, and they're
still there.
Speaker 8 (26:02):
Flat stains though, are stains remover spots.
Speaker 3 (26:04):
That's what they are. Well, looks worse than when I
gave it to you. Now, let's see. Here's the pants,
the cold Hey, where's the vest?
Speaker 8 (26:12):
I left it in my shop?
Speaker 3 (26:13):
Well, why didn't you bring it with you?
Speaker 8 (26:15):
It was too weak to make the trip.
Speaker 3 (26:20):
Go right back and get it here, Rochester, putting my
tuxedo in the trunk.
Speaker 8 (26:24):
Yes, I got it. Hey, don't fold it.
Speaker 3 (26:26):
It's brittle, all right, telet How much do I owe you?
Speaker 4 (26:30):
Well, let me see.
Speaker 8 (26:32):
Are you in a good move or do you want
to talk?
Speaker 3 (26:33):
Take you never mind the turkey. What do I owe you? Well,
pressing is fifty cents for you, forty five? Yes, dry
cleaning it seventy five cents for you, adios. I'm even again.
Speaker 8 (26:48):
Eighty and forty five is a dollar a hat.
Speaker 3 (26:51):
Eighty and forty five is a dollar and a quarter.
Speaker 4 (26:53):
Well, I took a chance.
Speaker 3 (26:56):
Now for this job, all you get is a dollar here.
Speaker 8 (26:58):
All right, I'll see you for the rest.
Speaker 10 (27:00):
I just in my way.
Speaker 3 (27:02):
Time. Take it's a fine mess he made out of
my tuxedo.
Speaker 13 (27:07):
Look, jackets on the floor.
Speaker 3 (27:09):
On the floor, Rochester, I told you to put this
suit in the trunk.
Speaker 8 (27:12):
I did. Put the new one keeps throwing it out.
Speaker 3 (27:21):
Don't get funny.
Speaker 8 (27:22):
I put it.
Speaker 3 (27:22):
I put it in the trunk and lock it up. Yes, well,
that's a relief. Now I'm all set to go. Say Mary,
how about you and I going out getting a bike? Dad?
Speaker 13 (27:31):
Okay, jack I'm start Come on you too.
Speaker 3 (27:33):
Kenny, Hey, where's Kenny? Oh, Kenny, where are you here?
Speaker 5 (27:37):
I am let me out.
Speaker 3 (27:39):
Put Heaven's Rocketer locked them in the trunk. Rochester, open
it and let Kenny out. The keys in there too,
You lock the keys.
Speaker 8 (27:45):
In the trunk.
Speaker 3 (27:46):
It's the most stupid thing you've ever done.
Speaker 8 (27:48):
Where do you look for your ticket? Oh?
Speaker 3 (27:51):
Come on, Mary, let's.
Speaker 8 (27:52):
Go out and eat.
Speaker 14 (27:54):
What about Kenny, You'll suffocate in.
Speaker 3 (27:55):
That tun Oh that's all right, we'll punch holes in it.
Come on.
Speaker 1 (28:04):
If you want to try something new and very swell
for dessert, well here's a grand suggestion.
Speaker 2 (28:11):
It's one of the.
Speaker 1 (28:11):
Most delicious combinations you ever sat.
Speaker 2 (28:13):
On the table.
Speaker 1 (28:14):
Luscious fruit rich raspberry jello combined with prunes.
Speaker 6 (28:18):
If ever a prune was glorified, this is the time.
Speaker 2 (28:22):
Here's the way to make it.
Speaker 1 (28:23):
There's all one package of raspberry jello and hot water
and chill until slightly thickened and pulled in one cup
of cooked seeded prunes, cutting quarters, killing ful.
Speaker 2 (28:31):
Firm, and serve with crea. Couldn't be much easier to make.
And when you've made it, believe me, you've got.
Speaker 6 (28:37):
Something shimmering red raspberry jello molded with delicious juicy prune.
Speaker 1 (28:43):
It's a swell combination. It's an unusual combination, and your
family will want more. So try this brand new dessert,
but be sure to make it with genuine jello. Poor
only Jello brings you that delicious, extra rich fruit flavor.
Look for the big red letters on the box.
Speaker 6 (28:59):
They Jello.
Speaker 3 (29:04):
The last number of the twenty fifth program in the
New Jello Series, And we'll be with you again next
Sunday night. Broadcasting from Radio City, New York, and I
hope you'll all be listening in Well, Mayor. I've got
to run over to Phil Baker's show and congratulate him.
I heard this was the fifth anniversary.
Speaker 13 (29:18):
Well, I'll be carrying fifth Beetle Farming.
Speaker 3 (29:19):
Yeah. Well, good night folk, Thank you.
Speaker 1 (29:28):
Oh this Finaco Broadcasting Company
Speaker 14 (29:37):
O
Jagiell The Jello Program starring Jack Benny, with Mary Livingston
and Phil Harrison his orchestra. The Orchestra opens a program
with Midnight in Paris from Here's the Romance. According to
(00:27):
the calendar, spring is practically here. The weather doesn't always
follow the almanac, so you can't count on it. You
can count on jello, though, and the jello's color and
fragrance and freshness will bring a real touch of springtime
to your main us and the springtime. It's quick and
easy to get for. Jello is quick and easy to prepare.
It dissolves in a moment in hot water. It's quick setting,
and it's delicious. Father's extra rich fruit flavor in jello.
Speaker 2 (00:51):
It's crammed with it.
Speaker 1 (00:52):
You'll smell that tempting fruit fragrance the minute you open
the package, and your first taste tells you here is
a swell deserves. No matter how you serve jello, perfectly
plain or decked off with fruits and nuts, It's always
a favorite with the whole family. All six flavors are
fresh and bright and tempty. All six are packed without
extra rich fruit goodness. Just be sure to get genuine
(01:14):
jello and be sure to water some tomorrow. Then you
can treat the whole family to a real touch of springtime.
(01:39):
That was Midnight in Paris, played by Phil Harrison. His
us for now, ladies and gentlemen, tomorrow being the first
day of spring, we bring you sulfur molasses, and Jack Penny.
Speaker 3 (01:55):
Thank you very nice, Jelo. Again, it's a jag Danny.
Youre a little spring tiny coming to you to open
your mouth, swallow and make a fade. Now that wasn't bad,
was it, You.
Speaker 1 (02:04):
Know, Jacket, it's nice to see spring rolling around.
Speaker 3 (02:07):
Again, Yes it is, Don. Trees are butting, flowers are
beginning to bloom, Bears and good humor. Men are coming
out of hibernation, Yes, sir, Birds are coming back from
the South, oh, flocks of them. And you know, Don,
yesterday I saw a robin in our backyard who just
flew in from Miami.
Speaker 2 (02:23):
How did you know he was from Miami?
Speaker 3 (02:25):
He was building a nest with tickets from high a
lee apart. You know, Don, one thing about the beginning
of spring. It sure PEPs you up, doesn't it.
Speaker 2 (02:36):
I've noticed that too, Jack. It makes you feel lively
and energetic.
Speaker 3 (02:40):
Energetic, Why Don, when I popped out of bed this
morning and started to dress. I laced my shoes and
didn't miss one single hole. But honestly, Don, isn't spring
the most marvelous time of the year. I mean, you
walk out in the country and see babbling brooks, rabbits
scampering around, snakes coming out of their holes.
Speaker 4 (03:00):
Did you call me Jack?
Speaker 3 (03:09):
No? Phil?
Speaker 4 (03:10):
Oh, then I'll crawl back in again.
Speaker 3 (03:11):
Yeah? By all means? Hey, Phil, wait a minute, I
nearly forgot you know I'm not going to be able
to use your orchestra on next week's broadcast. You're not?
Speaker 2 (03:18):
Why?
Speaker 3 (03:19):
Well listen, Phil, you two Don, I've got a surprise
for you. Tomorrow. I'm leaving for New York, New York. Yes,
I'm just going for a little pleasure fit, see a
few shows, and next Sunday I'm going to broadcast from there.
Speaker 2 (03:30):
Well, are we going with him?
Speaker 5 (03:32):
No?
Speaker 3 (03:32):
Don, You're all going to get a week off, you, Kenny,
Merry and Phil.
Speaker 4 (03:35):
Does that mean I'm not going to get my check
next week?
Speaker 3 (03:38):
Well, I won't tell you, Phil, but don't be surprised
if your bank book misses a beast You'll just have
to You'll just have to forget one week's salary. Oh
I'm supposed to forget a yes. Well, with the amount
you pay me, I won't have to join the foreign legions.
(03:58):
Oh I don't know.
Speaker 1 (03:59):
You do all right, I'll say, Jack, who's going to
be your announcer in New York next Sunday?
Speaker 3 (04:03):
Well done? Harry Vonzell promised to help me out. And
he's such an effervescent type. I think he'll be swelled,
don't you.
Speaker 6 (04:11):
Well, yes, if you like this sort of stuff.
Speaker 3 (04:17):
And now, of course you will have to admit that
he is very popular.
Speaker 2 (04:21):
You mean with me or with the public.
Speaker 3 (04:24):
With the public, and they ought to know Bonzell is
an extremely capable announcer. I know, Jack, but I just
can't picture Harry saying jello is America's favorite dessert.
Speaker 2 (04:33):
It comes from six.
Speaker 1 (04:34):
Delicious flavors strawberry, raspberry, cherry, orange, lemon, and lime.
Speaker 2 (04:38):
It won't come from the heart.
Speaker 3 (04:40):
Oh it won't a Well, it better and I'll tell
you who else we Oh, hello, Kenny, Hello Jack?
Speaker 7 (04:46):
Do you have a nice time in New York?
Speaker 3 (04:52):
I'm not going to Lamara Kenny anyway, How did you
know I was leaving for New York?
Speaker 8 (04:56):
You borrowed a suitcase from me.
Speaker 4 (04:58):
Oh, yes, I.
Speaker 3 (04:59):
Forgot all of about that, And say, Kenny, that's a
very unusual bag. It's the only suitcase I ever saw
with legs on it. Well, it's made out of fresh alligator.
Oh that's why the handle snapped at me. A fine thing,
a live alligator suitcase. How am I going to get
my clothes in?
Speaker 1 (05:18):
Wait?
Speaker 3 (05:19):
Let John's Well, I'll man it somehow. By the way, Jack,
as long as I'm not going with you, what archs
are you going.
Speaker 4 (05:27):
To use next Sunday?
Speaker 3 (05:28):
Anyone but abe Lyman? His music is all right, But
I don't want that tug hanging around me.
Speaker 4 (05:35):
Doug.
Speaker 3 (05:36):
Yes, I'm going to New York for a vacation, not
a breakdown.
Speaker 2 (05:40):
Why Jack, you might have had a little trouble with Liman,
but oh he's not huff.
Speaker 3 (05:44):
He's not a last fall. When he was here, he
gave me a slap on the back and my socks
changed feet. I don't want any part of that guy.
Speaker 2 (05:57):
Well, you'll have to have music. Who are you going
to get.
Speaker 3 (05:59):
Well white Man and Olson? Better? Of course the Kowski
is in Italy. I can't get him now. Let's see, Hey, Jay,
what is it Kenny when Takowski comes back, is garb we're.
Speaker 8 (06:11):
Gonna sing with his band?
Speaker 3 (06:21):
Yes, Kenny, if they can get high FETs to play
the bazuka bazukah. WA's that? I don't know? Say Phil,
have you got any bazuokahs in your band? No?
Speaker 4 (06:30):
Just pelucas?
Speaker 3 (06:31):
Oh No. Tell them to put down that jug and
get ready for Kenny's song. What's gonna be tonight? Kenny?
Speaker 2 (06:38):
A little number called I See your face before me?
Speaker 3 (06:41):
Well, that's all right, Kenny, give him high class stuff
all the time. Hit it, Phil, Hold it a minute,
come in telegram for Jack Kenny? Right here, boys, it's collecting.
Speaker 6 (06:52):
Am I gonna have trouble?
Speaker 3 (06:57):
Never mind that? How much is it? Dollar fifty four? Here?
Speaker 2 (07:01):
You are elect?
Speaker 3 (07:03):
I wonder who it's from, Hey, fellows, it's from Abe Lyman.
Speaker 2 (07:08):
What does he say?
Speaker 3 (07:09):
He says, Dear Jack, understand you are coming east next week.
I suggest that you use my band if you want
to see New York from both eyes. We'll meet you
at the station with my car and an ambulance. Take
your choice, sincerely yours A Well.
Speaker 4 (07:34):
How do you like that for a threat?
Speaker 3 (07:36):
Who does he think he's bluffing? Anyway, sing Kenny, I'll
use the band I want to use.
Speaker 9 (07:43):
There all love, little and glow in a world of
(08:06):
tinsull and show to the y from the real thing
is hard to No, I've discovered somebody.
Speaker 10 (08:21):
Who could be truly worthy and true.
Speaker 5 (08:29):
Yes, I met my ideal one. When may.
Speaker 11 (08:41):
I see your face before me? Crowding my every dream?
There is your face before me.
Speaker 3 (08:55):
You are my only.
Speaker 9 (09:00):
It doesn't matter where you are.
Speaker 10 (09:04):
I can see how fast I close my eyes and
there you are away.
Speaker 5 (09:21):
If you could say the magic, if you could see
me too, there would be nothing strategy.
Speaker 10 (09:34):
See in all my dreams of you, would that my
love will want you all.
Speaker 12 (09:44):
No, I can't erase your beauty to.
Speaker 5 (10:06):
It wasn't mother you wall can see.
Speaker 7 (10:18):
Oh that's why I see your face before me, sung
(10:45):
by Kenny Baker.
Speaker 3 (10:47):
Well, Kenny, I won't be able to hear you now
until a week after next. I suppose you'll be listening
in next Sunday.
Speaker 12 (10:52):
Yeah, but say Jack, who's going to take my place?
Speaker 3 (10:55):
Well, Kenny, this is really a surprise and a thrill.
You'll never guess who's promised to come and sing for
you and be just as.
Speaker 4 (11:02):
Good as you are.
Speaker 11 (11:03):
Lawrence Timmitt.
Speaker 3 (11:04):
No, it's not a man.
Speaker 5 (11:09):
Grace Moore.
Speaker 2 (11:10):
No, Janet mcdougle.
Speaker 3 (11:14):
That's Janete McDonald, but it's not her. We're going to
have Kate Smith. Kate Smith, Yes, sir, isn't that swell?
And that's not the only surprise?
Speaker 7 (11:23):
You know?
Speaker 3 (11:23):
Who else is coming on the program?
Speaker 4 (11:25):
Al Smith?
Speaker 3 (11:26):
No, as as a special tree. We're going to have
fred Allen Gid. It'll be good to see that lovable
old lous again. He's a pretty good guy at that.
Speaker 2 (11:42):
Well, how do you know Allan will appear?
Speaker 3 (11:43):
Jack?
Speaker 2 (11:43):
Did you ask him?
Speaker 3 (11:44):
Ask Freddie why? He'll be tickled death to go on
with me? I bet he can hardly wait till I
get in New York. And don believe it or not,
we're going to have Bob Ripley too. How's that?
Speaker 2 (11:54):
Well?
Speaker 13 (11:55):
Hello everybody?
Speaker 3 (11:56):
Hello? Well Mary, I'm glad you dropped in before we
went off the Where were you?
Speaker 10 (12:02):
Oh?
Speaker 14 (12:02):
I went for a long walk and just started lost myself.
Speaker 13 (12:05):
Isn't spring wonderful?
Speaker 10 (12:06):
Jack?
Speaker 14 (12:07):
Yeah, hats are butting in the windows, dresses are beginning
to bloom.
Speaker 3 (12:11):
Yeah, I know. And Hattie Carnegie is coming out of hibernation. Hey,
that's a new bonnet you've got on there now? Isn't
marry Huh?
Speaker 13 (12:18):
I made it myself. Isn't it cute?
Speaker 3 (12:20):
Yes? But it's got a lot of stuff on it
in such colors? Where'd you get the idea from.
Speaker 13 (12:24):
A fresh vegetable place?
Speaker 3 (12:27):
Oh? Yes, I see that poached egg on top there?
You know, Mary, women's hats this season are certainly the women.
Most of them look like something to eat.
Speaker 14 (12:35):
Yeah, you gotta see my new pork and beanie?
Speaker 3 (12:41):
Say? Don can you imagine if men wore the kind
of hats that women do, wouldn't it be awful?
Speaker 2 (12:46):
Yeah?
Speaker 3 (12:46):
Imagine walking into a store. How do you do, sir?
I'd like to see something in a bacon and tomatoes stetson?
No mayonnaise on the crown? Please?
Speaker 2 (12:57):
Would you care for a pickle with a hat? Band?
Speaker 6 (12:59):
Sweeter will Gill is very popular this season.
Speaker 3 (13:03):
Oh, I don't know what kind of get, but I
do want a hat that's nourishing.
Speaker 14 (13:06):
Why don't you get a New England boyl for Dora?
Speaker 3 (13:10):
Well, you're not kidding, Mary, that's just about how silly
women's hats are.
Speaker 1 (13:14):
Oh Mary, did Jack tell you that he's going to
New York tomorrow.
Speaker 14 (13:17):
Oh sure, are you gonna have a girl on the program?
Speaker 3 (13:19):
Jack Well, Mary Kate Smith has promised to help me out.
First she's gonna read Kenny's lines. Then she's gonna sing
Kenny's song. Then she's gonna play your part, and then
you know what else she's gonna do collapse. No, but
she will be very busy.
Speaker 13 (13:33):
Is Is he gonna take tickets at the door too?
Speaker 3 (13:36):
Of course not. NBC has well trained ushers for that,
and I hope they let me in this time.
Speaker 14 (13:46):
I'll bet you're all excited about going.
Speaker 13 (13:48):
What archister are you gonna use?
Speaker 3 (13:49):
Well, Mary, I haven't decided yet. It's between Paul Whiteman
and Abe Lyman. Of course, Lyman is in New York
right now.
Speaker 4 (13:58):
Oh, the telegram's working.
Speaker 3 (14:00):
Well, Lyman is in New York. So it's Paul Whiteman,
I know. But Lyman is thinner than Whiteman and it's
a small studio. Besides that, Abe has a trombone in
his orchestra. Well, of course every orchestra has a trombone,
I know, but his has a Derby hat.
Speaker 4 (14:17):
But all trompon't you Derby hat?
Speaker 3 (14:19):
Well, this one fits me, and let's drop it. See Mary,
Phil thinks I'm hiring Lyman because he threatened me in
a telegram?
Speaker 13 (14:33):
Did he scar it?
Speaker 3 (14:34):
Why should I be scared of him? If you want
to know something, merry Abe wears a charm.
Speaker 13 (14:37):
Bracelet well watch out.
Speaker 14 (14:39):
He's a blackjack on us.
Speaker 3 (14:42):
Just the same. That wire had nothing to do with
my decision.
Speaker 13 (14:45):
Well supposed to Whiteman threatened.
Speaker 3 (14:47):
You don't worry about that, Abe, and I will take
care of him. And by the way, I better answer
Lymon's telegram. He was nice enough to offer his services
take a wire, marye okay, uh, Dear Abe, Abe, how do.
Speaker 14 (15:01):
You sell that ape?
Speaker 3 (15:03):
No ade? For Heaven's sake, don't make that mistake? Eight?
That's all I need.
Speaker 13 (15:15):
Well, you told me he looked like one.
Speaker 3 (15:17):
I did not. I merely said that if he went
to the zoo and fell in the monkey cage, they'd
have a little trouble sorting him out. That's all I said.
I've never referred to Lyman as an eighth.
Speaker 13 (15:31):
Well, you're gonna pay him off in penus, an't you.
Speaker 3 (15:37):
Oh? Quiet? I write the telegram, dear Abe, regarding your
offer to appear on my program next Sunday night. I
will consider the matter if you keep your price and
temper down. Furthermore, I must insist that you come to
rehearsal on time if you can make it so. In
(15:58):
conclusion that these conditions are met, I will give the
matter further considerate consideration. Have you got that married? Yes,
and read it back to me.
Speaker 14 (16:07):
Dear Ad, the job is yours.
Speaker 3 (16:13):
It's not what I said, but let it go. Oh wait,
put another line in there. Please see that the boys
in your orchestra eat their lunch before we go on
the air, because last time I was broadcasting Knee Deep
and Herring Bones.
Speaker 4 (16:28):
Say, Jack, did Lyman's boys really eat during your broadcast?
Speaker 3 (16:31):
Yes? They did. Phil take out your dinner. Payols man,
we're as good as they are. Hey, cut that off. Now,
that'll be all Mary. Just sign my name.
Speaker 13 (16:42):
Shall I send a wire collect Jack?
Speaker 3 (16:44):
No, I better pay for it. He's liable to kill
the messenger.
Speaker 5 (16:46):
Boy.
Speaker 3 (16:51):
Well, I'm all set. Now I've got my orchestra's singer announcer.
I'll take it. Hello long, Yes, I'll take it. I
wonder who it can be. I hope there's no Hello.
Oh Hello Fred, it's Fred Allen Fellas see well, say Fred,
(17:12):
it'll be nice having you on my program next Sunday night.
Why well, look Fred, none of the others are asking anything.
I said. Nobody else is getting anything for us. Well,
this isn't like you, Fred, Aren't you being just a
(17:32):
wee bit mercenary? All right, i'll give it to you. Yes,
you can take my word for it. You'll get it
before the broadcast. So long, What a guy?
Speaker 2 (17:42):
What's the matter? Jack?
Speaker 3 (17:43):
Oh? Nothing?
Speaker 2 (17:44):
Come on? What is it? Oh?
Speaker 3 (17:45):
Allan won't go on the program unless I give him
my boy Scout knight. I hope he cuts himself on
the bottle opener, but he wants your boy Scott knife. Yeah, Gee,
I hate to give it up. I've had it since
I was a tenderfoot. Oh well, he's not gonna get
(18:09):
the chain anyway, say fellas. I got to run home
now and get ready, so carry on with the show.
I haven't even started packing yet.
Speaker 13 (18:15):
I'll come along in healthy.
Speaker 11 (18:16):
Yah.
Speaker 3 (18:16):
Thanks, Mary, I'll come to Jack. No, Kenny, you'll only
be in the way. Well, it's my alligator and I'm
gonna pack it all right, Come along playfield. Gee. I
hate to give up that knife. I've just had it
sharpened to.
Speaker 5 (19:32):
Anything.
Speaker 9 (19:51):
One says.
Speaker 6 (20:14):
That was who stole the jam played by Phil Harrison
his orchestra.
Speaker 1 (20:17):
Now, folks, we sput you over to Jack's house where
he was preparing for his trip to New York.
Speaker 3 (20:25):
M Now, let's see. I've got my dark swe two
pair of shoes, my Razor shaving cream. Oh, Mary, did
you pack my toothbrush?
Speaker 14 (20:33):
Yes, it's in the box with your extra teeth, My
extra teeth?
Speaker 3 (20:42):
Where right there? Those are my new couplings, extra teeth. Jack,
were your neck cries and hacked cheese? Mary's packing him,
aren't you? Marry?
Speaker 14 (20:54):
Yes, I put away your handkerchief, tie stocks and cigars.
Speaker 3 (20:57):
I don't want my cigars packed such a long cryp
they'll get now, they won't.
Speaker 14 (21:01):
I put them in the bowl with a gold fish.
Speaker 3 (21:04):
Marry, My pets aren't going to New York with me?
Can I No?
Speaker 8 (21:07):
And I better take the canary.
Speaker 12 (21:08):
I have a hot water bottle.
Speaker 3 (21:12):
What why, Kenny? The bird's suffocate in that hot water bottle.
Speaker 4 (21:15):
If you will not, I punch toles in it.
Speaker 3 (21:19):
I know I should have left you in the studio.
Hey Rochester, Yes, sir, how are you coming along with
the wardrobe trunk?
Speaker 8 (21:24):
Okay, bought some almost finished.
Speaker 3 (21:26):
You know it's liable to be pretty cold in New
York this time of year. I wonder if I should
buy some long underwear.
Speaker 8 (21:32):
Don't bother I soap leggings on your shorts.
Speaker 3 (21:42):
I suppose you glued ear muffs on my derby, No,
I put them on your two ps. Well, little fit
snugger that way, say, Rochester. You made my reservations on
the train, all right, didn't you.
Speaker 8 (21:57):
Yeah? I got your drawing room, d and cough with.
Speaker 3 (22:00):
A drawing room. I told you I wanted a lower
berth so I could get some air. Fine things.
Speaker 14 (22:06):
Take a drawing room, Kenny will punch holes in it.
Speaker 3 (22:10):
And I never can get what I want. What am
I going to do with a big drawing room.
Speaker 8 (22:13):
Maybe you've been submitted.
Speaker 3 (22:19):
So this. I'll take care of the important things myself.
Speaker 8 (22:22):
I wish you would. I'm all in, all in.
Speaker 3 (22:24):
I don't work you so hard, Rochester.
Speaker 8 (22:26):
I'll never get any time.
Speaker 3 (22:27):
Hold you don't, eh?
Speaker 8 (22:28):
Why the other night, when I was walking into my sleep,
you struck a bag. I'm cleaning my hands.
Speaker 3 (22:45):
Well, I figured, as long as you're wearing out the rug,
you might as well clean us.
Speaker 14 (22:52):
What are you laughing at lock when Kenny just packing
your suitcase.
Speaker 3 (22:56):
Kenny, take that mouse trap out of my dress. They
got everything in there but the family album. Oh say Rochester,
you have to drive me down to the station in
the morning, so you better put the luggage in the
car tonight.
Speaker 8 (23:10):
And I think you better take a cab, mister Benny.
Speaker 3 (23:12):
Why what's the matter with the car? We got a
pleff a flat. Well you can fix that before morning, No, sir,
this is the whole end fine thing. How does that happen?
Speaker 8 (23:24):
Well, I was backing out of the garage this morning.
You know that big concrete post. It stands up in
front of the driveway.
Speaker 3 (23:30):
Yeah, well it's laying down now. Well I'll see that
it's fixed before I get back. Answer the door.
Speaker 14 (23:43):
Yes, well, Jack, you gets you're all packed and ready
to go. You want lockey counts?
Speaker 3 (23:47):
No, I gotta wake of slapperm and brings my tuxedo.
I had to have it cleaned.
Speaker 14 (23:50):
And pressed, clean and press that old thing.
Speaker 3 (23:53):
Oh my tuxedo isn't so old.
Speaker 13 (23:55):
Go on, if I'm off and there with rheumatism and.
Speaker 3 (23:57):
Both wings, Mary, I know the moth you're referring to.
When he's not that old.
Speaker 14 (24:02):
He isn't And why do you feed a milktoast?
Speaker 3 (24:06):
Leave me alone and don't drag herman into this. Oh
hello Andy, Hi you Buck?
Speaker 15 (24:12):
Just drop in to say goodbye to you. She I
wish I was going along?
Speaker 3 (24:17):
No do I Andy? Why don't you come?
Speaker 8 (24:19):
Well? Buck, we're awful busy right now on the farm.
We got a lot of plowing to doing. Besides that,
our goat just had a blessed.
Speaker 4 (24:25):
Advamp she did.
Speaker 3 (24:28):
That's funny. I didn't see anything in Winchell's column about.
Speaker 11 (24:30):
It for me neither.
Speaker 8 (24:32):
He must be slipping.
Speaker 3 (24:35):
Well, Andy, I imagine you're pretty busy this time of
year at that.
Speaker 15 (24:38):
Uh yes, Sir Mar's doing her spring cleaning. And when
I left the house she was washing paws here, I say, And.
Speaker 8 (24:45):
You ought to come up later. There's gonna be a
lot of fun there. Well, yeah, she's gonna put it
through the wringer.
Speaker 4 (24:54):
Hey, i'd like to be there at that.
Speaker 8 (24:56):
Well, here's a ticket. Everybody's coming. Well, Buck, I think
I'll be running along now. I hope you have a
nice trip.
Speaker 3 (25:05):
Thanks Andy, So long, So long, Buck.
Speaker 15 (25:08):
Don't let him sell you The Brooklyn Bridge's.
Speaker 10 (25:11):
Not so hot.
Speaker 3 (25:16):
Good old Andy. Nice of them to drop over.
Speaker 13 (25:19):
Oh Jack, Yeah, where are your scissors here?
Speaker 3 (25:21):
What do you want them for?
Speaker 13 (25:22):
I want to tim your suitcase.
Speaker 14 (25:24):
There a lot of neckties sticking out.
Speaker 3 (25:28):
Don't be so lazy, open it and tuck him in.
Answer the door. Now, let's see what else. There's my
overnight bag, that's all said.
Speaker 4 (25:36):
And a Rochester.
Speaker 3 (25:38):
Hey, WA's this in my hat box?
Speaker 8 (25:39):
I thought you might get hungry, so I made some
jello in us.
Speaker 3 (25:43):
That's fine, but you should have taken my hat out first.
I was alone. I'd have been through an hour ago.
Speaker 12 (25:48):
Hello Jack, you boy?
Speaker 3 (25:49):
Oh hello, slep, did you bring my tuxedo?
Speaker 5 (25:51):
Here?
Speaker 8 (25:52):
There's a fugitive from my rummed tail.
Speaker 3 (25:55):
I'll give it to me now, look, sleap, look at
that lapel.
Speaker 4 (25:59):
I told you.
Speaker 3 (25:59):
I told you to take the stains out, and they're
still there.
Speaker 8 (26:02):
Flat stains though, are stains remover spots.
Speaker 3 (26:04):
That's what they are. Well, looks worse than when I
gave it to you. Now, let's see. Here's the pants,
the cold Hey, where's the vest?
Speaker 8 (26:12):
I left it in my shop?
Speaker 3 (26:13):
Well, why didn't you bring it with you?
Speaker 8 (26:15):
It was too weak to make the trip.
Speaker 3 (26:20):
Go right back and get it here, Rochester, putting my
tuxedo in the trunk.
Speaker 8 (26:24):
Yes, I got it. Hey, don't fold it.
Speaker 3 (26:26):
It's brittle, all right, telet How much do I owe you?
Speaker 4 (26:30):
Well, let me see.
Speaker 8 (26:32):
Are you in a good move or do you want
to talk?
Speaker 3 (26:33):
Take you never mind the turkey. What do I owe you? Well,
pressing is fifty cents for you, forty five? Yes, dry
cleaning it seventy five cents for you, adios. I'm even again.
Speaker 8 (26:48):
Eighty and forty five is a dollar a hat.
Speaker 3 (26:51):
Eighty and forty five is a dollar and a quarter.
Speaker 4 (26:53):
Well, I took a chance.
Speaker 3 (26:56):
Now for this job, all you get is a dollar here.
Speaker 8 (26:58):
All right, I'll see you for the rest.
Speaker 10 (27:00):
I just in my way.
Speaker 3 (27:02):
Time. Take it's a fine mess he made out of
my tuxedo.
Speaker 13 (27:07):
Look, jackets on the floor.
Speaker 3 (27:09):
On the floor, Rochester, I told you to put this
suit in the trunk.
Speaker 8 (27:12):
I did. Put the new one keeps throwing it out.
Speaker 3 (27:21):
Don't get funny.
Speaker 8 (27:22):
I put it.
Speaker 3 (27:22):
I put it in the trunk and lock it up. Yes, well,
that's a relief. Now I'm all set to go. Say Mary,
how about you and I going out getting a bike? Dad?
Speaker 13 (27:31):
Okay, jack I'm start Come on you too.
Speaker 3 (27:33):
Kenny, Hey, where's Kenny? Oh, Kenny, where are you here?
Speaker 5 (27:37):
I am let me out.
Speaker 3 (27:39):
Put Heaven's Rocketer locked them in the trunk. Rochester, open
it and let Kenny out. The keys in there too,
You lock the keys.
Speaker 8 (27:45):
In the trunk.
Speaker 3 (27:46):
It's the most stupid thing you've ever done.
Speaker 8 (27:48):
Where do you look for your ticket? Oh?
Speaker 3 (27:51):
Come on, Mary, let's.
Speaker 8 (27:52):
Go out and eat.
Speaker 14 (27:54):
What about Kenny, You'll suffocate in.
Speaker 3 (27:55):
That tun Oh that's all right, we'll punch holes in it.
Come on.
Speaker 1 (28:04):
If you want to try something new and very swell
for dessert, well here's a grand suggestion.
Speaker 2 (28:11):
It's one of the.
Speaker 1 (28:11):
Most delicious combinations you ever sat.
Speaker 2 (28:13):
On the table.
Speaker 1 (28:14):
Luscious fruit rich raspberry jello combined with prunes.
Speaker 6 (28:18):
If ever a prune was glorified, this is the time.
Speaker 2 (28:22):
Here's the way to make it.
Speaker 1 (28:23):
There's all one package of raspberry jello and hot water
and chill until slightly thickened and pulled in one cup
of cooked seeded prunes, cutting quarters, killing ful.
Speaker 2 (28:31):
Firm, and serve with crea. Couldn't be much easier to make.
And when you've made it, believe me, you've got.
Speaker 6 (28:37):
Something shimmering red raspberry jello molded with delicious juicy prune.
Speaker 1 (28:43):
It's a swell combination. It's an unusual combination, and your
family will want more. So try this brand new dessert,
but be sure to make it with genuine jello. Poor
only Jello brings you that delicious, extra rich fruit flavor.
Look for the big red letters on the box.
Speaker 6 (28:59):
They Jello.
Speaker 3 (29:04):
The last number of the twenty fifth program in the
New Jello Series, And we'll be with you again next
Sunday night. Broadcasting from Radio City, New York, and I
hope you'll all be listening in Well, Mayor. I've got
to run over to Phil Baker's show and congratulate him.
I heard this was the fifth anniversary.
Speaker 13 (29:18):
Well, I'll be carrying fifth Beetle Farming.
Speaker 3 (29:19):
Yeah. Well, good night folk, Thank you.
Speaker 1 (29:28):
Oh this Finaco Broadcasting Company
Speaker 14 (29:37):
O
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