Kaleidoscope 2025-06-14 S7E24

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Good evening everybody, and welcome to another edition of Kaleidoscope,
and tonight we are honored to have Jack Hughes from
Wang Chung talking to us. Let's talk about the new
album first. What is the new album, clear Light in
Dark Matter.

Speaker 2 (00:23):
Well, it's a I guess you could call it a
career retrospective. It's a double album, a double vinyl album
on a vinyl junkie and I always envision this album
as something's difficult that you could hold, you know, and
it comes as a double vinyl or double CD. But
you can get a deluxe tradition as well, which comes
from the all that good stuff. I love all that stuff,

(00:46):
you know, all the Beople's albums that came out in
the in those deluxe editions. I have all of those
and all kinds of other bands that I love anyway.
So Clear like Dark Matter, is a double vinyl album. Album.
One is essentially the hits don't Let Go Dance All
Days through to Space Junk, which was a track that
we did in ninety seven that became a big record

(01:08):
in the two thousands as it was used in The
Walking Dead. And the second album is really sort of rarities.
I suppose you would say so, is like the first
single that we ever released in the UK called Isn't
It About Time? We were on TV. There's the demos
of Dance All Days and to Live and Die in
La and it goes right up to the present day

(01:29):
with a new remix of Everybody Else hun Tonight by
Eric Coup.

Speaker 1 (01:32):
Okay, do you realize that To Live and Die in
La is forty freaking years old?

Speaker 3 (01:44):
I do.

Speaker 2 (01:45):
How did you guys to celebrate? Actually, you know, but
I get that it's a bit daunting when you first
think about it.

Speaker 1 (01:53):
How did you guys get hooked up into that project.

Speaker 2 (01:58):
When it came out of the blue, really, you know, unsolicited.
We've got a call from William Freakin, who was the
director and I might call him with the director of
The Exorcist and the French connection. So he's a major
mover in Hollywood at that time. He was making to
Live in Din La independently and he was I think
he went the route of looking for a sort of

(02:20):
straight ahead Hollywood composer to do the music, but wasn't
happy with the results. And he was using a track
of bows called Weight, which is on points on the
curve as what they call a temp track. He would
watch the you know, shoot the film during the day
and watch the rushes in the evening and use weight
just playing in the background to give him the atmosphere
he wanted. And I think just sort of, well, let's

(02:41):
go of a source for this. So I got a
call from him literally in a friends apartment because in
those days there were no mobiles, there was no internet
to sort of sin stuff over, you know. So it
was literally conversation, an hour long conversation that I had
with him. And you know, so he said, do you
want to score this movie? And I was like, yes,
We've jumped straight into it, and we did the whole

(03:03):
score within a week in the UK without having seen
the movie at all, you know, on that conversation. And
then you know, cut a lock story short. We went
to La saw a rough cut in the movie, and
out of that came the song to Live in Dinamo,
which the bill have actually expressly sit me, I don't
want a song of course to live in Dynamite. But

(03:26):
he loved it and shot a whole new section of
the movie to accommodate it. Was incredible working with him.

Speaker 1 (03:33):
Yeah, really, you're coming to Town and June to twenty
fourth of this year with the Rick Springfield I want
my eighties tour when you're playing with John Waite, yourselves,
Paul Young and Rick Springfield and everybody's going to do

(03:54):
a full set, which I think is great because you know,
you can he asked people to do a couple song. No,
you get to do a full set.

Speaker 2 (04:04):
Yeah. I think that's important for bands like you know,
Rick and John Waite and ourselves all as well. Of course,
you know, when you had this situation where you're playing
you know, three or four songs, I mean, it's great
in some ways when you're older. It's easier than doing
of fouls it, you know. But I think with these bands,

(04:26):
you know, it's not like we have just one hit
or two. There's six or seven records that are really
prominent in people's minds. Obviously there's everybody are found of
that in dancer days, but there's you know, hypnotized me
from in the Space firing the Twilight for the Breakfast
Club and getting to play these songs as well, I
think helps people to connect up the dots with Wang
Chung especially you know Space Junk as well. You know,

(04:49):
it was a big record for The Walking Dead, you know,
so there's all kinds of places where we sort of
crop up, you know, Grand Test Auto the computer game
used dance or they introduced that song to a whole
new generation of kids in the late nineteen right, and
I think everybody has fun tonight is going to be
in the new Grand Theft Auto game, which is kind of,

(05:10):
you know, incredible how these things keep going and sort
of live on if you liked.

Speaker 1 (05:14):
Yeah, speaking of living in you're in the middle of
doing your next solo album. You want to discuss it.

Speaker 2 (05:25):
Yeah, I started back in twenty nineteen. I suppose basically
I sort of stepped back from Wan Chung a bit
during the sort of from the twenty sixteen to twenty twenty,
all sorts of personal things were going on, you know,
quite heavy things, really, you know, and that solo album
was a sort of necessary outpouring, you know, I just

(05:48):
wincted to do that, And so it was a double
album called Primitive Condition to Level Spotify Orpie and again
a vinyl album, and then I did another album, and
during the pandemic of this third one just sort of
came out of the game.

Speaker 4 (06:05):
For me.

Speaker 2 (06:05):
Songwriting is something that I just do. It's not because
I will it. It just happens. The songs come out,
you know. And I started getting interested in these sort
of hybrid kind of ideas between rock and jazz and
classical music, and that's what I get to explore on
the solo stuff, you know, Wang Chung is a little
more focused. It has to be a certain thing, I think.
You know, it has to be me and Nick working

(06:25):
on it, you know. But I need the oxygen, if
you like, of working on the solo stuff as well.
It refreshes and big step back to Wang Chung.

Speaker 5 (06:34):
With real energy.

Speaker 1 (06:37):
You're shooting for early next year to release the album.

Speaker 2 (06:40):
That's that's what I want to do. Yeah, I've sort
of actually finished recording it now, so it's a question
I'm mixing it and finding a home for it as.

Speaker 6 (06:46):
Well, you know.

Speaker 1 (06:47):
Okay, Hey, we really appreciate your time. You're coming to
Cincinnati on Tuesday, June the twenty fourth with the Rick Springfield.
I want my eighties tour or Thank you very much.
You've been very nice, Jack, and good luck and keep going,
just keep going.

Speaker 2 (07:08):
Well, I have no.

Speaker 1 (07:09):
Choice, Okay, thank you, Jack.

Speaker 2 (07:16):
It's a pleasure.

Speaker 7 (07:17):
Okay, take out bait by the hand.

Speaker 8 (07:45):
I make you do a pie, then take out bit
by the hill.

Speaker 9 (07:55):
Do the next thing that of him. We was up
in base and a dance of dance.

Speaker 10 (08:08):
We would come.

Speaker 11 (08:11):
Craze when I you and every one, when you can
be lived, do a share in what was true? Or
I said, that's old days.

Speaker 12 (08:27):
Love.

Speaker 9 (08:32):
Take your baby by the head.

Speaker 11 (08:36):
A bull person there, take your babies by the ends, playing.

Speaker 9 (08:46):
A bunder dark as fans. He was up in days
and a dance of days. We were good.

Speaker 13 (09:02):
Chris.

Speaker 14 (09:04):
When I you, I never bring up when.

Speaker 8 (09:08):
You you believe the sharing, one pasture myself.

Speaker 11 (09:17):
That's all days, love, that's all days. That's all days.

Speaker 9 (09:28):
Out take your bed by the rest.

Speaker 15 (09:37):
And then no mouth now with this.

Speaker 9 (09:42):
And then no rato sackfastman.

Speaker 16 (09:47):
And you need hovered.

Speaker 9 (09:48):
She need you, and you need lover and sheep.

Speaker 17 (09:56):
And you need lover and.

Speaker 14 (09:57):
You you and you need her and you.

Speaker 18 (10:05):
And you need her.

Speaker 9 (10:09):
But we were Sundays and a dance home days. We
were called.

Speaker 11 (10:22):
Christ When up you and everyone went there you believed
to share. One was to I said, that's all days, love,

(10:46):
that's all day, that's all day.

Speaker 9 (10:56):
That's all.

Speaker 17 (11:01):
There's some.

Speaker 16 (11:05):
That's that's people people.

Speaker 9 (11:40):
Rather million miles.

Speaker 19 (11:43):
To do you tonight to open something you see love,
let be ready, don't what we used a strong.

Speaker 17 (11:58):
Then a rea jee.

Speaker 9 (12:02):
Now the music son.

Speaker 15 (12:06):
Welcome you dance with me, moving down to the ground.

Speaker 17 (12:22):
You don't have any about it.

Speaker 15 (12:28):
Tonight tonight.

Speaker 14 (12:34):
By right choking tonight, body choking tonight.

Speaker 9 (12:46):
Body buns in the world.

Speaker 18 (12:50):
Tonight, I hope be sad.

Speaker 8 (12:54):
Sound you t comes, just get your saying go down, bringing.

Speaker 20 (13:11):
Down to the ground.

Speaker 16 (13:17):
Again to sad.

Speaker 21 (13:20):
Everybody tonight, everybody today, everybody want change tonight.

Speaker 9 (13:32):
Everybody but tonight.

Speaker 22 (13:36):
Everybody went chosen tonight, iverybody, everybody.

Speaker 23 (13:50):
Know the world has man alone the day well the
ship of fool saying.

Speaker 22 (14:05):
Everybody hating to everybody ling to me just to shock
but pratic shops.

Speaker 1 (15:00):
Welcome, Jeff, Good evening, and thank you very much for

(15:59):
listen listening to Kaleidoscope here on Radio Artifact. We started
the show off with an interview that I got to
do with Jack Hughes, who is one of the co
founders of Wang Chung. Wang Chung is coming to town
on Tuesday, June the twenty fourth in the I Want

(16:23):
My Eighties tour and included in the package is Paul
Young and then Wang Chung and then John Waite and
then Rick Springfield. Every band is going to do a
full set and they're going to be at the PNC
Pavilion at Riverbend. Tickets are available so you can go

(16:48):
see all four bands that night, and of course we
played Wang Chung's their two biggest it's everybody have fun
tonight and we started the music part with Dancehall Days.
Thank you very much for listening to us and supporting us.

(17:09):
And we are also going to pay tribute to the
three members of Music Royalty that have passed away in
the last couple of weeks. So we'll do one an
hour and we'll start with the with Rick Derringer in
the next set.

Speaker 10 (18:07):
I used to be your fortress.

Speaker 24 (18:12):
That's smolder with hate, applied me with cains marched through
my games.

Speaker 25 (18:27):
Then I feel.

Speaker 26 (18:29):
Started to shine through all the cracks that I used
to blame on you and replaced down with one burnout.

Speaker 27 (18:40):
True not a burn for you.

Speaker 9 (18:54):
Now I am the searcher, try to bid plain.

Speaker 13 (19:04):
That part of myself.

Speaker 28 (19:09):
Is it.

Speaker 14 (19:14):
What I did from myself hurt me and hurt you.

Speaker 9 (19:19):
A smell of protection.

Speaker 13 (19:22):
The state of symptu.

Speaker 9 (19:24):
Now that swift place.

Speaker 29 (19:26):
With one but not true, A burn for you.

Speaker 30 (19:53):
A flicker of flame started to walk through all the
crass fris breaking of the bear man has becomes sad.

Speaker 16 (20:07):
The fire states power into a bird for you, A.

Speaker 31 (20:16):
Bird for you.

Speaker 16 (20:20):
I'm a searcher, a sorch for you.

Speaker 32 (21:01):
And she dreamt with him, those wering dreams.

Speaker 33 (21:35):
They were better times for so they seen, but a
love for him left town.

Speaker 32 (21:45):
On the barely breathing Grayham. She can read a coat
and one unborn.

Speaker 12 (21:56):
Wan ma.

Speaker 33 (21:59):
All run. She was a strange thing in a strange land.
She said, Oh my god, I'm here.

Speaker 23 (22:18):
Get the R vote left us body cold.

Speaker 9 (22:27):
She's lost too low, she's lost one.

Speaker 12 (22:34):
One on.

Speaker 34 (22:41):
My ro.

Speaker 35 (22:47):
Lit lod inner.

Speaker 9 (22:49):
Sky become.

Speaker 17 (22:54):
Let the snap quick imselves in there a.

Speaker 9 (23:00):
Great thet'll find leave find come tipping.

Speaker 27 (23:05):
Com wam, a.

Speaker 17 (23:30):
New heart, a new break.

Speaker 9 (23:36):
Con Vengeance leaves its hollow mark this day.

Speaker 32 (23:43):
And now a child's grown.

Speaker 17 (23:47):
So the story goal.

Speaker 32 (23:50):
So the circle finds itself.

Speaker 35 (23:53):
The gun.

Speaker 16 (23:57):
Com ma all no.

Speaker 14 (24:08):
Row, this bou tender sky become un.

Speaker 33 (24:17):
This dude save tenner week from.

Speaker 23 (24:21):
Sails and nersing.

Speaker 33 (24:24):
They're finely five come it becomes.

Speaker 16 (24:31):
Wal all.

Speaker 36 (24:42):
O. It is.

Speaker 17 (25:48):
A woman.

Speaker 37 (26:08):
The cloud tender sky become.

Speaker 38 (26:15):
Slaved in the way by sail and hurry they're find.

Speaker 31 (26:23):
Me pine com it become.

Speaker 28 (26:28):
Who want, who want Want.

Speaker 23 (27:07):
There's an old old house that once was.

Speaker 39 (27:13):
A mansion on a hea over looking the town.

Speaker 19 (27:23):
The time has leapt wreckage where.

Speaker 40 (27:28):
Once there was beauty, and she old house with a tongue.

Speaker 41 (27:39):
When stars fall in the old and the rain starts.

Speaker 10 (27:51):
From the tree.

Speaker 42 (27:55):
There's an old old man who wall said the god,
and his head is baud.

Speaker 43 (28:07):
In the movie, they.

Speaker 23 (28:44):
Say he bid the mansion sorty.

Speaker 40 (28:49):
About the woman they plan to be movied in the sad.

Speaker 44 (29:00):
Leave for him standing in the letting days of summer, and.

Speaker 45 (29:07):
The old house stands empty after all.

Speaker 41 (29:15):
When he starts in the audust.

Speaker 9 (29:23):
And the rain startskip from the tree.

Speaker 23 (29:31):
There's in a.

Speaker 46 (29:34):
Man the garden, and his head is.

Speaker 9 (29:42):
Bad in memory.

Speaker 47 (30:19):
When he.

Speaker 5 (30:21):
Start to fall in the order.

Speaker 41 (30:27):
And the rain starts to drill from the tree, there's a.

Speaker 44 (30:40):
Fall since the garden, and his head is bad in
table breath, Yes, his head is bad.

Speaker 48 (30:59):
In mamoy, look at.

Speaker 16 (31:37):
You to change what you would need to reclusion, I
said a lot of food.

Speaker 31 (32:01):
I can see you.

Speaker 16 (32:06):
True where you want to.

Speaker 31 (32:10):
They can leave you.

Speaker 17 (32:14):
To play.

Speaker 16 (32:15):
Let me follow through because what you said, that true.

Speaker 17 (32:23):
What you turn.

Speaker 49 (32:29):
And dragging it out, dragging sop wout so far among
the ground, that.

Speaker 9 (32:45):
Cat so far among the ground, and.

Speaker 50 (33:07):
Days I will fathered you, shud.

Speaker 16 (33:22):
I lot troubled to turn list I trying to get
to try to turn my at off the brother, the trouble.

Speaker 14 (33:44):
To lot, to far off the ground, trot too off
the front a trader, thats a road and lost to

(34:06):
following of the problem. That a cover that alone, h
I've never trod that out, and.

Speaker 16 (34:24):
INDI in born.

Speaker 51 (35:03):
Blossom buildings, with the sound, with the battle, when a dream.

Speaker 52 (35:18):
Of Appalachian.

Speaker 31 (35:22):
It was dreams.

Speaker 23 (35:25):
That had to dine.

Speaker 18 (35:29):
Cold dres world, Bancho spree.

Speaker 52 (35:36):
Souses that brow the.

Speaker 23 (35:41):
Night for the thing.

Speaker 40 (35:48):
Appalachian who said in that great.

Speaker 53 (35:54):
Ambardment, I would fashion Ida Magee.

Speaker 41 (36:10):
Summer Stead.

Speaker 23 (36:13):
And water bl.

Speaker 16 (36:17):
Wild firs.

Speaker 52 (36:21):
To a bas street, bouncing news.

Speaker 23 (36:28):
Of back wall cold Tree's world. That's reading.

Speaker 41 (36:39):
Supersca through the.

Speaker 23 (36:44):
Gold, but the base.

Speaker 40 (36:50):
Happolation. She was changed, that's for sure.

Speaker 28 (37:01):
She was Jane.

Speaker 52 (37:04):
Jane, that's her short. Grandpa made me quite a promise.

Speaker 17 (37:44):
For the day.

Speaker 23 (37:47):
I came there.

Speaker 52 (37:51):
He said, we'd walked.

Speaker 23 (37:53):
Through at Black.

Speaker 40 (37:59):
Northern's origin, all through the Maid.

Speaker 23 (38:06):
From the Bosside blas such a bad.

Speaker 52 (38:17):
Sec Nucky, all.

Speaker 14 (38:21):
My dreams.

Speaker 40 (38:24):
To their lecture, just an old man's spell, just an
Noodlands Smith.

Speaker 1 (39:13):
You're in the middle of listening to Kaleidoscope here on
radio artifact. We just heard from the Herculeans. The Herculeans
are John Cowen and Andrea Zon. Their first CD is
self titled, and the cut that we heard was Face
of Appalachia and that is written by Lill George. Before

(39:39):
that was Nick Fed. Nick Fed has put on an
EP called Five Addresses. They recorded in five different studios
in the Greater Cincinnati area and the cut that we
heard was Far Above the Ground. Before that was Shelby Means,

(40:00):
the bass player in Della May and she was also
the bass player with Molly Tuttle and The Golden Highway.
The Golden Highway has split up and she is going
out on a solo tour. Matter of fact, if you
go see I'm with her. She is warming up for them.

(40:21):
And her self titled album contains the cut Old Old House,
and that's what we heard tonight before that was Justin Wells.
His latest CD is Cynthiana and the cut that we
heard was Woman on the Run. And we started to

(40:41):
set off with the latest album and supposedly the last
album of from the group, Murder by Death. They are
going out. They're out on tour right now. Matter of fact,
they're going to be at the south Gatehouse this Thursday,
if there's any tickets left, and they are playing their

(41:02):
farewell tour now. And the name of the CD is
Egg and Dart and the cut that we heard was Searcher.
Thank you very much for listening to us and supporting us.
And you're in the middle of listening to Kaleidoscope here
on Radio Artifact. Okay, first tribute. Let me see with

(41:27):
the instructions. He was born in Selina, Ohio. He passed
away a couple of weeks ago. Rick Deringer formed a
band called the McCoy's. They went to New York. This
Strange Loves got given a song that they didn't think

(41:50):
was appropriate for them, so they gave it to the McCoy's.
But actually the McCoy's did the vocals. The instruments were
played by the Strange Loves and the rest is history.
They stayed together and did a couple albums, and then
Johnny Winter found him and took him along on tour

(42:15):
as Johnny Winter and and the end was the McCoy's.
And then Rick Derringer hooked up also with Edgar Winner
and played with him produced probably one of the best
pop albums that you're ever going to hear. He also

(42:36):
was a studio musician. He played on three Steely Dance songs,
show Biz Kids, Chaine Lightning, and My Rival. He played
all over Donald Fagan's first solo album called The Knife Fly.
He played with Todd Rundgren on a couple of his

(42:57):
solo albums. And he passed away at the age of
seventy seven. And we're going to pay tribute to him
right now, Ladies and gentlemen, here's Rick Derringer.

Speaker 14 (43:21):
By Stop Bad Soup Hango Bang, Stupid, supgo.

Speaker 10 (43:38):
Stupids in a very bad from the town.

Speaker 11 (43:46):
And everybody tries to put my stoopie down.

Speaker 10 (43:55):
Stupid.

Speaker 18 (43:56):
I don't care what you daddy.

Speaker 54 (43:59):
Do, cause you know, Stoopiger, I've belong with you, and
so I say.

Speaker 25 (44:11):
Now.

Speaker 15 (44:13):
She'll be show me.

Speaker 14 (44:15):
Hang out, hey, Sup, hang out.

Speaker 10 (44:28):
Stupid.

Speaker 18 (44:28):
Where's your dressier? As a lessons you?

Speaker 54 (44:35):
But but stupie, where's the redressier?

Speaker 40 (44:38):
You know it gives me the chills?

Speaker 54 (44:44):
Stupide Where I see you bom walking down the street.
I say, don't worry, stupier, you belong to me.

Speaker 55 (44:59):
And was it not.

Speaker 56 (45:03):
Something?

Speaker 16 (45:04):
Sad?

Speaker 55 (45:05):
No?

Speaker 16 (45:11):
No, SnO bad.

Speaker 10 (45:12):
Stupa scoope, I got yea.

Speaker 54 (45:46):
Let a name down on me, stupid, go ahead down girl,
let her name down?

Speaker 2 (45:55):
Hold me.

Speaker 9 (45:59):
Almost Bob Doubo, well como, stupid Como, Tumbo.

Speaker 37 (46:07):
Will come on?

Speaker 14 (46:08):
Sloop Comboo, will come on, sloop comb on tumba. Well
it feels come combo.

Speaker 9 (46:19):
You know it feels come como.

Speaker 17 (46:23):
We'll shake it, chang and shake it stop bed grumbo.

Speaker 9 (46:27):
We'll shake it, chake it, chake it.

Speaker 14 (46:29):
Yeah, Rumbo thumba snow bed s bad No, snowbag stupid,
yeah yeah, snow bag sloop bad.

Speaker 18 (47:18):
Never know how much I love you? Never know how
much child.

Speaker 57 (47:24):
Care when you when you around me, I get a
bee who that's so hard to best?

Speaker 18 (47:32):
You give me?

Speaker 55 (47:33):
Be by?

Speaker 15 (47:34):
You give me?

Speaker 18 (47:37):
Will you kiss me?

Speaker 15 (47:38):
People?

Speaker 16 (47:39):
When you hold me?

Speaker 18 (47:40):
Child in the morning of people? Oh bruthern sun lights
up the James child blue lights up the.

Speaker 54 (47:57):
Night that I'm when you call my name because I
know you're gonna treat me right.

Speaker 18 (48:06):
You kid me beeba when you kiss me, Fever.

Speaker 58 (48:12):
When you want the time.

Speaker 37 (48:18):
In the morning.

Speaker 55 (48:20):
Fever, Oh the die, yes got the fever.

Speaker 41 (48:54):
That is something you all know.

Speaker 10 (48:58):
Fever is such a new thing.

Speaker 9 (49:02):
So long time able.

Speaker 59 (49:06):
You give me peep baby tune on your love life.

Speaker 55 (49:12):
And it shine on me.

Speaker 58 (49:16):
Oh baby, tune on your love life, and then it
shout on me.

Speaker 16 (49:25):
Oh, just don't that old.

Speaker 52 (49:26):
Man, and just at that omen ride a baby.

Speaker 23 (49:35):
You give me yeah, you give me beep, Yeah, you give.

Speaker 16 (49:44):
Me pep, Yeah, yeah, you give me beep.

Speaker 58 (50:14):
Example woman the first to call.

Speaker 18 (50:19):
Mostly that the hotel.

Speaker 23 (50:21):
Hall laying it down.

Speaker 58 (50:29):
Never can lose a faded up.

Speaker 54 (50:49):
Scrim's got a doun this caabage.

Speaker 60 (51:03):
Man back said.

Speaker 58 (51:07):
They were rolling in the bottom.

Speaker 17 (51:12):
We started bringing like a pharam.

Speaker 16 (51:31):
Sub house scram. Try.

Speaker 9 (52:20):
You don't know how I'm talking about.

Speaker 17 (52:24):
The lamping really nuts me out.

Speaker 16 (52:30):
Of you all have.

Speaker 32 (52:34):
Oh of course I want to do what you do?

Speaker 17 (52:44):
Own him up that.

Speaker 16 (52:53):
Un out.

Speaker 55 (53:00):
What a.

Speaker 12 (53:04):
Mom my.

Speaker 16 (53:13):
Jump swimming.

Speaker 28 (53:16):
Up child.

Speaker 16 (53:23):
Said the by.

Speaker 15 (53:28):
Mom my bo.

Speaker 9 (53:58):
Do don't your own fey.

Speaker 58 (54:06):
I ain't got no lady the baby.

Speaker 23 (54:09):
I'm thinking I couldn't.

Speaker 9 (54:14):
I slept on days something.

Speaker 14 (54:17):
Then I don't see the wild going back there. I
don't even have a child. I'm gone head around. Oh
I thought that was cool. Where I jot down school
it was strange, could have no crazy.

Speaker 16 (54:43):
But I was lazing the way.

Speaker 17 (54:49):
So I'm timing.

Speaker 16 (54:52):
O that I don't see the file doing by then,
don't be me, not the job.

Speaker 60 (55:04):
Round I'm going then.

Speaker 14 (55:36):
Don't see the world going back? Then don't the child? Still,
you don't see the world going back.

Speaker 16 (55:47):
They don't the job. Just don't say that.

Speaker 1 (56:41):
On Kaleidiscope, we're paying tribute to Rick Derringer, who passed
away a couple of weeks ago. The last cut you
heard was a cut from an album that a Eddor
Winner group put out called they Only Come Out at Night.
On the original album, and I still have the original album,

(57:02):
Rick Deringer is credited as being the producer and that's it,
And I'm like even then, I'm like, you know, yes,
Ronnie Montrose was the lead guitarist, but he had to
play guitar and stuff like that in subsequent productions they

(57:24):
have him doing background vocals and playing guitar and doing
a lot of other stuff, and the cut that we
heard was hanging Around. The two other main cuts on
the album that became hits was free Ride and something
called Frankenstein. But the whole album is just really really

(57:46):
well done. For that, Rick Derringer wrote rock and roll Houchiku,
not Johnny Winter. Johnny Winter did it nearly at the
same time, and they were nearly both out at the
same time, and that is taken from Rick Deringer's version

(58:06):
on All American Boy. And the two cuts before that
was the McCoy's Fever, which they did sort of like
hang on Sloopy, and then hang On Sloopy was the
first cut that we played. Thank you very much for
all the great music, Rick, and he's he's got a

(58:29):
lot of stuff out there, and a lot of stuff
that you're probably not familiar that he actually played on it,
but that's usually what happens with studio musicians. And you're
listening to Radio Artifact ninety one point seven FMHD two
wv XU and one six six am Citcinnati, Ohio. You're

(58:51):
in the middle of listening to Kaleidoscope here on Radio Artifact.
In this second hour, we're going to pay tribute to
Sylvester Stewart, otherwise known as sly Stone.

Speaker 11 (59:22):
I got myself a dollar hard way to before I
give ever sent to this girl.

Speaker 18 (59:29):
Let's just see's a bunt more.

Speaker 58 (59:31):
If you want me, I can.

Speaker 9 (59:35):
Take you out to town. Leave your high heels at home.

Speaker 17 (59:43):
Me ta will go bare.

Speaker 61 (59:46):
An Jesus bo i'd boast to Mama.

Speaker 23 (01:00:21):
She can drag a good.

Speaker 61 (01:00:22):
Man down, take the breath out of your lungs, and
leave you to sleep.

Speaker 18 (01:00:27):
The sound call.

Speaker 41 (01:00:31):
I can take you up to time.

Speaker 43 (01:00:37):
Seek a high.

Speaker 9 (01:00:38):
Heels and horn.

Speaker 23 (01:00:40):
I will gone there, put.

Speaker 16 (01:00:42):
It around.

Speaker 61 (01:01:15):
My long legs, nego strutting. Every man that turned their
head they watch me wheel the feel.

Speaker 9 (01:01:22):
I'm the man that's dressed in red warpy.

Speaker 62 (01:01:28):
I can take you at the time, lead you hid
yous at all.

Speaker 27 (01:01:37):
I'm go there.

Speaker 9 (01:02:39):
If you want me, I can take.

Speaker 47 (01:02:44):
You out to time.

Speaker 9 (01:02:49):
Leave your high heels and gold.

Speaker 23 (01:02:52):
I'm going there around.

Speaker 54 (01:02:58):
Lead the hockey said on me, amag fair around.

Speaker 61 (01:03:19):
My mama raised me.

Speaker 43 (01:03:23):
With two jobs slave and.

Speaker 15 (01:03:27):
Still always saved, sir.

Speaker 43 (01:03:31):
If only sleeve, So why mother shame?

Speaker 46 (01:03:37):
Now?

Speaker 9 (01:03:39):
I started stilling.

Speaker 43 (01:03:43):
And double up there and down under knee on.

Speaker 9 (01:03:48):
Life under knee on Life.

Speaker 47 (01:03:55):
It show gets right, and you can lose your mind
under knee on lighte.

Speaker 9 (01:04:08):
I'm older.

Speaker 35 (01:04:11):
And my sun is role and.

Speaker 10 (01:04:15):
While my age is so in.

Speaker 47 (01:04:20):
A motel mill, I'm out here pay.

Speaker 9 (01:04:28):
And losing my patient.

Speaker 17 (01:04:32):
With the longly paid tres in that so Hong.

Speaker 12 (01:04:37):
Cats on.

Speaker 9 (01:04:40):
Under knee on Life, that show gets right.

Speaker 63 (01:04:48):
You can lose every mind.

Speaker 43 (01:04:51):
The night under knee on Life.

Speaker 37 (01:05:29):
Undernea on light.

Speaker 17 (01:05:32):
It's so gets right.

Speaker 47 (01:05:36):
And you can lose your mind under the life underne
on light.

Speaker 28 (01:05:49):
It so gets right.

Speaker 56 (01:05:53):
You can lose your.

Speaker 61 (01:05:54):
Mind underne online.

Speaker 9 (01:06:21):
Don't you know that's.

Speaker 43 (01:06:25):
Arland?

Speaker 9 (01:06:25):
Don't you know that's what.

Speaker 43 (01:06:29):
I love?

Speaker 5 (01:06:30):
A nothing.

Speaker 9 (01:06:32):
An don't bad?

Speaker 17 (01:06:35):
Doction know that's.

Speaker 9 (01:06:39):
I can't get bad?

Speaker 17 (01:06:44):
I can't get along.

Speaker 9 (01:06:49):
Work from a man I'm bringing home?

Speaker 41 (01:06:53):
What can a poor.

Speaker 55 (01:07:00):
M I can't.

Speaker 9 (01:07:22):
I can't get a lot of food.

Speaker 18 (01:07:27):
Trains on the track, okay, common.

Speaker 9 (01:07:36):
That sack.

Speaker 5 (01:07:42):
On the sad check.

Speaker 64 (01:07:46):
Side checked that man comic, I'll tusho's gonna.

Speaker 9 (01:08:19):
Who's gonna love?

Speaker 23 (01:08:24):
Who's gonna gets a chets my.

Speaker 9 (01:08:33):
B commussion.

Speaker 18 (01:08:38):
Mother, my love that.

Speaker 9 (01:08:43):
Baby wilcos my rows and cheats wi.

Speaker 55 (01:08:49):
And a fly do your home?

Speaker 9 (01:09:32):
That's wrong, darling? Do you know it's from.

Speaker 23 (01:09:37):
Love another way?

Speaker 65 (01:09:43):
Doctors, try to keep my eyes on the road, but

(01:10:31):
you're staring at at the moon.

Speaker 66 (01:10:33):
Well and driving you home? Can you say, look got
those clouds?

Speaker 65 (01:10:42):
I can't see it now they look just like a
guy I used to know. And we have so much time,

(01:11:15):
We have all the time we wanted to. Can I
spend my shide.

Speaker 9 (01:11:27):
Looking at the world.

Speaker 18 (01:11:30):
Through your eyes?

Speaker 31 (01:11:33):
Because I like look and.

Speaker 41 (01:11:35):
That you looking at the world?

Speaker 18 (01:11:40):
I like, no send you know the same thing?

Speaker 4 (01:11:47):
And I like looking at you looking at the world.

Speaker 9 (01:11:54):
I like no send you notice same me looking at you?

(01:12:16):
Try to keep my head screwed on straight.

Speaker 66 (01:12:22):
You standing at the tree well the readydio place, and
you won't see that?

Speaker 4 (01:12:32):
Did our portad to disappear.

Speaker 9 (01:12:36):
From the shoulder the weird blade?

Speaker 4 (01:12:45):
And we have so much time, we have all the
time of God to take together.

Speaker 9 (01:12:59):
Can I in my sid.

Speaker 23 (01:13:04):
Looking out at dude?

Speaker 12 (01:13:07):
Do your.

Speaker 16 (01:13:11):
Looking out at dude?

Speaker 9 (01:13:23):
Because I lack look at you looking.

Speaker 43 (01:13:27):
At the or.

Speaker 9 (01:13:30):
A lack no send no same thing.

Speaker 31 (01:13:37):
And not lock cares but you look at.

Speaker 9 (01:13:43):
And no luck, no sing you no.

Speaker 14 (01:13:48):
Send looking at you and not like look at you,
looking at the world and now station.

Speaker 67 (01:14:21):
SA, you can turn it up a little bit, she said.

Speaker 18 (01:15:30):
You don't know how to make blow fast.

Speaker 37 (01:15:34):
You're always the thing in the past, and you can least.

Speaker 16 (01:15:42):
Does she know.

Speaker 68 (01:15:46):
How it feels to lose some one One day they're
here and the next they're not.

Speaker 23 (01:15:54):
Down the road.

Speaker 43 (01:15:58):
You don't know how I love someone.

Speaker 9 (01:16:02):
You don't know how to care.

Speaker 18 (01:16:06):
Your arm sync sending song.

Speaker 68 (01:16:10):
Pay yeah, and when you think it over, wonder what
went wrong?

Speaker 43 (01:16:24):
Your dollars short.

Speaker 18 (01:16:26):
And did you?

Speaker 16 (01:16:31):
You don't know how love.

Speaker 43 (01:16:35):
Song wa.

Speaker 23 (01:16:52):
So you try.

Speaker 11 (01:16:56):
To cover up the way you feel, but everybody knows
that it's not real because.

Speaker 23 (01:17:04):
It's noty no. So you cry.

Speaker 18 (01:17:13):
A thousand years and then you walk the floor. You
got less than what you bargained for, and now you're
giving up.

Speaker 28 (01:17:25):
You don't know how to love someone.

Speaker 17 (01:17:29):
You don't know how to care.

Speaker 68 (01:17:33):
You're sync setting time paying again, and when you think.

Speaker 18 (01:17:42):
It over, I wonder.

Speaker 43 (01:17:46):
What went wrong?

Speaker 9 (01:17:51):
Dollars short and Tayo.

Speaker 31 (01:17:58):
You don't know how love sun wan, she said.

Speaker 18 (01:18:23):
You don't know how to make love last.

Speaker 17 (01:18:27):
You're always the bag in the past.

Speaker 16 (01:18:30):
And you can't let go o.

Speaker 1 (01:19:03):
On Kleeidascope, we just heard the latest single from Farm Report.
The single is called Wildfire and there is more to come,
so I've been told before. That was Samuel Aaron. His
CD is titled Ritual and he's from Chicago and the
cut that we heard was looking at You. The Local

(01:19:27):
Honeyes have released a new single and the A side
is Darling. Don't you know that's wrong? We'll play the
B side next week. Charlie Crockett. His latest CD is
called Lonesome Drifter and the cut that we heard was
under neon Lights. And Andrew Hibbert has a brand new

(01:19:48):
album out and it is called The Alamo and he
has his brother and mister Beadle on the album and
he also has my brother's keeper on the album. And
the cut that we heard this week was Barefooting. Thank
you very much for listening to us and supporting us.

(01:20:09):
You are listening to Kaleidoscope here on Radio Artifact.

Speaker 61 (01:20:24):
Ip us to dreamed the thousand trees.

Speaker 23 (01:20:28):
Been haunted file million screens.

Speaker 38 (01:20:32):
But I can hear the marching beats. They're moving into
the streets.

Speaker 17 (01:20:40):
Now. Didn't you read the news today?

Speaker 1 (01:20:44):
They see the danger has gone away, but I can
see the fire still, the lights.

Speaker 9 (01:20:52):
They're burning into the night.

Speaker 28 (01:20:55):
Stid man.

Speaker 63 (01:20:59):
Many wrong.

Speaker 17 (01:21:03):
Nine bath of to go around?

Speaker 28 (01:21:06):
Can't you see?

Speaker 9 (01:21:07):
This is the lend of confusion.

Speaker 38 (01:21:13):
This is the world leading.

Speaker 17 (01:21:16):
And these are the hands work getting use them and.

Speaker 38 (01:21:22):
Let's start trying to make this a place worthy.

Speaker 63 (01:21:37):
Superman, where are you now when everything's gone wrong? Tohow
bit of Steve Man of power losing control boy hour.
This is the time and this is the place soil
into the future.

Speaker 9 (01:21:59):
It's not start to go around. Can't you see this
in the land of confusion?

Speaker 38 (01:22:09):
This is the world beasi.

Speaker 23 (01:22:13):
And these are the hands were game.

Speaker 38 (01:22:17):
He's them and let's start trying from making a face worthyving.

Speaker 14 (01:22:47):
I remember long ago.

Speaker 37 (01:22:52):
When the sun was shining.

Speaker 69 (01:22:56):
And the stars were right all through the night in
the sound of your laughter as a healthy time.

Speaker 31 (01:23:07):
So I will be.

Speaker 17 (01:23:26):
Coming home to night my generation a rod.

Speaker 63 (01:23:33):
We're not just making promises.

Speaker 4 (01:23:37):
That we know will never keep.

Speaker 16 (01:23:41):
Many mans.

Speaker 63 (01:23:42):
There's too many people making too many problems.

Speaker 9 (01:23:48):
Not much stuff to go around.

Speaker 15 (01:23:51):
Can't you see?

Speaker 9 (01:23:52):
Save a land of confusion? This is the world living
and these are.

Speaker 31 (01:24:03):
The hands were giving you just haveing.

Speaker 38 (01:24:07):
Let's start try to make it a place worth fighting for.
This is the world be living, and these are the
names were giving.

Speaker 17 (01:24:22):
Stand up and let's start show week.

Speaker 16 (01:24:26):
Just wear are by dark week.

Speaker 70 (01:24:54):
The smell of your cortato.

Speaker 46 (01:25:01):
Silence, waying patiently but.

Speaker 70 (01:25:07):
Ruscious pains and patterns on save and that brain in
peace for someday or.

Speaker 71 (01:25:16):
Overcome swaying too, that sweet September.

Speaker 39 (01:25:23):
Rain and it's fallen hard and heavy on your.

Speaker 71 (01:25:30):
Skin, forming puddles deep inside your pain.

Speaker 70 (01:25:39):
Maybe someday week can be so can sick?

Speaker 46 (01:25:46):
Maybe skinto live on your own?

Speaker 18 (01:25:54):
Can mest.

Speaker 23 (01:25:59):
May babe.

Speaker 20 (01:26:02):
Be bad?

Speaker 18 (01:26:05):
Follow long?

Speaker 27 (01:26:07):
Can you imagine?

Speaker 5 (01:26:12):
And I could dance with you?

Speaker 55 (01:26:15):
Friend?

Speaker 41 (01:26:18):
I could see.

Speaker 12 (01:26:20):
You won't me?

Speaker 70 (01:26:24):
Can I be satisfied at nine nine?

Speaker 45 (01:26:31):
Just as long.

Speaker 70 (01:26:33):
As your mind.

Speaker 18 (01:26:37):
So let the river pulled me down.

Speaker 40 (01:26:44):
I will follow fall wardle.

Speaker 45 (01:26:50):
Because I don't need to stand on solid ground.

Speaker 41 (01:26:57):
I just seed you.

Speaker 71 (01:27:00):
Doas baby, get do it on your own? Can you magine, baby.

Speaker 18 (01:27:20):
Eve been?

Speaker 34 (01:27:22):
Oh hello?

Speaker 36 (01:27:25):
Can you imagine? Drive up the link and are gone?

(01:27:59):
Tuesday Night Letterrero breathes life into our bone, hand in hand,
healing and ready online.

Speaker 71 (01:28:15):
With fine salvation heside this moment.

Speaker 72 (01:28:21):
And though I'm a magetory, I will sell into you
beneath your wing.

Speaker 41 (01:28:35):
All you have to say the word.

Speaker 40 (01:28:40):
And for you I give a being.

Speaker 16 (01:28:48):
Maybe can do it?

Speaker 55 (01:28:52):
Are your own?

Speaker 73 (01:28:56):
Can you image?

Speaker 18 (01:29:01):
Maybe be bed?

Speaker 74 (01:29:05):
I'll sudden alone?

Speaker 55 (01:29:09):
Can you menge?

Speaker 23 (01:29:14):
Maybe I can do.

Speaker 16 (01:29:19):
Bye? Oh?

Speaker 75 (01:29:22):
Can you menage.

Speaker 34 (01:30:00):
A?

Speaker 46 (01:30:14):
It's I stand with more sand branches under my.

Speaker 12 (01:31:16):
Look back at the.

Speaker 16 (01:31:20):
Chances I amist.

Speaker 12 (01:31:29):
Along.

Speaker 27 (01:31:30):
Can't came for looking bird.

Speaker 9 (01:31:38):
There's a lie.

Speaker 23 (01:31:41):
There's a lie.

Speaker 27 (01:31:44):
About believedless new.

Speaker 31 (01:32:01):
Or shape like the.

Speaker 46 (01:32:06):
Scar empty, a fall.

Speaker 36 (01:32:21):
But.

Speaker 23 (01:32:23):
Ting and a fall the pan.

Speaker 28 (01:32:32):
There's a.

Speaker 27 (01:32:35):
There's a lie up ahead.

Speaker 23 (01:32:41):
Maybe will be.

Speaker 12 (01:32:45):
Dream many.

Speaker 23 (01:32:51):
Like a long stream.

Speaker 76 (01:32:55):
Be como, boods are quiet, weird, distris sep.

Speaker 23 (01:34:05):
The night is holding.

Speaker 5 (01:34:10):
So deep within speak.

Speaker 41 (01:34:16):
Upper seeing a storm that.

Speaker 9 (01:34:20):
Al which futulo.

Speaker 12 (01:34:27):
There's a line.

Speaker 14 (01:34:30):
There's a line.

Speaker 77 (01:34:33):
Up ahead, she cried through the Southern Man baton that

(01:35:23):
was shot again. Every dream in harms in for shout down,
bad dream.

Speaker 23 (01:35:35):
Of watching me.

Speaker 5 (01:35:38):
Seems like we're riding on the same train.

Speaker 23 (01:35:42):
It's as though he bore me gonna be a shout now.
And it's rain and all over the world, rain.

Speaker 77 (01:36:01):
Hold over the world, though snap, she came to me

(01:36:38):
lack a friend.

Speaker 23 (01:36:41):
She blew and on sun wind.

Speaker 77 (01:36:44):
Now my hot turns stop, its.

Speaker 23 (01:36:48):
Gonna be a schuldn.

Speaker 14 (01:36:53):
Say me.

Speaker 77 (01:36:56):
Wow, say me, it's only summary.

Speaker 23 (01:37:04):
You'll be shot down in its ray.

Speaker 14 (01:37:11):
All over the world, ray all over the world.

Speaker 17 (01:37:24):
Long its not.

Speaker 23 (01:37:55):
In its ray.

Speaker 14 (01:37:58):
All over the woe.

Speaker 28 (01:38:04):
Ray holl over.

Speaker 17 (01:38:07):
The world, longus N.

Speaker 23 (01:38:42):
It is ray.

Speaker 14 (01:38:45):
Holl over the world, y ho over the world.

Speaker 43 (01:38:57):
Longus N.

Speaker 77 (01:39:13):
Got to say, I'm ready to say lost snip.

Speaker 41 (01:39:23):
It was.

Speaker 35 (01:39:57):
If you get to know me from my photographs, see
me smiling, and.

Speaker 37 (01:40:11):
You might get thinking.

Speaker 16 (01:40:13):
And I'm doing.

Speaker 32 (01:40:18):
Everything I want to, seems fall.

Speaker 78 (01:40:23):
And because I've been working will I can't recall the
reason for my ritual. I'm so spiritual.

Speaker 43 (01:40:39):
I justings it.

Speaker 16 (01:40:42):
In total.

Speaker 9 (01:40:44):
But having my counsel.

Speaker 14 (01:40:48):
Fun oh sometimes shut us fine away making it.

Speaker 37 (01:40:56):
Each time I lose start a surprise by.

Speaker 16 (01:41:03):
M hmm.

Speaker 13 (01:41:05):
I send my eluct to you, I send my luck
to you.

Speaker 37 (01:41:18):
I was shy.

Speaker 35 (01:41:19):
I remember all my neighbor's names. Someday I'll knock on
every n. Instead, I sit here wandering, ask the pastors by.

Speaker 37 (01:41:38):
Why no one drops in.

Speaker 39 (01:41:43):
My unnis?

Speaker 9 (01:41:47):
That's why I sing longe sign songs.

Speaker 35 (01:41:51):
But still is nice to see as you're strolling by
Day's the car spread a cross sure face.

Speaker 43 (01:42:04):
Bolder race.

Speaker 9 (01:42:07):
Certainly has called and Don.

Speaker 16 (01:42:16):
Had a big game.

Speaker 23 (01:42:50):
Or sometimes Shutter spied away and make a.

Speaker 37 (01:42:55):
B These time I starts surprise by.

Speaker 13 (01:43:05):
Hawesen, Awesen, Awesen.

Speaker 12 (01:43:19):
My left.

Speaker 13 (01:43:25):
Hawesen is.

Speaker 1 (01:43:32):
Uncleeidroscope. We just heard the latest from Watchhouse, and tonight
we played the title track to their album called Rituals,
Buffalo Wives and The Price Hustle doing a version of
E l O's Showdown Let's See Alison Kraus and Union

(01:43:53):
Station with Jerry Douglas. They did the cut there's a
light up ahead and the name of the album is
Arcadia Maria, etc. From her second album that she put

(01:44:13):
out called Maybe Time's Not in a Bottle Anymore, And
the cut that we heard is can You Imagine? And
Henhouse Prowlers their latest CD is called Unravel and the
cut that we heard was Land of Confusion. Thank you
very much for listening to us and supporting us. You're

(01:44:35):
in the middle of listening to Kaleidoscope here on Radio Artifact. Unfortunately,
earlier this week we lost a true legend of how
to merge different types of music together. And make it
sound like yours. So Lester Stewart, otherwise known as Sly Stone,

(01:44:58):
passed away. He started out as a DJ, and he
became a radio producer at the same time, not a
radio producer, a record producer at the same time. And
then he went in and formed The Family Stone. And
after the first album, the first album, it was okay.

(01:45:22):
The second album is where it took off. And he
was hotter than anything until like the early seventies, and
then all of a sudden, all the other stuff that
he did came into play, and he wasn't consistent. The
band wasn't consistent, The band didn't always show up. Certain

(01:45:44):
people in the band would play and then stop playing,
and it got to be a huge mess anyhow. But
the music that he put out at that time was
just unbelievable. There was James Brown, and James Brown was
the master, and then there was Sly and then there

(01:46:07):
was all the Living Color Funkadelic prints everybody else. I mean,
if you're gonna if you're gonna borrow, borrow from the best,
and that's what they did. We'll play a couple of
songs here from Sliding the Family Stone as a tribute

(01:46:28):
to them and to the great music that he produced,
and to wish him well on his next journey. Here's
sliding the Family Stone on Kaleidoscope.

Speaker 23 (01:47:09):
Mother, Mother, I'm gonna thank you.

Speaker 14 (01:47:16):
I want to thank you than I want to thank
you ms don't don't yet, don't don't again.

Speaker 16 (01:48:06):
I thank.

Speaker 23 (01:49:14):
You, thank you, thank you, thank you.

Speaker 12 (01:49:42):
Thank.

Speaker 34 (01:51:05):
Stack that.

Speaker 79 (01:52:18):
Stuck, stunt stack up stop, sun stop.

Speaker 80 (01:52:34):
Stop stack.

Speaker 9 (01:52:38):
Star stuck.

Speaker 79 (01:52:47):
Start, string stuck stop stop, shtuck back back back back back.

Speaker 56 (01:53:17):
Back fast.

Speaker 13 (01:53:31):
Step and.

Speaker 37 (01:53:34):
Sam back.

Speaker 81 (01:53:37):
And backs stop back change back, sat back.

Speaker 16 (01:53:45):
Stop and back stack.

Speaker 79 (01:53:52):
Stand back but sat back.

Speaker 9 (01:54:00):
Called back.

Speaker 80 (01:54:09):
Smack smack, sack.

Speaker 81 (01:54:22):
That stuck, that.

Speaker 79 (01:54:49):
Stuck fast time.

Speaker 45 (01:55:01):
Back and.

Speaker 6 (01:55:05):
Back status some stuck.

Speaker 56 (01:55:53):
The pat.

Speaker 82 (01:56:08):
Pat pat stuff, thank you, pay.

Speaker 81 (01:57:12):
Pay pay.

Speaker 1 (01:57:30):
Pay Ukleeidascope. That is our tribute to Sylvester Stewart otherwise

(01:58:31):
known as sly Stone. The last one is a cut
from an album that just got released called sly Lives,
and the cut that we heard, of course was thank
you for letting me be myself again. And before that

(01:58:51):
we did I wanted to take you higher from the
Greatest Hits collection. If you never heard the real performance,
that's lie in the Family Stone did it Woodstock, Go
to the library, take it out, crank it up. It's

(01:59:13):
way different than what you heard on the Woodstock album.
They really really butchered it and cut it up like crazy,
and it's cohesive sorta kind of. But if you listen
to the original the way that Sly and the band

(01:59:35):
did it at Woodstock, you'll be amazed. It's it's way different.
You're listening to Radio Artifact ninety one point seven FMHD
two wv XU and one six six oh am sits
in Edie, Ohio. You're in the middle of listening to

(01:59:55):
Kaleidoscope here on Radio Artifact. And by the way, most
of the streaming people have released the original performance in
its entirety and they don't have the edited one, So
if you want to listen to it, you should listen

(02:00:16):
to it.

Speaker 59 (02:00:38):
You starve that they're the way class had a half
Nelson that I was lying in past, but you lost
all the ukay.

Speaker 18 (02:00:51):
Wrestling in your kay.

Speaker 61 (02:00:55):
You might be strong house somewhere.

Speaker 18 (02:00:59):
Maybe you know even cares the delivery.

Speaker 25 (02:01:04):
Nashi preeze that part you remain.

Speaker 18 (02:01:11):
Man, she really loves you.

Speaker 28 (02:01:15):
Change shame.

Speaker 41 (02:01:21):
To you knowing your mind's clean.

Speaker 14 (02:01:28):
Change do you know your hearty.

Speaker 56 (02:01:35):
Wants a lies star.

Speaker 16 (02:01:38):
Shooting through your thing?

Speaker 17 (02:01:44):
How much will it take from you?

Speaker 43 (02:01:48):
J will you break yourself?

Speaker 59 (02:02:10):
Black junk yard car chase that breaks her hard?

Speaker 8 (02:02:17):
A lance that spilled your name?

Speaker 18 (02:02:20):
But man wor them? Where it be enough for you?

Speaker 14 (02:02:29):
Jane James, I don't know you've been through, James.

Speaker 52 (02:02:44):
Jesus citizen son with you.

Speaker 9 (02:02:49):
Once it's love start sing through your feet?

Speaker 23 (02:02:57):
How much will it keep to you?

Speaker 17 (02:03:02):
G We grew up in the same town.

Speaker 16 (02:03:25):
We went to the same turm.

Speaker 17 (02:03:29):
We went back in on the same.

Speaker 57 (02:03:31):
Streets of being announced and the same road, and we
are all the same bred.

Speaker 16 (02:03:41):
In a thing, get said town?

Speaker 9 (02:03:45):
Anybody in love you why? Like Jesus, I'm sorry.

Speaker 17 (02:03:52):
For that now? We drew up in the same town.

Speaker 83 (02:04:27):
I was thinking on the railroad just the other day,
how I've rambled through Topeka and I played in Santa Fe.
But in all my shuffling motions, I guess I have
to say I've never been to Hutchison. My cousin Allen

(02:04:49):
moved there.

Speaker 9 (02:04:51):
Seems he did quite well.

Speaker 83 (02:04:53):
Bottled little house and fixed it up.

Speaker 9 (02:04:56):
It's called the Hutchison Belle. It's near being be now.

Speaker 83 (02:05:01):
Food the finest client has never been to Addison.

Speaker 9 (02:05:08):
Well, I know some folks.

Speaker 29 (02:05:10):
From Mattress, nice as they can be.

Speaker 17 (02:05:14):
Is every one in town like them?

Speaker 83 (02:05:16):
Someday I'd like to see it lies beside the river
they call the Big Muddy.

Speaker 13 (02:05:24):
But I have never been to Atchison.

Speaker 18 (02:05:29):
Audioly you, I have never been to.

Speaker 15 (02:05:37):
Watch so.

Speaker 13 (02:06:11):
Well.

Speaker 83 (02:06:11):
Lewis and Clark passed by there before the town was
named Emilia here Hart was born there, but he mean
moved away.

Speaker 9 (02:06:21):
I might go there on vacation.

Speaker 83 (02:06:24):
I might decide to stay, but still I've never been
to Atchison. I was talking to Jimmie Rogers about all.

Speaker 43 (02:06:35):
The trains in.

Speaker 83 (02:06:37):
Burlington, Northern California's efforts to well singing brigman, Yo, dude,
and then he said, hey, hey he then I ain't
been thatcher Ah, the suppers from matcheson the axis A can.

Speaker 9 (02:06:57):
Be he's everyone in town like them.

Speaker 83 (02:07:00):
Some day I'd like to see it lies beside the
river they called.

Speaker 17 (02:07:06):
The Big Money that I have never been to Aswer
the way, not.

Speaker 9 (02:07:16):
You, I have never been to Ratchison.

Speaker 69 (02:07:23):
Hey, hey, m hm, you count the days and the

(02:07:49):
homes before you give up.

Speaker 18 (02:07:57):
Quit you so.

Speaker 9 (02:08:05):
Cold your faces A baby out sah.

Speaker 41 (02:08:14):
You kill.

Speaker 9 (02:08:15):
The deals.

Speaker 28 (02:08:17):
So gross, so.

Speaker 56 (02:09:00):
You go out and as I never met.

Speaker 32 (02:09:09):
Founding, you know what happened.

Speaker 18 (02:09:11):
The stars and the shade of.

Speaker 9 (02:09:18):
Chold so well that many believe the.

Speaker 25 (02:09:27):
Counting the days too, for sure, it's cross.

Speaker 16 (02:09:49):
Always so the days.

Speaker 27 (02:10:25):
Too.

Speaker 18 (02:10:32):
I'm awake with the devil.

Speaker 84 (02:10:35):
All the steps, look on your faces, and all the
God is so rough.

Speaker 75 (02:10:50):
Thessclosing if you s.

Speaker 55 (02:11:08):
S A s.

Speaker 28 (02:11:16):
What she by, also it's closing.

Speaker 12 (02:12:33):
It's the time of the season when you think about laving.

Speaker 16 (02:12:46):
A Yeah that you.

Speaker 34 (02:12:47):
Would, I knew that you would.

Speaker 16 (02:12:58):
And the season the changer.

Speaker 12 (02:13:01):
When we were changer, I wished that team like news,
I can't.

Speaker 16 (02:13:23):
It's a season of changing. If you fishtraight, it's probably good.
Up the heavy.

Speaker 9 (02:13:39):
Waiting on you.

Speaker 41 (02:13:45):
In the years.

Speaker 16 (02:13:47):
I made a clean break.

Speaker 12 (02:13:51):
Trust to.

Speaker 38 (02:13:58):
F mile so.

Speaker 16 (02:14:01):
Ticked upneas girl, shud be good.

Speaker 9 (02:14:07):
I'm real poor, my usband low.

Speaker 41 (02:14:10):
It's not made out of wood, So do us shoot,
don't do what you shoot. Seasons change, and it's sex change.

Speaker 17 (02:14:25):
It's probably joan.

Speaker 16 (02:14:35):
See change, its change strong, see.

Speaker 20 (02:14:57):
Change in few fee change trouble the good.

Speaker 14 (02:15:15):
Let your heart breaks, let the.

Speaker 58 (02:15:17):
Nose quick, Let the stars of Texas claw in the lake.

Speaker 85 (02:15:24):
Just do a shoe canopy face, let the s please,
let the light che split the heavenly body.

Speaker 23 (02:15:36):
Doll face.

Speaker 17 (02:15:40):
It's a new wage.

Speaker 23 (02:15:41):
Don't do what you should.

Speaker 12 (02:15:44):
It's a season.

Speaker 41 (02:15:45):
The change and its change.

Speaker 16 (02:16:00):
See change.

Speaker 23 (02:16:08):
You see is change.

Speaker 57 (02:16:12):
It's probably true. See change it you feel strange, it's
probably juice.

Speaker 16 (02:16:46):
She can't say, so, got to happen.

Speaker 55 (02:17:00):
H.

Speaker 62 (02:17:38):
Philip's your intention to got advice to gain listen kingly.

Speaker 5 (02:17:56):
Spell just want to sniff you up and a.

Speaker 52 (02:17:59):
Cold and me.

Speaker 5 (02:18:02):
The only way to get away.

Speaker 52 (02:18:06):
Let's travel in.

Speaker 5 (02:18:07):
The scene, say out the main road.

Speaker 52 (02:18:15):
Keep your head lowe, I say.

Speaker 39 (02:18:19):
Creeping eyes and a little live take you as a road.

Speaker 5 (02:18:28):
Keep up the main road. Holy, take it so.

Speaker 27 (02:18:34):
The road to see you love.

Speaker 5 (02:18:38):
And sell the master rod. You never seen me a game.

Speaker 12 (02:19:19):
That much.

Speaker 39 (02:19:19):
You know, hop be long, God we carried it. Belon,
Be cool.

Speaker 37 (02:19:32):
And quiet, be like a night.

Speaker 45 (02:19:38):
Don't be a shadows.

Speaker 5 (02:19:41):
Don't trust Alie, hold you.

Speaker 45 (02:19:47):
Stay, stay, stay a bunch of stay.

Speaker 12 (02:20:18):
Off the main road.

Speaker 5 (02:20:50):
Stay out there, main road.

Speaker 40 (02:20:55):
Keep your head low.

Speaker 62 (02:20:58):
Because they creeping eye isn't there a little die? Take
your hazarro, Keep up the main role. Honey, take it slow,
because they're saying love.

Speaker 5 (02:21:18):
Tell them as a role. Then you can think of
me the extradition requests flow.

Speaker 32 (02:22:13):
The freedom of conscience.

Speaker 54 (02:22:17):
Is there some form of justice policyle for so.

Speaker 9 (02:22:24):
Long, fam, it's like you know, the truth.

Speaker 18 (02:22:34):
Muzzled by a powerful.

Speaker 13 (02:23:27):
Go and do the using.

Speaker 65 (02:23:37):
Not the very ideas of clistic trendle.

Speaker 32 (02:23:48):
Heology to a trust.

Speaker 68 (02:23:51):
Huni consents prudence, the.

Speaker 58 (02:23:59):
War no meason by the book.

Speaker 68 (02:24:03):
Five us, the suppressis bail intelligence.

Speaker 5 (02:24:07):
That conflict bosnes thing of those.

Speaker 16 (02:24:32):
T step.

Speaker 56 (02:25:12):
Step not a step.

Speaker 86 (02:27:20):
To step steps to the past to be the steam,
the steam to beat back to back to bat was

(02:27:48):
to be stat of the state of the Batts.

Speaker 1 (02:29:16):
On Kaleidoscope, we heard the latest from Stereo Lab. Okay,
if you know anything about the band, they haven't been
together for over ten years at least, but they have
put out a brand new album called Instant Holograms on
Metal Film, and the cut that we heard was Melody

(02:29:38):
is a Wound, and before that we heard Stick and Bindel.
Their first CD is called Lore and Laments, and the
cut that we heard was main Road. Before that was
Arcade Fire. They have a brand new CD Alcohol Pink Elephant,
and the cut that we heard was Year the Snake.

(02:30:01):
We'll see from their CD which is titled Cincinnati, Ohio,
and the cut that we heard was days and Hours.
Let's see Tim O'Brien and Jan Fabricists. They have a
new album called Paper Flowers, and the cut that we

(02:30:23):
heard was Atchison and we started to set off with
my brother's keeper. Their latest CD is called Wartime Cartoons,
and the cut that we heard was James. Thank you
very much for listening to us and supporting us. And
you're in the middle of listening to Kaleidoscope here on
radio artifact. Okay. The third person who has passed away

(02:30:46):
that I know of in the music business, which was
a couple of days ago, he passed away, It was
Brian Wilson. Brian was very complicated and but when he
was when he was on and when he was in

(02:31:09):
his element, he was unbelievable. The first era of the
Beach Boys was up till about nineteen sixty six, maybe
sixty seven, but somewhere within there from when they started
till then, and they were a hip machine, a huge

(02:31:32):
hit machine. Capitol Records would keep putting out. They didn't
care what they got from him. They would just keep
putting it out. And then Brian started working on this
project called Smile, and that was the start of the downfall.

(02:31:55):
He put out He recorded a lot, I mean, the
Wrecking Crew, which was the studio musicians out in LA
that were basically the instrumental Beach Boys, not the vocal
the instrumental Beach Boys. They just kept doing take after
take after take of stuff, and he really he didn't

(02:32:20):
finish it. Then he released they released an album called
Smiley Smile, which was.

Speaker 60 (02:32:27):
Kind of like.

Speaker 1 (02:32:29):
A lot of what was supposed to be on Smile,
but it wasn't the whole thing. And then he started
to go downhill and did the thing in the with
the sandbox and his living room and all this stuff.
But he also helped put out pet Sounds, and he

(02:32:49):
also helped put out Surfs up, and he also helped
put out Holland. And that was the air that I
fell in love with the Beach Boys. Brian was there,
but he wasn't you know what I mean. He was there,
but he wasn't there. The other guys were taking care

(02:33:11):
of all the all the stuff, and they, you know,
would have Brian write stuff and then so they could
say that it's a Brian Wilson song. And then after
that then they start putting out who knows, each album
would have like a couple of decent cuts and then

(02:33:34):
the other stuff was just filler. Now, if you look
at your streaming devices wherever you listen to music, there
are a lot and I mean a lot of Beach
Boy concerts out there now that you can listen to,
which I you know you can listen to it. The

(02:34:02):
era of the Beach Boys that I'm going to be
featuring is the era between like nineteen yeah, sixty six,
sixty seven up till like nineteen seventy three or seventy four,
which is when Holland came out. And that's the era
that Brian didn't tour. Well, he didn't. He stopped touring

(02:34:24):
in like nineteen sixty six. They got Glenn Campbell to
the sub form Truth, but he kept putting, he kept
going to the studio, and he kept doing some unbelievable
things in the studio. So I'm gonna play I was

(02:34:45):
going to say, I'm not going to play the hits,
but the public sometimes has great taste. So these are
for Actually I could put on the Beach Boys and
start from the first album and just keep listening, and
then I would I would start getting board, you know,

(02:35:06):
later on in their career. But if you want to
do that, that's great. I mean you could with all
the streaming in at that's out there, you could do that.
But I'm just going to play the stuff that I
think is really really relevant. Thank you, Brian, Thank you.

Speaker 12 (02:35:30):
Ah.

Speaker 16 (02:35:32):
I love the colorful close.

Speaker 18 (02:35:36):
And the way the sunlight plays upon her head, the
sound of it.

Speaker 16 (02:35:49):
On the way that suit turf game.

Speaker 34 (02:35:52):
Through the end.

Speaker 9 (02:35:56):
I'm thinking she's a immediate excitations.

Speaker 56 (02:36:02):
I'm backing up.

Speaker 9 (02:36:05):
She's not about except.

Speaker 16 (02:36:10):
A good rations.

Speaker 87 (02:36:13):
So she's somehow close, softly smile. I know she must
be cold.

Speaker 36 (02:36:37):
In her.

Speaker 9 (02:36:39):
She goes with me to blossom broom. I'm thinking of
good telerations. She's giving me any excitations.

Speaker 56 (02:36:53):
I'm backing up good.

Speaker 9 (02:36:56):
She's not my exit designs by good Good, by Gray Shape, by.

Speaker 14 (02:37:07):
Their good vibration station. You know about fifty.

Speaker 15 (02:37:52):
God the king goes love.

Speaker 9 (02:37:55):
To what great shows A happy man with.

Speaker 31 (02:37:59):
Good keep.

Speaker 28 (02:38:03):
My grid shoes.

Speaker 14 (02:38:31):
Ration are.

Speaker 34 (02:38:59):
Building.

Speaker 14 (02:39:28):
I may not always love you, as long as there
are stars of love you, you never need to day.

Speaker 9 (02:39:40):
I thank you sir, shurebout it.

Speaker 37 (02:39:44):
God only knows.

Speaker 14 (02:39:46):
What I beave with that you, if you should ever
believe me, will.

Speaker 81 (02:39:57):
Like to go.

Speaker 56 (02:39:58):
Believe me.

Speaker 14 (02:40:00):
The world has showed nothing to me, So what God would.

Speaker 12 (02:40:06):
Not mean to me?

Speaker 87 (02:40:09):
But Me knows what I mean without you.

Speaker 54 (02:40:40):
God only knows what I'd believe with that you.

Speaker 9 (02:40:46):
If you should have movie me, your life was to God.
Believe me, the world.

Speaker 23 (02:40:54):
Good showed nothing to.

Speaker 16 (02:40:56):
Me, So what God what?

Speaker 9 (02:41:02):
God only knows why I beeve with the.

Speaker 23 (02:41:11):
Cane.

Speaker 9 (02:41:11):
Me knows why I believe. Can only knows what I think.
God only knows why I belave with. God only.

Speaker 16 (02:41:28):
Knows why.

Speaker 14 (02:41:29):
I can only knows why I means.

Speaker 9 (02:41:44):
What I've been in this town. So the back of

(02:42:08):
the he had to take it for Boston comfort.

Speaker 10 (02:42:12):
For years ago when the sec from the Spanish.

Speaker 9 (02:42:20):
And once a night continuous way.

Speaker 17 (02:42:28):
The fun and she was running into raining in.

Speaker 9 (02:42:31):
The folks that eventual building. Brother, but she's still dancing
in the night. Got afraid of what to do, Dude
a careful.

Speaker 16 (02:42:43):
Heroes and expect and.

Speaker 3 (02:43:25):
It's Dada da dada.

Speaker 14 (02:43:42):
Instead of Poland.

Speaker 18 (02:43:43):
Of them shoppings in the valley and.

Speaker 9 (02:43:46):
It's awful lot of bager of my life to.

Speaker 56 (02:43:48):
Thinking, don't.

Speaker 9 (02:44:12):
World and the canteen. Margarete escaped the spirit high there
I watched her.

Speaker 63 (02:44:27):
She spun around and wound in the water through bottle
anything the flame of the dance.

Speaker 9 (02:44:34):
Mark, don't you know that.

Speaker 43 (02:44:50):
You're under arrest?

Speaker 9 (02:44:52):
My children? Do you know the sudden problems they started
so long ago? Into don't coming down?

Speaker 73 (02:45:16):
I've been in this town so long, so long to
the city. I'm fit with the stuff to ride in
the road and sunny down snuff.

Speaker 9 (02:45:32):
I'm all ride by the heroes and.

Speaker 14 (02:45:42):
Stop stopt at fat against its pet against Ba and

(02:46:15):
its pett.

Speaker 23 (02:47:05):
I sails.

Speaker 17 (02:47:09):
Unsaid lotion.

Speaker 23 (02:47:12):
To restue waters.

Speaker 4 (02:47:15):
And deep commotion, Mark and Crison, and did say.

Speaker 16 (02:47:26):
Sa dos.

Speaker 65 (02:47:32):
Arest too, warners my captains holders sail.

Speaker 17 (02:47:39):
The solu a patch the road, unting on empty, says
called like a soon as the louder, I said, ort

(02:48:05):
like trust to bring bull to my will.

Speaker 15 (02:48:10):
Seldom stormbus never.

Speaker 17 (02:48:12):
Crowns, try to tumbles.

Speaker 16 (02:48:15):
I rumble.

Speaker 14 (02:48:18):
To the stain it.

Speaker 56 (02:48:20):
I became a.

Speaker 17 (02:48:21):
Never ended under danting.

Speaker 9 (02:48:26):
Opera.

Speaker 23 (02:48:28):
Always hear me.

Speaker 17 (02:48:29):
Never curing curs.

Speaker 88 (02:48:32):
Gear over the seawings, the games of seeing.

Speaker 52 (02:48:47):
Cashier recorders.

Speaker 65 (02:48:50):
Operated Borders, Earnest Tire.

Speaker 17 (02:48:57):
Tresh and Time.

Speaker 14 (02:49:03):
Say Always Deep Beauty, the Being for My denings, Damn
the Blunder, First Time London is the wonderful.

Speaker 58 (02:49:19):
World album.

Speaker 23 (02:49:22):
Stop Crying and the Lying and the Sign and.

Speaker 29 (02:49:27):
My div Sa Sa Sa Say Say Say.

Speaker 14 (02:49:42):
Say No says say the same Sam Say.

Speaker 43 (02:49:55):
Say not Say.

Speaker 1 (02:50:15):
In our tribute to the late great Brian Wilson, we
just heard from Salon Sailor from the Holland collection. No Brian.
Brian didn't sing a lot of the leads, you know.
He gave it to Al Jardine, he gave it to

(02:50:36):
Mike Love and he gave it to Carl Wilson to
do most of the lead vocals. But the reason I
included that is a it's the only song I think
on Holland, the Holland Regular record that Brian wrote, and
even though there was a little ep thing that they

(02:51:00):
handed out, and Brian did all that. So before that
Heroes and Villains, that's the Smile Sessions, and that is
a different version than the one that you're probably used to.
It's a little bit longer than any other the other versions,

(02:51:21):
but it's out there and from what I remember, Brian
loved that song because he would every once in a while,
from what I understood, he would be at a hotel
and he would just go up and start playing it,
playing this, playing any of his other songs before that,

(02:51:47):
now I can't remember. I think I think the first
song that we played in this set is the one
that Paul McCartney thinks is one of the best things
ever written. But that song God Only Knows is pretty close.
And if you're out on Facebook, there is a version

(02:52:12):
of that song that the BBC recorded back like ten
years ago, and a lot of people did you know,
little verses and stuff like that. Elton John's in it,
Brian's in it like three or four times, him and
his piano and just you know, singing along with his

(02:52:35):
one of his masterpieces. And then the first thing that
we played in this set was Good Vibrations from Smiley Smile,
which was supposed to be part of the whole Smile extravaganza.
From what I've heard, I've heard like ten different versions,

(02:52:55):
at least from what I've heard, there's but there's like
twenty five different versions that so yeah, I would listen
to all of them, you know, sort of like Brian
what Brian did. Thank you very much. Brian, thank you
very much for listening to us and supporting us. And

(02:53:15):
you're in the middle of listening to Kaleidoscope here on
radio Artifact.

Speaker 54 (02:53:38):
I have the world boy, same house today, the count.

Speaker 40 (02:53:53):
Thank you, the same thing.

Speaker 37 (02:54:00):
Every day.

Speaker 17 (02:54:03):
I got.

Speaker 41 (02:54:09):
Wood of town, the shack of.

Speaker 17 (02:54:13):
Wood a town.

Speaker 89 (02:54:14):
This Scot hasn't been anybody is energy entity.

Speaker 41 (02:54:23):
I was told.

Speaker 74 (02:54:24):
I was told the gray see sad wood be. I
was told he was all under control. I was in
to believe we just fad of fancy us.

Speaker 31 (02:54:44):
It inc is mo.

Speaker 58 (02:55:09):
Stay round.

Speaker 17 (02:55:14):
To weather.

Speaker 31 (02:55:15):
Time to the.

Speaker 9 (02:55:18):
Sun came, but is.

Speaker 49 (02:55:26):
So ray.

Speaker 46 (02:55:29):
And now it creates sameely jumping.

Speaker 17 (02:55:33):
There's no escape.

Speaker 18 (02:55:39):
For the time the strugle.

Speaker 90 (02:55:43):
What a time struck as a febody has the energy
let to d I was told as so the reasons
this time would be different. I was told it was
all under kin show. I was had to believe we

(02:56:11):
just had a man too, so said.

Speaker 16 (02:56:16):
In the car as for brow.

Speaker 23 (02:56:23):
Can't bring me shirt.

Speaker 89 (02:56:25):
Those Christmas legs in him birtha sactions.

Speaker 9 (02:56:31):
Of christinely dinner process.

Speaker 31 (02:56:37):
You know the dead tho.

Speaker 89 (02:56:39):
Said, said looking at her bone, and she he's calling
your name next, I'm pretty sure you're what a town
to stack of the Bank.

Speaker 12 (02:57:01):
That was.

Speaker 41 (02:57:03):
The Seems Stop the Friends. That was to.

Speaker 9 (02:57:11):
Show Fanci.

Speaker 1 (02:57:43):
We just heard the mont Veils from their latest CD
called Born Strangers, and the cut that we heard this
week was ghost Town. You're listening to Radio Artifact ninety
one point seven f M HD two w v x
U and once six six am, Cincinnati, Ohio. For the

(02:58:04):
last three hours, you've been listening to Kaleidoscope. Here on
Radio Artifact, we heard Wang Chung an interview with them,
and then we also paid tribute to Rick Darringer, sly
Stone and Brian Wilson in their passing. My name is
Ken Hayes. It's a pleasure for me to be in

(02:58:25):
here every Saturday night playing this wide varietay music for you.
Come on back next week. Hopefully there'll be no more
tributes for a while and we could just play a
lot of great music for you here on Radio Artifact.

Speaker 55 (02:59:46):
My My mo five

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