Notorious an episode of Lux Radio Theater

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Episode Transcript

(00:00):
Lux Presents Hollywood Leaber Brothers Company,the makers of Lux Flakes, bring you
the Lux Radio Theater starring Ingrid Bergmannand Joseph Cotton. In Notorious, Ladies

(00:25):
and Gentlemen, your producer, misterWilliam Keeley sweetings from Hollywood Ladies and Gentlemen.
With a collapse of Nazi Germany afterWorld War II, he was commonly
believed that many of Hitler's more fanaticfollowers escaped to the Western Hemisphere to pursue

(00:48):
their relentless plotting for world domination.Our plate and Died, while purely fictional,
is a sample of how these isolatedgroups may operate and how they may
be brought to justice. It's AlfredHitchcock's thrilling hit Notorious, produced by RKAO
and stars its original leading lady,Ingrid Bergmann and Joseph Cotton, two of

(01:11):
Hollywood's leading performers. Notorious might takeplace in any city, but actually we
find ourselves in teeming and exotic Riode Janeiro, one of the most exciting
cities of the New World. Ihave an air mail letter from a friend
of ours who made a flying visitto Rio and reports while shopping in the

(01:34):
fashionable Copa Gabanya section. I purchasedseveral exquisite examples of Brazilian lace. Imagine
my surprise when I examined them todiscover each piece labeled wash only in luxe.
Fortunately, Rox flakes are available atalmost every store in Rio, so
were we to stay here longer,I'd have little trouble following such sensible advice.

(01:59):
Tell that message from Rio Dejaneiro,all our thanks as we take you
shortly to that colorful metropolis. WithAct one of Notorious, starring Ingrid Bergmann
as Alicia Huberman and Joseph Cotton inthe role of Devon. It's the height

(02:27):
of the tourist season in Miami,Florida, and the passengers of a plane
from New York have hastened to theirhotels, all save one, a mister
Devlin, who has gone directly toa building owned by the United States Government
there in an obscure and private office. Last Thursday, John Huberman, traitor

(02:49):
was sentenced to twenty years in thefederal penetentiary. So I had Prescott,
congratulations, Oh thanks Devon, Butthen and drag you down here to pat
me on the back. Cubman hasa daughter here in Miami. Well,
no, she was in no wayinvolved with her father or with any of
the other Nazi agency works against usduring the war. At least she can
be of great help to us.Now, that's what I want you to
find out. You've approached her,not yet, but we know a great

(03:14):
deal about her. Oh, here'sher photograph, Alicia Huberman. Track it
very and something of a problem.Miss Human is not what our mothers would
have called a nice girl out everynight, drinks a lot, gets arrested
once a week for reckless driving.But whatever she may be, we think
she's still a good American. Ihave made arrangements for you to meet her

(03:36):
tomorrow night. That should be pleasant. Hey, tomorrow night, Elisia's Human
is throwing a party. If it'sa customary party, it'll be loud,
long, and alcoholic. On Sundayshe plans to leave on a cruise with
friends. I want you to findout if she'll go to work for us
instead. In South America, SouthAmerica, it's Rio de Genio. Well,

(03:57):
here's the whole file. I'm asHuberman, get over and then start
asking questions. Use this offen,Miss Uberman, leave your party, go
rides at two in the morning.Oh, I've got you invited me to
take a ride. It didn't makeyou an accept Yeah, don't you think

(04:20):
i'd better dry? No? No, I thought that was under stuff?
Or do you think I'm drunk allthat? You know? Something mysticous?
Define? How do you get tomy party? And the Hopkins? Remember?
No? No, I don't rememberanyway you were saying anyway, I
like you? Who quite a boy? Aren't terrific? How am I doing

(04:42):
eighty miles an hour? You canstop grinning. I don't like Jelean grinned
Evan. I was really grinning atthe man in the mirror. Mirror?
What man? A man on amotorcycle? We're being pursued hops Oh,
I'm glad you're stopping. I thinklet's cop wanting to talk to Oh I
drownkly, Where am I going tojail? My whole founding James carried having

(05:09):
a time for yourself. People likeyou are to be in bed and drinking
her just a minute off, son, I'll arguments, mister here, what
do I want your license for?She was at the wheel? Be this
isn't the driver's license. Huh ohsorry, okay, Chuligan hella. I
think so well. You're a nightnight. Oh that cop he saluted you.

(05:33):
Why double crossing? You're a copyourself. I'll argue about that later.
Right now, I'm taking you home. Get out of my car.
You're not taking me anyway. I'lltake your hands off me. Question.
You are a federal cup, aren'tyou aren't move? Get out, leave
me alone. You're trying to getsomething, and you're gonna calm down.

(05:53):
I'm sorry that superman. First timethis week I've sacked the lady wanting Alasia
feel anybody? Oh what do youcare? How I feel? You them?

(06:14):
Eight o'clock? Oh you are theguests left about three hours ago.
Oh I want to refill for thaticebag. So what's all this about?
What's your angle? Angle? Whydid you crash my party? Wanted to
meet you so you could frame me. Got a job for you? Don't
tell me. There's only one jobthat you coppers would want me for.
But I'm I'm not a stool pigeon, mister Dean. My department has authorized

(06:36):
me to offer you a job inBrazil. Go away. Some of the
German gentry whom your father once workedfor in Rio. Now busy as little
bee. I'm not interested. You'reworking with a Brazilian government to smoke them
out. My chief thinks that thedaughter of a of a traitor, well
he thinks you could be valuable tous, and you could make up a

(06:57):
little of your daddy's peculiarity, soI should. I patriotism statutis waving the
flag in one hand and picking pocketswith the other. That's your patriotism,
and you can have it. Well, you have my own life. Go
away and leave me alone. Yourown life. What's that? Good times
and laughs with people I like,No wonder had it? Cops who want
to set me up in the shootinggallery. People on my own kind will

(07:18):
tweet me right and like me,you understand, and like mister Hopkins.
Mister Hopkins has phoned said to remindyou is yacht sales at noon. They're
all calling for you at level.Oh, then why don't you get out
of here? The plan the rearleaves tomorrow morning. Then you must drop
me a postcard, mister Devan threea must be beautiful this time we're coming

(07:46):
into rail Miss Well, well,what when are you going to ask me?
Why I changed my mind? Whyare you can play instead of a
young Are you here? Aren't you? Soon? As we land, we'll
look up mister Prescott. Prescott aboss, m messuplemin. Just now,
when I was talking to the pilot, hold you we were coming into real
told me something else. Message camein over the radio. Your father?

(08:13):
What about my father? He hecom made a suicide this morning and it's
cell. Oh. I'm sorry,but I don't know why I should care,
But I don't. When I foundout about my father a few years

(08:35):
ago, who he was, whathe was doing, everything went apart.
I didn't care what happened to me. But but now I suddenly remember how
nice he he once was, hownice we both once were. Anything I'd
knew. No, it's a verycurious feeling, as if something had happened

(08:58):
to me. He's not to him. You see, I don't have to
hate my father anymore or myself.Well, dev how do you like the
apartment mister Prescott found for me?It's very attractive? Will I be saying

(09:20):
it? I wish I could tellyou. I don't know. Well,
will you know? Sooner? Prescot'smeeting now with the Brazilian intelligence. Oh
so you fixed dinner? Huh?Have time for another drink. Thanks,
I've had enough. Well, aren'tyou impressed? I'm practically on the wagon.
It's a phase. You don't thinka woman can change. Sure,
change is fun for a while,for a while. I've been sober for

(09:41):
ten days now, and as faras I know, you've made no new
conquests. Well that's something, isn'tit? Ten days? Practically, white
pie, it's got a rat youare. I'm very happy, dev Why
won't you let me be happy?Nobody's stopping you. Why don't you give
that copper's brain of yours arrest?Time you look at me tells you no,
no, no, stay away fromher. It says she's no good,

(10:03):
she never will be, Alicia,go on dead, go on,
you can take my hand. Iwon't blackmail you for it afterwards. Thanks,
you are afraid, afraid you're fallingin love with me. I wouldn't
be hard to do. Careful,Defica, enjoy making fun of me,
don't you No, I'm making funof myself. I'm pretending I'm a very

(10:24):
nice, unspoiled child. Those heartis full of daisies and buttercups. Nice
day dream done? What I thinkI will have another drink. Yeah,
I thought you get around to it. Why won't you believe me? It
can be dead just a little.Why won't you How do you know?
I don't I know because you're sore, you're falling for me and you don't

(10:46):
like it. No, people willlaugh at your poor dead, poor dead
in love with and no, goodgirl, it must be awful. I
don't say anything there in case,we don't say anything matter with your devlin.

(11:13):
Something wrong wrong? No, nothing'swrong, Prescott. I'm sorry I
had to send for you. I'msorry I interrupted your date with this Hugelman.
Well, here's the setup, okay, by Brazil intelligence. The leader
of the German agents here in Riois a man named Alex Sebastian. Well,
if we know he is, whycan't we pick him up? Oh?

(11:33):
Sure, sure we could pick himup. The next day someone else
takes his place in whatever it isthey're working on, continues. Their headquarters
is Sebastian's home. We need somebodyto get inside that house, somebody in
Sebastian's confidence. In other words,Alicia Hoopeman, right, who said you
were having dinner with her when Icalled? And I'll go back to her
apartment then and tell her she's goodat making friends with gentlemen. So that's

(11:56):
meant to be funny. I thedevil's eating you. I. I don't
know if she'll do it. Youhaven't even discussed it now. But I
don't think she's that type of woman. She's never been trained for that kind
of work. They'll they'll see throughher. Miss Huberman was chosen for two
reasons. One her father was aNazi agent to Sebastian Wants Newer in Washington.

(12:18):
Sebastian Newer, Yes, she wasin love with her. I didn't
know that. You know it now. I'm gotta get miss Huberman inside his
house and find out what's going onthere. How how does she meet him?
And I think the riding club wouldbe best. Sebastian rides every morning.
The rest is up to you andmiss Huberman. You've hardly said a

(12:43):
word. My cooking isn't that bad. It's well done maybe, but still,
I'm sorry. I was so likegetting back Prescott. I believe what's
the matter, trouble In a way, all this secret is going to ruin
my little dinner. Come on,handsome, what is darkening your brother?
No? No, no, now, look I'll make it easy for you.

(13:07):
The time has come. But youmust tell me that you have a
wife and two adorable children, andthis madness between us can go on no
longer. But you've heard that lineoften enough. Oh that wasn't fair.
Let's gip it. You remember aman named Sebastian alb Sebastian Eyes. He
was one of my father's friends.I had quite a crush on you.

(13:28):
I wasn't very responsible if in town. He's part of the combine that built
up the German war machine. Hewho hopes to keep on going something big.
All the ear marks, we'll haveto contact him. Come on,
let's have all of it. Permittinghim tomorrow morning and you're going to go
to work on him. Not ahiring. She makes love for the secret
papers, press codsorders. Yes,did you say anything? Well, I

(13:54):
mean maybe I wasn't the right girl. Reception anigance, No, I forget
that was up to you if youcarried to back out. I suppose you
told him that Alisia Huberman will havethe Sebastian eating out of her hand in
a couple of weeks. She's sogood at that. I always say anything,
not a word, but that lovesicklady who cooked dinner for me.
I told you that, don't getcross dead. I'm only fishing for a

(14:16):
little bird call from my dream man. One little remark such as, how
dare you suggest that Alisha Hubbermann?Don't you, miss Huberman be submitted to
so ugly? Oh darling, Butyou didn't press could tell me that you
believe I'm nice, that I loveyou, that I'll never changed back.

(14:39):
I'm waiting for your answer. Quitea little twe you are you'll never believe
in me, not a word offaith. Just down the dream with Alisha.
That's where she belongs. Oh death, for me a drink and tell
me what I do. From possadyou'll meet Sebastian on the bridle Path.

(15:00):
Questioned you about me. I'm withPan American Airways Public Reservations. Anything else
happened to meet you on the planefor Miami. They that's the tale,
the better, that's all. That'sall, My beautiful dinner, cold cold
decie. I can't get over toLeisha, meeting you this morning, all

(15:31):
places of bridal Path and real didyou know? How do you know?
I wasn't looking for your palance?Oh? If I could only please.
You should didn't that prevail upon youwas taking to dinner? Half? You
look very well at alfter four yearshere dullness and disintegration. You look younger
than you did in Washington, entirelydue to your presence, Alicia, you
always affected me like a topic.Who you're looking at, my dear,

(15:54):
But man just gave me. Doyou know him? I don't think I
do. His name is Prescot Espionage. The American embassies loaded with him.
Really, they bothered you since youcame here. No, no, not
yet. That's one reason I leftMiami to get away from there. Snooped
me. I wondered why you leftyour father, he insisted, Alex.
He was so unselfish. He keptbegging me to leave. I had no

(16:17):
idea he was going to die.Many have died, Alicia. You mustn't
let our spin to die with him. Perhaps I can help you forget.
There's someone else, of course,is there, poor Lisia, That mister
Devlin who is with you this morning. Mister Devlin doesn't interest me in the
least. I've just been so lonely. I could have gone riding this morning

(16:41):
with Peter Rabbit. You will letme help your loneliness. Oh, you're
very sweet to forget what a whata brat ie was once. Well,
then i'll test your opens immediately.Who you have dinner with me again tomorrow
night? My mother's giving a littleparty at home. Oh, Alex nice,
you're sure you're she won't mind anextra game. Hope. An old
friend is never an extra case.Thank you, Elice. You look very

(17:11):
beautiful, Miss Huberman. Don't youagree, Devlin se Bastian is sending his
car, Misshuberman, I suggest weget out of her apartment all this time
now. Part of your child tonight, Miss Uberman, will be to get
the names of all the men yousee in Sebastian's house. Do you mean
the Germans? That won't be difficult. Don't underestimate them. They're a very
keen and desperate bunch. Anything else, No, nothing, good luck?

(17:32):
Thank you. Oh, unless wehave something urgent to report, we'd better
avoid each other for the next fewdays, just in case Sebastian's crowd wants
to check on you after the night. Very well, and don't meet here
when you do. What about theracetrack Devanly's tracks? Fine, we can
arrange a date by phone. Natallymiss Huberman. Well, well, good

(17:53):
afternoon, Den. I'm nice seeingyou a guy taking any winners. You
alone. Alex and his mother thebox and clubhouse. I'm sure they can't
see it. Play it safe,he keeps smiling. Well, I've seen
Alex twice since the dinner at hishouse. Was there his mother, her
servant named Joseph, and four othermen, William Russ and her Direk Matis.

(18:15):
They will hook can Bess Rands.Have you ever heard of Anderson?
He's some kind of scientist. Medium, high, gentle face, sixty years
old, gray hair, deep creasein his forehead. Are you writing this
down? Oh, I'm just tryingto check these horses on my program.
Last look happy? Will you?What about him Hook? I've heard of

(18:37):
him. No, he made quitea scene at dinner and bought a bottle
of wine. Bottle of wine.Yes, it was on the buffet.
Hooka became quite excited. He saidit should be removed at once. This
is what happened. They just ignoredhim and kept this conversation going. Hook
gets him quite flustered, an apologeticguy. I couldn't figure it out.
Did they serve the wine? No, not that particular bottle. Do you
think you've had any significance? Idon't know. I don't know what brand

(18:59):
was that. All I saw ofthe label wasn't Peach thirty nineteen sixty four
as we purpled anything? Since?I haven't seen it since? Nobody else
just a whiner? Right? Andyou may want for the record, well
you can add Sebastian's name to mylist of playmates pretty fast work. That's
what you wanted. Wasn't His mothersuspects me? Why? I don't worry

(19:22):
she believe him after her son's money. Are you getting on this race?
Mister Dublin? We are about tostart alex Is number ten? Is you
are to work? You can't helprecalling some of your remarks about being a
new woman dayes and buttercups with Usn'tit? What are you angry about?
You knew very well what I wasdoing. That you could have stopped me
with one word. No, you'reit. You're keep your eyes on the

(19:44):
race. I should not. Don'tyou tell me to go him? A
man doesn't tell a woman how todo. A woman tells herself. Almost
tell me believing hope people to midicalof yours that a woman like you could
change her spies. So that's whyI didn't try to stop you. The
answer had to come from you.I see some kind of loved that's right,
but you'll never believe in me anyways. What's the difference in fagusion number

(20:07):
ten? If I had believed you? What if I had figured? She
can never go through that. She'sbeen made over by love. You one
who wants to but you loved.Listen, I shocked up another boyfriend and
that's all no harm done. It'syou no occasion too. You're doing fine

(20:27):
work. I'll see that. Theyare told we're having a meeting tomorrow with
l Bosta because they were an intelligence. In case you interested. Number ten
is winning the race. That Sebastianknows how to pick them. That's got
to say. Dry your eyes,baby, it's out of character and be
quick about it. Here comes dreambold Seastian's what a wonderful Ragelsia tells me

(20:51):
you had a better on that numberten. Sorry I didn't meet you early,
Alicia. Well i'll see you soon, I hope. Yes. What's
the what, Alex, you're notat all excited about the race. I
didn't see the race. I waswatching you and mister Devlin. He had
an appointment to meet him here,ump, Sir, I just happened to
bump into him. She wouldn't appearanxious to get away. I watched you.

(21:14):
I thought maybe you're in love withhim, Alex. Really I did
test him. I'd like to beconvinced. Would you maybe care to convince
me? Alitia? But you know, mister Devlin, Senor Barbosa, mister
and this is mister Bidslee, alsoof our office, Senor Barbosa, Brazilian

(21:36):
Intelligence. She done, gitmen Wall. Our little theatrical plan is working,
Senor cot Thanks to miss Huberman,we know that adol Rensler is working here
in real He was one of Hitler'sscientific wizards none on as Professor Andrewson.
And and that body found in thesurf two days ago. Yes, identify
this description fit Samuel Hupka, oneof the boys who must have said the

(21:56):
right thing at the wrong time.And I'd still like to know about that
wine bottle. Excuse me, shing. Yes, the Hubaret she mis the
fresh girdle is the devil here?Yes, sure eh, I don't like
this are coming here. She's hadme worried for some time. A woman
of that sort. What sort isthat, mister Beardsley. Oh, I
don't think any of us have anyillusions about Miss suberin with not the slightest.

(22:18):
Miss Suberman is first, last,and always not a lady. She
may be risking her life, butwhen it comes to being a lady,
she doesn't hold a candle to yourwife. Sir, sitting in Washington playing
bridge with three other ladies of greatand impeachable honor, take it easy to
sorry. I think those remarks aboutmy wife are uncalled for, aren't I
apologize? Oh? Come in,miss Suberman, Mister Bedsley, Senor Babbo
said, how do you do?You have the esteem of my gotten But

(22:41):
we're worried about your vesting this office. I promise not to break the rules
again, but I need advice Icouldn't find mister Bremaven. Yes, mister
Sebastian has asked me to marry him. Well, well, I'm to give
him my answer lunch. I didn'tknow what the department might think about such
a move. You're willing to gothat far, right, monsieur? Yes,

(23:03):
if you wish? May I askwhat inspired Sebastian to go this far?
He's in love with me, andhe thinks you're in love with him.
Yes, that's what he thinks.Jesus, it is the cream of
the gist. Then then it isall right, Oh, it's an ideal
marriage for us. Yes, everythingseems to be raised perfectly. I don't

(23:25):
think you need me here any longer, Prescott or no, but we all
excuse me. Then, Oh,congratulations, Alicia, Thank you, Jeff
I knew you'd been pressed in amoment. We will return with that two

(23:49):
of Notorious. Meanwhile, here's LibbyCollins, our Hollywood reporter. I look
for you last Monday evening, Libbyat the Metro Golden There premiere of Castimolin.
Oh, I was there, missKilling, But I don't wonder you
didn't see me in those crowds.It certainly was an exciting opening. It
looked as if practically every star inHollywood turned out to see the screen version

(24:10):
of Sinclair Lewis's powerful novel. Youknow, it seemed just as dramatic the
second time, even though I'd seena preview at the studio. Spencer Tracy
is marvelous in the title role,with Lana Turner for romantic interest. Who
had it just couldn't miss. Thetriangular love story is always a great theme,
especially when Zachary Scott is the rivalfor Lana Turner's love. A perfect
cast and the gripping play like thatis every producer's dream and every feminine movie

(24:34):
doer will end the Lana Turner whenas Ginny and cast Timberlaine, she goes
on a shopping spree in New York. She buys herself an expensive glamor walk
girl, including some wonderfully whispy nylonstockings. I said to myself, if
John Kennedy here had been a technicaladviser, he would have included a shot
of her buying locked flakes to takecare of them. Well, it me

(24:56):
it's highly improbable or highly probable thatSinclair Lewis Heroin did because smart women everywhere
know that lux makes stockings last long. Well. As a matter of fact,
I know that the studio kept thosestockings lovely as new for retakes by
washing them with lucks Flakes after everywhearing, a wise procedure for women everywhere,

(25:18):
because tests show that stockings actually lasttwice as long when they're washed with lux.
It was really surprising how quickly identicalstockings washed with a strong soap or
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is just like getting an extra pairof stockings every time you buy a pair.

(25:41):
That's why lux Flakes are America's favoritestocking care. We return you now
to William Keeley, continuing with thattwo of Notorious, starring Ingrid Bergmann as
Alicia and Joseph Cotton as Dublin.A few hours have passed. Elated by

(26:07):
Alicia's consent to marry him, AlexSebastian has just brought the news to his
mother Mary her what are to amoonstruck boy? Of course she is beautiful,
but far but many things her sympathies, for instance, where do they
lie? I've told you a dozentimes, mother, Alicia does not concern
herself with politics. At her father'strial, why did she not testify on

(26:30):
his behalf? Because her father insistedshe be kept clear of it. So
she says, but are you accusingAlisha of lying? I accused only you
thinking of marriage at a time likethis, risking everything we have worked for
suffered towardly. She knows nothing,she will know nothing, but I know
know what that she came here forone purpose, to capture the rich Alex

(26:52):
Sebastian for a husta, and shehas. You're being absurd. We will
just stut it morefully tonight. Wewill not discuss it tonight. You're as
jud as you've always been jealous ofany woman I've been interested in. Now
Nish and I should be married nextweek. Be private. I should both
be pleased to have you present ifyou wish, come in, Joseph,

(27:19):
did you want something? Only?Let me tell you how happy I am
that you and mister Sebastian at homeagain. The house needs you, madam.
Thank you you had a pleasant weddingtrip. Very as long as you
hear, Joseph my clothes, I'dlike all my dresses put out on the
bed please. I have heard allthe closets, madame, But there isn't
enough closet space in this bedroom.Isn't there a storeroom down the hall?

(27:41):
Yes, madam, by the doorit is luck. Don't bring me the
key please. Mister Sebastian's mother,Madame, she has all the house keys.
Oh do you know where mister Sebastian, is I believe he is having
a business meeting in his study,business meeting Professor Anderson, Madame and the
other gentleman. What would you say, Professor s I have news for you,

(28:04):
my friends, my work. Hestop them. Ah, you've been
successful, he said. Oh I'mterribly sorry. Oh Alicia, my dear,
come in. I didn't know youwere busy. Alex, and some
of the classes seem to have beenlocked. Could you give me the keys?
The keys? You mean my motherhasn't given year's not getting void once?
Excuse me? Gentlemen, Shall Igo with you? Alex? No?

(28:26):
If you're just waiting your room inleashalla malla? Are you sure this
is all right? Dead meeting youlike this in the public park. Stop
worrying. We're talking about keys.His mother keeps something, he's all but

(28:48):
one, the key to the winecellar. Alex keeps that one himself.
Joseph talking and get it from him? Get it? Don't you live near
him? What do I look forin the wine cellar? Bottle of wine
like that one that unnerved the latemister Hooker at age nineteen thirty four.
All wine bottles look alike to me, I'm no mask. You're doing all

(29:08):
right? It's not fun. Thenit's too late for that now, isn't
it. Why don't you persuade yourhusband to throw a large shindig and introduces
bride to real society. Next week'ssay, why invite me and I'll try
to find out about that wine cellar. I don't think my husband's interested in
entertaining. Don't underestimate your charms witha Sebastian. You can promote a party.

(29:29):
It won't be easy getting you there. He thinks you're in love with
me, then tell him that youthink if you invited me and I could
see how happily married you are.The horrid passion I have for you might
diminish. I'll try good and getthe key. I'll be looking forward to

(29:51):
seeing you, mister devil. It'salways a pleasure meeting you, madam.
Good days still shaving, Alex doo, hurry dear, our guest should be
arriving soon. Don't tell me yourdress, of course. Oh let me

(30:12):
let me look at you well,ohlsha like a dream, a dream?
No, please hurry, I don'tgo stay there and thought, oh what
about Oh you're dressing table wrong withmy dress? Do you mean to say
you carry all these things around inyour pockets? Or one thing? I'll
talk about a woman's purse. Lookat this letter, papers and letters too,

(30:33):
wallet, cigarette case, cigarette,hold and key the keys you know,
you know, my dear, I'mreally surprised that the devil is coming.
The key to the wine side thesha. Yes, there, you're
suddenly silent. Don't worry. Idon't blame anyone for falling in love with

(30:55):
you. It's not that I don'ttrust you, darling, but when you're
in love with my age, Alisha, that's anything wrong wrong? I hope
my word? You look too serious. Oh I'm a fool. I should
never have mentioned devil, but giveme that of course. Well, what
what do you want for your hand? Here? May I kiss your hair?
Ohlicia? Not that clench of alittle fist? Are you hiding something

(31:19):
in your hair? Alex person,you have curd to you that I might
like to kiss you too? HOLYAgood evening, mister Sebastian, Mister Devlin,

(31:40):
I'm glad to see you. It'skind of your bride to invite me.
Well, we both invited you,mister devil. Excuse me, Alisha,
I must introduce me Diamestric a keyin my hand, and this won't
be easy. He's quite sensitive aboutyou. He's going to be watching us
like a park passed like a supplyup here. What do you mean I
mean if you should run out?He'd put on the cellophonere with me.
I hadn't thought of that. Ata point you must work that. Yeah,

(32:01):
I'm supposed to be a guest here. I'll stick away later on.
You better go to your friends andI'll find you. It's a nice party.
Isn't it an issue? It's awonderful party. You handle things perfect
out, very proud, Thank you, Thank you, Alex. What happened
to mister devl and I haven't seenhim for an hour? Oh he's alright,

(32:22):
I imagine trying to brown his sorrows. Excuse me, dear. I
think I'll ask the office that couldplay something lively or we've had nothing but
was lollie. This is a pantryand anyone see you coming here? I

(32:46):
don't think so. And it's thisthe door to the wine cell for happen's
like they're hurry and lots of time. I'll be hard in the garden,
there's a door from the wine steterthat leads to the garden. When you
get downstairs opening, You'll be there, Yes, I'll be there in case
anything happens. Now hurry nineteen thirtyfour tenty to nineteen thirty four thirty four

(33:23):
type what happened? Butter fingers thatbottle? What was in it? Look?
Sand? It was? It wasfilled with sand. It couldn't be
sad. Probably some kind of metalor I've gotta try to clean this.
I'll push the glass under the bottomsails. I've thought a bit about the
sand and taking some of the trysample. This is a little weird,

(33:45):
isn't it? Here? Here Iput this bottle in place, and the
wind you broke it has the sameLady that's stop shaking when I have a
funiverstal slow when it almost God,Relax. If there is this, I
get out of here. I don'twant to have skills. The door to
the garden. He's coming back,Alex. He sees that. He looking
at me. He said, I'mgoing to kiss you. No, No,

(34:06):
he longly think that that's what Iwanted to think. Death, oh
dead. It's almost as if wemeant it wasn't it now? Putting away.
I'm sorry to intrude on this canderscene, Alex, Alex, I
couldn't help. He's been drinking.Why are you out here? Or did

(34:28):
he carry you? Alex? Youveno? No, I don't please go.
Please for what it's worth as anapologymister Sebastian, your wife is telling
the truth. I knew her beforeyou, loved her before you, but
it wasn't as lucky as you.Sorry as he kissed you, Alex,
don't I I came out here becausehe threatened to make a scene. Unless

(34:49):
I've seen sit him alone kissed you. I couldn't stop him, but I
cry. We'll talk about it later. We have guests inside. You're not
coming with me. I came toget more wine. No, I better
go back with you. People.People may wonder, missould Darling, it's

(35:12):
late. I thought you went upstairslong ago. I've been helping Joseph clean
up. Besides you, you saidyou wanted to see me. Oh Devlin,
Yes, I acted like a stupidschool boy once again. I'm ashamed
of myself. You do believe me, Luicia? Of course? Thank you.
Aren't you coming up there? No? Not for a while, Professa
Anderson is still in the study sleepwhere Alisha, good night, Alex,

(35:37):
thanks for being so nice. Ahmah, come in, Why are you
so early? I need your help. Something is wrong. It's a great
deal, Alicia, as weeks.I knew it. I knew who is

(36:02):
it, mister devil? No,No, it's much more serious than that.
I am married to an American agent. Is Late last night, after
she went to bed, Joseph cameto me. There were some bottles of
a return to the cellar. Heasked me for the key. This key
it was gone gone. Where wasit? Ten minutes ago? And I
woke up at the back on mykeychain. She'd been down there for wine

(36:22):
star. It is easy to seenow. I knew long ago, but
I did not see they did becauseof her partner. I must have been
insane to babe, like an idiotto believe in her house, wallowing in
your memory. I'm done, mother, I'm finished. They'll find out.
And a seneric martist Rosna. Lookwhat they did to Hookah. It did
next to nothing. And I betrayedthem. I do the same thing myself.

(36:45):
Kill the fool who betrayed them.There is no need for them to
find out. Oh they're too clever. Who would imagine that you are married
to an American agent? No?Very well, at least the innority of
your stupidity is your protection, Alicia, take care of her myself. No,
not that way. I stood lookingat her just now she lay sleeping

(37:07):
in their be so easy or notas impictuous as you were before your wedding.
You barred me from that episode.Let me arrange this one. No
one else must know what she is. There must be no suspicion. She
must be allowed to move about freely, but she will be on a leash.

(37:28):
And then in time it will happen, but it must happen slowly.
She will become ill, remain illfor a time until one day with all

(37:52):
our perspect of identification. This isCBS, the Columbia Broadcasting System ACRO and
around the world. This is re N, the Radio Entertainment Network heard
on great stations like Harrisburg Area RadioReading Service, Harrisburg, Pepflvania. Our

(38:17):
stars will return with that three ofNotoris in a moment. Our guest tonight
is that Rarity in Movietown and NativeCalifornia, Long blue Eyed Jacqueline White I
understand you've been interested in a moviecareer since childhood, Jacqueline. That's right,
mister Keeley, and now you've seenyour dream come true with many successful
picture rolls. Well, I wasespecially happy with my partner r Ko's new

(38:40):
picture Night Song. You gave avery fine performance, Jacqueline as Merlo Brown's
best friend. She was wonderful inEnroll, mister Kelley. It's an inspiring
performance, and Dana Andrews at hisbest in those tender, sensitive love scenes
with Merlin. Dana told me youreally enjoyed playing the part of a composer
because he loves music, so there'splenty of that in Night Song, and

(39:00):
for every taste. I loved everyminute we were working. But I did
have a twinge of envy when Isaw those gorgeous clothes design for Merle Obron
one Negligee in particular. It wasvery simply made, but the softest,
most beautiful, sat and imaginable.Rule told me she was going to have
a copied for her own wardrobe,and John Kennedy might be interested in something

(39:22):
else. She said about it,something about luck. Oh yes, because
she didn't think it would wash untilthe studio loxed it and it came out
lovely? Was she impressed? RKO, just like other leading Hollywood studios,
insists on lux Care for all nicewasherballs. So what could be safer for
a star's own lovely things or forany girls? And here's another interesting point.

(39:45):
Did you know that with lux Careyou can have three times as many
pretty under things? Well that's forme, mister Kennedy, But how do
you figure it? Well? Underthings washed the lux wag stay lovely three
times as long. Tests proved thatidentical slips of Night He's washed the wrong
soon look faded and dragged. Soinstead of replacing slips often because they're old

(40:05):
looking, you can buy extra newones have three times as many. And
as you say, Jacqueline, that'ssomething any girl would like. Thank you
for coming to Night, Miss White. Back now to our producer William Keeley.
Be sure to join us after ourfinal curtain for a brief chat with
the night Stars. Here's the thirdact of Notorious, starring Ingrid Bergmann as

(40:27):
Alisha and Joseph Cotton as Devlin.The passing days have brought to Alisha not
the slightest inkling that her husband andhis mother are well aware of her real
purpose in the Sebastian residence. Now, in response to a phone call from

(40:52):
Prescott, Alisia meets Devlin in aquiet corner of a public park. I'm
sorry I couldn't take it on time. Day gets a bit lonely, squatting
on a park bench all day Iwas here. Oh, don't tell it's
along you. I'm all right now. Prescott said you'd have a message for
me. Want you to know youcan be proud of yourself that the sample

(41:13):
of sand like God shows you anymore. Your job from now and is
to help us find out where yourscoming from. Anything else putting some new
men on the case. You maysoon have a new contact. You're leaving.
Possibly Paris may be more interesting.Yes, yes, there really isn't
very much for a brainy fella likeyou to do here anymore. Cry,

(41:35):
I'm going to stay on so youdon't look so hot. H Well,
it's fresh air, would help methink to my son, Oh, don't
be so charitable that if it couldbe a hangover, you know, back
to the bottle again. Huh.Light is my choice. They party,
mm, just a family circle.It's just doing quiet an evening. Well
go on have fun, and there'sno reason why you shouldn't. No,

(41:58):
well, good bye that you meangoodbye, just goodbye bye. Fresh air
isn't as good for a hangover asI thought. You're still tired. I
don't want to Where are you goinghome? Back home? Alex is coming
home early? Alex a drug?You were able to get some more?

(42:23):
Yes, I've got it. Mother, you're sure, you're sure she doesn't
suspend. She knows she is ill, that is all. She is going
to feel a little worse after dinnerwith a number attack, right after she
drinks her coffee. Well, wemight all go into the living room.

(42:45):
Joseph will bring our coffee in there. Alicia, Yes, professor, id
you were You don't look at allwell, and it's what's wrong with her.
We we just don't know. There'sthose high balls. I'll sneak on
the side, darling. Don't jokeabout it. Why she hasn't had so
much as a shell all but haven'tyou better see that? Talk to Elisha.

(43:05):
I never got near doctors. Theyalways want to cut you off to
a hospital. Perhaps you belong ina hospital, I wondered all the soul.
I don't know. Maybe maybe afterthe party. I don't think a
secret could be much better for you, darling and doctor's hospital. No,
no, no, I'll be allright. What about the mountains altitude for
shir I'm going next week. Wellyou're leaving us, Professor, I'm sorry,

(43:28):
I'll miss you. Well you couldcome with me. The Imrs mountains
are beautiful, covered with flowers.Delicia needs is rest, not mountains.
I've heard about the i'morras in thosesilly native times. Are you going to
Leopoldina? No, no, no, I am going to santam. Well,
here's our coffee. Just lead it, Joseph. Also, yes,
madam, I will not allow youto make up me. Madam might conserve

(43:51):
myself. No, that is notyour cup. My know that that's alicious
cupful, but it's not quite full. You notice you're giving all at the
secret away, Professor. Yes,we have a confession. You know how
Alicia loves coffee. Professor Alex said, I think she has been taking too
much. We cheat a little hereyou are, dear, thank you?

(44:13):
Is it is it hot enough?It's fine, Alex. Perhaps Alex is
right Alicia about race. When youare young, rest is the best doctor.
Excuse me, pain again darl I'msorry to complaint all the time.
I take you to your own please, okive me. I'll be all right.

(44:34):
I'm worries about her. We wantedto call it doctor yesterday, but
she simply, what is it,joy, mister, A question? She
collapsed? Go away, all right, Alicia's all right, you'll feel better

(44:55):
soon. You're sharing your own badPlease let me call the house. Yes,
you're already late for your meeting withEric Matist. Yes, I'm at
school. I suppose good night,and I go to the door. Joseph.
Yes, she must have absolute quiet. Disconnect the telephones, take it
out of the room, Joseph.Five days now, Prescott, Lisia hasn't

(45:24):
been near the pot for five days. She was to check with one of
us at least every other day.That must be quite a bing's no,
no, I don't think so.But you were the one who said she
was drinking. I've had time totake it over. I don't believe it
now. Why should she lie aboutit? I don't know. I don't
know, but it did. Itwasn't a hangover. She was sick.
She looked like the ragged head ofnowhere. Now it still sounds like a

(45:47):
hangover to me, Well, I'mI'm going to pay a call. I'll
wait a minute. Don't worry,I won't mess anything up. Just a
social call. I'm a friend ofthe family. Call me when you get
back to do that for men aboutto be leaving for Paris. I talked
to you later about that. I'dlike to see that transfer held up for
a while. I am very sorry, mister Devlin. Mister Sebastian asked me

(46:07):
not to disturb him company. He'sin the study with some business associates.
How long will be tied up?I do not know missus Sebastian at home,
Yes, sir, but she isvery ill. Oh oh, how
long has she been? Now?They wake? Sir? She had a
doctor. I believe so, sir. I really do not know. You

(46:30):
are very concerned about her. Ifyou will wait here, mister Devlin,
I will tell mister Sebastian. Let'sgo on, Professor to sounds serious to
me. Yes, what happened Monday? Eric, when I left the bank,
you man was following me, andthis morning when I went to the
ticket office he was there hiking.Yes, I am very sorry, sir,

(46:53):
but mister Devlin is calling. Oh, tell him. I'll be with
him in a minute, yes,sir, but take it off. This
what man, professor? What areyou look? Obviously not a posilion.
It's hard to describe. Might sothe devilin he's waiting? Wait, this
is terrible, professor, this isterrible. Licha, Alicia, how did

(47:27):
you kiss up here? I'm supposedto be downstairs waiting for your husband.
Oh, I'm so glad. Icouldn't stand it anymore, waiting in wondering
still as you what is it insec they're poisoning me? I couldn't get
him waited. I tried house theweek. Hello, I ever since the

(47:49):
party Alex his mother he found out. Come on, try to set up
here. Let me help you.I've got to get you out of here.
I thought you'd left rail. OhI I had to see you once
more and speak my piece. Iwas. I was getting out because I
love you. I couldn't dare seeingyou and him together. You love me,

(48:12):
m But why didn't you tell mebefore? A right? I just
coulde straight? Thank straight? Youlove long ago, all the time,
since the beginning, kidding your robeI got I'm afraid of getting pitch.
Then you got to keep awake,keep talking, keep talking. Can my
coat put it over your robe?Alex and his mother day. I don't

(48:37):
want the others to know, butme, I don't stop talking. What
happened Alex found that's not the others. Oh, they'd kill others. Thank
you, that piece would kill Hekilled and looked dear, but dram around
me. He got to stand up, say it again. I love you.

(48:58):
I love you, Alicia, Pleasestand up, Come on, talk
talk. Professor comes from I'm Urisma. We'll find it with Tom called Santa
Santa Masta good good. We'll takecare of that later. Now you're on
your feet, Alicia, and movethem, move them walk, start walking.

(49:21):
They're all down there. You've madethe doorway, the stairs on for
I get hold of your dolly.If you've got to walk yourself. If
you don't keep moving, if youdon't ever leave me, you'll never get
rid of me again. I nevertried to death. Breaks up here.
He comes, taking her to thehospital and get the poison out of her.

(49:44):
Boy, how would you like yourfriends down there to know? I'm
taking Sebastian. Ray's quite a rumpas if you try be quiet, man,
he knows, yes, what ishappening, Alicia, stay right where
you're a Sebastian. Go on,we're going there. We're going downstairs.

(50:07):
You haven't forgotten what they did,don or hope? Have your Sebastiani,
Alex, Yeah, I'm glad youhave a head on you, Madame.
I'm not afraid to talk. Ihad a chance to die right here and
now. Just call your friends tocome out in the hall and tell them
who Alicia really is. No,we can handle her. Where are you
taking her? You answer that fromSebastian to the hospital, Alix, talk

(50:28):
to him. I'm glad she's going, Alix, you should have waited this
long, well, I do.Sebastian started shooting off. Hold on,
God, hold on, only twentyyards to go out the front door and
then into my car. That onewe were taking Alsia to the hospital.
Eric, she had another attack.Mister Devlin heard her screams. He was
waiting for me come. I phonedthe hospital as soon as I saw how

(50:52):
she was. Mister medwa for anambulance. Here, Alex, your colt.
You are not going with them,Madame, No, Alex will call
me. I await here the poorchildy here? Loop is the door?
How do you feel, oh theearth, take some take some deep breaths.
I looped the car door office.Ah, you made it, made

(51:15):
it delicious, said down Darling.Easy, easy, now ry, please
hurry. They're in the doorway.They're watching me close the door, Sebastian.
I must go with your run.Sebastian, you must take me.
I can't go back to Please please, please, Alex, I'm here.

(51:37):
I have just been up to herroom. There is no telephone in her
room, Alex. How could hehave called the hospital? Alex? Will
you come in please? We wishto talk to you, for our stars

(52:05):
were turned for our curtain. CalledLivy Collins and I have some really big
news for the ladies, a brandnew easy to enter context. Tell about
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Imagine. First prize every week forfive weeks is a three thousand dollars mink
coat. And if there's a girlin this country who wouldn't like a mink

(52:29):
coat, I haven't heard of her. And there are other superb prizes too,
three fur coats worth one thousand dollarseach, five fur jackets worth five
hundred dollars apiece, twenty first scarves, each valued at two hundred dollars,
fifty scarves worth one hundred dollars apiece. And that's not all. There are
two hundred and fifty additional prizes everyweek, each one a crisp ten dollars

(52:50):
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take your prize in cash if youprefer. There's a contest every single week
for five weeks, so if youdon't win the first time, try again.

(53:10):
This is just about the easiest contestto enter you ever heard of.
Here's all you do. On entryblank, available at your dealer or on
any piece of paper, write twentyfive words or less telling why you like
anyone of six famous liver products FluxFlakes, Lux Toilet Soap, Life Boy,
Rinso, Swan or Spry Yes,any one of these products, and

(53:34):
you can send in as many entriesas you wish every week. Just be
sure to include with each entry awrapper or box top from any one of
these six liver products. Print yourname and address on your letter, together
with the name and address of thedealer from whom you buy your liver products.
Mail your entry to Liver l eVeer Lever Fur Contest Box one,

(53:57):
New York eight, New York.The first contest closes in just about two
weeks February eighth, so get yourentry in tonight or tomorrow. Sure entries
received after this state will be enteredto the next week's contest. Winners of
the big prizes will be announced onthis program. Incidentally, you have to
live in the continental United States,Alaska, or Hawaii to enter. The

(54:17):
contests are subject to all several stateand local regulations and to the complete rules
printed on entry blanks you can getfrom your dealer. Now I'll repeat,
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(54:44):
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(55:10):
New York. There are five weeklycontests you can enter as often as you
wish. So get busy, anda beautiful fur coat may soon be yours.
Here's mister Keeley at the microphone.It's time for that tradition of the
theater, a curtain call for ourstars. And here they are at the
footlights, Ingrid Bergmann and Joseph Cotton. We enjoyed you both immensely and tonight's

(55:42):
play. And incidentally, Ingrid,one could say that word notorious applies to
the kind of character you play inyour next enterprise production. I guess you
could say that of Joan Madougill,whom I play with Charles Boyinasha tran very
different kind of Joan men from theone you're currently so famous for. Thing
like for the names Joe. Iunderstand Ingrid, you've become quite a winter

(56:04):
sports enthusiasts these days. When myhusband and I just returned from four weeks
of skiing grip, well, there'snothing like skiing the way I do it.
There's nothing like it. I didn'tknow you were a skiing enthusiast,
Joe, Oh, yes, downSouth where I come from, I used
to get quite a kick out ofit. And they they have snowed on
down South. I might, butthey have those newsreel theaters where you can

(56:27):
sit with it. What I shouldwatch the experts withing down frozen mountain sides
while you sit comfortable and warm.That's really getting pleasure out of skiing now,
while Joe there's his armchair exercise.Next Monday Night, fill What will
you be presenting in this theater nextweek? From twentieth Century Fox, A
rollicking romance of the theater, thebackstage adventure of a lovable, laughable couple

(56:51):
in their climb to success. It'sthat musical screen hit Mother of War Tights
starring Betty Grable and They Daily andin this warm, nostalgic story, Betty
and Dan present those popular songs thatmade the original screenplay such a smash success.
Mother Were Tights was a great headsell, and it ought to make a

(57:14):
great hit with your audience. NextMonday, Bill, good night night,
good night, and thanks for thetalk. Most of us are happy insofar
as we look forward to the future, to security and continuing to have those
simple luxuries and pleasures we deserve throughwork and careful, conscientious saving. And

(57:37):
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(57:59):
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(58:19):
Join me in inviting you to bewith us again next Monday evening when the
Lux Radio Theater presents Betty Grable andDan Day in Motherwaw Tights. This is
William Keeley saying good night to youfrom Hollywood. Joseph Cotton appeared by arrangement

(58:42):
with David o' salznik, producer ofAlfred Hitchcock's The Taradine Case. Heard in
our cast tonight were Joseph Kerns isAlex Sebastian, Gerald Moore, As Prescott
and Janet Scott has Madam Sebastian.Our music was directed by Louras Silvers.
And this is your announcer, JohnMilton Kennedy, reminding you to join us
again next Monday night to hear MotherWar Tights, starring Betty Grable and Dan Dailey