E135: Into The Deep (2025) | Spoiler Review & Discussion - Make Every Death Count

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Behind a mask.

Speaker 2 (00:04):
It could be anything, something to make you scream, something
you've never seen.

Speaker 3 (00:11):
Come lacking knife, a snare, could be some mead you wish.

Speaker 2 (00:15):
You never bed chosen for the Slasher seed do not
you right?

Speaker 3 (00:24):
Don't you re horm tree? Holiday for Felis.

Speaker 1 (00:30):
Watch the take a Bow. The Slasher has no tel.

Speaker 2 (00:34):
Dot Com all about till Make Every Death Count.

Speaker 3 (00:39):
What's happening in love is what's going on. We're gonna
get tropical. We're gonna get tropical. Welcome back to another
episode of Make Every Death Count, brought to you by
the Slash of Gas podcast Network. We are your host.
My name is Riley, my name is Nick. Happy Saturday
because really late. That's actually probably gonna be Sunday when
this episode comes out. Yeah, well they didn't know digital

(01:01):
releases don't do the early thing.

Speaker 2 (01:03):
No.

Speaker 1 (01:03):
I was waiting at midnight.

Speaker 3 (01:04):
Yeah, I was sitting there waiting and it just didn't happen.
I was trying to save time and couldn't save any times.

Speaker 1 (01:09):
I wasn't actually waiting midnight. I knew it was.

Speaker 3 (01:10):
I checked, I checked it midnight. I just having me
up and it wasn't out now, So I had to
wait but yeah, you watch anything other than Into the Deep.

Speaker 1 (01:21):
This week, I watched one other film, and it's a
rewatch and it's Lisa Frankenstein. Oh love that movie.

Speaker 3 (01:28):
Oh you're not keeping up with their New Year's resolution.

Speaker 1 (01:32):
I'm working out, all right. I'm gonna watch Your Monster
probably by the time this is posted. I will watch
your Monster.

Speaker 3 (01:40):
I thought you were gonna say I was gonna watch
your mom.

Speaker 1 (01:42):
I was gonna watch your mom.

Speaker 3 (01:43):
That's crazy.

Speaker 1 (01:45):
I mean I'm gonna be watching mommy Melissa Barrera Yeah, yeah, yeah.
But other than that, no, just Lisa Frankenstein. Great movie.
Love it. It's okay movie, but I love it.

Speaker 3 (01:59):
I still haven't want shit.

Speaker 1 (02:01):
I think you'd like it again part of it, but
it's not a great movie, but I really like it.

Speaker 3 (02:07):
I watched Afraid this week for Rabbin and Red, who
finally gave that time of day. It's not nearly as
bad as I thought it was going to be because
it's written by Oscar Nominy, so that'll do it for you.
But it was just so boring. I'm so over AI.

(02:29):
I just AI movie like the one I'm not scared
of AI. It doesn't freak me out. I'm not worried
about it becoming self aware and trying to kill me,
So that doesn't really bother me. Uh. The only thing
that scares me about AI, I said the same thing
with Rabin and Red, is how it can be used
by humans to manipulate the world deep fakes, voice modulation.

(02:54):
It's that's the scary part. I'm not worried about Megan
coming to kill me in my sleep, make it you
know I that no, not worried about that.

Speaker 1 (03:04):
AI pisses me off because like every three posts I
see on Facebook, Like I'm scrolling and I see a
post it's like the Big Show and his family and
it's an AI. I'm like, why, why, why do why
do people post this? It has thirty thousand reactions Yeah,
and people like such a nice family. I'm like, are
you all bots good? Because there's no every everything I see,

(03:29):
Every third post on Facebook is an ad yeah, And
every fourth post is some AI slop, and it's sometimes
it's not even slap. Sometimes it's like, hey, here's a
picture of a celebrity and their family, but it's a
I like why That's That's what piss me off. But
I also am not afraid of Megan. Yeah, coming to

(03:49):
kill me.

Speaker 3 (03:49):
I'm afraid of all the AI movies that are gonna
happen in the next five.

Speaker 1 (03:52):
Years, right, yeah, over it. It's just getting started, unfortunately, which.

Speaker 3 (03:59):
Is dumb because there's nothing. That genre is already almost
tired out. Man, There's only so much you can do.

Speaker 1 (04:05):
Yeah, just the cloud.

Speaker 3 (04:08):
We should be scared of the cloud, which some of
that is scary, is kind of true.

Speaker 1 (04:11):
We're scaring the old people as what we're Yeah. Probably
my last time I saw my grandma, she asked me
about AI. What do you guys, What do you guys
think of all the AI going around? I'm like, it's
annoying the end of story? Can can it get your data?

Speaker 2 (04:27):
No? No?

Speaker 3 (04:28):
I hate AI art. Yeah, somebody who for a living
does grapt design and art like that. I hate it.
So I can understand using it to get ideas and
get layouts and stuff. It should not be taking someone's job.

Speaker 1 (04:44):
There's a Friday the thirteenth Convention that's using fucking AI art.

Speaker 3 (04:48):
Yeah, very clearly AI art.

Speaker 1 (04:52):
Yeah, count the fingers. Look on that on that specific picture.
In general, look at the weapons that Jason is you
and the looks of Jason it's bad.

Speaker 3 (05:02):
Yeah. Yeah, so little Ai rant there. I also watched
I don't know if I don't know because it was
last movie night. I watched Scream again. Nice. But we
also watched Story of eCos Nice, big Story of eCos guy,
and we watched Cherry Falls. Have you ever seen Cherry Falls?

Speaker 1 (05:23):
I haven't, no, man, that movie sucks, but I love it.

Speaker 3 (05:28):
Cherry Falls is it's like a Scream inspired movie. It's
a Who've Done it teen slasher movie, but it's a
killer that's killing virgins. Yeah, and only virgins, okay, And
then they have, like the parents have a town hall
meeting and the sheriff mentions of the fact that it's

(05:50):
only virgins being killed. So the kids throw a giant
sex party.

Speaker 1 (05:55):
Wow.

Speaker 3 (05:56):
Yeah, wow, awesome.

Speaker 1 (05:58):
So what's the name of this movie?

Speaker 3 (06:00):
Cherry Falls. I don't think there's actually any like nudity
in it. There might be somewhere, I don't know. I
don't know, but it's yeah, they have it's a giant
high school orgy. Jesus, it's crazy.

Speaker 1 (06:11):
Yeah, it's It's on my list on my cue to
watch with all these other, you know, Scream inspired movies
that I was gonna watch like two years ago and
never got to. Yeah, so I'll watch it eventually.

Speaker 3 (06:21):
I mean it's it's got a Jay Moore in it,
really yeah, and Britndany Murphy too, so really yeah, some
like actual solid cast in there too. I think there
was someone else in there that was that was really good.
I can't remember, but.

Speaker 1 (06:35):
Yeah, I'll watch it someday.

Speaker 3 (06:36):
It's funny how all those nineties movies had like Rebecca
Gayheart and uh well the whole scream Cast, the whole
scream Cast going on to be a Listers. Have you
seen did I ever like force you to watch dead
Man's Curve and or The Curve? No, dude, that's one
you need to watch too. It's the Lillard. Yeah, that's
another one of those scream inspired ones.

Speaker 1 (06:57):
I think I tried searching for it to downloaded. You're
never gonna find it.

Speaker 3 (07:04):
I own it on Prime though.

Speaker 1 (07:06):
It's on Prime.

Speaker 3 (07:06):
Yeah, I think it's still there. I know I own it.
I just watched it again recently.

Speaker 1 (07:11):
It's it's on my list. I got. My list is
like five hundred long. It's on my list.

Speaker 3 (07:15):
Yeah, it's like that. It's it's essentially a horror scream
take on that one other movie that's about the curve,
about if you if your roommate dies in college, you
get straight A's. There's a comedy version of that movie.
I can't remember what it is, but it's the more
popular version of that movie. But yeah, this is the

(07:35):
horror take on it, so you should watch it. There's
probably some others scream based, scream is it?

Speaker 1 (07:43):
Maholland Drive? Is that one?

Speaker 3 (07:46):
Holland Drive is not? I mean that's a that's a
good movie, but that's not so screamy.

Speaker 1 (07:51):
Scream inspired.

Speaker 3 (07:52):
Yeah, I have these movies feel like scream Like you
could tell like, oh man, we got to rip off
Kevin Williams and real quick, hold on it.

Speaker 1 (08:01):
Makes money, real quick. Yeah they did not.

Speaker 3 (08:04):
Yeah, The Curse fun though. I like that one. It's
also got a good cast. Again, has a good casts.
That's it. Otherwise, I watched them Spider Man movies this week.

Speaker 1 (08:14):
If you couldn't tell by the length of this intro,
the movie that we watched this week, I.

Speaker 3 (08:20):
Thought we were just having fun.

Speaker 1 (08:22):
We are having fun, but it's not not great.

Speaker 3 (08:27):
Yeah, we're I've been saying for a month. We are
reviewing Into the Deep. Into the Deep, directed by Christian
Sesma written by Chad Law. Modern day pirates on the
hunt for sunken drugs kidnap a boat of tourists and
force them to dive into shark infested waters to retrieve

(08:48):
the contraband. This is one we are going to be spoiling,
obviously to the title, and you kind of got it
because otherwise be like, yeah, there are sharks, Yes, Yeah,
there are pirates. Yes, American pirates, America.

Speaker 1 (09:17):
Mexican nose. I just watched that the other day, The whole,
the whole.

Speaker 3 (09:26):
If you know what it's from, that's funny. If you
wonder why we're laughing, don't worry about it. Then just
little Shane Gillis choke fetonal Tis but real though. They
are American pirates, which is a little weird. Yeah, So

(09:46):
this movie kicks off on a flashback. We see uh,
I already forgot her name her Cassidy. I didn't see
it yet. I remembered Cassidy, our main character. He played
by Scout the other contu me. We started a flashback
her as a little girl. She's out swimming in the
ocean with her pops and daddy dies. The shark comes

(10:10):
up and eats him. She it's actually kind of arguably
one of the better scenes in the movie. Yes, the
dad's the dad's dying and he's trying to get to
the boat and casting her mom is standing there and
she's reaching out. The dad's bloody hand reaches out and
she tries to grab him and she can eat by
the shark. It's kind of you can a little emotion

(10:32):
in there.

Speaker 1 (10:33):
Yeah.

Speaker 3 (10:34):
Yeah, But unfortunately, just like the rest of this movie,
this entire movie is held back by Doodoo CGIEP And
the first time you look at the they don't show
the shark at all. All of a sudden, her dad's
being eaten, you know, and we don't even see the
shark like come up an attack or anything. And then
all of a sudden we cut to a close up

(10:56):
of the shark head eating his legs. Yep, that's the
reveal of the shark. Just like that. I'm like, that's
what a missed opportunity. That was. Okay, there's a shark done.

Speaker 1 (11:07):
Yeah it was. The sharks in this movie were were really.

Speaker 3 (11:11):
Sometimes they're good though, Like they had moments that that's
why it was. It was making me so mad when
they blew it because there's you know, there's the this
that scene in the bottom of the ocean, and she's
face to face of the shark. The close up of
the shark, like when you're he's facing the camera is gorgeous.

(11:31):
It's a good looking shark. It's a good model.

Speaker 1 (11:34):
And then immediately after that horrible.

Speaker 3 (11:37):
Yeah it's I'm like, man, you guys obviously have a
good It's like they didn't have the PCs. They didn't
have powerful enough systems to do a full size render
of that shark at mating shark. Yeah, like what it
was on its face? It was obviously a good model. Yeah, Like, man,
what the hell? What's going on here? But okay, after
the flashback Dad's dead, cut to modern day Scott Tarr

(12:00):
Compton all grown up. She's having some PTSD essentially dealing
with anxiety, you know, and losing your dad like that.
But she's going on a trip with her husband, her
new husband for whatever reason. But I don't know, this
might not be explained. I was listening for it, so

(12:20):
maybe I'm just stupid and missed it. They go on
this trip on the dad's death anniversary that's in the
same body of water that the dad was killed in Yes,
and she's already got anxiety medication and it's dealing with
nightmares before we know that because the husband says it's like, oh,

(12:42):
you haven't taken one of those in a while, got it?
So it's obviously something it's a reoccurring problem she has
had in the past. And you thought, Hey, I have
an idea. Let's on the anniversary of your father's death.
Let's go get on a boat and go to the
same body of water. Sound good?

Speaker 1 (13:01):
Yeah, you kind of read the room on that one,
be like, yo, I'm gonna go do this. You can
stay in the room.

Speaker 3 (13:09):
Yeah, it is it a honeymoon trip?

Speaker 1 (13:11):
What are they doing? I think? So? And then he's
meeting up with his friend to find gold for the
museum that's at the bottom of the ocean.

Speaker 3 (13:25):
Yeah, yeah, so.

Speaker 1 (13:28):
Yeah, she's not definitely not necessary to go on this
expedition here.

Speaker 3 (13:34):
Yeah, and he is. He's like, you don't need to go,
it's not necessary, and okay, that's great, thank you, but
still it's kind of dumb to play in the trip
in general. Yeah, but whatever. I so, yeah, we start
off in the hotel room with them, you know, and
then it cuts outside to a drone shot and then

(13:55):
we go into opening credits. Yep, the movie almost lost
me on the drone shot. Like the rest of the shots, fine,
it's a really good, long, clean drone shot, but it
starts off and you can see that the drone is
struggling to stay still, is struggling to float right and
they pull back and it was like the most broken
looking drone shot I've ever seen in a movie of

(14:16):
this caliber. I was like, oh, man, gott, I hope
that's not what we're gonna see all movie.

Speaker 1 (14:21):
I think they were hoping that you would be just
reading the title and the credits in the very middle
of the screen and you wouldn't be able to.

Speaker 3 (14:27):
I don't think you see them yet. Because it's any
time you use a drone, and again a lower budget
like DGI drone to actually film cast members, which is
what they do there, you're kind of playing with fire
because your eyes are then locked onto a specific spot
and wide footage drone drone shots, you know, you're kind

(14:48):
of you're gauged in the whole room here. You know,
you're looking at the entire scenery. But because they started
on them and we're looking at them, we're coming right
off of them kissing. You know, it's you all the mistakes,
so yeah, it's just it was just an awkward cut
to me. That drove me nuts, as somebody has had
to deal with a lot of drone broken drone footage
like that. Yeah, that's why you have someone focusing on

(15:10):
what you're supposed to be focusing on and someone else
also watching everything else. Yeah, I mean all they had
to do was just cut about a few frames. They
also that's why it annoyed me. I was like, you
easily could have just fixed that little hiccup right there,
and yep, we'd have been done with this. But yeah,
that's when I was like, Okay, that was the start
of me being like, I don't all right, we only

(15:32):
we spent our budget on scouting Richard. Yep, yep, we
lost it elsewhere. But yeah, they go onto the trip
and well we get some flat We're cutting to consistent
flashbacks throughout the movie, right.

Speaker 1 (15:44):
We see Richard Dreyfus as Seamus Cassidy's grandfather, and watching
the trailer, we're like, okay, Richard Dreyfus is in this
movie for like three minutes. Yeah, and when he that
was the scene. I'm like, okay, so that's it for
Richard Dreyfus, right wrong. He is constantly showing up, which hey, yeah, cool,
it's all like short stuff he's doing. But yeah, he's

(16:08):
he was actually throughout, which yeah, I'm I'm glad.

Speaker 3 (16:12):
Even he ends the movie, he does well, he has
the actual end of the movie. But then he's also
he does the credit stuff. Uh yeah, we we basically her.
The whole point of him in his backstory is that
he's the one that got Cassidy into the ocean, got
her into sharks.

Speaker 1 (16:34):
You know, her oceanography degree.

Speaker 3 (16:36):
Stuff like that. That's that's kind of what it is.
He's constantly explaining a were in the shark's kingdom. We're
nothing but predators there, you know, So that that kind
of thing. You can imagine where it's going. Meanwhile, on
the boat, shark cage is on the boat, which again

(17:00):
read the room boys. But I understand I also think
she might overreacted. She did, but yeah, Cassidy sees that
shark age, she gets a little upset about it, maybe rightfully.

Speaker 1 (17:11):
So yeah, yeah, I think so. All the while, we
see a group of pirates approaching a boat or a
boat approaching some pirates. Then it turns out that they
were the pirates as well. Yeah, it was pirate on
pirate combat. Yeah. Fun, these guys are badasses.

Speaker 3 (17:35):
The pirate thing. You would think this is a shark movie,
but it's only it's a it's a pirate movie. Yeah,
and then there's some sharks. Yeah, I don't know, so
it's a little weird. I shark movies always tend to
be a little tough to buy into if you've done

(17:56):
any research on sharks, ever, especially great whites. One. Great
whites are pretty goddamn rare. And then this is supposed
to be like non shark invested water, right, yeah, which
is why is he even shark cage? Then whatever? But yeah,
they there are plenty of sharks apparently, and specifically great whites,
because this is not just a single Bruce shark all right, right,

(18:21):
this isn't Jaws. There was like five, it's great probably more,
actually it's probably there's a lot of Great whites showing
at the bottom of the ocean there.

Speaker 1 (18:28):
Yeah, ocean kind of shallow. Yeah, I mean they weren't
too far out.

Speaker 3 (18:34):
I guess they were fifty miles due east. Yeah, so
they're pretty far out. It was very shallow for where
they were supposed to be. There's probably spots like that
out there, I don't know.

Speaker 1 (18:46):
And that's where the sharks were.

Speaker 3 (18:48):
It happened to be perfect. What else exciting happens? Okay,
the pirates. They end up coming up on the boat
after a shark attack. Shark attack they shark, Yeah, there
was a shark attack. A couple decides to join them
for nothing more than being you know, victims. They decided

(19:08):
to join them on the boat. The husband or where
they engage the fance the male if you will. He
ends up getting his arm cut off by a or
eaten by a shark and he dies. But does he
die from bleeding out? How does he die?

Speaker 1 (19:27):
Yeah, he ends up bleeding out.

Speaker 3 (19:29):
Then nothing of using him as bait or something that
they do. Yeah, but yeah, through after all that, the
pirates show up and they end up you know, inviting
themselves into the boat. YadA YadA, want to help with
the guy that lost his arm, but he they He says,
you guys all looked really nervous when you saw us,
so maybe you saw something down there that you weren't
supposed to see. I'm like, no, dude, you came. You

(19:51):
guys are all wearing like bulletproof vest and shit, it's
not subtle.

Speaker 1 (19:55):
As I thought. I skipped back because I thought I
missed something, because he said, you guys were you know,
were scared of us. He looks like you were running away,
and I skipped back. I'm like, did they see them? No,
this is the first time we're seeing them. They weren't
trying to get away. They saw the boat and was like, hey, help,
they could help us, and turned towards them. Yeah.

Speaker 3 (20:15):
I think he was just referring to the way that
they reacted like kind of nervous when they were pulling up,
like just seeing them, but.

Speaker 1 (20:23):
They weren't though, at least the main the the main guy,
the ship's captain if you will, he was like, hey,
we're glad you're here. We need help.

Speaker 3 (20:33):
Yeah, but he I mean, he was the one that
started showing he was you probably tell that they were nervous. Sure,
but again, like that dude had big scars on his face,
he's wearing It's just you know, he was judging a
book by its cover. Sure, but then all of his
out with guns too. Maybe they did.

Speaker 1 (20:52):
They didn't come out with guns at that time, just
Vest Chasing and Chucky. Chasing and Chucky.

Speaker 3 (20:59):
Yeah, real subtle.

Speaker 1 (21:00):
At first I thought I said Jason and Chucky. I'm like,
all right, but then no, it was Chasing and Chucky.

Speaker 3 (21:06):
Yeah.

Speaker 1 (21:08):
And uh, what's the last guy's name? Is it Apachee
or was that the first mate? I don't remember.

Speaker 3 (21:15):
I don't remember Kai that was the first. The best
character in the movie, Kay has like five words of dialogue.

Speaker 1 (21:24):
Yeah, he doesn't say much.

Speaker 3 (21:26):
Hi. Yeah, he's the best character in the movie.

Speaker 1 (21:30):
Yeah. So Apache, Chasing and Chucky were the boys.

Speaker 3 (21:34):
Yeah, what's the main dudes name?

Speaker 1 (21:37):
Uh uh, I don't know.

Speaker 3 (21:44):
Uh, Jordan, Oh yeah, I used Jordan's right, that's right,
that's right, that's right.

Speaker 1 (21:51):
Yeah, with big scar on his face. He was the joker.

Speaker 3 (21:55):
Yeah, well he's got it's just like a it's two
on one side and it goes.

Speaker 1 (21:58):
All the way up.

Speaker 2 (21:59):
Yeah.

Speaker 3 (21:59):
Yeah, not clear with that. I thought that was gonna
be a shark shark attack.

Speaker 1 (22:02):
Yeah, no, sharks car.

Speaker 3 (22:03):
No, they didn't explain it. It just looks cool. Yeah,
add some intimidation to him, but he yeah, he says
to them, He's like, maybe you saw something you weren't
supposed to see and yeah, then they decide for them,
So he's not going to kill them because they could scout.
Cassidy agreed to go into the shark cage and go

(22:25):
down and grab the four crates of drugs cocaine that
they got down to the bottom of the ocean. That
was That was her way of coming to an agreement.
He doesn't kill them if she goes down and get it,
because they don't want to go into the shark infested waters. Okay,
she goes down there, gets attacked by sharks. One of

(22:46):
the sharks takes one of the crates Jordan has. He's
very upset about it. Yep, they lost the crate. So
now she's got to find another way to bribe her
way into staying alive. And she said they saw gold
down there, which I did in a little bag of trinkets,
and she'll go back down. They'll get the gold. He
can have it. They stay alive. Ye, here we go,

(23:09):
more pirate drama. And then they do that and then
they lose the gold.

Speaker 1 (23:13):
All the while people are getting pushed into the water,
fed to the sharks, getting shot.

Speaker 3 (23:20):
Yeah, the big one was Cassidy's husband. He gets pushed
in as shark bait in the water, and then Jordan
tries to shoot him and misses every time. Somehow those
bullets man.

Speaker 1 (23:33):
In the water.

Speaker 3 (23:34):
And then he swims not clear how far by the way,
nobody noticed that he was, So how far did he
swim underwater before coming up and nobody saw him. I
guess if you get about one hundred hundred and fifty
feet out from in an open ocean like that, it
is hard to see what the hell's going on, Like
you can't tell what's a wave, what's something on the
on the surface. Yeah, I get that.

Speaker 1 (23:56):
But one of one of the pirates was getting attacked
by the sh so I guess that's where everyone was
then looking. And so he was swimming away and.

Speaker 3 (24:05):
He ends up finding the other pirate boat from earlier
in the movie.

Speaker 1 (24:09):
You get the little little, uh, little dinghy.

Speaker 3 (24:11):
The little canoe looking thing. Yeah, and there he finds
a gun, he finds water. It's funny when he gets
onto that boat and is chugging the water. He's chugging
that water as if they have been stranded out in
the ocean for a week. Dude, I was, I get it.
You just swam really far and that's exhausting. But I
just thought it was a little over the top. My dude,
you like you had water like thirty minutes ago. You're tired,

(24:34):
but the salt water drying you out. Yeah, I guess so,
I don't know, but yeah. So then he so he
swam all the way that boat, got the gun, got
got the water, and then he swims all the way back. Yeah,
it digs the boat, rows the boat all the way
back again, not clear how far I think the point
of the water is to assume he went miles. Yeah,

(24:57):
but okay, okay, sure, uh but yeah, that's all I
just did. Dude. So there's a scene when all of
this happening there and they're all trying to be on
each other's side. Cassidy goes onto the pirate's boat and
goes into Jordan's office space, and she says something along

(25:19):
the lines that I saw you staring at me. Like
what does she say before that? It didn't make any
sense to me. Like she goes she says something to
him that I don't know, it's like you're checking me
out or something like that, and then he says, what
do you mean. It's like She's like, I saw you
staring at me, and he says, don't fly to yourself,

(25:41):
like you went over there because he was staring at you.
I don't understand.

Speaker 1 (25:45):
Hmmm, I didn't.

Speaker 3 (25:46):
I didn't get the point that they were going with there. Yeah,
I thought that he may have knew her. I really
went I rewinded twice to get the context. I didn't
understand because I was like, do you so does he
Are you saying that he knows you? Is that the context?
Or you just saying you're hot and he was checking
you out?

Speaker 1 (26:03):
That had nothing to do with anything like oh you
got an eye full out there? Yeah, that had nothing.

Speaker 3 (26:10):
Out of nowhere. She's like calling him a perverb for
staring at her, which.

Speaker 1 (26:15):
My bad, Sorry, what am I not supposed to look
at you?

Speaker 3 (26:19):
But then but then after that, she right right after that,
the next line, she's like, you're not doing all this
for a little bit of gold trinkets? You know, who
are you?

Speaker 1 (26:30):
You're American?

Speaker 3 (26:31):
Yeah? And then he I can't, she says, She's like,
make it a living, And she's like, oh bullshit. As
if we're getting somewhere like there's something something about him,
you know, it doesn't get any deeper. Than that. He's
just a navy seal that you know is down in
his luck illegal trading, and then he got into he
kept being stuck with it and started staying in the
drug business.

Speaker 1 (26:50):
Yeah, there was nothing there. We almost had a B plot.

Speaker 3 (26:53):
Yeah, she's doing her scouts, doing her best in that scene,
and she's giving it her all. But that scene is
written so goddamn poorly. It's like trying to give you
context and add something to this character when it doesn't
make any sense. It doesn't go anywhere.

Speaker 1 (27:06):
I mean really, there's no bad performances, No there's not.
They're all very well, but the writing it is just horrible.
And the CGI at times is just piss Yeah.

Speaker 3 (27:15):
The yeah, they anytime you see the shark, if it's
a close up of the shark, it's okay, but any
wide it's just so horribly comped in. It looks so bad. Man.
And that's what I don't understand. How in twenty twenty five,
it's been fifty fucking years since Jaws came out and

(27:37):
Jaws still looks the best. How is that possible that
we can't get shark movies right? I mean, I understand
that most people are making shark movies. Now they're doing them,
you know, on a super low budget. I don't know
what the budget of Into the Deep was. I was
probably a few million, probably, and most of that probably
went to salary. Well I doesn't cost that much, Richard

(28:01):
d Yeah, a little bit, but it's probably not too bad.

Speaker 1 (28:06):
And yeah, the performances weren't bad.

Speaker 3 (28:08):
Yeah, it's got it's gotta be under ten million, I
would think for budget.

Speaker 1 (28:12):
Probably probably under five.

Speaker 3 (28:13):
Yeah, it's no, it's not much, but yeah, so you're
making all the shark movies that are dependent on the
shark being good, and you can't afford to do the cgi.
That's why like Jaws was you know, it's a big
budget movie too, but doing it practically made a huge
difference and relied on not seeing the shark. And I
thought they were gonna do that in this movie with

(28:34):
the start of it, because we we go on her
dad's being attacked and you don't see the shark and then,
like I said, they hard cut out of nowhere and
he's eating his legs, Like, oh, why did you just
not show it? You don't you don't have to show it,
and then focus on like a few really good shots
to take your VFX team and focus on some really
good shots at the end of the movie to reveal

(28:56):
the monster. These are monster.

Speaker 1 (28:57):
Movies, yep, supposed to be.

Speaker 3 (29:00):
Yeah, and then take your writing and apply it to
a good pirate story like this could have worked. Yeah,
it could have worked, but they just I don't know.

Speaker 1 (29:08):
So then she goes down to get the gold then
yeah for him, and.

Speaker 3 (29:14):
With the the fiance, Yeah, she went to with the
other girl yeah, yep.

Speaker 1 (29:24):
And then she gets tacked.

Speaker 3 (29:27):
Yeah.

Speaker 1 (29:28):
And then Scout Cassidy goes down to the bottom yep,
on the ocean floor, and we get she goes face
to face with the shark.

Speaker 3 (29:39):
Yep.

Speaker 1 (29:39):
All the you know, Seamus, her grandfather, Richard Dreyfus, all
his wisdom is playing in her head about it's their kingdom,
which he says fucking thirty times in this movie, right,
And she goes face to face with the shark, and
as you said, looking head on at the shark look
pretty good.

Speaker 3 (30:02):
Then you cut to the wide.

Speaker 1 (30:03):
And then she boops his nose. All he wanted was
a little pet, like a like a doggy.

Speaker 3 (30:09):
Which it's that's what you do to sharks. You literally
just push them.

Speaker 1 (30:13):
Over and then and then this shark had ps two
fucking graphics. This shark literally went urt and the finn
was in her face.

Speaker 3 (30:21):
Yeah, dude, I was like waiting for her to get
slapped in the face by the fin. Just fucking pivoted
and then gone like, Okay, the shark does look bad. There,
it does. It's really bad. It's horrible. Actually, it's it's
really bad. It really takes you out of it. But
what made it even worse? Man, they're holding on that
wide for so long. It's Scout on one side to

(30:43):
the shark and the other they're facing each other like
a you know, a goddamn boxing showdown. And meanwhile there's
all these other fish, these tropical fish, floating around, swimming
next to them, that are just as bad as the shark,
and they look so bad. The lighting's bad. It is
so fake looking that it will completely take you out

(31:05):
of the moment. And this is supposed to be the
moment she is facing her fears. She is head to
head with this shark.

Speaker 1 (31:10):
Everyone else is dead.

Speaker 3 (31:12):
Yeah, she's not trying to swim away, she's not panicking,
and yeah, and then she just sends the shark away,
and she did it she's no longer afraid of sharks,
I guess, even though she is. But yeah, but you're
taken completely out because it's awful CGI.

Speaker 1 (31:25):
That shark literally was inside of her neck and then
the tail as it was going away, the back fin
should have just smacked the shit out. Yeah, I thought
I thought it was gonna Yeah, I thought for sure.

Speaker 3 (31:40):
She was getting hit by it. But you know that's
it's all just camped in, it's all. Yeah, it's dude.
I think that was throwing me off. I thought about this.
I was so distracted by CGI that I didn't think
about how dumb this was until after the scene is over.
I was like, she doesn't have fucking goggless on. No,
Like it's saltwater. You can't see, you do, and she's

(32:00):
sitting there. They can't. You probably couldn't even tell it
was a shark.

Speaker 1 (32:06):
Yeah, no, it was. Yeah, it was very very clear
water that day.

Speaker 3 (32:11):
Yeah, I guess so. And then why weren't the fish panicking?

Speaker 1 (32:14):
Yeah they didn't.

Speaker 3 (32:15):
It was great wise all over there, all these tropical fish.
I saw Dory just yeah, all over the place.

Speaker 1 (32:21):
But literally Dorry from two thousand and four.

Speaker 3 (32:24):
Yeah, that's it was genuinely. Yeah, it looked like it
was out of finding Nemo. That's what That's what the
CG I looked like right there.

Speaker 1 (32:32):
So then after facing her fear, she could have, you know,
grabbed the gold that she was standing right next to.
She's like, no, I'm not gonna No.

Speaker 3 (32:41):
Now that I face the shark, I can now face
the gun that this pirate is holding.

Speaker 1 (32:45):
Yep. Cool again, not not not her fault by any
means her. The performances were great, the writing's just so bad.

Speaker 3 (32:56):
Yeah, and after that I was pretty distracted, still laughing.

Speaker 1 (33:00):
She goes up says fuck your gold. Yeah. He then
threatens he is about to shoot her, and then her
husband comes around with a shotgun.

Speaker 3 (33:09):
Yeah, and before that as well, kai as a oh,
the National Guard shows up.

Speaker 1 (33:14):
Dude.

Speaker 3 (33:14):
I was taken out by that scene too. Do they
really roll up on the fuck with with lmg's on
a canoe like that? Yeah.

Speaker 1 (33:21):
A little while back they they pulled up on a
little fucking dinghy with a little motor with six coast guard.
There was like twelve guys in that thing and this
little ass boat coast guards with fucking assault rifles and
lmgsay they had a they had an actual like like

(33:42):
a like a bowen, like a bowen LMG mounted on
the front of this little canoe looking thing I guess
the pirates is. But is that accurate take out the pirates?
I guess any means necessary.

Speaker 3 (33:53):
I'm it wouldn't shock me if we had those types
of resources out there in the ocean to take out pirates.

Speaker 1 (33:59):
And it wasn't American Coast Guard. It was a foreign
coast guard. It was nationale. Yeah, yeah, I don't know
what what country it ended up being, but yeah. So
then they he tries to talk, Jordan tries to talk
his way out of it. Then finally he's like, can
I see your papers? And he says, I'll show you
my fucking.

Speaker 3 (34:18):
Papers, not really, and then his boys run out and
kill them all, all of them, and they didn't get
one shot on any of them. They didn't get his
land a single shot on any of the pirates. However,
one bullet did ricochet and hit Kai Yep. And then
the captain whose name I forgot, Uh it was.

Speaker 1 (34:36):
It Damien, Maybe I think it was, but I.

Speaker 3 (34:40):
Was calling the captain. The captain keeps he's trying to
help on me, you know, he's trying to make sure
doesn't die. And then Jordan finally actually legitimately murders somebody
and just he's like, hey, you can't save him, shoots
him like three times in the chest, and then he
ends up shooting the captain as well in the stomach.

Speaker 1 (34:57):
Wing him in the shoulder.

Speaker 3 (34:58):
Well, yeah, he runs away. I I thought he missed
that shot at first. Come on, He's like, there, jeez,
come on, here, land the shot. But he did end
up hitting him, and then he finds him again. They
have a little chase scene here, but he shoots him
the stomach and then it seems like he's dead and
that's it. Last we see him until the end of
the movie. There we go the establishment.

Speaker 1 (35:18):
Yeah, so then the husband, Cassidy's husband, has a shotgun,
gets face to face with Jordan. Then they start to fight. Uh,
Scout gets pistol.

Speaker 3 (35:30):
And ends up popping him in the in the thigh
or the knee and knee. Yeah, and then then he
he's like, hold on, don't kill me yet, and pulls
out his I kind of like that. Actually, that was
that was like a very eighties villain thing you do.

Speaker 1 (35:47):
And then and then he stood up and he's like,
all right, we're all gonna die. This boat's gonna explode.
Because the boat was gonna explode. I get I guess
that's what that's what he kept saying.

Speaker 3 (35:59):
I suppose it was.

Speaker 1 (36:00):
He wasn't gonna make it back. Yeah, I think it
was gonna sink. I think because it was smoking like crazy.
And he said we're all about to be shark bad yeah.
Uh So he's like, all right, go ahead and shoot me.
You don't have the balls. And then she shoots him. Yeah.

Speaker 3 (36:14):
He says we're all gonna be shark baite and she says, no,
only you. They shoots him, not in the head, by
the way. I thought she shot in the head, but
she shot him I guess in the chest.

Speaker 2 (36:23):
Yeah.

Speaker 3 (36:23):
And then he falls into water and immediately gets eaten
by the sharks. Yeah, but he comes up to the shore.
So even if he did get shot in like the shoulder,
he was completely fine. He was just treading water and.

Speaker 1 (36:31):
Going, oh, shark yeah. And then gets seaten by the shark.
Pretty selfish. If for her to pulling that trigger, her
husband wouldn't do it. Now, he wouldn't do it.

Speaker 3 (36:42):
He was a good man. And then all right, let's uh,
you're not gonna be out of boat for a while
after this winning. Yeah. When they then get back to
they get take the pirates bone and go back and like, go,
just promised me we won't go in a boat for
a while, that kind of thing. Then she goes it's

(37:03):
two weeks later and we're at a sunset and it's
heard Mena with her grandpa and yeah, they're no longer
scared of sharks or something like that, something like that.
Then we roll the credits and then it's Richard Dreyfuss
talking about how great sharks are and that sharks danger species,
which it's all true. I'd actually actually really appreciated that

(37:25):
because Jaws is kind of responsible for how terrifying or
how people are terrified of sharks. I mean, sharks are
such a you know, things like Shark Week two. They
do s. I mean that Shark Week feeds off it
the dish giant shark. He had one bite he could
eat you. You know that kind of like the sharks

(37:47):
are meant to be so scary, but they're really not.
They do what they can attack humans, but we are
killing the number blew my mind. A one hundred million
sharks per year humans are killing. I think they eat
even one percent of humans like that, or even even
shark attacks one percent of that now, Yeah, and most

(38:08):
of them, like you're small enough that you could just
just push them away. The only time a shark can
be really, really dangerous if steaks up on you, catch
you just slipping, which they can do. But if you
see a shark coming, mainly don't don't panic. It'll be
all right. Let's if it's a great why you might
be in trouble. If it's a nurse shark or a
bull shark, I'll be in trouble. Uh, not a nurse shark,

(38:29):
but a bull shark could be in trouble. Just man,
just hold their nose.

Speaker 1 (38:33):
Yeah. He he talks about shark conservation for the whole credits. Yeah,
it's like ten minutes.

Speaker 3 (38:41):
Yeah, and he does. At one point I thought it
looped because he said the exact same thing twice.

Speaker 1 (38:47):
Yeah, he was. He was going on a little bit,
but he definitely was reading something. Uh huh.

Speaker 3 (38:53):
Yeah.

Speaker 1 (38:54):
Did the writer of the script write this too.

Speaker 3 (38:56):
Probably because it was cool that he was willing to
do that, Oh for sure.

Speaker 1 (38:59):
But yeah, I mean, just you associate Richard Dreyfus with Jaws,
even non horror fans, right, so.

Speaker 3 (39:06):
It's not an accident he's in this movie.

Speaker 1 (39:08):
Like seeing him talk about shark conservation, it's pretty big.

Speaker 3 (39:13):
Actually, yeah, that's pretty cool.

Speaker 1 (39:16):
Yeah.

Speaker 3 (39:17):
By the way, he looks too much like Malcolm mcdoll.

Speaker 1 (39:20):
He sure does.

Speaker 3 (39:20):
I kind of wanted to punch him as a result.

Speaker 1 (39:24):
He sure does.

Speaker 3 (39:26):
He looks a lot like Malcolm McDowell.

Speaker 1 (39:29):
But yeah, Into the Deep. I can't wait for the sequel.

Speaker 3 (39:34):
Yeah, it's really bad. Yeah, it's somehow worse than I
thought it was gonna be. And I didn't see that coming.
I thought we hit like a solid five out of ten.

Speaker 1 (39:41):
That's what I was hoping for him.

Speaker 3 (39:43):
Yeah, I thought we'd get a nice five out of
ten out of it. It's just like the rest, there
would be a little bit more scout skin.

Speaker 1 (39:49):
I was hoping.

Speaker 3 (39:52):
If you look at the nudity portion of this movie
and the parental guidance, it's none.

Speaker 1 (39:57):
Yeah, yeah, shame again. Performances all around, good writing, bad
cgi for the most part bad.

Speaker 3 (40:10):
Well, the performances were good enough. Well that wasn't what
made there was a couple like I mean, yeah.

Speaker 1 (40:17):
Scott scout was well Richard Dreyfus as well.

Speaker 3 (40:20):
Yeah, the boys were well, they were just they're not
the problem.

Speaker 1 (40:25):
No, right, No, The writing and the CGI just tasty. Man.

Speaker 3 (40:30):
Then they have another drone shot as the pirate as
they get in the pirate boat and at least not
the pirates ship put the Pirates boat. Yeah, yeah, they leave,
and then that's that drone shot of them leaving. Were
you also about to throw up with how bad the
smoke was coming out of the boat. Oh my god?
I was like, how can I don't get it? There

(40:52):
had to be I didn't look deep enough into this.
I should have done my research. But there had to
be multiple VFX teams like how can they do something
like that Shark model that looks amazing and then they
can't do smoke, basic fucking smoke. It looked horrible. It
looked like it was comped in in like Adobe Premiere Pro.

Speaker 1 (41:12):
It was really bad.

Speaker 3 (41:13):
Yeah, it was horrible. It was horrible, dude. Then they
did that. I don't know why they decided to make
the horrible decision to do a handheld FaceTime call with
Cassidy and Shamus. Oh so they did a they had
to obviously comp in the footage later. They had to
add the call with Seamus onto Cassidy's phone later and

(41:36):
for some reason, And I know it's hard because I've
done it, because I made the same dumb decision on
a movie that we made where we shot it handheld
and had to replace it later. But not they made
it even harder because her phone's over the screen, so
they had to rotoscope around her thumb or I said
her phone, her thumb was on the screen. This is
They had a rotoscope around her thumb and it's a

(41:58):
handheld shot. I don't know why did they do that?
Why do they make this shit harder on themselves?

Speaker 1 (42:03):
That was rough.

Speaker 3 (42:04):
Yeah, it didn't look good.

Speaker 1 (42:05):
That whole FaceTime. I mean, the audio and the video
was just not SYNCD.

Speaker 3 (42:09):
Yeah. I've seen worse attempts at that type of screen
replacement VAFX, but it was just so obvious immediately again,
something that just that's an exchange that's important. Yes, it's
Shamus and Cassidy talking maybe one last time before she
hits the fan, and like, it's kind of an important scene.

(42:30):
And I'm so distracted by the fact that the screen's
moving around and overlapping her thumb. Sometimes I'm like, damn, dude, Like,
why did you guys do it the hard way?

Speaker 1 (42:40):
Yeah? It was really bad. And then he is talking
with his daughter, Cassidy's mom, and she's like uh, and
he's like, you and your daughter are the strongest people
I've ever met. She's like, uh, she's being not very strong,
and he's like, no, you didn't. I didn't raise you

(43:00):
to be whatever week. Yeah, you didn't raise a week
I didn't raise a week daughter. And you didn't raise
a week daughter. And she's like, but can't cit he's
on the boat.

Speaker 3 (43:10):
Yeah, her mom is kind of a throwaway character. He
completely Yeah, she's just there to be the adult when
the dad dies at the beginning.

Speaker 1 (43:19):
That's all. It should have been shamous, honestly.

Speaker 3 (43:22):
Yeah.

Speaker 1 (43:22):
I don't know why they didn't do that. I guess
he was teaching. I guess, yeah, but he was busy teaching.

Speaker 3 (43:30):
It just probably it would have been more of a
bond between her and her grandfather if they were the
ones that witnessed a death, Like it would be fine
if you kept the mom more involved and with.

Speaker 1 (43:39):
The story, but you don't, right, Like, maybe the mom
instead of the mom being like Yep, I have food here.
You guys should come in. Maybe she's making the food
in the kitchen. She's making the food, and Shamus is
the one, like, you guys need to come in right now.
There's a shark. Yeah, yeah, something that could have that

(44:01):
could have been better. But yeah, whatever.

Speaker 3 (44:06):
Yeah, so the movie's not good. That was That was
the point of this review. It sits at a three
point three out of ten on IMDb, and it was
a nineteen percent on Rotten Tomatoes.

Speaker 1 (44:17):
It was, and as of right now it's nineteen.

Speaker 3 (44:21):
Can you read me one of the positive reviews.

Speaker 1 (44:24):
On Rotten Tomatoes. Yeah, this is a serviceable, suitably gory,
and intermittently scary film with some solid action sequences. Suitably gory,
suitably gory. Dude.

Speaker 3 (44:35):
That was another thing that actually, I guess the the
severed arm, severed nerve. I guess the arm being ripped
off like that. Practical effect was good after the fact,
but man, anytime they had blood in the water, oh,
it was bad. It was really bad. Cgi it was.

Speaker 1 (44:51):
Just grayish red. You couldn't see any of.

Speaker 3 (44:54):
It's just so so obviously the effects it just looked bad.

Speaker 1 (44:58):
So there are three positive reviews that was one. The
other one is shockingly into the deep ends up being
a better Shark movie than it should have been. Much
of that dude to Dreyfus's presence. Okay, I guess if
he wasn't there, I wouldn't, you know, rate it much lower.
But he doesn't.

Speaker 3 (45:17):
He doesn't add anything really to the movie other than
fan service exactly, you know, like I'm not even not
saying him, but like his character, Okay, all right, Sharks
it's their kingdom, like that is his role. Sharks their kingdom,
got it. And but well, since we only get one
exchange between directly between him and Scout, I mean, we

(45:39):
see exchange between him and a young Cassidy, but it's
you're not getting the correlation to him and Scout directly
except the one phone call that I was distracted by
the CGI on it just he's just kind of you
don't need him there, you don't need You could have
had the captain say the same thing, this is a
shark's kingdom, all right, we're going into it. Then that
would have been just as good and not just as good,

(46:00):
but it would have been It would be fine. It
wouldn't have taken away much.

Speaker 1 (46:03):
Yeah, so the last one in the vast ocean of
shark movies. Into the Deep manages to keep its head
above water frustratingly, though, it never quite pushes the boundaries
enough to be anything other than just another fish in
the sea. And that got three out of five, So
it's positive.

Speaker 3 (46:17):
Three out of five is that's a six out of ten.
It's being pretty damn generous.

Speaker 1 (46:20):
That's that's fresh rating there, which, yeah, I do not
agree it again. Performances, I'll say it every time. Performance
is good. Writing bad. Sea gi really bad most of
the time.

Speaker 3 (46:36):
Yep. But it's only not including credits. It's something like
an hour and twenty four.

Speaker 1 (46:42):
I think, yeah, if you are one that is okay
with just putting these shark movies on in the background,
like sure it can fit in just fine.

Speaker 3 (46:53):
Well, yeah. The problem with Into the Deep, and the
reason I don't think it's a good one to fall
into that same category, is that a lot of the
shark movies are very self aware, like they know their
CGI is bad. They know they're putting a bad movie
together here and they're having a good time with it
and being over the top with the kills. You know,
they're just doing dumb shit. This movie is trying to

(47:15):
be emotional, at least everything that I've seen, it's trying
to hit your emotions. It's trying to be serious. It
is going for real drama, real suspense, kind of real threats.
And then you combine it with just the same shitty
CGI that all the cheesy, dumb movies have. So it's
you don't. It's the worst of both worlds. It's oh,

(47:37):
I'm bad, it's bad CGI, and it's the bad. They
don't land on the story either.

Speaker 1 (47:41):
Well, do you know what The tagline of the movie is,
no underwater, no one can hear you scream. That has
nothing to do with this film.

Speaker 3 (47:50):
Oh you know what else kind of sucked. The score
wasn't good.

Speaker 1 (47:53):
No, it was not.

Speaker 3 (47:54):
That was something that actually was throwing me off a lot,
because they when they were underwater, they committed to this
is what it sounds like underwater. They you know, you
can't hear scream. You can't hear screams, you can't hear anything,
can't hear the shark coming. The gore sound effects weren't
really there, which is fine, but the score to cover
that up and fill in the emptiness was due too,

(48:15):
So that made.

Speaker 1 (48:16):
It rough, so rating it's It's at a three point
three on IMDb. I think three is more than fair.

Speaker 3 (48:23):
I'm gonna give it a three point five. I gave
it a one and a half on Letterbox, which I
stick to because I can't put a one point seventy five.

Speaker 1 (48:31):
I wish Letterbox you could expand and choose either to
read it out of five or ten.

Speaker 3 (48:35):
But yeah, I give it a See, it's bad enough
to be a one point five out of five, but
it's not good enough to be a two out of five. Yeah,
so I'll give it a three point five out of ten,
but I won't even give it a one and a
half out of five.

Speaker 1 (48:49):
Yeah. Four out of five is four out of ten
is too high.

Speaker 3 (48:53):
It's too high.

Speaker 1 (48:53):
Four out of ten is too high. What I watched
I watched a really bad shark movie two years ago,
and it sticks.

Speaker 3 (49:01):
With me because everything about it was piss awful. I
think it's the only half star I've ever given on Letterbox.

Speaker 1 (49:07):
It was really bad. I don't even know if I
shark bait, whaw shark bait, shark bait eighty seven minutes. Oh,
it was awful.

Speaker 3 (49:17):
Have you seen the one with Blake Lively. No, that
that one's pretty good. It's proof that you can do
it still, like they're you're never gonna be.

Speaker 1 (49:25):
Jaws shark movie, but the Shallows.

Speaker 3 (49:29):
Yeah, yeah, yep.

Speaker 1 (49:31):
It's got fifty nine percent on tv Guide.

Speaker 3 (49:34):
Yeah, she's a she's just like she's surfing and then
she ends up, you know, gets attacked and then she's
on top of like a rock the whole time.

Speaker 1 (49:41):
Yeah. I've seen the trailers for that. Yeah, I've never
seen it though. It's got a six point three out
of ten on IMDb with one hundred and fifty thousand ratings.

Speaker 3 (49:48):
Oh wow for a shark movie.

Speaker 1 (49:50):
It's good, Like I might, I might stop it. I
might check it out this summer.

Speaker 3 (49:54):
Certainly better than this.

Speaker 1 (49:55):
Oh yeah, I might. I might check that one out
this summer. Again, Shark movies, they're more fun in the summer,
not in January.

Speaker 3 (50:03):
It's even more fun if you watch them in water.
Trick so badly not in a pool, like a pool
doesn't you don't get the suspense in a pool. But
if you go to like a lake or a pond
and find a way to get an inflatable screen out there,
if you have some sort of body of water. You
can just get in a tube with with your feet
hanging in the water. Don't sit on like a free
floating tube or I get your feet down there dangling.

(50:24):
It's even more fun if there are fish, if there
are a fish in the pond, because then like you know,
they might touch your feet here there. Yeah, you know,
it's like it adds a whole other element. I'm telling you.

Speaker 1 (50:34):
Lake Lockness and watch Josh have you.

Speaker 3 (50:39):
There was recently a debunking on the classic like Lockness
monster photo. They found proof of what it was or
something I don't remember. I didn't I don't care.

Speaker 1 (50:47):
Please don't ruin my fantasy.

Speaker 3 (50:49):
Please don't ruin my immersion. Yeah.

Speaker 1 (50:53):
So yeah, Shark movie in January.

Speaker 3 (50:57):
Yeah, I actually never even I didn't think about it
that way. Yeah, it doesn't make sense. But it's not
this summer. Yeah that's tough.

Speaker 1 (51:03):
I you know what, maybe it would have gotten a
quarter star more from me if it was in the summer.

Speaker 3 (51:09):
I kind of like the poster poster goes kind of hard.
I might find an original. I might get Scout to
sign it. She'll be like, what is this speech? She
posted on her Instagram a few times about it. She's like,
can't wait for you guys to meet Cassidy.

Speaker 1 (51:25):
At least she's she's proud of it, and she she
did her performance.

Speaker 3 (51:28):
She's directing quite a bit now. She is getting into
that space. So we'll have to shoot on one of
those movies. I don't wanna if it's good. If it's good,
I won't.

Speaker 1 (51:39):
Yeah, next week, next week is our I know? Which
is that? Summer?

Speaker 3 (51:44):
That's the plan recasting. Yeah, I thought I found something
else that we should do, but I don't remember what
it was.

Speaker 1 (51:49):
I think if your Monster is worth a review, we
should do that as well. What about Cherry Falls in January?

Speaker 3 (51:57):
What's wrong with cherry Falls?

Speaker 1 (51:58):
There's no or cheese and Chaney way.

Speaker 3 (52:02):
We take January off? What is January supposed to be?
Isn't there? Oh? It's people are like not drinking this month,
dry January. Yeah, I'm not drinking for a different reason.
There's nothing to do with dry January. I'll also be
drying February.

Speaker 1 (52:18):
But what about the rumble rumble?

Speaker 3 (52:22):
I told you I would. I would drink the softest
little seltzers I can find, especially Ethan's gonna be here.
It's then we definitely need some seltzers. Yeah, yeah, we'll see.
We'll see what what next week brings us. We should
we are going to do and I know recasting. At

(52:45):
some point.

Speaker 1 (52:46):
If we find something better next week, we're gonna swap it.

Speaker 3 (52:49):
Dude, there's a stink bug in here that's about to
get he's shit kicked in. If if I could kill
a stink bug without him smelling up this room, I
would have already done it.

Speaker 1 (52:57):
Yeah.

Speaker 3 (52:58):
I always catch him in water bottles, so they kill
him in there. I don't like killing bug, Dude.

Speaker 1 (53:03):
I killed a spider the other day.

Speaker 3 (53:05):
I thought I was gonna cry.

Speaker 1 (53:05):
I'm like, what the fuck happened to? I'm such a bits.

Speaker 3 (53:10):
That was so sad. He was just innocent. I felt
so bad for him. That's smart ahead of family. You
know you're not that way even kill bugs? Yes, you
know what, dude, I hunt like. No, I have no
issues killing. Killing for a purpose doesn't bother me. If
I'm killing to feed people, I'm okay with it. But

(53:33):
then killing a goddamn spider just because he was living living.

Speaker 1 (53:40):
I don't fuck with bugs at all. No bugs, are.

Speaker 3 (53:43):
You like it's like a phobia of yours or.

Speaker 1 (53:45):
Just that that don't fuck with them.

Speaker 3 (53:47):
What about snakes.

Speaker 1 (53:50):
I mean, obviously I don't want to be near a snake.
That is something I don't want. I'm not like Indiana Jones. Yeah, no,
none of that. But I would just be like, no,
I'm gonna go the other way.

Speaker 3 (54:02):
Now, I like, well, could you hold one? No comfortably? No,
It depends on the snake. Because the thing is I'm
not I'm not really scared of a snake bite, like
if it's not venomous. Yeah, like, I'm not scared of
the pain of a snake bite really, But at the
same time, I don't like the idea of holding a snake.

(54:22):
I don't know.

Speaker 1 (54:24):
I held mike snake, so they were but they were
they were very small.

Speaker 3 (54:30):
I was I was up next to hold Mike's snake,
and then whoever was holding me I can't I think
he mut him John and him and his brother. Uh
he got bit before they handed him to me. It
got bit. I was like, nah, like, nah, that's cool.

(54:52):
They had pythons. I was just you know, that was
fifteen years ago. Yeah, any other dumb things we'll talk
about forty roup this episode.

Speaker 1 (55:02):
But but yeah, next week might not be what we
said in the summit it might not be the I know, recasting,
but I don't know.

Speaker 3 (55:10):
I thought of something else. I just don't know what
it was. But I'm probably not gonna remember it either
until after Yeah, until after the fact, and I don't know.
I thought it was something new coming out that was interesting,
or maybe it was I don't know. I'll go on
for twenty minutes if I try to figure it out.
Right now, So.

Speaker 1 (55:26):
This is the last episode video version that you'll see
of the Diner.

Speaker 3 (55:31):
Yeah, yeah, this is it should be anyway. I uh,
I got all my supplies, well except for some of
the decors coming in on Monday, but I got all
my supplies to build out a new set. I just
don't like this fucking set. Most people that are here
listening to this right now no idea what I'm talking about.
But yeah, I just don't. It used to be a

(55:54):
cool set back when we had it at my old house,
but now at the backdrops, it just doesn't work. If
there was more space between the wall and the booth
and you could put those out of focus and play
with some RGB lighting with them, it'd be cooler. But
you just can and it just looks unprofessional and shitty.

Speaker 1 (56:10):
Yeah, just the way that the way that things are
laid out in here.

Speaker 3 (56:14):
It's just not it's not the best that we get this,
this room is I just measured it. It's eleven by nine,
eleven by nine. That's small. Nine to eleven. Oh okay,
it's nine by eleven. Yeah. So, And these boosts are
so damn big that they take up a bunch of
space in this direction, and they take a bunch of

(56:34):
space this direction. This desk is too goddamn big, although
I think the table I got now is bigger, but
it's shorter, and it's it's gonna look cool. It's if
it looks anything like it does in my head. It
should look really nice in camera. But this looks nice
and camera in my head two and it doesn't.

Speaker 1 (56:53):
So that's all right.

Speaker 3 (56:55):
I hope I didn't waste all my money. It's all right,
it's all right. I don't like because we have these
cables plugged in here. I got I have a work
around for this.

Speaker 2 (57:04):
Now.

Speaker 3 (57:04):
That's not gonna be like that anymore.

Speaker 1 (57:05):
And no AI art behind us, Yeah.

Speaker 3 (57:09):
That is definitely AI for sure.

Speaker 1 (57:11):
Oh yeah, there's no brands on there.

Speaker 3 (57:13):
Yeah, yeah, I figured, if we're gonna bring back slashing cast,
we're doing make it with count consistently. Again, if we're
gonna do this, I just if somebody random clicks onto
our video, I want it to feel like we they're
watching somebody that has a million subscribers. But yeah, like
that's what I wanted to feel, like, somebody who's at
a very professional level, even though we're not, like we're

(57:36):
lucky to have one hundred thousand subs. But when somebody
clicks onto these things, I want them to be shocked
that we don't have more subs. That's what I want
to be like every time. I want them to think
we're rich.

Speaker 1 (57:50):
Yeah I got I got fifteen dollars.

Speaker 3 (57:54):
Yeah, and they don't know that we're sitting in a
nine by eleven room right in the middle of a
garage with the drywall not put up properly. It's all
an illusion. There's actually once I have the set built,
because again I've laid this all out already, there's men
parts that look really stupid, but they weren't on camera. True,
That's all that matters. Yeah, Okay, I think I'm officially

(58:16):
ready to wrap with this episode and make everyth count.
If you enjoyed and you haven't left to review, please do, seriously,
please do Spotify and Apple Music or Apple podcasts huge
if you leave reviews. I really appreciate it. Ideally five stars.
If you're not gonna rate it five stars, you know what,
maybe just just don't do it. It's all an algorithm
and the more five stars are the better. So I

(58:37):
really appreciate it. Thank you. If you want to see
the video version of the show in the future, you
can become a member on YouTube for as low as
two dollars. And like I said, new set and then
we've got new and we're gonna have a third camera.
It's we gonna have a wide. It'll never be used
to make everyth count, but it will be in slashing gas.
We have a wide. It's because I mean, it's exciting stuff.

(58:59):
Exciting stuff. But okay, all right, well with that. As always,
thank you guys so much for listening, and we'll talk
to you next time.

Speaker 1 (59:05):
Bye.

Speaker 2 (59:06):
Tone Hydra Rise from the Movie Screens, Tone Hojeries from
the Horror Screen Hall of Fame for Phillis. Watch them
take about the Slasher has No doubt.

Speaker 1 (59:21):
Thet go all out to make every death count.

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}E135: Into The Deep (2025) | Spoiler Review & Discussion