March 23, 2025 • 5 mins
In this riveting episode of *Movies First*, Chris & Jessica dive into the groundbreaking mob film *The Alto Knights*, where Robert De Niro takes on the audacious challenge of portraying both the cunning crime boss Frank Costello and his ruthless rival Vito Genovese. The discussion highlights the film's historical roots, showcasing how these real-life figures shaped organized crime in 1950s New York and the profound impact of their rivalry on criminal enterprises.
Listeners will appreciate the film's unique approach, as the hosts explore the psychological depth of the violence and the intricate relationships that underpin these criminal empires. The narrative intertwines historical accuracy with cinematic storytelling, enhanced by black and white footage and meticulous production design that recreates the era with stunning authenticity.
The episode also shines a light on the groundbreaking portrayal of women's roles in the mob world, featuring Catherine Narducci as Anna Genovese, who bravely took her husband to court, marking a significant moment in history. The hosts delve into Barry Levinson's direction and Dante Spinatti's cinematography, which captures the glamour and grit of the time, immersing viewers in a vivid depiction of 1950s New York.
With its compelling narrative and rich character studies, *The Alto Knights* stands out as a fresh take on the mob genre, offering insights into the evolution of organized crime and the complexities of personal relationships within it. Scoring an impressive 8 out of 10, this film is a must-see for anyone interested in the intricate dance of power and betrayal.
**Highlights:**
- **Dual Performance:** De Niro's transformation between Costello and Genovese showcases his remarkable range.
- **Historical Depth:** The film's accurate portrayal of real events and figures adds a layer of authenticity.
- **Groundbreaking Female Roles:** Anna Genovese's court case highlights the courage of women in the mob world.
Tune in for an insightful exploration of *The Alto Knights*, a film that redefines the mob movie genre and provides a captivating look at a pivotal moment in criminal history. For more film reviews and discussions, subscribe to *Movies First* on your favorite podcast platform!
https://www.bitesz.com/podcast/movies-first
Become a supporter of this podcast: https://www.spreaker.com/podcast/movies-first--2648009/support.
Listeners will appreciate the film's unique approach, as the hosts explore the psychological depth of the violence and the intricate relationships that underpin these criminal empires. The narrative intertwines historical accuracy with cinematic storytelling, enhanced by black and white footage and meticulous production design that recreates the era with stunning authenticity.
The episode also shines a light on the groundbreaking portrayal of women's roles in the mob world, featuring Catherine Narducci as Anna Genovese, who bravely took her husband to court, marking a significant moment in history. The hosts delve into Barry Levinson's direction and Dante Spinatti's cinematography, which captures the glamour and grit of the time, immersing viewers in a vivid depiction of 1950s New York.
With its compelling narrative and rich character studies, *The Alto Knights* stands out as a fresh take on the mob genre, offering insights into the evolution of organized crime and the complexities of personal relationships within it. Scoring an impressive 8 out of 10, this film is a must-see for anyone interested in the intricate dance of power and betrayal.
**Highlights:**
- **Dual Performance:** De Niro's transformation between Costello and Genovese showcases his remarkable range.
- **Historical Depth:** The film's accurate portrayal of real events and figures adds a layer of authenticity.
- **Groundbreaking Female Roles:** Anna Genovese's court case highlights the courage of women in the mob world.
Tune in for an insightful exploration of *The Alto Knights*, a film that redefines the mob movie genre and provides a captivating look at a pivotal moment in criminal history. For more film reviews and discussions, subscribe to *Movies First* on your favorite podcast platform!
https://www.bitesz.com/podcast/movies-first
Become a supporter of this podcast: https://www.spreaker.com/podcast/movies-first--2648009/support.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The mob movie genre just got flipped on its head
with The Alto Knights five four three two one here music,
This is movies.
Speaker 2 (00:11):
First.
Speaker 1 (00:12):
Imagine Robert de Niro playing both the calculated crime boss
and his violent rival, and what might be the most
ambitious dual role since Paccino faced off against himself in Heat.
Speaker 2 (00:24):
That's such an interesting parallel you're drawing there. The way
de Niro transforms between Frank Costello and Vito GENOVESEI really
showcases his range.
Speaker 1 (00:34):
You know what's fascinating about this story, These weren't just
fictional characters. Costello and Genevezi were real figures who shaped
organized crime in nineteen fifties New York, and their rivalry
actually changed how criminal enterprises operated.
Speaker 2 (00:51):
The historical accuracy really comes through, especially with those black
and white footage segments they've woven into the narrative.
Speaker 1 (00:59):
Speaking of history oracle accuracy, the film's title comes from
this fascinating piece of mob history, the Alto Knights Social
Club in Manhattan. These clubs weren't just hangouts, they were
like unofficial boardrooms where millions and criminal enterprises were managed.
Speaker 2 (01:16):
That reminds me of how the film captures the business
side of these operations. The way they show Genaviz's return
from Italy expecting to immediately reclaim his position, it's like
a hostile corporate takeover, but with bullets.
Speaker 1 (01:30):
Well, that opening elevator scene really sets the tone, Genevesi
arranging a hit on Costello, who somehow survives a shot
to the head. It's based on a real attempted assassination
in nineteen fifty seven that changed the power dynamics in
the New York crime families.
Speaker 2 (01:46):
The violence in this film feels different from typical mob movies,
though it's more psychological, wouldn't you say exactly?
Speaker 3 (01:54):
And that's where Nicholas Peleggi's writing really shines.
Speaker 1 (01:57):
Just like he did with Goodfellas, He's showing us how
the these criminal empires were built on relationships as much
as violence. The fact that Costello and Genevesei were childhood
friends adds this whole other layer of betrayal.
Speaker 2 (02:09):
The way they handle the women's roles is pretty groundbreaking too,
especially Catherine Narducci as Anna Genovesi. Taking her mob boss
husband to court was practically unheard of in those days.
Speaker 1 (02:21):
You know what's really interesting about that court case, It
actually happened in nineteen fifty three, and it was the
first time a mob wife publicly testified against her husband.
Speaker 3 (02:31):
It exposed so much about how these criminal enterprises operated.
Speaker 2 (02:34):
That must have taken incredible courage, especially given the time period.
Speaker 1 (02:39):
Barry Levinson's direction really captures the era perfectly, from the
way people dressed to how they carried themselves. The production
design team actually studied thousands of photographs from the period
to get everything exactly right, and.
Speaker 2 (02:54):
Dante Spinatti's cinematography really brings it all to life. The
way he captures both the glamour and the grid of
night eighteen fifties New York is just incredible.
Speaker 1 (03:03):
Well, here's something that might surprise people. The real Alto
Knights social club was under FBI surveillance for over a decade,
and some of the actual surveillance photos were used as
reference material for the film set design.
Speaker 2 (03:17):
That level of detail really comes through in every scene.
The way they've recreated these social clubs and establishments, it's
like stepping back in time.
Speaker 1 (03:27):
And let's talk about how de Niro prepared for these
dual roles. He actually studied hours of FBI surveillance footage
and court testimonies to capture the distinct personalities of both men.
Speaker 2 (03:40):
The transformation is remarkable. When you're watching, you almost forget
it's the same actor playing both parts.
Speaker 1 (03:47):
Looking at the bigger picture, this film really shows how
organized crime in the fifties was going through this massive transformation,
moving from street level operations to more sophisticated business enterprises.
Speaker 2 (04:00):
So what do you think this film adds to the
genre that we haven't seen before.
Speaker 1 (04:04):
Well, Unlike many mob films that focus on the rise
and fall of a single character, this one shows us
how these parallel lives. Costello's calculated approach and Genovese's violent
impulsiveness really represented two competing visions for the future of
organized crime.
Speaker 2 (04:21):
That's such an interesting way to look at it. It's
almost like watching the evolution of criminal enterprises through these
two contrasting personalities.
Speaker 1 (04:30):
And that's really what makes this film stand out. It's
not just another mob movie. It's a study of how
personal relationships and business interests collided during a pivotal moment
in criminal history. The fact that it's all wrapped up
in this incredibly compelling narrative just makes it that much
more powerful.
Speaker 3 (04:48):
We give it a score of eight out of ten.
It's that good, Go see it. You've been listening to
movies first available at Apple Podcasts, Spotify, iHeart Radio, or
your favorite podca cast player. You can also stream on
demand at bytes dot com.
Speaker 1 (05:03):
This has been another quality podcast production from bites dot com.
The mob movie genre just got flipped on its head
with The Alto Knights five four three two one here music,
This is movies.
Speaker 2 (00:11):
First.
Speaker 1 (00:12):
Imagine Robert de Niro playing both the calculated crime boss
and his violent rival, and what might be the most
ambitious dual role since Paccino faced off against himself in Heat.
Speaker 2 (00:24):
That's such an interesting parallel you're drawing there. The way
de Niro transforms between Frank Costello and Vito GENOVESEI really
showcases his range.
Speaker 1 (00:34):
You know what's fascinating about this story, These weren't just
fictional characters. Costello and Genevezi were real figures who shaped
organized crime in nineteen fifties New York, and their rivalry
actually changed how criminal enterprises operated.
Speaker 2 (00:51):
The historical accuracy really comes through, especially with those black
and white footage segments they've woven into the narrative.
Speaker 1 (00:59):
Speaking of history oracle accuracy, the film's title comes from
this fascinating piece of mob history, the Alto Knights Social
Club in Manhattan. These clubs weren't just hangouts, they were
like unofficial boardrooms where millions and criminal enterprises were managed.
Speaker 2 (01:16):
That reminds me of how the film captures the business
side of these operations. The way they show Genaviz's return
from Italy expecting to immediately reclaim his position, it's like
a hostile corporate takeover, but with bullets.
Speaker 1 (01:30):
Well, that opening elevator scene really sets the tone, Genevesi
arranging a hit on Costello, who somehow survives a shot
to the head. It's based on a real attempted assassination
in nineteen fifty seven that changed the power dynamics in
the New York crime families.
Speaker 2 (01:46):
The violence in this film feels different from typical mob movies,
though it's more psychological, wouldn't you say exactly?
Speaker 3 (01:54):
And that's where Nicholas Peleggi's writing really shines.
Speaker 1 (01:57):
Just like he did with Goodfellas, He's showing us how
the these criminal empires were built on relationships as much
as violence. The fact that Costello and Genevesei were childhood
friends adds this whole other layer of betrayal.
Speaker 2 (02:09):
The way they handle the women's roles is pretty groundbreaking too,
especially Catherine Narducci as Anna Genovesi. Taking her mob boss
husband to court was practically unheard of in those days.
Speaker 1 (02:21):
You know what's really interesting about that court case, It
actually happened in nineteen fifty three, and it was the
first time a mob wife publicly testified against her husband.
Speaker 3 (02:31):
It exposed so much about how these criminal enterprises operated.
Speaker 2 (02:34):
That must have taken incredible courage, especially given the time period.
Speaker 1 (02:39):
Barry Levinson's direction really captures the era perfectly, from the
way people dressed to how they carried themselves. The production
design team actually studied thousands of photographs from the period
to get everything exactly right, and.
Speaker 2 (02:54):
Dante Spinatti's cinematography really brings it all to life. The
way he captures both the glamour and the grid of
night eighteen fifties New York is just incredible.
Speaker 1 (03:03):
Well, here's something that might surprise people. The real Alto
Knights social club was under FBI surveillance for over a decade,
and some of the actual surveillance photos were used as
reference material for the film set design.
Speaker 2 (03:17):
That level of detail really comes through in every scene.
The way they've recreated these social clubs and establishments, it's
like stepping back in time.
Speaker 1 (03:27):
And let's talk about how de Niro prepared for these
dual roles. He actually studied hours of FBI surveillance footage
and court testimonies to capture the distinct personalities of both men.
Speaker 2 (03:40):
The transformation is remarkable. When you're watching, you almost forget
it's the same actor playing both parts.
Speaker 1 (03:47):
Looking at the bigger picture, this film really shows how
organized crime in the fifties was going through this massive transformation,
moving from street level operations to more sophisticated business enterprises.
Speaker 2 (04:00):
So what do you think this film adds to the
genre that we haven't seen before.
Speaker 1 (04:04):
Well, Unlike many mob films that focus on the rise
and fall of a single character, this one shows us
how these parallel lives. Costello's calculated approach and Genovese's violent
impulsiveness really represented two competing visions for the future of
organized crime.
Speaker 2 (04:21):
That's such an interesting way to look at it. It's
almost like watching the evolution of criminal enterprises through these
two contrasting personalities.
Speaker 1 (04:30):
And that's really what makes this film stand out. It's
not just another mob movie. It's a study of how
personal relationships and business interests collided during a pivotal moment
in criminal history. The fact that it's all wrapped up
in this incredibly compelling narrative just makes it that much
more powerful.
Speaker 3 (04:48):
We give it a score of eight out of ten.
It's that good, Go see it. You've been listening to
movies first available at Apple Podcasts, Spotify, iHeart Radio, or
your favorite podca cast player. You can also stream on
demand at bytes dot com.
Speaker 1 (05:03):
This has been another quality podcast production from bites dot com.
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