Proof of A Creation Blueprint w/ Jason Quitt

Episode Transcript
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(00:00):
Welcome to Lighting the Volume. Allbroadcasting on a hill in a shack into
Massy Creek bottoms of King Creek,Arkansas. Live here on the Fringe FM.
This is Lighting the Void. I'myour host, Joe Rup, and
we're live. It is April thetwenty fish, and it's ten after ten
here on the East coast. It'sactually nine ten here and Arkansas ten after

(00:24):
ten on the East coast, tenafter seven on the West coast. And
I'm stoked because Jason Quitt is back. I got the book. I read
Gates and on Anaky, and Igot a buzz off of this thing.
And I want to jump really quickinto this conversation. But first I want
to say to those that took aslight offense to the rent that I did

(00:47):
last night, well some of youmissed the point. You got a little
polar about it. I'm not advocatingfor anyone to stay in anything negative ever.
Actually it's more about how to separatefrom that stuff, right, because
we like high vibes, high vibrations, far out frequencies and all that stuff.
So if you misinterpreted it, sometimesI just speak and then I think

(01:07):
later. That's kind of my thingsometimes you know, so apologies. I
don't ever want anyone to stay inany bad situations. Please do not do
that. All right, So nowlet's get this going. I want to
read this real quick, just tostart the show off. Isaac Newton's translation
of the Emerald Tablet of Hermes.And this isn't from the year sixteen eighty.

(01:30):
It's very very short, and itsays tis true without lying certain and
most true. That which is belowis like that which is above, and
that which is above is like thatwhich is below. To do miracles of
only the one thing. And asall things have been in a rose from
one by yu meditation of one,so all things have their birth from this

(01:52):
one thing, by adaptation. TheSun is its father, the moon is
its mother, the wind hath carriedin its belly, and the earth is
its nurse, the father of allperfection. In ye whole world is here.
Its force or power is entire.If it be covered into earth,
Separate thou ye earth, from yefire, ye subtle from the growth sweetly

(02:14):
with great industry. It ascends fromthe earth to ye heaven and again,
and it ascends to ye Earth andreceives the force of things superior and inferior.
By this means you shall have theglory of the whole world, and
thereby all obscurity shall fly from you. Its force is above all force,
for it vanquishes every subtle thing andpenetrates every solid thing. So is ye

(02:35):
world created. And from this docome admirable adaptations. Wherefore ye means or
process as here in this hence Iam called Hermes trismagistus, having the three
parts of the philosophy of the wholeworld, that which I have said of
the operation of the Sun is accomplishedand ended. And that was Isaac Newton's
translation of the Emerald Tablet of Hermes, which based that tablet based a lot

(03:00):
of tons of the mysteries and themystery schools and lots of things that we
are going to talk about tonight,because Jason quit in this book has in
my opinion, unlocked if like Itold you, guys, mainly p Hall
talked about divine revelation, and thenthere was like seven keys to it that

(03:23):
you could interpret the truth in sevendifferent ways. They're all true and it's
all revealing. Well, this onewas probably, in my opinion, one
of the deepest mysteries, and Ithink Jason cracked it with this book,
probably Astral Genesis. And this bookI think I just saw Dragon Roe said
that she got the book and nowshe's getting Astral Genesis. Thanks wu Tang

(03:45):
Hazy for the ten bucks. Appreciateit, brother. So let's bring on
Jason Man. What's up, brother, Thanks for coming back. It's good
to have you here. I'm gladyou're back. Man. Like my video
here, you don't see it?What did you now? I'm good?
Now you're good? Okay, cool. So I'm stoked. I'm buzzing on
this book. Man. There's alot of math in it. And I

(04:06):
think this is not a book thatyou're going to grab number one where you
can just read it and put itdown. Like I realize this is a
reference book. You know, thisis a book where you might get a
download after you learn all this stuffand then go back to this book and
say, yeah, I knew thatwas the number. As a matter of

(04:28):
fact, you were telling me beforethe show that just happened to you again,
didn't it. Yes, people willshare stories with me about I was
just telling a story that a gentlemancame up to me to show me this
picture of a temple somewhere in Asia, and he was saying, how did

(04:50):
they get this like eighty ton blockat the top of this tower which is
two hundred and sixteen feet high?And I said, wait, what number?
Did you say? So? Andif you get the book, that's
one of the key numbers is twoone six that keeps repeating itself in temple

(05:11):
designs all around the world. Andwe go into why that is. But
these examples continually show up in variousexamples. You know, all of the
stories, whether it's like all thedifferent stories that go back to I used,
you say Mesopotamia or the Onanaki orthe Egyptian stories. I didn't.

(05:33):
Honestly, I had no idea therewas this many stories. I thought I
knew a lot about it till Iwent back and just read you know,
the shorts where you're going over eachstory. I'm like, man, I've
got all these stories and these differentgod names and stuff, but yet the
numbers keep coming out the same.So first question before we start diving into

(05:54):
the book, because they're the biggerquestions after we see this pattern. Okay,
to you at this point, likeyou there is no doubt that this
place was It's obvious. It's thedumb question. But to you, there's
no doubt this place was created.It was created, it had to have
been. Man. Well, everythingis created, everything is absolutely created.

(06:19):
The question is is that? AndI keep going over the same question in
the book. Is the main godarchetype in many of these mystical teachings was
referred to as a builder or anarchitect, you know, and even in

(06:39):
the mystery schools they continue talking aboutlike the Mason's what is a mason?
The stone mason. It's a builderand it's based off of the builder of
the Temple of Solomon. So it'sthe Secrets of harm A Biff, which
is the builder. I believe that'swhat it is. It's the builder of
the Solomons Temple. So you getthese archetypes of this grand master builder that

(07:06):
just like Petah in Egypt, he'sthe architect of creation. He builds it
and with his heart and his breath, his mind, he puts them together,
the will and the force, andthere's creation. So the question that
I keep posing in the book isis this the divine mind of the Creator

(07:28):
that we are witnessing, and thisis the way that we can connect with
what we describe as this creator God. To read the blueprint of this creation
is to know the creator is oneaspect and the other aspect is is this
created universe based on a fundamental law? And is that law what we call

(07:50):
God and creation? So creation comesout of these laws of nature. The
combination of these laws is the creationitself? And are we looking at the
laws aligning creation in a way thatit functions and brings us our reality?

(08:11):
So these are like very deep questionsto meditate on. Obviously, there's no
there's no one that knows the answerto this. It's something that we meditate
on. It's something that all mysticshave meditated on and trying to figure it
out. But the way that wecan experience it and go forward is not
an abstract concept. Okay, welive in a world of you know,

(08:35):
just trust me or just believe thisdogma or you know, and if you
don't do it, God's it goingto be mad or something like. We
have to see things in a completelydifferent way where creation itself, the creator,

(08:56):
we can find it in everything.And once we find it in everything,
that's when you know you're on theright path. Yeah, yeah,
this is uh, this is coollike it. So, if you're looking
for the ultimate truth of like what'sthe answer to reality and life after death
and all that stuff, it's notreally This isn't really the book. This

(09:18):
book is the This book, tome is the revealer of When I say,
is this place obviously created? Thereason why I'm saying that is because
this scientific theory is that the bigbang happened, right, the big bang
happened, and then probability, justlike a bunch of coin flips, just

(09:39):
kept happening so randomly and chaotically tilleverything worked out perfectly here, which is
like, that's a that's a crazyexplanation to me. Yet here you're showing
all of these different gods that areand systems and religions that are miles apart
on both sides of the world,telling the same story that have the same

(10:03):
numerical coded numbers underneath it, thatare given the measurements of the spheres that
are around us. How is thispossible? Right? Like, how is
this even possible? Yes? AndI don't know who coined this term.
You may know this, but basically, coincidences take a lot of practice or

(10:26):
a lot of planning. Coincidences takea lot of planning, and this is
what we're seeing. So there isthis kind of consistency when it comes to
these spiritual text or spiritual understandings,that there is a formula, there is
a way of navigating the understanding ofcreation through numbers and geometry and applying it

(10:50):
through the as above so below principle. Just like you said, you quoted
at the beginning of the show,which with the emerald tabolis of tok And
you know, I couldn't have saidit better obviously, Well it's the emerald
tablet of Hermes. But yeah,yeah, but that's that's uh so many
like great minds interpreted that text becausethey knew I think, like Isaac Newton,

(11:16):
you probably have delved deeper. I'mnot saying you know more than Isaac
Newton, but I wonder what hewould say, right, because he knew
there was some truth to these daysabove so below, how the sun,
the moon and the Earth and allthis stuff is connected in a fractal way.
Like he was a smart guy backthen. I do wonder what he

(11:37):
would say, is like here,read this, you know, read this,
and then look at the math.Yeah, send their freaking minds back
then, I bet you know,And like, here's the thing. It's
like if you say, you know, show me the math of the flower
of life and platonic solids. It'sit's a very well known established thing.
You can you can measure the anglesof a tetrahedron, a dodecahedron, like

(12:03):
these are very consistent, you know, perfect numbers. These are you know
what we but where did they comefrom? You know, well, platonic
numbers are named after Plato, youknow. So it's like, and then
where did that come from? Well, these numbers, where do we get
the number three sixty from? Youknow, we keep using the number three

(12:24):
sixty? We got it from theSamarians. Why did the Samerians choose three
hundred and sixty? Because it wasdivisible by certain numbers, and you can
divide three sixty by many different numbers. Therefore it was very easy to use.
But that but that that's a verysimplistic understanding of why they would choose

(12:46):
that number. There was something todo with very specific numbers and their divisions
and their and their multiplications that inthe right sequence they could map out creation.
And I believe that's what counting innumbers were originally designed for I wasn't

(13:09):
just trading goods. There was thisspiritual sider, the spiritual understanding to numbers.
Where to understand creation, to understandthe world we live in, to
understand a reality. We had tofigure out a system of numbers that everything
worked under. And I believe justwith the texts of the Sumerians from the

(13:33):
tablets, they were very well awareof this, and this is why they
chose that numbering system. And westill use this numbering system today, not
because it's easy, because it's soperfect in its form already exactly exactly.
So I want to get into someexamples here, So let's talk about one
of the first things that just oneof the first things that start to wake

(13:58):
this up. You hear the storiesof like all this birth, death and
resurrection and incest and war and allthese and this is what we've based off.
I imagine the Babylonians back then werelike, this really happened, and
you know, they have their ownversions of heaven and hell. But there
was also the story of the birth, death and resurrection, and also the
correspondences to the solstices and and thingslike that that happened in every single one

(14:24):
of these stories. Right, insome form or fashion. But then they
it's like they throw in the akey. It's almost like the easter egg
is somewhere in the story. Sofor instance, like in Gilgamesh and your
book, you talk about this andthen you show the quote here. So
in the in the celebration of thevictory, you know, Incadu tells Gilgamesh

(14:46):
to cut down the sacred cedar treeand fashion into a door for the city,
right, and then gives the exactnumbers for the It's like playing a
video game almost. You know,you went through the story, here's the
key to the next level kind ofthing. Doesn't it seem like that,
right? Yeah, And it's it'svery strange because sometimes it's a very random

(15:09):
thing, but it's very significant.And then you say, well, why
do they even include that in thestory? Sometimes it makes no sense why
they will put this information in thestory or repeat it over and over again.
They and they make it a point. In Gogamesh, like you said,
with the door, he mentions thedoor multiple times through the story,
right, So why would he mentionthe door. It's just you know,

(15:31):
and then give the numbers for it. To me, you're throwing the numbers
out there. You haven't talked numbersuntil you got to the door. Yeah
right, Why does that matter?Like if they were just telling a story
first, you got to think aboutit this way. If it was just
a story, they wouldn't tell youthe numbers of the length of the door.
They just be like, build adoor, Yeah, build this,

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But no, we have cut downthe towering seator whose top scrapes the sky
and make it from a door.Seventy two cub it's high twenty four q.
It's why one cubit thick. It'sfixture, it's lower and upper pivots
will be out of one piece.Let them carry it to Nepoor. The
euphrates will carry it down. Nepoorwill rejoice. These are exact. This
is they're telling you this because theywant you to get your your scruler,

(16:17):
your square out, whatever it isthat the mason's used, right, or
whatever tool you use to draw it, and then start doing the math.
Start figuring the math and see thepattern. And it's a very big door.
Like think of those dimensions, seventytwo cubits by twenty four it's very
big. It's a very big door. So people will see these huge doors

(16:41):
in temples, like huge doors inchurches or temples, or the gates of
Babylon. They're massive doors and peopleare like, oh, well, obviously
it's fashion because giants are going towalk through those doors. You know,
the dimensions of those doors are veryspecial, they're very special numbers, and

(17:02):
this is why those doors are created. And again, obviously Gogamesh is a
giant. He's he's I would say, he is the person or the story
that created the stories of the nephilinwe find in the Bible later on.
Right, Yeah, so I wantto get to the big questions, but

(17:25):
I got to save them for theright time here. I just want to
come out of the gate. Sowhat do you think, Jason, who
do you think gave us this?You know? Was it the aliens?
That's what people are thinking. Wasit the aliens? Was it consciousness?
Was it a secret that's been handeddown from man to the next man to
the next man that started with thepriests class, And you got to start

(17:48):
looking at the more you look atthe math, I'm like, how did
the the whoever was handing this downhad to have been smarter than everybody at
the time or something to make allthis up and make it fit. It
just doesn't make sense, bro,you know, I, you know,
I would say that, don't discountthe human race with anything. Yeah,

(18:14):
I think we're smart enough to figurethese things out ourselves. But also I
think that we channel, we meditate, we receive information from wherever it comes
from, the ethers, the earthplane, a higher consciousness, and I believe
that ancient people were also tapped intothis, So there could have been different

(18:41):
schools of thought where they could channeldifferent higher consciousness and learn these things.
But remember it's such a different time, like we're talking about going back to
the Neolithic period and then up tothe Samerians that it's I mean, we're
so different now that I don't evenknow how or what the intentions were or

(19:08):
how they saw the world. Butthe only way we can see it is
through their writings, and this iswhere we get these systems from. So
this is what I was trying toshow in this work and break it down
in a way that it was notjust astrological, which you know many people
use the word astro theology, wherethese stories are allegories to the movements of

(19:33):
stars and planets and the Earth andthe sun. But it also has this
kind of numerological aspect to it,so it has whoever wrote these original stories,
in my opinion, they were juston another level and they somehow wrote

(19:56):
it into a story where you wouldnever see it unless you were told to
see it, right, But stilla truth seeker would ask they wrote it
in a way like you mentioned earlierthat a truth seeker would ask, well,
that's a great story. It's dramatic, all this stuff happened, but
they throw exact measurements in there.A common sense person would be like,

(20:18):
well, that's kind of random.Another person would be like, that's not
random. There's I mean, theydon't have to tell you. There's no
there has to be a point toit, right, So you showed this
is one of the first things youdiscussed in this book, by the way,
So Gilgamesh, the story of Gilgamesh, and then you know, then

(20:38):
you go all the way to theBible and you or you let's say you
go to Gilgamesh, then you goto Egypt, then you go to the
Bible. We're talking about thousands ofyears apart on this stuff, and yet
here we're finding these same numbers.Right, So when he can do instruction
Gilgamesh to fasten the tree into thedoor of seventy two cubits about twenty four
cubits and one cubit thick. Ifyou multiply those numbers, that comes to

(21:00):
one thousand, seven hundred and twentyeight square cubits. That's a secret numerical
key found in revelations. It's it'sthe cubit. It's the cubit. Yeah,
the city was laid out like asquare as long as it was wide.
He measured the city with the rodand found it to be twelve thousand
stadium linked and as wide as highas it is long. The angel measured

(21:21):
the wall using human measurements, andit was one hundred and forty four cube
it stick. That was New Jerusalem, what we talked about before, right,
Yes, so they're describing in yourequation you're showing here, they're describing
this perfect cube. Yes, twelvegates, twelve angels, and twelve tribes

(21:41):
comes to one thousand, seven hundredand twenty eight, which we can get
into another aspect of this. Ifyou do the dematri of that final number,
that comes to nine, like everythingelse does, nine nine nine,
you know, So it's the volumetwelve twelve twelve is the volume of the
cube, and that is the cubit. It's the one point seven to eight

(22:03):
foot feet. And this number keepsrepeating and repeating and repeating. And I
was trying to figure out where thissecret number was found in In the book,
we put a blueprint, We makea blueprint of heaven and Earth and
the geometry. We put all thenumbers together in this geometric form, which

(22:26):
I don't think we can give fullyaway. But that number is found with
like right in the intersection point ofthe numbers of the moon, the numbers
of the Earth, and the numbersof the fifty one point eight four degree
pyramid. Like right in that pointwhere they all intersect, you get the

(22:49):
number one seven two eight, whichis the door of Gilgamesh. It's the
door, It's the cubit in Egypt. It's the number of New Jerusalem.
It it's this number of this weirdmystery number that keeps repeating itself over and
over again. Sure, and this, this and what you're showing is a

(23:11):
lot of different things, right Soto me, once you see like this
is how powerful these numbers are.In my opinion, Once you see this,
it shows a lot of different things. Number one, Uh, there
isn't just one text that reveals theultimate truth, right, Like that's obvious
at this point. These secrets andmysteries have been in all of the text

(23:34):
all of them. So if youjust read this book and you use common
sense, we could get past religiouswar right now and just start focusing on
the truth and like really get somewhere. That's my mind, right, That's
what I'm thinking, you know,But obviously that might not happen. But
you see what I'm saying. Thefirst quote, the first quote in the

(23:59):
book, like the first page.I put a manly p Hall quote on
page thirteen actually, but it says, when the human race learns to read
the language of symbolism, a greatveil will fall from the eyes of man.
And it's like that quote just keepshitting me harder and harder every time

(24:21):
I read it because I always tella joke, like I've been telling this
joke for years. I say,history is six thousand years of broken telephone,
you know, and it's got It'sdevolved to such a way that we
take things that are meant to beallegorical or moral or just secret information streak

(24:44):
a secret translations or text, andwe take it in such a literal way
that we just create religions out ofthe interpretations of what they believe that statement
means. And then they fight aboutit. And in my mind, it's
the dumbest thing. It's a formof you know, my way of thinking

(25:07):
about this quote is better than yourway of thinking about this quote. So
let's create two different sects that youbelieve that side of the quote, and
we'll believe this side of the quote, and dene will fight with each other
about it for hundreds or thousands ofyears. And then once you learn the
language of symbolism, an allegory andnumbers and all these things, and you

(25:32):
read that statement, you're like,wait a second, this is something completely
different. It was never meant tobe read this way, and it's trying
to convey something that's quite profound.And this is where I believe the secret
societies and the mystery teachings step in, where they understand this side of things

(25:57):
in a way where they know thatif they try to describe this to a
common person who is very much stuckin that kind of fighting mentality of the
literal word, they can't get throughto them. No matter what. And
if they would just understand that,you know, this means something else or

(26:22):
it was meant to mean something else, and they can say, well,
that's just your interpretation. I go, no, this is the intention of
the person that wrote this, youknow. And and then they say,
can you show examples of this?I could say, not only can I
show you examples of this, butwe can go to different cultures and find
the same stories over and over andover again, trying to say the same

(26:45):
exact thing. So what makes onedifferent than the other? Yeah? Man,
that's that's that's totally true. Whatyou just like? So so when
I the reason why I did theemerald tablet of Hermes in the beginning is
because that relationship to the Sun andthe moon and the stars and all that,

(27:07):
well, let's just say the Earth, the Sun, and the moon,
Okay. That relationship is first andforemost before we even get into the
number. Is something that's constantly beingshown as the one thing that is true
in all of this stuff, right, you know, And this is the
trippiest part of this information is thatthe more you dig into this and the

(27:33):
more you see the relationships in thiswith sacred geometry and the numbers, you
start to see this kind of extremerelationship between the Sun and the Moon and
the Earth. And once you startto see the numbers and the relations proportions
between these bodies and the distances betweenthem their orbits, their cycles, their

(28:00):
processions, it's too perfect. Imean, nothing is absolutely perfect. And
I think that's by the end ofthe book, I kind of show that
they're slightly off, just a littleyeah, but it's so slight that it's
like zero point zero one percent off. Like it's so it's not one hundred

(28:21):
percent perfect. But then maybe itis one hundred percent perfect and we're we're
the morons, But it seems tobe pretty I mean, if it's not
one hundred percent perfect, the numbers, I mean, what it's got to
be at least ninety nine point likefive or ninety nine. No, no,
it's ninety nine point nine. It'sperfect to me, you know,
ninety nine point nine percent perfect basically. But the interesting thing about this,

(28:48):
and you know, like we justhad an eclipse, and the relationship between
the Earth, the Moon, andthe Sun. When it is in perfect
alignment, the Sun and the Moonlook like they're the exact same size proportionally,
they're the same size from our perspective. And then what happens when it's

(29:11):
a lunar eclipse. It's when theEarth moves between the Sun and the Moon,
and then you have the Earth's shadowgoing over the Moon, and again
you have this kind of perfect symmetry, this perfect relation or proportions, and
we say, how can this be? So this is the first kind of

(29:32):
like weird thing. But then whenyou start to actually look at the numbers
and their relationship to proportion and theirrelationship to their actual scale and miles and
distance and orbit, then you realize, wait a second, how is this
perfect? Because it is perfect?And this is where your mind starts to

(29:56):
go a little wild, thinking thatthis is something that had to have been
designed perfectly for this to occur.And we always talk about the Goldilocks model
of solar systems, where we're justyou know, the perfect distance away from
the Sun to give us our climateso that we can live and actually sustain

(30:18):
life on this planet Earth and theMoon. If something happened to our moon,
we would just all die. Everythingon this planet is synced to the
tidal movement and the gravitational movement ofthe moon, So if something happened to

(30:41):
the moon, we'd all be done. So we are living in this perfect
balance system that is extremely precise withgeometric numbers. And I believe that this
is what the ancient mystics knew about. They knew about this relationship between the
Sun and the Moon and the Earthand how they worked with each other,

(31:06):
just like you say the trinity thefather son and holy ghost or the mother
father son, Like it's this thistrinity effect that is so perfect that it
sustains and governs all life. Sohow do we how do we process that
information? It's very difficult. Isee what you're saying, right, Like

(31:32):
how do you explain fractal truth,especially fractals within fractals right of an exact
science? You know, I'm justso fascinated by Like, Okay, here's
giving another example that's in the book. When did they write the Samerians King's

(31:52):
List? Right? When did thiscome out? So this came out in
twenty right, Like that's what youthis is that that is the earliest tablet
that is found and they believe itwas created to kind of show the ancestry

(32:13):
or the line of rulership going allthe way back to the first god kings
pre flood two hundred and forty onethousand, two hundred years. I believe
that was pre the tablets. Thisis this is it's not like us searching
stuff on the internet or printing ina text. This stuff is tapped into

(32:34):
a tablet. You know, thisis ancient stuff, man, right,
like this is where it's found.And yet when you go down the King's
list, if you go and youshow this in the book, you show
all of the rulerships, how longthey were, how long they ruled,
how long they reigned for, whichis ungodly numbers like we you know,
compared to how long we live.So there's a clue, right number one.

(32:57):
But when you add them all up, you you get to that number,
that other number that shows up allthe times of what's one thousand or
one hundred and eight thousand years,which I want to talk about the number
nine later. That's the thing thatkeeps flashing at me. But these are
cycles, these are these are celestialcycles, man. I mean all of

(33:20):
the stuff that you're showing, whetherit's on a microcosmic cycle on our scale
here from the Earth to the moonright to the sun or even the cali
Yugas or whatever, these cycles.So how is someone tapping this mathematical knowledge
into a tablet if it were inAliens or something. This is where I
get tossed up here, you know. And this is the thing, and

(33:44):
you just said it with the Kaliyugas. It's that these same numbers are not
just repeated in these Samerian texts,but they're repeated in texts from other cultures,
like the cycles of the Caliyuga arethe same numbers that are found in
the King's List, same numbers,and they're the same numbers that we find
in the perfect geometry of the Platonicsolids. So why is the question?

(34:09):
Question is why? And you'll findthese numbers repeated over and over again.
The thing with the King's List,which is so interesting, is that we
have this kind of literal mentality andwe've mixed it in with We're very much
into the thought of Zacharias Dittion.It's kind of like him and von dan

(34:30):
Agin chariots of the God. They'rekind of like the godfathers of the ancient
alien theory. And we you know, I admit it, I got the
books, I grew up reading thatstuff, and at first it was so
obvious to me that there was ancientaliens. It's obvious, obvious, obvious,
right, because of those books,it was so obvious. And then

(34:52):
you start reading the tablets yourself andyou're like, wait a second. This
is written in a very different waythan it's being interpreted, and it's written
in this mystical way. And sowhen you look at the king's list and
you're seeing the Prediluvian kings list ofthe I think it's the five kingdoms and

(35:15):
eight kings, which equals forty.By the way, it's another number we
talked about in the book. Sotrippy, man, it's like, it's
just too trippy, it really is. It's the number of ANKI. But
when you look at these numbers,one of the kings he ruled for forty

(35:37):
two thousand, what is it,forty three hundred years. Yeah, that's
in min Luana, right, sohe he he reigned the longest. But
look at that number, four threetwo. We all know that number.
Today. Everybody wants to tune theirguitar to four hundred and thirty two hertz.

(35:58):
Yeah, that's true. That istrue, because it's the they believe
that is the resonance of creation.That's the residence of the human as the
residence of the sun, it isthe residence of the earth. It's a
very very specific number. And whenyou start to what I did was when
I saw these numbers, I said, wait a second, let's add the

(36:21):
kingships together, because like sometimes thekingships there was there's there was, sorry,
there was three rulers in one kingdomover the span of let's say,
like you just said one hundred eightthousand years. Yeah, so Imin Luana
was forty three two hundred years,Immin Galana was twenty eight eight hundred years.

(36:45):
And dumb, I think it's dimunusit or dummy. I don't even
know how to say it, right, Yeah, there are three difficult years.
Yeah. By the way, allthree of those numbers in Gomatria is
nine nine nine, right, busone hundred and eight thousand, one hundred
thousand nine in Gomatri again. AndI just want to reiterate something because people

(37:09):
will always come back to this andsay, the Sumerian number system is based
on the base sixty model, soof course it'll add up because you know
you're using variations of six. Soyou've got six sixty six hundred, three
thousand and six six hundred, right, these are like the breakdown of the

(37:31):
Sumerian numbers. But where do wehear those numbers? Six sixty six hundred.
Oh yeah, we've heard those numbersmany of times. That's our that's
our social security number. Man,that's the monster energy drink, that's right
right, like or it's another coderight right, So they they understood this

(37:55):
code. And and you know whenI hear those numbers, it's the base
numbers of physical reality, right wherenine the so say, six is physical
reality. You got the source,let's say above his source three the first

(38:19):
and spirals down to create reality,which is the six. Okay, now
you're in reality. Let's call realitythe beast physicality. You're the beast,
right, and then you die andyou leave the spiral out come up to

(38:40):
the higher which that what is that? It's the nine, you know?
So? And that's these are thenumbers. And remember, numbers are things
that are created. We've created thesenumbers. We've created these symbols to represent
numbers, all right. And there'sa lot of logic that went behind the

(39:00):
numbers, but they're still created byhumans. And they have deeper symbolic meetings
in the symbology of the numbers themselvesas well. So you have the flip
from six to nine as above,soul below. And when you take the

(39:21):
numbers, like we're seeing the samenumbers with the platonic solids, they all
reduce to the number nine. Yeah, So you can take all of creation,
physical reality the number. You canhave a string of numbers as long
as you want. It doesn't matterhow long that string of numbers are.
If they're the numbers of God,let's say, so that follow the pattern

(39:45):
of creation, and then you reducethose numbers down to their base number,
they will all reduce to the numbernine, which is incredibly symbolic. And
this is what makes them sacred orholy numbers. Man. Yeah, and
it gets deeper and deeper to it, doesn't Just that's the thing. That's

(40:08):
another cool thing too. That firstoff, Tesla said, if you understood
you know, three, six,and nine, you'd understand the keys to
the universe kind of thing. Right. So, but did Tesla even see
like it makes you wonder who actuallynot all the smart people that existed,
did Jason quit Like did he knowthis before? I mean, you can,

(40:32):
because you can see this stuff inother things, right, Like it's
almost like our consciousness that the minutewe see three six nine, or we
see it in a like if weeven we went to school and we saw
a pattern and we said, oh, that works out perfect, and then
unlocks something in our consciousness and westart seeing it everywhere. But did they
see it in all of these stories? Right? I mean did they see

(40:57):
it in all the religions? Andwe're talking about and millions and billions of
people that believed in all these godsand these things, and just yeah,
that's some pretty cool numbers. Anyways, when we go into church, like
how many people actually stopped and waslike, now hold on a second,

(41:17):
you know, like you see them. That's my That's what I can't get
my head around. Why is itstill a mystery? It may because it's
so obtuse, like you know,and that's a math joke, but you're

(41:37):
talking about two angles. Yeah,it's very obtuse. That's that's the reason
is because it's just you have tobe told what to look for. If
you're not told what to look for, you're not going to see this.
And there's a book that I haveIt's a very special book to my heart.

(42:00):
His name is John Mitchell, andhe wrote the book What's the book?
I put it in the back ofthe book. He wrote the book
How the World Is Made? Andhe goes over sacred geometry and the numbers,
and he's, you know, he'sshowing all the different geometries and the

(42:22):
angles and all the numbers that comeout of it. You know, brilliant
book, brilliant mind. Is thisJohn Mitchell. He's no longer with us,
but you know, I wish hewas. I'd love to talk to
him about this stuff. And sothese numbers are known, They're known,
and I love that book. Andwhen I was reading the Herds of Nana,

(42:45):
which is another ancient tablet from theMoon God, this is where I
this is the moment. It wasn'tGelgamesh, it wasn't the King's List,
it was the Herds of Nana.I was reading the Herd Zanana tablet and
he's describing the temples that he hasin heaven. And in those temples he

(43:14):
has basically stables that hold his cattle. And he starts naming all the cattle
and their numbers. How many ofthis cattle does he have, and how
much of these cows does he have? How many young cows, how many
old cows? How many cows arewe going to eat? You know,

(43:35):
he's naming this huge list with puttingnumbers next to it, and I'm looking
at this tablet. I'm looking atthe numbers. I'm like, these are
the numbers that John Mitchell was talkingabout that builds creation. And what are
these numbers doing on a tablet that'salmost five thousand years old? Exactly?

(43:59):
Somebody somebody was taking a chisel goingding ding ding, doing like advanced vortex
math. You know, like whatnow that doesn't make sense, Like this
is stuff that we had to goto school and do. Take out a
calculator, look at these patterns,you know, get your internet tools out.

(44:20):
Now these people are like dinking itwith a hammer and a chisel,
and this stuff is amazing. Imean people had to have somebody had to
have known it because it was written, like humans knew it. It was
written. But and this is likewe'll probably get into it later, but

(44:42):
this pulled me right back to theastrol genesis work that I did in the
previous book, which basically goes overthe angles. So I talk about this
lost language and like the our babble, like once we had this language,
which was the language of the starsand the numbers and the cycles, like

(45:06):
this was the language. And becausewe knew this language, we were able
to accomplish so many things because webasically conquered reality by understanding the numbers that
make creation or make the stars move, make the sun move, create eclipses,
create the seasons, when to plant, when to harvest. This is

(45:30):
foundational knowledge that separates humans from animals. This is how we stepped up to
become humans, in my opinion,is to understand the numbers of creation,
the movements of the stars, thecycles. How to build a community,
how to farm, how everything wasbased on knowing this information. And I

(45:59):
kind of went backwards to this kindof astrol genesis thought, where if they
didn't have writing, because remember thefirst writing was proto qna form is that
we know, yeah, which isjust like scratches in clay basically, And
and it's kind of like the firsthieroglyphs or pictograph picto glyphs, pictoglyphs.

(46:22):
Yeah, and so this is likethe first language, But how do you
convey It's obvious that this knowledge existedbefore proto community of form, it existed
before, so how would they transmitthis knowledge without a written language? And

(46:44):
then this kind of threw me rightback into that the first book in the
series, the astrol Genesis book,into well, what if they created objects
and artifacts that were designed geometrically tohold the numbers within it? Yeah?
Right, yeah, And I mean, honestly, I've studied a little bit

(47:05):
of Egyptian text. I still gotsawdust falling out of my hair from cutting
trees today, I've studied a littlebit of Egyptian stuff, and that's exactly
like how I mean, not exactly, but that's one language that conveyed things
through storytelling, through pictographs, right, which they obviously probably borrowed from you
know, Mesopotamia and things like thatbefore we started really writing all kinds of

(47:30):
stuff. But yeah, go ahead, sorry, no, no, but
that's exactly right. So my questionwas always how did they transmit the knowledge
through the symbolism of these gods,of these pictures, of these artifacts.
And then I started to measure themagain, just like I did in the
book Astrogenesis with the Egyptian hieroglyphs,But now I started look at Neolithic artwork,

(47:53):
things coming out of ancient Mesopotamia,and it was exactly the same.
It was. It became so obviousthat it wasn't a written language, it
was a language of form itself andcreating those proportions in a form in a

(48:17):
god. This is extremely advanced,and I think it's so advanced. This
is why we never saw it before. When you look at the pictures of
the Anonachy for example, let's sayit was a had to do with a
cycle of the sun or the moon. They would create the image and actually

(48:38):
put the dimensions and the angles thatcreate the cycles, and the orbits and
the just the numbers themselves directly intothe symbolism of that character, so that
God or that character actually became thesymbol of that knowledge itself. Health's so

(49:00):
it's so revealing too, because likeI do it, bro I've been studying
Egyptology and stuff for a long time, and I thought, you know,
from you know, John Anthony Westgot me interested in it, and I
just dug from there, got intothe mysteries. It wasn't until I even
read your books. I'm like,damn, I thought I had that you

(49:22):
know, symbol all figured out.Okay, yeah, this represents the sun,
or and this represents birth, deathand resurrection, or this represents the
solstices. But dude, like you, I'm excited. I can't. That's
why I can't talk about you know, it's easy too much, because you
revealed even more just through the angles. There's more there. It's not just

(49:43):
that there's geometrical angles in there toothat show you a whole other thing.
And it makes you see how powerfulit is right like it you know,
when we were kids, if wejust saw it the first time, it's
like that's a weird looking doll,you know, And now it's it reveals
like so much about creation and thestars and everything and one little thing.

(50:07):
It's just I'm excited because I'm startingto really understand what Manly P. Hall
meant by some of the things thathe was saying, by what's being revealed
to the books that you wrote here, you know, thank you, and
like, I completely agree. Andthis is why I basically stopped everything like

(50:30):
two years ago or more than twoyears ago to write Astrogenesis, because it
was, like I told you earlier, I was like rushing, like I
wrote that book so quickly because Iwas so afraid that somebody else is going
to figure this out. You know. I was talking about that because I
have this thing where it's like ifI just figured something out and unlocked it

(50:52):
in my consciousness, then it hasa collective nature to it, right,
like someone else is going to getit, you know. So it gives
you this kind of inspiration, excitement, and motivation to just get it out
there no matter what. And Idid, and ever since I put out

(51:12):
Astrogenesis, like I have anxiety,like I have like heart palpitations because it's
like I feel like, and I'vesaid this on other shows before too,
but it feels like I've opened upa new thing and it's an alphabet.
It's like I've discovered a new alphabetbasically, but I only know the first

(51:37):
letter of the alphabet, and Idon't know how many letters are in the
alphabet, but I know I figuredout one part of this alphabet. And
then when I started to read thetablets from Samara and I saw this numerical
code wrapped in with this astrological knowledge, I realized that way to second,

(52:00):
this is the next letter, andI just went dive right in and I
saw the connection between the numbers andthe astrology and the cycles, and like,
okay, I have to now Ihave to stop everything in my life,
and now I have to write Gatesof the Aninochy because it's the next
it's the next letter of this code. So I'm so happy that you took

(52:25):
the time to read it, notonce or twice, but three or four
times. Yes, because because mymind it goes nuts once it starts like
realizing something. You know, there'sso much information that's getting revealed in this
book, Like for example, likewhen we go to the next part here
where you start, you know,like I read the Emerald tablet of Hermies

(52:46):
in the beginning of the show.Well, there is an exact relation like
you talked about to the Sun,the Moon and the Earth, and it's
one hundred percent perfect, and itis revealed in all of the text from
the beginning of time since we firstgot these texts. Again, I mean,
we're kind of repeating what we've beensaying, but it also show shows

(53:08):
this function of the relationship between thespheres that we live in. That to
me, it's almost like we're finallygetting to peer into the HTML of the
website of reality, you know,like we're starting to see the matrix so
to speak, you know, likepeople say, because this is kind of

(53:30):
showing it. You know, whatwhat else can we look at besides geometry
and number? What else could weunderstand beneath that? You know, and
and geometry and number is basically theway that we quantify and define everything around
us. So everything around us,our reality is mapped using numbers. And

(53:53):
this is exactly what Tesla said,you know, to find the secrets of
creation and vibration, energy frequency,these are all quantifiable using numbers. Yeah,
you know. So that so Teslalike one of my favorites. He

(54:16):
knew so much. And it's avery sad and tragic story because basically he
died a very poor, lonely man. You know, he should have been
the richest man in the world.Based on what he's discovered and what he's
given to the world, he shouldhave been the most wealthy person in the
entire planet. But he was used. And it's very sad story. But

(54:39):
what he revealed and what he continuesto reveal to this day. He even
says our knowledge on electromagnetism is wrong. He says, like we've only gone
like to this level of understanding.He goes, but this is wrong.
You don't get it yet. Sowe're still in a system that Tesla says

(55:00):
we don't have right yet. Right, Yeah, yeah, that's pretty trippy.
We do think we know a lot. You know, we do,
don't you? But yeah, butuh so, I know we keep kind
of saying the same things here.I know some of you guys have already
gotten the book. You're going tosee exactly what we're talking about here.

(55:22):
So let's get into the Okay,So the degrees of stuff, right,
the fifty one point eight degree thingthat you found in the pyramid. Why
I said, I don't want toreveal too much because I want you got
it. Look, I'm telling youright now like you could if you bought
the Secret Teachings of All Ages.That's a reference book. If you want

(55:44):
to unlock something about all the mysteriesof all these religious texts, right at
least one divine revelation of this,you need to get this book for reference
in astral Genesis too. Because Ithought I knew all kinds of stuff about
the Eye of Pyramid. I thoughtI knew everything about the pyramid and all
its little secrets. But I didnot. I definitely did not. I

(56:06):
didn't even think to look at Youknow, it's kind of funny, man,
because the Masons have been talking aboutthis, That's why they start showing
you in the beginning. Hey,get your little measurement tools out. I
know you don't know why we're usingmeasuring tools here, but you'll figure that
out later if you seek, youknow, deep enough, you'll find out.

(56:28):
And I don't even think that,to be honest with you, because
my uncle's a thirty second degree Scottishright Mason. If I put this in
front of him, I think itwould blow his mind. Man, he
would probably start tearing up actually becauseof what it means, you know what
I mean. Well, I'd lovethat, yeah, for sure. And
I've had this response from people involvedin things like this and just want to

(56:55):
reiterate just so everybody knows on therecord, I have never been a member
of anything. No, no,man, I know, I'm not worried
about what people think about all thatstuff. But the Masons, like they
teach that in there for a reason, right, It's not like you're just
carrying around rulers and protractors and squaresand stuff just because they're fun and their

(57:19):
symbols. There's a reason for everything, just like when they give you the
numbers to a cubit and the Epicof Gilgamesh or in revelations in the Bible.
It was put in there for areason and nobody knows. And okay,
let's just back up here, becausethis is so unbelievably huge and nobody
knows the real answer to this.Maybe, but you know, like the

(57:45):
cubit is subjective because obviously everybody isdifferent, and she'll measure the cubit from
the base of their elbow to thetip of their fingers. On my understanding
of my personal cubit is different thanis yours. Basically, I thought it
was on the same on every Therewas one time where I thought it was
eighteen point what was it from theelbow to the tip of the middle finger,

(58:10):
Like, yeah, it was eighteenpoint three or something on everybody's body
or something like that. A longtime ago, I thought that was real
until I met somebody it was different. I was like, okay, yours
is different, right, And thenbut it doesn't mean it's wrong. That's
that's the beauty of this thing,because it is just about proportion. It's
just proportion and then they say,okay, well, the average ratio,

(58:35):
which they talk about a lot inthe Egyptian cubit is I think it's a
twenty point six, which basically addsup to one point seven to eight feet
basically, which is the number thatwe continually up. What happened? Did?
Are you're gone? You're still here? I still see you? Okay,

(58:59):
good? Good? At my thingfroze completely, so we had just
a little glitch there. Okay,so I'll just go right back. So
before it glitched out, I said, the Egyptian cubit is one point seven
two eight feet, and this isa very interesting number. All right,

(59:20):
this is happening again. I don'tknow what you're seeing. I'm not seeing
it at all. Okay, Well, anyways, maybe the matrix is saying,
Jay, don't don't say this.We tried to kill our stream.
It killed our stream a while ago. Man, Like I'm getting healthy.
Everything's good on the stream right now. Okay, Well, it's just my

(59:42):
thing is completely frozen. I canstill hear you, though, so that's
good. It doesn't matter. Ithink that once we see the numbers,
the answer is in the book ofwhy we have one point seven to eight,
And it has to do with therelationship, like you said before,

(01:00:05):
the relationship between the Sun, themoon, and the earth, and we
have that divine proportion within us aswell. That's the key. The key
is this one zero point seventy twoeight, which is seventy two times twenty
four, you know, the Gateof Gilgamesh, like you said. But

(01:00:30):
there's so many much more that isrevealed by these numbers that I look.
It's great for Its hard to getit all out, isn't it. It
is, But it's great for meto talk about it and speak about it
with people because remember it's like Ifeel like I'm just kind of this is

(01:00:52):
my office, this is where Ispend my time, and I'm talking to
myself as I'm writing, right.So I don't know if people are going
to get this. I don't knowif it's going to translate properly. But
I know, like someone like yourselfwho's been involved in the mysteries for quite

(01:01:16):
a while and has has read allthis different occult things, alchemy, mysticism,
biblical texts, it puts them alltogether in a way that it's meant
to be. It just draws everythingtogether into one knowledge, not separate everything

(01:01:43):
is. It may be different stories, different characters, different religions, different
time periods, but remove all ofthat stuff, and what are you left
with. You're left with an astrologicalsystem. You're left with a numbering system,
and it's kind of like this pathwayto God showing you that everything is

(01:02:05):
connected. Yeah, it's amazing,isn't it. It's like, it's what
you're talking about right now, islike when I ask somebody, hey,
can you explain to me what happenedwhen you saw that when you was on
DMT, And they're like, Ijust knew everything, but I can't,
And then they're like I can't really. It's like, this is so our

(01:02:30):
minds are polar, right, thealpha omega. We're designed in this polar
world. But Creation was designed ina way. And I tell people all
this all the time that in afractal way from Creation down to where it
could seem that there are five differentthings, right, but these five different

(01:02:52):
things or subjects are telling the sametruth and the same in a different way,
but telling the same fractal underneath truth, right, which is what the
mysteries kind of revealed. That's whatthe word occult means. Just to tee
even deeper into the meaning, right, Like, on top of it,

(01:03:12):
you're reading a story about uh,someone having a baby and a god named
Jesus and stuff. But when youget down to it, it's the sun
and the moon, and then it'sthe Father and the son and the spirit
and no, just go deeper.It's three six nine what like? These
are all different things, right,but they're telling the same truth. And

(01:03:35):
that's It's like, how do youexplain that that way? Even when I
say it, it doesn't make senseto my polar brain, right, It's
funny. I was. I waswatching the video today. I forgot somebody
posted it on Twitter. I waswatching twitters. Basically, someone put their
their child into a mental asylum afterthey took LSD and the kid is talking

(01:04:01):
about how he sees the world now. And this is back in like the
forties or fifties, and it's abouthow the kid sees or the sixties,
sorry, how the kid sees theworld now that he's taken this drug.
And the mother was so scared ofwhat the son was saying that they put
them right into the mental asylum.Oh my god, dude, are you

(01:04:25):
serious? Man? Yeah? Andso I was watching this video and it's
interviewing the child and the mother,and the kid is like saying, He's
like, yeah, it's I feelsorry for trying to express what I was
saying, but I'm just trying tosay that God is in everything, and
once you take this, you understandthat the fundamental nature of reality is is

(01:04:46):
God is everywhere and everything, andyou could experience that when you're on this
drug, you know. And themom is like a Christian and she's like,
she don't know what to think.She's like, know right right to
the institution and the shock and youknow, yeah, and I'm thinking,

(01:05:06):
now, it's just like we're havingthis conversation like to people on the outside
that are not connected with this typeof information and was raised, let's say,
just with the knowledge of the literalsense of the Bible. It we're
completely talking blasphemy right here. Ohyeah. And the interesting thing about it,

(01:05:26):
and Micah Dank talks about this allthe time, is that the Bible
says that you know, don't youknow, it's very bad to talk about
astrology, It's very bad to talkabout certain things. It's like the world
of the Devil. But in thesame breath, all the allegories of the
Bible are connected to astrology. Soit's like a book on astrology that tells

(01:05:51):
you you can't know astrology because that'sthe problem. So it's a very weird
thing, and it's probably built inthis way, very specifically to keep people
away from knowing what these things areabout. That's exactly right to me.

(01:06:11):
I mean, I don't know thisfor a fact, but to me,
that's exactly right. But you can'thide See, this is what I think,
man. You know, people cansay it came from aliens, this
information got handed down, but Ithink you like, this stuff is so
deep and so true and so imprintedin creation right that I don't know,

(01:06:38):
man, like, you can hideit. If you tried, it's going
to come out because it's a blueprint, you know. Yeah, And I
think you know, we were talkingabout this earlier, about kind of like
the Akasha records, or there's thisphilosophy that our mind is basically connected to

(01:06:58):
the electromagnetic mind, the electromagnetic fieldof the Earth, so that all our
memories, all our experiences are basicallysaved like a giant hard drive in the
magnetic field of the Earth. It'sstored in the minerals of the planet or
something. Hell, Jason, I'venever I've been doing this video for months
now and I have not had anyproblems with it until we start talking about

(01:07:19):
this. Man, I'm not playing. I know you hear all that stuff
all the time, but you're breakingthe internet, bro. You know,
well sometimes it happens the fringe andstuff. But I'm like, this is
we're gonna have to people are gonnahave to hop back over to the next
video, you know, to putall this stuff together. But dude,
like, yeah, so, uh, let me. I didn't mean to

(01:07:44):
cut you off. I just I'mthinking this is the only time this has
happened to me like this. Man. You know, well, it's funny.
It's funny because because right now I'mlooking fine on my end. But
that's probably what you're experiencing now isprobably what I was experiencing earlier. Yeah,
I'm starting to get stressed, andI don't usually get stressed over technical

(01:08:05):
issues, you know, but Ithink that the computers or whatever's going on.
It's like, do you I mean, come on, man, let's
be honest. Do you think thatthere's something that really wants to try to
stop this information because what you justsaid is like something is trying to control
it, to stop it or whateverfrom being revealed, and yet it's still

(01:08:25):
being revealed. And I'm almost gettinglike deja vous. I can think of
another time it might have been youand I. It might have been I
don't know that we were talking aboutthe same kind of things, and once
we got to this epiphany point ofstuff like crap started crashing and I used
to laugh at people and say howridiculous that was when that happened, you

(01:08:48):
know. But yeah, I'm nottaking credit for any of this. It's
like not letting me stream bro likenot on the I mean the video,
like there's plenty of people in thestation. Just anyways, I don't want
to waste the show talking about this. But it's an interesting idea, true

(01:09:08):
or not. I don't think it'strue. It's just funny to me because
this information was held at a veryhigh degree where revealing them publicly could be
very damaging to you. It's allI'll say. And so there was a

(01:09:31):
control mechanism involved and we have tobe careful about And again, just for
the just for the record, we'rean expert. We're experts at nothing.

(01:09:53):
We hold no degrees in any ofwhat we're talking about, and we're just
yeah, we're just we're just havinga conversation. No, it's stress.
It's stressing. It's stressing me outbecause to me, this is like one
of the most important things. Yeah, I would smoke weed right now because

(01:10:14):
to me, this is this isso revealing. It's like a revelation in
my life. Right it's not tome, I'm sorry, it's not just
about the audience right now. LikeI've been going studying this stuff for years
bro years of my life. I'veput into this thing, man, and
for when these two books come outto it's like when you're validated for the

(01:10:35):
first time and the biggest way,but not validating, but you're not validated
because you didn't know this. Butthis information is unlocking a door to the
stuff that you've already known that it'sI still can't put words to it,
dude, Like I can't. Peoplealways ask me, They're like, why

(01:10:55):
do you stick with her medic somuch? What's so? What is this
thing with the sun, the moonand the stars and the earth, and
like why is it so important?It's old school stuff. It doesn't matter
anymore. And there's always been somethingto me. It's like, but it's
still there's still more here, youknow. Here's the thing is that we're

(01:11:16):
going to come and go. Welive a very short time here, but
the sun, the moon, andthe earth will remain, that knowledge will
still be here, and that's themost important thing. And if we all
get wiped out and we come backand we start to grow again, those
are going to be the guiding thingsthat create a reality, and we'll go

(01:11:40):
down the exact same path of tryingto figure it out. It's this cosmic
pull of information and going back towhat we were saying earlier before they took
us down. They're blocking me fromstreaming right now, dude, Like I
can't tap into Let me try somethingjust to see if this is what I'm
saying is real here, Like Ican't stream on YouTube? What could have

(01:12:05):
we have said to be blocked?There's nothing I don't think well the truth
good or or or an aspect ofthe truth. Let me check this out
to talking about the Onanaki again,you know, or whatever. No idea,
this is what I'm gonna put.No idea for the title, but

(01:12:32):
it is common. See are weoff YouTube? Because then I can say
that each each time I've tried,you could say whatever you want on the
friend Okay, okay, good,good, Yeah, because I've worked with
people in China and they watch there'scertain people that watch the streams and if

(01:12:59):
you say certain and things, let'ssay, like energy or aliens or you
know things, these things are bannedconversations in certain places, and the moment
you start speaking about it, theyjust cut the feet. I'm gonna try
something. I'm gonna try to golive just on Twitch, just to see
if the YouTube is blocking me,because this is what it seems like,

(01:13:21):
like, I didn't we didn't doanything illegal here, you know, right,
nothing, nothing, I don't know. It could be my software anyways,
just so I don't want to ruinthe show. But no, no,
no, this show is not ruinedat all. It just adds to

(01:13:43):
the mystique. But what I whatI was talking about before we were cut,
is that it's this concept of ourmemories and our experiences from our life
here are stored within the Earth itself. It's stored within the electromagnetic field of
the planets, stored within the mineralworld. Right, and what if we

(01:14:10):
all get wiped out for some reason. The next iteration of the human race,
let's say that comes after us.They consider and meditate and tap into
that acachic field, the Earth's electromagneticmind, and tap into our knowledge what
we left behind, so it'll neverbe lost. Man, that's a pretty

(01:14:39):
Yeah, that's pretty cool to evensay that, because I have, Like
honestly I have when people talk aboutthe acacic and stuff, I kind of
I'm pretty skeptical about it, butyou just put it in a way that
makes me kind of understand a deepermeaning to it, you know, like
it's all consciousness anyway, It's allconsciousness anyways. Maybe in my mind was

(01:15:00):
looking at it as some kind offantasmical thing other than I don't know.
I don't see it as like alibrary you go into and start reading things.
I don't see it like that.I see it as a repository of
knowledge that can be tapped into.Just like Tesla would talk about how there
is a mind that exists that youcan tap into for inspiration. I think

(01:15:25):
that's exactly what we're talking about withdifferent words. Yeah, because this is
not this I've been looking I waslooking forward to this like video thing all
day. But you know, here'sthe thing, man, we gonna we
have to get this out. Man, like this, you should be on

(01:15:47):
what's the biggest like channel is aGaya right now, Like you should be
talking about this like right now,Gaya for sure, in my opinion,
or the History Channel. They shouldbe on the History Channel right now,
just blowing people's minds with pictures andall the freaking Sorry, you know,
I don't want to put you onthe spot like that, dude, but
to me, like this would beway better to watch something like this than

(01:16:11):
another ancient Aliens episode to me,you know, nothing I mean to some
but remember you get it. Youknow, like you've been looking down this
for a while. You need alot of background. And to get this
information, you need a lot ofbackground information first, and I try to

(01:16:35):
give that in the books. Itry to give the background information so you
can follow along from the beginning towhat I'm going to drop on you.
You know, but everybody starts somewhere, and just by having this information available
and people will come to it whenit's needed. I mean, you know,

(01:16:57):
obviously I'd love to be on Guyor I'd love to be on History
Channel all these things to put thisinformation out there. But again, and
this is something that Gigi and Italk a lot about. We talk about
how if you know this information,for example, it makes certain old information

(01:17:21):
obsolete. Right, And there arecertain people or groups that are holding very
strongly on old belief systems. Yeah, that's true. And even if they,
even if they know this information,they would never step across that line

(01:17:42):
because of the narrative they're going downor the audience that's listening to them will
not connect to you anymore if yougo down this path, which for me
it doesn't matter because I don't I'mlike whatever me. But there are a
lot of influence i'll just say,influencers out there that kind of stay in

(01:18:05):
the lane that they've cut out forthemselves and they will not step out of
that. Yeah. See this isokay. And let me give you an
example of because I'll say it sothat this to me is one of the
most beautiful Like think about the wordrevelation to begin with. This is a

(01:18:29):
revelation in a sense, right,it is a key to a revelation of
we don't really we have to reallyunderstand how important these texts are, you
know how, And how much theKing's List or the Babylonian texts, the
Bible, all of these things haveinfluenced are not just our culture but all

(01:18:53):
of our lives for thousands and thousandsand thousands and thousands of years. And
this has been under our nose thewhole entire time, right, And it's
like, it's beautiful, man,you know, it's a big deal to
me. And I know what you'resaying, you get it, right,
But it also does go against alot of certain conspiracy things and things like

(01:19:17):
that, you know. So that'sthat is the thing. And you know
me, I'm a conspiracy conspiracy guy. Me, I love as long as
it's true, right. And I'vecome to this conclusion that a lot of

(01:19:41):
and people will say, duh,you know, like why is Jay stating
the obvious? But I've come tothis conclusion that a lot of the information
that's being pushed, not just inthe mainstream but in the alternative scene is
is put up there specifically to confuse, specifically to keep people looking in the

(01:20:03):
wrong direction, you know. Andthey I'm not saying they do this on
purpose. I'm just saying this isthe information, the only information that's available
to the alternative or the or thepublic. I think that once certain things

(01:20:26):
get revealed, like you say,like a sorry revelation, Once things get
revealed and it starts to catch onlike fire, if that information is deemed
not acceptable yet or not acceptable becauseit would change a belief or an idea,

(01:20:49):
not only will it be suppressed,like maybe your YouTube channel right now
just got nuked because of it.I don't know, man, this has
been crazy, Honestly, it's crazy, man. You know, they've warned
me about this stuff, and everytime we do a show that says on
inaki. I mean, we're backon YouTube now, but they specifically put
like the definition of the onanaki inthere, like there's some algorithms, like

(01:21:11):
oh, but you're talking about anonachi. We've got to make sure people actually
know what we're not even talking aboutspecifically the on inaki, right we're revealing
like stuff that's underneath it, andyet I don't know if it's an algorithm.
I don't know what it's definitely analgorithm because of this whole it's kind
of like this pseudo science thing orpseudo archaeology or pseudohistory thing where the ananachi

(01:21:36):
is associated with the alien gods thatcreated us, and so they kind of
place whatever whenever. I Yeah,almost every single one of my talks on
the Ananachi gets this warning label,which is so funny because in my book,
I don't give the ancient alien narrativea sentence. In the entire book,

(01:22:00):
there's not one sentence that connects theAnonachi to ancient aliens, not one.
I give the standardized historical definition,which is the children of Anu,
which means the sky and key,the Earth, the goddess of the Earth.

(01:22:20):
So the children of the heavens andthe Earth are the new Naki.
That is literally the definition of theAnonachi. So I'm not stepping over any
lines. I'm literally giving the definitionthat you can find on Wikipedia, you
know. But it's the But thenwe take it to that deep level of

(01:22:46):
these are the natural forces of creationof our reality. And this is the
hierarchy of the gods, or thehierarchy or the division of the natural forces
from the dark, the dark watersinto the light of the created world,
into the natural elements of the earth, the when, the fire, the

(01:23:08):
water, the seasons, the planets. All of these are gods personified.
And once you break it down inthat way, you can see that it's
literally the story of creation itself fromthe perspective of these ancient people. It
just like, I have so manyquestions now because okay, let's talk about

(01:23:31):
the degree, the twenty three pointfive degrees. Okay, sure, this
is the angle of procession, right, the angle that we sit on the
earth at twenty three point five.We know this now, we've learned this.
But yet what you have revealed inhere is that through these I guess
you could say, statues pictures ofall these different gods that date back to

(01:23:56):
God knows when Bce. There's allkinds of different ones on here. It's
in the even the angles that revealthat how could they know this? The
angles are in the statues, they'rethey're in there there, and it's not
like two of them might be acoincidence. Okay, maybe it's a coincidence.
But then you get to all ofthem and it's in all of them.

(01:24:19):
It's like, okay, it's nota coincidence. They know the earth
is on the tilt and they knowthe degrees. Okay, So this is
something very interesting because I really wantedto drive this point home with people with
this twenty three point five degrees.I'm always talking about it. The reason
I'm always talking about it is becauseit's the precise angle of the axial tilt

(01:24:44):
of the Earth, which gives us, which gives us our seasons, the
cycles of time. This is thenumber of the Earth's creation, basically.
And if you open up a textbook, like a normal everyday text book,
what they're teaching you in history classand you know whatever, they will say

(01:25:04):
that it was a Greek astronomer fromlike two hundred BC who figured this out,
and it wasn't even popular, whatdidn't even get out into the world
until plot me sorry by me yepPtolemy. He reported this in around one

(01:25:27):
hundred CE, so like three hundredyears later he finds like these texts from
this Greek astronomer and he's like,oh, you know, twenty three point
five degrees, and then he writesabout it, and suddenly it's like gospel.
Now the world starts to know thatthe earth is tilted. This is
this is two thousand years ago orless than two thousand years ago, and

(01:25:50):
this is what we are taught tobelieve. Now, you got Jason quit
coming along and saying this is bullshit. This is like, yeah, I
get what you're saying, Like,how can you even you know, put
that garbage out into the world.Because I can show you it going back

(01:26:13):
to the Neolithic time. I canprove to you that they knew about this
angle twenty three point five degrees andthey put it in their artwork. You
know, they put it in theirfertility idols. Because what is fertility.
It's the spring, It's the resurrectionof nature back to life, right,

(01:26:33):
And when does this happen. Ithappens during the equinox. Why is there
twelve hours and twelve hours of dayand night because the earth is tilted at
twenty three point five degrees. Sothey knew this. And so this is
why in the book I really makea case to just to prove that one

(01:26:56):
thread, because once you understand thatthey absolutely knew this in Egypt, they
absolutely knew this, in Babylon,in a Kadia, they knew this in
Samaria, and then pre Samaria youget into the Obayed culture, you get

(01:27:17):
into these Neolithic cultures, you getinto go Beckley Teppe, you get into
the cultures around Anatolia and how oldISHX how old is the sphinx? We
think it's we're thinking it's way olderthan we thought at first, right,
And it's well sitting there showing thesame thing to the pyramids, all of
these things. Yeah, that theSphinx and the pyramids they follow this twenty

(01:27:40):
three point five degrees, which meansthe builders of the pyramids they built it
in accordance to the solar Earth andmoon clock. It's an astrological monument of
time and cycles. And in myeyes, with all the research I've done

(01:28:03):
and all the evidence that I've putinto this book, it's undeniable. It's
an undeniable fact of the construction andthe knowledge possessed by these ancient peoples.
But we're being taught that know theydidn't know this or it's just a coincidence.
They can't, man, cannot be. There's too many, like from

(01:28:25):
all of the different pictures and pictographsand statues. And one of the coolest
ones to me is like the tabletof Shamash. You know, the guy's
got his eyes on the sphere andhis eyes and the measuring tool that he's
holding up and they purposefully put itin here to show you it's not a
coincidence because it's twenty three point fiveto the circle that he's looking at,

(01:28:45):
and then his measuring tool also goesup to the gliphs of like the sun,
the moon and all this stuff atanother twenty three point five where the
measuring tool is. It's like,it's almost like I'm showing you, I'm
putting this here. Yeah, it'snot just looks like draw the lines,
do the angles, you know.And this is also why I say this

(01:29:06):
is a secret language, Okay,because the tablet has writing on it,
and the tablet tells a story.But the writing of the tablet and the
symbology of the figures and their posturespositioned, their ratios, their geometry,

(01:29:26):
what they're depicting in that picture isanother story. But you could only read
that story if you knew that language, which is not a written language.
So you know, what are youthinking? Man? Like I have,
A part of me is thinking that, okay, there word, this is
an ancient race that came down hereand revealed all this stuff, okay,

(01:29:50):
men of renown, nephelin, whateveryou want to call them. Another part
of me's thinking that consciousness is andcreation is so badass that we've I don't
even know if this is plausible.But we've unconsciously put this stuff in our
arts and all of this stuff sincethe beginning of time, because it's so

(01:30:15):
buried and deep within us. Iwould say all of the above would be
a transitional understanding of our world.It's so trippy, man. And that's
the thing. It's so trippy.So that's why I love writing books of

(01:30:36):
this nature because it gives answers.Right. It doesn't just you know,
make false promises. It literally givesthe answers to certain things. So you
can see things in a very specificmanner or a very specific perspective. But

(01:30:56):
then there, once you understand ofthis, there's this black hole, there's
this absolute void of knowledge that wehave to write. We have to take
that step forward because it's too crazy, you know. And I hear a

(01:31:18):
lot of people when they say theygo into the mysteries, like a lot
of people kind of go a littlewacky. You know. I can see
why because it man, like Itold you before, when we were glitching
out, like it's taken me yearsto connect to just her meticism, just
the spiritual operations of you know,the elements in alchemy and astrology, and

(01:31:41):
then seeing it buried within the textof the Bible, you know, and
then like this is just a wholeother thing. Man that's still saying it's
the same story, but in farmore truthful detail, you know. Yes,
And I know that Leonardo da Vinciknew this because I oh, yeah,

(01:32:09):
yeah, but you know, justjust seeing it in his artwork when
I look at that, then Iknow I'm not crazy because he was definitely
taught. He had to have beenread in made aware a very specific laws

(01:32:30):
of geometry and math and how itapplies to art perspective, the motif he
knew these things and put them together. So for me, that was the
moment I realized that there has beena line of this knowledge going all the

(01:32:56):
way back to I don't know when, very old, probably to the beginning
of writing or that's right, communicationitself. Yes, so this goes right
back to the the genu we usethe word genesis, goes right to the
genesis of thought. Of eating theknowledge or sorry, eating the fruit of

(01:33:20):
knowledge. Maybe this is what thatmeans, you know, maybe we this
is the fruit of knowledge that separatedus from the garden. And once we're
separated, now we experience death,life and death. What is life and
death, the cycles, you know, And I was telling you earlier about

(01:33:45):
uh, you know, everything kindof relates back to these allegories. And
I was thinking about this today onmy drive home. You know, the
Garden of Eden story, they theyeat of the fruit of knowledge, so
they know about good and evil.They realize they're naked, and because of
this, they're kicked out of thegarden. But why are they kicked out

(01:34:09):
of the garden. It's not justbecause they broke a rule, it says
very right, but right in thetext, it says God was worried that
they were going to become like himbecause once they had the knowledge, he
knew the next thing they would dois eat the fruit of eternal life and

(01:34:32):
become like God's and he had toprevent that from occurring. So he immediately
stepped in and threw them out ofthe garden so they would never partake in
it. And so I'm driving home, right, and I'm thinking about the
Epic of Gelgameish, which you knowa lot of Biblical stories take their themes

(01:34:53):
from the Epic of Galgamish, whichis came out before the Bible. And
I remember the last scene of theEpic of Gelgamesh is Gelgamesh wants eternal life
because he's two thirds god and onethird human. What's twenty four times three?

(01:35:21):
I don't know. I can't dolike twenty four times three? What
is that forty eight? Then anothertwenty four seventy seventy two, yeah,
which still equals to nine, butyeah, it's seventy two. So I
want you to just think of thisfor one second. Twenty four by seventy
two. Twenty four by seventy twois the door. That is the door

(01:35:45):
that we started the show with.It's just at the beginning of your book
when you're talking about and what's rightand what's one third of two thirds of
seventy two? It's twenty four?Yeah, right, So again it's the
same time. I'm really freaking outright. I feel like I'm about to
have a panic attack, dude,Like this is I'm serious, bro,

(01:36:06):
I'm not playing man Like I've gotall this tech stuff breaking down on me
in my mind. Like I feellike I just took a shot of adderall
in in a sense of like,and I've already read this stuff. It's
already done this to me once ortwice just reading it, Like I was

(01:36:26):
thinking, how the hell are wegonna even talk about this? Man?
You know, like, you gottagot you guys, got to get this
freaking book. You got to getboth books, Astral Genesis and Gates of
the Onanochy, right, you gotto get the books. And it's gonna
like, you know what, Ithink, I hope that it does at
the very least, Jason, Like, I hope what it does at the

(01:36:49):
very least is getting people to stopbeing so damn afraid of the stories or
the mysteries or just just I'm justsaying, at the very least, it's
okay minimum so that they can openup their mind to exploring this stuff without
fear and let's see the beauty ofit, you know. Yeah. And

(01:37:10):
so when you go to the lastchapter, the last words of the Epic
of Galgamesh, and this is thedrive home, This is what's kind of
stuck with me today. He finallygets the plant of immortality that was his
goal the whole time, because he'smortal, because he's only he's two thirds

(01:37:31):
God one one third mortal. Thereforehe's going to die and he doesn't want
to die, so he wants theplant of immortality. And he finally gets
it. He finally gets the plant. He goes and he bathes. He
puts the plant down, and hegoes and bathes in the forest in a
stream in the river, and hecomes back to the plant and he realizes

(01:37:57):
the plant is gone, and nextto the plant where he left it was
a snake skin. And he realizesat that point that the snake came ate
the plant of eternal life, whichgave the snake eternal life, and it
shedded its skin. So he dropsdown basically weeping and crying, knowing that

(01:38:20):
he will remain mortal and die justlike all humans. Right, it is
a very sad ending to the story, but I think that's it's a very
interesting moral And then then I realized, I'm like, wait a second,
Gelgamesh was searching for the plant ofimmortality and the snake took it again.

(01:38:44):
It's like the same type of themethat was in the Garden of the Eden
story and what this snake. Thesymbol of the snake itself represents wisdom itself.
It also also represents the winding serpentineforce of of opening up the third
eye of knowledge of the Kundalini force. Right, this serpentine force is the

(01:39:05):
thing that unlocks all of spirituality,right, all of this, all of
the wisdom, and even the schoolsthat if you search the mystery schools themselves
and go all the way back thefirst ones where the Brotherhood of the Snake
or these snake priests. Right,it's pretty trippy, man, very interesting

(01:39:29):
how this snake appears at these pivotalmoments that because the snake again shedding its
skin is showing that it's immortal,it has this rebirth capability and it's renewing
the cycles. And we see thesnake show up in the Descent of Innana

(01:39:54):
as well, where Dmuzi begs theSun, begs his brother, the son
God, to turn him into asnake so that he could avoid going into
the underworld. Because the snake isalso the symbol of resurrection, it's a
symbol of eternal life. It's sointeresting, it's so interesting, and this

(01:40:16):
is why we need to understand symbolism. We need to understand these allegories of
cycles and time, and then thesestories come to life in a completely different
way. Yeah, man, I'mI'm just I'm thinking too. Looking at
the Pyramids and how it was constructedwith the math that you revealed here.

(01:40:39):
Yes, I'm thinking of giant giantsbuilt those things. Man. I've done
I've done construction all my life,you know, and to do something like
that, you know, you needsome precision and you need like if you're
going to build it out of thosestones, I could see that, like
if it was bricks and I wasdoing it, But those stones would be

(01:41:00):
bricks to a giant, you know, Like, I don't know. I'm
just thinking about all kinds of stuff. Man, you're looking at these the
math of that, though, itstill reveals exactly what everything else reveals,
the moon, the correlation to themoon and the Earth and the Sun.
And it's exact, and it's gotthe pyramid in there. It's it's exactly,
it's all the it's all the samestuff. It's it's so took some

(01:41:26):
acid or something. Man. Everytime I'll get into this stuff, and
you know, I get I getthat to answer back all the time,
which is, why do I needto know this? Why is this important
in my life? This is oldstuff? You know, even if you're
right, who cares? You know, we're in the twenty first century.

(01:41:48):
Who cares? Really? People havesaid that to you about it. Yeah,
of course, of course, becausewell the reason is because this is
like, this is like the awakeningof the Kundalini or the awakening of the
ancestral Dna that we have. It'sour connection to our ancestors. It's our

(01:42:10):
connection to our truth. In theworld we live in today, we're very
much taught to be independent and disconnected, you know, and if we're disconnected
to our past, we are malleable. We are easily influenced and manipulated and

(01:42:33):
formed in the image of whatever wantsus to be formed in. Basically talking
about that last night, man anothersyncro. That's exactly almost I said it
in a not as articulate way,but yeah, yeah, and but it's
it's completely true. And the momentyou access this ancestral knowledge, the hermeticism,

(01:42:56):
the numbers, the allegories, thethe the archetypal myths that our ancestors
use to navigate reality. Basically,once you connect to that, that is
a real foundation. That is areal power, That is a real magic
and medicine that you are tapped intonow and now you can see through the

(01:43:20):
eyes of the ancestors and it's kindof like a hot knife cutting through bullshit.
That's all I can say. Ohman, that's a good way to
That's a good way to say it. Because a knife is like represent to
a truth, you know, thedouble it's kind of like a double edged

(01:43:41):
sort of truth, just cuts through. And here's look at the math man,
Just look at the geometry and thenumbers, and then come back and
tell me all of this other stuffyou've been pushing down my throat, you
know, and make that make sense, right, Like, make that make
sense based on what you've been tellingthis. The only issue now is a

(01:44:03):
person's willingness to let go of thewalls they've built up around their beliefs and
ideals. And most people aren't readyto break down those walls. But when
they are, the information is rightthere for them. And I'm not just

(01:44:25):
talking about my book. I meanliterally, the information is right there for
everybody. You can find it forfree. They have all the tablets for
free online. You could read theseancient tales and stories. And I find
it so ironic. It's really acomedy to me that back in the early

(01:44:49):
stages of archaeology, they were tryingto prove that the Bible was real,
and that's what brought a lot ofarchaeologists to Mesopotamia to dig to try to
find these old cities and old locationsthat were mentioned in the Bible. Who

(01:45:10):
wrote about lon Mao Duquett wrote aboutthat. So they went looking for a
proof of Solomon and David and allthis stuff. They just didn't find any
like real hardcore proof that they everexisted, you know. But they did
find the cities of Babylon Acadia,and it was from there they found Samaria,

(01:45:31):
and they found all these tablets.And once they started translating these tablets,
they realized, well, wait,hold on a second, these stories
predate the Bible, but they're tellingthe same story. And then they kind
of caught a little quiet. You'remessing with lots of paradigms here, man,

(01:45:57):
you know, Like that's correct.It's it's hard for the consciousness to
let go of it. But Iwould say this, like, it makes
me happy, man, because ituniversalizes lots of things. Number in geometry
in itself does that. But justbringing us together spiritually, what's so wrong
with that? That should be athat should be that's love, that's consciousness

(01:46:21):
coming together through understanding its own codes. The issue is we have old wounds
collectively, and these wounds are deep, my friend, We have very deep
wounds. And until we're ready toface these wounds and do a healing,

(01:46:45):
and I mean like an actual healing, real work, we are just going
to be continuing cycles of chaos andwar and hate and all this stuff.
And we see it being played outnot just in our time and every time.
All right, the world is ina constant state of destruction, but

(01:47:09):
it's also in a constant state ofrenewal. And there is a lot of
beauty in this world. There's alot of hope in this world, and
we need to focus on that.And I know that we're entering, or
we're in the middle or starting orwhatever, you know, another epic of
trials and tribulations let's call it.But guess what, we've been through this

(01:47:33):
a million times and we're still here, and we're still searching, and there's
still good, still morality. AndI think this is also why this information
is coming forward and people are reallyspreading it and it's really catching on with

(01:47:54):
people, because you know, youcould hold on to truth, can't hold
on to distortions for too long,And this is why there's frustration and anger,
and it goes into chaos because howlong can you hold onto something that's
not real. That's a very goodthat is a very good statement. The
truth. The truth actually does setus free in way bigger ways than we

(01:48:18):
could ever imagine. And in yourbook you talk about the Tower of Babel
and now it says, now thewhole earth had one language and one speech.
Having one cohesive language made the populationstrong and able to accomplish great task
by working together. Right, youwould think you would think that that statement

(01:48:40):
alone is a blessing. Imagine thatone people, one language, whatever they
put their mind to, they accomplished. Is that not positive? I also
it's very positive. But I alsolook at this as a it's what is

(01:49:01):
the one language that unites us all? What is the I mean, think
about it. It's number and geometry. The one language that is universal across
all our stories and religions and everythingis number of geometry frequency. It's number,
right, Like, Oh, that'salmost kind of like a hint right

(01:49:26):
there, or you know what I'msaying that there's a hint telling you there's
a common denominator here that can uniteall these stories mysteries get you to the
heavens, help you work together better, help you come together better, help
you understand consciousness better. Or wecan go down the stories and just devour
that and start dividing up languages andstories. Whatever you want to do here,

(01:49:47):
you know exactly. So I'm verypleased that you read this and yeah,
like you're right on the ste pageas what I'm thinking. And this
is why I wrote the chapter withthe Tower of Babbel, because you know,

(01:50:08):
I believe that what we're trying toaccomplish right now, what we're trying
to accomplish, even discussing it,is to return to this original language,
which is the language of numbers,the language of cycles, the language of
stars, sun, moon and earth, the cycles of time, the procession,

(01:50:31):
the seasons, life and death,resurrection. Once we understand this language,
that is the sacred texts, thatis the sacred teachings, That is
what we'll bring this world together becauseit's almost law, it is law.

(01:50:57):
Yeah, And I think that's thepoint of all these text is to try
to remind us that there is thisunderlining pattern that we can define as numbers
that sets everything in motion, andyou can't fight it. You can't fight

(01:51:21):
it. You can't find. Yousaid that you can't fight it, you
might as well surrender to it.We found out last night because it's it's
the truth. You can't it literally, it is what it is, and
you can't avoid it. So foranybody that searches for this knowledge, and

(01:51:41):
remember there is there's many levels toknowledge. And I'm not saying that I've
figured it out or I know everything. That's not what I'm saying. What
I'm saying is that this is astepping stone to an ultimate truth, and
there are many stepping stones to anultimate truth, and that is the the

(01:52:04):
rope that we hold on to thatkeeps us moving towards wherever we're going into
the future. Last question, outof curiosity before we end the show here
tonight, what was the trigger?What was the What was the spark that

(01:52:28):
sparked astro Genesis and gates to theonlinarchy? What was Were you reading a
book that it was in an ahamoment? I was. I was reading
the Pyramid texts. I was Iwas trying to understand and learn the journey
of the after life of the Pharaoh, and I learned that it was a

(01:52:50):
mirror, a reflection of the asabove so below of the Sun's movements through
the stars in its cycles, andit was mirrored in the life and death
of a human of the Pharaoh,and I started to see the reflection of
you know, we call the soul, the soul that we have that leaves

(01:53:12):
our body. We also call thesun the soul, so l we call
the astral body. What's an astralbody, astral as star, star as
sun, it's the soular body,the sun body. Everything was connected and

(01:53:32):
the path through judgment, the paththrough through a cyrus to heaven or hell,
was reflected in the stars. Sothat's what started this journey, is
that understanding. And from there Iwent to look at the illustrations of the

(01:53:58):
Book of the Dead, the PyramidTexts, the Book of Hours, the
Book of Gates. These are allbeautifully, beautifully illustrated in the Valley of
the Kings, in the Necropolis,in the tombs, and I started to
look at these images and I startedto see a pattern in them, and

(01:54:19):
that the images actually meant more thanwhat people saw in them. And that's
what led me in this journey,was deciphering one or two of these images
from the tombs. And then onceI deciphered them using geometry. I realized

(01:54:41):
that there was a very specific codeof numbers in geometry that were etched directly
into the images. And then Iwent searching to see if I could find
that code in other images as well, and it turned out that it was
in everything. It was in everythingof these a ancient pictures. So it

(01:55:03):
wasn't just some doodle that some artistsmade. This was a very high priest
that was trained their whole lives tomake that image, and it had to
be done with very specific geometries andangles to express a hidden language within the

(01:55:25):
symbology of the image. And whenI figured that out, that's when I
went digging on this path that youfind me on today. Guys, get
the books, Jason, thanks forcoming on the show. I want to
know this is what This is myhomework assignment for everybody that gets these books,

(01:55:46):
and I think we're going to findthis. Go read the books at
least like once or twice. Afteryour brain explodes, then hit me up
because I'm going to do a poll. Now, what are the questions that
you have? Now? What arethe questions? What is the biggest mystery
that you want to know? Basedon what you just learned, right,

(01:56:10):
Because there's some big questions there mine. I can tell you. Number one
is why, Like you said,why, who where? It's down to
that now? Who where? Why? And how did that get in there?
Right? Like? How? Well? I really hope you still have
a show after this. Well it'llbe on the Fringe FM. If they

(01:56:33):
take it down anywhere, it'll beon the Fringe FM. You can bet
that. And that's why we fightto keep that thing going. Jason,
Please keep doing this work, brother, Please keep sail wisdom with us and
exploring consciousness and doing what you do. Man, Thank you so much and

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