Episode Transcript
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Speaker 1 (00:08):
Hey, Welcome back to Success to Significance. I'm Rick Tolkeiny.
This show is brought to you by play Audio. Gracefully
yours greeting cards as well as return valets. On this
particular show, we are honoring Jim Henson, and as many
of you know, Jim Henson is the mastermind behind the
Muppets Full of creativity and his naming process for his
(00:32):
puppets is one of the things that is fascinated over
the long haul. Here are some of the lesser known
facts about Jim and how he named some of his characters.
Let's start with this one. You know, Kermit. Why are
there so many songs about Rainbow? The first version of Kermit,
made in nineteen fifty five, the year I was born,
(00:53):
was more of a lizard or an abstract creature. It
wasn't until Sesame Street came along that he officially became
a frog. Secondly, he almost became a commercial artist. Jim
Henson initially studied graphic design and only got into puppetry
as a side project in college. Third his first TV
(01:14):
show was for adults before Sesame Street and The Muppet Show,
Henson made Salmon Friends. That was from nineteen fifty five
to sixty one. That was a five minute late night
comedy that was more avant garde than kids programming. And
by the way, as we celebrate the fifteenth anniversary of SNL,
if you watch it one of the first ones it
(01:36):
actually features the Mypets Next. Dark Crystal was meant to
be an alien language. Jim Henson initially wanted The Dark
Crystal to have no English dialogue, just the made up
E Skeses language. The idea was scrapped after test audiences
struggled to follow the story, and then he pioneered puppet
(01:56):
filming techniques. Jim revolutionized pue on television by using monitors
so puppeteers could see what the audience would see in
real time, allowing more precise performances. But what about how
he named his puppets Kermit the Frog. Many assumed Kermit
was named after Henson's childhood friend, Kermit Scott, but Henson
(02:19):
himself said the name was chosen simply because he liked
the sound of it. Miss Piggy originally was called Miss
Piggy Lee as a nod to Peggy Lee. The name
was shortened though over time. Fozzy Bear, named after the
puppeteer Foz Fozzikos, who worked on muppet mechanisms. Roff the Dog,
(02:42):
one of Henson's first major muppets, was Roff, named for
the sound of a dog rough plus how equal to
Roff Gonzo. The name was inspired by Gonzo journalism, but
the character himself was originally called the cigar box Frackle
before getting his own identity, Beaker, one of my favorites.
(03:04):
His name comes from the scientific glassware fitting since he
is doctor Bunson's Bunsen Honeydew's lab assistant. And what about
doctor Bunson honeydow. It was a mix of the Bunsen
burner and the melon shaped head resembling a honeydew. And
then Statler and Waldorf, named after two famous hotels, the
(03:26):
Sattler and the Waldorf Astoria. You see, Jim had this
knack for choosing names that sounded right for each character's
personality and backstory, often pulling in inspiration from wordplay, real
people in inside jokes amongst his team. And then we
had written about that Jim Henson was just a boy
(03:46):
from Greenville, Mississippi. He was a shy dreamer with his
head in the clouds. And his hands often full of
felt and string. Young Jim didn't want to be famous.
He wasn't about chasing a limelight or the applause. Now,
he wanted to make people smile, genuinely, innocently, and wholeheartedly.
(04:07):
His journey began not in the grand halls of Hollywood,
but on a small local TV show. A green sock
turned into a frog, a frog that would one day
leap from local screens to primetime scarred stardom. That frog,
of course, was Kermit, and with Kermit came a motley
crew of unlikely He rose a diva pig, a nervous bear,
(04:29):
a cookie obsessed monster. Each one became a reflection of us,
all our quirks, our dreams, and our flaws. But Jim
wasn't just about building puppets. He was building a bridge,
a bridge to imagination. You see. He believed that laughter
could heat hell, and that kindness could be taught. He
(04:50):
understood that the simplest lessons delivered through a fuzzy friend
could change a child's world. He once said, the most
sophisticated peace people I know inside they are all children.
And so he created worlds where their inner child could
feel safe seen and loved. Sesame Street taught us how
(05:11):
to count and how to spell, but it also taught
us about friendship and empathy. And the Muppet Show gave
us belly lives, but it was also reminded us of
even misfits could create something magical together. But Jim's creativity
wasn't confined to puppets. It was in his storytelling, his
belief in the power of wonder. Whether he was crafting
(05:34):
a labyrinth of fantasy or taking us to some dark
crystal world, Jim dared us to dream bigger. He kind
of gave us permission to believe that a frog could talk,
that monsters could love cookies, and that the world was
full of possibilities. When he passed away, just at fifty three,
what a shame. Just at fifty three, the world mourned
(05:57):
a man whose work had touched millions. Jim didn't leave
behind an empire. He left a legacy, and it was
a legacy of joy, of creativity, and of significance. For
Jim Henson's true genius was not in his ability to entertain,
but in his ability to connect. And so today we
(06:17):
have a puppet theater for our grandchildren. We take him
to swim lessons, and the instructors are using muppets to
quiet the hearts of little eighteen month olds that are
out there learning to swim. Today. When you hear Kermit's
banjo or see Big Bird's wide wings, remember Jim Henson
(06:41):
didn't just show us a world of puppets. He showed
us the best of ourselves, the most significant of being childlike.
We hope that you enjoyed today's show. We hope that
you are doing well on your road to success, but
remember be on the road to significance and find your way.
Speaker 2 (07:15):
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