Episode Transcript
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Speaker 1 (00:00):
I am jaying and you're listening to the Lailer, the
podcast that's staircases through the strange, the forgotten, and the
wonderfully bizarre the night. We're going on a journey, not
across land or sea, but through the skies, the very
same skies our ancestors once knew like the back of
their hand. Before there were satellites or Google maps, there
(00:23):
was Polaris. Before we learned to follow time, we followed
the moon. And before stories live in books, they were
sketch in constellations. This episode is about the ancient night sky,
not just a map, but as a companion. We'll uncover
how early civilizations navigated the world using nothing but starlight,
(00:44):
instinct and memory, how they told time by the rising
of series, how they read the heavens for planting, praying,
and passing on stors. We'll meet Polynesian we finders across
oceans guided by star chunks, Egyptian informers who watch for sublet,
and the cosmic architects who align temples with the solstice sign.
(01:06):
Because while today we searched the sky for science, they
searched it for a moment. So by in a quiet place,
maybe look up for a moment, and let's drive into
the stories of the stars, into the system we forget
and the wonder are just beginning to remember. Welcome to
the livid Welcome to the ancient night sky. Before there
(01:30):
were GPS signals bouncing off satellites, before compast needles dance
around magnetic fields, there was the sky. Our ancestors didn't
just look at the stars. They read them. They knew
the sky like we know the back of our hands,
its moons, its movements, its messages. To them, the stars
(01:51):
were more than twinkling lights. They were memory. They were maps.
Let's begin in the vast Pacific Ocean, where the Polynesians
begs of unmatched scale sealed thousands of miles across open water,
rided only by the stars and their instincts. Their another
issue was embodied in something called the star compass, an invisible,
(02:12):
memorized map of the night sky. It wasn't written down,
it leaved in their minds in chants in muscle memory.
One of the last traditional master navigators was Mount Piiluge
of Micronesians Satawalu Island. It came from a long lineage
of Palo navigators who learned to fill the sea and
read the sky. Mau could name hundreds of stars and
(02:33):
recide how hlne particular ocean swells mean patterns and directions.
He didn't just know when the stars rose or said,
he knew what they mean when they did. In the
nineteen seventies, when the Virgin Canoe Oculea was being built
in Hawaii as part of cultural revival, Maulpiilude was the
(02:54):
one who trained a new generation of wyfinders. Among them
was saying, no A Thompson and who will become a
living figure in modern wayfinding? And I knowah brought together
ancient wisdom and you tools. It was the first Hawaiian
in centuries to navigate from Hawaii to ta heat over
two thousand, five hundred miles without instruments, no compass, no maps,
(03:16):
only the stars, the sea and the teachings of Malpi.
Look i Novah said, you must empty your mind. Then
the signs are all around you. The stars will tell
you where to go. Wayfinding was in the trick of memory.
It was a real view, a philosophy of attentiveness and respect.
(03:37):
Now let's travel to the icy North, where the Inuit
people also turned to the stars in a world of
snow and shifting light. The land itself could vanish in
a star, but the stars remained. One constellation they watched
was Kiloluka Doyle. It helped orient them across the Arctic tundra,
alongside practical accues like prevailing winds, animal migrations, and the
(04:00):
quality of Like the Polynicians, their navigation was embedded in culture,
survival and relationship with the land, and of course across cultures. Polaris,
the North star, was they ever study, guide and moving
in the night sky. It anchored travelers and mariners in
the northern hemisphere. It became the cosmic constant, the one
(04:22):
you could trust when the real round it changed. But
all these systems shares. This navigation wasn't about duols. It
was about relationship. The stars were distant, they were part
of you. You watched them every night. You grew up
under them. You knew their stories. There the navigate was
to remember. To know the sky was to know your
(04:44):
way home. Long before clocks stick and calendars flipped, our
ancestors look up to mark the riedom of life. The stars,
sun and moon were modern drinking lights. They were natures timekeepers,
guiding when to plant har peace are fast in the
sguise above ancient Egypt. One star shown with particular significance
(05:07):
series the brightest in the night sky each year. It's
helio colorizing. That is, its first appearance, set down after
a period of invisibility, go incided with a life giving event,
the annual flooding of the Nile River. This was not
merely poetic timing. The helio coalizing of serious known to
the Egyptians, a sub that marked the start of the
(05:29):
Egyptian New Year. Its appearance just before sunrise usually occurred
in mid July arould in the inundation the deposited rich
fertile soil across the Nile Valley. Without this natural calendar,
farmers would have struggled to prepare for one of the
most crucial events of the agricultural cycle. Scholars like THEA.
The Young and archaeological studies published in the Journal of
(05:52):
the History of Astronomy confirm how close the Egyptian life
was tied to the celestial sign series wasn't just a star,
it was an oracle, a messenger of change. Temples and
rituals were aligned to honor this moment. Even modern astronomy
confirms that series is heliacalarizing align almost perfectly with the
start of the flood season. Dury that era or Egyptians.
(06:15):
This guy didn't just tell time, it gave life. This
practice was an unique Many ancient cultures developed entire calendars
based on their reappearance of stars and constellations. But what
made series is special was its reliability and brightness. It
rose predictably each year, a constant in a world that
often felt uncertain. In a way, these star driven calendars
(06:38):
revealed how cosmic rhythoms were woven into everyday survival, embedding
the heavens into the heartbeat of human existence. The Maya
in what is now Central America turned their eyes to Venus.
They didn't just admire it, They tracked the metiiculous precision,
charting every phase, rise and disappearance their dressed and codecs.
(06:59):
A pre cool in Maya manuscript contains tables that predicted
Venus's appearance with staggering accuracy. But why Venus? To the Mayans,
Venus wasn't just a planet. It was a god of war.
Its rising and setting heralded moments of conflict, rituals, and decisions.
Their calendars aligned with Venus cycle and its movements were
(07:21):
woven into their myths, prophecies, and royal events. Over in India,
ancient astronomers used nakshatas lunar constellations that divided the ecliptic
into twenty seven or twenty eight segments. These are just
star clusters. They govern agricultural calendars, religious festivals, and auspicious
(07:44):
days for marriage, birth or temple building. Even today, many
in South and Southeast Asia still consult instellar alignments for
life smilestones. In China, lunar and solar calendars blended to
create a sophisticated system that predicted saustices, eclipses, and equinoxes.
(08:04):
Farmers took to the stars and no ovento plant rise
or harvest millet. The emperor's court kept observatories to ensure
cosmic harmony, believing the balance of heaven and Earth reflected
on the emperor's virtue. And here in the Philippines, though
much of it has been lost or scattered, we still
find echoes of this starbound time keeping. In the next
(08:27):
episode will explore how ancient Philippines also look up to
mark planting seasons and ritols by the appearance of particular
stars or the cycles of the moon. So what ties
all of this together? Across oceans and continents, cultures built
calendars not on numbers, but on nature. They watched the
(08:47):
stars not just for wonder, but for survival. For MENI.
They didn't separate the spiritual from the scientific. Their astronomy
was their agriculture, their religion, the reedom. They didn't just
look up, they live by the sky. To the ancients,
the stars were never just lights in the sky. They
(09:10):
were messengers, ancestors, gods, and guides. The cosmos wasn't out there,
It was interwoven with the sacred, the seasonal, and the unseen.
Across the world you'll find temples, monuments, and sacred spaces
built not just with stone and sweat, but with starlight.
Take Stunhens in England, built over five thousand years ago.
(09:33):
It wasn't just a mysterious circle of stones. Archaeologists believed
it was aligned to the summer and winter solstices, the
longest and shortest days of the year. On the summer solstice,
the sun rises precisely over the Heilstone, casting a golden
line through the center of the circle. Thousands still gathered
to day toness this cosmic alignment. Was it a calendar,
(09:55):
a temple, a place for rituals? Perhaps all three? But
what we know for sure is that the sky was
its architect. Now imagine the Great Pyramids of Giza, standing
like sentinels of time in the Egyptian desert. These were
randomly placed. The pyramids are nearly perfectly aligned with the
cardinal directions through north, south, east, and west. Scholars have
(10:20):
long debated how ancient Egyptians achieved this, but one theories
they used the stars, specifically the circumpolar stars map out
the night sky and anchored their sacred geometry to the heavens.
Some even believe the three pyramids aligned with the Orion spell,
a constellation associated with the god Osiris, the deity of
(10:41):
the afterlife. Whether symbolic or structural, their connection between the
sky and the spirit world was no coincidence. Across the Atlantic,
indigenous North American tribes created medicine wheels, circular stone structures
built on the ground, often aligned with sun rise, siensets,
and star risings. One of the most famous, the Big
(11:04):
Horn medicine whale in Wyoming, aligne sate the summer solstice
and with the helioal risings of stars like Alde, Baron
and Raigel. These were just mops. They were ceremonial spaces
her sky and Earth met where stories and seasons came
together in sacred reredom. In all these examples, what we
see is not science or religion alone, but a fusion.
(11:27):
The sky was a temple ceiling, a divine calendar, a
storyteller in motion. It told people went together, went to mourn,
went to plant, and went to celebrate. So the next
time we look up, maybe we shouldn't ask what the
stars are, but who they were to the people before us.
Throughout history, humans have looked at the same sky, but
(11:50):
they saw very different stories written in the stars. Constellations
are never just about navigation or agriculture. They were part
of a cultural land language carrying values, morals, origin, stories,
and warnings. These were just patterns. They were living myths.
When many of us think of constellations today, we think
(12:12):
of names from Greek mythology, Orion Kashapea and Dromeda Pegasus,
a celestial cast of gods, mortals, and monsters. These star
patterns were part of a rich historytelling tradition, reflecting themes
of pride, punishment, tragedy, and triumph. They became a sort
(12:32):
of sky theater, where each bride dot carry the tale Orion.
The hunter Eternity chases that play these sisters through the
heavens curves for her vanities, spins around the pole star,
sometimes upside down, a reminder of the consequences of Hubres.
But here's what's important. These stories became canon not because
(12:55):
they were universal, but because they were preserved, written, and
later adopted by Western science. Now let's travel to Australia.
Among Aboriginal Australians, the sky tells very different stories. Instead
of drawing shapes between stars, they focus on the dark
spaces in the Milky Way. One of the most well
(13:16):
known is the Imu in the sky. Unlike Greek constellations,
this imu is formed by the dark dazzlinges of the
Milky Way, stretching across the sky. When the Immu's position
changes throughout the year, it tells the people when to hunt,
when to collect inmu eggs, when to perform ceremonies. In
the Burum people's stories, stars like Altayre and Vega also
(13:40):
play roles in their mythologies as animals or ancestral beings
deeply woven into their cultural cycles. One of the most
fascinating examples of cross cultural myth is the Pleadest star cluster,
often called the Seven Sisters. Version of this story appear
all over the world, from Japan to the Greeks. The
(14:01):
Philippine tale of seven stars forming a rosary like pattern
passed down orally in some provinces. But why does this
story repeat across the globe. Some scholars believe it's because
the play these are bright, compact, and easy to spot,
and their seasonal visibility made them natural markers for planting
or seasonal changes. Others think the stories evolved separately, showing
(14:25):
just how university wellan to explain the sky through kingship history,
and so the ancient people the stars were just scientific.
They were moral compasses, seasonal reminders, spiritual maps, and ancestral libraries.
Each culture cast their own values into the cosmos. What
(14:46):
we now call constellations were really just a mirror held
up to the world they lived in. So the next
time you spot orion, remember that's just one version of
the story. In another land, under another sky, the same
pattern might be a turtle ano or a reminder of
the gods to watch fromotball. We wonder through starlit paths
(15:11):
and age, old stories, trees, constellations through not just leat lines,
but with longing. Every culture look up and saw a
different sky, but each one asked the same questions, Where
am I? Why am I here? What does it all mean?
Not before telescopes, we not meaning in the sky, the
heavens speaking a mirror, reflecting not just gods and yeast,
(15:35):
but ourselves. These constellations may not look like what they're
named after. Brian doesn't really resemble a hunter. The innue
in the sky isn't outlined in the shining stars, and
yet they endure not because of their shape, but because
of the stories we're moving around them. Our ancestors were
just star gazing. They were memory keeping, meat making, future dreaming,
(16:01):
and maybe we still are. So next time you look
up post a little longer, try to imagine what the
stars meant to someone standing in the same spot hundreds
or thousands of years ago. A farmer watching the skies,
first signs of rain, a voyager whispring chance to guide
a canoe, a child hearing stories under candle light, wide
(16:23):
eyed and curious. You're not just seeing stars, they're seeing echoes,
and perhaps in the silence of the night sky you'll
hear one of those stories calling you back. In the
next episode, we're bringing the stars closer to Hope. Your
(16:43):
journey into the Philippines on ETNA Astronomy, where stars and
names like Balatique and Moro Boro costillations told tales of
hunters and harvest, and the night Guy was more than
it was a living calendar, as spiritual compass and a
memory keeper. You'll never look at the stars the same
way again. Thank you so much for joining me on
(17:06):
this journey through the stars. If you enjoy this episode,
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(18:15):
stay curious, stay Liminus, and thanks for listening.