January 27, 2025 • 47 mins
Mole N' Nicki Sombrero talk about the movie/musical "Little Shop of Horrors"
Get all the randomness at www.digitalzoneent.com
Sponsored by Prince Nana Coffee click the link below and use promo code "MoleWin" for a nifty lil discount from the Prince himself
https://princenanacoffee.com/?ref=MOLE
Get all the randomness at www.digitalzoneent.com
Sponsored by Prince Nana Coffee click the link below and use promo code "MoleWin" for a nifty lil discount from the Prince himself
https://princenanacoffee.com/?ref=MOLE
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
All right, and welcome to another special episode of Loland France.
Speaker 2 (00:05):
Get Random. I am here with Nicki Sombrero. I gotta
tell you.
Speaker 1 (00:13):
I gotta tell everybody first that you know today's special.
Speaker 2 (00:16):
We're doing a little review ish. We're gonna have the.
Speaker 1 (00:20):
Music playing in the background while we're talking about it
of a very special movie that we used to watch
all the time when we were young and still do.
Speaker 2 (00:30):
Little chap horrors.
Speaker 1 (00:32):
So I got a bunch of facts today and it's
gonna be fun. So Nicole, how are you doing?
Speaker 3 (00:39):
First off, I have been better, but I'm doing pretty well.
Speaker 4 (00:51):
I'm very excited to be doing some little chap of
horror stuff, as you know, being my cousin in fabulous
old musical movies love and the fact that I've also staged, managed,
and performed in this.
Speaker 3 (01:10):
Play What's Upon a Time many years ago.
Speaker 4 (01:14):
My love for this show, So I'm also excited. I
haven't been very much sombreroing lately. Wintertime is kind of
this weird lull anymore.
Speaker 2 (01:28):
Yeah, I hear that.
Speaker 3 (01:29):
So my adventures have been a not so adventury.
Speaker 4 (01:34):
Ah, well, did you discovered some cool things last year?
Speaker 2 (01:39):
So that's cool. Yeah, we'll talk about some of that
as we go here.
Speaker 1 (01:42):
But so first off, I gotta say today's episode is
brought to you, as always by Prince Nana Coffee. It's
fucking delicious, so go get it linked the description, use
promo Colde moll Win.
Speaker 2 (01:53):
And check out to get yourself a nice little tempt
at discount.
Speaker 1 (01:56):
And if you're a really nice boy or girl, if
you want to DM me on any of our social
media platforms.
Speaker 2 (02:02):
I might just be nice enough and get you a
fifteen discount code. So why don't you do that? And
I'll see who's really looking here. So first off, let's
hit this play button real quick because I want to
hear the music, and I'm gonna start with some facts
(02:22):
on this this this show here. If you can hear it,
it's a.
Speaker 1 (02:27):
Pretty low start to the song the prologue.
Speaker 2 (02:33):
There we go. How's that guzzo?
Speaker 5 (02:40):
Sounds great?
Speaker 1 (02:43):
So Little Shop of Horrors is a musical film based
on the nineteen sixty rogue budget movie starring Jack Nicholson.
Speaker 2 (02:52):
Mind you as the crazy guy in the dischick oh Man.
But so the movie is about a plant.
Speaker 1 (03:06):
If you guys don't know, they try to base it
around Seymour Crowborn, who's a little.
Speaker 6 (03:11):
Uh orphan, was taken in by a flower shop dealer owner,
mister Mushnik, who was pretty shitty to.
Speaker 1 (03:23):
Him, but he gave him a job to cot so
really how shitt he wasn't during you know.
Speaker 2 (03:27):
That time, right, you know? Uh? But his plant turns
out to be an alien that wants to eat everybody
because he loves blood.
Speaker 5 (03:37):
And that's a species that takes over the planets.
Speaker 1 (03:40):
And uh, you know, after Seymour Bison cam the planet
show Hilarity ensus Nicole the first time, which they get.
Speaker 3 (03:57):
I love that.
Speaker 2 (04:01):
Who's who? Who stuck out the news to you that I'm.
Speaker 5 (04:05):
Head clapping over here?
Speaker 3 (04:07):
I'm sorry you.
Speaker 2 (04:08):
Don't feel bad. I don't do the same thing. This
was the closet part here, This was the colst part.
Got dawn on this one.
Speaker 4 (04:26):
Yes I did.
Speaker 2 (04:30):
Oh man, it's fun.
Speaker 1 (04:32):
I love listening to this stuff because it makes me
just want to watch the movie later.
Speaker 5 (04:36):
I'm probably gone, am I happy?
Speaker 1 (04:41):
Yeah? So the musical was directed by somebody you guys
probably know, you know if you've listened to this show
in the past. We did a whole month dedicated to
JITs Is Parker what's the great Frank oz and Frank
oz For directed this movie. Uh, and you know, because
(05:05):
you know, obviously that makes Audrey to a puppet?
Speaker 2 (05:09):
Great, right, Am I correct? I'm making like it exists? Yes, great, great,
that's that's as you that's my favorite puppet. Now I'm
gonna call hi muppet. But anyway, he directed the movie
and uh, the musical it was.
Speaker 1 (05:26):
Written by Howard Ashman and how Uh they also worked
on a little wit made bed the Beast, you know,
both though they've probably ever heard of like his name,
So it's really it's done by some really talented people.
And the music shows like, I don't think this version
(05:46):
would have been half as popular as it was without the.
Speaker 2 (05:53):
Music written for it, you know what I'm saying.
Speaker 1 (05:59):
You because the original was basically beat for beat, right
like the black and white you see the original?
Speaker 2 (06:05):
Right? Because obviously.
Speaker 1 (06:08):
Yes, yeah, so the the parts without the music are
basically beat for beat.
Speaker 2 (06:14):
You know what I mean. Like there's a couple other
mixed in parts.
Speaker 5 (06:17):
That weren't there, but basically it's.
Speaker 2 (06:19):
Beat for beat.
Speaker 1 (06:21):
And they added the music and changed downer ending because
if people don't realize, there's not.
Speaker 2 (06:29):
Really a happy ending at the end of the original,
the play kind of took over. They actually shot that too.
From the special edition.
Speaker 1 (06:39):
They showed the edited scene with the original, but it
didn't test well during the movie when they did the
test audience of the plant actually taking over.
Speaker 5 (06:48):
So then go back and they should a had me ending, which.
Speaker 2 (06:52):
I think they should have kept the original way. But
I do like the ending out people.
Speaker 3 (07:04):
All three of that differently.
Speaker 2 (07:07):
Yeah, they do actually.
Speaker 3 (07:11):
The movie versus the play, right, how I'm trying to
think about how the.
Speaker 2 (07:18):
Original I.
Speaker 4 (07:24):
Like, I know it was a down or em and
now I don't really remember exactly either.
Speaker 1 (07:32):
Well, luckily it's in the public domain, so I'm gonna
have to add it to a public domain theater the
www dot digitals ent dot com website where I have
a whole bunch of other public domain movies and a
few not so other public domain.
Speaker 2 (07:45):
Movies below it, and grow it. So which do is? Uh?
You go to Digital's on ant dot com.
Speaker 6 (07:53):
I'll go to the All My Life public domain theater
and uh it's free for all.
Speaker 5 (08:00):
God what I'm pre priv so and.
Speaker 2 (08:03):
Check out something I'm doing, because you gotta check it out.
I started Child of the Street all right. So the
Uh movie stars with Maranas. Sorry, the movie stars with Pranas.
Speaker 1 (08:28):
And uh as Seymour and Audrey respectively, also makes cameos
by a bunch of famous way Steve Martin as the
fucked up shitty dentist, Bill Murray as his patient is
crazy and wants it, John.
Speaker 7 (08:49):
Candy as the d j UH, Jim Belushi as was
he a reporter?
Speaker 1 (08:55):
Constantly I want to say, Jim Jim Belushi was nobody say.
Speaker 2 (09:02):
Here? But and if you look, I think so, yeah
here and then you have China.
Speaker 3 (09:08):
Arnold Martin is my favorite though yeah, my.
Speaker 2 (09:11):
Too, mine to stop. Then you got China, Arnold, you
gott what is your? The other stock girls the singer
would be well to get. Two of them were in Martin.
Speaker 1 (09:30):
I hate, I hate to do that because I don't
remember the name though I know not damn it.
Speaker 2 (09:39):
I'm gonna have to look it up, but I don't
want to.
Speaker 1 (09:49):
But my favorite person in the whole movie, like Frankly,
even though you know.
Speaker 8 (09:55):
Like he's a complete too, I like Misconversion because you know,
like he may have been soft on the inside a
little bit towards Seymour because.
Speaker 2 (10:06):
He did give him an out you know what I mean.
At the end, he was like, dude, you lead dead.
He was like, you lead just go sail fly with District.
He's like, I'll take.
Speaker 9 (10:15):
The heat, give me the planet, you know what I mean,
Like with his old Chinese, I think he kind of
I don't know, man, I missed to give a kid
at street urchin bad you see.
Speaker 2 (10:27):
Then a strange plant, you know, and then and then
he gave.
Speaker 1 (10:31):
They didn't have anything unusual there that obviously had some
you know, head issues just about.
Speaker 2 (10:36):
To a job, you know, walk on by because Audrey
wasn't right there. I'm gonna tell you people right now.
She she she was a.
Speaker 1 (10:45):
Closet of uh, you know, abuse and self destructed.
Speaker 10 (10:53):
This range humming sound like something from another world, like
she accepted.
Speaker 2 (10:58):
Like what do they call that when somebody would beat
you and you stay with them because you you know,
you say they love?
Speaker 5 (11:03):
Is that called this even just abusive dumb fuckery?
Speaker 2 (11:06):
I could have sworn it hadn't been there before.
Speaker 1 (11:09):
But like there's a medical man, I don't for a
dollar ninety five that's possibly it where the kidnapper they
call over with their kidnapper.
Speaker 2 (11:20):
We'll call it that. It's close enough.
Speaker 3 (11:25):
That when they kid that's when they kidnap you.
Speaker 2 (11:28):
Yeah, I mean it's close enough. It's the same mindset really,
like they kidnapped them.
Speaker 11 (11:35):
Emotionally Okay, you're emotionally sucked.
Speaker 2 (11:46):
Yeah, it's basically it they oh man, see like she
was great at the role though, because he fell for
but I'm begging you like.
Speaker 5 (12:01):
You knew she had problems and Seymour because.
Speaker 12 (12:04):
You see how attention right fuck you like as soon
as she sold him some positive soda him, he showed
her some positive attention.
Speaker 2 (12:15):
I've given you like she was home board. But then
she still wanted to stay with the guy was beating
he missed you, and you see, as soon as he died,
she jumped.
Speaker 1 (12:26):
Right the seaboard, growing full like and then she wrote
a song, the Saga Song about how she wants to
be married to a form she has.
Speaker 5 (12:35):
Got severe attachment issues like.
Speaker 2 (12:37):
I'm fun that's like red flag and any relationship you like,
if she falls head over heels.
Speaker 1 (12:45):
For you, like that's crazy.
Speaker 2 (12:50):
No one that she didn't start showing him like that
until he was great. Looks like she had issues unless
I own her like not to be famous because of
the gave you a few.
Speaker 1 (13:05):
Drops, like before that she was all just specting of
friends with them day and other dudes.
Speaker 2 (13:10):
Right now, she was a terrible persons grow so terrible.
You know. Other fun facts sorry.
Speaker 10 (13:34):
Movie joint, the movie The Great Chorus, three teenage girls
who sing motel.
Speaker 2 (13:42):
Right, that's basically what it is.
Speaker 1 (13:47):
In the movie Stories a Greek moral tragedy about a
young hero who tries to improve his life by exploiting
a higher power, which is it's kind of if you
think about it, it is very true.
Speaker 2 (14:05):
Yeah, it's very interesting. You know. The movie uh.
Speaker 1 (14:14):
Scene cost mearly thirty million dollars to make, and at
the time it was Warner Brothers most expensive movie, get
out of here.
Speaker 2 (14:28):
Is it even possible? I have no clue, but at
the time it was possible. They they were so.
Speaker 1 (14:34):
Into the they were like all right, and since Frank
Oz was attached to it, I'm sure the puppet costs
like fucking goddamn four million dollars just to you know,
begin with, you know what I mean, all the animatronics
they needed for it, that shit had to be up there.
And then the ending scene with all the other puppets,
(14:55):
you know, the little plants coming off of.
Speaker 7 (14:57):
It, like and the CGI alone, you know, the c
GI at the end, uh, and all the practical effects
when they had to reshoot you know, the scenes with them.
Speaker 2 (15:09):
It was all practical.
Speaker 1 (15:10):
There was only a couple like of like maybe computer
imaging wasn't really that prevalent effect then, so they only
had a few like you know, like some explosion things
going on. A lot of that was practical too, So
that ship had to cost a lot of money.
Speaker 2 (15:27):
Most people don't know Frank Oz. I mean, most people
do know Frank Couz if they're bucking pay.
Speaker 1 (15:32):
But you know, if you don't know, he was a
voice of his Piggy obviously and.
Speaker 2 (15:36):
Vazzi the bear.
Speaker 10 (15:37):
And he also, if you don't know, it was the
voice of Yoda from the Star Wars.
Speaker 13 (15:42):
So very into the voice acting word of any famous movies.
See to pick the very size show the film. The
(16:04):
production built six canamatronic green Mother's. The smallest was about
four inches taarls Well.
Speaker 1 (16:11):
The biggest plant obviously used for the valleys Good to
be Crazy twelve tall.
Speaker 2 (16:18):
I want a twelve foot tall version of Audrey. Wow. Yeah,
and I want to put that on my roof for Halloween.
That would be awesome.
Speaker 4 (16:29):
So when we did our production, we actually borrowed three
Audrey from Juny New Poll in New York, and they
were Jim Henson's puppet. So the little one was the
little one. You could stick your hand in the in
(16:50):
the bottom and control its mouth and make it talk
like you were, you know, controlling a little puppet. And
then obviously it got bigger, and then the biggest on
was big enough for an actress to get inside and
she had to control the whole thing. But also it
(17:10):
was big enough for the scene where Audrey eats people.
So while there was an actress inside of Audrey, you
could another actor could crawl in through the mouth and
get me in no ship to go out the backside.
Speaker 1 (17:30):
Yeah, that's funny because for the twelve footer in the movie, uh,
its pod and its pods of the smaller guys, you know,
the fly traps and ship, it needed as many as
sixty operators to do it, and they would be uh,
most of the operators would be on the floor pulling
various like levers and cables.
Speaker 2 (17:52):
And stuff, uh to bring to the plant to you know,
moove it.
Speaker 1 (17:55):
Everybody moving in different ways and it's it's it took
a lot of core nation.
Speaker 4 (18:01):
Uh yeah, I would say Art the art big one
was probably not call right.
Speaker 5 (18:08):
I might have to do that.
Speaker 2 (18:10):
Yeah, it would have to be about.
Speaker 1 (18:11):
Half the size at least to get the person inside
swallow one, you know. But yeah, because I was trying
to convince my uh daughter's high school there get to
do for their stage production.
Speaker 2 (18:26):
The fucking teacher is so against it.
Speaker 1 (18:29):
She's like, it's so expensive and because it's our Broadway,
we can't get the rights.
Speaker 2 (18:35):
I'm like, that is not true, because there has been
high schools. I know, if I got the rights to it,
it's been never off Broadway, you know what I'm saying. Like,
so I don't understand where her logic is. Like the money,
I understand is proud thing.
Speaker 10 (18:54):
But she can also in that case, I said, get
the art deportment in art make their fucking project like
their major project for that year to win.
Speaker 5 (19:06):
I'm like, because the plays aren't till the year.
Speaker 2 (19:12):
Yeah, so it's like I don't get it.
Speaker 1 (19:22):
She'll do Joseph and the Tech technically dream Boat, which
your broken me wrong.
Speaker 2 (19:25):
It's a great play, Like it's a great show. You know.
Speaker 1 (19:33):
Maybe after Yeah, I have to talk to.
Speaker 2 (19:47):
Was that what happen? You're fighting with your ship?
Speaker 3 (19:55):
So sorry?
Speaker 1 (19:58):
So question Becauzo was some point now in the stage show?
No exactly what was it?
Speaker 2 (20:09):
What was the song that was in it that they
didn't put in the movie.
Speaker 1 (20:13):
They only showed a little clip in the movie.
Speaker 3 (20:21):
Oh my goodness, and it was my solo was in it.
Speaker 1 (20:24):
So now.
Speaker 2 (20:27):
What was it? The meek shall inherrit.
Speaker 4 (20:33):
No, although I do know that song too.
Speaker 2 (20:43):
By the way, this is the Dennis song is my favorite.
Speaker 3 (20:45):
Wow, I don't remember the name of it.
Speaker 2 (20:48):
You might have to look that up. I want to
look it up. But it had the same.
Speaker 6 (21:00):
You didn't have the same kind of rhythm.
Speaker 2 (21:04):
Juice still love ye expect? What's the stock of that gass?
Oh my god?
Speaker 3 (21:17):
Something that seems about the mock facade?
Speaker 2 (21:22):
Wait, hold on, no, gotta hope and what here? I come.
Speaker 9 (21:30):
Your hair?
Speaker 2 (21:31):
I love it and I'm in going, I'm I'm.
Speaker 12 (21:37):
Your not get off my pain.
Speaker 2 (21:41):
I am really love it. I grow and I really
like Smitty. Well they tell me I'm no good. Steve
Martin was perfect for this role. And though it's so
perfect to thread somewhere somewhere, so so.
Speaker 3 (22:06):
I don't remember something now it's because it wasn't in
the play.
Speaker 1 (22:12):
It was it was written like that for the movie,
but the play had another song that the movie didn't get,
which is why I don't understand what they did, you know.
Speaker 2 (22:23):
What I'm saying, like like why it didn't fit?
Speaker 6 (22:26):
Maybe?
Speaker 2 (22:27):
But I know the meek shallon Eric was only in
a little tiny clip.
Speaker 1 (22:34):
H Levi stubbs the man who did the voice. You
never know, you never know, That's right, I forgot.
Speaker 2 (22:56):
See now I have hands. I have the stage show soundtrack,
and I have the movie soundtrack.
Speaker 1 (23:05):
I'm not gonna plug where I get it, because you
know made it's so freaking hard for me to get
my ship back on there.
Speaker 2 (23:13):
It starts with a with a y you shout out
and give them.
Speaker 3 (23:19):
And changes.
Speaker 2 (23:25):
Yes, I think there was like three or four songs.
I probably didn't make it, probably for time really, like
you can have a stage show be a little longer.
Speaker 1 (23:36):
You know, people paid the money, they're gonna go. Here's
a little fun fact, Audrey I. One song Somewhere That's
(23:58):
Green was created by lyricist Howard Ashman and composer.
Speaker 2 (24:03):
Alan macn uh I. Just mentioned before that they work
on a little Mermaid in fact areas I want number
part of your World there.
Speaker 1 (24:18):
Was inspired in large part by Greens and twenty five
twenty footeen interview with Anything Weekly, Rancon says that they used,
uh used to jokingly call part of your world somewhere
that's wet.
Speaker 11 (24:33):
What is it?
Speaker 4 (24:34):
What's the same music if you think about it, That's
what I'm saying, being you know, let's.
Speaker 2 (24:40):
Make more than yeah exactly, and.
Speaker 1 (24:47):
How they got Audrey two just sing opposite Rick moranisis seymore.
Speaker 2 (24:51):
According to Oz, was Horton quite a bitch. He said
the lips on the plant did not work quite. Moving
at the normal.
Speaker 1 (24:59):
Speed of twenty fo four frames per second, they couldn't
move fast enough to properly sync up to the pre
recorded zones. The crew solution was to film the puppet
at twelve to sixteen frames per second and then speed
up the playback to the standard twenty four frames.
Speaker 14 (25:20):
Yeah.
Speaker 1 (25:21):
So that means that whenever an actor saying side by
side with the puppet, they were lip sinking in slow.
Speaker 2 (25:27):
Motion for me, they show it on the Blu Ray.
Apparently rock that's fucking hilarious. I'm gonna have to get
the Blu Ray now because I don'tland I need frame.
Speaker 3 (25:45):
You didn't have the many problem feeling at the team.
Speaker 2 (25:49):
No, I wouldn't. I wouldn't think you guys will do.
I mean, it scaled down quite a bit, like.
Speaker 1 (25:56):
Yeah, but then again in the movie Jesus, like they
only like maybe what four sets the street scene right
all anything out in the street, the flower shop, the dentist,
the radio place, and the uh somewhere a grip that's
(26:17):
green set, So four or five different sets for.
Speaker 2 (26:21):
The whole movie. It's I don't understand why, because they
shot it like it was a play.
Speaker 4 (26:30):
I know, but but that's what I'm saying.
Speaker 3 (26:33):
I don't understand why it was so much extra.
Speaker 1 (26:38):
Well, it was probably because they had, you know, again
the puppet itself that if they had to have sixty,
you know, sixty people running the puppet and you know
for that end scene, and that end scene took them
like I'm assuming probably like a week to shoot, you
know what i mean, and then you know, yeah, to
(27:00):
hide the people.
Speaker 5 (27:01):
Underneath the freaking like floorboards and whatnot, like of the set.
Speaker 2 (27:06):
Like I've seen you've seen The Muppet Show live right,
like parts of it? Yeah, yeah, like you've seen how
they work it right.
Speaker 1 (27:15):
Everybody's uncomfortably cramped or they're under a you know, a
floorboard where they're.
Speaker 2 (27:19):
Standing up and like their awn button like shoulders and
shoulder next to each other and stuff like. That's got
to suck. And then to get like they said, the
plants move and sing the way they wanted to, like,
you know, with all.
Speaker 1 (27:33):
The slow down and shooting in slow mo shade, and
that makes a four minute song take eight to twelve minutes.
Speaker 2 (27:43):
You have a point right like and then the stop
because it didn't look right, and then redo this and
blah blah blah. You've been up the movie sets because
you know how many cuts there on. That's also true, yeah,
you know, and.
Speaker 1 (28:01):
Imagine with the you know, working with puppeteers and stuff
that they can't really see except.
Speaker 2 (28:05):
For the monitors. They're going by ears mainly, you know,
like and then the poor actors. I gotta work along
with the bubbe And I feel bad with the family
on health, I really do. That fucker got all the
recognition and the family fucking didn't get shipped. Nobody remembers
it's Andrews. Nobody you have a good point. I don't
(28:30):
remember any of.
Speaker 3 (28:30):
Their names except for al Right.
Speaker 2 (28:33):
I think the George was the father. That was the
only one I can remember. And he hated out. Yeah,
and he hated that show, but he collected the paycheck.
He hated. He hated working, all right. He didn't hate
(28:54):
the other actors, the family actors. He hated the guy
who pay.
Speaker 1 (28:58):
Out and he hated being no pigeonhole as the guy.
He's just the puppet street man, which I can kind
of see. But he took the paycheck, so he shouldn't
really be able to complain that, Like he didn't have
to audition, you.
Speaker 2 (29:18):
Know what I'm saying?
Speaker 3 (29:19):
Like right, and the show was about Alf, not exactly.
Speaker 2 (29:29):
It was called Alf, not the Tanners in the Alia, right,
you know what I mean? Like, yeah, not not good.
Speaker 1 (29:37):
So uh.
Speaker 2 (29:39):
Let's see, let's see what else we got here?
Speaker 1 (29:42):
Just okay, this song is great supper time all right?
Michelle Weeks, Ta Cheetah Arnold and Titia Campbell.
Speaker 2 (29:53):
Why could I not remember that those were the girl,
the Doups, the pure It's like, did they have an official.
Speaker 3 (30:09):
Other than that you up through?
Speaker 15 (30:11):
I don't.
Speaker 2 (30:12):
Yeah, I'm not sure if they were pushing to move
with something else.
Speaker 3 (30:16):
I mean they had names.
Speaker 2 (30:21):
Yeah, Oh god, now I can't remember what now they
were either, because I don't even saying to the movie
movie like I was run at.
Speaker 1 (30:30):
Run at Yup, Chapan. There was another one, Chap run
at Chaffon, and.
Speaker 2 (30:39):
That was a scream we're digging in here, Oh god,
we're getting hi. Can't I remember the name.
Speaker 1 (31:01):
Crystal Crystal, that's right for people, Chiffon's, the Crystals and
the Ronettes if you don't know, all three very famous
duop groups emails for the late fifties early sixties. Now,
the film actually scored one of the highest rated test
(31:22):
getings for Warner Brothers Studios.
Speaker 2 (31:25):
Uh, until the audience saw the original ending. We talked
about this before, recently restored for the Blu ray.
Speaker 1 (31:31):
The original ending featured the plant eating everybody and joining
other giant plants on a citywide rampage involving, among others,
New York City landmarks, the Statue of Liberty.
Speaker 2 (31:42):
Yeah, it ate everything in New York lecturing tour, which
means skid rows.
Speaker 1 (31:50):
I guess no, they wanted a happy ending, apparently, I
guess they grew too attached.
Speaker 2 (31:55):
Seymour and Audrey. I'm coming throughout the movie.
Speaker 16 (31:58):
Which I guess is the point, you know, Like, so,
I mean, I guess they and if they felt that
it would do better with a happy ending, which they
were right, I believe, I mean, think about how successful
it was, right, So I guess the people the test
group was right on that occasion.
Speaker 2 (32:20):
And this is the song right here, the meet Shallen hair.
It was a literally a three three and a half
minute song, but it was only a fifteen second clips
in the movie while Seymour was getting I don't.
Speaker 3 (32:31):
Even remember this song, to be honest, really, I don't.
Speaker 2 (32:36):
Yeah, they didn't even get to the part where Seymour sang.
Speaker 1 (32:39):
It was just that whole little cliff right there in
the beginning with that hair, when Seymour was getting all
the attention.
Speaker 2 (32:45):
From everybody right at first, they showed that little montage
of him getting all like tired and stuff.
Speaker 3 (32:53):
Yeah, this whole part right now, that means willing.
Speaker 1 (33:00):
He wasn't even in the play. Well, they wrote it
for the movie and only used a couple of second clip.
That must have sucked for you, Moranus after recorded the
whole thing and then get a little clip because this
is a I like this song or old Boy thould
mean to the broken in on a point if the.
Speaker 10 (33:19):
It couldn't be, it sounds more mean there should be
in a stage show, you know what I'm saying, Like it.
Speaker 2 (33:27):
Sounds like something Madam Rogers and Amerstein there in the middle.
Uh that see interesting? I mean I could be wrong,
but that's just to me. It sounds like maybe why
they would from a movie point of view, you know
what I mean, like a movie musical as opposed to
(33:48):
stage music, like it's no Hello Valley.
Speaker 4 (33:52):
So yeah, it's just weird when they do that.
Speaker 2 (33:59):
Yeah, oh my, so let's see Oz and Howard want Yeah,
it's still going.
Speaker 1 (34:08):
It's it's a three and a half minute song. Oz
and Howard wanted the darker ending, uh produced producer Geffen
didn't with the test group, even though Geffen respected.
Speaker 2 (34:21):
The vision and blah blah blah and didn't want the
force to you know, did not want force to go
on him and stuff. But since the film was made
for an audience and more than justin.
Speaker 5 (34:30):
Govick because apparently Oz relented and reshot.
Speaker 2 (34:33):
A happier ending even though he really did not want to,
which is kind of funny, but I can understand that too.
From Electric ed you. Uh you know, He's like, I
am the director and they paying me to do this.
It's not my movie, like blah blah blah, Like I
(34:55):
get that h one of my favorite songs bar none
is we didn't really. I was like, I think they did.
Speaker 5 (35:19):
I see that it is on the official Broadway heard that,
you know the stage version sounds.
Speaker 2 (35:26):
I think they changed a few lyrics though. Quite frankly,
Levi Stubbs was a perfect voice for this.
Speaker 1 (35:38):
Uh.
Speaker 2 (35:39):
If you don't know, he was a think Four Tops
and Temptations. I think it was a four Tops THU, Yeah,
it was the Four Tops. Levi Stubbs in the Four Tops.
And he was also a little known.
Speaker 1 (35:51):
Back if you are a fan of the late eighties
early nineties cartoons.
Speaker 2 (35:57):
He was the voice of Mother.
Speaker 1 (35:59):
And Brain on God to End Game Basters, which was
a Nintendo game show cartoon.
Speaker 2 (36:10):
He was the main antagonist on that show, and he
was perfect for both voices. I think this one and
Mother Gray. I want to say this game, you want
to save your high, you.
Speaker 12 (36:26):
Want tomorrow, so let's stake.
Speaker 2 (36:38):
You really get that? I know, right, go find of
the internet.
Speaker 1 (36:42):
Is very full of knowledge on some ship when you
really want to look for it, pass and sip through
all that garbage, uh that we.
Speaker 2 (36:49):
Have to deal with these days. But if you don't
want to say, show uh you to do. Two of
Jim Henson's kids were involved in the movie. Before Audrey King.
Speaker 5 (37:09):
Reached its full size, the plant sings for some supper.
Speaker 2 (37:14):
And feed me and we heard before and On the commentary, Frank.
Speaker 1 (37:19):
Oz notes that Brian Henson, who currently chairs the Jim
Henson Company, was the puppet's main operator throughout the scene.
Speaker 2 (37:27):
A few minutes later, viewers see his little sister, Heather
Henson getting a cameo as an abused dental patient. So
the little that's crazy.
Speaker 1 (37:44):
That Steve Martin sustained a minor injury during feed Me.
When Orange Squibella dds.
Speaker 2 (37:54):
His character and his long suffering.
Speaker 1 (37:57):
Girlfriend, of course, Martin walk up to the the apartment
the Venice kicks open the you know the buildings doorw or.
Speaker 2 (38:06):
On the commentary of.
Speaker 5 (38:07):
The DVD, Oz mentions that Burton had previously tried opening it.
Speaker 2 (38:12):
By hand, only to have the glassps like shattered, cutting
his pall. Yeah, he got sucked up on that. Let's see,
I've never heard that. Yeah, me neither all of the
(38:34):
lines in the movie as the crazy ventis patient. Maybe
they pick and.
Speaker 15 (38:42):
Choose what same they want to do, you know what
I mean, Like they have a I don't know. Maybe
there's different cuts of it, you know what I mean,
the movie.
Speaker 2 (38:53):
Or the play.
Speaker 5 (38:57):
I have to look into that too, because I know
it's on the soundtrack.
Speaker 2 (39:02):
Of a stage play of the group doing it.
Speaker 7 (39:06):
Man.
Speaker 2 (39:08):
But uhh yeah, Owner Bill Murray's dialogue in the movie
is improvised. Yeah he did as uh, the whole whole thing.
Everything was improvised. They said, just go in there and
just do what you want to do.
Speaker 1 (39:24):
I sold, look, just as long as you're the massivest
and Steve's the sadist.
Speaker 2 (39:30):
He's like, I won't care, which is hilarious. Oh.
Speaker 1 (39:37):
A TV version of this song, the song Me Grey
Mother from Out His Face, was performed at the Academy
Awards by Levi Stubbs.
Speaker 2 (39:48):
As a matter of fact, I've actually know what we did.
Speaker 4 (39:52):
Heven meet Sally.
Speaker 2 (39:56):
Time they see. Nobody remembers it not ever been in
the movie. And this wasn't in the This must have
been in the credits. Don't Feed the Plants finale, because
I don't remember.
Speaker 3 (40:12):
It yeah, don't be the plants.
Speaker 2 (40:16):
The Yeah.
Speaker 1 (40:20):
In the original edit of the Meat Shall and Here
It segment, Seymour battled as enter demons through dale Esco
nightmare that involved body transformations, greeting columns, and bleating paintings.
Thedd sequence ultimately landed on the gutting room floor and
I want to see that.
Speaker 2 (40:40):
Huh god damn. Yeah, And then they're there and then
they you know, everybody goes on to talk about the ending.
Out of the ending got cut and then changed the
happy ending because it tested better, which I agree they
(41:01):
did test.
Speaker 14 (41:02):
But and on that note, that is the finale of
the Little Shop with Horrors episode with Merlin Nikki Sombrero.
Speaker 2 (41:14):
And uh, that was awesome. So let's see I love
that movie. I do too. That was awesome.
Speaker 1 (41:25):
Oh so uh because oh, when you are feeling in
the better, uh, you need to get over here.
Speaker 2 (41:35):
And we will do this live because it's a lot easier.
Speaker 1 (41:38):
Uh and uh then we can actually hang out and
watch some movies, play some video games on the Twitch channel,
which this will be on as well. People go to
twitch dot tv and uh uh check out uh you know, yeah,
the random Verse, that's.
Speaker 2 (41:57):
The one random Verse, Twitch dot tv, slash random Verse,
that's it. Oh my god, there's too many site names here,
but also check out.
Speaker 1 (42:06):
If you want just a hot link to it, check
out www dot digitals on ans dot com.
Speaker 2 (42:10):
Uh, there's links to everything.
Speaker 1 (42:11):
The podcasts on the Spotify on the which I just
refused to mention before but now just mentioned.
Speaker 2 (42:16):
I'm an hypocrite. People, iHeartRadio. You can go on there.
Speaker 1 (42:21):
You can go on the YouTube's check out videos. You
can see brand new episodes of me one talking to
professional wrestler aw superstar Zach Knight. He was the last
one I talked to a couple of weeks ago. The
man is a really good uh you know, phenomenal professional wrestler,
British professional wrestler.
Speaker 2 (42:41):
And you know his sister page, former w w F
superstar page Soreya, now on a w So he's a
really good guy. Uh, pretty soon.
Speaker 1 (42:54):
I'm not gonna drop it yet until it's actually done
and recorded, but where it is that there might be
new episodes of what is going on in the world
of wrestling, for new episodes actually talking about British professional
wrestling history with myself and sodiac sact Night.
Speaker 2 (43:11):
So that should be coming up relatively soon, but I'm
not guaranteeing.
Speaker 1 (43:15):
Anything it because he's a busy man, and so we
are trying to get schedule clearances and check out those
old movie guys with myself and Andre Galler of the
Master Squad Fame. The last episode we put up was
a Towering Inferno, So let's go listen to that one
or watch it on whatever platform you are on. And
new episodes coming soon. I am waiting on my Mad magazine,
(43:36):
of which I found here at a local flea market that.
Speaker 2 (43:40):
Had was covering Towering Inferno.
Speaker 5 (43:43):
Uh.
Speaker 2 (43:43):
And I had sent it out to Vegas for Andre's sister,
who was the star good me, and she's going to
autograph for me. It's going on my well fame. Thank
you Andre for doing that for me. Brother, look it up, mother,
Thank you, And we are basically audios again. Check out
the website, Nicol. What do you got going on? Do
(44:04):
you want to plug anything? Do anything? You got to
say anything? I have nothing to plug right now. As
weird as that sound, don't I know.
Speaker 4 (44:17):
I I took a little bit of a hiatus from everything,
and I'm slowly trying to figure out where my next.
Speaker 3 (44:26):
Adventure is going right, anything.
Speaker 2 (44:31):
Any any like the ambitions I mean I do have.
You know, there there's some thoughts about what I want
to accomplish.
Speaker 4 (44:44):
I just don't I don't know.
Speaker 3 (44:47):
I might be a little lost right now.
Speaker 1 (44:49):
Oh well, hopefully you get found in a little while,
because it's no good being lost during the winter.
Speaker 2 (44:55):
And all that kind of stuff. You don't want that.
Speaker 3 (44:57):
Yeah, no, we don't need any of that right now.
Speaker 4 (45:00):
I'm focusing my energy on doing the list of things
that I've avoided for a very long I got a.
Speaker 2 (45:06):
Whole list of that ship too. I'm waiting for spring
and I'll stop checking them off. It's fine, but.
Speaker 3 (45:14):
I'm doing the winter stuff.
Speaker 2 (45:16):
I sewed a lot, Okay, so he's good, though.
Speaker 1 (45:22):
I got I got a lot of painting I need
to do, but it's too cold to do the basement,
and that's the part that needs painting the most.
Speaker 2 (45:28):
You know what I'm saying.
Speaker 3 (45:29):
So, because I understand, that's also on my list of
things too.
Speaker 1 (45:35):
Plus I gotta get our electric box, our fuse box upgraded.
I gotta get prep to get a solar off grade
solar thing going here because my house is perfect for it.
I get sun seems like twenty four hours a day
right up on my roof. Perfect Spot Solar Company told us.
Speaker 2 (45:53):
So I was like, great, Uh, so we shout out
to Castlem and Solar by the way for talking to
me all that time. I'm not gonna get off the Grand.
Speaker 1 (46:04):
Arcs fucking electric bills raising pretty soon. It's gonna get
shut off, That's all I'm saying.
Speaker 2 (46:07):
Thank you guys, appreciate that. So not by being uh,
it's just gonna get shut off. This whole fucking half
a coast is probably gonna get shut out, but that's
probably neither here nor there at this point. So so
it was a way to go.
Speaker 1 (46:27):
I got remember the outside Becuzo that I had going,
you know, all that that clearing out and stuff. You
gotta see what I got now, Yeah, oh my god,
you gotta see what I got got my fire pit going.
Speaker 2 (46:36):
You guys are gonna have to come out, bring your
man out.
Speaker 1 (46:39):
We're gonna have to you know, rock some stuff and
watch them outdoor movies and stuff during this bringing play.
Speaker 2 (46:44):
Some video games. We need to play play some video
games outside on the projector because I haven't done that
in a while and I'm looking forward to it.
Speaker 3 (46:52):
I miss playing video games period.
Speaker 17 (46:54):
I have no way to do so well, I can
send you some not so legal emulators and you can
play right there, all the old games anyway, play right
on your.
Speaker 2 (47:05):
Computer, get yourself a little USB and you're all set.
They're they're really easy to do. I know, man, I
got you. Don't worry, all right, everybody. So that's the
end of the show.
Speaker 1 (47:20):
Little chap Horors was go check it out, I'm sure,
explaining on almost everything, and if not, fucking buy it.
Speaker 2 (47:27):
Don't be a cheap ass, all right, So have a
good day.
All right, and welcome to another special episode of Loland France.
Speaker 2 (00:05):
Get Random. I am here with Nicki Sombrero. I gotta
tell you.
Speaker 1 (00:13):
I gotta tell everybody first that you know today's special.
Speaker 2 (00:16):
We're doing a little review ish. We're gonna have the.
Speaker 1 (00:20):
Music playing in the background while we're talking about it
of a very special movie that we used to watch
all the time when we were young and still do.
Speaker 2 (00:30):
Little chap horrors.
Speaker 1 (00:32):
So I got a bunch of facts today and it's
gonna be fun. So Nicole, how are you doing?
Speaker 3 (00:39):
First off, I have been better, but I'm doing pretty well.
Speaker 4 (00:51):
I'm very excited to be doing some little chap of
horror stuff, as you know, being my cousin in fabulous
old musical movies love and the fact that I've also staged, managed,
and performed in this.
Speaker 3 (01:10):
Play What's Upon a Time many years ago.
Speaker 4 (01:14):
My love for this show, So I'm also excited. I
haven't been very much sombreroing lately. Wintertime is kind of
this weird lull anymore.
Speaker 2 (01:28):
Yeah, I hear that.
Speaker 3 (01:29):
So my adventures have been a not so adventury.
Speaker 4 (01:34):
Ah, well, did you discovered some cool things last year?
Speaker 2 (01:39):
So that's cool. Yeah, we'll talk about some of that
as we go here.
Speaker 1 (01:42):
But so first off, I gotta say today's episode is
brought to you, as always by Prince Nana Coffee. It's
fucking delicious, so go get it linked the description, use
promo Colde moll Win.
Speaker 2 (01:53):
And check out to get yourself a nice little tempt
at discount.
Speaker 1 (01:56):
And if you're a really nice boy or girl, if
you want to DM me on any of our social
media platforms.
Speaker 2 (02:02):
I might just be nice enough and get you a
fifteen discount code. So why don't you do that? And
I'll see who's really looking here. So first off, let's
hit this play button real quick because I want to
hear the music, and I'm gonna start with some facts
(02:22):
on this this this show here. If you can hear it,
it's a.
Speaker 1 (02:27):
Pretty low start to the song the prologue.
Speaker 2 (02:33):
There we go. How's that guzzo?
Speaker 5 (02:40):
Sounds great?
Speaker 1 (02:43):
So Little Shop of Horrors is a musical film based
on the nineteen sixty rogue budget movie starring Jack Nicholson.
Speaker 2 (02:52):
Mind you as the crazy guy in the dischick oh Man.
But so the movie is about a plant.
Speaker 1 (03:06):
If you guys don't know, they try to base it
around Seymour Crowborn, who's a little.
Speaker 6 (03:11):
Uh orphan, was taken in by a flower shop dealer owner,
mister Mushnik, who was pretty shitty to.
Speaker 1 (03:23):
Him, but he gave him a job to cot so
really how shitt he wasn't during you know.
Speaker 2 (03:27):
That time, right, you know? Uh? But his plant turns
out to be an alien that wants to eat everybody
because he loves blood.
Speaker 5 (03:37):
And that's a species that takes over the planets.
Speaker 1 (03:40):
And uh, you know, after Seymour Bison cam the planet
show Hilarity ensus Nicole the first time, which they get.
Speaker 3 (03:57):
I love that.
Speaker 2 (04:01):
Who's who? Who stuck out the news to you that I'm.
Speaker 5 (04:05):
Head clapping over here?
Speaker 3 (04:07):
I'm sorry you.
Speaker 2 (04:08):
Don't feel bad. I don't do the same thing. This
was the closet part here, This was the colst part.
Got dawn on this one.
Speaker 4 (04:26):
Yes I did.
Speaker 2 (04:30):
Oh man, it's fun.
Speaker 1 (04:32):
I love listening to this stuff because it makes me
just want to watch the movie later.
Speaker 5 (04:36):
I'm probably gone, am I happy?
Speaker 1 (04:41):
Yeah? So the musical was directed by somebody you guys
probably know, you know if you've listened to this show
in the past. We did a whole month dedicated to
JITs Is Parker what's the great Frank oz and Frank
oz For directed this movie. Uh, and you know, because
(05:05):
you know, obviously that makes Audrey to a puppet?
Speaker 2 (05:09):
Great, right, Am I correct? I'm making like it exists? Yes, great, great,
that's that's as you that's my favorite puppet. Now I'm
gonna call hi muppet. But anyway, he directed the movie
and uh, the musical it was.
Speaker 1 (05:26):
Written by Howard Ashman and how Uh they also worked
on a little wit made bed the Beast, you know,
both though they've probably ever heard of like his name,
So it's really it's done by some really talented people.
And the music shows like, I don't think this version
(05:46):
would have been half as popular as it was without the.
Speaker 2 (05:53):
Music written for it, you know what I'm saying.
Speaker 1 (05:59):
You because the original was basically beat for beat, right
like the black and white you see the original?
Speaker 2 (06:05):
Right? Because obviously.
Speaker 1 (06:08):
Yes, yeah, so the the parts without the music are
basically beat for beat.
Speaker 2 (06:14):
You know what I mean. Like there's a couple other
mixed in parts.
Speaker 5 (06:17):
That weren't there, but basically it's.
Speaker 2 (06:19):
Beat for beat.
Speaker 1 (06:21):
And they added the music and changed downer ending because
if people don't realize, there's not.
Speaker 2 (06:29):
Really a happy ending at the end of the original,
the play kind of took over. They actually shot that too.
From the special edition.
Speaker 1 (06:39):
They showed the edited scene with the original, but it
didn't test well during the movie when they did the
test audience of the plant actually taking over.
Speaker 5 (06:48):
So then go back and they should a had me ending, which.
Speaker 2 (06:52):
I think they should have kept the original way. But
I do like the ending out people.
Speaker 3 (07:04):
All three of that differently.
Speaker 2 (07:07):
Yeah, they do actually.
Speaker 3 (07:11):
The movie versus the play, right, how I'm trying to
think about how the.
Speaker 2 (07:18):
Original I.
Speaker 4 (07:24):
Like, I know it was a down or em and
now I don't really remember exactly either.
Speaker 1 (07:32):
Well, luckily it's in the public domain, so I'm gonna
have to add it to a public domain theater the
www dot digitals ent dot com website where I have
a whole bunch of other public domain movies and a
few not so other public domain.
Speaker 2 (07:45):
Movies below it, and grow it. So which do is? Uh?
You go to Digital's on ant dot com.
Speaker 6 (07:53):
I'll go to the All My Life public domain theater
and uh it's free for all.
Speaker 5 (08:00):
God what I'm pre priv so and.
Speaker 2 (08:03):
Check out something I'm doing, because you gotta check it out.
I started Child of the Street all right. So the
Uh movie stars with Maranas. Sorry, the movie stars with Pranas.
Speaker 1 (08:28):
And uh as Seymour and Audrey respectively, also makes cameos
by a bunch of famous way Steve Martin as the
fucked up shitty dentist, Bill Murray as his patient is
crazy and wants it, John.
Speaker 7 (08:49):
Candy as the d j UH, Jim Belushi as was
he a reporter?
Speaker 1 (08:55):
Constantly I want to say, Jim Jim Belushi was nobody say.
Speaker 2 (09:02):
Here? But and if you look, I think so, yeah
here and then you have China.
Speaker 3 (09:08):
Arnold Martin is my favorite though yeah, my.
Speaker 2 (09:11):
Too, mine to stop. Then you got China, Arnold, you
gott what is your? The other stock girls the singer
would be well to get. Two of them were in Martin.
Speaker 1 (09:30):
I hate, I hate to do that because I don't
remember the name though I know not damn it.
Speaker 2 (09:39):
I'm gonna have to look it up, but I don't
want to.
Speaker 1 (09:49):
But my favorite person in the whole movie, like Frankly,
even though you know.
Speaker 8 (09:55):
Like he's a complete too, I like Misconversion because you know,
like he may have been soft on the inside a
little bit towards Seymour because.
Speaker 2 (10:06):
He did give him an out you know what I mean.
At the end, he was like, dude, you lead dead.
He was like, you lead just go sail fly with District.
He's like, I'll take.
Speaker 9 (10:15):
The heat, give me the planet, you know what I mean,
Like with his old Chinese, I think he kind of
I don't know, man, I missed to give a kid
at street urchin bad you see.
Speaker 2 (10:27):
Then a strange plant, you know, and then and then
he gave.
Speaker 1 (10:31):
They didn't have anything unusual there that obviously had some
you know, head issues just about.
Speaker 2 (10:36):
To a job, you know, walk on by because Audrey
wasn't right there. I'm gonna tell you people right now.
She she she was a.
Speaker 1 (10:45):
Closet of uh, you know, abuse and self destructed.
Speaker 10 (10:53):
This range humming sound like something from another world, like
she accepted.
Speaker 2 (10:58):
Like what do they call that when somebody would beat
you and you stay with them because you you know,
you say they love?
Speaker 5 (11:03):
Is that called this even just abusive dumb fuckery?
Speaker 2 (11:06):
I could have sworn it hadn't been there before.
Speaker 1 (11:09):
But like there's a medical man, I don't for a
dollar ninety five that's possibly it where the kidnapper they
call over with their kidnapper.
Speaker 2 (11:20):
We'll call it that. It's close enough.
Speaker 3 (11:25):
That when they kid that's when they kidnap you.
Speaker 2 (11:28):
Yeah, I mean it's close enough. It's the same mindset really,
like they kidnapped them.
Speaker 11 (11:35):
Emotionally Okay, you're emotionally sucked.
Speaker 2 (11:46):
Yeah, it's basically it they oh man, see like she
was great at the role though, because he fell for
but I'm begging you like.
Speaker 5 (12:01):
You knew she had problems and Seymour because.
Speaker 12 (12:04):
You see how attention right fuck you like as soon
as she sold him some positive soda him, he showed
her some positive attention.
Speaker 2 (12:15):
I've given you like she was home board. But then
she still wanted to stay with the guy was beating
he missed you, and you see, as soon as he died,
she jumped.
Speaker 1 (12:26):
Right the seaboard, growing full like and then she wrote
a song, the Saga Song about how she wants to
be married to a form she has.
Speaker 5 (12:35):
Got severe attachment issues like.
Speaker 2 (12:37):
I'm fun that's like red flag and any relationship you like,
if she falls head over heels.
Speaker 1 (12:45):
For you, like that's crazy.
Speaker 2 (12:50):
No one that she didn't start showing him like that
until he was great. Looks like she had issues unless
I own her like not to be famous because of
the gave you a few.
Speaker 1 (13:05):
Drops, like before that she was all just specting of
friends with them day and other dudes.
Speaker 2 (13:10):
Right now, she was a terrible persons grow so terrible.
You know. Other fun facts sorry.
Speaker 10 (13:34):
Movie joint, the movie The Great Chorus, three teenage girls
who sing motel.
Speaker 2 (13:42):
Right, that's basically what it is.
Speaker 1 (13:47):
In the movie Stories a Greek moral tragedy about a
young hero who tries to improve his life by exploiting
a higher power, which is it's kind of if you
think about it, it is very true.
Speaker 2 (14:05):
Yeah, it's very interesting. You know. The movie uh.
Speaker 1 (14:14):
Scene cost mearly thirty million dollars to make, and at
the time it was Warner Brothers most expensive movie, get
out of here.
Speaker 2 (14:28):
Is it even possible? I have no clue, but at
the time it was possible. They they were so.
Speaker 1 (14:34):
Into the they were like all right, and since Frank
Oz was attached to it, I'm sure the puppet costs
like fucking goddamn four million dollars just to you know,
begin with, you know what I mean, all the animatronics
they needed for it, that shit had to be up there.
And then the ending scene with all the other puppets,
(14:55):
you know, the little plants coming off of.
Speaker 7 (14:57):
It, like and the CGI alone, you know, the c
GI at the end, uh, and all the practical effects
when they had to reshoot you know, the scenes with them.
Speaker 2 (15:09):
It was all practical.
Speaker 1 (15:10):
There was only a couple like of like maybe computer
imaging wasn't really that prevalent effect then, so they only
had a few like you know, like some explosion things
going on. A lot of that was practical too, So
that ship had to cost a lot of money.
Speaker 2 (15:27):
Most people don't know Frank Oz. I mean, most people
do know Frank Couz if they're bucking pay.
Speaker 1 (15:32):
But you know, if you don't know, he was a
voice of his Piggy obviously and.
Speaker 2 (15:36):
Vazzi the bear.
Speaker 10 (15:37):
And he also, if you don't know, it was the
voice of Yoda from the Star Wars.
Speaker 13 (15:42):
So very into the voice acting word of any famous movies.
See to pick the very size show the film. The
(16:04):
production built six canamatronic green Mother's. The smallest was about
four inches taarls Well.
Speaker 1 (16:11):
The biggest plant obviously used for the valleys Good to
be Crazy twelve tall.
Speaker 2 (16:18):
I want a twelve foot tall version of Audrey. Wow. Yeah,
and I want to put that on my roof for Halloween.
That would be awesome.
Speaker 4 (16:29):
So when we did our production, we actually borrowed three
Audrey from Juny New Poll in New York, and they
were Jim Henson's puppet. So the little one was the
little one. You could stick your hand in the in
(16:50):
the bottom and control its mouth and make it talk
like you were, you know, controlling a little puppet. And
then obviously it got bigger, and then the biggest on
was big enough for an actress to get inside and
she had to control the whole thing. But also it
(17:10):
was big enough for the scene where Audrey eats people.
So while there was an actress inside of Audrey, you
could another actor could crawl in through the mouth and
get me in no ship to go out the backside.
Speaker 1 (17:30):
Yeah, that's funny because for the twelve footer in the movie, uh,
its pod and its pods of the smaller guys, you know,
the fly traps and ship, it needed as many as
sixty operators to do it, and they would be uh,
most of the operators would be on the floor pulling
various like levers and cables.
Speaker 2 (17:52):
And stuff, uh to bring to the plant to you know,
moove it.
Speaker 1 (17:55):
Everybody moving in different ways and it's it's it took
a lot of core nation.
Speaker 4 (18:01):
Uh yeah, I would say Art the art big one
was probably not call right.
Speaker 5 (18:08):
I might have to do that.
Speaker 2 (18:10):
Yeah, it would have to be about.
Speaker 1 (18:11):
Half the size at least to get the person inside
swallow one, you know. But yeah, because I was trying
to convince my uh daughter's high school there get to
do for their stage production.
Speaker 2 (18:26):
The fucking teacher is so against it.
Speaker 1 (18:29):
She's like, it's so expensive and because it's our Broadway,
we can't get the rights.
Speaker 2 (18:35):
I'm like, that is not true, because there has been
high schools. I know, if I got the rights to it,
it's been never off Broadway, you know what I'm saying. Like,
so I don't understand where her logic is. Like the money,
I understand is proud thing.
Speaker 10 (18:54):
But she can also in that case, I said, get
the art deportment in art make their fucking project like
their major project for that year to win.
Speaker 5 (19:06):
I'm like, because the plays aren't till the year.
Speaker 2 (19:12):
Yeah, so it's like I don't get it.
Speaker 1 (19:22):
She'll do Joseph and the Tech technically dream Boat, which
your broken me wrong.
Speaker 2 (19:25):
It's a great play, Like it's a great show. You know.
Speaker 1 (19:33):
Maybe after Yeah, I have to talk to.
Speaker 2 (19:47):
Was that what happen? You're fighting with your ship?
Speaker 3 (19:55):
So sorry?
Speaker 1 (19:58):
So question Becauzo was some point now in the stage show?
No exactly what was it?
Speaker 2 (20:09):
What was the song that was in it that they
didn't put in the movie.
Speaker 1 (20:13):
They only showed a little clip in the movie.
Speaker 3 (20:21):
Oh my goodness, and it was my solo was in it.
Speaker 1 (20:24):
So now.
Speaker 2 (20:27):
What was it? The meek shall inherrit.
Speaker 4 (20:33):
No, although I do know that song too.
Speaker 2 (20:43):
By the way, this is the Dennis song is my favorite.
Speaker 3 (20:45):
Wow, I don't remember the name of it.
Speaker 2 (20:48):
You might have to look that up. I want to
look it up. But it had the same.
Speaker 6 (21:00):
You didn't have the same kind of rhythm.
Speaker 2 (21:04):
Juice still love ye expect? What's the stock of that gass?
Oh my god?
Speaker 3 (21:17):
Something that seems about the mock facade?
Speaker 2 (21:22):
Wait, hold on, no, gotta hope and what here? I come.
Speaker 9 (21:30):
Your hair?
Speaker 2 (21:31):
I love it and I'm in going, I'm I'm.
Speaker 12 (21:37):
Your not get off my pain.
Speaker 2 (21:41):
I am really love it. I grow and I really
like Smitty. Well they tell me I'm no good. Steve
Martin was perfect for this role. And though it's so
perfect to thread somewhere somewhere, so so.
Speaker 3 (22:06):
I don't remember something now it's because it wasn't in
the play.
Speaker 1 (22:12):
It was it was written like that for the movie,
but the play had another song that the movie didn't get,
which is why I don't understand what they did, you know.
Speaker 2 (22:23):
What I'm saying, like like why it didn't fit?
Speaker 6 (22:26):
Maybe?
Speaker 2 (22:27):
But I know the meek shallon Eric was only in
a little tiny clip.
Speaker 1 (22:34):
H Levi stubbs the man who did the voice. You
never know, you never know, That's right, I forgot.
Speaker 2 (22:56):
See now I have hands. I have the stage show soundtrack,
and I have the movie soundtrack.
Speaker 1 (23:05):
I'm not gonna plug where I get it, because you
know made it's so freaking hard for me to get
my ship back on there.
Speaker 2 (23:13):
It starts with a with a y you shout out
and give them.
Speaker 3 (23:19):
And changes.
Speaker 2 (23:25):
Yes, I think there was like three or four songs.
I probably didn't make it, probably for time really, like
you can have a stage show be a little longer.
Speaker 1 (23:36):
You know, people paid the money, they're gonna go. Here's
a little fun fact, Audrey I. One song Somewhere That's
(23:58):
Green was created by lyricist Howard Ashman and composer.
Speaker 2 (24:03):
Alan macn uh I. Just mentioned before that they work
on a little Mermaid in fact areas I want number
part of your World there.
Speaker 1 (24:18):
Was inspired in large part by Greens and twenty five
twenty footeen interview with Anything Weekly, Rancon says that they used,
uh used to jokingly call part of your world somewhere
that's wet.
Speaker 11 (24:33):
What is it?
Speaker 4 (24:34):
What's the same music if you think about it, That's
what I'm saying, being you know, let's.
Speaker 2 (24:40):
Make more than yeah exactly, and.
Speaker 1 (24:47):
How they got Audrey two just sing opposite Rick moranisis seymore.
Speaker 2 (24:51):
According to Oz, was Horton quite a bitch. He said
the lips on the plant did not work quite. Moving
at the normal.
Speaker 1 (24:59):
Speed of twenty fo four frames per second, they couldn't
move fast enough to properly sync up to the pre
recorded zones. The crew solution was to film the puppet
at twelve to sixteen frames per second and then speed
up the playback to the standard twenty four frames.
Speaker 14 (25:20):
Yeah.
Speaker 1 (25:21):
So that means that whenever an actor saying side by
side with the puppet, they were lip sinking in slow.
Speaker 2 (25:27):
Motion for me, they show it on the Blu Ray.
Apparently rock that's fucking hilarious. I'm gonna have to get
the Blu Ray now because I don'tland I need frame.
Speaker 3 (25:45):
You didn't have the many problem feeling at the team.
Speaker 2 (25:49):
No, I wouldn't. I wouldn't think you guys will do.
I mean, it scaled down quite a bit, like.
Speaker 1 (25:56):
Yeah, but then again in the movie Jesus, like they
only like maybe what four sets the street scene right
all anything out in the street, the flower shop, the dentist,
the radio place, and the uh somewhere a grip that's
(26:17):
green set, So four or five different sets for.
Speaker 2 (26:21):
The whole movie. It's I don't understand why, because they
shot it like it was a play.
Speaker 4 (26:30):
I know, but but that's what I'm saying.
Speaker 3 (26:33):
I don't understand why it was so much extra.
Speaker 1 (26:38):
Well, it was probably because they had, you know, again
the puppet itself that if they had to have sixty,
you know, sixty people running the puppet and you know
for that end scene, and that end scene took them
like I'm assuming probably like a week to shoot, you
know what i mean, and then you know, yeah, to
(27:00):
hide the people.
Speaker 5 (27:01):
Underneath the freaking like floorboards and whatnot, like of the set.
Speaker 2 (27:06):
Like I've seen you've seen The Muppet Show live right,
like parts of it? Yeah, yeah, like you've seen how
they work it right.
Speaker 1 (27:15):
Everybody's uncomfortably cramped or they're under a you know, a
floorboard where they're.
Speaker 2 (27:19):
Standing up and like their awn button like shoulders and
shoulder next to each other and stuff like. That's got
to suck. And then to get like they said, the
plants move and sing the way they wanted to, like,
you know, with all.
Speaker 1 (27:33):
The slow down and shooting in slow mo shade, and
that makes a four minute song take eight to twelve minutes.
Speaker 2 (27:43):
You have a point right like and then the stop
because it didn't look right, and then redo this and
blah blah blah. You've been up the movie sets because
you know how many cuts there on. That's also true, yeah,
you know, and.
Speaker 1 (28:01):
Imagine with the you know, working with puppeteers and stuff
that they can't really see except.
Speaker 2 (28:05):
For the monitors. They're going by ears mainly, you know,
like and then the poor actors. I gotta work along
with the bubbe And I feel bad with the family
on health, I really do. That fucker got all the
recognition and the family fucking didn't get shipped. Nobody remembers
it's Andrews. Nobody you have a good point. I don't
(28:30):
remember any of.
Speaker 3 (28:30):
Their names except for al Right.
Speaker 2 (28:33):
I think the George was the father. That was the
only one I can remember. And he hated out. Yeah,
and he hated that show, but he collected the paycheck.
He hated. He hated working, all right. He didn't hate
(28:54):
the other actors, the family actors. He hated the guy
who pay.
Speaker 1 (28:58):
Out and he hated being no pigeonhole as the guy.
He's just the puppet street man, which I can kind
of see. But he took the paycheck, so he shouldn't
really be able to complain that, Like he didn't have
to audition, you.
Speaker 2 (29:18):
Know what I'm saying?
Speaker 3 (29:19):
Like right, and the show was about Alf, not exactly.
Speaker 2 (29:29):
It was called Alf, not the Tanners in the Alia, right,
you know what I mean? Like, yeah, not not good.
Speaker 1 (29:37):
So uh.
Speaker 2 (29:39):
Let's see, let's see what else we got here?
Speaker 1 (29:42):
Just okay, this song is great supper time all right?
Michelle Weeks, Ta Cheetah Arnold and Titia Campbell.
Speaker 2 (29:53):
Why could I not remember that those were the girl,
the Doups, the pure It's like, did they have an official.
Speaker 3 (30:09):
Other than that you up through?
Speaker 15 (30:11):
I don't.
Speaker 2 (30:12):
Yeah, I'm not sure if they were pushing to move
with something else.
Speaker 3 (30:16):
I mean they had names.
Speaker 2 (30:21):
Yeah, Oh god, now I can't remember what now they
were either, because I don't even saying to the movie
movie like I was run at.
Speaker 1 (30:30):
Run at Yup, Chapan. There was another one, Chap run
at Chaffon, and.
Speaker 2 (30:39):
That was a scream we're digging in here, Oh god,
we're getting hi. Can't I remember the name.
Speaker 1 (31:01):
Crystal Crystal, that's right for people, Chiffon's, the Crystals and
the Ronettes if you don't know, all three very famous
duop groups emails for the late fifties early sixties. Now,
the film actually scored one of the highest rated test
(31:22):
getings for Warner Brothers Studios.
Speaker 2 (31:25):
Uh, until the audience saw the original ending. We talked
about this before, recently restored for the Blu ray.
Speaker 1 (31:31):
The original ending featured the plant eating everybody and joining
other giant plants on a citywide rampage involving, among others,
New York City landmarks, the Statue of Liberty.
Speaker 2 (31:42):
Yeah, it ate everything in New York lecturing tour, which
means skid rows.
Speaker 1 (31:50):
I guess no, they wanted a happy ending, apparently, I
guess they grew too attached.
Speaker 2 (31:55):
Seymour and Audrey. I'm coming throughout the movie.
Speaker 16 (31:58):
Which I guess is the point, you know, Like, so,
I mean, I guess they and if they felt that
it would do better with a happy ending, which they
were right, I believe, I mean, think about how successful
it was, right, So I guess the people the test
group was right on that occasion.
Speaker 2 (32:20):
And this is the song right here, the meet Shallen hair.
It was a literally a three three and a half
minute song, but it was only a fifteen second clips
in the movie while Seymour was getting I don't.
Speaker 3 (32:31):
Even remember this song, to be honest, really, I don't.
Speaker 2 (32:36):
Yeah, they didn't even get to the part where Seymour sang.
Speaker 1 (32:39):
It was just that whole little cliff right there in
the beginning with that hair, when Seymour was getting all
the attention.
Speaker 2 (32:45):
From everybody right at first, they showed that little montage
of him getting all like tired and stuff.
Speaker 3 (32:53):
Yeah, this whole part right now, that means willing.
Speaker 1 (33:00):
He wasn't even in the play. Well, they wrote it
for the movie and only used a couple of second clip.
That must have sucked for you, Moranus after recorded the
whole thing and then get a little clip because this
is a I like this song or old Boy thould
mean to the broken in on a point if the.
Speaker 10 (33:19):
It couldn't be, it sounds more mean there should be
in a stage show, you know what I'm saying, Like it.
Speaker 2 (33:27):
Sounds like something Madam Rogers and Amerstein there in the middle.
Uh that see interesting? I mean I could be wrong,
but that's just to me. It sounds like maybe why
they would from a movie point of view, you know
what I mean, like a movie musical as opposed to
(33:48):
stage music, like it's no Hello Valley.
Speaker 4 (33:52):
So yeah, it's just weird when they do that.
Speaker 2 (33:59):
Yeah, oh my, so let's see Oz and Howard want Yeah,
it's still going.
Speaker 1 (34:08):
It's it's a three and a half minute song. Oz
and Howard wanted the darker ending, uh produced producer Geffen
didn't with the test group, even though Geffen respected.
Speaker 2 (34:21):
The vision and blah blah blah and didn't want the
force to you know, did not want force to go
on him and stuff. But since the film was made
for an audience and more than justin.
Speaker 5 (34:30):
Govick because apparently Oz relented and reshot.
Speaker 2 (34:33):
A happier ending even though he really did not want to,
which is kind of funny, but I can understand that too.
From Electric ed you. Uh you know, He's like, I
am the director and they paying me to do this.
It's not my movie, like blah blah blah, Like I
(34:55):
get that h one of my favorite songs bar none
is we didn't really. I was like, I think they did.
Speaker 5 (35:19):
I see that it is on the official Broadway heard that,
you know the stage version sounds.
Speaker 2 (35:26):
I think they changed a few lyrics though. Quite frankly,
Levi Stubbs was a perfect voice for this.
Speaker 1 (35:38):
Uh.
Speaker 2 (35:39):
If you don't know, he was a think Four Tops
and Temptations. I think it was a four Tops THU, Yeah,
it was the Four Tops. Levi Stubbs in the Four Tops.
And he was also a little known.
Speaker 1 (35:51):
Back if you are a fan of the late eighties
early nineties cartoons.
Speaker 2 (35:57):
He was the voice of Mother.
Speaker 1 (35:59):
And Brain on God to End Game Basters, which was
a Nintendo game show cartoon.
Speaker 2 (36:10):
He was the main antagonist on that show, and he
was perfect for both voices. I think this one and
Mother Gray. I want to say this game, you want
to save your high, you.
Speaker 12 (36:26):
Want tomorrow, so let's stake.
Speaker 2 (36:38):
You really get that? I know, right, go find of
the internet.
Speaker 1 (36:42):
Is very full of knowledge on some ship when you
really want to look for it, pass and sip through
all that garbage, uh that we.
Speaker 2 (36:49):
Have to deal with these days. But if you don't
want to say, show uh you to do. Two of
Jim Henson's kids were involved in the movie. Before Audrey King.
Speaker 5 (37:09):
Reached its full size, the plant sings for some supper.
Speaker 2 (37:14):
And feed me and we heard before and On the commentary, Frank.
Speaker 1 (37:19):
Oz notes that Brian Henson, who currently chairs the Jim
Henson Company, was the puppet's main operator throughout the scene.
Speaker 2 (37:27):
A few minutes later, viewers see his little sister, Heather
Henson getting a cameo as an abused dental patient. So
the little that's crazy.
Speaker 1 (37:44):
That Steve Martin sustained a minor injury during feed Me.
When Orange Squibella dds.
Speaker 2 (37:54):
His character and his long suffering.
Speaker 1 (37:57):
Girlfriend, of course, Martin walk up to the the apartment
the Venice kicks open the you know the buildings doorw or.
Speaker 2 (38:06):
On the commentary of.
Speaker 5 (38:07):
The DVD, Oz mentions that Burton had previously tried opening it.
Speaker 2 (38:12):
By hand, only to have the glassps like shattered, cutting
his pall. Yeah, he got sucked up on that. Let's see,
I've never heard that. Yeah, me neither all of the
(38:34):
lines in the movie as the crazy ventis patient. Maybe
they pick and.
Speaker 15 (38:42):
Choose what same they want to do, you know what
I mean, Like they have a I don't know. Maybe
there's different cuts of it, you know what I mean,
the movie.
Speaker 2 (38:53):
Or the play.
Speaker 5 (38:57):
I have to look into that too, because I know
it's on the soundtrack.
Speaker 2 (39:02):
Of a stage play of the group doing it.
Speaker 7 (39:06):
Man.
Speaker 2 (39:08):
But uhh yeah, Owner Bill Murray's dialogue in the movie
is improvised. Yeah he did as uh, the whole whole thing.
Everything was improvised. They said, just go in there and
just do what you want to do.
Speaker 1 (39:24):
I sold, look, just as long as you're the massivest
and Steve's the sadist.
Speaker 2 (39:30):
He's like, I won't care, which is hilarious. Oh.
Speaker 1 (39:37):
A TV version of this song, the song Me Grey
Mother from Out His Face, was performed at the Academy
Awards by Levi Stubbs.
Speaker 2 (39:48):
As a matter of fact, I've actually know what we did.
Speaker 4 (39:52):
Heven meet Sally.
Speaker 2 (39:56):
Time they see. Nobody remembers it not ever been in
the movie. And this wasn't in the This must have
been in the credits. Don't Feed the Plants finale, because
I don't remember.
Speaker 3 (40:12):
It yeah, don't be the plants.
Speaker 2 (40:16):
The Yeah.
Speaker 1 (40:20):
In the original edit of the Meat Shall and Here
It segment, Seymour battled as enter demons through dale Esco
nightmare that involved body transformations, greeting columns, and bleating paintings.
Thedd sequence ultimately landed on the gutting room floor and
I want to see that.
Speaker 2 (40:40):
Huh god damn. Yeah, And then they're there and then
they you know, everybody goes on to talk about the ending.
Out of the ending got cut and then changed the
happy ending because it tested better, which I agree they
(41:01):
did test.
Speaker 14 (41:02):
But and on that note, that is the finale of
the Little Shop with Horrors episode with Merlin Nikki Sombrero.
Speaker 2 (41:14):
And uh, that was awesome. So let's see I love
that movie. I do too. That was awesome.
Speaker 1 (41:25):
Oh so uh because oh, when you are feeling in
the better, uh, you need to get over here.
Speaker 2 (41:35):
And we will do this live because it's a lot easier.
Speaker 1 (41:38):
Uh and uh then we can actually hang out and
watch some movies, play some video games on the Twitch channel,
which this will be on as well. People go to
twitch dot tv and uh uh check out uh you know, yeah,
the random Verse, that's.
Speaker 2 (41:57):
The one random Verse, Twitch dot tv, slash random Verse,
that's it. Oh my god, there's too many site names here,
but also check out.
Speaker 1 (42:06):
If you want just a hot link to it, check
out www dot digitals on ans dot com.
Speaker 2 (42:10):
Uh, there's links to everything.
Speaker 1 (42:11):
The podcasts on the Spotify on the which I just
refused to mention before but now just mentioned.
Speaker 2 (42:16):
I'm an hypocrite. People, iHeartRadio. You can go on there.
Speaker 1 (42:21):
You can go on the YouTube's check out videos. You
can see brand new episodes of me one talking to
professional wrestler aw superstar Zach Knight. He was the last
one I talked to a couple of weeks ago. The
man is a really good uh you know, phenomenal professional wrestler,
British professional wrestler.
Speaker 2 (42:41):
And you know his sister page, former w w F
superstar page Soreya, now on a w So he's a
really good guy. Uh, pretty soon.
Speaker 1 (42:54):
I'm not gonna drop it yet until it's actually done
and recorded, but where it is that there might be
new episodes of what is going on in the world
of wrestling, for new episodes actually talking about British professional
wrestling history with myself and sodiac sact Night.
Speaker 2 (43:11):
So that should be coming up relatively soon, but I'm
not guaranteeing.
Speaker 1 (43:15):
Anything it because he's a busy man, and so we
are trying to get schedule clearances and check out those
old movie guys with myself and Andre Galler of the
Master Squad Fame. The last episode we put up was
a Towering Inferno, So let's go listen to that one
or watch it on whatever platform you are on. And
new episodes coming soon. I am waiting on my Mad magazine,
(43:36):
of which I found here at a local flea market that.
Speaker 2 (43:40):
Had was covering Towering Inferno.
Speaker 5 (43:43):
Uh.
Speaker 2 (43:43):
And I had sent it out to Vegas for Andre's sister,
who was the star good me, and she's going to
autograph for me. It's going on my well fame. Thank
you Andre for doing that for me. Brother, look it up, mother,
Thank you, And we are basically audios again. Check out
the website, Nicol. What do you got going on? Do
(44:04):
you want to plug anything? Do anything? You got to
say anything? I have nothing to plug right now. As
weird as that sound, don't I know.
Speaker 4 (44:17):
I I took a little bit of a hiatus from everything,
and I'm slowly trying to figure out where my next.
Speaker 3 (44:26):
Adventure is going right, anything.
Speaker 2 (44:31):
Any any like the ambitions I mean I do have.
You know, there there's some thoughts about what I want
to accomplish.
Speaker 4 (44:44):
I just don't I don't know.
Speaker 3 (44:47):
I might be a little lost right now.
Speaker 1 (44:49):
Oh well, hopefully you get found in a little while,
because it's no good being lost during the winter.
Speaker 2 (44:55):
And all that kind of stuff. You don't want that.
Speaker 3 (44:57):
Yeah, no, we don't need any of that right now.
Speaker 4 (45:00):
I'm focusing my energy on doing the list of things
that I've avoided for a very long I got a.
Speaker 2 (45:06):
Whole list of that ship too. I'm waiting for spring
and I'll stop checking them off. It's fine, but.
Speaker 3 (45:14):
I'm doing the winter stuff.
Speaker 2 (45:16):
I sewed a lot, Okay, so he's good, though.
Speaker 1 (45:22):
I got I got a lot of painting I need
to do, but it's too cold to do the basement,
and that's the part that needs painting the most.
Speaker 2 (45:28):
You know what I'm saying.
Speaker 3 (45:29):
So, because I understand, that's also on my list of
things too.
Speaker 1 (45:35):
Plus I gotta get our electric box, our fuse box upgraded.
I gotta get prep to get a solar off grade
solar thing going here because my house is perfect for it.
I get sun seems like twenty four hours a day
right up on my roof. Perfect Spot Solar Company told us.
Speaker 2 (45:53):
So I was like, great, Uh, so we shout out
to Castlem and Solar by the way for talking to
me all that time. I'm not gonna get off the Grand.
Speaker 1 (46:04):
Arcs fucking electric bills raising pretty soon. It's gonna get
shut off, That's all I'm saying.
Speaker 2 (46:07):
Thank you guys, appreciate that. So not by being uh,
it's just gonna get shut off. This whole fucking half
a coast is probably gonna get shut out, but that's
probably neither here nor there at this point. So so
it was a way to go.
Speaker 1 (46:27):
I got remember the outside Becuzo that I had going,
you know, all that that clearing out and stuff. You
gotta see what I got now, Yeah, oh my god,
you gotta see what I got got my fire pit going.
Speaker 2 (46:36):
You guys are gonna have to come out, bring your
man out.
Speaker 1 (46:39):
We're gonna have to you know, rock some stuff and
watch them outdoor movies and stuff during this bringing play.
Speaker 2 (46:44):
Some video games. We need to play play some video
games outside on the projector because I haven't done that
in a while and I'm looking forward to it.
Speaker 3 (46:52):
I miss playing video games period.
Speaker 17 (46:54):
I have no way to do so well, I can
send you some not so legal emulators and you can
play right there, all the old games anyway, play right
on your.
Speaker 2 (47:05):
Computer, get yourself a little USB and you're all set.
They're they're really easy to do. I know, man, I
got you. Don't worry, all right, everybody. So that's the
end of the show.
Speaker 1 (47:20):
Little chap Horors was go check it out, I'm sure,
explaining on almost everything, and if not, fucking buy it.
Speaker 2 (47:27):
Don't be a cheap ass, all right, So have a
good day.
Popular Podcasts
NFL Daily with Gregg Rosenthal
Gregg Rosenthal and a rotating crew of elite NFL Media co-hosts, including Patrick Claybon, Colleen Wolfe, Steve Wyche, Nick Shook and Jourdan Rodrigue of The Athletic get you caught up daily on all the NFL news and analysis you need to be smarter and funnier than your friends.
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com