GIRL.

A "Girl, Get Up!" playlist.

https://linktr.ee/jadeandxd

Episode Transcript

Speaker 1 (00:00):
Maybe I said you're working hard.

Speaker 2 (00:01):
I won't let us. You know, I'm proud to let
him no matter what you do.

Speaker 1 (00:04):
I don't know if I need to show you. My
life will be party listens without you. If you wanted
turning again?

Speaker 2 (00:09):
When I ask you, you provided you remind me to
be better better better.

Speaker 3 (00:18):
Well ha ha ha well ha ha well ha ha.

Speaker 4 (00:28):
Well well well well ha ha half or ha ha
ha ha or ha.

Speaker 1 (00:41):
Ha ha ha or how ha.

Speaker 3 (00:47):
Ha ha or hallo haw.

Speaker 5 (01:00):
Ah.

Speaker 1 (01:02):
Yeah, I'm just playing.

Speaker 2 (01:09):
I love Michelle. I'm just playing Michelle. I do the
same thing to my cousins. That's part of the whole song.

Speaker 1 (01:16):
I know she does. Everybody. Welcome back to the Blackest
Show About Nothing. It's Jade n x D.

Speaker 3 (01:39):
Reporting live from whatever device you're listening from.

Speaker 1 (01:46):
May it be untapped.

Speaker 3 (01:57):
You know, I have been watching the news unfortunately again,
but not in like political because I already know that's
we know what that is, right, But you know that
there are people now who have these like readers or

(02:18):
like these little devices that can copy like your keyfobs
and things. Oh so yeah, girl, I'm ay. But I
know there's a YouTube plip be a belt to drop
in here. I put it in here.

Speaker 6 (02:33):
Any warning this morning from Pineville Police. They post it
on their Facebook page that if you have a key
fob for your car, criminals could stand outside your home
and duplicate it, essentially stealing it and your vehicle. So
can that really happen?

Speaker 1 (02:48):
But like.

Speaker 3 (02:51):
Channel eleven, No, it's crazy like they're doing it here.
So like this group of people had this little ice
and because they were all call on the ring cam,
do doo.

Speaker 1 (03:04):
Copied the key fob.

Speaker 3 (03:06):
The man gentleman's keys who were in his home which
was near the door like most people keep like on
our key ring or whatever. Copy the ship broke into
his car and drove off.

Speaker 2 (03:16):
See this is why we got to go back analog.

Speaker 1 (03:20):
Yeah, we gotta go analog. We got to put the
key in the thing. Yes, physical key made of some
metal key in the thing and turn the thing key
in the thing. Yes. I thought you were going to.

Speaker 2 (03:34):
Say, you've been watching the news in Portland. Have you
seen the news in Portland?

Speaker 1 (03:40):
No, allow me to show you.

Speaker 2 (03:43):
Well, well, let us no hold on nop, We're going
to watch news in Portland.

Speaker 1 (03:47):
Before we even pay bills. Okay, you brought up news.
We watched news. Oh no, oh, this is going to
be great. Were you at here? We go.

Speaker 7 (04:03):
For the holidays, for the holidays. We can't live for
the holidays. For the holidays.

Speaker 1 (04:14):
Windows blacking to the base. Oh yes, I've seen this.
You see how I done liked it?

Speaker 2 (04:20):
Yes, that's probably why I came up with my ship.
That's uh, that's me. I'm the the Mexican Christmas Lightning.

Speaker 1 (04:30):
Mm hmmm, I see that for you. Thank you. We
were saying, Chris.

Speaker 3 (04:34):
And I were talking about, like if you were to
move here, like where would you move? And we were like,
Jay would have to live amongst her pretty much. She
would not she would have to live in Oh.

Speaker 1 (04:47):
No body underground? Yeah, I like, they couldn't even live
over here, have to live east.

Speaker 2 (04:54):
Let me tell you something, La La, shout out to you.
You taught me a level of patients that I needed.
You know that one time when I was shopping for
the dinner party in the supermarket mm hmm, and I'm
pushing the buggy around and and I'm like, why don't.

Speaker 1 (05:11):
You like, why don't you walk? What is wrong with you?

Speaker 8 (05:16):
All?

Speaker 2 (05:17):
Then I was like, you know, it's you, you the
problem here. You are the problem and you need to
check yourself.

Speaker 1 (05:25):
So I now them O fays out there monster.

Speaker 2 (05:34):
I can't I would not be able to do that.
But yeah, I can live with the premise I can
go live in Lamert Honestly, the Negroes were a joyful
They were a joyful bunch out there.

Speaker 1 (05:45):
That goes without saying it was. Yeah, I've never.

Speaker 2 (05:49):
Lived anywhere that's not black, Like I don't know.

Speaker 1 (05:54):
I don't want to know. If you're playing me, keep
it on the low, like I don't. Yeah, I hear you.

Speaker 3 (06:04):
After living in Brooklyn and Bedstye my block where it
was so black, I would rather.

Speaker 1 (06:12):
Prefer, you know, where would that be it?

Speaker 3 (06:16):
But I realize, like even now, because oh I didn't
even tell you girl we got to move out the
out the Montana chow.

Speaker 1 (06:24):
Why at least it's up. We've forgotten.

Speaker 9 (06:32):
There's no.

Speaker 1 (06:34):
There's there's no option to oh yeah we can.

Speaker 3 (06:38):
But you know, here's the thing, you know, and this
is for everybody who's listening and who's living in in
the LA area, Like the Olympics is coming show mm hm,
and I alo that means several things.

Speaker 1 (06:55):
One, traffic is already.

Speaker 3 (06:59):
Like, yeah, we can live holidays exactly two. I don't
want to be a target, if you know what I mean.
So you know pieced out to the Montana.

Speaker 1 (07:22):
Yeah, not as rual' that's true.

Speaker 3 (07:26):
You know, that's something to think about. If for all
of us girlies who live in in the area, it's.

Speaker 1 (07:31):
Like, you know, I have a different message over here.

Speaker 3 (07:35):
So I just say, have you seen that clip of
them those young white adults. They can't say they were teenagers,
but they thought that nine to one one was invented
because of nine to eleven.

Speaker 2 (07:56):
This is what I was trying to tell you about
with the brains. This is what this is what I
was trying to tell you. They are frying nigga egg style.

Speaker 3 (08:05):
Okay, they said in the nineteen hundreds they had they
just called their doctor directly. It's like yes, and like
maybe nineteen ten.

Speaker 1 (08:19):
Nine one one was a bitted in the sixties. AnyWho,
how are you? How is how was your week? Oh?
I'm burnt the fuck out. I burnt the fuck out.

Speaker 2 (08:45):
Like you know, your homegirls are so close to you
that you know we tell each other the truth. So
for full context, I have been running ragged.

Speaker 1 (08:58):
I did.

Speaker 2 (09:00):
Cooking class at the Lower East Side Girls Club, which
I love. I love being over there. I as you
all are listening to this, I am currently at the
juvenile Detention Center doing cooking classes. I helped a friend
pack and move with some other friends. I catered a
short film production and all of this was in the
span of like four days.

Speaker 1 (09:23):
Wow.

Speaker 2 (09:24):
And and had another catering for my regular client who
has those those libertarian parties I.

Speaker 1 (09:32):
Told you all about. But uh, yeah, I'm burnt the
fuck out, nigga. I'm really tired. But it's been good.

Speaker 2 (09:44):
You know, it will be winding down soon, so I know,
you know this shall not last always.

Speaker 1 (09:51):
Yeah, yeah, and yourself, you know, outside of you know, burnout,
I am.

Speaker 9 (10:04):
I am.

Speaker 3 (10:06):
Ready for something new, and I think I'm hopeful that
that's what twenty twenty six brings.

Speaker 1 (10:12):
Something new.

Speaker 2 (10:13):
It's one year new beginnings.

Speaker 1 (10:17):
Well, I hope it brings some some newness, some good newness,
you know.

Speaker 2 (10:23):
Some good please call that in because you know, God
be like you said, newness and we say, hey, hey
wait a minute, up.

Speaker 3 (10:29):
There, goodness, good news, yeah, all the things. Relief, yeah, relief, solvent,

(10:50):
see you know what I mean those those any type
of words that's that is a big fat style like
so no, but yeah, good things I'm hoping for. But
otherwise this week, we didn't even do this week.

Speaker 1 (11:07):
I uh uh, I am.

Speaker 3 (11:17):
I couldn't even. I couldn't even. Yeah, it's been such
a whirlwind. I need I need to sit and and
put my brain and rice.

Speaker 1 (11:26):
You know what I mean. Yeah, I need to sit
and be. I need to sit and be.

Speaker 2 (11:30):
I'm trying to figure out what I'm going to cook
for the holidays.

Speaker 1 (11:34):
I'm so glad I do not have to do that
this to go around, I will be.

Speaker 5 (11:40):
With my in laws.

Speaker 1 (11:41):
Oh that's right.

Speaker 3 (11:44):
Yeah, so that'll be a good time. I could sit
back and relax, you know what I mean, because I'll
be a ghast. It's gonna be cool though, because they
got like a big home like house so that everybody
can like, you know, fellowship, because they no ship like fellowship.

(12:05):
And so that's gonna be really good because he has
a really big family.

Speaker 8 (12:09):
Mm hmm.

Speaker 2 (12:10):
Yeah, that's gonna be fun. And I love Chicago, and
I love Chicago Negroes, and I love.

Speaker 3 (12:16):
The and what I'm looking forward to the fact that
like if there's a home, everybody can cook, you know
what I mean. It's good home cooking, you know what
I mean the freezer. I'm also the problem that.

Speaker 1 (12:38):
I have, and like the end of the year is
buying groceries.

Speaker 3 (12:45):
Outside of the general problem about how they're too fucking
high and you gotta like fucking sell feet picks to buy.

Speaker 1 (12:53):
No, that's not funny milk. But what was my point?
Because problems?

Speaker 3 (13:06):
Because when I went to go grocery shopping the other day,
what did I buy? It was four items and nothing
premium except for eggs. But even then that wasn't out
the out the blue. It was forty dollars and which

(13:27):
would have been twenty something probably a year ago.

Speaker 1 (13:32):
Where does it go?

Speaker 3 (13:36):
I'm so fascinated, like just looking at prices go up
and the news lying and pissing on my feet and
telling me that prices are going down.

Speaker 1 (13:47):
You remember when we were kids that we used to say, shut,
don't go up, prices do uh huh. That's it, Like
I don't forgot my point about this whole. That's why I.

Speaker 3 (14:04):
Like I sit here and I know I told you
all the other day, like I stopped watching the news,
but I caught this affordability nonsense the other day, and
I'm like bro it pisss me off that his base
can't even put food on the table. They're the ones
that sneak at Costco and put their real their EBT
card right underneath their credit cards that nobody can see

(14:27):
that they're on it. And they're the ones that are
struggling but still will be like hail to the chief,
Like what the fuck Doug?

Speaker 2 (14:35):
Like I am soon anyway?

Speaker 3 (14:39):
What a hitchcock? Did Hitchcock make a think about this?
Is there an answer there?

Speaker 1 (14:45):
Well? Well, yes, yes, but also I'm like.

Speaker 2 (14:51):
What any George or well.

Speaker 1 (14:54):
Because I'm waiting for it.

Speaker 3 (14:55):
I'm waiting for them to suggest us eating people like
in Soiling Green where they ate where they turned people
into like yeah, soil and Green.

Speaker 1 (15:05):
It was so weird.

Speaker 2 (15:06):
There was a a there was an animal Farm film.

Speaker 3 (15:13):
First I found Birth of the Nation because I finally
downloaded the library has a streaming APPA and we were
going through like all the classic films and stuff, and
like Birth of a Nation. Oh, okay, the original one.

Speaker 2 (15:35):
The original I guess no, don't maybe, don't say don't maybe, don't.

Speaker 1 (15:40):
Say where it is here? M hm okay.

Speaker 2 (15:44):
So they did do animal Farm, Yeah, they did in
nineteen eighty four.

Speaker 1 (15:51):
Yeah, of course, and shot.

Speaker 2 (15:56):
You know George, orwell let me see, let me find
out if you know, because you start getting anyway, go ahead, paid,
pay bills, pay bills.

Speaker 3 (16:05):
Any who, We have a fun episode today. I know
it sounds like I'm mad and out of sorts, but
it's really just because I am. Yeah that too, But
thank you for listening each and every week. Tell a friend,
Tell a friend, and tell a friend. We'll be here
throughout the holiday season new episodes, especially on Patreon. We

(16:31):
will be keeping them party going. People will be on break,
but who won't be We won't. Everything will be alive
and kick in, including the YouTube channel. So again, subscribe
to us on YouTube is free than you and me
subscribe to us on Patreon.

Speaker 1 (16:45):
You now have the ability to gift.

Speaker 3 (16:49):
Subscriptions, so please go over yonder and gift a subscription
for the holiday season to you and yours.

Speaker 1 (16:58):
You also know how the ability to purchase some You
also now have the ability to purchase certain things on Patreon.

Speaker 3 (17:11):
So for example, if you just want to just catch
the ABC shows and not anything else, you could just
pay a fee and you can get that. Yes, or
like the Hills, if you want to just pay that,
then that's fine.

Speaker 1 (17:28):
We're have to lock up, right. So with that being said,
oh yes, join the discord. It's free. It's it's a
really good time in there.

Speaker 3 (17:43):
They have a book club, they have they talk stuff,
they support each other, they hold each other accountable.

Speaker 1 (17:51):
I love that. It's a good time.

Speaker 3 (17:53):
It's a safer space on the Internet than surrender by
the agents of chaos and for.

Speaker 1 (17:59):
Real actually great humans.

Speaker 3 (18:02):
Yeah, yeah, yeah, it's refreshing, you know, because a lot
of other fan bases are rotted and gutted and and
are like orrhosis of like life, you know what I mean.
But like these folks are not, so join in on
the fund. So let us take a break like a

(18:26):
kit cat and we'll be back with more Jada XD.
I promise you it's a fun episode.

Speaker 1 (18:32):
Yeah, come good time. After these messages, will be right back.

Speaker 10 (18:41):
Your self esteem is how you see yourself and your
opinion of yourself. How useful do you feel? Do you
believe you have good qualities? Do you think you're able
to do things as well as other people? That's what
I'm talking about today.

Speaker 1 (18:57):
I'm doctor Fraser and we're back.

Speaker 3 (19:07):
So on Patreon, we were watching the Temptations and in
one of the songs that they were performing, what was
the song Jade, Beauty's only skin deep, Beauty's only skin deep.
I should pull up the lyrics for that.

Speaker 1 (19:26):
That's beauty. Here we go, yeah, pretty fast, you may
not fool this, so let's read that.

Speaker 3 (19:34):
I'm going to read some of the lyrics by the
Great David Reffin. He starts, I'm so one love.

Speaker 1 (19:43):
So sad. I'm sorry, I we'll do I'm sorry.

Speaker 3 (19:57):
Because her pretty face got the best in me. Suddenly
you came into my life and gave it meaning in
pure delight. Now good looks, I've learned to do without
because I because now I know it's love that only counts,
because I know that beauty is only skin deep. Oh yeah, yeah, yeah,
I know beauty is only skin deep. And then he
goes on to say, now you speak your words warm

(20:21):
and sincere It lets me know that you're that you
love is dear. A pretty face you may not possess,
but what I like about you is your tenderness. A
pretty face may be some guy's taste, but I'll take
loving in its place. And we were like, this is
supposed to be romantical, you know, yeah, like this is

(20:48):
supposed to get you know, you know, elicit panny pudding.

Speaker 1 (20:52):
You know what I mean. But I'll listen here wolf
you know how to love me right? You know what
I mean?

Speaker 2 (20:59):
Yeah?

Speaker 1 (21:00):
Is that supposed to? That's supposed to you know. Huh.
So we thought about low self esteem gems and you
know songs that low key pick by gems. Girl get

(21:21):
up also like girl.

Speaker 2 (21:23):
Y'all know I have been referencing chicken feet and soup
for years now.

Speaker 3 (21:27):
Yeah, and this is the visual mm hmmm, mm hmmm,
so you know, yeah, or like the Christy Lambkin playlist,
you know what I mean.

Speaker 2 (21:38):
And now you can underpolice and now you can understand
why we opened this week's episode.

Speaker 1 (21:46):
With cater to you. M m hmmm, because what absolutely.

Speaker 2 (21:52):
Not And this is let's be clear, this is not
about loving somebody down like I think there's a fine
line between we of each other's dirty.

Speaker 1 (22:01):
Bathwater and mm hmmm. So these are just these are
these are girl get up gender non specific gyms. Mm hmm.

Speaker 3 (22:14):
You know a lot of our legends have dabbled, and
there's a couple of obvious ones, like of course I
have Shirley Murdoch on here, and we'll get to her later.
But I was just listening and I was like, girl,
we jam to this hard, but I'm like, you need

(22:38):
to find inner love.

Speaker 1 (22:39):
Girl. Let's and that's let's be clear here, A lot
of these gems are written by people we greatly respect. Perform. Yeah,
people we greatly respect. Doesn't mean you couldn't have a
girl get up moment. Please continue. Yeah, So real Love

(22:59):
by Mary J. Blige.

Speaker 3 (23:18):
I'm searching for some real love, someone to set my
heart free, real love. Ah ah, searching for real love.
You don't find that within, queen, and I know that
takes a nine album journey to get to that.

Speaker 1 (23:35):
However, you know what I mean? Yes, yeah, exactly, Carrie
Elsa how to write that for her? Like, you know
what I mean? Interesting?

Speaker 2 (23:47):
You know what's so crazy? My first song is a
Mary song as well. Oh we love you, Auntie, but
and I love that we've seen you go through so
many erarors.

Speaker 1 (23:56):
Exactly. It's a multi album journey.

Speaker 2 (24:01):
And while I don't believe anybody owes anybody anything, I'd
pay filthy, dirty American dollars to get up inside Mary's head.

Speaker 1 (24:18):
I would, Yeah, bookoos.

Speaker 2 (24:21):
I would rob your grandmother to have a look into
her memories.

Speaker 1 (24:26):
That's all I'm.

Speaker 3 (24:27):
Saying, because if you were to talk about somebody who's
seen some ship.

Speaker 2 (24:33):
Okay, okay, those monkeys, you look at my life, say
what I see?

Speaker 1 (24:43):
She wrote? It was written? Okay, So.

Speaker 2 (24:48):
Yeah, my first Mary song is an obvious choice. One
of the greatest soundtracks ever ever written. I'm not gonna cry.

Speaker 8 (25:00):
I was loving you.

Speaker 7 (25:03):
I'm busy loving yourself.

Speaker 9 (25:08):
I would stop breathing in your tone.

Speaker 11 (25:10):
Me too.

Speaker 1 (25:12):
Now you're busy loving someone. Yeah. I was your lover
and your secretaire, and your secretaire working every day of
the week. Seven day.

Speaker 3 (25:27):
Was was at the job when no one else was there,
which means you went there, nigga helping you get on
your feet, helping you.

Speaker 1 (25:34):
Did I ever tell you about that time? Remember that
nigga I got fired? Uh huh.

Speaker 2 (25:41):
It was one day where everybody was going to be
out on set except me.

Speaker 1 (25:44):
Well, it's not like he got he got himself fired.
You didn't care. It was a combo. I'm happy to
hold that.

Speaker 2 (25:52):
Uh So it was one day where everybody was gonna
be on set and he was like, somebody has to
be here. I was like, no, like, are you serious
right now? No, I need to be on set, he insisted,
And so that particular day I rode blunts in his office.
I farted on his desk like I just did the.

Speaker 1 (26:15):
Most that I could to myself because what you mean?
What you mean? And I forgot why. I just told
you that in reference to this married song. But I

(26:39):
farted on the meat reference. But yes, not gonna cry,
because what were you doing, sister? What do you mean? You?

Speaker 2 (26:50):
That's what it was when we're getting at the job
when no one else was there helping you get on
your feet, so you were lifting this nigga in addition
to your old labor.

Speaker 1 (27:00):
Ah, make it makes sense.

Speaker 3 (27:04):
My next one is some Chris Rogers and I quote
sad Bitch is love unwritten.

Speaker 12 (27:08):
By staring at the blank page before you open up
the dirty when the sun loom and.

Speaker 7 (27:20):
The worst you cannot buy wage something.

Speaker 8 (27:26):
Closer.

Speaker 2 (27:31):
It is kind of a white girl get up song,
like feel the rain in your skin because.

Speaker 3 (27:36):
White women needs that. We needs like inspiration, ye like
to go on why they like? That's why they have
like power posing things like you know what.

Speaker 11 (27:48):
You know?

Speaker 3 (27:49):
May I be misogynistic? For a little bit, you know,
just in regards to white women, like I just don't
understand why you need standing in the mirror, like fucking
superwoman isn't going to help the wage gap, Like you

(28:11):
know what I mean, Like I don't see how.

Speaker 1 (28:16):
Like tighten up, like get some like strengthen yourself those arms.

Speaker 3 (28:22):
Well no, yes, but you know what I mean, like
like books like lean In and like you can have
it all, like they are very very They're such fragile people.

Speaker 1 (28:32):
They're such fragile, domineering people. Yes, and that's the fascinating part.
What do you mean can come? You can't come like
fabrige pitbulls. It's so interesting. AnyWho, I'm sorry, but go ahead.
That was my song?

Speaker 2 (28:54):
All right, So you did Natasha? Okay, so then I'll go.
I do love that song, but I'll go woman, I
don't know a lot of this lady songs, but this
is the one song I know of hers. And I
was reminded by a friend, and I.

Speaker 1 (29:15):
Will read some of the lyrics. Okay, let's see here.

Speaker 2 (29:24):
One moment, uh huh, Okay, You're on the phone with
your girlfriend. She's upset. She's going off about something that
you said. Because she doesn't get your humor like I do.
I'm in the room, it's a typical Tuesday night. I'm

(29:45):
listening to the kind of music she doesn't like. And
she'll never know your story like I do. Because she
wears short skirts, I wear T shirts. She's cheer captain,
and I'm on the bleachers dreaming about the day when
and you wake up and find that you're looking for
has been here the whole time.

Speaker 1 (30:07):
Taylor Swift, you belong with me? Mm hmm. You know

(30:27):
what's her last album? Like White Women turned against her?

Speaker 2 (30:35):
It was you know, you know the last time I
got a joy like that watching watching them do them
ship was January sixth I'll never forget the day.

Speaker 1 (30:45):
I had a bottle of that Brusco. It was very cold,
it wasn't sweets, you know, it was a demy and.

Speaker 2 (30:53):
I ordered some rope villeha impanadas and I sat down and.

Speaker 1 (30:57):
Watched them racking a fuck out on TV all over
to do this.

Speaker 2 (31:03):
And then when this album dropped, which I refused to
listen to, I watched them and all of their think
pieces online about how she is a forty seven year
old teenager still singing about the same.

Speaker 3 (31:19):
Things, and it was really just it was as soon
as you read the lyrics, I was like, I don't
know what song this is, but I know it's a
Taylor Swift song.

Speaker 1 (31:29):
She has said she all her songs sound the same.
I have an honorable mention that I don't know this.

Speaker 2 (31:37):
I've heard that you belong to Me song because my
cousins used to play all the time. That's why it's
the only one I know. But my homegirl told me
to look up a song called Driver's License.

Speaker 1 (31:48):
Let's look.

Speaker 2 (31:50):
Oh, okay, I did not hold on. Okay, driver's License?
Is that Olivia Rodrigo or a Taylor Swift.

Speaker 3 (32:04):
I believe that's Olivia Rodrigo song. Who I also she's okay.

Speaker 1 (32:11):
Oh yeah, this is the because this is what she referenced.
That's funnier that it's not even.

Speaker 2 (32:19):
I got my driver's license last week, just like we
always talked about, because you were so excited for me
to finally drive up to your house.

Speaker 1 (32:30):
But today I drove through the suburbs.

Speaker 2 (32:34):
Crying because you weren't around, and you're probably with that
blonde girl who always made me doubt. She's so much
older than me. She's everything I'm insecure about Yeah, today
I drove through the suburbs. You see girls stand up
because you can't do shit about that.

Speaker 1 (32:55):
My god, what do we even talk about right now?
Who's Olivia Rodrigo? Oh? Then, because she's definitely on my list?
Is Taylor Swift Driver's license.

Speaker 8 (33:22):
Stop star?

Speaker 1 (33:35):
Oh gosh, what you go?

Speaker 3 (33:43):
My next song is, uh, you know, I love her music.
She's she's a great songwriter. And this song is literally
like girl like, it's some of the songs she's like,

(34:06):
she's talking to this girl and she the song is
called Death by Chocolate, and she was like, death by
Chocolate is a.

Speaker 1 (34:12):
Myth, like, girl, get up, you will love again. It's
just a man.

Speaker 2 (34:17):
That's not crying.

Speaker 4 (34:24):
Head night.

Speaker 3 (34:31):
And she keeps going in and she had to add
a choir at the end to like re offer her
that girl, you will be the fuck all right?

Speaker 1 (34:39):
So, Seya, death by Chocolate is my song. Let me
look up these lyrics. M hmm. I thought you were
about to with that description. I thought you about to
say that's your child, girl.

Speaker 2 (34:53):
No, but I have other death and my only one
was catered to you. Let's see, this is about.

Speaker 1 (35:06):
That's about breakups, that's about Negro Dick. Okay, yeah, okay,
that's a good that's a good one. That's a good one.

Speaker 2 (35:28):
Oh. You know the next one is is on theme
right now. Okay, it's everywhere and rightfully so. And you know,
I got to partake and we discussed a little bit

(35:49):
and that would be the Boy's Mind Tour.

Speaker 1 (35:52):
But the boy is mine the song mm hmm, girls
get up, yeah, girls get up.

Speaker 13 (36:16):
Now.

Speaker 1 (36:17):
Now.

Speaker 3 (36:17):
I don't get me wrong, I understand being hot under
the collar for Makai Phiffer in nineteen ninety seven.

Speaker 1 (36:24):
Sure, so I get it. But ultimately there's a lot
of niggas that look like Makai fire, you know what
I mean. Yeah, I always appreciate.

Speaker 2 (36:32):
What I really appreciate about Mackay was his bluck gums
like that is my favorite.

Speaker 1 (36:37):
You know, I'm like, this is RealD He was a handsome,
regular looking man exactly exactly so.

Speaker 2 (36:44):
But also, no, I can't Barbara and Shirley. I'm not
Barbara and Shirley. You over know, I'm just not m
I'm just not.

Speaker 1 (36:53):
Speaking of my next song. Betty Wright. Clean up Woman

(37:14):
is a woman who because what I'm not doing, what I'm.

Speaker 14 (37:21):
Not fucking doing what the fuck I'm not doing not
with Ajax, maybe with Ajax, maybe with bleach Li Saw,
but I'm not cleaning up.

Speaker 1 (37:33):
But no niggas mess And this is what I was
going to talk about.

Speaker 3 (37:37):
You know, I need to know who wrote these songs
because but also a lot of a lot of the women,
folks and aunties and mamas and grandmama's believed in that rhetoric.

Speaker 1 (37:48):
I know that, you know what I mean.

Speaker 5 (37:51):
Right now, I not.

Speaker 1 (37:57):
I'm not I'm not running after a man fixing like
that's crazy.

Speaker 2 (38:04):
Wait, no, no, no, not the lyrics. I need to
know who wrote the song clean Up Woman was written
and produced by Clarence Read It's always a nigga named
Clarence and Willie Clark is always a nigga name Willie.

Speaker 1 (38:22):
Hm. Both of those sounds snively, you know what I mean.

Speaker 2 (38:26):
Let's look at Clarence real fast. First of all, go
right now, go to Wikipedia, and I want you.

Speaker 3 (38:35):
To everybody do this as the epic as a class.
Don't do it as you're driving though, which, by the way,
we should talk about why do cars not have buttons?
They told us not to look at your phones while driving,
But all things now are just big ass iPads, which
is just a giant phone.

Speaker 1 (38:52):
Being in a tesla is like you are in a lab.

Speaker 2 (38:57):
I need everybody to go to Wikipedia and serve before
below fly in parentheses.

Speaker 1 (39:03):
Musician. H oh, this is the nigga who wrote clean
Up Woman. Mmmmm hmm.

Speaker 2 (39:20):
Yeah, you see this image I want you all go
specifically for and he's an aquarius that tracks.

Speaker 1 (39:29):
Okay.

Speaker 2 (39:30):
Reid wrote sexually explicit versions of hit songs for fun,
but only performed them for his friends at parties.

Speaker 1 (39:35):
Or in the studio. That's that's weird. This is weird.
It's like watching porn with your friends. I never understood
that concept. I never weird.

Speaker 3 (39:49):
That's so strange. No, like casual watching it like like
that's no, no, unless you're not getting it on. This
is not a circle jerk.

Speaker 1 (40:07):
We do not need to be watching this together. How
are we critiquing?

Speaker 2 (40:16):
Are we?

Speaker 8 (40:17):
Like? Right?

Speaker 1 (40:19):
Remember that episode of Living Single with.

Speaker 2 (40:23):
Where had the porn had the porn twin out there
and they all said down, well, maybe in a scenario like.

Speaker 3 (40:31):
That in that sure, but I'm not like casually, like
you know, it's Friday night, the mood is right, Yeah.

Speaker 1 (40:38):
Let's like be a group of thirteen beatofs like I
just don't.

Speaker 3 (40:43):
I just don't watching this like death becomes her, Like
I just don't see that, like pizza and porn, death
comes her. But I know, I'm sure there's people who

(41:04):
do it, but any who so yes, blowfly all right,
time for a break, for a break, I hate it, Claude.

Speaker 1 (41:14):
After these messages, will be right back.

Speaker 10 (41:22):
Some people have a healthy amount of self esteem, while
others struggle to have a positive self image. Here are
some signs that you have low self esteem. You criticize
and blame yourself for things, You're eager to please people
by going above.

Speaker 1 (41:40):
And we're back. Low self esteem playlist you.

Speaker 3 (41:48):
Know, girl, get up, you know, or just girl with
a period, non gender specific, non gener specific. That was
my turn, our queen Selinas.

Speaker 1 (42:06):
Oh now you know.

Speaker 3 (42:09):
Most I gotta be honest. Most love songs in Spanish
are the most like dramatic opining like I can't live
and living is without you type love music.

Speaker 12 (42:27):
You know.

Speaker 3 (42:29):
But she has a song called makams which is I
have nothing less. She is like, I have nothing less
other than to lose myself in an emptiness of sadness
and tears. Other than to bear my defeat and bring
you happiness, and your return today would be in a possibility,

(42:52):
and this was not love.

Speaker 1 (42:54):
What you deny today, what you would never happen to
the sweetest by light.

Speaker 8 (43:00):
Mass Salinas.

Speaker 3 (43:20):
Yeah, like I I I get the concept of like that,
but it's also like most of them most yeah, most
of them can. I can I.

Speaker 1 (43:37):
XD's corner.

Speaker 3 (43:42):
I saw a post on one of the social media
apps that why does it Aliyah get the same treatment Selena?

Speaker 1 (43:52):
And I was My response to that is this let
them both rest? Okay, how does the first Selena movie?

Speaker 3 (44:01):
The first Selena movie was made because they had to
because the family, because somebody else was writing it, so
they wanted to get to that story first, which is
why we have the doctor now.

Speaker 1 (44:14):
Okay, but like we don't.

Speaker 3 (44:19):
But people are like, well, where's the Alia movie? Her
family don't want it, they don't want it, and like
we're not privy to that.

Speaker 2 (44:26):
It's the same thing with this Puffy situation where everybody's like,
why we ain't her from Farnsworth or why we ain't
her from Shine or why we ain't her from a
Shine has.

Speaker 1 (44:36):
His own, his own, he's been, he's been just so
you all know FONZ and you don't a. We don't
know the reasons why.

Speaker 2 (44:48):
Maybe it's fear, maybe it's uh complicitness, maybe it's I
don't know, it could be a multitude of things. But
also we ain't got to if people don't feel like chatting,
we could want it all day, right, we all want
to know what happened in the fucking elevator. We all like,
there's there's several don't mean we're going and you gotta

(45:10):
be okay with that.

Speaker 1 (45:11):
Mm hmmm mm. People can't leave well enough. Yeah, people
can't leave well enough alone.

Speaker 2 (45:19):
But yeah, no, no, people don't have boundary. They don't
respect boundaries or personal space. Large larger bibe due to
the to the to the Internet. But so but people,
and let's let's be clear, Yes, nosiness has always been
a thing in humanity in general, you know. So I'm
not gonna act like the Internet created nosiness, but their

(45:40):
Internet definitely help people, help people to lean more into
more more of not respecting boundaries of people's personal lives.
So has swung too far?

Speaker 1 (45:57):
Love her down?

Speaker 2 (45:58):
She is one of the patrons saints of Jada xt
Definitely on our galactic A team.

Speaker 1 (46:07):
M Nippy. You know, a few times.

Speaker 2 (46:14):
Nippy Nippy was kneeling down to the knees and I
needed her to get up and listen. There were times
where she she didn't. It's not right, but it's okay.
I'm gonna make it anyway. But before that she also
had a period of youth and foolishness, and that came
in the form of I have nothing.

Speaker 1 (46:33):
And all the man that I need.

Speaker 15 (46:43):
And don't.

Speaker 1 (46:54):
Yeah, I used to cry.

Speaker 2 (46:56):
Myself to sleep at night, but that was all before
he came.

Speaker 1 (47:03):
I know, you're not getting better sleep with two of
those songs both written by men who wrote them, well,
you know. The other one, All the Men that I
Need is a Lupa song. Did Luther write that?

Speaker 8 (47:18):
Yeah?

Speaker 1 (47:19):
You know what's so funny.

Speaker 2 (47:19):
I wanted to put Luther on here, but I didn't,
actually forgotten didn't.

Speaker 3 (47:24):
And then let me not get to lyne. I want
to say, it's a Luther Luthor song. You look that up,
but I have nothing as a David Foster song that
makes sense, you see, And that's what I'm saying. Men
write about songs, Men write narcissistically.

Speaker 1 (47:42):
Let me see, so this is something that.

Speaker 3 (47:44):
They wish that would happen to them, right, I have
nothing if if I don't have you, I don't know
if he would.

Speaker 1 (47:51):
You see what I mean, Like, I don't whatever you
want from me, I'm giving you everything. M No, Okay.
All the Men that I Need was written by Dean
Pitchford and Michael A. Gore. Okay, then that was completely wrong.

Speaker 2 (48:10):
It also is a cover There You Go by a
lady named Linda Clifford.

Speaker 1 (48:19):
Oh m hm, yeah, yeah wow, but always.

Speaker 2 (48:26):
Is behind every good woman is a stink?

Speaker 1 (48:33):
Okay, what you got next? Men can be girls too.
We are so in sync right now.

Speaker 3 (48:47):
Mm hmmm because a lot of times, you know, men
are just as sisativo as they claim women are more so.
But there is a classic song by The Spinners called
I'll Be Around, and it is the ultimate like like

(49:14):
it's it's pre Carl Thomas.

Speaker 1 (49:16):
You know what I mean to go? Mm hmm.

Speaker 3 (49:37):
Whatever, I'll be there, whatever you'll.

Speaker 1 (49:44):
Be there, I'll be It's also a little creepy. Huh
yes when you start thinking about it.

Speaker 2 (49:56):
Uh, it's funny you you you did that because I
actually I've got I wanted to intentionally put men on
this list. Let's be very clear, So I'm gonna go
classic just so we stay on theme together. Instead of
the Spinners, I went with the Four Tops. The four
Tops to have a song called I can't help myself

(50:35):
leaving just your picture behind please add and I've kissed
it a thousand times. When you snap your finger or
wink your eye, I come a running to you. I'm
tied to your apron strings. Can't help myself and there's
nothing I can do. I'm weaker than a man should be.

(51:01):
I can't help myself. I'm a fool in love.

Speaker 1 (51:04):
You see.

Speaker 3 (51:10):
My next song is uh, this is by dude dudes,
and a lot of times sometimes with girls like get
your shit together and like well you got to shake
your homegirl, which they're just spiraling out of control. Well,
this song is about like death, destruction, mayhem. But then

(51:33):
like I at the end, it's like, girl, get it
together because there's hope. But it's Lincoln Parks what I've done.

Speaker 1 (51:40):
Oh yeah, huh mm hmmm. Alternative didn't think of that direction,

(52:13):
multitude mm hmmm mm hmm.

Speaker 3 (52:22):
Okay, moody little Yeah, that was actually a good one.

Speaker 1 (52:28):
All right, Well let me go Caucasian, then follow you
up Okay. You know.

Speaker 2 (52:38):
There was a white man had decent talent, you know
what I'm saying, was pretty accepted within the rap community.
But he was like, for real Forarilla, white boy, and
it came out in his content right. And when I
say white boy, I'm talking s S style. Eminem had

(53:05):
a song called Kim, and Kim was him fantasizing about
slicing and dicing his baby mother, not literally but literally.

Speaker 1 (53:20):
M And.

Speaker 2 (53:24):
Only a person who needs to get the fuck up
would think of something so extreme as to offering the
mother of their child and then making a song about it,
and then making sound effects within that song performing said act.

(53:47):
So Eminem's Kim.

Speaker 1 (53:50):
Is next on my list.

Speaker 8 (53:53):
Me have a new.

Speaker 1 (53:54):
Meetine, knowing you would go back on but we was ki.

Speaker 5 (54:00):
That was years ago.

Speaker 1 (54:01):
I thought that's I didn't even mean to I was it.

Speaker 3 (54:17):
Well, I'm going to change it up a bit, get bad.
We'll get back to the whites later. Yeah, oh yeah,
there's a lot more. Again, they don't They may not
have souls, but they have the lyrics.

Speaker 1 (54:30):
You know this song, you know, it's a very popular one.

Speaker 3 (54:38):
And I always say that like I have very I
have a lot of issues with the video, and so
I'm just gonna talk about it here.

Speaker 1 (54:48):
So, like you know, and the song is Unpretty by TLC.

Speaker 3 (54:53):
And so like you know, on the video, they got
the black girl in there who is like, you know,
she's going through it, like they give her an eating disorder,
she like overeats or whatever. But if you ever look
then she gets like fake bullied or whatever the fuck,

(55:15):
and which is so stupid because I know, like she
could take all them bitches, but whatever.

Speaker 13 (55:19):
And then.

Speaker 3 (55:22):
But if you look at her wall, mama has a
blueisty complex. So this one had nothing to do. Like
she can't not only can't she just not see the
beauty that God has and the magnificent that he's created,
but she also is unable to see the beauty, the
black beauty and magnificence that God has created for her

(55:45):
to be. So I just like, if you look at
the wall, it's just it's thin white women and.

Speaker 1 (55:53):
Other things of that ilk, you know.

Speaker 3 (55:57):
And while all of a sudden, while she's gorging on
a fucking dean because that's why, you know, that's how
she coped or whatever.

Speaker 1 (56:07):
I'm just.

Speaker 3 (56:09):
You can buy your hair long.

Speaker 16 (56:12):
She knows if it's dead, leg up the back, can
legny isle up?

Speaker 1 (56:24):
Sorry? Please? Ah No, it's something telling you it always
goes back to white with it. Because I watched this
video the other day of this white British lady. Okay,
she had hair like what's the what's the Disney picture?

(56:46):
What's the picture?

Speaker 12 (56:48):
You know?

Speaker 1 (56:49):
Uh? Heroin movie with all the red hair brave. So
the mother looked like that palmded the head right, mm hmmm.
She brings her biracial child into the salon, and apparently
this particular hairdresser is known for fucking up little pickny

(57:12):
them children's head and saying sideways as shit.

Speaker 2 (57:18):
And then when people call him out on it, like
I guess, he deletes comments and does all kinds of things.
So I already am weary of all of that. But this,
so they come into the salon. The girl wanted curly
hair like her mom. They essentially did this Jerry curl situation.
They ran over this child's head with a flat iron

(57:41):
with like thirty five times on one piece. It was
atrocious to watch. And all the while they're telling the mother, oh,
your hair is so beautiful, it's so lovely.

Speaker 1 (57:53):
Do you want to do it? To your hair.

Speaker 2 (57:54):
She's like, no, God, no, you know what I'm saying.
This is why some of these children be developing.

Speaker 17 (58:02):
These complexes because they go to Fantastic SAMs. Yeah, Supercuts,

(58:23):
That's exactly why, Yes.

Speaker 3 (58:26):
Wayward Negro, if we just shut down super Cuts and
Fantastic SAMs across the United States, No, we.

Speaker 2 (58:33):
Got to go back to the natural order of things
where people where they was only allowed to adopt babies
that could they could lie to.

Speaker 1 (58:40):
For all of their lives and tell them they wasn't adopted. Okay,
we need to go back to that. Yeah, it's gotten
too loose out here in these paperwork sets. If they
use you can't breathe them all. I said that to

(59:02):
Noah and she was like.

Speaker 5 (59:05):
I was like, I'm just playing.

Speaker 1 (59:09):
Yes, I am playing. I am completely joking, child, I
don't you know we live in it. Start walking around
house and screaming. It's everybody equal. It's like a little

(59:30):
out be watching this. So you guys tonight's hi? Rest them?
Is it my turn? Oh boy?

Speaker 3 (59:57):
Another song about being ugly? Please, But it's not a
song you would think about it now.

Speaker 1 (01:00:05):
I like this song. I think it's I think.

Speaker 3 (01:00:09):
It's fun people vehemently hate this song, like they think
it's like demonic. If you would ask them about how
much they hate this song, you would think that like
Hitler wrote it or whatever the fuck. But I think
it is a girl get up playlist because a specific
type of song. This is specific type of song for
a specific type of man, and this specific type of

(01:00:32):
man happened to sing this song. But you know it's
a classic. It's controversial, but I love it. Return of
the Mac by Mark Morgan, you know, because it would.

Speaker 13 (01:01:07):
Be you know, like.

Speaker 3 (01:01:11):
A particular man. You know, you could perhaps international.

Speaker 2 (01:01:16):
Can I But also I don't know the lyrics to
the song because I just saying when I got home,
when I got.

Speaker 1 (01:01:24):
And I got the I guess like he because I
know all that I don't. I don't really sing lyrics anyway.

Speaker 3 (01:01:37):
I sing in similars if I don't know yes, or
or I'll do the Homer Simpson route and I'll just
say something and replace of lyrics like stop thinks something,
stop thinks something.

Speaker 1 (01:01:50):
Oh that's what he said. Well, I tried to tell you,
so yes, I did.

Speaker 13 (01:01:57):
A lot.

Speaker 1 (01:02:01):
Because I say like that too, like you, we could
never be together. And then you perform for me later
on down the line. It would be the end of it.
I can't be first of all, like because this is
what I'm talking about, like I'll save it. I'll say, okay,

(01:02:27):
now I'll talk. I'll say that.

Speaker 15 (01:02:28):
You know.

Speaker 3 (01:02:29):
Sometimes Chris and I were talking here about sometimes you know,
sometimes you're on a mission, you know what I mean.

Speaker 1 (01:02:37):
Sometimes it's love. Sometimes it's a mission.

Speaker 3 (01:02:41):
And I feel like whoever is in a relationship with
that particular person, or Kim for that matter, that's more
of a mission, you know what I mean, Like a
like a oh, you know, female on a mission, like
you know what I mean, Like like bitch, you are phone.

Speaker 1 (01:03:04):
So niggas are moments. They could be f two. It
depends upon what they.

Speaker 8 (01:03:12):
Are.

Speaker 1 (01:03:16):
I don't know how they identify. You're right?

Speaker 2 (01:03:20):
Shall we take one more break? Come down, come back
with a.

Speaker 3 (01:03:24):
Oh yeah, heit a claude after these messages will be
right back.

Speaker 10 (01:03:33):
Part of our self esteem development comes from receiving praise, validation,
and encouragement, but some people aren't good at demonstrating this.
Think about how things are in your day to day.
How often are people saying great job? They'll speak up
the things.

Speaker 1 (01:03:55):
And we're black here with us doing some playlisting for
the girl periods. What you got?

Speaker 2 (01:04:06):
Speaking of Claude, I've told you we've got songs on
here written by greats, performed by greats.

Speaker 1 (01:04:16):
But I had to put it on here. Bruno Mars Grenade.

Speaker 3 (01:04:36):
Yay, yeah, yeah, yeah, I agree with you with the
lyrics of the song. Yeah you get grenade.

Speaker 2 (01:04:50):
Turn my hand on a blade for ya. I jump
in front of a train for you.

Speaker 1 (01:04:56):
Piss off everybody in New York, hop out a We'll
playing for you. Mm hmmm mmm.

Speaker 2 (01:05:04):
I could go through all this pain, take a bullet
straight through my brain. Yes, I would die for you, baby,
but you won't do the same.

Speaker 1 (01:05:16):
There's no fucking way not mem This next one is
uh okay, I'll do this one first. I love that
song by the way, just so yeah. This next song

(01:05:37):
is for one of my favorite singers of all time.

Speaker 3 (01:05:42):
I realized that a lot of her songs are are
pick me songs, But then I also realized a lot
of her songs are derived from Broadway.

Speaker 1 (01:05:54):
So which is a very dramatic kind of thing.

Speaker 3 (01:06:02):
So you might have to play the last like forty
five seconds because it's a magical moment, but it's Barbara
streisand fifty percent because she's like, I much rather have
I much rather have any piece of him than nothing
of him at all. Because in the beginning of the

(01:06:22):
in the beginning she's like her lover calls, it's like,
I can't come over tonight because the kids want da
da da da da. And so throughout the song she's like, Okay,
I know he's mine. I know we not married, I
know we don't live together, I know we don't have kids,
but I know that he loves me.

Speaker 1 (01:06:40):
I know that this is true. And it's like, girl,
he just told you the.

Speaker 3 (01:06:45):
Kids want to be together with their mother, and you
up here just opining and as being the side piece,
you know.

Speaker 1 (01:06:55):
Sad present any percent off then a body that's like a.

Speaker 2 (01:07:19):
Shout out to my girl, Angel India Moore from Posts
when she was dealing with the Little White Boy from
American Horror Stories in Posts and you know, he got
her an apartment and all these things, and it was
Christmas time, and of course, you know his wife was like,
where the fuck are you going on Christmas? So he
had to stay home because he didn't want to let

(01:07:40):
one that he was cheating and she was at home
making cookies and set up a Christmas tree and shit,
And it's like, how do you.

Speaker 1 (01:07:50):
Feel when they call and say I've got to do
family shit tonight.

Speaker 3 (01:07:57):
It's like one of the top caught counsels on the bottom,
all right, next on my list?

Speaker 1 (01:08:05):
What do you do when you've done all your care?
You're just stared? You know, I would feel like not
even clerk can make songs about bottoming. Catch it, do you? I?

Speaker 2 (01:08:27):
You know how like your friends might cancel a plan
last minute and you feel the greatest sense of relief.

Speaker 1 (01:08:35):
Mm hmmm. I would imagine as a bottom, like if
a top cancel on me, outside of outside of probably
being dangerously horny, let's take that out of it, right,
they canceled? Nigga, I'm ordering hot wings, you know what
I mean?

Speaker 3 (01:08:49):
Yeah, I could have had Yeah, but that I could
have had hot.

Speaker 1 (01:08:52):
Wings since hours ago. You know what I mean. I'm hungry.
I'm angry at this point. I'm old girl from Survivor.
I see people eat every day. My daughter baked mushrol burner,

(01:09:16):
so like, I get it. You know what I mean,
You're right, that's our bottoms are angry.

Speaker 3 (01:09:21):
You know, I don't know a pleasant one, find me
a pleasant bottom, because they're.

Speaker 1 (01:09:29):
Well, it's a joke there moving on in the mind. No,
it's your turn, it's your turn.

Speaker 2 (01:09:40):
I just I was like, I don't know it truly.
You know, they're in the news, or not the news,
they're in the uh. They're in the pop culture verse
quite often these days, especially the sister who's apparently could
noodling and what is the what did that lady say?

(01:10:04):
And tropman, what's she say? Entanglement? She's entangled with life
of a wife's husband. And then you know they're in
there in the pop culture verse because the TV show
is on again and it's lots of drum on and
they fight a lot of siblings. But Tony Braxton of

(01:10:26):
this particular particular siblings set has a jam, okay a
jam on a fantastic album and I still sing this
jam to this day, and I'll sing it for you now.
Hanah can't stop thinking over hoo way stutpie, Hanah can

(01:10:50):
stop thinking over about.

Speaker 1 (01:10:55):
Hanah yan get you out of my head holdo to
let you walk ride on my and blow Mary.

Speaker 2 (01:11:08):
And I can stop carrying over about the apple breathe
again by Tony Braxton.

Speaker 1 (01:11:18):
Mm hmm. That I shall never breathe breathe again mm hmmm.
We're losing oxygen mm hmm.

Speaker 9 (01:11:30):
And stopping in a bath about the waiting and stopping
in a bath about and I can get you out
of my head.

Speaker 1 (01:11:46):
Mm hmmm. My next song is on a similar note.

Speaker 11 (01:11:55):
You know.

Speaker 1 (01:11:56):
In the song she goes, well let me read you.

Speaker 3 (01:12:02):
The hook and the chorus, I'd leave behind my hopes,
my dreams, walk it all, walk away from it all.

Speaker 1 (01:12:11):
Yes I will. It's what I do for you.

Speaker 3 (01:12:14):
Swallow my pride, even risk my life, give up my freedom.

Speaker 1 (01:12:21):
It's what I do for you. I'd lie for.

Speaker 3 (01:12:23):
You, shed a million tears for you, infinite prayers for you.
I'd leave behind my hopes and dreams.

Speaker 1 (01:12:31):
Yes I will. It's what I do for you. Now.
I love this song. It's called what I Do by
Kanye dos.

Speaker 12 (01:12:47):
Do Now.

Speaker 3 (01:12:56):
When I asked her, I got a chance to ask
her about what this all meant later, because I was like, girl,
give it, I'm not going to jail for nobody, you
know what I mean. She was like no, Yeah, she
was like, well no, this was about like the love
for like a child, And I was like, okay, okay.

(01:13:18):
Then I thought yeah, But then I thought because I
can't say again, you can't tell me that when like
in the video, I don't see no baby. I see
a nigga in a green shirt. But I also don't
know if I go to jail for my kid either.
Let me explain, well, the TLDR version is, sometimes kids

(01:13:42):
have bad vibes.

Speaker 1 (01:13:44):
What am I supposed to do?

Speaker 12 (01:13:45):
Oh?

Speaker 1 (01:13:45):
Yeah, you know what I mean?

Speaker 3 (01:13:48):
Like I erase it that way. Sometimes kids turn sour.
That nigga's still my refrigerator. I'm calling, like exactly, I
am Alice.

Speaker 1 (01:14:03):
M hm office, there is in here six four.

Speaker 2 (01:14:10):
I'd like to report a missing whirlpool. There's okay, I
really like that pickle pepper sauce.

Speaker 1 (01:14:23):
I was. I finished with that bottle O nine one.
Let me get my throat ready, m hmm pause? We

(01:14:44):
are thirteen? Yeah, because I rather die young delive my life.

Speaker 3 (01:14:55):
I rather love live.

Speaker 1 (01:15:00):
And feel free to turn that down. I don't know
what the fuck Beyonce was.

Speaker 2 (01:15:04):
I realized she wasn't newly emancipated from under the fuam
of Matthew Nots. I get it, you know what I'm saying,
nose was wide open, nostrils big as fuck.

Speaker 1 (01:15:19):
And also.

Speaker 3 (01:15:37):
That song that album was weird because even at the
end that I was here a song that was kind
of like.

Speaker 2 (01:15:41):
She was, you know, no Beyonce girl. I like, actually,
that's one of my favorite Beyonce albums. And she gotta
do a montage song on every album. It's just what
she does. So I was here with her montage song.
Rather die young, I call that temper Rarey insanity mm

(01:16:01):
hmmm hm, because ad living I'd rather not live at
all is insane work insane mm hmm.

Speaker 1 (01:16:13):
What you got I'll go back with.

Speaker 3 (01:16:21):
Okay, So Destiny's Child, we all know that they have
pick mey gyms, like we know and you pay my bills.

Speaker 1 (01:16:27):
I mean, it's this is mainly candy, right, but in
the club home thing, I'm not hit.

Speaker 3 (01:16:37):
But this particular song when what I loved about the
Destiny's Fulfilled album was the fact that they had finally
had a little life to them finally, so they were
able to sing about something you know, a little.

Speaker 1 (01:16:52):
Bit more grown. However, you know, remember I don't know.

Speaker 3 (01:16:57):
Which program we were talking about. How like guilt is
a white motion, you know what I mean? But so
was closure?

Speaker 5 (01:17:06):
You know what I mean?

Speaker 3 (01:17:08):
Yeah, closure is just a safety pin. Okay, it's overrated.
And and with that being said, my next song is
she the Reason by Destiny's Child right, because there's only
people are always looking for a reason why something ended
or something would have. Sometimes, if this nigga wanted to go,

(01:17:31):
let him go, stop worrying.

Speaker 1 (01:17:33):
About was it me?

Speaker 8 (01:17:35):
Was it?

Speaker 12 (01:17:35):
You know?

Speaker 1 (01:17:36):
Was I not fine enough? Is it?

Speaker 13 (01:17:38):
You know what I mean?

Speaker 1 (01:17:39):
And if you don't even need to know who it is.
If he wants to go, let him go, it's just
a what her feeling like?

Speaker 16 (01:18:01):
I wasn't good at till I know we're not officially
with us being officially?

Speaker 1 (01:18:07):
Yeah, the reason you'll call like it used to so
who cares?

Speaker 2 (01:18:16):
I wanted to switch back to men, but then you
said something that's it.

Speaker 1 (01:18:22):
I have one more that I that follows that theme.

Speaker 2 (01:18:28):
I used to think that I wasn't fine enough, and
I used to think that I wasn't wild enough. Now
I'm not trying to waste my time trying to figure
out why are you playing games?

Speaker 1 (01:18:41):
What's that all about? I can't believe you heard in
me I met your girl? What a difference? What you
see in her you don't see in me, and I
wish it was all just make believe.

Speaker 3 (01:18:57):
Oh yeah, gets you should have left about the club,
che Ca cut the leash s.

Speaker 2 (01:19:08):
Exactly. That's the energy you need to keep. Okay, kit
see queen, that's what you gotta do. But that love
jam as it may be, and we all sing it
at the top of our lungs. Let us not forget.
She started that first verse with.

Speaker 1 (01:19:26):
I used to think that I wasn't fighting up. I
used to think that was it fighting enough?

Speaker 16 (01:19:33):
And I used to think that time wasn't weld enough,
waste my time trying to figure out why are you playing?

Speaker 1 (01:19:43):
In games like girl niggas will have you doubt your
glove for no reason.

Speaker 2 (01:19:48):
It's also relatable because you go back and look at
pictures of you in your twenties and you'd be.

Speaker 1 (01:19:52):
Like, damn, I was, Yeah, I didn't know what I had.
I didn't know what I had when I had it.
You don't know what you gotta tell us gone what
you got.

Speaker 8 (01:20:14):
I I.

Speaker 3 (01:20:16):
Don't think I've ever brought her to a playlist before,
and if I had, no, I don't think I have.
I think it's been purposeful I think enough time has
passed in my life to incorporate her on a playlist,
and this one is very fitting because this person makes

(01:20:40):
music about being ugly and why we should be okay
with it.

Speaker 10 (01:20:43):
Oh you know.

Speaker 1 (01:20:49):
That's what you people call body positivity? Were like doing well?
That comes a different forms.

Speaker 3 (01:21:05):
It's not always about wait, but video by India Ari.

Speaker 1 (01:21:19):
Myself I hate.

Speaker 3 (01:21:32):
And the reason why I hate that is because I
hate when people have to disparage other people like no
one said, like no one says, you weren't whatever you
describing yourself to be.

Speaker 1 (01:21:45):
But what makes the baddies less than it's true? You
know what I mean?

Speaker 3 (01:21:52):
Yeah, we need everybody, Ain't that what michaela Angela Davis said?
She said, you know the church girlies also need the
hood girlies.

Speaker 1 (01:22:02):
Listen, you know we are all people.

Speaker 3 (01:22:04):
Right, they don't need to be you know, I don't
know even it's weird being elitist. And this is not
gonna go well, So you should interject and take over
because I know I was.

Speaker 2 (01:22:22):
Really having a tough time because I thought about this
bunch named Kelly and that I knew.

Speaker 3 (01:22:31):
Oh my god, I got to cross somebody off my
downfall list this week. The nigga that wrote slave play.
He got charged in Japan for smuggling shit. I didn't
realize drugs.

Speaker 1 (01:22:46):
Oh that was some weird Oh okay, I love that, Dimma.
I realized I had him on there twice. Oh M
demo okay, M D and me hum, I love that
for you.

Speaker 3 (01:23:04):
Yeah, it's always uh the smoke ring if you will,
you know, a warm chocolate chip cookie and that's two loads.

Speaker 1 (01:23:22):
Down follows. You know, that's one of the few friends
of references. I know that was funny. Two louds, two louds. Okay,
but yeah, you're turn this song starts. We don't even

(01:23:44):
we we we sing this a lot.

Speaker 2 (01:23:45):
It comes up a lot at functions, gatherings, you know,
certain times of events, but we don't talk about kind
of how egregious.

Speaker 1 (01:23:55):
The first few words of the song are the entire
talk with it itself.

Speaker 2 (01:24:02):
And you all know how I feel about this nigga,
I you know for years now. I just I don't
know what it is, but something about him works my nerves.
We belong together, and you know that I'm right. Oh,
that little hobbit wrote that song Into.

Speaker 1 (01:24:22):
The Road by Boys to Men. Oh, although we've come

(01:24:44):
to the end of the road. I can't let go.
It's unnatural.

Speaker 3 (01:24:52):
This is when we go back to talking about men
being pickny. That's what I'm saying, because four scenes is
a loneliness.

Speaker 1 (01:25:04):
Go yeah, when you come my name, it's bare feet
in white stand does something to niggas. Len I'm telling
you it's linen nigga's emotional state that you niggas took

(01:25:33):
softer side of sears too. Seriously, it's the linen Yes,
end of the road by boys to men.

Speaker 3 (01:25:45):
Oh yes, it is okay. You know, we love this lady.
We give you know, there's you know, as as black
people we give. There are maybe just ten to fifteen
you know, white folks, or it's top forty whites.

Speaker 1 (01:26:07):
You know that includes all of them, historical and current.
And we love this lady. She has given us classic
films like A nine to five and things. Oh but.

Speaker 3 (01:26:25):
She has a song where it's like it's been recovered
and redone it.

Speaker 1 (01:26:31):
Or excuse me, reimagined.

Speaker 3 (01:26:33):
I hate that new word that's up there would coexists now,
So I hate to reimagined content.

Speaker 1 (01:26:40):
Whatever the fuck with new songs for the nerve of coexist,
Like what.

Speaker 13 (01:26:49):
I liberal shit anyway, it's so fake, so fake form
job the iron in the knees, he said, not funny.

Speaker 1 (01:27:03):
Yeah, your hyde anyway, super roof my god. But Jolene Bye.

Speaker 3 (01:27:18):
Dolly Parton, you know, because it's like she's like began Joline, Joline,
don't take my man, like girl, if you don't go
out there and get your shotgun.

Speaker 12 (01:27:27):
And I can usually understand how you could easily take
my man, but you don't know what he means to me.

Speaker 1 (01:27:34):
Julie, Julie, Jolie.

Speaker 2 (01:27:40):
Joe, and listen, Beyonce, sister cousin.

Speaker 1 (01:27:44):
I fully.

Speaker 2 (01:27:46):
I fuck with you down and again the same way
I told my cousins. Okay, it did not change the
theme just because you said I'm warned.

Speaker 3 (01:27:55):
You didn't still crude. Yeah, you just put a ko
on it. Okay, it's still the station.

Speaker 1 (01:28:16):
Oh that was good. Yeah, I had that on there.
I want to head and cross that off there. M hmm.
It's classic.

Speaker 10 (01:28:23):
You know.

Speaker 1 (01:28:24):
Still, if I'm not going to all these songs here,
I'm not turning off. No, don't get me wrong with no.
There are jams for a reason. The majority, Yeah, they're
just we know what it is.

Speaker 2 (01:28:37):
The content is what it is. Yeah, in honor of
what we just watched. I know you want to leave me,
but I refuse to let you go. If I have
to beg and plead for your sympathy, I don't mind

(01:29:00):
because you mean that much to me, and by the temptations.

Speaker 1 (01:29:08):
I know you won't. LEAN reused to let you go home.
I help please for yourself with me. I don't mind.
Don't you mean that much to me?

Speaker 2 (01:29:24):
Because if a nigga approached me, that would not move me.
Mm hmmm, that would not move me. I would actually
be you haven't watched ninety Day Fiance?

Speaker 1 (01:29:37):
Yeah? Have you?

Speaker 10 (01:29:39):
No?

Speaker 1 (01:29:39):
Yeah, that's something that's on the docket today. I was
just going to say this. I wouldn't may know you
if you sang that song to me in public. And
I can't wait for.

Speaker 11 (01:29:48):
You to.

Speaker 1 (01:29:51):
Tell me she shot him with the bazooka.

Speaker 2 (01:29:54):
She should have because she no, not like he deserved it,
but like, oh, she does everything.

Speaker 1 (01:30:05):
Yeah for me. I'm like, one day Andy is going
to smother her. He's going to lose it, man, all
that okay will cook her and serve her to her

(01:30:28):
family like that.

Speaker 3 (01:30:29):
Lady, Oh my gosh, did you see that that news
support that lady in Australia who uh, she was like
a forager and so she served like her family like
wild mushroom, lasagn or whatever, and killed everybody. And then
she had the nerve to say, well, I didn't get sick,

(01:30:50):
so therefore how I was I was supposed to know
it wasn't intentional, No, bitch, your your mother in law,
your father in law, and your husband who survived. Surprisingly
because the only you know, you know, nause you know
what I mean, like when you talk about like clearly
you know you knew what you were doing.

Speaker 1 (01:31:11):
Let me tell you.

Speaker 3 (01:31:11):
She was like, I've been forging for twenty years, Betty's there,
Betty's and all of a sudden, all of a sudden,
that you got some bad shrooms.

Speaker 1 (01:31:19):
And that's what did. I watched Penguin, and in Penguin
how I met your mother.

Speaker 2 (01:31:28):
She killed everybody in that house and except for the
baby girl, and she took the baby girl out to
the greenhouse and they went to sleep for the night.
When they woke up, it was all like, oh my god,
how's everybody dead in the house?

Speaker 1 (01:31:43):
Because she released all the gas gaskets and all the things.

Speaker 2 (01:31:47):
We know what the fuck he was doing, Sharon, Yeah,
you're not low wanting done with these shrooms? Who's tarting?

Speaker 1 (01:31:58):
Is it yours? Or you want to just do a
couple more? Yeah, yeah, I'll go with it. My next
song is uh.

Speaker 3 (01:32:11):
Uh you know, you know you're desperate when you got
to poison somebody to get get you know, a date,
you know, So Alicia Keys, you don't know my name,

(01:32:40):
Lafetse poisoning, That's what it was, she said. She said,
for you, I give you real milk in your hot chocolate.

Speaker 1 (01:32:48):
It's like what I asked for. Oh mm hmmm, right.

Speaker 3 (01:32:52):
And not even he assume was going to be water.
He knew what it was a diner across from the Civiloy.

Speaker 1 (01:32:59):
She's I thought I was doing something nice. No, definite
my hot chocolate mm hmm. Because I know it's because
if you sneak.

Speaker 2 (01:33:07):
That ship, if you sneak some trying to be all
lovely as shit, those niggas will be down and out.

Speaker 1 (01:33:14):
Yeah.

Speaker 3 (01:33:15):
I was this video I saw on the ground as
a white lady was like, so I posted a picture
and it was a picture of these of this of
she had a latte and it looked really good and
everybody was just like, oh my god, where did you
get this?

Speaker 1 (01:33:31):
Bah bah blah. She was like, what do you talk about?

Speaker 3 (01:33:33):
It's just a regular fuck latte, like from my corner store.
Like why are people like foughting over? Then she realized
she was like, Oh, it's because I use real milk
in this shit. She was like, lattes don't work the
same when you add oat milk and whatever the fuck
nut milk. She was like, say no to big oat
and big nut.

Speaker 1 (01:33:54):
Okay, I've been, I've been. I've been back into my
half and half of my whole milk and my lattes
I've gone back to as long as I have fair life.
I use home belt. Oh, I love fair life. I
do enjoy it. I do. I'm saying no to big Oat.

Speaker 2 (01:34:14):
I know, I know it's not and then you know,
the creamy or the oat milk, the more oil, isn't.

Speaker 1 (01:34:22):
It exactly exactly? And also why am I paying for
oat water? You know what I mean? Like I could
I can make it. I can make it at home.
I can't. I can't do fair life at home, so
I can't. I can't ultra pasteurize my milk as much
as I would love to I would love to do that,

(01:34:42):
but no, it's your turn. Rest in peace, queen. But
Big Shaan's I don't fuck with you. You you look
stupid at wow okay with you? You look you look
dumb milk wow with you. I got any nigga who

(01:35:06):
that makes a hook like that.

Speaker 2 (01:35:10):
Is big hurt and needs to get Yeah. Yeah, I
don't care what she did that is that.

Speaker 1 (01:35:19):
Is the most childish fucking hook I have ever heard of.
Chorus and the way he said that too, you little
stupid ass bitch, like are you thirteen? Yeah?

Speaker 2 (01:35:30):
So Big Sean, I don't fuck with you? Well, does
he feel guilty when he performs that song?

Speaker 1 (01:35:39):
Probably not? Probably not. I think I'm gonna go with
my last two. One of them is very very obvious,
and one of them is not.

Speaker 3 (01:36:00):
There is a song that we make fun of all
the time. It was a wonderful video. If you've never
seen it, I want to say it was like Bulgarian idol,
and this lovely woman came on and she sang well.

(01:36:23):
She was asked what she was going to perform. She
said kin Lee and they said kin Lee. They would
saying ki Lee Yeah, And so she began to sing.

Speaker 1 (01:36:39):
Yo vo.

Speaker 3 (01:36:42):
Live Your Lord said that you were lave, so last
say I fine, I mean acle La soul, Yeah, who
see hello, your shout show.

Speaker 1 (01:36:59):
Yes, show h An Lee.

Speaker 5 (01:37:16):
Lee Kim Lee by Mariah Carey. I can't live and live.

Speaker 1 (01:37:26):
It is without you by Mariah Carey.

Speaker 3 (01:37:29):
Because girl, well, speaking of the Queen, I have an

(01:37:49):
honorable mention though, Okay, go ahead, because my my last
song has to be Shirley Murdac. I just have to
no absolutely, but the next like I, Yeah, I have
to tell you this, Michael Bolton, tell me how am
I to live without ship?

Speaker 1 (01:38:09):
After I've been loving you so long? To carry on? Yeah,

(01:38:31):
he sang from his prostate, and again jam you know yeah.

Speaker 3 (01:38:40):
But it's the same song to me, because they are
can't live, I must die.

Speaker 1 (01:38:47):
If you're out here with me, which direction? I'm so
many thoughts go through my head.

Speaker 3 (01:38:58):
I have other thoughts out here, like divine gravity because
I I'm sorry by Sierra because what the fuck I'm
not apologizing to arap.

Speaker 1 (01:39:14):
Fuck out of here? Why would you do that? Oh
my god?

Speaker 2 (01:39:18):
But oh where's my phone? Let me do my not
my computer phrasing. Let me go back to my list,
because I had like seven songs scrolling my head so fast.
I was like, oh, what do I want to end with?

(01:39:39):
You know, I feel like we would be I feel like, okay,
you know what, No, and the efforts of girl, get up.
I'm gonna do a physical get up because of the
lyrics of just just because actually of the title of
this song. Because whether you are giving fillatio to a
penis or to a vagene m, please do not lit

(01:40:01):
lick me like a lollipop. If that's the case, If
that's how you're getting ready to move, then get up.

Speaker 1 (01:40:11):
Two three, three.

Speaker 3 (01:40:30):
Oh my gosh, I've been I've been trying to test
how how how hashtag they listen or how much hashtag
they listen. So I've been singing the log song from
it instanty just because Chris doesn't know what I'm talking about.
So I just randomly sing it just to see if
the video will show up. So I'm just saying, if

(01:40:54):
if A puts the song in, I wonder how long
it would take.

Speaker 1 (01:40:59):
For don't be doing on this goddamn show. What's wrong
with you? What the fuck?

Speaker 8 (01:41:09):
You?

Speaker 1 (01:41:09):
Would? That would be proof that day listen, We've already
done that.

Speaker 2 (01:41:24):
Oh I want to end with a Canadian crooner. Uh,
this is absolutely a girl. Get up, get off the
phone and go take a cold shower.

Speaker 1 (01:41:39):
M hm. You know someone's been having the worst yea
ever and it's Drake.

Speaker 2 (01:41:46):
You know, maybe not financially, but in many other ways.
And I know, you know anyway Marvin's room.

Speaker 11 (01:41:57):
If she don't have the time, a can't and no
flights in the morning, and what you're doing, and so
I've been drinking so much, but I don't call you anyway.

Speaker 1 (01:42:10):
Say that song is so draining. It's like like it zaps,
like you.

Speaker 15 (01:42:17):
Know what I mean, Like, yeah, it's like the energy
zapping vampires and all and and all of that army
of what do you call what do you call it?

Speaker 1 (01:42:28):
You know, like Rihanna's the Navy, Mariah Carres the Butterfly. Yeah,
I don't know. For Drake's.

Speaker 3 (01:42:40):
Rants, yeah, Canadians, Yeah, and how they and how they
come across and things, yes, Canadians, yeah.

Speaker 1 (01:42:52):
Yeah, Like you know you know who you know who
Drake fans sound. Drake fans are, like.

Speaker 3 (01:43:01):
Obviously I've ever seen that they're ever show you that
Instagram account where like it showed like people speaking into
in the Toronto accent.

Speaker 1 (01:43:13):
Yes you did, like they like as corny as all that.

Speaker 3 (01:43:18):
Like, that's how and if you're a drink fan, I'm sorry,
but I I excuse me, sorry, you know, I just
I'm sure he had a he had a hit here
and there. You know, I enjoyed Jimmy on the show,
you know what I mean. But I just you know,
and I'm not going to deny that. What a time
to be alive?

Speaker 13 (01:43:38):
Was it.

Speaker 1 (01:43:40):
Oral magic? You know what I mean? Yeah?

Speaker 3 (01:43:45):
But as him as a human being, and that's and
I use that term loosely red balloons.

Speaker 2 (01:43:57):
So Mars room a sad nigga. So and the problem
is that all of the little Drake minions.

Speaker 1 (01:44:04):
Mm hmm Canadians.

Speaker 2 (01:44:09):
That is geographical, non specific, geographic. The vibes, yeah how
they say vibes, but yeah they are, you know, And
so they use him as their model.

Speaker 1 (01:44:31):
And Marvin's room was a Marvin's room was a horrible
example of what niggas think they should be doing.

Speaker 2 (01:44:37):
Don't drunk, call me, don't do that because my niggas
laying right next to me, and you're going to get
so embarrassed, so embarrassed.

Speaker 1 (01:44:49):
So yeah, that's my is that my final Oh, I
have my final song, please please. My final song is
by the one and only Shirley Murdock. That's right.

Speaker 3 (01:45:11):
And we talk about her being the saddest woman in
R and B, and a part of it is because
of like she puts herself in situations.

Speaker 1 (01:45:26):
And on this song.

Speaker 3 (01:45:30):
Yeah, but as in this particular song, which is my
favorite of hers, she talks about, you know, I desire
to be in this thing with the relationship with you.
You know, I'm even tempted to be a nawdy girl,

(01:45:54):
but not because you're someone else's husband, even though.

Speaker 1 (01:46:00):
The desire is just too strong.

Speaker 3 (01:46:03):
And I say that because she says it just like
that song, like harmonies and everything, she laid the vocals,
that's how strong it was.

Speaker 1 (01:46:12):
But she said, I know in my heart that you
are hers, and I know, I know, I know, I
know that you are what I know, you know what
I mean. But yeah, so, Shirley Murdoch husband, that's a

(01:46:42):
perfect last song for you or in general, should I say?
Desire says I should, but I say no, And it's like, girl,
you how much how much did you need to get
to that? To that conclusion? Yeah, he already had he

(01:47:04):
was married.

Speaker 3 (01:47:04):
Girl, it should have been won and done. I don't
know what sort of emotional rot you know you went through,
but it was unnecessary.

Speaker 1 (01:47:16):
Queen.

Speaker 2 (01:47:16):
Yeah, surely, surely she wanted to be sad, she longed.

Speaker 3 (01:47:22):
For Yeah, people are people are addicted to sad, you
know what I mean, People like being sad.

Speaker 1 (01:47:29):
People can make money off of being sad. Yes, they
can no leave that alone. So we have a dough
who I intentionally did not put on. I perposely did
not put on. I was like twenty one nineteen because

(01:47:50):
when I was talking to Chris about the thought, I'm
I guess I could just say all of a girl,
get up there, girl, get up to that exactly, and
then for black it would be all of Carl Thomas's music.
But I was like, again again, we will let the
white turtle neck rest today. You know what I mean?
Look at me. I can't stop trying.

Speaker 2 (01:48:11):
You know, it would be too easy, too easy on
the news my last song. You know, I wish this
lady would have learned to love herself more, rely on
herself instead of looking for external validation.

Speaker 1 (01:48:27):
You know what I mean? She said, alone in a room,
it's just me and you I feel so lost. I
don't know what to do now.

Speaker 2 (01:48:40):
What if I choose the wrong thing to do. I'm
so afraid, afraid of disappointing you.

Speaker 1 (01:48:48):
What they are gospel? Yeah yeah, I'm just playing. I'm
just not We know every just loves talk about you girls.

(01:49:13):
Oh anyway, that was our uh get up playlists? Yeah yeah,
thank you for listening and we'll see you all next time. Bye, yes,
and we're moving on else