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December 19, 2024 • 23 mins
Martin Scorsese directed a brilliant film that will stand the test of time. It's film that we all love and enjoy and we don't care that the characters are bad guys, like, really BAD guys. Scorsese has that visual power where we get to see, envy, the glorification of "GoodFellas" featuring my good friends of the We Don't Smoke the Same podcast - E-Zone and XG. We dissect the film by pointing out favorite scenes, discuss the power of being a gangster and the culture it influences, and how drugs come into play in the mob business. I dig the film for it's realism on these characters and how they handle situations. Scorsese does a great job providing different senes that highlight the highs and lows of the various characters that play off each other. Every time I see the film, I learn something new about it and the director and how it all works.

Four out of four tokes.

E-Zone
http://flavorsbyezone.com

XG
http://fullytoxic.com

#goodfellas #film
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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Good morning. If this is morning Real. If I see it,
I review it. Hosted by Yours True de Ray Salazar.
It's a three to four two hundred mint or so
podcast of films that I review, of all ages, of
all countries, black or white, technic, color, infra, red, you
name it, I review it. Been wanting to review this
film for a while, but I feel December is the

(00:24):
best time to review it because this film is a
Christmas film, at least to me it is. And not
only that, a lot of key scenes happening during Christmas
time in the film. It's not your regular nine to
five film about a man trying to make it and
stay on top. These about scumbags, and people love scumbags. Man,
But it's crazy how scorcese he has that power to

(00:47):
actually make us feel for these honestly some piece of
shit people, really, everybody, even the wife. Anyways, I'm happy
to review this film called Goodfellas. We're co written and
directed by Martin Scorsese. If you don't know who that
guy is, then you definitely got to do some homework
because this guy is an og one of the best

(01:07):
directors of all time, probably in our lifetime, really and
I'm very happy I'm getting to talk about this film
with two good friends of mine who are also co
host of that We Don't Smoke the Same podcast, I
Have the Zone and XG. What's up? Guys?

Speaker 2 (01:24):
What up?

Speaker 1 (01:24):
What up are y'all doing today?

Speaker 3 (01:28):
Good fellows?

Speaker 1 (01:29):
Yeah, I see that you're in the spirit.

Speaker 3 (01:32):
The Spirit Dog. I didn't.

Speaker 4 (01:33):
It's funny because I didn't see it as a Christmas
spirit movie. But now that you say it, and now
I just watched it yesterday.

Speaker 3 (01:39):
It's gonna become a Christmas movie for me.

Speaker 5 (01:42):
I never looked at it as a Christmas movie, but
there are a lot of key key h points in
there where it is is like Christmas trees going around
the celebrations.

Speaker 2 (01:49):
So maybe that's the reason you have.

Speaker 5 (01:51):
Like a like a certain view on them, you know,
you kind of feel for them, yes, because you're like,
it's the holiday, you know.

Speaker 1 (02:01):
I want to run through the credits real quick. Directed
by Martin Scorsese, screenplay by Nicholas Pileggi and Martin Scorsese,
based on the book called Wise Guy by Nicholas Pileggi.
Produced by Erin Winkler, Starring Robert De Niro, Ray Liotta,
Joe Pesci, Lorraine Brocco, and Paul Sorvino All Goats at
this point in time. All Goats. Cinematography by Michael baut Baljaus,

(02:26):
edited by the legendary The Almost Schoonmaker production companies Warner
Brothers and Erin Winkler Productions. This film came out in
September ninth, nineteen ninety and it's over two hours long.
It's a long film, man, But it's crazy how like
Scorcese likes to take his time with his characters, with

(02:47):
the situations and all that stuff. He really wants us
to see how this character really grows. And in this film.
What's great about this film, man, I don't know if
you guys like ever like put it, but what comes
up bus come down? And that's exactly what happened to
all these characters in this film. Everybody got fucking screwed.

(03:07):
We're giving the notion is Henry Hillo rat or was
he trying to save his ass because he knew he
was gonna get whacked? What do you guys think about that?

Speaker 5 (03:17):
I think that he was put in a position position
like kind of he fucked up by the way he
did fuck up. But he was kind of put in
a position where he saw that they turned his back
on him. Remember when he went when he went to him,
and he was like all he all for a lifetime
and loyalty was three thousand dollars.

Speaker 2 (03:35):
That was sad he was.

Speaker 1 (03:37):
I sat moments in that film.

Speaker 2 (03:38):
It was like, I gotta turn my back on you now,
you know.

Speaker 1 (03:41):
But he warned him though, he like looked at him
dead in his eye and say, hey, don't be fucking
with that shit. Don't be making me look like a
fool in all that crowd. We don't fuck with that ship.
And there he goes fucking with it, getting addicted to coke,
making his own little schemes, trying to put other people
into that play and behind that food's wouldn't you think, like,
what the fuck really I gave you all this freedom? Really,

(04:05):
all this freedom, all this like just like rank, you
know what I'm saying, you're not even blood imagine that
that's just leapt to the face.

Speaker 4 (04:14):
But it's a lot more money than when you think,
because this was the fifties or seventies, when the movie.

Speaker 2 (04:18):
Was seventies eighties, you know, yeah, it was a lot
of money.

Speaker 4 (04:20):
It's not three thousand. We look at three thousand now
and you snitch your homie for three thousand bucks, you're
like a full come on, but I'm pretty sure that
that amount of money back in that day and don't hingle.

Speaker 1 (04:30):
Oh yeah, all that shit that they were doing, all
those like schemes and heighst a lot of money.

Speaker 3 (04:35):
Man, we look at it.

Speaker 1 (04:37):
For a small time crew.

Speaker 2 (04:38):
It must have been easy to pull up those kind
of crimes. Bro, Like, I'm not gonna lie.

Speaker 5 (04:41):
Like you look at it. You're like, all right, we
gotta stick up a truck. Yeah, he's just blocking.

Speaker 3 (04:48):
There's no camera outside the grocery store.

Speaker 2 (04:50):
You blocked the trucks.

Speaker 3 (04:51):
But what I mean now.

Speaker 4 (04:52):
You're like, oh, there's a camera grocery store, a camera
from Albertson's.

Speaker 2 (04:55):
Like it's you can't the truck has a camera. And
back then he was.

Speaker 3 (04:58):
Like, let's go, let's run it.

Speaker 4 (05:00):
Then Webbles, back then Webbles and what they look at
the end, This was wating young Webbles.

Speaker 3 (05:04):
Yeah, all of them have balls.

Speaker 1 (05:06):
And then everything changed when they got the helicopters on
on Henry, You're like, what the hell surveillance? Oh shit,
he's never been surveilled, like that.

Speaker 5 (05:14):
Ever, when they got when they got busted, that was
like very sad. I couldn't I couldn't help but feel
sad for for everybody.

Speaker 1 (05:24):
The cup like licked the coke.

Speaker 5 (05:25):
Yeah, when he tells me, he was like, what kind
of cake were you baking?

Speaker 2 (05:28):
The cake over you?

Speaker 5 (05:29):
Yeah, that was And the thing that pissed me off
about it too, is that stupid babysitter bitch Yeah with
the hat.

Speaker 2 (05:36):
Yeah, dude.

Speaker 5 (05:37):
He's like, if out of all the moments of him
being a mobster, that he should have shot her, Like
you should have just been like you bitch, you're gonna
fucking get me caught and all this stuff. Nah, man.
And then then he's like he had to drive the guns.
He didn't want the guns. It was towards the end, it.

Speaker 2 (05:55):
Was just a lot. You could see the desperation in him.

Speaker 1 (05:58):
Yeah.

Speaker 2 (05:58):
I mean the hospital scene was another thing. He was like,
let me check you out. Yeah. With the doctor he
was like, no, no, I'm serious, let me check you out.

Speaker 5 (06:07):
Come on, because he had been coked out and and
not that I've ever been that coked out, bro, but
like I've been to the point where I'm like, man,
if a doctor saw me right now, I'd be in
bad shape.

Speaker 2 (06:18):
Yeah, like if a bender.

Speaker 1 (06:22):
If it was on a sick as bender.

Speaker 4 (06:23):
Man, I like how And when he was young, he
was like looking at the mobsters like I want to
be them.

Speaker 1 (06:27):
Yeah, that was his goal from day one.

Speaker 4 (06:30):
Man, what do you say he'd rather be the He'd
rather be a mobster than than the president.

Speaker 1 (06:34):
Yeah, something like that.

Speaker 3 (06:36):
That's dude, I met Have you met anyone like that?
George Prey is George President?

Speaker 2 (06:41):
Like that?

Speaker 4 (06:41):
But I remember being a kid and I asked it
was my homies brother, and I was like, what do
you want to be?

Speaker 3 (06:47):
When he grew up, I was like, I want to
be a gangster.

Speaker 4 (06:49):
That's what he would say, dog like literally looking on
the face, said I want to be a gangster. I'm like,
what does that mean? He's like, you want to be
a gangster? I was locked up, got to take he's
a gangster. But I thought was kidding. I thought it
that was gonna be a face because he like he
thought nah when he's like that, like when they say
that's what I want to be.

Speaker 1 (07:06):
But there are a different type of gangster though, Like
when you when you see the film, especially like in
the first act and all that stuff, seeing how everybody's
rising up and like just in their business. It's a community. Really,
it's a family. It is a family of sorts. You know.
You got all these guys who they all they all
have each other's backs in a sense, you know, And
he didn't really Henry Hill didn't really have that in

(07:29):
his family. Like his dad was like always working but
never feeling appreciated. The wife's always at home, his brother's
in the wheelchair. You know, it's it's kind of fucked up,
you know. And they live in a very small place.
And when he saw that and he got a taste
of it, I want more.

Speaker 3 (07:45):
You ever read the book?

Speaker 1 (07:46):
Why is guy?

Speaker 2 (07:47):
Now? You?

Speaker 4 (07:48):
I think, I mean maybe watching it this maybe kind
of want to read the book.

Speaker 2 (07:51):
I mean, there's some off of a book this.

Speaker 1 (07:54):
There's a lot of inconsistencies in the film as far
as like reality and shit, I'm not even gonna bother
talking about that because there's really no point. It's about
the film and how it came out and all that stuff. Man.
And I mean, you've guys seen a couple of Scorsese films,
man like this one pretty much stands out in his career.
I don't know about y'all. I actually Mar'm sorry, especially

(08:15):
Robert de Niro.

Speaker 3 (08:16):
Man.

Speaker 5 (08:17):
Yeah, I can't help but to appreciate whoever does does clothing,
the wardrobe, the wardrobe for these films. Man, like that wardrobe,
like the eyewear, the just the clothing vintage, the designer
at that time, that was some top tier ship that
they needed for that film. And the suits in general,
those were thousand dollars suits. Bro, They're not cheap.

Speaker 3 (08:37):
It's still a little budget film though, right in general,
I don't.

Speaker 2 (08:40):
Think there was no mudget.

Speaker 3 (08:41):
Dog.

Speaker 1 (08:41):
I think that film had a budget of twenty five
million dollars.

Speaker 2 (08:44):
Filming in Vegas is not cheap.

Speaker 4 (08:46):
That is that is that normal price. I wouldn't even
know what that even means.

Speaker 1 (08:49):
Even in that time. It's still a lot of money
to me. Yeah, I mean, because you're paying off.

Speaker 4 (08:53):
Like they were already big those actor those actors were
already pretty.

Speaker 1 (08:56):
Top notch, with the exception of Robert de Niro, Joe Pesci,
not everybody.

Speaker 2 (09:02):
Really this movie made them.

Speaker 3 (09:04):
We made a lot of people.

Speaker 1 (09:05):
Yeah, yeah, did man. Lorraine Broncle who plays the therapist,
and the sopranos. You actually have a couple of the
people from the Sopranos in that film. If you can
really see that.

Speaker 5 (09:13):
Didn't they didn't They say that he drafted a lot
of people from those films like that we created the Sopranos.

Speaker 1 (09:20):
Yeah he did.

Speaker 5 (09:20):
Yeah, he said, because you can't help a lot like
scorch Easy did a lot of the hard work for
some of these guys that have that have that, that
have gone on to to cast these type of individuals
because he give them the first exposure for that for
a lot of that movie. Yeah, I mean for for
that movie, and that they got it from that movie
and they went on to be known. Yes, it's a

(09:41):
it's like a it's like a certain role you get
type casted into. But it works on so many levels
because it's always gonna be a gangster Italian movie. Yeah,
and not that that's what all these people want to play,
but that's what that's what made them legendary for a
lot of them.

Speaker 1 (09:56):
I like how this film stands out from the rest
of other like gangs your type related films because the
drugs really like the way Scorsese showed drug use in
that film, it's you don't see I mean I've seen
god Father. You don't really see ship like that. It's
very like low key. This was like in your face,
high key. I don't give an f You put it

(10:19):
out there, man, And the actors in this film really
put themselves on the line, you know, like you really
believed who they are. You kind of think, like fuck man,
like that is Jimmy Comway, that is Henry Hill, that
is Karen Hill and all that ship. You know, I
dig it, man, It's to me, it's almost a perfect film.

Speaker 3 (10:37):
I think it's the most gangster film.

Speaker 1 (10:39):
That's hard to say.

Speaker 3 (10:41):
I mean, to me, it's it's.

Speaker 1 (10:43):
It's pretty up there. It's pretty up there.

Speaker 3 (10:45):
It's pretty gangs.

Speaker 5 (10:46):
I mean, how many other gangster films do you see them?
Fucking self? Good good Fellows, Merchant Shoe Palace, scarface. Okay, yeah,
but like that couple of Good Games, that's an iconic
Those are iconic gangster films. But after that, it's not
too many like let him, but I like, I'm not
they don't have a merch drop And even then, like,
to me, that's just more prison.

Speaker 4 (11:07):
Yeah, which is cool, but prison cool gangsters.

Speaker 1 (11:10):
Pretty gangster.

Speaker 4 (11:11):
It's easter gangsters. But if the reason I seel like
that because I'm gonna be a gangster. I'm gonna be
that type of gangster, not gonna be.

Speaker 2 (11:21):
That's organized crime.

Speaker 1 (11:23):
Yeah yeah, this is more about organized crime. You have
any favorite scenes?

Speaker 4 (11:28):
Not my favorite scene, but I think when his dad
hits them, oh yeah, okay, it just fucking it's just
shows bad bro.

Speaker 3 (11:37):
And I think that just made him hard. Yeah, it
ruined him.

Speaker 4 (11:40):
Like if you would have went up in a different
type of handling it, he might have gotten what he wanted,
but instead he made it more of a fucking gangster
and then you want to go quit his job.

Speaker 1 (11:51):
I think about it is that, Like I think his dad,
not literally, but like he resented him. He beat it,
the innocence out of him. Like you know, like after
that day, he was just a whole new like a
whole new person. Really. He's like, you know what, fuck
this ship. I'm gonna become what I want to be
and whatever comes with it.

Speaker 4 (12:09):
So I said, if you would have handled it that
dad would have handled it a different way, maybe it's
someone to become a gangster.

Speaker 1 (12:14):
Yeah maybe, but I think it still wouldn't matter though,
because it's like he just wanted to do from the
get he was he.

Speaker 5 (12:21):
Saw like the foods, putting it in work and just
looking offly, like across the street. They're just like day
you're seeing that ship every day non stop. You're like, man,
what the fuck have you seen your dad do? Whatever
he's gonna do.

Speaker 2 (12:35):
And you're like, man, I want to be one of
these guys. Look at that. They're fucking dope.

Speaker 5 (12:39):
And at that point, and yeah know, and at that point,
nobody's killing each other out there in the open, like
how it is now, bro, So it's like it's it's
almost like a glorified fucking way to be a gangster,
very glorified.

Speaker 2 (12:50):
And I really dig that.

Speaker 1 (12:53):
Course, as he knows, these guys are pieces of ship,
Let's glorify him a little bit, and then let's see
their true colors. And we see the true colors, and
yet somehow we still humanize him. It's crazy these people are.
They're fucked up, but like it's like it's crazy how
they're still human. Right, they're still joking around, Like remember
that scene and where fucking Joe past you, Right, he

(13:16):
shoots that fucking dude, you shoots him dead, and like
still going about his day and all that stuff that
was in casino. Similar but like when you shoot some
you shoot them down, he's dead, and they're like, what
the fuck, what's wrong with you?

Speaker 4 (13:30):
He's like, man, whatever, dude like that, Or when they
go get the body from where they're gonna build department
complexes or whatever, and then.

Speaker 2 (13:38):
And then they go to dinner right after.

Speaker 3 (13:40):
Yeah, to them, that's just like you just unburied a body.

Speaker 2 (13:43):
Dog And I was like throwing up at that foot.
He was like, I got a leg. I got a leg.

Speaker 1 (13:48):
Like these guys like they've seen it all, done it all,
and they're like, this ain't shipped to me. Bro, It's
it's crazy. And then you kind of see that Henry's like,
oh ship, I don't know if I can. Like, even
at that point, you still think like, fuck, am I
really in this shit? But like, you know, the money's
in the way and all that stuff, the things that
come with money and all that. You know, it's kind

(14:10):
of like an overshadow type of thing. But once the
money's gone, you're like, oh shit, what the fuck do
I do now?

Speaker 5 (14:16):
The soundtrack too, was on point. I fucked with the
soundtrack all the soundtrack. Yeah, it is probably one of
my favorite things about that film.

Speaker 1 (14:24):
I think my favorite scene and my favorite shot really
and everybody would agree. It's like one of the greatest
shots of all time is when it takes Karen to
the restaurant for the first time. Them too, but they
go through the back and it's all one shot, bro
going through the kid, going through the bag, going through
the kitchen area, and then and it still keeps going
so where they meet the other guys there and they

(14:44):
got a table for him in the lamp right and
from the stage with front of the comedian. Pretty good
comic too. I don't know if you've noticed the comedian
playing the part and all that stuff. And it's crazy
because what makes it so good is the fact that
everything looks so fucking natural. It doesn't look staged, even
though it is stage. It's staged to the tee. I
don't know if you notice, like once they start walking

(15:07):
into the actual kitchen area, you notice that there's an
argument going down with one of the chefs and ship
about is that Is that.

Speaker 2 (15:14):
The same scene where they's like that was Jimmy two times? Yeah? Yeah, yeah, okay,
that was the scene.

Speaker 5 (15:19):
That's what I was gonna say in my scene yeah, yeah,
I gotta get the papers, get the papers.

Speaker 3 (15:24):
Like, how do you.

Speaker 4 (15:24):
Handle that as a director, like obviously phearsal Yeah yeah,
but you tell people like you're gonna be arguing about
this no matter what.

Speaker 2 (15:30):
Yeah.

Speaker 3 (15:31):
Yeah, I mean I've never I've never.

Speaker 2 (15:32):
Been to a second I always wanted to be. I
wanted to be an extra.

Speaker 5 (15:36):
But it's so shitty bro that he's just waiting, waiting
and ship. I'm just like, I'll get kicked out for
like waiting.

Speaker 3 (15:45):
Yeah, I know, because you're right, everything's.

Speaker 1 (15:47):
It's just fourteen ninety two. I don't know about you
smoking the joint.

Speaker 2 (15:50):
Yeah, Like I'm like, marijuana's been around, cocksucker.

Speaker 4 (15:52):
Freeing the c X No, just saying how you're right, Like, yeah,
it looked very natural because of everybody's doing their part.

Speaker 1 (16:00):
A lot of that film look pretty natural to me. Man, Like,
how would you depict how would you critique the how
high Henry was on coke? Was it on point?

Speaker 2 (16:09):
It was a little too much?

Speaker 5 (16:10):
Maybe he looked and we're talking day there's that scene
where he's just like where thing and thing, that scene
you know where where he's like, come on, we gotta
go to the hospital and then and he has that
fucking bag, the purse full of coke, so you know,
and then and then he has that purse full of
coke and then he just scoops it out. Because I remember

(16:31):
when I was rolling around with like ann ounce and
just like for personally, that's how I felt fool. There
was times where I'm like, we gotta go here and
I'll just stick a straw.

Speaker 2 (16:40):
On the whole thing and food.

Speaker 5 (16:41):
I would get off and I would just be on
a sick ass well and and I start sweating.

Speaker 2 (16:47):
I'll go through it up sometimes, but like that's how
he felt.

Speaker 5 (16:51):
And like when I see because they they captured the
the sweat in his face, they captured the look on
the on the skin because you have really bad skin
when you're on coke, you know what I mean, Like
it drives you out.

Speaker 2 (17:02):
So yeah, bro, like that that ship.

Speaker 5 (17:04):
Is fucking crazy to me, Like where he's like, I'm like,
fuck man, that depicts there's no other reality. It's not glamorized,
Like it's not like a scarface where it just seemed
like it just it gave you like a shot of masculinity.
Every time he did a he did a blind like
scarface kind of glorifies it in that way. This this ship,
the way they directed it, it shows you the realness
of it, Like it shows you, yeah, the good time,

(17:25):
like yeah, fucking doing coke, kicking it and you know
with with bitches and having them do you know all
that ship. But yeah, but it's also a bad side
to him and also too back to my back to
my favorite scene, the bar.

Speaker 2 (17:38):
Scene, what do you mean on? What do you? What
do you mean on? Yeah, that to me is probably
one of my favorite things.

Speaker 1 (17:44):
Because it's just like everybody's quiet.

Speaker 5 (17:46):
I'm kind, I'm that homie that like I can be
Joe Peshy in certain moments where it's just like if
it was just a joke and it's like.

Speaker 2 (17:54):
No, no, he said, he said what he said? You
know what I mean? Like say it again? What do
you mean? Like like but it's.

Speaker 5 (17:59):
Like, I mean, I try not to be that person,
but I have been that person before. It's not in
that context, but you know where I'm like, I shouldn't
have I should have just let that shit go.

Speaker 2 (18:08):
It's so stupid.

Speaker 1 (18:09):
It's crazy when like that food just whips out the
gun and like it's crazy because like I mean, if
you're a gangster or whatever you know, or a fellow gangster,
other gun whatever, dude, like nothing, but like when you're
looking at from the perspective of a bystander or whatever,
that shs fucking crazy. He's just whipping the gun out
of there.

Speaker 2 (18:27):
Yeah.

Speaker 5 (18:30):
I always wanted to like the carelessness bro that ship
It just it made you want to fucking do that. Bro,
like just randomly shoot up at the air and celebrate.
I always wanted to do that since I saw the
guy from the Simpsons do it. Then when I saw
Joe Pichon do it, I was like, you've never done it.
I've done it, oh right in the desert, I've done it.

Speaker 3 (18:47):
Yeah, my dad's.

Speaker 2 (18:50):
It is fun as fun. Oh yeah, it's fun as fuck.

Speaker 4 (18:53):
And you're like, yeah, yeah, don't go straight up like that.

Speaker 1 (19:00):
Yeah, man, that's fucked up.

Speaker 2 (19:02):
People die like that.

Speaker 3 (19:03):
Yeah, they have died like that. It's crazy.

Speaker 4 (19:05):
And now you're just chilling on New Year sele with
them your family.

Speaker 1 (19:11):
The biggest question would they have found it with the cops,
with the fans have caught the coke? Would have found
the coke? You know how us like flushed it down
the toilet?

Speaker 2 (19:23):
What are you.

Speaker 1 (19:23):
Talking about and all that crap. They would have never
found it. Come on where they put it out fo,
they would have found that.

Speaker 2 (19:29):
You flush it?

Speaker 3 (19:30):
Yeah worth it?

Speaker 2 (19:31):
It wasn't It was only in the captain right.

Speaker 1 (19:33):
That's what I saw.

Speaker 2 (19:34):
And for how rich they are, he could have had
a stash spot.

Speaker 4 (19:37):
They got money. I mean, it's not worth the time
that you're gonna do for how much stuff.

Speaker 5 (19:40):
He should have had a stash bottle, like how Joe
Pestley had for the stolen goods and casino. Yeah, we
were like I wanted to this day, I'm like, I
just want to take something from that sets.

Speaker 3 (19:53):
I mean, this has nothing to do with it.

Speaker 4 (19:54):
But do you think there's been raids where they didn't
find what they went to go find? You think some
people have some stash were like the cops set up
and out of them.

Speaker 1 (20:01):
I'm pretty sure there are Yeah, many cases.

Speaker 4 (20:04):
I'm sure be tied to come back to your house.

Speaker 1 (20:06):
And we pay for that those raids, man, we pay
for those raids.

Speaker 4 (20:10):
Yeah, And I want them to get to fucking get
what they went in for, I know, and when they
don't imagine coming back and you're like to your house
and like get it you're like, fuck yeah, more even
though your whole house has destroyed, your couches are fucking
torn up.

Speaker 1 (20:26):
That stash, man, Yeah, I think it was Henry Hill's
like his own Like you know how they say, you know,
don't fucking like do the drugs that you're like supplying
or whatever, don't get high.

Speaker 3 (20:36):
In your supply, you go to and crack commandments.

Speaker 1 (20:38):
And that's what he did. And and honestly, if he
wasn't doing coke or maybe as much coke, that rate
still probably would have happened, but he probably would have
had that fucking coke stash somewhere or whatever, you know,
And to think, like you were hiding in your own home,
I would go somewhere else and fucking stash that ship.
I don't know, man. Females, Yeah, that phone call pretty

(21:01):
much kind of cemented the whole deal, right with the
chick and all that stuff. Yeah, man, I love the film.
Good film, pretty good ending. I like the way it ends,
especially with the court room scene and then like you
have Rayleaa looking at the camera telling us like it
was it was great, but now it's over putting out

(21:22):
the you know, how.

Speaker 3 (21:24):
Much time you end up doing.

Speaker 2 (21:28):
The first prison scene was pretty apic.

Speaker 1 (21:30):
Though, well it looked like a little safe house crazy.

Speaker 2 (21:37):
In there.

Speaker 4 (21:39):
Would you have would you rather be a like if
you could parentheses, a mobster like like.

Speaker 3 (21:45):
Games like that.

Speaker 1 (21:48):
I think it's the same thing, right, same thing, But honestly,
I don't see well as we all know, rightnles, they
don't give a fuck, don't chop your head offs. And
then as a message, these guys that don't really do
ship like that.

Speaker 3 (22:02):
No, I'm talking back in the day like my dad.

Speaker 1 (22:06):
I wouldn't know. I wouldn't know.

Speaker 4 (22:08):
They weren't killing but they weren't killing each other back.
I mean they were, but they weren't chopping heads off
in the nineties. That's what I'm talking about. Like, yeah,
they weren't doing Crystal heir whin Crystal is barely coming by?

Speaker 1 (22:21):
Yeah? Man, all that ship? Well, gentlemen, I thank you
for joining me on this podcast for good fellas. I
want to do casino next if you guys are down.
I'm sure Zay would love to do casino. Yeah, man,
follow me on Morning Shot Films I G and YouTube
Morning Shot Films dot CEO. Guys, you have any shout outs?

Speaker 4 (22:41):
Uh, don't forget to hit that live bund and subscribe
for Ray and you guys are No, we don't smoke
the same.

Speaker 5 (22:47):
It's low to everybody who listens to the podcast Luteray
follow me in flavors by he's on with two S's
High Hungry Dot shop for all the merch and yeah,
check out we don't.

Speaker 2 (22:59):
Smoke the same.

Speaker 1 (23:00):
Check out we don't smoke the same. The next film,
I'm not too sure what I'm gonna do, but it'll be,
you know, another banger, maybe Missus Doubtfire. You know, I
actually do want to review that one. That was a
pretty good fucking film, man. So if you haven't seen
Good Fella's check it out. It's on Max or just
fucking rent it on fucking YouTube or whatever it's worth
the watch. Don't get high in your own supply, you know.

(23:23):
Treat your women right, treat yourself better. Thank you,
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