Touch The Knee

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Episode Transcript

Speaker 1 (00:00):
I hate the world today. You're so good to me.

Speaker 2 (00:05):
I know, but I can't change. Tried to tell you,
but you look at me like maybe I mean I
ain'tel underneath innocent and sweet. Yesterday I cried, must have
been relieved to see the softer side. I can't understand

(00:26):
how you'd be so confused.

Speaker 1 (00:29):
I don't view.

Speaker 2 (00:31):
I'm a little bit of everything, all road into one.

Speaker 3 (00:36):
I'm a bitch, I'm a lover, I'm a child my father.

Speaker 1 (00:44):
Whoa ha ha.

Speaker 3 (00:48):
Ha wo ha.

Speaker 1 (00:58):
Whoa, whoa, whoa whoa. Everybody, Welcome back to the blackest
show about Nothing. It's Jaden x D. Were bitches at

(01:19):
home again. It's giving pandemic vibes. Quarantine, quarantine.

Speaker 3 (01:28):
We are for the second week in row, back at
my very humble, Kim Kardashian looking home.

Speaker 1 (01:36):
You know, it's very minimally minimal. I'm gonna start calling
you a couch Lisa Ray. Yes, yes, yes, she's very,
she's very, she serves a purpose. She's comfortable like Lisa Ray. Yeah,
I don't know she's comfortable.

Speaker 4 (01:52):
Now we're comfortable with her? Yes, yes, yeah, you know
she's a staple.

Speaker 1 (01:59):
Yes, you know, I gotta be honest with you.

Speaker 3 (02:03):
As much as I hate all white events, I think
you know, niggas can't help themselves, and that's fine, But
if she were to wear another color, I would feel away.

Speaker 4 (02:17):
No I wore about a bus side in a nasty
yellow like I no, no, no.

Speaker 3 (02:21):
Like it would be like, oh, like, I'm sure because
she's a very beautiful woman, but I'm just like, you know,
like it'd be like if Adele came up with an
album named like, you know, Dutch or something instead of
like thirty five, Like you know what I mean.

Speaker 4 (02:36):
Adele popped out in corn rolls with a mesh tank
top on. She already did that to us.

Speaker 1 (02:42):
That's because.

Speaker 4 (02:47):
You know, today we're talking about white crimes.

Speaker 1 (02:54):
We are.

Speaker 3 (02:57):
Like we said last week, we we were here in
La well obviously I look here, James here, she had
the dinner party getting grown Live.

Speaker 1 (03:09):
Unfortunately that did not happen as you saw.

Speaker 4 (03:11):
Yes, it's rescheduled for August eighth. Okay, so you still
have an opportunity buy tikaks.

Speaker 3 (03:16):
Yes, so, and since last week we didn't tell you
everything that happened.

Speaker 1 (03:24):
So you're like, what happened to our week? This week?

Speaker 3 (03:26):
We could have started off and tell you things exactly
because we have to tell you about the whites only
grocery store.

Speaker 4 (03:34):
Oh and the man who does poor yes, I said,
I told her.

Speaker 1 (03:39):
I came.

Speaker 4 (03:40):
I came back to the crib and I told x
D and Chris Rogers. LA is such a fascinating place, right.
You would think like New York, like we see so
many things, and we do, but it's a different type
of fascinating, right. So I came back. So I went
to the supermar the white's only supermarket. I went to Mini,
I went to I went to the Korean, and I

(04:01):
went to the to the whites only, I went to
the Nigga store, like I went to every demographic. There
was a I'm not gonna call him a young man.
I would like to call him an old man, but
I don't think so. I think the fillers have distorted time,

(04:22):
so the fillers and the lineage, so we just I
was unsure of age. But it was a lot of phillis.
And he was bagging up my groceries. And I love
when white people back up my groceries. It's like now

(04:42):
you can't have some bool, please, But he was backing
up my groceries and I was like, you know, in
truthful thoughts were running running through my head and I said, damn,
you got a lot of fillers, like a lot, Like
that's a lot of money. You're backing up my groceries.
This is the lead classes and agregious leadist conversation. But

(05:04):
oh yeah, super soulf aware. I'm like, you're backing up
my groceries with all these fellers.

Speaker 1 (05:10):
Do poor.

Speaker 4 (05:12):
So I came back to the house and I said,
is such a fascinating place. I proceed to tell them
what I just told you all, and so he goes, yeah,
he has the only fans.

Speaker 1 (05:20):
I said, No, he does porn.

Speaker 4 (05:26):
That was the face and the occupation of a person
who was doing porn.

Speaker 1 (05:31):
Yeah, like adult films.

Speaker 4 (05:33):
Yeah, like in a particular hotel used as a set
with a particular director.

Speaker 1 (05:42):
Yeah, he's a part of a studio.

Speaker 4 (05:44):
The director has a mustache and a mullet, and they've
been doing it a long time. Yeah, And they sell
the physical videos at places with you know, close to
highway truck stops and things.

Speaker 1 (05:59):
Yes, like what's the called here adult books?

Speaker 3 (06:03):
Or there's a place here that has the actually romantics.
So there is a there's a a we'll call it
a store because they do vend things there. So yeah,
they have like the traditional like.

Speaker 1 (06:21):
If you can buy videos, you can buy straps. Yeah yeah, yeah,
all that.

Speaker 3 (06:24):
So they have the videos and and and all the
other tools that are mont that you would need to
get your jollys off or whatever. But they also have
a theater.

Speaker 1 (06:37):
DEXE. Again it's off the side. It is off the
beaten path.

Speaker 3 (06:44):
And it's funny because I had went in there.

Speaker 1 (06:50):
Just you know, look around. You know, you have to
have me interest and did it not too long ago? Yeah?

Speaker 3 (06:54):
And we go inside and look around and when I
tell you, there's like a schedule think TV guide and
like you have to go on online or figure out
the times of certain things or whatever or to.

Speaker 4 (07:09):
See what your preference yes, oh yes, or like the
movie the yes.

Speaker 1 (07:14):
Yeah, you don't want to see everything.

Speaker 3 (07:16):
And at that particular time, there was a there was
a flick playing, and there was a couple of people
who were waiting in line to flick things too.

Speaker 1 (07:27):
And Justice for Pee Wee Herman. Yeah, I really want
to watch his doc because.

Speaker 4 (07:32):
Well, let me not say that too quick because I
don't know everything he was like in.

Speaker 3 (07:35):
A relationship with like with the Black Man for like
almost thirty years.

Speaker 4 (07:39):
Oh interesting, Yeah, we need to watch his document let's
do that for an ABC show. Well, based off of
what I know, Justice for Pee Wee Herman. You know,
like how we have all this weed reform now and
you know there's a lot of innocent black men locked
up for uh, you know, small amount marijuana. I'm not

(08:02):
even call them crimes and fractions in society, but now
you know, niggas are rolling up on camera right now,
so you know, and we have to we have to
talk about like the dissonance and that I can imagine.

Speaker 1 (08:21):
Like why have a space.

Speaker 4 (08:24):
If you you know what I'm saying, Like this is
like what are we doing?

Speaker 3 (08:28):
I've always had complicated feelings about adult theaters.

Speaker 4 (08:33):
Now from a from a Virgo's germ stance, fully get it, yes,
fully get it.

Speaker 1 (08:40):
But what are we in here?

Speaker 4 (08:41):
Were just in here to like build up the tension
until we can get back to the room.

Speaker 3 (08:45):
Yeah, I mean essentially, because you get into this idea
of like public decency and whatever that means.

Speaker 4 (08:52):
I was like, what the fuck is public decency when
we're all in here collectively watching the bean flip right right?

Speaker 3 (09:00):
Like how like in certain like in New York, how
it's legal for women to walk around topless. And it's like, okay, well,
at what point do you draw these lines?

Speaker 1 (09:11):
You know what I mean? Is it just rooted in.

Speaker 3 (09:15):
You know, sexism or whatever phobias. But then it's also
like white.

Speaker 4 (09:19):
Men love titties and that's my that's that's always been
my but even bottom line on why that is a legality.
It's always something that works out to their favor.

Speaker 1 (09:28):
Yes, But I'm also like a lot of.

Speaker 3 (09:35):
How do I say this, A lot of heterosexual men
engage in sexual acts with other perhaps heterosexual men. Yeah,
men who have sex with men, so MSM that's the

(09:59):
term or the acronym. So I'm always curious, like even
like how Republicans like always are so anti gay or whatever,
and I'm like, but you all engage it.

Speaker 1 (10:11):
Maybe let me tell you something that just cutting off
biting their faces.

Speaker 4 (10:14):
Wait, hold on to your point and I want you
to finish it. When the Republican National Convention was going down,
they said grinder was so fucking busy it shut down,
like like the ship crashed.

Speaker 3 (10:34):
Yes, Like every time there is a RNC, they the
apps go.

Speaker 4 (10:42):
Nuts because they are they ready to suck dicking cock.
And if y'all would just say, man, I like suck
dicking cock. You know what I'm saying. Stop trying to
block other people from sucking dicking cock. Stop uh, you know,
trying to kill people because they liked sug dicking cock
in public and you were ashamed because you don't like
to suck dicking cock in public, or say you like
to suck dick cock and public? I cocking there because

(11:05):
that's what you'll use.

Speaker 3 (11:06):
Or now they use hog cranking the hog. What you're
doing tonight? Cranking out hog? Like that's that's their turn.

Speaker 5 (11:16):
Now.

Speaker 1 (11:19):
Every once in a while they have a gym.

Speaker 6 (11:21):
Yeah, and I'm like, that's it.

Speaker 1 (11:33):
Does it does?

Speaker 4 (11:36):
I'm milking the cow and I oh, I.

Speaker 3 (11:44):
Just see the exactly. Oh yeah, Well, let's on again.
Thank you for listening each and every week. Tell a friend,
Tell a friend, tell a friend. Please describe to us
on Patreon ninety nine. You choose your own adventure. There's

(12:05):
way way too many things on there for us to
recap account on. There's almost two thousand pieces of content
on there. We've been doing Patreon since twenty seventeen. So
join the fun. You know we're talking about never ever
mets on there. You know, own keeps up the mess.

Speaker 1 (12:26):
Okay, Oprah's outlaw network.

Speaker 3 (12:28):
Yeah, so that's where we've been having a wang dang
down to the Patreon as well as some other stuff
is going on.

Speaker 1 (12:37):
So just join. It's a good time.

Speaker 3 (12:39):
Subscribe to us on YouTube like common and subscribe and
click that notification bell so that you can hear and
see whenever we post something. Yeah, follow us on the socials, MoU.
I think that's it all right, Let's take a break

(13:01):
and we'll be back.

Speaker 1 (13:02):
With more j next d at home, hit a cloud
and we're back.

Speaker 3 (13:13):
Here at home at my Chris Nai. When we used
to do nizzle and shizzles and things, is Nai shout
out to Scrappy?

Speaker 1 (13:23):
Was that Scrappy or was that Chris Nai? Snoop was
the isles? And that's what it crossed Scrappy Nai.

Speaker 3 (13:33):
Yeah, White people didn't catch on and that's why I
appreciate it, is Nai.

Speaker 4 (13:37):
Yeah, I think, yeah, we have to bring that back
every now and again.

Speaker 1 (13:41):
Yeah, don't you think it's still on television?

Speaker 4 (13:45):
I from time to time catch am Mershall and I'm
shocked every time new people in Yandy.

Speaker 1 (13:53):
New Faces and Carly Red really she's still man. Yeah.

Speaker 3 (13:59):
When I when I watched the little scene that I
had no idea what was happening or who those people were.

Speaker 1 (14:06):
Yeah, I don't know who anybody is.

Speaker 3 (14:09):
Yeah, and you end up coming in the scene and
I was like, y.

Speaker 4 (14:12):
I told you when when you all showed me the
b ET pre show blah blah blah. One of the
young ladies performed and another one performed. And they're lovely, right,
I you know all of them. They're all lovely ladies. Normani,
Coco Jones. I root for them, gorgeous girls, talent. I'm
not really tuned into their musicalities though, you know what
I'm saying. And I wonder if like that's how my

(14:37):
mother was when like Amory came out in Ashanti and uh,
who the fuck else?

Speaker 3 (14:44):
Did you know? What's backtrack for a little bit. We
haven't chatted, have you? Did you watch as m PR performance?

Speaker 1 (14:57):
Mm hmmm mm hmm. How did as a black woman?
You know, as a black woman is insane?

Speaker 3 (15:10):
I don't really say as a person of color, but
I needed to be bore specific.

Speaker 4 (15:16):
It made me feel like, you know, you know, we
can do what we love and love what we do.
But you know it just when we do that, it
just takes some like some you know, brushing up. Sometimes
we just have to you know how I went back
to culinary school at thirty eight.

Speaker 1 (15:38):
People have us, you know, it's.

Speaker 4 (15:42):
We have to sometimes hone our technique a little bit.
Sometimes we've got to sharpen the tools before we pop
out and show niggas.

Speaker 1 (15:53):
And so, you know, so I root.

Speaker 4 (15:55):
For sh Uh and I love this resurgence. You know
what I'm saying for her? If this is what she
so desires, that tiny desk was a fucking mess. And
those background singers.

Speaker 1 (16:13):
Yes, don't like her. There are people in your circle, sister,
that are praying for your downfall. It is.

Speaker 4 (16:21):
I have rarely, if ever, walked away from a performance
and said, what was up with the background singer? Background
singers be having that shit? The fuck together? Okay, they'll
tell you when something sounds off. They sounded off and
they didn't television.

Speaker 1 (16:41):
How many times did we practice in the garage before
we did this? Hello? Hello?

Speaker 4 (16:47):
But maybe you know, as she's having her resurgence, she'll
it will continue, She'll get her momentum back. You know,
because sometimes, you know, we'd be a little rusty with shit,
Like I used to be a runner. I can not
go out there and do what I once upon a
time did.

Speaker 1 (17:02):
But I'm gonna have to start somewhere, so if it
involves reading, it does not involve me. But I hate
Oh but yes, Amory.

Speaker 3 (17:25):
To be fair after because I watched that and I
was like, and then right after that she did be et.

Speaker 7 (17:33):
The Live for the She had a little titty dress on,
and I was like, yeah, here's the thing.

Speaker 1 (17:39):
You know, defense not too much of but in defense of.

Speaker 3 (17:47):
Those songs were way too hard for her to sing
back Is it the rain?

Speaker 4 (17:52):
Yes, which is why we really didn't need Jennifhilpez singing them,
because we just needed a.

Speaker 1 (18:01):
We barely needed her.

Speaker 3 (18:03):
She was a placeholder until we got to finally decided
to go fellow.

Speaker 4 (18:09):
I like, how everybody's anyway, we're just calling the thing here,
you know what I.

Speaker 1 (18:17):
Mean, We're like I was supposed to be. No, you
wasn't because God would have made you exactly bingo, but
you know what I mean.

Speaker 3 (18:30):
Like, so she already was set up from the start,
Like I don't know why she didn't drop those keys.
You know what I mean, Like we get a you
forty plus now, no one's expecting you to be to
be singing, screaming like you were in your early twenty.

Speaker 4 (18:45):
Let's okay, come on, let's let's kneo soul lies. Yeah,
one thing, hold on, okay, pull the lyrics.

Speaker 1 (18:52):
That's it. Oh, trying to let it go, trying the
lad my family show, trying to keep it just like before.
And something something, something, something I don't want to tell
you what it is. Something it felt so serious.

Speaker 4 (19:16):
Got your thinking just toom J don't wanna said it all.

Speaker 3 (19:22):
It's just one thing, yang I me and chipping. Hey,
it's just one thing, yang I, me and chipping in here.
It's just one thing. Oh, it's just one thing.

Speaker 1 (19:33):
Oh see you you know what I'm saying. It at
a little flute some you know, you know, speaking of flute.
I I didn't realize that, uh.

Speaker 3 (19:56):
One hundred three thousand dropped another album with a differ
for instrument.

Speaker 4 (20:05):
Mm hmm, seven piano sketches. Okay, I did not realize
this either. Bluffing in the snow, bluffing in the snow.

(20:34):
Did you ever have a relative with a piano or
a keyboard.

Speaker 1 (20:37):
That was the real relative with the piano or a keyboard.
I was the cousin who would come over and I
would be doing it.

Speaker 5 (20:43):
No, yeah, I brought that up.

Speaker 1 (21:04):
I'm sorry. Hold on, I needn't see what else is
with you? Held it straight.

Speaker 4 (21:13):
Okay, we're gonna get a little jazzier. M hm.

Speaker 1 (21:25):
Okay, next track m hm mm hmmm mmmm okay.

Speaker 3 (21:47):
Yeah. Yes, we allow our allegers to just do any
five can think. And I hate it because.

Speaker 5 (22:02):
You hate.

Speaker 3 (22:06):
And I'm not to force our legends into boxes. But
I also think.

Speaker 4 (22:15):
We'd be giving niggas a lot give them.

Speaker 3 (22:19):
I say the same thing about that one lady who
has that one album and unplugged album. Now, I'm gonna
keep this saying that she's untalented. I think she's a
wonderful artist, but I do think that we give her
a little too much for just that one studio album.

Speaker 1 (22:39):
Ill. No, I'm not because I'm not doing this. I'm
just saying, how can I measure somebody? AnyWho? Back to
hundred two thousand, I think even with the Flu album,
you know, I thought it was interesting. Yeah it was.

Speaker 3 (23:05):
You know, artists subjective, I guess. But I also think
people try to convince.

Speaker 1 (23:13):
No, you're not wrong, like we it's we go.

Speaker 4 (23:15):
Everybody's riding off the wave like this is like we
love Andre right, but you're right seven nights in a row,
so that at the Blue Note is nuts.

Speaker 8 (23:22):
But it's like, do you know you're not wrong?

Speaker 4 (23:38):
Like it would be like if I got on my
recorder and then all of a sudden it was like
j and I'm like I keep selling out three or
lean on me like I was the only song I
could play with the piano.

Speaker 1 (23:51):
Do that's it?

Speaker 4 (23:55):
So it be lean on me in so many chords
like no, you're not wrong, and I love him and
I probably that was part of the problem. I tried
to get tickets to the Blue Note, but I'm not
gonna not call it what it is, Like I mean,
we is in Bend.

Speaker 1 (24:11):
You know what I mean? We is in Bend in
sixth grade? Literally that did we pay bills? Okay? I
think you have a story to tell about an Asian person.

Speaker 4 (24:28):
It wasn't hard, Okay, So y'all know how you know
how y'all know how x DV running around them all
screaming at people You're not white.

Speaker 1 (24:40):
You have to experienced that why I do that by.

Speaker 4 (24:43):
In Los Angeles. So I'm in the venue. Hold on.

Speaker 1 (24:51):
Where you been.

Speaker 4 (24:56):
Restarted? Anyway, what's the white lady name? The white lady
who scammed everybody? She pretended to make all of that equipment?
Was it cancer equipment?

Speaker 3 (25:07):
Oh?

Speaker 4 (25:07):
Girl, Elizabeth home.

Speaker 1 (25:13):
There's a billboard right outside my building.

Speaker 4 (25:17):
We're talking about white lady crimes on the show today.
So out of control? Okay, all right, thank you, my love,
all right bye.

Speaker 1 (25:27):
Yeah, but even though this is an Asian.

Speaker 4 (25:32):
Crime, but still a white So anyway, I'm in the
venue and I'm working out of two kitchens, so I'm
going back and forth. I'm in the space and this
lady comes in and she said, and I was like,
excuse me, there's a sign on the door.

Speaker 1 (25:49):
Mind you.

Speaker 4 (25:50):
I said, excuse me, there's a private event here today,
Like it's I have the space fully booked. Like I
just need to use the bathroom, bitch, What does that
have to do with anything?

Speaker 1 (26:01):
I just said?

Speaker 4 (26:03):
And I was like, I just told you that it
is a private space today. You need to go to
another bathroom. I can't just use the bathroom. I'm in
the throes of stuff, so I don't have time to
be going back and forth with you. I already said
what I said. I said, you know what pee and
this is it, don't come back in here.

Speaker 1 (26:24):
So she peees, she leaves.

Speaker 4 (26:26):
So I'm doing stuff and I leave out to go
to the elevator, and I'm standing there and she's in
a seat to the elevator this direction, and I hear
her talking shit to this white man that she's sitting
there with, and then.

Speaker 1 (26:40):
I just said, I just need to use the bathroom.

Speaker 4 (26:43):
I'm standing there, and I walked down and stood right
by her table, and I said, you're talking shit, but
you are the one who's wrong here. I was like,
you're not going to make it seem like I am
the issue. I told you that it was a private
space today. The issue is really like you have a
you had a tone issue. I said, I didn't have
a fucking tone. You have an entitlement issue. I was like,

(27:05):
I got a tone once I stated what my clear
response was, and then you decided you wanted to push
back on that. So instead of trying to check my tone,
why don't you check your entitlement? The fact that somebody
is telling you this space is private and you think
that I can just go do whatever I want. I said,
do I walk up into your spaces and use your
fucking bathroom.

Speaker 1 (27:26):
So she's just looking at me, and I was like,
check yourself.

Speaker 4 (27:29):
And the employee there was a black man, and he
was like, continue to type on his computer, and I
went on about my business, and that bitch still could
have been talking shit. I don't give a fuck at
that point, but I'm gonna correct you.

Speaker 1 (27:41):
You need to.

Speaker 4 (27:42):
I want you to walk away from this and see
you think that you deserve to walk up any and
every fucking where that you want to walk And that's
not what type of time we on. We don't do
that to y'all. We don't come up in your shit.
No Oh, I wanted to smack the fucking fire out
of her.

Speaker 3 (27:59):
Yeah, was a total disregard of space and in complete
display of entitlement. And that's why I do the things
I do, Glynja, because they need to be reminded, you
know what I mean, and especially especially.

Speaker 1 (28:18):
Now more than ever, like, and y'all know why. I
don't even need to explain, you know. But also, yeah, no, like,
check your fucking self. We are living in.

Speaker 4 (28:30):
The midst of fire and let's be clear. Your mother,
your father, yourself, your brother, your sister can get snatched
the fuck up too, bitch, check yourself, And we're not
saying you're not white in a way where it's like.

Speaker 1 (28:43):
They're up here.

Speaker 4 (28:43):
No, they think they're up here, and y'all think y'all
are up here too, and everybody else is down here,
and fuck out of here with that.

Speaker 1 (28:50):
So then what.

Speaker 4 (28:51):
Made it funnier was later on, I'm talking to Chris
Rogers and he was he was going to pick something
up for.

Speaker 1 (29:00):
Me out the building, so I said, is there still
an Asian bitch sitting there? He was, and I just
said it because she was Asian. She was a bitch.

Speaker 7 (29:10):
And he was like, no, no, she's not there anymore,
but I'll be back, come to find out. Right around
the quarner at the elementor I didn't see because I'm
thirty eight hot yelling at the door, it's an Asian
lady and her kids. So here's what is The Asian

(29:31):
bitch told the lady, I'll take the next element.

Speaker 1 (29:44):
Whoo whoa, my goodness.

Speaker 3 (29:47):
Well, let's take a break and we'll talk about wild
white crimes after this hit it.

Speaker 1 (29:55):
Claude and we're back. Yeah, so well this is a
white crime.

Speaker 4 (30:03):
So yeah, because we're never gonna let you all forget that.
You all of the original criminals. Why you sitting up
here trying to criminalize everybody else for just existing you're
the original criminals?

Speaker 3 (30:14):
Yeah yeah, And like you know what pisses me off about,
Like and I know this is a meme, but like
this rang.

Speaker 1 (30:23):
True the other day. Like I watch a lot.

Speaker 3 (30:27):
Of cooking videos, like a lot of just just like
food and watch the process of stuff. And I was
watching this white lady, this British lady makes something, and
I was like looking in pure disgusted, Like I was
just like I'm fascinated because what she thinks she's doing
is like.

Speaker 1 (30:47):
Culinary, like you know what I mean.

Speaker 3 (30:49):
Like she thinks like she's getting like like ta, let's
get culinary, like that's what you do it.

Speaker 1 (30:54):
However, I thought and sat.

Speaker 3 (30:59):
And realized, like y'all did all this stealing and pillaging
and oh wait.

Speaker 1 (31:04):
Hold on, I'm about to play.

Speaker 3 (31:05):
I'm listening some spice and salt and sugar and all that,
and you continue to use it to like disrespect food
and not use the spices that you stole.

Speaker 1 (31:16):
Wait, it's fascinating to me. Did we I want you to?
Oh my god, hello, did I not save it?

Speaker 4 (31:40):
That's why anyway, it was this young man. He was
of Arab descent, uh, and he put all the flag,
the emoji flags, every last one except any European flag.
He put the trans flag, he put the Pirate flag,
he put every flag of everywhere else.

Speaker 1 (32:01):
And it was a stitch.

Speaker 4 (32:02):
So the original video is a French chef who's like,
if you look at this and you say, were is
the seasoning?

Speaker 1 (32:07):
Then you didn't he.

Speaker 4 (32:09):
And then he responded and was like, if you don't know,
if you steal these people for these spices and you
don't know how to use them, they.

Speaker 1 (32:16):
Are like, yo, that's so true.

Speaker 4 (32:21):
And do you want to know one of the spices
that they robbed pillage and stole niggas for pepper pepper,
and yet and still.

Speaker 1 (32:31):
And still yet and still a white crime. Food. I
have some.

Speaker 4 (32:44):
Og white crimes. So you know, there's there's a lot
of outlaw mud show. White women of the seventeenth and
eighteenth century was out here doing all kinds of shit,
do you know?

Speaker 1 (33:03):
So you know they love you know, when they want.

Speaker 4 (33:05):
To call us ghetto and follow us around stores and
all kinds of things. They need to look back into
their history. Okay, So mall cut purse born Mary Frith
was notorious in the seventeenth century London. She began small
m L L mole mole cut purse. H But she

(33:31):
was born Mary Frith. So she began her life of
crime as a common pickpocket.

Speaker 1 (33:37):
Okay, Okay.

Speaker 4 (33:38):
Then she expanded her territory and became a highway robber
dressed in men's clothing woman. Finally, after a stint in jail,
she opened a shop in London that she used as
a cover for selling stolen items.

Speaker 1 (33:54):
Okay, an enterprising queen. But still she was stealing from
her own kind.

Speaker 4 (33:59):
Which is fine, fine, yeah in that sense, not us.

Speaker 1 (34:04):
Yeah, in that world. And you know, I feel like, yeah,
she was stealing in London.

Speaker 4 (34:09):
Yeah, you were only stealing they yeah, porridge and yeah
what did Scrooge McDuck what was he rolling around in.

Speaker 1 (34:19):
Rubies? I don't know? And yeah gold coins?

Speaker 4 (34:22):
And yeah I don't mind when they rob each.

Speaker 3 (34:25):
Other, No, that's fine. Yeah, like like Martha Stewart.

Speaker 1 (34:29):
Did so, like you know, she just refused to snitch.
She wasn't really robbing anybody.

Speaker 3 (34:39):
Yeah, well somebody snitched and said, you know, like you
should get your money out girl, and she did.

Speaker 1 (34:45):
And you know, legally you're not supposed to do that.

Speaker 3 (34:48):
However, you know, it happened, and she didn't want to
snitch on you know who did it, so she went
to jail.

Speaker 1 (34:55):
What about all those white ladies still in college? My
favorite story because I will never call Oh perfectly, we

(35:19):
should be done. Yeah, we'll make a plan as soon
as you get it.

Speaker 4 (35:28):
Okay, see you in a bit, all right, what we're
sorry about white ladies still in college?

Speaker 1 (35:40):
Oh? Yeah?

Speaker 3 (35:41):
My favorite story with Felicity, Felonious Hoffman.

Speaker 1 (35:47):
And Becky yes on criminal.

Speaker 4 (35:51):
Was Laura during a part of that. Why don't always
attribute to her still in college too?

Speaker 1 (35:58):
She looks like the type of okay, but no, it was.

Speaker 3 (36:01):
It was Felicity Huffman and I'm Becky mm hmm. Desperate
Housewives American Crime, not American crime story American crime, William
h Spacey's wife.

Speaker 1 (36:18):
Oh yeah, okay, Maimon, which even was like, how are
you y'all too rich to be still in college? Too
much money?

Speaker 3 (36:30):
Like this is crazy, Like y'all still education? Like that's
fucking nuts.

Speaker 4 (36:34):
I see why I thought it was Laura Dern. They
look to stay both.

Speaker 1 (36:38):
Mm hmm yeah, but they stole.

Speaker 3 (36:42):
They stole, not even stole, like they flubbed so that
they can scam their kids into USC or whatever top
colleges or whatever. They stole college, which is so dumb because.

Speaker 1 (36:56):
We've all learned that white women go to college not tomorrow, okay,
because they go to find husbands. Exactly, y'all have money already,
Like y'all don't they either go to find husbands or
explore or both, or they do something for you know what.

Speaker 4 (37:13):
You know what college is for white women outside of
like match maker, matchmaker, make me a match. What did
I say that Amish rump Shaker.

Speaker 3 (37:26):
Forget something? That's what it was, Okay, Yeah, I think
it's a rum digger. I think that's what we found.

Speaker 4 (37:43):
The holiday when.

Speaker 7 (37:48):
Oh my gosh, first of all, Google recognizing.

Speaker 1 (37:58):
Rum Springer record.

Speaker 4 (38:01):
Yes, that's where they let the homage kids run off,
run off and give buck in the world. But that's
really what colleges for white women like is Love Island
and rump.

Speaker 1 (38:14):
Shaker, Yeah, it's like hedonism.

Speaker 3 (38:18):
Yeah, like yeah, sure there's some and I'm sure there's
people gonna be like, oh my gosh, how can you
say that?

Speaker 1 (38:24):
But we all know statistics that's true. Also, like.

Speaker 4 (38:30):
I hope their kids in a couple of years assess
and be like, hold on, my mother called me stupid.

Speaker 3 (38:39):
Yeah, my inept incapable, Like I can't even you know,
my parents didn't believe in me at all.

Speaker 4 (38:52):
So she skimmed before we even had a chance, unless
unless she already knew the kids were unless they already
knew the kids were failures.

Speaker 1 (39:01):
So in that case, she was doing she was being
a decent moment. I mean, by any means necessary, you
know what I mean. I was like, would I do it?

Speaker 9 (39:12):
Your kid is not special in education, then you need
don't steal education, you encourage them to do other things
like underwater basket we.

Speaker 1 (39:27):
Think, Hello, trade school exactly, refrigerator college.

Speaker 3 (39:30):
This is what I'm saying, you know what I mean, Like,
it doesn't have to be and there's no shame in
being a celebrity plumber.

Speaker 1 (39:38):
I honestly think that's a wonderful idea you can get.
I haven't ever heard of it before. Hello, it's niche.

Speaker 10 (39:43):
Hello, you can have a whole podcast about it, you
know what I mean, Like imagine like Patrick Schwartzenegger didn't
get it to be a movie star.

Speaker 1 (39:55):
He just became like is that what?

Speaker 4 (39:58):
Whoy? That's from my lotus?

Speaker 1 (40:01):
Yes, Otto Schwarzenegger's son. He really should have been on
Wall Street because that's what he looks like, which is
so funny because he don't look like his son, but
the one he had with the maid do look exactly
like Schwarzenegger. The maid's son. Oh you didn't know the
scandal No White Crime girl, so you know.

Speaker 3 (40:22):
Artist Schwarzenegger was married to the roth Wilers family, the Kennedys,
So he married Maria Striver.

Speaker 1 (40:34):
Right whatever, you know Mary. They had Patrick Schwarzenegger and
their daughter whatever.

Speaker 3 (40:40):
However, around the same time that Maria was pregnant with
Patrick or their daughter, I believe he was creeping with
the maid. The maid did not tell him that it
was his baby. One day, Arnold was just looking out
at the child. It was like, huh, this looks familiar.

Speaker 1 (41:06):
I'm looking at a mirror, and if you look at
him now, he looks exactly like Arnold. His name was
like Joe something. He doesn't have the name. Obviously, Arnold Schwarzenegger.

Speaker 3 (41:24):
Oh, project twin because they are Project twins.

Speaker 4 (41:27):
Also, that's a Bible story because remember the.

Speaker 3 (41:32):
Also the biggest, biggest chronicalization of white the white.

Speaker 1 (41:35):
Crab what the Bible. Oh yeah, for sure, Judas Jesus.

Speaker 4 (41:40):
Because the lady, remember the lady who was married to
the man who was supposed to be the father of
all the nations. She couldn't have no babies, so she
was like, you gotta go have a baby with the maid.
And then he had a baby with the maid, and
then those babies were going to be blessed too. But
then she got pregnant on the Miracles and then you know,
little Marls, and then then they have Project twins, so

(42:02):
now they both bless lineages. And then now she's like, no,
fuck that nigga, because now I had a baby.

Speaker 1 (42:14):
Holds artold Schwartz nigger kid with mate.

Speaker 4 (42:22):
Oh turbinator seven, look exactly, like.

Speaker 1 (42:32):
Oh that's the main that's crazy.

Speaker 4 (42:39):
Also, like I'm not mad at her, you know what
I mean, And I'm sure she's getting paid.

Speaker 1 (42:45):
But like you just like did like this is problematic
and misogynistic. My mama's o. My mama was sucking on
her boss at work. Hey, I mean my mo I

(43:09):
think yeah, like all these people and like, yeah.

Speaker 4 (43:17):
Well, my mother used to be a massage therapist and
she had like football player clients and actors and stuff.
Every time she come home, Me and my sister would
be like, did you massage their butts?

Speaker 1 (43:32):
Grow up? And she'd be like, yeah, massage there butts
is part of it.

Speaker 4 (43:46):
We'd be like, we look at her a little different,
so I wonder like a whole kid, like you knew
there was working on each other.

Speaker 1 (43:52):
You'd be like, this is what I talk about the reality.
She'd be like, I never ever met or whatever.

Speaker 3 (43:57):
Right, Like, there's going to your or love after lock
of this going to my point, what your child is
going to watch this and have horrible opinions about it.

Speaker 4 (44:07):
I told you Kailani's children are going to revolt against
her like that. You lied on three of us, and
then the baby's going to be like, bitch, I was
my belly button didn't fall off?

Speaker 1 (44:20):
Yeah yeah?

Speaker 4 (44:22):
And you was up here making pottery with a nigga
who don't like you, Yeah yeah, pumping.

Speaker 1 (44:30):
For what what we were doing with what we do,
what we do with the else.

Speaker 3 (44:35):
Like you, you abandoned me to be with a man
that don't like you. And it's and it's on documented
on ten hours.

Speaker 4 (44:44):
For ten episodes to the very last minute, where if
that nigga would have said yes, you would have said yes.

Speaker 1 (44:50):
Yeah exactly. M So your mother chose the dirty over you.

Speaker 4 (45:01):
I'm just saying, you know, we watch little complexes develop
every day.

Speaker 1 (45:05):
Exactly, a white crime on complexes revelop every day. Let's
take a break.

Speaker 11 (45:14):
Yeah, they've developed every day.

Speaker 1 (45:25):
And we're back.

Speaker 3 (45:29):
Talking about white and white crimes, white crimes because they
don't necessarily well yeah.

Speaker 4 (45:35):
Well sure for the most but I am well, the
largest crime is not going on.

Speaker 1 (45:43):
Yeah.

Speaker 3 (45:44):
I wanted to bring up a crime that you probably
haven't heard of, but it's.

Speaker 1 (45:50):
In your world and in mind. Okay, So do you
know who Rocco DeSpirito is? No?

Speaker 3 (45:59):
Okay, So Rocco chef Roco was a very famous chef
in New York.

Speaker 1 (46:04):
About twenty years ago. He had a show called The
Restaurant on NBC and Bravo had.

Speaker 3 (46:15):
I think like vander Pump Rules because it focused on
him and Carla Loly Music, who was on, well anyways
a chef, and then it focused on like this weight staff.

Speaker 1 (46:25):
So it was kind of all the reality TV drama
bout black.

Speaker 3 (46:28):
But chef Rocco was also like they're trying to put
him as like the hot version of Gordon Ramsey.

Speaker 1 (46:37):
So AnyWho, Yeah.

Speaker 4 (46:41):
Because Gordon Ramsey looked like a British grandmother.

Speaker 3 (46:47):
What's that lady who won Britain's got talent, Susan Boyle?
Like if you put a wig on, what's his face on?

Speaker 1 (46:57):
Gordon Ramsey? He looked like Susan Boyle. Oh him.

Speaker 3 (47:04):
So he had a show called The Restaurant and the
Restaurant it was called twenty second. It was a flatirn
and like it was a volatile last show. But him
and the financier, like the person back the the restaurant
got into it like publicly and famously on the show,
and it got to the point where and this is

(47:25):
when reality TV was outlaw, was severely outlaw because there
was an injunction by the court where chef Rocco was
banned or barred from the restaurant.

Speaker 1 (47:38):
However, he tried to break in and film his own restaurant, yes,
because he was a co owner, and then like the
owner the other owner came.

Speaker 3 (47:45):
With was on camera like what the fuck you guys
film He had to get police corded out.

Speaker 1 (47:49):
It was crazy on the show. Yeah, oh, we might
need to watch this on an ABC show, super Buried.
I found it on YouTube at the beginning of the pandemic, okay,
because it's so funny, because I tweeted because one of
the people on there, her name is Carla.

Speaker 3 (48:06):
She's a chef. You may have heard of her, Carla
Lollly Music. She's a Brooklyn chef.

Speaker 1 (48:12):
So she was on it. She was a consultant for
the on the show. She was kind of a.

Speaker 3 (48:18):
Not nice person, and so when I tweeted her and
talked to her about it's kind of like, yeah, that's
the moment in my life that I try to get.
She was like that was a not a good face
for me at the time or that situation. She was like,
I'm much better now.

Speaker 4 (48:33):
First of all, the restaurant industry is stressful, and you
throw in horrible personalities in high stress environment. Also, if
you are young and maybe the best.

Speaker 1 (48:46):
Ram kitchen nightmares. Why don't white crime, Oh, why don't
white crime?

Speaker 3 (48:51):
Like he is cursing them out and well deserved because
they tried to people with spoiled chicken. Yeah, but it's
always so fair fascina. How they responded, it's true, like
don't get so they can't get too bad because it's.

Speaker 1 (49:10):
Like you're not wrong, you're not wrong, and.

Speaker 3 (49:12):
Like this would be different if there's somebody black, then
they would have they would feel a way because this
is from their motherland.

Speaker 1 (49:17):
They respect him, was it mmm mmmm mmmm mm hmm
The messenger.

Speaker 3 (49:27):
Yeah, so's the messenger. That's the problem, never the message.
Because if I guarantee you right now, say, for example,
if and this is a large example, walk with me here,
say today the current president decided to reverse everything and

(49:48):
became like what you would call liberal right, like restored
all our rights codified whatever the fact kill a But
what I'm saying is how that person could you know,
talks to people like they would probably go with it.

Speaker 4 (50:12):
Yeah, they would, because anything would be better.

Speaker 3 (50:15):
But also, but I also get with your secret, like,
oh no, this is a trap.

Speaker 4 (50:21):
It's like that new shot we're talking about.

Speaker 3 (50:24):
Oh yes, the new the new prep shot, which is
you get it twice a year. You know when I
a couple last year, I went to get my labs
done for my for prep or whatever, and so I
I was talking to my doctor and he was like,
I was like, you know, they have this new shot now.
That's at the time it was an injectable every month,

(50:45):
you know, because sometimes you don't want to you don't
It's like birth control.

Speaker 1 (50:47):
You don't want to take a pill. Everything right, very.

Speaker 3 (50:52):
My doctor, excuse me, my doctor is a non binary okay.
And they were like, girl, normally it was a professional
stating and they were like, can I be honest, And
I'm like, yeah, they broke they broke the role.

Speaker 1 (51:11):
They were like, girl, don't do that. And they were
like it just came out. Don't trust no new ship
now more than that, especially.

Speaker 4 (51:21):
For the community that they are one of the communities
they are intentionally targeting. It just feels and I'm not
trying to I'm not trying to anti vax nobody, I'm not. No,
this is just more of like a there are other
options for right now that have been around and been
proven to be viable. Stick to the rivers and the

(51:43):
lakes that you're used to until there is some evidence,
I don't you know.

Speaker 1 (51:49):
I was like, yes, that's wonderful and great, I just
for me for Yeah, Yeah, that was very interesting that
my doctor was like, hey, gir.

Speaker 4 (52:02):
Sorry, my tin foil hat was buzzing. Now, vaccines, I'm like,
vaccines have been around. There's a reason why you niggas
don't have scurvy.

Speaker 1 (52:12):
Yes, there's a reason.

Speaker 3 (52:14):
I feel like that's coming. If everything bels and moms
came back, why would have scurvy?

Speaker 4 (52:21):
Or let me tell you something, flare leg jeans came back,
chokers and those came back multiple times. Everything from those
big fat black strap platform sandals.

Speaker 1 (52:37):
And they're all on niggas now they're not on. They're
not on everything that.

Speaker 3 (52:43):
Trying wheels, the sis men where everything from the Day's
catalog and I hate it to the ugly ass on
the jeans. Don't let niggas find out about platform jelly.

Speaker 1 (52:55):
Everybody so they already have.

Speaker 4 (52:57):
What do you mean, Kattia wore every color of place
for talking.

Speaker 3 (53:01):
About niggas, like like the heterosexuals, like the remember when
when when they came out with them ridiculous boots, them
red boots that.

Speaker 1 (53:12):
Look like they came you know what I mean.

Speaker 3 (53:15):
I'm waiting for a nigga like Travis Scott to come
out with like platform jelly. You know what I mean
like they already wear pearl necklaces, they already wear a brooches.

Speaker 4 (53:25):
Okay, Grandpa Ruckus is coming out like they're painting their fingernails.

Speaker 1 (53:32):
Look at you, Look at you.

Speaker 3 (53:34):
I'm tired of queer cosplay from people who aren't queer.

Speaker 1 (53:37):
Oh that okay, all right, okay, all right.

Speaker 3 (53:40):
All right, expression or whatever, but no, not now.

Speaker 1 (53:48):
Let me challenge you. Okay, I'm I'm I'm okay challenge you.
There's been I understand why and jaded, I see, there's been.

Speaker 4 (54:02):
Years and years and decades and centuries of massage UI
and niggas are feeling comfortable to.

Speaker 1 (54:14):
Wear shit and do shit. Mm hmm.

Speaker 4 (54:19):
And if they are advocating for the community whilst also
expressing themselves via their forever twenty one fits, what's the.

Speaker 3 (54:39):
That's very complicated for me to say them. The example
I went to is women who go to gay bars.

Speaker 1 (54:51):
There are people who, yes, they advocate for us and
all yeah, and then there's also your space and it's
also our space here there.

Speaker 3 (55:00):
I do think there should be a way for I
don't think masculinity needs to be so rigid. If people
want to make those choices and stuff, that's fine, but
there are there are differences.

Speaker 1 (55:17):
For example, doing ship for shock value, yes, and and
for feminine gaze. Let's chat. So an Ellie Young Boy
that if I was a bad bitch, I would fuck
me too or whatever? He has that song?

Speaker 4 (55:36):
Yeah, wait, hold on, that's his name, an Ellie young Boy.

Speaker 1 (55:40):
And he uh he he's good with the gays.

Speaker 3 (55:44):
He you know, he makes it a point to say,
you know, like I love my gay fans and all
that stuff. But he also dabbles in and I hate
to say this word queer, but I'm just gonna go
with that. But he does dabble in queer cosplayer.

Speaker 1 (56:00):
Okay, what's the name of the song that was a
bad Bitch Fucked Me Too? I think that's what it's called.
Let me see a Ellie Young Boy bad Bitch. I
think that's what the thing is called. Yeah, that's him.

Speaker 4 (56:23):
That I want to fuck me too. I need all
the bad bitches to Okay, let me see.

Speaker 1 (56:32):
Bad bitch.

Speaker 4 (56:34):
We go from Andre three thousands flutes to bad This
is gonna fuck up my algorithm.

Speaker 1 (56:40):
Yeah, because you're gonna have a bunch of Wainian music.

Speaker 4 (56:45):
Bad bitch n l e ugh, why won't you all
slip me out.

Speaker 1 (56:56):
That's I think that's what it might be called peballa
mm hmm this password mm hm.

Speaker 5 (57:11):
M hmm.

Speaker 1 (57:14):
Sorry guys, cut this out. N L. E. Young in
L E. Chapel. Oh yeah, that's what that's it right there.

(57:37):
Mhm m. That's not it either. H m hmm yeah, yeah, yeah, yeah.

Speaker 3 (58:12):
I mean if you look at the way he dresses
and stuff he does, he does engage what's his name?

Speaker 11 (58:22):
N L. E.

Speaker 1 (58:23):
Chopper chopper slap me out two? Okay images. I know
the whole audience is like, that's not his name. Y'all know,
I don't know people's name.

Speaker 4 (58:38):
Because I was having I couldn't search for anything. Okay,
this is a pretty little thing set, but you know
it's fine.

Speaker 3 (58:50):
But they do all or even Jeffrey. Right, that's an example.

Speaker 2 (58:56):
So like.

Speaker 3 (59:03):
You have because homosexuality and I won't even say that,
because gay is a novelty for some people, that people.

Speaker 1 (59:18):
Will utilize it and weaponize it. Right, So, like I
also think, like in l NL E.

Speaker 3 (59:27):
Case, you know, like, oh yes, I believe that you
are leaning into this queer cosplay thing because a.

Speaker 1 (59:38):
There are women who who who believe that that is a.

Speaker 3 (59:46):
They have fallen in love with their gay boyfriends, or
they have considered gay boyfriends, and so that would be
something that's acceptable to them, right, I think, what do
you mean, let me slow down.

Speaker 1 (59:59):
At times women do not treat gay men as people.
They treat them as yea, and that will and that
will translate to a novelty act. Okay.

Speaker 3 (01:00:17):
So these gay boys or these people who engage in
queer cosplay like Italy Chappa or Jeffrey, well like, oh,
this is a gateway.

Speaker 1 (01:00:29):
They're feminine, they're in tune with their sensitive side.

Speaker 3 (01:00:33):
They are they are doing this or this is something
I'm familiar with because it feels safe, because this is
what I get from my gay friends, not necessarily recognizing
any other element of who they are as a person.
Right to also major, the most money you will ever

(01:00:54):
make is off of a horny gay man. So so
you see a lot of these people leaning into on Instagram,
just leaning into like and I've always joked about strata culture,
but there's always like leading into what gay men like
because they'll pay for it. So I don't necessarily think

(01:01:15):
and so I, yes, there is an element of yes,
you being confident and and all that stuff like one
hundred and three thousand, for example. I don't think he
engages in queer cosplay. There was a time, for example,
where people thought like, is this queer type of stuff
that It's like, no, these are just niggas from lef No.
But you know what I mean, No, I think they
just worried. They're just eccentric niggas. Right, But this is

(01:01:37):
a clear point of view, right.

Speaker 1 (01:01:40):
Right, right, right, I see what you're saying.

Speaker 4 (01:01:42):
Yeah, And there is also always something to honoring people's spaces.

Speaker 1 (01:01:48):
You know, you don't need to be a part of
every space just because you root.

Speaker 3 (01:01:52):
Yeah, you know, you know, I don't believe in that, right,
And so like, yes, I do think there are people
like men who can advocate and still engage in like
maybe getting their nails and getting color on their nails
and stuff like that, like I know Dwayne Wade does
all that stuff, and which is fine, But there is
a fine line where you can tell like this is

(01:02:13):
not genuine.

Speaker 1 (01:02:15):
You are just engaging this, you're doing it for the
gram as opposed to right, right, it's also another's.

Speaker 5 (01:02:23):
Right.

Speaker 3 (01:02:23):
There's also another element of masculinity, this idea of competition,
because if you're not exuding as a pissing contest in
that regard. Then you're turning it and flipping it around
and be like, well I can use this method of
femininity or being queer adjacent to get ahead.

Speaker 1 (01:02:39):
That makes them mm hmmm hm. Who I hadn't mean
to get theological girl, but no, But.

Speaker 4 (01:02:45):
They're necessary conversations because there they there are a lot
of fine lines.

Speaker 1 (01:02:50):
Yes, there are a lot of fine lines. Yes, mm hmmmm.

Speaker 4 (01:02:56):
Let's take a break and we'll come back with were
Jade in xt got a claude and we're black talking
about all kinds of shit.

Speaker 3 (01:03:11):
Because we have to talk about in the words and
I hate to quote him, the words of Gerondifa Mia.

Speaker 1 (01:03:18):
We have to talk about it, and no we don't
want to talk about it. We should talk about two
hundred and sixty million dollar lot.

Speaker 4 (01:03:29):
Oh okay, I'm gonna tell you all the story before
we start. So I'm at xt in Chris Rogers' home
and my grandmother calls me, Yeah, we did, yeah, And
she says, Jade, have you heard a straw? And I said, no, Grandma,

(01:03:54):
what's that.

Speaker 1 (01:03:58):
Straw?

Speaker 5 (01:03:59):
Jade?

Speaker 4 (01:04:01):
I just need you haven't heard of straw? I have
a couple questions. So I'm very confused and busy. So
I'm like, no, Grandma, I don't know what Straw is
with Taraji p Henson. Everybody's talking about it. I said,
who's everybody?

Speaker 1 (01:04:19):
And who's talking to my grandma? So no, I'm not
saying it like that, but I'm just like, who's Like,
she ain't on the internet.

Speaker 4 (01:04:29):
So I was like, I don't know what that is, Grandma,
and she was like, Jade, I need you to watch
Straw and you have to come back and tell me
when you watched it, because I need you to answer
my questions. So I'm so they hear this because it's
all on speakerphone, and they were like, well, first and foremost,

(01:04:51):
we're gonna make you watch Straw, and second of all,
that's a Tyler Perry movie. And I was like, I
have to watch a Tyler pair movie because my grandmother.
I've made a promise to my grandmother and she has questions.

Speaker 1 (01:05:08):
So then I was hip to.

Speaker 4 (01:05:13):
The current going zones of the going zones and also
the past going zones because I didn't know about the
previous allegations in lawsuits. You're right, we do need to
talk about it because there's multiple aspects here. Because in
the words of Awful, Horrible Curtis Jackson and my mother

(01:05:40):
in the case of the Diddler, my mother calls him
the diddler. In the case of Puffy, the emphasis has
been too much on sexuality as opposed to his outlandish
and three just.

Speaker 1 (01:05:56):
Crimes behind it. We have lost the plot.

Speaker 4 (01:06:02):
We've lost, We've completely lost, like the plot is floating
in the middle of the ocean, ever to be found again.
Because when it comes to this particular thing, which we
will get on in a second, the crime quote unquote
or whatever you want to call it is not his sexuality.

Speaker 1 (01:06:20):
That's not the crime.

Speaker 4 (01:06:23):
We want to make sure we keep the emphasis on
the predatory behavior and.

Speaker 1 (01:06:30):
The assault, alleged assault.

Speaker 4 (01:06:31):
And of course that off rip, but also the predatory
because from what you all told me before about the
one that I didn't know that was paid off and dismissed. Uh, allegedly,
all of this is predatory behavior. So that's the first problem.

Speaker 1 (01:06:54):
Yeah, you know, all right, so.

Speaker 3 (01:07:00):
Legedly or no not, this isn't alleged. Tyler Perry's being
sued for two hundred and sixty dollars from one of
his former actors from the Oval. He alleges in the
claim that Tyler Perry sectually assaulted him at his at

(01:07:20):
Tyler Perry's residence. Allegedly there was some text messages leaked
that were suggestive.

Speaker 1 (01:07:28):
Wish they it led to them. It explodes that they
had a dynamic or a relationship.

Speaker 3 (01:07:35):
I don't know what type of relationship, but they had
some sort of relationship dynamic they were. Yes, you know,
the details are graphic and what's listed in the in
the complaint, you can read about it on the interwebs.

Speaker 1 (01:07:55):
Yeah. Hm, you know, this is very complicated. How do
I say this without being there is going to be.

(01:08:17):
We already have an uphill battle in people believing victims, right, It's.

Speaker 3 (01:08:29):
Also an even more uphill battle internally, if you know
what I mean. Like as the black folks, we struggle
with yes, with that identifying, notifying, dealing with that trauma

(01:08:49):
in our own familis and stuff like that, and sweeping
stuff under the rug.

Speaker 1 (01:08:55):
I also.

Speaker 3 (01:08:59):
Hate to be put in a position that we talk
about on the show all the time about when it
comes to race and having people having white folks having

(01:09:21):
to lead the charge. Even though that we have said
things as Black people have said things about this beforehand
and got swept under the rug.

Speaker 1 (01:09:30):
So it's super difficult to digest this.

Speaker 2 (01:09:33):
Right.

Speaker 1 (01:09:41):
Do I believe that something happened.

Speaker 3 (01:09:47):
I don't know what happened, but what I can tell
you this is indicative of is how he treats actors
and why he doesn't have a writer's room.

Speaker 8 (01:10:02):
Mm hmmm.

Speaker 1 (01:10:03):
Because he can manipulate everything, everything, every whole narrative you can.

Speaker 3 (01:10:13):
And because Hollywood, and I say, Hollywood is the thing
is so.

Speaker 1 (01:10:17):
People are so thirsty for work. They all know that.

Speaker 3 (01:10:24):
If you, if if this big celebrity producer is you know,
giving me attention, then I want to do what I
need to do to.

Speaker 1 (01:10:34):
Say, you know, you know, to get on. You'll know
how this works. You gotta hustle hard it just if
you So, yes, I do. I do think that he, mister.

Speaker 3 (01:10:52):
Perry, exerts his power absolutely, but I also think that
that particular victim.

Speaker 1 (01:11:02):
Participated a little bit.

Speaker 3 (01:11:04):
I'm not saying that the actual act that was in
question was justified because it wasn't, you know, And the
alleged act should be punished. The actually should go to
prison for that, honestly, But whatever if based off it
was true. But if you read those text messages, it
does like, well, girl, you know, I know the victims there,

(01:11:28):
and you know, it does paint a great area.

Speaker 1 (01:11:33):
It's it's tricky.

Speaker 4 (01:11:34):
It's tricky, which is why I think the overall focus
is because you never know what you don't know. But
I think the overall focus is, no matter what the
details are, there is a predatory and manipulative behavior that

(01:11:55):
is being exhibited, and if it's come out more than one,
that means that it's definitely happened more than that. And
like you said, there's no writer's room, there's no monitoring
of any sort.

Speaker 1 (01:12:10):
There's no.

Speaker 4 (01:12:13):
Systems and protocols in place for what should be for
an establishment so large, and there's been so many rumors
of questionable behavior of that and multiple worlds that at
a certain point that shit has to be true allegedly.

Speaker 1 (01:12:36):
Yeah, this is why I'm leaning like, like, it is.

Speaker 4 (01:12:42):
Not no bring a black man down bullshit. Now, Yeah,
it's not no bring a black man down.

Speaker 5 (01:12:50):
That's not what this is.

Speaker 4 (01:12:53):
No, Tyler Perry got a whole motherfucking exit off the
fucking highway in Atlanta, like that ship, says Tyler Perry
studios on the sign on the highway like an exit.

Speaker 1 (01:13:06):
So this ain't no bring a black man down. He
was about to buy nothing.

Speaker 4 (01:13:09):
This is this Nigga has a problem and like many
who hold a certain level of power, think that they
are invincible to repercussions and ramifications for their questionable behavior.
Is there an element where somebody can also take advantage

(01:13:31):
of the person?

Speaker 1 (01:13:32):
No, no, no, that's not me. I don't want too.
We all know.

Speaker 4 (01:13:46):
Maybe we've been them ourselves, maybe had a time in
our life where we might have considered or done unsavory things.
Mm hmmm for the sake of survival, absolutely, which then

(01:14:06):
can then get you caught up in precarious situations.

Speaker 1 (01:14:10):
I think that's what I was trying to intimate. Yes,
which doesn't mean that you are at fault. Yes, but
you also you know there is a level of participation.
It's true.

Speaker 3 (01:14:26):
This is participation in the idea of doing things for
survival whatever that makes you should.

Speaker 4 (01:14:33):
Not have to do things for survival, And there are
people who absolutely are predators and assailants.

Speaker 1 (01:14:47):
In those spaces.

Speaker 4 (01:14:51):
Like sex work is viable, you can still be assaulted
within sex work.

Speaker 1 (01:14:58):
Yes, so do with that what you will that's all
I'm saying, Like.

Speaker 3 (01:15:05):
Yeah, and again this is also this is a I
don't want to say it's an age old store, but
it is not an uncommon one where people are trying
to get ahead at work or trying to secure their
place at.

Speaker 1 (01:15:17):
Work, and they're taking advantage of.

Speaker 3 (01:15:21):
In the course because I, oh, if the head honcho
was taking a liking to me, of course, I'm well.

Speaker 4 (01:15:29):
Yeah, use that to my advantage a little bit. Doesn't
mean he has the.

Speaker 1 (01:15:32):
Right to take advantage of me sexually to assault me.

Speaker 4 (01:15:37):
But does that mean, like if the nigga's paying a
little attention and I need to pay rent. It's like
when Noah. When I had Noah, they had no private
rooms in the hospital, and I told you. My mother
came back and she was like, you have a private room. Now, said,
how the hell did you make that happen? She said,
let the man touch my knee. He didn't have no

(01:16:01):
right to do nothing else. But if she let him
touch a knee, she let him touch your knee. That's
all I'm saying.

Speaker 1 (01:16:14):
I'm going to end there, knee touching, touch the knee.

Speaker 4 (01:16:19):
That's you don't have a right to do nothing past
touching the knee. If somebody's allowing you to touch the knee, right,
and the person allowed you to touch the knee, you
can't go no further than that.

Speaker 1 (01:16:33):
You only have consent to touch the knee, and that's it.
That's it. I hope that this made sense. Until next time, friends,
Bye bye,