July 19, 2025 • 180 mins
This week on Kaleidoscope, airing live Sat 6:00pm to 9pm EDT.
Ways to listen:
- On your local HD radio at 91.7 WVXU HD2
- The WVXU app through the Android or Apple store.
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- Radioartifact.com/listen
And you can find all episodes of Kaleidoscope here:
https://www.radioartifact.com/kaleidoscope
Broadcasting from the Village Green Studios
July 19, 2025
Rachel Sumner
Ruby Vileos
Cristina Vane
M. Ross Perkins
Kitchen Dwellers
Left of Orion
Aoife O'Donovan/Hawktail
Farm Report
Sam Carter
The Grove
Gillian Welch/Dave Rawlings
Noah Wotherspoon/Jessi Bair
The Cure
Jim Trace & The Makers
Karen Jonas
Sharna Pax
Tony Trischka w/ Billy Strings
Queen City Silver Stars
Ordinary Elephant
Wussy
Yonder Mountain String Band
Aj Yorio
Niall Thomas
Nervous Verbs
Cunningham Bird
Nat Myers
Nick Lowe & Los Straightjackets
Justin Wells
Dawes
Mol Sullivan
MJ Lenderman
Joe Marcinek Band
Miss Tess
Nicholas Clay
Sharon Van Etten & The Attachment Theory
Become a supporter of this podcast: https://www.spreaker.com/podcast/kaleidoscope--3651963/support.
Ways to listen:
- On your local HD radio at 91.7 WVXU HD2
- The WVXU app through the Android or Apple store.
- WVXU.org/ click All Streams at the top and select Radio Artifact
- Radioartifact.com/listen
And you can find all episodes of Kaleidoscope here:
https://www.radioartifact.com/kaleidoscope
Broadcasting from the Village Green Studios
July 19, 2025
Rachel Sumner
Ruby Vileos
Cristina Vane
M. Ross Perkins
Kitchen Dwellers
Left of Orion
Aoife O'Donovan/Hawktail
Farm Report
Sam Carter
The Grove
Gillian Welch/Dave Rawlings
Noah Wotherspoon/Jessi Bair
The Cure
Jim Trace & The Makers
Karen Jonas
Sharna Pax
Tony Trischka w/ Billy Strings
Queen City Silver Stars
Ordinary Elephant
Wussy
Yonder Mountain String Band
Aj Yorio
Niall Thomas
Nervous Verbs
Cunningham Bird
Nat Myers
Nick Lowe & Los Straightjackets
Justin Wells
Dawes
Mol Sullivan
MJ Lenderman
Joe Marcinek Band
Miss Tess
Nicholas Clay
Sharon Van Etten & The Attachment Theory
Become a supporter of this podcast: https://www.spreaker.com/podcast/kaleidoscope--3651963/support.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:18):
We're all always been left.
Speaker 2 (00:22):
We're always leaving.
Speaker 3 (00:26):
Fate cuts the.
Speaker 1 (00:27):
Straws, and lovers.
Speaker 3 (00:29):
Have to draw lots.
Speaker 4 (00:33):
There's no way.
Speaker 5 (00:34):
To grace for theft times behind.
Speaker 4 (00:39):
It's eavings.
Speaker 6 (00:41):
Should tell me just how long have.
Speaker 7 (00:44):
We both got?
Speaker 5 (00:49):
Some days it's crystalone now I.
Speaker 2 (00:53):
Can see things clearly, though.
Speaker 8 (00:58):
We hope for all it is longer than it is rough.
Speaker 2 (01:05):
There is no number, No bo said.
Speaker 7 (01:10):
All, not me.
Speaker 5 (01:14):
I could ever make gless.
Speaker 9 (01:20):
Long are we the dream and toose.
Speaker 2 (01:41):
The daring dreamer.
Speaker 6 (01:45):
Said to be too contragon to become, I admitted.
Speaker 5 (01:53):
I lived with disbelief that I find my true believer.
Speaker 6 (02:01):
He wore that over of my ever shine in night,
sent with some not it's not to let you hold
me close siply further's tender, her time return is a
din in the line between let's comforting.
Speaker 4 (02:28):
And haunting is entire.
Speaker 1 (02:34):
Love.
Speaker 7 (02:35):
I don't know if.
Speaker 10 (02:38):
It you.
Speaker 5 (03:16):
Haly either, because the grief for all.
Speaker 2 (03:20):
Belived, the grievous.
Speaker 7 (03:24):
Oh, my dearest.
Speaker 1 (03:25):
Darling wind that day is done, and our bed me.
Speaker 5 (03:33):
Comes too big and blink with Perhaps this wishes blinker,
But I.
Speaker 6 (03:40):
Hope my son is the empty one. My life along
without me.
Speaker 1 (03:56):
Scared of all the member.
Speaker 11 (03:58):
Had let alone.
Speaker 6 (04:03):
You're left and placed by hardache. I atographs the man.
Speaker 7 (04:13):
Of us to you would do better?
Speaker 11 (04:19):
Are we all.
Speaker 7 (04:37):
Always being left?
Speaker 2 (04:40):
Or are we always leaving?
Speaker 12 (05:44):
This is the time two strike line until you things
and the same, So.
Speaker 2 (06:11):
Right instead of flight, I haven't.
Speaker 13 (06:21):
Found the words before today.
Speaker 12 (06:33):
You sleep tonight.
Speaker 14 (06:38):
And you'll find by.
Speaker 7 (06:43):
The old day.
Speaker 15 (06:45):
Pretty you say, you ride, you close your eye, Oh
say goodbye to.
Speaker 7 (07:08):
Mo Is a day.
Speaker 4 (07:12):
When I must die.
Speaker 16 (07:19):
You can't.
Speaker 14 (07:23):
You can ride, you can.
Speaker 17 (07:26):
Push you beside.
Speaker 7 (07:32):
You can't do.
Speaker 18 (07:35):
The things you.
Speaker 7 (07:39):
Try.
Speaker 4 (07:46):
You blow mass me, don't drink and sleep.
Speaker 19 (07:57):
No more happened best and the begone, Richard.
Speaker 20 (08:12):
Try just no bad.
Speaker 21 (08:19):
Bad oh would be coming in.
Speaker 7 (08:26):
The gold.
Speaker 21 (08:32):
You can, you can, you can crush here the side.
Speaker 22 (08:45):
You can do.
Speaker 7 (08:49):
The things they.
Speaker 11 (08:52):
Joy you.
Speaker 7 (08:58):
You call your steps, send him.
Speaker 23 (09:06):
To the next. It don't to be.
Speaker 14 (09:13):
The world cool game, right, Just don't try hide.
Speaker 7 (09:26):
Your precious life.
Speaker 14 (09:33):
From me or you or anyone.
Speaker 16 (09:39):
Try Papa, you camel, so I can hide.
Speaker 24 (13:15):
Here monco high above a mountain, talk solitary bird that
stops to shoe.
Speaker 7 (13:26):
Someday.
Speaker 25 (13:27):
So I gotta call my ship on. Now I'm going
to say, she I'm going to say, wait to see.
Speaker 7 (13:42):
Roman.
Speaker 24 (13:46):
I'm here spirit calling days. I'm almost tea struck to
the morning, but I'm there a line of plenty the
red Scott, an ancient thirty eight mappe. Here call high
(14:13):
above the mountain to solitary bird that's got sho.
Speaker 7 (14:19):
So nay so again to call my ship bombing, and
I am going to sail away.
Speaker 26 (14:26):
She I'm going to say a way, she.
Speaker 24 (14:53):
Scott, the storm riding from the east corner smoke can
turn into the raging beats.
Speaker 7 (15:05):
You didn't know the coding man of every sheep.
Speaker 27 (15:12):
You didn't know.
Speaker 7 (15:15):
The hover of this desert weave macome high.
Speaker 24 (15:22):
Above an mountains talk solitary.
Speaker 7 (15:25):
Bird that stops shoe soday. So you gonna call my ship,
and I am gonna sail the waiter. She I'm going
to saduator.
Speaker 24 (15:39):
She here my call high above the mountain top, solitary
(16:16):
bird that stops to sha.
Speaker 7 (16:19):
Someday. Soon the girl gonna call my sheep on him.
Now I am gonna sail the ways she I'm gonna
sail away. Here my color high above the mountain.
Speaker 24 (16:37):
Top solitary bird that stopped to s someday soon the
girl gonna call my sheep on him and I.
Speaker 7 (16:47):
Am gonna sail a wat.
Speaker 26 (16:51):
I'm gonna sail a wave.
Speaker 7 (16:55):
I'm gonna said a waiter.
Speaker 28 (16:58):
She Oh LORINSI also calling.
Speaker 16 (17:18):
Me call me generously when it guess the tender said,
I try.
Speaker 7 (17:35):
To feel as sick man, I haven't wanna be so happy.
Speaker 16 (17:45):
Well, one of my boys is always try to gain
my comn don't know where the queen an tack the tattle.
Speaker 14 (18:05):
Maybe just the s David.
Speaker 16 (18:11):
Lona Beisa, Oh, maybe I love to be so tell
(18:48):
you want now the tale? It's I say, stay shot
the Cabach offices.
Speaker 29 (19:08):
God keep Baker, babe.
Speaker 30 (19:34):
By the time I thought about missing you, you are
Portland Man Filman for the Northwest.
Speaker 31 (19:45):
Under Grand under Grand under grandm.
Speaker 7 (20:10):
House.
Speaker 31 (20:11):
September. Feel loud on the wonder one, jezus, A book
cup matches in my phone. Any little presents hit in
on her thorny crown, go of everything you.
Speaker 14 (20:33):
Blet me down? Am I supposed to hop the back straight?
Standing here trowning in the.
Speaker 18 (20:52):
Right wing to come.
Speaker 32 (20:59):
Name seven.
Speaker 14 (21:02):
That's the carving.
Speaker 33 (21:22):
My return Innother queen spirits seeking bristle fashion and for.
Speaker 7 (21:31):
And cigarette.
Speaker 30 (21:35):
Wch your again.
Speaker 7 (21:36):
Words to be a goat so true only rag at Bexcuse.
Speaker 20 (21:43):
Somebody say, I'm not supposed to have the next train
staying timing the.
Speaker 34 (22:07):
Big win.
Speaker 14 (22:13):
Seven tables became.
Speaker 31 (23:49):
A let's go Togein who all man name is gone
(24:54):
makes ay changes for me.
Speaker 17 (25:01):
The fingers crossed.
Speaker 22 (25:02):
That we made in now we began.
Speaker 31 (25:07):
With Donald agis burning.
Speaker 32 (25:11):
Like a man.
Speaker 14 (25:20):
Not supposed about the right.
Speaker 22 (25:26):
We're standing timing.
Speaker 35 (25:33):
The Sebagoinic, saving posed, securing.
Speaker 36 (26:08):
Good evening and welcome once again to another edition of Kaleidoscope.
Here on Radio Artifact. Kaleidoscope has brought to you each
and every Saturday evening from six until nine, or you
can listen anytime you want. Just go to our website
at Radio artifact dot com, click on stream, click on
(26:29):
Kaleidoscope with Ken Haynes. There the show will be. This
show is already up there on the site, and we'll
be up there for quite a while. Matter of fact,
the last three years worth the Kaleidoscopes are up there
for your listening pleasure. We just heard the latest from
the Kitchen Dwellers and we heard the title track seven Devils.
(26:50):
Before that, m Ross Perkins has a new CD that
will be coming out pretty soon, but for now we
have two singles, and the second one is I Don't
Want to Be So High. Before that was Christina Vain.
Her latest CD is called Here My Call, and we
(27:11):
played the title track this week. Ruby Velios their latest
CD is titled Nothing Between Us, and the cut that
we heard was Precious Mind. And the latest CD from
Rachel Sumner. The name of the CD is Heartless Things
(27:32):
and the cut that we heard was Echoes. Thank you
very much for listening to us and supporting us. You're
in the middle of listening to Kaleidoscope here on Radio Artifact.
Speaker 14 (28:00):
Dot sometime.
Speaker 37 (28:13):
So she started clos and the star.
Speaker 14 (28:22):
She ris thus itself was great as st.
Speaker 37 (28:41):
I'm always starting. I think it's starting a sing thats a.
Speaker 14 (28:49):
Stands Also, I thought.
Speaker 37 (28:56):
That's awful, or uch Tiger to the spears, sum as.
Speaker 38 (29:12):
The same lights.
Speaker 37 (29:18):
Doors taped to.
Speaker 14 (29:24):
Ask ask.
Speaker 22 (29:32):
Ask if they.
Speaker 37 (29:36):
Chicken some shame shadder in the sky, black.
Speaker 29 (29:53):
Chidren.
Speaker 14 (30:00):
That sound was great because of honest sad was better.
Speaker 37 (30:15):
I think a stride.
Speaker 14 (30:17):
Snags now back about that, but the rich except.
Speaker 37 (30:33):
Tag else the back.
Speaker 14 (30:41):
The same basis.
Speaker 37 (30:46):
That there much had.
Speaker 14 (30:51):
Not, a singer asked.
Speaker 3 (30:54):
The seer asked.
Speaker 16 (31:01):
Said, as if the name stop stop ship stocks stop
(32:10):
stop stop.
Speaker 3 (33:05):
Don't be these gold boss, So she'll.
Speaker 17 (33:07):
Make by the home.
Speaker 37 (33:13):
I'm through the dials and vials.
Speaker 3 (33:15):
Thats your b SA.
Speaker 7 (33:34):
Gether all girls. Let me tell you about Christis.
Speaker 22 (33:37):
Let us.
Speaker 7 (33:40):
At the end down, I find victory. I know the way.
Speaker 14 (33:50):
Don't not leave.
Speaker 7 (33:55):
But christens black speak if he failed to let fully maddenly,
and the chance has been lost to me who had
to wait. It's nineteen sixteen. We're talking about that christ Oh,
(34:25):
they gotta rise, have been fast. You may be trouble
and be willings, and.
Speaker 18 (34:40):
But you can solve.
Speaker 7 (34:41):
He these a lot of problems we tried to be.
If we failed to let fall madly in, the chance has.
Speaker 13 (34:55):
Been lost to me who had wait?
Speaker 14 (35:08):
Oh the back of the stone, do you come down?
Speaker 16 (35:17):
Time stot shine loud city village in town.
Speaker 7 (35:23):
The wall is a stroke, the wall is a side.
(36:08):
He failed to let bonnet. That mean the chance has
been loved.
Speaker 39 (36:18):
Doing the street jay.
Speaker 7 (36:23):
Someone asked what he knows?
Speaker 40 (36:27):
He said, keep them so.
Speaker 41 (36:33):
Someone asked his wife, as.
Speaker 26 (36:41):
He is what she said, You've been down.
Speaker 14 (36:48):
That stays.
Speaker 7 (36:52):
There are that's you, say him over the costars kaping me.
It's turning to shine.
Speaker 42 (37:09):
To land invaded, The woman says, storm woman says now.
The woman says, mm hmmm, seok, the.
Speaker 34 (38:36):
Bag everything.
Speaker 32 (39:32):
You can turn it up a little bit. Cists, she said,
you don't know how to make blow fast.
Speaker 22 (39:49):
You're always the thing in the past, and you can let.
Speaker 43 (39:57):
Does.
Speaker 7 (39:57):
She knows how it feels to lose some one. One
day they're here and the next their long road.
Speaker 44 (40:13):
You don't know how love someone. You don't know how
to care. Your heart sinking like setting.
Speaker 16 (40:24):
Sun fading in gay.
Speaker 7 (40:30):
And when you think it over, I wonder what one all.
Speaker 3 (40:39):
Your dollars short and a day to.
Speaker 7 (40:46):
You don't know how.
Speaker 18 (40:48):
Love song, So you try.
Speaker 45 (41:11):
To cover up the way you feel, but everybody knows
that it's not real because.
Speaker 7 (41:19):
It's noty no.
Speaker 18 (41:24):
So you cry.
Speaker 7 (41:28):
A thousand years and then you walk the floor.
Speaker 22 (41:32):
You got less than what you bargain.
Speaker 7 (41:34):
For, and now you're giving her.
Speaker 46 (41:40):
You don't know how to love someone.
Speaker 22 (41:44):
You don't know how to care.
Speaker 7 (41:48):
You're sin setting some paying again, And when.
Speaker 45 (41:57):
You think it over, I wonder what went wrong? Dollars
short and DAT.
Speaker 14 (42:13):
Don't know how?
Speaker 40 (42:17):
So she said, you don't know how to make the last.
Speaker 7 (42:42):
You're always the bag in the past, and you can't
let go O.
Speaker 22 (43:36):
Fell me.
Speaker 7 (43:39):
Silverizer, give me.
Speaker 23 (43:48):
Over the grave.
Speaker 47 (43:50):
Hof I be the wind at my back, he sunning
my be the wind at my birth and.
Speaker 18 (44:04):
The sun in my eyes.
Speaker 6 (44:08):
H guide me.
Speaker 7 (44:12):
Silver rose.
Speaker 47 (44:17):
Drying up from the tap. So night be the wind
at my back.
Speaker 22 (44:29):
And the sun in my eyes.
Speaker 47 (44:33):
Be the wind at my birth.
Speaker 39 (44:36):
And the sun in my eyes.
Speaker 7 (44:42):
Clouds are closing. Something's holding me down after all of
this swater I wouldn't give to bil my believe the ground.
Speaker 43 (44:58):
Take me.
Speaker 47 (45:01):
Silversm raise me.
Speaker 7 (45:09):
And you a broad.
Speaker 22 (45:12):
Scar where the wind my.
Speaker 48 (45:15):
Back, you son in my eyes is where the wind
my back and the son in my eyes.
Speaker 22 (46:04):
Had the closet is.
Speaker 7 (46:06):
Something's holding me down after all of this water will
get still of me.
Speaker 26 (46:17):
It the ground swords and out turn.
Speaker 7 (46:23):
But it's just know and I see an action.
Speaker 49 (46:30):
Won't you send me lives, save me silver Rison, shake
me until my didness dies.
Speaker 27 (46:50):
Is with the wind my back, you summon my eyes.
Speaker 48 (46:57):
With the wind my back, and the sunny my eyes,
with the wind at my back, and sudden my eyes,
sunning my eye.
Speaker 50 (47:48):
Mariner need fell massle and made me haul again.
Speaker 7 (48:00):
What we need is so sample man.
Speaker 22 (48:04):
The rest is of pretend.
Speaker 7 (48:11):
While the clouds.
Speaker 51 (48:12):
Appear and the night is near, and room's getting small,
roomation creeps and loosing sleep.
Speaker 31 (48:28):
You're there and a home morning, Take.
Speaker 7 (48:33):
Me home.
Speaker 50 (48:37):
Home close My AGI's anaxic of rapting.
Speaker 52 (48:51):
Wander Have I got here? Solavoie said, Sit and fred.
Speaker 7 (49:02):
And bust of it, jes mader Ellarine swearer, handy hacks
into the eye of s.
Speaker 53 (49:22):
And lot of steep, palace batter Sweet, You're there in
home Mona, take me home.
Speaker 14 (49:56):
SI.
Speaker 34 (50:00):
Want to go.
Speaker 54 (50:02):
Never New Red.
Speaker 53 (50:07):
Sat Back, Come.
Speaker 18 (50:14):
Name New Mead of.
Speaker 54 (51:21):
Onnven New.
Speaker 36 (51:32):
Thank you for listening to Kaleidoscope here on Radio Artifact,
we just heard the latest from the Grove. Their latest
single is called Rumagate Rumination. Before that was Sam Carter
from his previous CD called Silver Horizon, and from that
we played the title cut Farm Report has a new
(51:57):
single out and the name of the single is you
Don't Know aifa O'Donovan and Hawktail have an epl call
plays all my Friends, and from that we heard the
cut Crisis and we started the set off with left
(52:21):
at Orion and their latest single is called Maybe These
flood Walls. Thank you very much for listening to us
and supporting us. You're in the middle of listening to
Kaleidoscope here on Radio Artifact.
Speaker 7 (53:20):
I don't make it up this way too. Uh how
the cold is a little bit hard on me.
Speaker 55 (53:39):
Gotta Lord season sopping.
Speaker 32 (53:49):
Go on it to.
Speaker 7 (53:52):
Child.
Speaker 34 (53:53):
See we.
Speaker 22 (54:00):
In no God dream?
Speaker 56 (54:29):
Ah, I guess it's just my blood getting this saitisy living,
no se we steal away?
Speaker 22 (54:49):
What was God blas up to dinner?
Speaker 7 (54:55):
This is so much dream that you live.
Speaker 56 (54:59):
S we.
Speaker 22 (55:06):
In an old country?
Speaker 16 (55:53):
Well it turned in the bath in the snow, Come
in all you get back with the commence, I'll be.
Speaker 55 (56:07):
Gone sun long name. You must send me a letter
the seamless stilly.
Speaker 7 (56:31):
Tell you now we did again.
Speaker 14 (56:40):
You'll get chap.
Speaker 37 (56:44):
Free.
Speaker 43 (56:47):
We go.
Speaker 28 (57:57):
Build the roads down, down, ahead, up to the easy divide.
Speaker 38 (58:06):
To our souls on the lamp.
Speaker 28 (58:09):
It just like Bunny and clad Well patrove ann through.
Speaker 14 (58:16):
The prairie till the knee will hit the eag.
Speaker 38 (58:22):
Start showing like silver dollars.
Speaker 14 (58:26):
Let the legs feel and me.
Speaker 38 (58:31):
All the tears I shed and uh loose.
Speaker 28 (58:37):
Outlet still can't get tosser out of my head, out
of my head.
Speaker 38 (58:51):
We were bound of road side bolts and we shifted
in for some rest. Just go up to talking about
the cautions.
Speaker 57 (59:04):
The ben oasn says.
Speaker 38 (59:06):
Last guess where the room fell? Little Deed and the team.
Speaker 33 (59:14):
They just flit snow.
Speaker 38 (59:17):
Time stop for wild under the nose.
Speaker 40 (59:22):
They can see.
Speaker 38 (59:26):
All the tears I shed and the bose eyelet.
Speaker 18 (59:34):
Still can't as out of.
Speaker 7 (59:38):
My head, out of my head, out of my f.
Speaker 26 (01:00:04):
I never know.
Speaker 40 (01:00:08):
Had sail time.
Speaker 7 (01:00:12):
You had someone want to.
Speaker 33 (01:00:16):
Go?
Speaker 46 (01:00:20):
I remember last thing you told me?
Speaker 7 (01:00:25):
Boys sting, how am I supposed to do? Changing? Oh?
Speaker 38 (01:00:38):
The jesashi and all the disablet.
Speaker 7 (01:00:46):
Still check.
Speaker 18 (01:00:47):
It's also out of my head, my.
Speaker 28 (01:00:52):
Head, out of my head, out of my head.
Speaker 36 (01:01:39):
You're listening to radio Artifact ninety one point seven f
M h D two w v XU and one six
six oh am citcinnati Ohio. You're in the middle of
listening to Kaleidoscope here on radio Artifact.
Speaker 16 (01:02:02):
Shall music together that you won't again, however, all.
Speaker 14 (01:04:57):
You time talking with me in the same beat together,
no one who grant however fall.
Speaker 1 (01:05:15):
Me tonight.
Speaker 43 (01:05:18):
Besides down comes society in the side.
Speaker 37 (01:05:24):
It will help me and wrap your.
Speaker 14 (01:05:27):
Arms round me.
Speaker 34 (01:05:30):
You know love a bum.
Speaker 14 (01:05:36):
Because side Now soon it's you. It's your whole book
the less time in the time line the boy.
Speaker 1 (01:05:50):
I know.
Speaker 57 (01:05:54):
My mom is going old.
Speaker 39 (01:05:58):
Let me its l.
Speaker 1 (01:06:07):
I know.
Speaker 39 (01:06:10):
Now my worldscroll old.
Speaker 22 (01:06:15):
It doesn't let me.
Speaker 39 (01:06:18):
If you say a thing together, you call me.
Speaker 20 (01:06:55):
I know.
Speaker 39 (01:06:58):
My world disco, I'm not, says.
Speaker 1 (01:07:15):
The story.
Speaker 3 (01:07:19):
It doesn't.
Speaker 39 (01:07:20):
Us says.
Speaker 22 (01:07:33):
You promise you'll be bris.
Speaker 39 (01:08:30):
Sight of goose saw me.
Speaker 2 (01:08:34):
In the souls of a hope.
Speaker 22 (01:08:49):
When us saw him, faith never fell mappy.
Speaker 47 (01:08:57):
Touch brown, you away again.
Speaker 39 (01:09:01):
Myself from dream mothercle.
Speaker 47 (01:09:14):
When you took my.
Speaker 39 (01:09:16):
Hand, well known you never let down. Smile lag, yeah,
we just laught.
Speaker 44 (01:09:38):
You.
Speaker 14 (01:09:41):
You are.
Speaker 38 (01:09:44):
Chair I couldn't want from you are like dream, never
couldn't dream.
Speaker 47 (01:09:55):
Un you are roney.
Speaker 14 (01:10:02):
Now now you are love long Ti to my fun.
Speaker 39 (01:11:20):
You are like dream and love to dream fun.
Speaker 22 (01:11:28):
You are like me.
Speaker 17 (01:11:34):
Yell down fold when I saw your face, never felt
(01:11:57):
my feet just a clay.
Speaker 22 (01:12:01):
Make get muscle from a tree.
Speaker 58 (01:12:07):
Uncle, when it sune, well knowing you never let me down.
Speaker 34 (01:12:26):
Let's smile and lay.
Speaker 46 (01:12:31):
It said.
Speaker 22 (01:12:40):
She you love said fum.
Speaker 37 (01:12:51):
You are last.
Speaker 30 (01:12:53):
Dream to dream from.
Speaker 4 (01:13:05):
Now down, now.
Speaker 22 (01:13:27):
Down.
Speaker 34 (01:13:43):
All we can't see lay curtain mean.
Speaker 3 (01:13:46):
Right into crystal sn I in the pacer that could
look at the songs.
Speaker 18 (01:13:53):
So you gotta be.
Speaker 4 (01:13:56):
Business man and prop out of bed of a gambler.
Speaker 23 (01:14:02):
I'm thinking our cat easing in that You've got.
Speaker 59 (01:14:05):
The mountain, Yes, terrible, the honey we go where the
money went.
Speaker 7 (01:14:14):
You can tell me how tacky it is. When we
get to bay.
Speaker 14 (01:14:21):
You'll leave you all evenly coming.
Speaker 37 (01:14:27):
You're leaves and.
Speaker 4 (01:14:33):
To the rich man's bat.
Speaker 7 (01:14:40):
Nobody lies, no, honey, but we're not here for the friendship.
You gotta brand new soup to wear for the church
next week.
Speaker 16 (01:14:53):
We come a line where from sounding the.
Speaker 3 (01:14:56):
Fir tree sidling.
Speaker 7 (01:14:59):
Awa das one and the bare feet through the poor
man's vas not the two stands.
Speaker 34 (01:15:07):
She none got a bottle for.
Speaker 3 (01:15:09):
A few men.
Speaker 7 (01:15:09):
I made stole.
Speaker 26 (01:15:12):
And a brand new water cycle to give me where
I want go with.
Speaker 7 (01:15:18):
You're late, you're coming, You're late.
Speaker 38 (01:15:27):
I'm not sting up.
Speaker 3 (01:15:30):
To the rich man's body.
Speaker 14 (01:16:00):
Use hell money if.
Speaker 7 (01:16:02):
You don't spend it by upon in love.
Speaker 60 (01:16:05):
If you can't catch it by hanging around with the
corner of the mountains and the Crows's only back when
you're almost here.
Speaker 23 (01:16:16):
Once strike the light in the way is clear.
Speaker 7 (01:16:19):
What's the use of hiding a big time if you
don't go.
Speaker 18 (01:16:51):
Your lay dude, Come.
Speaker 26 (01:16:57):
Your lay dude.
Speaker 37 (01:17:06):
Day to the rich Man, Lly.
Speaker 7 (01:17:22):
To the rich Man, qual.
Speaker 46 (01:17:28):
To the rich Man's value.
Speaker 36 (01:17:34):
Thank you for listening to Kaleidoscope here on Radio Artifact.
We just heard from Karen Jonas. Her latest CD is
called The Rise and Fall of American Kitchen and the
cut that we heard was rich Man's Valley. Jim Trace
and the Makers. Their latest CD is called Nashville and
the cut that we heard was Warm in Winter. Your's
(01:18:00):
latest album is titled let me make sure I get
this correct because they don't put out a lot of
albums anymore, Songs of a Lost World, and the cut
that we heard was and Nothing Is Forever. Let's see.
Before that, we heard from Noah Weatherspoon and Jesse Bear.
(01:18:25):
Their latest single is called Tulsa, and we started that
set off with Gillian Welch and Dave Rawlings. Their latest
CD is called Woodland and the cut that we heard
was North Country. Speaking of Jim Trace and the Makers,
(01:18:46):
this is the tenth anniversary of their first album that
they ever put out, and they are going to celebrate
right here at Radio Artifact Performance Center on April the fifth,
Lydia Shay is going to warm up for them and
(01:19:06):
then they are going to perform their first album, Minutes Entirety,
and if you ask them nicely, they probably will do
their latest album, Minutes Entirety, well at least a lot
of it. So that's April fifth. They are going to
be down here at the Radio Artifact Performance Center. Thank
you very much for listening to us and for supporting us.
(01:19:29):
You're in the middle of listening to Kaleidoscope here on
Radio Artifact.
Speaker 3 (01:19:57):
Is Campbell's Sure is t.
Speaker 4 (01:20:02):
Sleeps It often black and white, wasting whiskey.
Speaker 40 (01:20:08):
It's so same.
Speaker 7 (01:20:12):
You keep pouring.
Speaker 3 (01:20:14):
I'll say, when the way really.
Speaker 7 (01:20:21):
It's a resign up for.
Speaker 61 (01:20:39):
Painting landscapes on the bar, the fingertip and peep beyond.
Speaker 7 (01:20:50):
Hang on there. I'll test you and you test me.
The way you live there's one kind last the way
(01:21:10):
we live.
Speaker 26 (01:21:15):
There's no way to ups.
Speaker 17 (01:21:22):
Don't worry about yourselves. You'll be okay.
Speaker 36 (01:21:26):
The world knows that we are is are constructive not destructive.
Speaker 61 (01:21:32):
Journey holsters up clock taser clash like Cajun long, no
man's land on.
Speaker 25 (01:21:44):
Every board, stand by to repel all borders.
Speaker 7 (01:21:52):
The way we live, refreshing my the way we live.
Speaker 33 (01:22:08):
With two ms on.
Speaker 7 (01:22:13):
The way we live. What's the sun of my hand?
Speaker 14 (01:22:24):
The way we live?
Speaker 7 (01:22:29):
There's nothing left to say.
Speaker 22 (01:23:00):
You recover your.
Speaker 56 (01:23:44):
Go.
Speaker 7 (01:23:44):
Look Bob coming down a lane.
Speaker 39 (01:23:46):
I'm gonna getting Backie's walking cane.
Speaker 17 (01:23:48):
Lord Lord, I got them browns.
Speaker 22 (01:23:50):
Very blue.
Speaker 62 (01:23:51):
Were torn Alane Wimstown to see that woman and now
he's down.
Speaker 7 (01:23:55):
Lord Lord, I got them browns.
Speaker 39 (01:23:57):
Fabe car, look up, get him too tiny.
Speaker 17 (01:24:16):
If you don't quit drinking, you'll be highest kind.
Speaker 63 (01:24:18):
Lord Lord, I got them browns.
Speaker 62 (01:24:21):
He can drink a black and tackle behind if you
walk the block and tack a little lion.
Speaker 7 (01:24:25):
Lord Lord, I got them browns fair.
Speaker 17 (01:24:43):
We'll want the two my girls old man and asked
him for my true less hand.
Speaker 7 (01:24:47):
Lord Lord, I got them browns fair.
Speaker 37 (01:24:49):
Ever, you.
Speaker 23 (01:24:51):
He's selling a lot of little group instead.
Speaker 47 (01:24:53):
Of her hand.
Speaker 17 (01:24:54):
I got his foot, Lord Lord, I got.
Speaker 39 (01:24:56):
Them browns verbe.
Speaker 23 (01:25:27):
They're hard like pop.
Speaker 17 (01:25:28):
Standing in the green.
Speaker 7 (01:25:29):
The one's cool.
Speaker 39 (01:25:30):
You can't back me, Lord Lord.
Speaker 31 (01:25:32):
I got them browns fair.
Speaker 7 (01:25:33):
Ever, that arounds aread close.
Speaker 39 (01:25:37):
You can smell his feet wherever he goes. Lord Lord,
I got them browns fair ever he.
Speaker 17 (01:25:57):
A new man took my gin.
Speaker 30 (01:25:59):
Hope you don't come back at the end, Lord.
Speaker 22 (01:26:01):
Lord, I got them browns very loon.
Speaker 23 (01:26:04):
Well to my sweetheart with than too, how she can
little to tell? Over Lord, I.
Speaker 18 (01:26:09):
Got them browns very low.
Speaker 22 (01:26:11):
Yeah, well, here we are, here.
Speaker 18 (01:26:28):
We are around, and here we.
Speaker 47 (01:26:30):
Are, Lord Lord, I got them browns very moon.
Speaker 17 (01:26:34):
W's mid a Tony and Bill and Sam.
Speaker 50 (01:26:36):
And chat to me as here we are, Lord Lord,
I got them browns fairy good.
Speaker 43 (01:27:31):
O Lord?
Speaker 14 (01:27:34):
What your lord? Your happy name? Save happy name?
Speaker 43 (01:27:49):
Joy?
Speaker 14 (01:27:54):
What John want your happiness?
Speaker 62 (01:27:59):
John, you want happiness? You want to have it at
(01:28:33):
your happiness? You wanna you want to start right up
a ticket. But you know you're not sitting on a
treasure chess. The worth and the joy that you're making.
It's in the other choice that you're making. I'll help you,
thinking of you better, breathing what you believe in.
Speaker 14 (01:28:51):
I just want to fold you.
Speaker 17 (01:28:53):
I just want to treat you that teak you now
forever speak you up, let me that I just want
to fool you.
Speaker 22 (01:29:03):
I just want to treat you guys.
Speaker 17 (01:29:09):
Step inside barco fear range jumpers. Step inside barcoo rear
range jumper.
Speaker 22 (01:29:53):
You wanna.
Speaker 17 (01:29:55):
You want to have that ond onto your love. You
wanna you wanna strip backing thinking, but you know it's
never gonna feel you over. Sometimes you give more than
you dig in.
Speaker 62 (01:30:06):
Be lanning to be like I picked up of a
break and I help you feel your cards. Jamta breed
in what you believe in.
Speaker 7 (01:30:14):
I just wanna fold you.
Speaker 28 (01:30:17):
I just wanna treat you right, take your now forever,
pick you up for it.
Speaker 17 (01:30:23):
And I just wanna fold you. I just wanna treat
you right.
Speaker 14 (01:30:31):
Nice.
Speaker 64 (01:30:32):
Step inside Poka be arange jumper, Step outside bacco.
Speaker 63 (01:30:48):
Be a range jumper, strip shop.
Speaker 23 (01:31:42):
Trouble, stupid schopp.
Speaker 17 (01:31:51):
Were trouble.
Speaker 65 (01:32:00):
Mhm, tell me that story again.
Speaker 7 (01:32:16):
They never tell me that story againd wasn't it true?
What's pot?
Speaker 23 (01:32:38):
Wasn't it true?
Speaker 7 (01:32:40):
What's pot?
Speaker 23 (01:32:46):
Cape?
Speaker 66 (01:32:46):
Cameing up with the laundry? Yeah, keep keeping up with
the car. I guess they not.
Speaker 7 (01:32:59):
Really it's changed. Jurffy feels like there. Juffy feels like there.
Got good now got.
Speaker 67 (01:33:18):
A good boys to see you.
Speaker 7 (01:33:24):
You've got a good deal but he's to heal Elys.
Speaker 39 (01:33:34):
Joese is not something choice.
Speaker 7 (01:33:40):
Choese is not something in cheese.
Speaker 68 (01:34:18):
Tell me that story again, they hil in the boy,
tell me that story in they.
Speaker 31 (01:34:36):
Wasn't it you?
Speaker 18 (01:34:38):
What part.
Speaker 30 (01:34:42):
Wasn't it you?
Speaker 14 (01:34:44):
Lot part?
Speaker 3 (01:34:48):
Was it it tue?
Speaker 7 (01:34:54):
Wasn't it you?
Speaker 14 (01:34:56):
What pot?
Speaker 3 (01:35:00):
Was it true?
Speaker 47 (01:35:07):
Was it true?
Speaker 18 (01:35:09):
What poun?
Speaker 53 (01:35:13):
Was it?
Speaker 7 (01:35:14):
Tell it that in.
Speaker 59 (01:35:19):
It?
Speaker 11 (01:35:20):
Tell it that stick?
Speaker 7 (01:35:27):
Tell it at and was it tell it a stick?
Speaker 57 (01:35:38):
Was it it? Was it it?
Speaker 69 (01:35:46):
What?
Speaker 14 (01:35:47):
Pn?
Speaker 3 (01:35:50):
Was it it you? Was it it true?
Speaker 7 (01:35:59):
What's fun on a car?
Speaker 46 (01:36:02):
And then you count the day's and the how years
(01:36:24):
before we give up?
Speaker 7 (01:36:30):
I'm way going.
Speaker 22 (01:36:32):
For your stuff.
Speaker 70 (01:36:39):
The coln your face and said, then be out of
the sola. You count the days and the hours and so.
Speaker 14 (01:36:57):
Closed journal, So don't you go out as another met.
Speaker 20 (01:37:43):
Finally know happen the stars and.
Speaker 3 (01:37:46):
Shave feld.
Speaker 22 (01:37:52):
To so little better?
Speaker 38 (01:37:55):
And I meant believes.
Speaker 14 (01:38:05):
Change s s always saga.
Speaker 34 (01:38:28):
Song s.
Speaker 14 (01:38:33):
Very not wake.
Speaker 22 (01:39:16):
Your faces.
Speaker 7 (01:39:17):
No, they got it so low.
Speaker 38 (01:39:32):
It's closing.
Speaker 43 (01:39:37):
It s.
Speaker 14 (01:39:46):
Always what if you.
Speaker 59 (01:39:55):
S?
Speaker 36 (01:40:50):
You're listening to Kaleidoscope here on Radio Artifact. We just
heard the latest from Wissie. Their latest CD is titled Cincinnati, Ohio,
and the cut that we heard was Days and Hours
Ordinary Elephant from their self titled album produced by Dirk Powell,
(01:41:15):
who is a pretty big bluegrass guy. And we heard
the first cut on the CD called Once Upon a
Time Queen City Silver Stars. Their latest CD is called Suitcase,
and the cut that we heard was step Inside. Before
(01:41:36):
that was Tony Trishka. His latest CD is titled Earl
Jam and we played the first cut off the album
called Brown's Fairy Blues and that's Billy Strings that's playing
with him on that cut. And we started the set
off with Sharma Pox. Their latest CD is called The
(01:41:59):
Way We Live Now, and that is the cut that
we played this week. Thank you very much for listening
to us and supporting us. You're in the middle of
listening to Kaleidoscope here on Radio Artifact.
Speaker 71 (01:42:32):
Well here I go again. I'm gonna get in my
own way. Maybe I enjoy it? Does that make me insane?
Speaker 7 (01:42:50):
Wish that I could be the version of me in
my tree?
Speaker 18 (01:43:00):
I went, I'm wrong, It's just how I've been on along.
Speaker 7 (01:43:16):
If finding the work is broken, I don't know what
to change the same old selfriend.
Speaker 22 (01:43:29):
Don't hold me down these stay.
Speaker 72 (01:43:34):
So take me if you can leave me, if you
can understand, I welcome.
Speaker 18 (01:43:43):
To the light.
Speaker 7 (01:43:45):
Just let me have my time in the night.
Speaker 43 (01:43:52):
Time.
Speaker 37 (01:43:53):
Times when I close my eyes.
Speaker 7 (01:43:56):
I see myself living in the batter frame of my me,
and I tell myself it'll all be fine.
Speaker 18 (01:44:06):
But they might be lying.
Speaker 73 (01:44:17):
Or suther cup of coffee. Let's the raising thoughts again?
Am I growing or feeling?
Speaker 18 (01:44:30):
Which narrative will win.
Speaker 14 (01:44:35):
All?
Speaker 7 (01:44:36):
I gonna now My heart's time.
Speaker 17 (01:44:38):
To count its way out.
Speaker 7 (01:44:44):
Maybe I should breathe. It doesn't really.
Speaker 16 (01:44:47):
Sound I came.
Speaker 14 (01:44:53):
Soun. Times when I close my eyes, I.
Speaker 7 (01:44:57):
See myself living in a bad afraid of mine me.
Speaker 39 (01:45:02):
And I tell myself in lonely.
Speaker 18 (01:45:07):
But they might be lying.
Speaker 27 (01:46:41):
Times Well, I close my eyes.
Speaker 7 (01:46:44):
I see myself living in a batter frame of mi me.
Speaker 16 (01:46:49):
I tell myself feel longly fine, though it might be fine.
Speaker 43 (01:47:01):
One one older stood speed school sport s us guys,
(01:49:02):
we show.
Speaker 33 (01:49:23):
You know.
Speaker 47 (01:49:26):
Everybody who you speak.
Speaker 43 (01:49:31):
To me.
Speaker 6 (01:49:34):
You know.
Speaker 74 (01:50:30):
You called the pond to come along to the wind.
The spectacle this has become is not lost on everyone.
Speaker 22 (01:50:46):
It's a bloodline.
Speaker 74 (01:50:49):
It's a false tide, sink stop of the worried kind.
Speaker 22 (01:50:55):
It's an ill wind, from which begins the ourage of
the rising car.
Speaker 75 (01:51:08):
We bend we sway we bend we sway we bend
we sway we bend we sway.
Speaker 22 (01:51:29):
It's a vision of what's yet to come. Make no mistake,
Make no mistake.
Speaker 74 (01:51:38):
They'll twist a knife, turn the screw in case you're
not show what they're trying to do. It's a bloodline.
It's false time since the whole of the worried kind.
It's an ill wind, the which begins there courage of
(01:52:02):
the rosin car.
Speaker 75 (01:52:08):
We band we sway we band we sway we band
we sway we band we swim.
Speaker 27 (01:52:31):
It's a blue line.
Speaker 74 (01:52:34):
It's a false tide, sink stop of the worry kind.
Speaker 22 (01:52:40):
It's an ill wind, from which begins.
Speaker 27 (01:52:44):
The courage the rasin can we band we sway we
band we sway we band we sways sweet band we sway.
Speaker 14 (01:53:06):
It's a blue bland.
Speaker 7 (01:53:08):
It's a pulls time.
Speaker 39 (01:53:10):
Sin's the home of the worry.
Speaker 34 (01:53:14):
It's a little way from which week is the character
the razic.
Speaker 27 (01:53:23):
We bad Louise sway we bad we sway we band
Louise sway.
Speaker 3 (01:53:36):
We band we sway. I'm a crystal bow shattered on
(01:54:44):
the floor.
Speaker 7 (01:54:47):
I could see all.
Speaker 3 (01:54:52):
I can't see a thing an I can't see the
(01:55:17):
spear of the house slammed the candid door.
Speaker 76 (01:55:26):
Poured the bottles out, A broken all myself to be sure,
I can't see.
Speaker 7 (01:55:58):
God, and I.
Speaker 54 (01:56:03):
Can't anything to stay a shape.
Speaker 14 (01:56:10):
When I can can't say.
Speaker 69 (01:56:14):
This body is.
Speaker 3 (01:56:34):
The spear of the house, battered on the floor.
Speaker 7 (01:56:43):
I couldn't see it all.
Speaker 3 (01:56:47):
I can't see myself any I can't see.
Speaker 7 (01:57:06):
Do you always trust your first initial feeling special knowledge
holds it's true, bast believe in hurround order.
Speaker 14 (01:57:41):
Was closezing a.
Speaker 2 (01:57:47):
Like a glow.
Speaker 7 (01:57:51):
Like glow, that it fadly finally family, then anew.
Speaker 2 (01:58:05):
In the crystaline knowledge be.
Speaker 14 (01:58:12):
Drave me.
Speaker 7 (01:58:14):
Through the mountains, through the crystal clear fat.
Speaker 14 (01:58:25):
Jove me.
Speaker 7 (01:58:28):
Like man.
Speaker 52 (01:58:34):
To the sea.
Speaker 7 (01:58:47):
How the faces.
Speaker 46 (01:58:50):
Of love have changed?
Speaker 7 (01:58:53):
Turning the pages.
Speaker 14 (01:59:00):
And all I have changed.
Speaker 7 (01:59:03):
Old moody.
Speaker 14 (01:59:07):
Really turn around and the water.
Speaker 3 (01:59:21):
Was closed.
Speaker 22 (01:59:28):
Like a glow.
Speaker 1 (01:59:31):
Like glow.
Speaker 54 (01:59:35):
Let us fundly.
Speaker 7 (01:59:38):
Finely found me. Then I knew.
Speaker 3 (01:59:46):
In the crystal knowledge of you.
Speaker 11 (01:59:53):
Drove me.
Speaker 40 (01:59:56):
Through the mountains.
Speaker 7 (02:00:00):
To the crystal clear world of fount drove me.
Speaker 14 (02:00:09):
Like a magnet.
Speaker 56 (02:00:16):
To the scene.
Speaker 14 (02:00:25):
To the scene.
Speaker 36 (02:01:44):
You're listening to Radio Artifact ninety one point seven f
M h D two w v x U and one
six six oh a M, Cincinnati, Ohio. You're in the
middle of listening to Kaleidoscope here on Radio Artifact. Scope
is presented each and every Saturday evening from six pm
(02:02:04):
till nine pm. Or you can listen anytime you want.
Just go to our website at radio artifact dot com,
click on stream, click on Kaleidoscope with Ken Haynes, and
there the show will be. This show is already up
there for you to listen to anytime you want. We
(02:02:25):
just heard from a group that calls themselves Cunningham Bird,
and what it is is Madison Cunningham and Andrew Bird.
They have gotten together and they have recreated the Buckingham
Knicks CD album actually album because I don't know if
it ever came out on CD, but they didn't reissue it.
(02:02:50):
I mean, they were making boatloads of money with Fleetwood Max,
so they I don't know if they just didn't want
to put it out or whatever, but it's one of
those treasures that if you could find it good, you know,
it's a decent album. And Andrew and Madison do a
(02:03:12):
very fine job of recreating it. And the cut that
we heard this week was Crystal Before that was Nervous
Verbs and that is taken from their CD titled Pony Coaching,
and the cut that we heard was I Broke Them
(02:03:33):
All Myself Nile Thomas from his CD titled False Tide,
and the cut that we heard was Witching Our.
Speaker 37 (02:03:46):
A j.
Speaker 36 (02:03:49):
Yorio and he has put out a solo album which
is titled Gush, and the cut that we heard was
two Skies. And we started the set off with the
latest from Yonder Mountain String Band from There Nowhere Next Collection,
(02:04:12):
and the cut that we heard was here I Go.
Thank you very much for listening to us and supporting us.
You're in the middle of listening to Kaleidoscope here on
radio Artifacty.
Speaker 14 (02:04:43):
Baby with you?
Speaker 7 (02:04:52):
Hey baby, you.
Speaker 39 (02:05:05):
Don't see me like you to do?
Speaker 34 (02:05:22):
Hey?
Speaker 14 (02:05:26):
Word the battle now?
Speaker 34 (02:05:36):
Hey?
Speaker 1 (02:05:37):
Hey?
Speaker 77 (02:05:40):
Maybe you want the man now trying to read you honey,
World of Dot he hay, some of Bathday Body.
Speaker 35 (02:06:54):
He hay.
Speaker 22 (02:06:57):
So bathy to the.
Speaker 39 (02:07:07):
Am for to take all.
Speaker 47 (02:08:22):
You won't Blue, I've got a message a song.
Speaker 14 (02:08:30):
You're like a man. You a man.
Speaker 3 (02:08:35):
I call you a blue and blue.
Speaker 47 (02:08:42):
You won't blue?
Speaker 34 (02:08:45):
You only have you been?
Speaker 47 (02:08:46):
You see any crying? I already lived?
Speaker 14 (02:08:51):
But how am.
Speaker 47 (02:08:55):
I you won't blue?
Speaker 22 (02:09:01):
Blue, long blue?
Speaker 17 (02:09:04):
How has it come to this?
Speaker 37 (02:09:07):
Your kisses of my shoes, I long.
Speaker 22 (02:09:15):
Each waking out for you.
Speaker 14 (02:09:19):
To long blue.
Speaker 47 (02:09:22):
I've got a message in a song.
Speaker 3 (02:09:27):
I call you a too long blue.
Speaker 47 (02:09:48):
I can't sleep for all the promises you don't keep.
Speaker 22 (02:09:55):
I want to run, but I'm into the too deep.
Speaker 3 (02:10:02):
A blue worn blue.
Speaker 34 (02:10:08):
In my mind.
Speaker 78 (02:10:11):
I'm on the end of the ball of twine that
she jerks from time to time, time for blue.
Speaker 23 (02:10:22):
Horn blue, blue, warm blue?
Speaker 57 (02:10:28):
How has it come to your kisses, my worn hues?
Speaker 35 (02:10:37):
Long each waken out your horn blue?
Speaker 47 (02:10:46):
I've got a message's home for you?
Speaker 43 (02:10:51):
You like a mill, you and blue.
Speaker 14 (02:10:56):
I call you a blue wine blue. I call you
a blue home blue.
Speaker 39 (02:11:05):
I call you a blue home blue. I call you
call your blue home blue blue, blue, blue.
Speaker 47 (02:11:20):
Blue, blue blue.
Speaker 79 (02:12:15):
Gotta quit patting myself on the back, Gotta quit coffee
in the gotta quit long nights, blue light. The boy
isn't talking without meaning, I gotta quit talking. Then the
first person I seen getting criminated A song I gotta
(02:12:37):
quit talking over.
Speaker 1 (02:12:38):
My sweet love.
Speaker 47 (02:12:39):
Shouldn't never pulling on water above, or shouldn't.
Speaker 27 (02:12:43):
Never have to keep me covered up like.
Speaker 17 (02:12:46):
This till lie discovering my voice again.
Speaker 39 (02:12:49):
My friends, there's been walls, but these walls.
Speaker 7 (02:12:53):
And calming down.
Speaker 79 (02:12:58):
I been filled a little filds in my mind, and
I'm the talk of that ole tank. You gotta quip
giving up on bedy towns and settling down with terrible
lines that shouldn't fast the worst of mine. Once again,
(02:13:18):
I first in line to criticize myself.
Speaker 18 (02:13:22):
See, there's been walls, but these wallalls.
Speaker 22 (02:13:25):
Are coming down.
Speaker 58 (02:13:30):
I've been building little belts.
Speaker 30 (02:13:33):
In my mind, and I'm the talk of that old tank.
Speaker 3 (02:13:41):
And I'm hoping that.
Speaker 7 (02:13:42):
Their time of getting line one more cup. What should
be this tack for the train and their shell from
the range was.
Speaker 33 (02:13:58):
Me.
Speaker 79 (02:14:02):
I gotta quit sleep through the mall, Gotta quit tent
without one, Gotta.
Speaker 47 (02:14:08):
Quit building up and burning down.
Speaker 53 (02:14:11):
My curs before I burn around and all my dreams
are gone.
Speaker 7 (02:14:16):
Now sing a final song and check about.
Speaker 80 (02:14:24):
I been building a little beardings in my mind.
Speaker 17 (02:14:28):
And I'm the tall for that old town.
Speaker 30 (02:14:35):
I've been building a little beardings in my mind.
Speaker 17 (02:14:38):
And I'm the tall of that old town.
Speaker 7 (02:14:55):
All I've been building these damn buildings, And in my
mind m.
Speaker 47 (02:15:08):
Hm hm.
Speaker 57 (02:15:20):
Hmm, I watched your whole court with gradually class of
your fan club, little same time good stories at the
end of your favorably bar to give up a bit
(02:15:47):
of suspense you're telling them in the press intense believe
that's the person you somehow Still, the assumption was always
that you were a little too special to pay the
(02:16:14):
same share of the dudes.
Speaker 22 (02:16:17):
But all of us, all.
Speaker 57 (02:16:23):
You convinced us to change up the plan.
Speaker 22 (02:16:28):
And prepare the road for the man.
Speaker 47 (02:16:32):
Instead of just simply preparing the man for the role.
Speaker 22 (02:16:42):
What everything goes sad of fashion?
Speaker 7 (02:16:51):
You went way.
Speaker 50 (02:16:56):
That you could.
Speaker 54 (02:17:02):
Didn't go on.
Speaker 22 (02:17:05):
As it has been. You had a kid over never will.
Speaker 57 (02:17:20):
You used to say that my beers were a bit
too expensive to get to the heart of what drove
a true seeker to drink. After we both forced.
Speaker 40 (02:17:40):
A laugh, your eyes tried to take that joke.
Speaker 47 (02:17:45):
Back once you could tell that I knew that's what
you really think.
Speaker 16 (02:17:57):
How did miss guitar astrophe happened?
Speaker 14 (02:18:06):
And why.
Speaker 16 (02:18:08):
Is it habad.
Speaker 57 (02:18:11):
It's you could didn't go on as with her husband.
You had to be king over there never will.
Speaker 22 (02:18:34):
As we walked in my car, we.
Speaker 57 (02:18:36):
Both heard a small pack of kaotes telling him the
neighbor that they all found.
Speaker 39 (02:18:47):
Something to eat.
Speaker 57 (02:18:53):
After the house died away. You sabered up, only to
say it's too late to be anything mean.
Speaker 34 (02:19:05):
Now the wold.
Speaker 11 (02:19:11):
Had dry.
Speaker 81 (02:19:13):
You havenstead of Franklin, it's let the longe may go
in for the kids.
Speaker 14 (02:19:30):
You too.
Speaker 22 (02:19:32):
Didn't go on.
Speaker 27 (02:19:35):
As it has been.
Speaker 52 (02:19:37):
You had.
Speaker 26 (02:19:39):
Gane of the never.
Speaker 34 (02:19:43):
Wills, and now you're the heart of.
Speaker 22 (02:19:51):
A story goes on without you.
Speaker 57 (02:19:58):
We've distilled your home persons only the best memories. You're
a fixture at all open mics. The kids ask me
if we were alike. But when I look in a mirror,
(02:20:20):
yours is the face that I see, and.
Speaker 34 (02:20:26):
It was.
Speaker 14 (02:20:28):
Not cold.
Speaker 22 (02:20:30):
I imagine silen to get built.
Speaker 43 (02:20:44):
I re few to go on.
Speaker 22 (02:20:49):
As it has been.
Speaker 69 (02:20:52):
I would rather be g.
Speaker 22 (02:20:56):
Over the never Wills of the the never.
Speaker 36 (02:21:28):
Thank you for listening to Kaleidoscope here on Radio Artifact.
We just heard the latest from Dawes. Their latest CD
is called Oh Brother, and the cut that we heard
was King of the Neverworlds Justin Wells His latest CD
is called Cynthiana and the cut that we heard was
(02:21:48):
Little Buildings. Nick Lowe and Lost Strait Jackets. Their latest
CD is called Indoor Safari, and the cut that we
heard was Blue on Blue and Nate Myers. Hopefully you're
doing better, Nate or Nat I can't remember which which
(02:22:09):
it is.
Speaker 14 (02:22:11):
Is.
Speaker 36 (02:22:11):
The latest CD is called Yellow Pearl, and the cut
that we heard was Undertaker Blues. Thank you very much
for listening to us and supporting us. You're in the
middle of listening to Kaleidoscope here on radio artifact.
Speaker 45 (02:23:04):
H m h.
Speaker 14 (02:23:12):
M hm m m hmm.
Speaker 46 (02:23:22):
There I found it.
Speaker 34 (02:23:25):
In my.
Speaker 1 (02:23:28):
In the quick sad, in the fight, I try to.
Speaker 8 (02:23:36):
Bove you into the vessel, into my own health, perhaps
a bad world.
Speaker 7 (02:23:46):
Loud, Oh my god, my god, oh my.
Speaker 12 (02:23:54):
God, oh my god.
Speaker 46 (02:24:12):
There I left you tucked in the back.
Speaker 12 (02:24:17):
See the stood and naked.
Speaker 10 (02:24:21):
How nice with their feeling.
Speaker 7 (02:24:27):
My head.
Speaker 8 (02:24:30):
I round us both lie and without asking, my god,
Oh my god, oh my god, oh my god.
Speaker 22 (02:24:49):
When the.
Speaker 1 (02:24:53):
Breaks righteous chorus, they will say, are.
Speaker 67 (02:25:12):
Hi, honey, I found you in the my in quick say.
Speaker 7 (02:25:39):
In the fai I try to.
Speaker 1 (02:25:44):
Go into the vessel, into my.
Speaker 8 (02:25:49):
Own hell, I'm giving your life.
Speaker 40 (02:25:56):
Oh my god, Oh from this, Oh my god.
Speaker 22 (02:26:06):
When the it re see.
Speaker 1 (02:26:12):
Righteous chorously Wilson.
Speaker 69 (02:26:17):
H a.
Speaker 7 (02:26:23):
High high.
Speaker 56 (02:26:32):
We are.
Speaker 34 (02:26:35):
High.
Speaker 43 (02:26:38):
We are.
Speaker 14 (02:26:41):
High.
Speaker 7 (02:27:08):
Some say.
Speaker 82 (02:27:12):
Distance grows hard, but I know sometimes we just drift apart.
Everybody's walking and cheers leaving nosar. It's some day at
(02:27:37):
the water park.
Speaker 1 (02:27:55):
We sat.
Speaker 30 (02:27:59):
Under a have mask McDonald's flat.
Speaker 82 (02:28:04):
Broken birds dumble fast fast my window.
Speaker 30 (02:28:12):
You don't know, shape bound bunching holes.
Speaker 83 (02:28:46):
In a hotel room, singing all you had to do
it must be nice.
Speaker 30 (02:28:59):
Whoa, whoa, it would be nice.
Speaker 22 (02:29:04):
To me.
Speaker 82 (02:29:13):
Clarinet singe its loan from dog Wall. Clarinet singing its
(02:29:35):
loan from Dogwalk.
Speaker 7 (02:29:38):
What else can you say? The hell a.
Speaker 30 (02:29:42):
Friend with a broken heart?
Speaker 22 (02:29:47):
You don't know, shay, you don't know at a.
Speaker 43 (02:30:54):
And b.
Speaker 37 (02:32:05):
At a.
Speaker 34 (02:32:43):
Inst b botts.
Speaker 43 (02:32:58):
Do so.
Speaker 69 (02:33:53):
The don't.
Speaker 54 (02:36:29):
Building, don't.
Speaker 53 (02:37:23):
It?
Speaker 3 (02:37:29):
And it's.
Speaker 4 (02:37:46):
This if irehead mowing.
Speaker 7 (02:38:39):
Please today moving hurry d men where I could stay
now hey, worry.
Speaker 53 (02:39:01):
M h.
Speaker 7 (02:39:04):
Lace off, feel.
Speaker 10 (02:39:11):
Lay sick.
Speaker 7 (02:39:18):
The tarn a sleeper.
Speaker 18 (02:39:25):
Around me, a spot.
Speaker 7 (02:39:29):
On some mountain, toper.
Speaker 84 (02:39:33):
Snowe around me, valleys, hand streets, birds in the tree.
Speaker 7 (02:39:47):
Lags that surround me, lay south.
Speaker 26 (02:39:56):
Fields the play sad, stand up.
Speaker 41 (02:40:10):
Seable lads to bargain all my regrets leave cherones.
Speaker 7 (02:41:15):
The good time ladies side could sleep.
Speaker 10 (02:41:25):
Nothing but beat the feel free at all times, lay.
Speaker 11 (02:41:36):
Sick feels.
Speaker 14 (02:41:43):
Lady sack could.
Speaker 7 (02:41:49):
These tanner seable.
Speaker 23 (02:42:00):
Mh COmON loge.
Speaker 14 (02:42:24):
To page.
Speaker 7 (02:42:29):
With thermal pain filled.
Speaker 6 (02:42:31):
My long beach.
Speaker 7 (02:42:36):
Love basit Mappy.
Speaker 22 (02:42:42):
Can visit my.
Speaker 85 (02:42:47):
Love feeling so painful found sylphie E turns that destinies.
Speaker 80 (02:42:58):
Don you ain't got any wattails you you've made.
Speaker 7 (02:43:09):
Long Hans we tick upstairs.
Speaker 56 (02:43:17):
You do like.
Speaker 7 (02:43:19):
Clows in your own counsel to the stairs. You made
long half week tick us stands.
Speaker 3 (02:43:58):
Come along page.
Speaker 17 (02:44:04):
To left page.
Speaker 7 (02:44:08):
Still clean out joy while.
Speaker 86 (02:44:12):
It still remains. Then let's be at this side and
then the nest time list.
Speaker 7 (02:44:27):
It's making our peace with pout that behind.
Speaker 30 (02:44:36):
It turns out destiny.
Speaker 80 (02:44:38):
Stop fading on many won't tis.
Speaker 7 (02:44:46):
You made long cap We pick our staves. You do
out quest your counsel.
Speaker 22 (02:45:02):
To them stands.
Speaker 87 (02:45:07):
He may long have We take us stands. Let's be
(02:45:39):
in this sider that thems come next.
Speaker 44 (02:45:49):
It's making our peace with five packs behind us.
Speaker 36 (02:46:07):
On Kaleidoscope. We just heard from Nicholas Clay. It's another
conglomerate of various people who were in other bands and
then they get together and they do an album or
something like that. This is from his EP and the
(02:46:30):
song that we played is Coming of Age. Miss Tests
from her CD titled Louisiana, and the cut that we
heard was Tennessee Blues. Joe Barsenic and his latest CD
is called The Groove Session Album, and the cut that
(02:46:50):
we heard was Funky g She the Sloversion. And before
that we heard m Jay Lenderman and his latest CD
is called The Manning Fireworks, and the cut that we
heard was you Don't Know the Shape, And we started
(02:47:12):
to set off with Miles Sullivan. She has reissued her
first album, which is recorded around ten years ago, called
Winter ninety Winter twenty thirteen, and the cut that we
heard was under the Vessel. Thank you very much for
listening to us and supporting us. You are listening to
(02:47:33):
Kaleidoscope here on Radio Artifact.
Speaker 59 (02:48:14):
All the trouble I've got, chewing all the trouble, I'll
give chell a home. All the stories that.
Speaker 46 (02:48:33):
I can tell, what the down versions of my own
health a home.
Speaker 7 (02:48:47):
I don't want you.
Speaker 88 (02:48:49):
Love against you, will applo you kisses and I've got go.
Speaker 14 (02:48:56):
To the kill't lose.
Speaker 3 (02:49:06):
You against you, will.
Speaker 7 (02:49:11):
Kisses and take pack to.
Speaker 14 (02:49:14):
Kill that chance.
Speaker 59 (02:49:58):
All the so it is, All the bubbles are of
the punting part, all the last told ourselves, all the
(02:50:21):
ways that we retil.
Speaker 7 (02:50:32):
I don't want to lose you, love.
Speaker 88 (02:50:35):
Against you with holy kissesn't take cocat to kill.
Speaker 14 (02:50:50):
Don't want to lose you.
Speaker 88 (02:50:52):
Love against you willdom holy kissesn't take concut to kill.
Speaker 7 (02:51:17):
S chas.
Speaker 38 (02:51:52):
S trust.
Speaker 59 (02:52:18):
All the trouble got you, all the trouble, I got you.
All the trouble.
Speaker 37 (02:52:28):
I got you.
Speaker 14 (02:52:31):
All the trouble I'll get you.
Speaker 22 (02:52:53):
Take a moment in pat.
Speaker 89 (02:52:57):
She live in the post, you stand, drop through town,
drop in the mail insid wit be cause you rise.
Speaker 28 (02:53:08):
Then see the floders floting fireladen dis guys.
Speaker 89 (02:53:14):
Are the sugar coat, and don't change a plag kill
him everything you got.
Speaker 7 (02:53:32):
She ups at him.
Speaker 38 (02:53:35):
He coughs him to his overcoat.
Speaker 22 (02:53:38):
It smells like.
Speaker 7 (02:53:39):
Chin fum Get for a moment seldom gone.
Speaker 22 (02:53:47):
Just then death soldier.
Speaker 7 (02:53:50):
I'll carry on, carry on a folder.
Speaker 69 (02:53:55):
Don't change your plag kill him everything.
Speaker 37 (02:53:59):
You got, sad, the sound.
Speaker 89 (02:55:18):
The outside down, saw the postman dive away in a day,
don't my body, don't at food every season that has
(02:55:44):
gone my way, all the best ones.
Speaker 17 (02:55:49):
I with you, ups and down, ups and down?
Speaker 30 (02:55:58):
What you giving me?
Speaker 43 (02:55:59):
Oh now?
Speaker 22 (02:56:02):
Ups now.
Speaker 3 (02:56:05):
Up down.
Speaker 33 (02:56:08):
Up now, ups and down, ups down, ups now, ups
and down.
Speaker 39 (02:56:25):
Ups and downs.
Speaker 36 (02:56:30):
You're listening the Radio Artifact ninety one point seven f
M h D two w v x U and one
six six oh a M, Cincinnati, Ohio. For the last
three hours you've been listening to reverberations here on Radio Artifact.
My name is Ken Haynes. It's a pleasure for me
to be in here playing this wide variety of music
(02:56:52):
for you. The last set ended with mo from their
latest CD called Circle of Giants, and the cut was
ups and Downs. And before that we heard Sharon Van
Eaton and the Attachment Theory and it's a self titled
(02:57:13):
album and the cut that we heard was Trouble. Thank
you very much for listening to us and supporting us.
Have a great rest of your weekend, have a great week,
and come on back next Saturday and we'll have another
wide variety of music for you. To listen to and
enjoy here on Radio Artifact.
Speaker 1 (02:58:33):
My my.
Speaker 20 (02:58:45):
U A
Speaker 14 (02:59:23):
A part
We're all always been left.
Speaker 2 (00:22):
We're always leaving.
Speaker 3 (00:26):
Fate cuts the.
Speaker 1 (00:27):
Straws, and lovers.
Speaker 3 (00:29):
Have to draw lots.
Speaker 4 (00:33):
There's no way.
Speaker 5 (00:34):
To grace for theft times behind.
Speaker 4 (00:39):
It's eavings.
Speaker 6 (00:41):
Should tell me just how long have.
Speaker 7 (00:44):
We both got?
Speaker 5 (00:49):
Some days it's crystalone now I.
Speaker 2 (00:53):
Can see things clearly, though.
Speaker 8 (00:58):
We hope for all it is longer than it is rough.
Speaker 2 (01:05):
There is no number, No bo said.
Speaker 7 (01:10):
All, not me.
Speaker 5 (01:14):
I could ever make gless.
Speaker 9 (01:20):
Long are we the dream and toose.
Speaker 2 (01:41):
The daring dreamer.
Speaker 6 (01:45):
Said to be too contragon to become, I admitted.
Speaker 5 (01:53):
I lived with disbelief that I find my true believer.
Speaker 6 (02:01):
He wore that over of my ever shine in night,
sent with some not it's not to let you hold
me close siply further's tender, her time return is a
din in the line between let's comforting.
Speaker 4 (02:28):
And haunting is entire.
Speaker 1 (02:34):
Love.
Speaker 7 (02:35):
I don't know if.
Speaker 10 (02:38):
It you.
Speaker 5 (03:16):
Haly either, because the grief for all.
Speaker 2 (03:20):
Belived, the grievous.
Speaker 7 (03:24):
Oh, my dearest.
Speaker 1 (03:25):
Darling wind that day is done, and our bed me.
Speaker 5 (03:33):
Comes too big and blink with Perhaps this wishes blinker,
But I.
Speaker 6 (03:40):
Hope my son is the empty one. My life along
without me.
Speaker 1 (03:56):
Scared of all the member.
Speaker 11 (03:58):
Had let alone.
Speaker 6 (04:03):
You're left and placed by hardache. I atographs the man.
Speaker 7 (04:13):
Of us to you would do better?
Speaker 11 (04:19):
Are we all.
Speaker 7 (04:37):
Always being left?
Speaker 2 (04:40):
Or are we always leaving?
Speaker 12 (05:44):
This is the time two strike line until you things
and the same, So.
Speaker 2 (06:11):
Right instead of flight, I haven't.
Speaker 13 (06:21):
Found the words before today.
Speaker 12 (06:33):
You sleep tonight.
Speaker 14 (06:38):
And you'll find by.
Speaker 7 (06:43):
The old day.
Speaker 15 (06:45):
Pretty you say, you ride, you close your eye, Oh
say goodbye to.
Speaker 7 (07:08):
Mo Is a day.
Speaker 4 (07:12):
When I must die.
Speaker 16 (07:19):
You can't.
Speaker 14 (07:23):
You can ride, you can.
Speaker 17 (07:26):
Push you beside.
Speaker 7 (07:32):
You can't do.
Speaker 18 (07:35):
The things you.
Speaker 7 (07:39):
Try.
Speaker 4 (07:46):
You blow mass me, don't drink and sleep.
Speaker 19 (07:57):
No more happened best and the begone, Richard.
Speaker 20 (08:12):
Try just no bad.
Speaker 21 (08:19):
Bad oh would be coming in.
Speaker 7 (08:26):
The gold.
Speaker 21 (08:32):
You can, you can, you can crush here the side.
Speaker 22 (08:45):
You can do.
Speaker 7 (08:49):
The things they.
Speaker 11 (08:52):
Joy you.
Speaker 7 (08:58):
You call your steps, send him.
Speaker 23 (09:06):
To the next. It don't to be.
Speaker 14 (09:13):
The world cool game, right, Just don't try hide.
Speaker 7 (09:26):
Your precious life.
Speaker 14 (09:33):
From me or you or anyone.
Speaker 16 (09:39):
Try Papa, you camel, so I can hide.
Speaker 24 (13:15):
Here monco high above a mountain, talk solitary bird that
stops to shoe.
Speaker 7 (13:26):
Someday.
Speaker 25 (13:27):
So I gotta call my ship on. Now I'm going
to say, she I'm going to say, wait to see.
Speaker 7 (13:42):
Roman.
Speaker 24 (13:46):
I'm here spirit calling days. I'm almost tea struck to
the morning, but I'm there a line of plenty the
red Scott, an ancient thirty eight mappe. Here call high
(14:13):
above the mountain to solitary bird that's got sho.
Speaker 7 (14:19):
So nay so again to call my ship bombing, and
I am going to sail away.
Speaker 26 (14:26):
She I'm going to say a way, she.
Speaker 24 (14:53):
Scott, the storm riding from the east corner smoke can
turn into the raging beats.
Speaker 7 (15:05):
You didn't know the coding man of every sheep.
Speaker 27 (15:12):
You didn't know.
Speaker 7 (15:15):
The hover of this desert weave macome high.
Speaker 24 (15:22):
Above an mountains talk solitary.
Speaker 7 (15:25):
Bird that stops shoe soday. So you gonna call my ship,
and I am gonna sail the waiter. She I'm going
to saduator.
Speaker 24 (15:39):
She here my call high above the mountain top, solitary
(16:16):
bird that stops to sha.
Speaker 7 (16:19):
Someday. Soon the girl gonna call my sheep on him.
Now I am gonna sail the ways she I'm gonna
sail away. Here my color high above the mountain.
Speaker 24 (16:37):
Top solitary bird that stopped to s someday soon the
girl gonna call my sheep on him and I.
Speaker 7 (16:47):
Am gonna sail a wat.
Speaker 26 (16:51):
I'm gonna sail a wave.
Speaker 7 (16:55):
I'm gonna said a waiter.
Speaker 28 (16:58):
She Oh LORINSI also calling.
Speaker 16 (17:18):
Me call me generously when it guess the tender said,
I try.
Speaker 7 (17:35):
To feel as sick man, I haven't wanna be so happy.
Speaker 16 (17:45):
Well, one of my boys is always try to gain
my comn don't know where the queen an tack the tattle.
Speaker 14 (18:05):
Maybe just the s David.
Speaker 16 (18:11):
Lona Beisa, Oh, maybe I love to be so tell
(18:48):
you want now the tale? It's I say, stay shot
the Cabach offices.
Speaker 29 (19:08):
God keep Baker, babe.
Speaker 30 (19:34):
By the time I thought about missing you, you are
Portland Man Filman for the Northwest.
Speaker 31 (19:45):
Under Grand under Grand under grandm.
Speaker 7 (20:10):
House.
Speaker 31 (20:11):
September. Feel loud on the wonder one, jezus, A book
cup matches in my phone. Any little presents hit in
on her thorny crown, go of everything you.
Speaker 14 (20:33):
Blet me down? Am I supposed to hop the back straight?
Standing here trowning in the.
Speaker 18 (20:52):
Right wing to come.
Speaker 32 (20:59):
Name seven.
Speaker 14 (21:02):
That's the carving.
Speaker 33 (21:22):
My return Innother queen spirits seeking bristle fashion and for.
Speaker 7 (21:31):
And cigarette.
Speaker 30 (21:35):
Wch your again.
Speaker 7 (21:36):
Words to be a goat so true only rag at Bexcuse.
Speaker 20 (21:43):
Somebody say, I'm not supposed to have the next train
staying timing the.
Speaker 34 (22:07):
Big win.
Speaker 14 (22:13):
Seven tables became.
Speaker 31 (23:49):
A let's go Togein who all man name is gone
(24:54):
makes ay changes for me.
Speaker 17 (25:01):
The fingers crossed.
Speaker 22 (25:02):
That we made in now we began.
Speaker 31 (25:07):
With Donald agis burning.
Speaker 32 (25:11):
Like a man.
Speaker 14 (25:20):
Not supposed about the right.
Speaker 22 (25:26):
We're standing timing.
Speaker 35 (25:33):
The Sebagoinic, saving posed, securing.
Speaker 36 (26:08):
Good evening and welcome once again to another edition of Kaleidoscope.
Here on Radio Artifact. Kaleidoscope has brought to you each
and every Saturday evening from six until nine, or you
can listen anytime you want. Just go to our website
at Radio artifact dot com, click on stream, click on
(26:29):
Kaleidoscope with Ken Haynes. There the show will be. This
show is already up there on the site, and we'll
be up there for quite a while. Matter of fact,
the last three years worth the Kaleidoscopes are up there
for your listening pleasure. We just heard the latest from
the Kitchen Dwellers and we heard the title track seven Devils.
(26:50):
Before that, m Ross Perkins has a new CD that
will be coming out pretty soon, but for now we
have two singles, and the second one is I Don't
Want to Be So High. Before that was Christina Vain.
Her latest CD is called Here My Call, and we
(27:11):
played the title track this week. Ruby Velios their latest
CD is titled Nothing Between Us, and the cut that
we heard was Precious Mind. And the latest CD from
Rachel Sumner. The name of the CD is Heartless Things
(27:32):
and the cut that we heard was Echoes. Thank you
very much for listening to us and supporting us. You're
in the middle of listening to Kaleidoscope here on Radio Artifact.
Speaker 14 (28:00):
Dot sometime.
Speaker 37 (28:13):
So she started clos and the star.
Speaker 14 (28:22):
She ris thus itself was great as st.
Speaker 37 (28:41):
I'm always starting. I think it's starting a sing thats a.
Speaker 14 (28:49):
Stands Also, I thought.
Speaker 37 (28:56):
That's awful, or uch Tiger to the spears, sum as.
Speaker 38 (29:12):
The same lights.
Speaker 37 (29:18):
Doors taped to.
Speaker 14 (29:24):
Ask ask.
Speaker 22 (29:32):
Ask if they.
Speaker 37 (29:36):
Chicken some shame shadder in the sky, black.
Speaker 29 (29:53):
Chidren.
Speaker 14 (30:00):
That sound was great because of honest sad was better.
Speaker 37 (30:15):
I think a stride.
Speaker 14 (30:17):
Snags now back about that, but the rich except.
Speaker 37 (30:33):
Tag else the back.
Speaker 14 (30:41):
The same basis.
Speaker 37 (30:46):
That there much had.
Speaker 14 (30:51):
Not, a singer asked.
Speaker 3 (30:54):
The seer asked.
Speaker 16 (31:01):
Said, as if the name stop stop ship stocks stop
(32:10):
stop stop.
Speaker 3 (33:05):
Don't be these gold boss, So she'll.
Speaker 17 (33:07):
Make by the home.
Speaker 37 (33:13):
I'm through the dials and vials.
Speaker 3 (33:15):
Thats your b SA.
Speaker 7 (33:34):
Gether all girls. Let me tell you about Christis.
Speaker 22 (33:37):
Let us.
Speaker 7 (33:40):
At the end down, I find victory. I know the way.
Speaker 14 (33:50):
Don't not leave.
Speaker 7 (33:55):
But christens black speak if he failed to let fully maddenly,
and the chance has been lost to me who had
to wait. It's nineteen sixteen. We're talking about that christ Oh,
(34:25):
they gotta rise, have been fast. You may be trouble
and be willings, and.
Speaker 18 (34:40):
But you can solve.
Speaker 7 (34:41):
He these a lot of problems we tried to be.
If we failed to let fall madly in, the chance has.
Speaker 13 (34:55):
Been lost to me who had wait?
Speaker 14 (35:08):
Oh the back of the stone, do you come down?
Speaker 16 (35:17):
Time stot shine loud city village in town.
Speaker 7 (35:23):
The wall is a stroke, the wall is a side.
(36:08):
He failed to let bonnet. That mean the chance has
been loved.
Speaker 39 (36:18):
Doing the street jay.
Speaker 7 (36:23):
Someone asked what he knows?
Speaker 40 (36:27):
He said, keep them so.
Speaker 41 (36:33):
Someone asked his wife, as.
Speaker 26 (36:41):
He is what she said, You've been down.
Speaker 14 (36:48):
That stays.
Speaker 7 (36:52):
There are that's you, say him over the costars kaping me.
It's turning to shine.
Speaker 42 (37:09):
To land invaded, The woman says, storm woman says now.
The woman says, mm hmmm, seok, the.
Speaker 34 (38:36):
Bag everything.
Speaker 32 (39:32):
You can turn it up a little bit. Cists, she said,
you don't know how to make blow fast.
Speaker 22 (39:49):
You're always the thing in the past, and you can let.
Speaker 43 (39:57):
Does.
Speaker 7 (39:57):
She knows how it feels to lose some one. One
day they're here and the next their long road.
Speaker 44 (40:13):
You don't know how love someone. You don't know how
to care. Your heart sinking like setting.
Speaker 16 (40:24):
Sun fading in gay.
Speaker 7 (40:30):
And when you think it over, I wonder what one all.
Speaker 3 (40:39):
Your dollars short and a day to.
Speaker 7 (40:46):
You don't know how.
Speaker 18 (40:48):
Love song, So you try.
Speaker 45 (41:11):
To cover up the way you feel, but everybody knows
that it's not real because.
Speaker 7 (41:19):
It's noty no.
Speaker 18 (41:24):
So you cry.
Speaker 7 (41:28):
A thousand years and then you walk the floor.
Speaker 22 (41:32):
You got less than what you bargain.
Speaker 7 (41:34):
For, and now you're giving her.
Speaker 46 (41:40):
You don't know how to love someone.
Speaker 22 (41:44):
You don't know how to care.
Speaker 7 (41:48):
You're sin setting some paying again, And when.
Speaker 45 (41:57):
You think it over, I wonder what went wrong? Dollars
short and DAT.
Speaker 14 (42:13):
Don't know how?
Speaker 40 (42:17):
So she said, you don't know how to make the last.
Speaker 7 (42:42):
You're always the bag in the past, and you can't
let go O.
Speaker 22 (43:36):
Fell me.
Speaker 7 (43:39):
Silverizer, give me.
Speaker 23 (43:48):
Over the grave.
Speaker 47 (43:50):
Hof I be the wind at my back, he sunning
my be the wind at my birth and.
Speaker 18 (44:04):
The sun in my eyes.
Speaker 6 (44:08):
H guide me.
Speaker 7 (44:12):
Silver rose.
Speaker 47 (44:17):
Drying up from the tap. So night be the wind
at my back.
Speaker 22 (44:29):
And the sun in my eyes.
Speaker 47 (44:33):
Be the wind at my birth.
Speaker 39 (44:36):
And the sun in my eyes.
Speaker 7 (44:42):
Clouds are closing. Something's holding me down after all of
this swater I wouldn't give to bil my believe the ground.
Speaker 43 (44:58):
Take me.
Speaker 47 (45:01):
Silversm raise me.
Speaker 7 (45:09):
And you a broad.
Speaker 22 (45:12):
Scar where the wind my.
Speaker 48 (45:15):
Back, you son in my eyes is where the wind
my back and the son in my eyes.
Speaker 22 (46:04):
Had the closet is.
Speaker 7 (46:06):
Something's holding me down after all of this water will
get still of me.
Speaker 26 (46:17):
It the ground swords and out turn.
Speaker 7 (46:23):
But it's just know and I see an action.
Speaker 49 (46:30):
Won't you send me lives, save me silver Rison, shake
me until my didness dies.
Speaker 27 (46:50):
Is with the wind my back, you summon my eyes.
Speaker 48 (46:57):
With the wind my back, and the sunny my eyes,
with the wind at my back, and sudden my eyes,
sunning my eye.
Speaker 50 (47:48):
Mariner need fell massle and made me haul again.
Speaker 7 (48:00):
What we need is so sample man.
Speaker 22 (48:04):
The rest is of pretend.
Speaker 7 (48:11):
While the clouds.
Speaker 51 (48:12):
Appear and the night is near, and room's getting small,
roomation creeps and loosing sleep.
Speaker 31 (48:28):
You're there and a home morning, Take.
Speaker 7 (48:33):
Me home.
Speaker 50 (48:37):
Home close My AGI's anaxic of rapting.
Speaker 52 (48:51):
Wander Have I got here? Solavoie said, Sit and fred.
Speaker 7 (49:02):
And bust of it, jes mader Ellarine swearer, handy hacks
into the eye of s.
Speaker 53 (49:22):
And lot of steep, palace batter Sweet, You're there in
home Mona, take me home.
Speaker 14 (49:56):
SI.
Speaker 34 (50:00):
Want to go.
Speaker 54 (50:02):
Never New Red.
Speaker 53 (50:07):
Sat Back, Come.
Speaker 18 (50:14):
Name New Mead of.
Speaker 54 (51:21):
Onnven New.
Speaker 36 (51:32):
Thank you for listening to Kaleidoscope here on Radio Artifact,
we just heard the latest from the Grove. Their latest
single is called Rumagate Rumination. Before that was Sam Carter
from his previous CD called Silver Horizon, and from that
we played the title cut Farm Report has a new
(51:57):
single out and the name of the single is you
Don't Know aifa O'Donovan and Hawktail have an epl call
plays all my Friends, and from that we heard the
cut Crisis and we started the set off with left
(52:21):
at Orion and their latest single is called Maybe These
flood Walls. Thank you very much for listening to us
and supporting us. You're in the middle of listening to
Kaleidoscope here on Radio Artifact.
Speaker 7 (53:20):
I don't make it up this way too. Uh how
the cold is a little bit hard on me.
Speaker 55 (53:39):
Gotta Lord season sopping.
Speaker 32 (53:49):
Go on it to.
Speaker 7 (53:52):
Child.
Speaker 34 (53:53):
See we.
Speaker 22 (54:00):
In no God dream?
Speaker 56 (54:29):
Ah, I guess it's just my blood getting this saitisy living,
no se we steal away?
Speaker 22 (54:49):
What was God blas up to dinner?
Speaker 7 (54:55):
This is so much dream that you live.
Speaker 56 (54:59):
S we.
Speaker 22 (55:06):
In an old country?
Speaker 16 (55:53):
Well it turned in the bath in the snow, Come
in all you get back with the commence, I'll be.
Speaker 55 (56:07):
Gone sun long name. You must send me a letter
the seamless stilly.
Speaker 7 (56:31):
Tell you now we did again.
Speaker 14 (56:40):
You'll get chap.
Speaker 37 (56:44):
Free.
Speaker 43 (56:47):
We go.
Speaker 28 (57:57):
Build the roads down, down, ahead, up to the easy divide.
Speaker 38 (58:06):
To our souls on the lamp.
Speaker 28 (58:09):
It just like Bunny and clad Well patrove ann through.
Speaker 14 (58:16):
The prairie till the knee will hit the eag.
Speaker 38 (58:22):
Start showing like silver dollars.
Speaker 14 (58:26):
Let the legs feel and me.
Speaker 38 (58:31):
All the tears I shed and uh loose.
Speaker 28 (58:37):
Outlet still can't get tosser out of my head, out
of my head.
Speaker 38 (58:51):
We were bound of road side bolts and we shifted
in for some rest. Just go up to talking about
the cautions.
Speaker 57 (59:04):
The ben oasn says.
Speaker 38 (59:06):
Last guess where the room fell? Little Deed and the team.
Speaker 33 (59:14):
They just flit snow.
Speaker 38 (59:17):
Time stop for wild under the nose.
Speaker 40 (59:22):
They can see.
Speaker 38 (59:26):
All the tears I shed and the bose eyelet.
Speaker 18 (59:34):
Still can't as out of.
Speaker 7 (59:38):
My head, out of my head, out of my f.
Speaker 26 (01:00:04):
I never know.
Speaker 40 (01:00:08):
Had sail time.
Speaker 7 (01:00:12):
You had someone want to.
Speaker 33 (01:00:16):
Go?
Speaker 46 (01:00:20):
I remember last thing you told me?
Speaker 7 (01:00:25):
Boys sting, how am I supposed to do? Changing? Oh?
Speaker 38 (01:00:38):
The jesashi and all the disablet.
Speaker 7 (01:00:46):
Still check.
Speaker 18 (01:00:47):
It's also out of my head, my.
Speaker 28 (01:00:52):
Head, out of my head, out of my head.
Speaker 36 (01:01:39):
You're listening to radio Artifact ninety one point seven f
M h D two w v XU and one six
six oh am citcinnati Ohio. You're in the middle of
listening to Kaleidoscope here on radio Artifact.
Speaker 16 (01:02:02):
Shall music together that you won't again, however, all.
Speaker 14 (01:04:57):
You time talking with me in the same beat together,
no one who grant however fall.
Speaker 1 (01:05:15):
Me tonight.
Speaker 43 (01:05:18):
Besides down comes society in the side.
Speaker 37 (01:05:24):
It will help me and wrap your.
Speaker 14 (01:05:27):
Arms round me.
Speaker 34 (01:05:30):
You know love a bum.
Speaker 14 (01:05:36):
Because side Now soon it's you. It's your whole book
the less time in the time line the boy.
Speaker 1 (01:05:50):
I know.
Speaker 57 (01:05:54):
My mom is going old.
Speaker 39 (01:05:58):
Let me its l.
Speaker 1 (01:06:07):
I know.
Speaker 39 (01:06:10):
Now my worldscroll old.
Speaker 22 (01:06:15):
It doesn't let me.
Speaker 39 (01:06:18):
If you say a thing together, you call me.
Speaker 20 (01:06:55):
I know.
Speaker 39 (01:06:58):
My world disco, I'm not, says.
Speaker 1 (01:07:15):
The story.
Speaker 3 (01:07:19):
It doesn't.
Speaker 39 (01:07:20):
Us says.
Speaker 22 (01:07:33):
You promise you'll be bris.
Speaker 39 (01:08:30):
Sight of goose saw me.
Speaker 2 (01:08:34):
In the souls of a hope.
Speaker 22 (01:08:49):
When us saw him, faith never fell mappy.
Speaker 47 (01:08:57):
Touch brown, you away again.
Speaker 39 (01:09:01):
Myself from dream mothercle.
Speaker 47 (01:09:14):
When you took my.
Speaker 39 (01:09:16):
Hand, well known you never let down. Smile lag, yeah,
we just laught.
Speaker 44 (01:09:38):
You.
Speaker 14 (01:09:41):
You are.
Speaker 38 (01:09:44):
Chair I couldn't want from you are like dream, never
couldn't dream.
Speaker 47 (01:09:55):
Un you are roney.
Speaker 14 (01:10:02):
Now now you are love long Ti to my fun.
Speaker 39 (01:11:20):
You are like dream and love to dream fun.
Speaker 22 (01:11:28):
You are like me.
Speaker 17 (01:11:34):
Yell down fold when I saw your face, never felt
(01:11:57):
my feet just a clay.
Speaker 22 (01:12:01):
Make get muscle from a tree.
Speaker 58 (01:12:07):
Uncle, when it sune, well knowing you never let me down.
Speaker 34 (01:12:26):
Let's smile and lay.
Speaker 46 (01:12:31):
It said.
Speaker 22 (01:12:40):
She you love said fum.
Speaker 37 (01:12:51):
You are last.
Speaker 30 (01:12:53):
Dream to dream from.
Speaker 4 (01:13:05):
Now down, now.
Speaker 22 (01:13:27):
Down.
Speaker 34 (01:13:43):
All we can't see lay curtain mean.
Speaker 3 (01:13:46):
Right into crystal sn I in the pacer that could
look at the songs.
Speaker 18 (01:13:53):
So you gotta be.
Speaker 4 (01:13:56):
Business man and prop out of bed of a gambler.
Speaker 23 (01:14:02):
I'm thinking our cat easing in that You've got.
Speaker 59 (01:14:05):
The mountain, Yes, terrible, the honey we go where the
money went.
Speaker 7 (01:14:14):
You can tell me how tacky it is. When we
get to bay.
Speaker 14 (01:14:21):
You'll leave you all evenly coming.
Speaker 37 (01:14:27):
You're leaves and.
Speaker 4 (01:14:33):
To the rich man's bat.
Speaker 7 (01:14:40):
Nobody lies, no, honey, but we're not here for the friendship.
You gotta brand new soup to wear for the church
next week.
Speaker 16 (01:14:53):
We come a line where from sounding the.
Speaker 3 (01:14:56):
Fir tree sidling.
Speaker 7 (01:14:59):
Awa das one and the bare feet through the poor
man's vas not the two stands.
Speaker 34 (01:15:07):
She none got a bottle for.
Speaker 3 (01:15:09):
A few men.
Speaker 7 (01:15:09):
I made stole.
Speaker 26 (01:15:12):
And a brand new water cycle to give me where
I want go with.
Speaker 7 (01:15:18):
You're late, you're coming, You're late.
Speaker 38 (01:15:27):
I'm not sting up.
Speaker 3 (01:15:30):
To the rich man's body.
Speaker 14 (01:16:00):
Use hell money if.
Speaker 7 (01:16:02):
You don't spend it by upon in love.
Speaker 60 (01:16:05):
If you can't catch it by hanging around with the
corner of the mountains and the Crows's only back when
you're almost here.
Speaker 23 (01:16:16):
Once strike the light in the way is clear.
Speaker 7 (01:16:19):
What's the use of hiding a big time if you
don't go.
Speaker 18 (01:16:51):
Your lay dude, Come.
Speaker 26 (01:16:57):
Your lay dude.
Speaker 37 (01:17:06):
Day to the rich Man, Lly.
Speaker 7 (01:17:22):
To the rich Man, qual.
Speaker 46 (01:17:28):
To the rich Man's value.
Speaker 36 (01:17:34):
Thank you for listening to Kaleidoscope here on Radio Artifact.
We just heard from Karen Jonas. Her latest CD is
called The Rise and Fall of American Kitchen and the
cut that we heard was rich Man's Valley. Jim Trace
and the Makers. Their latest CD is called Nashville and
the cut that we heard was Warm in Winter. Your's
(01:18:00):
latest album is titled let me make sure I get
this correct because they don't put out a lot of
albums anymore, Songs of a Lost World, and the cut
that we heard was and Nothing Is Forever. Let's see.
Before that, we heard from Noah Weatherspoon and Jesse Bear.
(01:18:25):
Their latest single is called Tulsa, and we started that
set off with Gillian Welch and Dave Rawlings. Their latest
CD is called Woodland and the cut that we heard
was North Country. Speaking of Jim Trace and the Makers,
(01:18:46):
this is the tenth anniversary of their first album that
they ever put out, and they are going to celebrate
right here at Radio Artifact Performance Center on April the fifth,
Lydia Shay is going to warm up for them and
(01:19:06):
then they are going to perform their first album, Minutes Entirety,
and if you ask them nicely, they probably will do
their latest album, Minutes Entirety, well at least a lot
of it. So that's April fifth. They are going to
be down here at the Radio Artifact Performance Center. Thank
you very much for listening to us and for supporting us.
(01:19:29):
You're in the middle of listening to Kaleidoscope here on
Radio Artifact.
Speaker 3 (01:19:57):
Is Campbell's Sure is t.
Speaker 4 (01:20:02):
Sleeps It often black and white, wasting whiskey.
Speaker 40 (01:20:08):
It's so same.
Speaker 7 (01:20:12):
You keep pouring.
Speaker 3 (01:20:14):
I'll say, when the way really.
Speaker 7 (01:20:21):
It's a resign up for.
Speaker 61 (01:20:39):
Painting landscapes on the bar, the fingertip and peep beyond.
Speaker 7 (01:20:50):
Hang on there. I'll test you and you test me.
The way you live there's one kind last the way
(01:21:10):
we live.
Speaker 26 (01:21:15):
There's no way to ups.
Speaker 17 (01:21:22):
Don't worry about yourselves. You'll be okay.
Speaker 36 (01:21:26):
The world knows that we are is are constructive not destructive.
Speaker 61 (01:21:32):
Journey holsters up clock taser clash like Cajun long, no
man's land on.
Speaker 25 (01:21:44):
Every board, stand by to repel all borders.
Speaker 7 (01:21:52):
The way we live, refreshing my the way we live.
Speaker 33 (01:22:08):
With two ms on.
Speaker 7 (01:22:13):
The way we live. What's the sun of my hand?
Speaker 14 (01:22:24):
The way we live?
Speaker 7 (01:22:29):
There's nothing left to say.
Speaker 22 (01:23:00):
You recover your.
Speaker 56 (01:23:44):
Go.
Speaker 7 (01:23:44):
Look Bob coming down a lane.
Speaker 39 (01:23:46):
I'm gonna getting Backie's walking cane.
Speaker 17 (01:23:48):
Lord Lord, I got them browns.
Speaker 22 (01:23:50):
Very blue.
Speaker 62 (01:23:51):
Were torn Alane Wimstown to see that woman and now
he's down.
Speaker 7 (01:23:55):
Lord Lord, I got them browns.
Speaker 39 (01:23:57):
Fabe car, look up, get him too tiny.
Speaker 17 (01:24:16):
If you don't quit drinking, you'll be highest kind.
Speaker 63 (01:24:18):
Lord Lord, I got them browns.
Speaker 62 (01:24:21):
He can drink a black and tackle behind if you
walk the block and tack a little lion.
Speaker 7 (01:24:25):
Lord Lord, I got them browns fair.
Speaker 17 (01:24:43):
We'll want the two my girls old man and asked
him for my true less hand.
Speaker 7 (01:24:47):
Lord Lord, I got them browns fair.
Speaker 37 (01:24:49):
Ever, you.
Speaker 23 (01:24:51):
He's selling a lot of little group instead.
Speaker 47 (01:24:53):
Of her hand.
Speaker 17 (01:24:54):
I got his foot, Lord Lord, I got.
Speaker 39 (01:24:56):
Them browns verbe.
Speaker 23 (01:25:27):
They're hard like pop.
Speaker 17 (01:25:28):
Standing in the green.
Speaker 7 (01:25:29):
The one's cool.
Speaker 39 (01:25:30):
You can't back me, Lord Lord.
Speaker 31 (01:25:32):
I got them browns fair.
Speaker 7 (01:25:33):
Ever, that arounds aread close.
Speaker 39 (01:25:37):
You can smell his feet wherever he goes. Lord Lord,
I got them browns fair ever he.
Speaker 17 (01:25:57):
A new man took my gin.
Speaker 30 (01:25:59):
Hope you don't come back at the end, Lord.
Speaker 22 (01:26:01):
Lord, I got them browns very loon.
Speaker 23 (01:26:04):
Well to my sweetheart with than too, how she can
little to tell? Over Lord, I.
Speaker 18 (01:26:09):
Got them browns very low.
Speaker 22 (01:26:11):
Yeah, well, here we are, here.
Speaker 18 (01:26:28):
We are around, and here we.
Speaker 47 (01:26:30):
Are, Lord Lord, I got them browns very moon.
Speaker 17 (01:26:34):
W's mid a Tony and Bill and Sam.
Speaker 50 (01:26:36):
And chat to me as here we are, Lord Lord,
I got them browns fairy good.
Speaker 43 (01:27:31):
O Lord?
Speaker 14 (01:27:34):
What your lord? Your happy name? Save happy name?
Speaker 43 (01:27:49):
Joy?
Speaker 14 (01:27:54):
What John want your happiness?
Speaker 62 (01:27:59):
John, you want happiness? You want to have it at
(01:28:33):
your happiness? You wanna you want to start right up
a ticket. But you know you're not sitting on a
treasure chess. The worth and the joy that you're making.
It's in the other choice that you're making. I'll help you,
thinking of you better, breathing what you believe in.
Speaker 14 (01:28:51):
I just want to fold you.
Speaker 17 (01:28:53):
I just want to treat you that teak you now
forever speak you up, let me that I just want
to fool you.
Speaker 22 (01:29:03):
I just want to treat you guys.
Speaker 17 (01:29:09):
Step inside barco fear range jumpers. Step inside barcoo rear
range jumper.
Speaker 22 (01:29:53):
You wanna.
Speaker 17 (01:29:55):
You want to have that ond onto your love. You
wanna you wanna strip backing thinking, but you know it's
never gonna feel you over. Sometimes you give more than
you dig in.
Speaker 62 (01:30:06):
Be lanning to be like I picked up of a
break and I help you feel your cards. Jamta breed
in what you believe in.
Speaker 7 (01:30:14):
I just wanna fold you.
Speaker 28 (01:30:17):
I just wanna treat you right, take your now forever,
pick you up for it.
Speaker 17 (01:30:23):
And I just wanna fold you. I just wanna treat
you right.
Speaker 14 (01:30:31):
Nice.
Speaker 64 (01:30:32):
Step inside Poka be arange jumper, Step outside bacco.
Speaker 63 (01:30:48):
Be a range jumper, strip shop.
Speaker 23 (01:31:42):
Trouble, stupid schopp.
Speaker 17 (01:31:51):
Were trouble.
Speaker 65 (01:32:00):
Mhm, tell me that story again.
Speaker 7 (01:32:16):
They never tell me that story againd wasn't it true?
What's pot?
Speaker 23 (01:32:38):
Wasn't it true?
Speaker 7 (01:32:40):
What's pot?
Speaker 23 (01:32:46):
Cape?
Speaker 66 (01:32:46):
Cameing up with the laundry? Yeah, keep keeping up with
the car. I guess they not.
Speaker 7 (01:32:59):
Really it's changed. Jurffy feels like there. Juffy feels like there.
Got good now got.
Speaker 67 (01:33:18):
A good boys to see you.
Speaker 7 (01:33:24):
You've got a good deal but he's to heal Elys.
Speaker 39 (01:33:34):
Joese is not something choice.
Speaker 7 (01:33:40):
Choese is not something in cheese.
Speaker 68 (01:34:18):
Tell me that story again, they hil in the boy,
tell me that story in they.
Speaker 31 (01:34:36):
Wasn't it you?
Speaker 18 (01:34:38):
What part.
Speaker 30 (01:34:42):
Wasn't it you?
Speaker 14 (01:34:44):
Lot part?
Speaker 3 (01:34:48):
Was it it tue?
Speaker 7 (01:34:54):
Wasn't it you?
Speaker 14 (01:34:56):
What pot?
Speaker 3 (01:35:00):
Was it true?
Speaker 47 (01:35:07):
Was it true?
Speaker 18 (01:35:09):
What poun?
Speaker 53 (01:35:13):
Was it?
Speaker 7 (01:35:14):
Tell it that in.
Speaker 59 (01:35:19):
It?
Speaker 11 (01:35:20):
Tell it that stick?
Speaker 7 (01:35:27):
Tell it at and was it tell it a stick?
Speaker 57 (01:35:38):
Was it it? Was it it?
Speaker 69 (01:35:46):
What?
Speaker 14 (01:35:47):
Pn?
Speaker 3 (01:35:50):
Was it it you? Was it it true?
Speaker 7 (01:35:59):
What's fun on a car?
Speaker 46 (01:36:02):
And then you count the day's and the how years
(01:36:24):
before we give up?
Speaker 7 (01:36:30):
I'm way going.
Speaker 22 (01:36:32):
For your stuff.
Speaker 70 (01:36:39):
The coln your face and said, then be out of
the sola. You count the days and the hours and so.
Speaker 14 (01:36:57):
Closed journal, So don't you go out as another met.
Speaker 20 (01:37:43):
Finally know happen the stars and.
Speaker 3 (01:37:46):
Shave feld.
Speaker 22 (01:37:52):
To so little better?
Speaker 38 (01:37:55):
And I meant believes.
Speaker 14 (01:38:05):
Change s s always saga.
Speaker 34 (01:38:28):
Song s.
Speaker 14 (01:38:33):
Very not wake.
Speaker 22 (01:39:16):
Your faces.
Speaker 7 (01:39:17):
No, they got it so low.
Speaker 38 (01:39:32):
It's closing.
Speaker 43 (01:39:37):
It s.
Speaker 14 (01:39:46):
Always what if you.
Speaker 59 (01:39:55):
S?
Speaker 36 (01:40:50):
You're listening to Kaleidoscope here on Radio Artifact. We just
heard the latest from Wissie. Their latest CD is titled Cincinnati, Ohio,
and the cut that we heard was Days and Hours
Ordinary Elephant from their self titled album produced by Dirk Powell,
(01:41:15):
who is a pretty big bluegrass guy. And we heard
the first cut on the CD called Once Upon a
Time Queen City Silver Stars. Their latest CD is called Suitcase,
and the cut that we heard was step Inside. Before
(01:41:36):
that was Tony Trishka. His latest CD is titled Earl
Jam and we played the first cut off the album
called Brown's Fairy Blues and that's Billy Strings that's playing
with him on that cut. And we started the set
off with Sharma Pox. Their latest CD is called The
(01:41:59):
Way We Live Now, and that is the cut that
we played this week. Thank you very much for listening
to us and supporting us. You're in the middle of
listening to Kaleidoscope here on Radio Artifact.
Speaker 71 (01:42:32):
Well here I go again. I'm gonna get in my
own way. Maybe I enjoy it? Does that make me insane?
Speaker 7 (01:42:50):
Wish that I could be the version of me in
my tree?
Speaker 18 (01:43:00):
I went, I'm wrong, It's just how I've been on along.
Speaker 7 (01:43:16):
If finding the work is broken, I don't know what
to change the same old selfriend.
Speaker 22 (01:43:29):
Don't hold me down these stay.
Speaker 72 (01:43:34):
So take me if you can leave me, if you
can understand, I welcome.
Speaker 18 (01:43:43):
To the light.
Speaker 7 (01:43:45):
Just let me have my time in the night.
Speaker 43 (01:43:52):
Time.
Speaker 37 (01:43:53):
Times when I close my eyes.
Speaker 7 (01:43:56):
I see myself living in the batter frame of my me,
and I tell myself it'll all be fine.
Speaker 18 (01:44:06):
But they might be lying.
Speaker 73 (01:44:17):
Or suther cup of coffee. Let's the raising thoughts again?
Am I growing or feeling?
Speaker 18 (01:44:30):
Which narrative will win.
Speaker 14 (01:44:35):
All?
Speaker 7 (01:44:36):
I gonna now My heart's time.
Speaker 17 (01:44:38):
To count its way out.
Speaker 7 (01:44:44):
Maybe I should breathe. It doesn't really.
Speaker 16 (01:44:47):
Sound I came.
Speaker 14 (01:44:53):
Soun. Times when I close my eyes, I.
Speaker 7 (01:44:57):
See myself living in a bad afraid of mine me.
Speaker 39 (01:45:02):
And I tell myself in lonely.
Speaker 18 (01:45:07):
But they might be lying.
Speaker 27 (01:46:41):
Times Well, I close my eyes.
Speaker 7 (01:46:44):
I see myself living in a batter frame of mi me.
Speaker 16 (01:46:49):
I tell myself feel longly fine, though it might be fine.
Speaker 43 (01:47:01):
One one older stood speed school sport s us guys,
(01:49:02):
we show.
Speaker 33 (01:49:23):
You know.
Speaker 47 (01:49:26):
Everybody who you speak.
Speaker 43 (01:49:31):
To me.
Speaker 6 (01:49:34):
You know.
Speaker 74 (01:50:30):
You called the pond to come along to the wind.
The spectacle this has become is not lost on everyone.
Speaker 22 (01:50:46):
It's a bloodline.
Speaker 74 (01:50:49):
It's a false tide, sink stop of the worried kind.
Speaker 22 (01:50:55):
It's an ill wind, from which begins the ourage of
the rising car.
Speaker 75 (01:51:08):
We bend we sway we bend we sway we bend
we sway we bend we sway.
Speaker 22 (01:51:29):
It's a vision of what's yet to come. Make no mistake,
Make no mistake.
Speaker 74 (01:51:38):
They'll twist a knife, turn the screw in case you're
not show what they're trying to do. It's a bloodline.
It's false time since the whole of the worried kind.
It's an ill wind, the which begins there courage of
(01:52:02):
the rosin car.
Speaker 75 (01:52:08):
We band we sway we band we sway we band
we sway we band we swim.
Speaker 27 (01:52:31):
It's a blue line.
Speaker 74 (01:52:34):
It's a false tide, sink stop of the worry kind.
Speaker 22 (01:52:40):
It's an ill wind, from which begins.
Speaker 27 (01:52:44):
The courage the rasin can we band we sway we
band we sway we band we sways sweet band we sway.
Speaker 14 (01:53:06):
It's a blue bland.
Speaker 7 (01:53:08):
It's a pulls time.
Speaker 39 (01:53:10):
Sin's the home of the worry.
Speaker 34 (01:53:14):
It's a little way from which week is the character
the razic.
Speaker 27 (01:53:23):
We bad Louise sway we bad we sway we band
Louise sway.
Speaker 3 (01:53:36):
We band we sway. I'm a crystal bow shattered on
(01:54:44):
the floor.
Speaker 7 (01:54:47):
I could see all.
Speaker 3 (01:54:52):
I can't see a thing an I can't see the
(01:55:17):
spear of the house slammed the candid door.
Speaker 76 (01:55:26):
Poured the bottles out, A broken all myself to be sure,
I can't see.
Speaker 7 (01:55:58):
God, and I.
Speaker 54 (01:56:03):
Can't anything to stay a shape.
Speaker 14 (01:56:10):
When I can can't say.
Speaker 69 (01:56:14):
This body is.
Speaker 3 (01:56:34):
The spear of the house, battered on the floor.
Speaker 7 (01:56:43):
I couldn't see it all.
Speaker 3 (01:56:47):
I can't see myself any I can't see.
Speaker 7 (01:57:06):
Do you always trust your first initial feeling special knowledge
holds it's true, bast believe in hurround order.
Speaker 14 (01:57:41):
Was closezing a.
Speaker 2 (01:57:47):
Like a glow.
Speaker 7 (01:57:51):
Like glow, that it fadly finally family, then anew.
Speaker 2 (01:58:05):
In the crystaline knowledge be.
Speaker 14 (01:58:12):
Drave me.
Speaker 7 (01:58:14):
Through the mountains, through the crystal clear fat.
Speaker 14 (01:58:25):
Jove me.
Speaker 7 (01:58:28):
Like man.
Speaker 52 (01:58:34):
To the sea.
Speaker 7 (01:58:47):
How the faces.
Speaker 46 (01:58:50):
Of love have changed?
Speaker 7 (01:58:53):
Turning the pages.
Speaker 14 (01:59:00):
And all I have changed.
Speaker 7 (01:59:03):
Old moody.
Speaker 14 (01:59:07):
Really turn around and the water.
Speaker 3 (01:59:21):
Was closed.
Speaker 22 (01:59:28):
Like a glow.
Speaker 1 (01:59:31):
Like glow.
Speaker 54 (01:59:35):
Let us fundly.
Speaker 7 (01:59:38):
Finely found me. Then I knew.
Speaker 3 (01:59:46):
In the crystal knowledge of you.
Speaker 11 (01:59:53):
Drove me.
Speaker 40 (01:59:56):
Through the mountains.
Speaker 7 (02:00:00):
To the crystal clear world of fount drove me.
Speaker 14 (02:00:09):
Like a magnet.
Speaker 56 (02:00:16):
To the scene.
Speaker 14 (02:00:25):
To the scene.
Speaker 36 (02:01:44):
You're listening to Radio Artifact ninety one point seven f
M h D two w v x U and one
six six oh a M, Cincinnati, Ohio. You're in the
middle of listening to Kaleidoscope here on Radio Artifact. Scope
is presented each and every Saturday evening from six pm
(02:02:04):
till nine pm. Or you can listen anytime you want.
Just go to our website at radio artifact dot com,
click on stream, click on Kaleidoscope with Ken Haynes, and
there the show will be. This show is already up
there for you to listen to anytime you want. We
(02:02:25):
just heard from a group that calls themselves Cunningham Bird,
and what it is is Madison Cunningham and Andrew Bird.
They have gotten together and they have recreated the Buckingham
Knicks CD album actually album because I don't know if
it ever came out on CD, but they didn't reissue it.
(02:02:50):
I mean, they were making boatloads of money with Fleetwood Max,
so they I don't know if they just didn't want
to put it out or whatever, but it's one of
those treasures that if you could find it good, you know,
it's a decent album. And Andrew and Madison do a
(02:03:12):
very fine job of recreating it. And the cut that
we heard this week was Crystal Before that was Nervous
Verbs and that is taken from their CD titled Pony Coaching,
and the cut that we heard was I Broke Them
(02:03:33):
All Myself Nile Thomas from his CD titled False Tide,
and the cut that we heard was Witching Our.
Speaker 37 (02:03:46):
A j.
Speaker 36 (02:03:49):
Yorio and he has put out a solo album which
is titled Gush, and the cut that we heard was
two Skies. And we started the set off with the
latest from Yonder Mountain String Band from There Nowhere Next Collection,
(02:04:12):
and the cut that we heard was here I Go.
Thank you very much for listening to us and supporting us.
You're in the middle of listening to Kaleidoscope here on
radio Artifacty.
Speaker 14 (02:04:43):
Baby with you?
Speaker 7 (02:04:52):
Hey baby, you.
Speaker 39 (02:05:05):
Don't see me like you to do?
Speaker 34 (02:05:22):
Hey?
Speaker 14 (02:05:26):
Word the battle now?
Speaker 34 (02:05:36):
Hey?
Speaker 1 (02:05:37):
Hey?
Speaker 77 (02:05:40):
Maybe you want the man now trying to read you honey,
World of Dot he hay, some of Bathday Body.
Speaker 35 (02:06:54):
He hay.
Speaker 22 (02:06:57):
So bathy to the.
Speaker 39 (02:07:07):
Am for to take all.
Speaker 47 (02:08:22):
You won't Blue, I've got a message a song.
Speaker 14 (02:08:30):
You're like a man. You a man.
Speaker 3 (02:08:35):
I call you a blue and blue.
Speaker 47 (02:08:42):
You won't blue?
Speaker 34 (02:08:45):
You only have you been?
Speaker 47 (02:08:46):
You see any crying? I already lived?
Speaker 14 (02:08:51):
But how am.
Speaker 47 (02:08:55):
I you won't blue?
Speaker 22 (02:09:01):
Blue, long blue?
Speaker 17 (02:09:04):
How has it come to this?
Speaker 37 (02:09:07):
Your kisses of my shoes, I long.
Speaker 22 (02:09:15):
Each waking out for you.
Speaker 14 (02:09:19):
To long blue.
Speaker 47 (02:09:22):
I've got a message in a song.
Speaker 3 (02:09:27):
I call you a too long blue.
Speaker 47 (02:09:48):
I can't sleep for all the promises you don't keep.
Speaker 22 (02:09:55):
I want to run, but I'm into the too deep.
Speaker 3 (02:10:02):
A blue worn blue.
Speaker 34 (02:10:08):
In my mind.
Speaker 78 (02:10:11):
I'm on the end of the ball of twine that
she jerks from time to time, time for blue.
Speaker 23 (02:10:22):
Horn blue, blue, warm blue?
Speaker 57 (02:10:28):
How has it come to your kisses, my worn hues?
Speaker 35 (02:10:37):
Long each waken out your horn blue?
Speaker 47 (02:10:46):
I've got a message's home for you?
Speaker 43 (02:10:51):
You like a mill, you and blue.
Speaker 14 (02:10:56):
I call you a blue wine blue. I call you
a blue home blue.
Speaker 39 (02:11:05):
I call you a blue home blue. I call you
call your blue home blue blue, blue, blue.
Speaker 47 (02:11:20):
Blue, blue blue.
Speaker 79 (02:12:15):
Gotta quit patting myself on the back, Gotta quit coffee
in the gotta quit long nights, blue light. The boy
isn't talking without meaning, I gotta quit talking. Then the
first person I seen getting criminated A song I gotta
(02:12:37):
quit talking over.
Speaker 1 (02:12:38):
My sweet love.
Speaker 47 (02:12:39):
Shouldn't never pulling on water above, or shouldn't.
Speaker 27 (02:12:43):
Never have to keep me covered up like.
Speaker 17 (02:12:46):
This till lie discovering my voice again.
Speaker 39 (02:12:49):
My friends, there's been walls, but these walls.
Speaker 7 (02:12:53):
And calming down.
Speaker 79 (02:12:58):
I been filled a little filds in my mind, and
I'm the talk of that ole tank. You gotta quip
giving up on bedy towns and settling down with terrible
lines that shouldn't fast the worst of mine. Once again,
(02:13:18):
I first in line to criticize myself.
Speaker 18 (02:13:22):
See, there's been walls, but these wallalls.
Speaker 22 (02:13:25):
Are coming down.
Speaker 58 (02:13:30):
I've been building little belts.
Speaker 30 (02:13:33):
In my mind, and I'm the talk of that old tank.
Speaker 3 (02:13:41):
And I'm hoping that.
Speaker 7 (02:13:42):
Their time of getting line one more cup. What should
be this tack for the train and their shell from
the range was.
Speaker 33 (02:13:58):
Me.
Speaker 79 (02:14:02):
I gotta quit sleep through the mall, Gotta quit tent
without one, Gotta.
Speaker 47 (02:14:08):
Quit building up and burning down.
Speaker 53 (02:14:11):
My curs before I burn around and all my dreams
are gone.
Speaker 7 (02:14:16):
Now sing a final song and check about.
Speaker 80 (02:14:24):
I been building a little beardings in my mind.
Speaker 17 (02:14:28):
And I'm the tall for that old town.
Speaker 30 (02:14:35):
I've been building a little beardings in my mind.
Speaker 17 (02:14:38):
And I'm the tall of that old town.
Speaker 7 (02:14:55):
All I've been building these damn buildings, And in my
mind m.
Speaker 47 (02:15:08):
Hm hm.
Speaker 57 (02:15:20):
Hmm, I watched your whole court with gradually class of
your fan club, little same time good stories at the
end of your favorably bar to give up a bit
(02:15:47):
of suspense you're telling them in the press intense believe
that's the person you somehow Still, the assumption was always
that you were a little too special to pay the
(02:16:14):
same share of the dudes.
Speaker 22 (02:16:17):
But all of us, all.
Speaker 57 (02:16:23):
You convinced us to change up the plan.
Speaker 22 (02:16:28):
And prepare the road for the man.
Speaker 47 (02:16:32):
Instead of just simply preparing the man for the role.
Speaker 22 (02:16:42):
What everything goes sad of fashion?
Speaker 7 (02:16:51):
You went way.
Speaker 50 (02:16:56):
That you could.
Speaker 54 (02:17:02):
Didn't go on.
Speaker 22 (02:17:05):
As it has been. You had a kid over never will.
Speaker 57 (02:17:20):
You used to say that my beers were a bit
too expensive to get to the heart of what drove
a true seeker to drink. After we both forced.
Speaker 40 (02:17:40):
A laugh, your eyes tried to take that joke.
Speaker 47 (02:17:45):
Back once you could tell that I knew that's what
you really think.
Speaker 16 (02:17:57):
How did miss guitar astrophe happened?
Speaker 14 (02:18:06):
And why.
Speaker 16 (02:18:08):
Is it habad.
Speaker 57 (02:18:11):
It's you could didn't go on as with her husband.
You had to be king over there never will.
Speaker 22 (02:18:34):
As we walked in my car, we.
Speaker 57 (02:18:36):
Both heard a small pack of kaotes telling him the
neighbor that they all found.
Speaker 39 (02:18:47):
Something to eat.
Speaker 57 (02:18:53):
After the house died away. You sabered up, only to
say it's too late to be anything mean.
Speaker 34 (02:19:05):
Now the wold.
Speaker 11 (02:19:11):
Had dry.
Speaker 81 (02:19:13):
You havenstead of Franklin, it's let the longe may go
in for the kids.
Speaker 14 (02:19:30):
You too.
Speaker 22 (02:19:32):
Didn't go on.
Speaker 27 (02:19:35):
As it has been.
Speaker 52 (02:19:37):
You had.
Speaker 26 (02:19:39):
Gane of the never.
Speaker 34 (02:19:43):
Wills, and now you're the heart of.
Speaker 22 (02:19:51):
A story goes on without you.
Speaker 57 (02:19:58):
We've distilled your home persons only the best memories. You're
a fixture at all open mics. The kids ask me
if we were alike. But when I look in a mirror,
(02:20:20):
yours is the face that I see, and.
Speaker 34 (02:20:26):
It was.
Speaker 14 (02:20:28):
Not cold.
Speaker 22 (02:20:30):
I imagine silen to get built.
Speaker 43 (02:20:44):
I re few to go on.
Speaker 22 (02:20:49):
As it has been.
Speaker 69 (02:20:52):
I would rather be g.
Speaker 22 (02:20:56):
Over the never Wills of the the never.
Speaker 36 (02:21:28):
Thank you for listening to Kaleidoscope here on Radio Artifact.
We just heard the latest from Dawes. Their latest CD
is called Oh Brother, and the cut that we heard
was King of the Neverworlds Justin Wells His latest CD
is called Cynthiana and the cut that we heard was
(02:21:48):
Little Buildings. Nick Lowe and Lost Strait Jackets. Their latest
CD is called Indoor Safari, and the cut that we
heard was Blue on Blue and Nate Myers. Hopefully you're
doing better, Nate or Nat I can't remember which which
(02:22:09):
it is.
Speaker 14 (02:22:11):
Is.
Speaker 36 (02:22:11):
The latest CD is called Yellow Pearl, and the cut
that we heard was Undertaker Blues. Thank you very much
for listening to us and supporting us. You're in the
middle of listening to Kaleidoscope here on radio artifact.
Speaker 45 (02:23:04):
H m h.
Speaker 14 (02:23:12):
M hm m m hmm.
Speaker 46 (02:23:22):
There I found it.
Speaker 34 (02:23:25):
In my.
Speaker 1 (02:23:28):
In the quick sad, in the fight, I try to.
Speaker 8 (02:23:36):
Bove you into the vessel, into my own health, perhaps
a bad world.
Speaker 7 (02:23:46):
Loud, Oh my god, my god, oh my.
Speaker 12 (02:23:54):
God, oh my god.
Speaker 46 (02:24:12):
There I left you tucked in the back.
Speaker 12 (02:24:17):
See the stood and naked.
Speaker 10 (02:24:21):
How nice with their feeling.
Speaker 7 (02:24:27):
My head.
Speaker 8 (02:24:30):
I round us both lie and without asking, my god,
Oh my god, oh my god, oh my god.
Speaker 22 (02:24:49):
When the.
Speaker 1 (02:24:53):
Breaks righteous chorus, they will say, are.
Speaker 67 (02:25:12):
Hi, honey, I found you in the my in quick say.
Speaker 7 (02:25:39):
In the fai I try to.
Speaker 1 (02:25:44):
Go into the vessel, into my.
Speaker 8 (02:25:49):
Own hell, I'm giving your life.
Speaker 40 (02:25:56):
Oh my god, Oh from this, Oh my god.
Speaker 22 (02:26:06):
When the it re see.
Speaker 1 (02:26:12):
Righteous chorously Wilson.
Speaker 69 (02:26:17):
H a.
Speaker 7 (02:26:23):
High high.
Speaker 56 (02:26:32):
We are.
Speaker 34 (02:26:35):
High.
Speaker 43 (02:26:38):
We are.
Speaker 14 (02:26:41):
High.
Speaker 7 (02:27:08):
Some say.
Speaker 82 (02:27:12):
Distance grows hard, but I know sometimes we just drift apart.
Everybody's walking and cheers leaving nosar. It's some day at
(02:27:37):
the water park.
Speaker 1 (02:27:55):
We sat.
Speaker 30 (02:27:59):
Under a have mask McDonald's flat.
Speaker 82 (02:28:04):
Broken birds dumble fast fast my window.
Speaker 30 (02:28:12):
You don't know, shape bound bunching holes.
Speaker 83 (02:28:46):
In a hotel room, singing all you had to do
it must be nice.
Speaker 30 (02:28:59):
Whoa, whoa, it would be nice.
Speaker 22 (02:29:04):
To me.
Speaker 82 (02:29:13):
Clarinet singe its loan from dog Wall. Clarinet singing its
(02:29:35):
loan from Dogwalk.
Speaker 7 (02:29:38):
What else can you say? The hell a.
Speaker 30 (02:29:42):
Friend with a broken heart?
Speaker 22 (02:29:47):
You don't know, shay, you don't know at a.
Speaker 43 (02:30:54):
And b.
Speaker 37 (02:32:05):
At a.
Speaker 34 (02:32:43):
Inst b botts.
Speaker 43 (02:32:58):
Do so.
Speaker 69 (02:33:53):
The don't.
Speaker 54 (02:36:29):
Building, don't.
Speaker 53 (02:37:23):
It?
Speaker 3 (02:37:29):
And it's.
Speaker 4 (02:37:46):
This if irehead mowing.
Speaker 7 (02:38:39):
Please today moving hurry d men where I could stay
now hey, worry.
Speaker 53 (02:39:01):
M h.
Speaker 7 (02:39:04):
Lace off, feel.
Speaker 10 (02:39:11):
Lay sick.
Speaker 7 (02:39:18):
The tarn a sleeper.
Speaker 18 (02:39:25):
Around me, a spot.
Speaker 7 (02:39:29):
On some mountain, toper.
Speaker 84 (02:39:33):
Snowe around me, valleys, hand streets, birds in the tree.
Speaker 7 (02:39:47):
Lags that surround me, lay south.
Speaker 26 (02:39:56):
Fields the play sad, stand up.
Speaker 41 (02:40:10):
Seable lads to bargain all my regrets leave cherones.
Speaker 7 (02:41:15):
The good time ladies side could sleep.
Speaker 10 (02:41:25):
Nothing but beat the feel free at all times, lay.
Speaker 11 (02:41:36):
Sick feels.
Speaker 14 (02:41:43):
Lady sack could.
Speaker 7 (02:41:49):
These tanner seable.
Speaker 23 (02:42:00):
Mh COmON loge.
Speaker 14 (02:42:24):
To page.
Speaker 7 (02:42:29):
With thermal pain filled.
Speaker 6 (02:42:31):
My long beach.
Speaker 7 (02:42:36):
Love basit Mappy.
Speaker 22 (02:42:42):
Can visit my.
Speaker 85 (02:42:47):
Love feeling so painful found sylphie E turns that destinies.
Speaker 80 (02:42:58):
Don you ain't got any wattails you you've made.
Speaker 7 (02:43:09):
Long Hans we tick upstairs.
Speaker 56 (02:43:17):
You do like.
Speaker 7 (02:43:19):
Clows in your own counsel to the stairs. You made
long half week tick us stands.
Speaker 3 (02:43:58):
Come along page.
Speaker 17 (02:44:04):
To left page.
Speaker 7 (02:44:08):
Still clean out joy while.
Speaker 86 (02:44:12):
It still remains. Then let's be at this side and
then the nest time list.
Speaker 7 (02:44:27):
It's making our peace with pout that behind.
Speaker 30 (02:44:36):
It turns out destiny.
Speaker 80 (02:44:38):
Stop fading on many won't tis.
Speaker 7 (02:44:46):
You made long cap We pick our staves. You do
out quest your counsel.
Speaker 22 (02:45:02):
To them stands.
Speaker 87 (02:45:07):
He may long have We take us stands. Let's be
(02:45:39):
in this sider that thems come next.
Speaker 44 (02:45:49):
It's making our peace with five packs behind us.
Speaker 36 (02:46:07):
On Kaleidoscope. We just heard from Nicholas Clay. It's another
conglomerate of various people who were in other bands and
then they get together and they do an album or
something like that. This is from his EP and the
(02:46:30):
song that we played is Coming of Age. Miss Tests
from her CD titled Louisiana, and the cut that we
heard was Tennessee Blues. Joe Barsenic and his latest CD
is called The Groove Session Album, and the cut that
(02:46:50):
we heard was Funky g She the Sloversion. And before
that we heard m Jay Lenderman and his latest CD
is called The Manning Fireworks, and the cut that we
heard was you Don't Know the Shape, And we started
(02:47:12):
to set off with Miles Sullivan. She has reissued her
first album, which is recorded around ten years ago, called
Winter ninety Winter twenty thirteen, and the cut that we
heard was under the Vessel. Thank you very much for
listening to us and supporting us. You are listening to
(02:47:33):
Kaleidoscope here on Radio Artifact.
Speaker 59 (02:48:14):
All the trouble I've got, chewing all the trouble, I'll
give chell a home. All the stories that.
Speaker 46 (02:48:33):
I can tell, what the down versions of my own
health a home.
Speaker 7 (02:48:47):
I don't want you.
Speaker 88 (02:48:49):
Love against you, will applo you kisses and I've got go.
Speaker 14 (02:48:56):
To the kill't lose.
Speaker 3 (02:49:06):
You against you, will.
Speaker 7 (02:49:11):
Kisses and take pack to.
Speaker 14 (02:49:14):
Kill that chance.
Speaker 59 (02:49:58):
All the so it is, All the bubbles are of
the punting part, all the last told ourselves, all the
(02:50:21):
ways that we retil.
Speaker 7 (02:50:32):
I don't want to lose you, love.
Speaker 88 (02:50:35):
Against you with holy kissesn't take cocat to kill.
Speaker 14 (02:50:50):
Don't want to lose you.
Speaker 88 (02:50:52):
Love against you willdom holy kissesn't take concut to kill.
Speaker 7 (02:51:17):
S chas.
Speaker 38 (02:51:52):
S trust.
Speaker 59 (02:52:18):
All the trouble got you, all the trouble, I got you.
All the trouble.
Speaker 37 (02:52:28):
I got you.
Speaker 14 (02:52:31):
All the trouble I'll get you.
Speaker 22 (02:52:53):
Take a moment in pat.
Speaker 89 (02:52:57):
She live in the post, you stand, drop through town,
drop in the mail insid wit be cause you rise.
Speaker 28 (02:53:08):
Then see the floders floting fireladen dis guys.
Speaker 89 (02:53:14):
Are the sugar coat, and don't change a plag kill
him everything you got.
Speaker 7 (02:53:32):
She ups at him.
Speaker 38 (02:53:35):
He coughs him to his overcoat.
Speaker 22 (02:53:38):
It smells like.
Speaker 7 (02:53:39):
Chin fum Get for a moment seldom gone.
Speaker 22 (02:53:47):
Just then death soldier.
Speaker 7 (02:53:50):
I'll carry on, carry on a folder.
Speaker 69 (02:53:55):
Don't change your plag kill him everything.
Speaker 37 (02:53:59):
You got, sad, the sound.
Speaker 89 (02:55:18):
The outside down, saw the postman dive away in a day,
don't my body, don't at food every season that has
(02:55:44):
gone my way, all the best ones.
Speaker 17 (02:55:49):
I with you, ups and down, ups and down?
Speaker 30 (02:55:58):
What you giving me?
Speaker 43 (02:55:59):
Oh now?
Speaker 22 (02:56:02):
Ups now.
Speaker 3 (02:56:05):
Up down.
Speaker 33 (02:56:08):
Up now, ups and down, ups down, ups now, ups
and down.
Speaker 39 (02:56:25):
Ups and downs.
Speaker 36 (02:56:30):
You're listening the Radio Artifact ninety one point seven f
M h D two w v x U and one
six six oh a M, Cincinnati, Ohio. For the last
three hours you've been listening to reverberations here on Radio Artifact.
My name is Ken Haynes. It's a pleasure for me
to be in here playing this wide variety of music
(02:56:52):
for you. The last set ended with mo from their
latest CD called Circle of Giants, and the cut was
ups and Downs. And before that we heard Sharon Van
Eaton and the Attachment Theory and it's a self titled
(02:57:13):
album and the cut that we heard was Trouble. Thank
you very much for listening to us and supporting us.
Have a great rest of your weekend, have a great week,
and come on back next Saturday and we'll have another
wide variety of music for you. To listen to and
enjoy here on Radio Artifact.
Speaker 1 (02:58:33):
My my.
Speaker 20 (02:58:45):
U A
Speaker 14 (02:59:23):
A part
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