Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
That's your host, Rogeric Swift, and boy do I have
the Swift sauce for you musicians.
Speaker 2 (00:06):
Matters Podcast live right here four thirty pm Specific Standard
Time and seven thirty pm Eastern Standard Time every Wednesday
on all digital platforms on Positive Power twenty one Christian
Media LLC.
Speaker 3 (00:24):
Let's go.
Speaker 4 (00:29):
Do a dynamic show on tonight. I'm going to be
discussing the top ten and I want to be discussing
the shining Star. That means the one that's.
Speaker 3 (00:49):
Been touching the world overall today as of today. Well,
before we go into the session, I'm gonna have to
give you some announcements. On August the ninth, at twenty
(01:09):
two seventy Losi Road, we're gonna be at the Gas
Station Recording Studio. We're gonna be having a drum Fest.
It's gonna be an awesome event. I'm telling you guys.
You guys need to purchase your tickets right now. You
still have time. Purchase your tickets right now off of
(01:33):
e brenton event bright dot com Drummers United Music and
Arts Fest, or either go to our website Drummers United
International dot org and purchase your tickets from there and
still gonna take you to the same thing, the Flyer
(01:56):
from August to ninth. But let's get started. I'm gonna
welcome my brother Philip, brother Butler. What's going on with
my bro? How you doing? I'm doing fine.
Speaker 1 (02:09):
Man enjoyed his son, and you finally got me in
the same time bracket as you.
Speaker 3 (02:22):
You were so funny, Hey man, Yeah, you were so funny,
So you enjoy it. Pacific Coast over there.
Speaker 1 (02:32):
The Pacific Coast is treating me well. I can't complain,
but I am ready to go back home because there's
work to do at home.
Speaker 3 (02:41):
Why are you ready to go back home? Ready to
get back to Kansas? Bro?
Speaker 1 (02:45):
Man, I have I have so many upcoming gigs. It's
it's not it's not funny, So I'm ready to go
back home to take the work.
Speaker 3 (02:57):
Load on also less understandable. That's understandable. But I'm letting
you guys know, world, you're listening to one of the
top notches that that's gonna be at that event. Fill
up in myself, So you guys gotta be there and
purchase your tickets. There August and nine at uh the
(03:20):
Gas Station Recording Studio. You know it's gonna be Brummy's
United Music in Arts Fest and it's gonna be a
dynamic event. You do not want to miss it. We're
gonna have vendors and we're gonna have you name it,
and it's gonna be something that you're gonna gonna wanna
come back the next time because you're gonna get so
(03:41):
much info and so much grace and mercy that time.
We're gonna even probably cut a few steps, you know,
you know after the end, you know, because you know
I'm gonna have to call an obstacle for that, you know,
my brother.
Speaker 1 (03:57):
Yes, yes, yes, wrong with prayer, and there's nothing wrong
with the altar call. Well, a lot of folks don't
know Lucifer was the first musician. And you know, if
we're not if we're not careful, you know, we can
get swallowed up into the hype.
Speaker 3 (04:17):
Of the world.
Speaker 1 (04:18):
So yeah, there's nothing wrong all to call at the
studio at the gas station studio.
Speaker 3 (04:26):
Because keeping of that, I've been going through so much,
my brother, I had to do that, let a lot
of stuff go because it was taking a lot of
stuff from the ministry of my ministry, you know, the
stuff that I'm doing, like what I'm doing right now,
my family and my home. You know, yes, I do
(04:50):
love the community. I love what I was doing. You know,
it's a lot you're stressing somebody out and you don't
even want the person to be there. It's not good now,
it's not.
Speaker 1 (05:07):
It's also good to be in good company as well,
especially in this line of words. Well not just music
individually just to see, but just anything that you touch.
You always want to surround yourself a good company, yes, yes, Motivation,
motivation to do better and to be better.
Speaker 3 (05:29):
Yeah, you're right, and it's not it's just it's not
the far as of the church aspect, you know, it's
it's what I was going through with with community aspect.
And yes, I do love those children. I do love
the the things that I was doing for the community.
(05:52):
But you know, when you stressing your co workers out,
you know you got to let them know. You know,
this is not the only thing that I got going on.
You know, you understand what.
Speaker 1 (06:08):
They're trying to underestimate you and try you exactly.
Speaker 3 (06:12):
That's basically what they was doing. Yes, especially out at
the same time. And God was not going to get
the victory. I mean, Satan was not going to get
the victory on that situation, right, So, my brother, we're
going with the Popkins intros tonight. What you okay? Good
(06:33):
number number ten, my brother?
Speaker 1 (06:36):
All right, I see me being a musician. I appreciate
this piece a lot because I'm uh, it's one thing
to play with the band that has.
Speaker 3 (06:51):
Horns mm hmm.
Speaker 1 (06:53):
But when you it hits different when you're playing with
the with the live band that has live orchestration, and
with this song, with this artist and this song, I
would have to say, you know, with Gloria Estefan and
the Miami Sound Machine congo, the first intro, Yeah, just
(07:15):
the intro within itself, you already know that. Okay, you
you got there, they got you got the attention of
the crowd, yes, sir, just just by the first two
to three bars of the horns, just saying okay, it's
time to come in and dance. We're about to have fun.
Speaker 3 (07:40):
Yes, sir, you're right about that.
Speaker 1 (07:43):
But that congo, when I listen, I hear I heard
bits and pieces of it, but listening to it for
the first time, I was like they really on that
back then, Yes, like instrumentation was I didn't realize how serious.
Speaker 3 (08:01):
It was you know, you know we're speaking of that percussions.
Drums and percussions. It plays a big part of intro
and outro, you know that, right, right, So that's one
thing I listened to is the drums and the percussion
(08:25):
because I like me some congos and I like me
some percussion items, you know, like the shakers. Matter of fact,
I was using some on this Resurrection Sunday. You know,
people will call it a Easter, but it's a resurrection Sunday,
(08:48):
and we celebrated resurrection every day, you know, right, we
die daily, That's right. I heard that, you know. So
I'm thankful for God for shedding that blood on that
crust for us. He didn't have to do what he did.
(09:08):
He didn't have to do it, but he really did,
and I'm thankful for that.
Speaker 1 (09:15):
Great is our faithfulness, Yes, sir, Yes up, yes sir.
Speaker 3 (09:20):
That's all. That's all I gotta say, so, you know.
Speaker 1 (09:25):
And it also says praise on with trumpets and horns
and streams. So he being being a musician, I am
listening to horns.
Speaker 3 (09:38):
Yes, It's like.
Speaker 1 (09:41):
We in the church community, we neglect the horns. They
use synthesizers as horns. I mean, ye, it doesn't. I'd
rather have the real instrument than the synthesizer.
Speaker 3 (09:56):
You you're correct, you're correct, But you do have some
peop pool that can play the horns on them. Synthesizers don't. Don't,
don't get it, don't get it incorrect. I'm not talking
about you. I'm talking about the world today. They they predict,
or they see or they hear. Okay, where's the horns
(10:17):
that but them synthesizers are playing the mornings.
Speaker 1 (10:21):
Right, you can't forget about it, you're right, but not
the beats. The real thing though. I'm sorry. I wish
I wish I had milk and cookies and enjoy this.
Speaker 3 (10:41):
This man. Yeah, speaking of horns, I'm shot to shots
out to uh shots out to my stroll. David Breakley
when he came out with the h one night only
(11:03):
you know, you know White Knight. You know he had
orange and I love him for that, you know, and
that that took it. Just like you said, off the box,
off the box a whole nother level.
Speaker 1 (11:18):
And don't and don't let the praise, don't let the
praise get too hot.
Speaker 3 (11:23):
It's game over.
Speaker 1 (11:26):
It's game over, that's all I gotta say.
Speaker 3 (11:29):
Yes, sir, Yes, sir, yes, sir, it is game over.
You are right about that, because them boys can do
some some serious things, you know, you know with them
the windpipes, you know. Mm hmm, yeah, you're right. Yeah.
Speaker 1 (11:47):
So we we have, you know, Gloria and stuff. Fine
shout outs to Gloria stuff fun in the Miami sound machine.
I'm not sure what year that song came out.
Speaker 3 (11:56):
But it was waiting for my time. Okay, all right, okay,
she said, was way before my time.
Speaker 1 (12:03):
I'm not listening, man, I'm a little bit young. I mean,
come on now, get cut to slack now, bro, Yes,
I understand. But you know what, you get a lot
of wisdom or you know what you're doing, you know,
and that's a good thing.
Speaker 3 (12:18):
You know. I've been falling you for quite some time, bro,
And it's a blessing to have a lot of wisdom
at your early age. It's a blessing. Well, thank you man.
Great people would like to listen, you know, people would
like to listen and be around you when they are
doing you know, you know, when you're giving that great
(12:39):
knowledge and that and that's a blessing to happen.
Speaker 1 (12:42):
Yes, yes, we we we love, we love wisdom. I
like I like wisdom because it helps you learn stuff.
That's that what you thought, you know, you don't know,
So it's always good to soak in good godly wisdom.
(13:03):
M you know the impression, you know, impression is always important,
but leading an impact, just being impacted, Yes.
Speaker 3 (13:16):
Sir, you're right right, that's the one thing. Ah we
we we are having the conversation of the first thing
that you having an impact on. We're doing intro. So
that's a blessing. The first thing you listen to is
(13:38):
the intro and the outro or the chorus. If that
ain't right, you know, then we got a problem, right.
Speaker 1 (13:49):
I love harmonies, but the intros and outrous is most
important to the song is how you start and how
you find it.
Speaker 3 (13:57):
Yes, sir, you're right, You're right.
Speaker 1 (13:59):
Yes, So shoutouts to Gloria st. Faun Miami Sound Machine
number nine, So number nine.
Speaker 3 (14:08):
What do I have?
Speaker 1 (14:09):
Oh yeah, John p Key and New Life Community. Quiet
clap your hands so yes as.
Speaker 3 (14:18):
Yes, yes, up, yes up all the way from the
Carolinas Man.
Speaker 1 (14:26):
I tell you you know, same thing with Gloria step Fauns,
Same thing with Pastor John p Key dumb Horns. Oh
my goodness, I guess I'm on a horn fanatic tonight.
Speaker 3 (14:39):
I guess I don't know, but yeah, it's how. It's
how they.
Speaker 1 (14:47):
Shout out to shout outs to mohrns. For those of
y'all who don't know who mo Horns are, you can
find them on John p Key's records, and you can
find them on Fred Hammond's records, as well as Antalie
Wilson and s O P The Mohorns as as a trio.
I would not want to mess with them music wise.
Speaker 3 (15:10):
That's right. That's right, You're right about that. I sure
were not neither. I will go to any Jump can
Key concert any day. Oh yeah. And he still got it.
He still got it.
Speaker 5 (15:25):
You know, he's.
Speaker 3 (15:28):
He's doing that tour of us all the time. Matter
of fact, he recently recently just left here, I think
probably uh four to five months ago. He was at
open at the opening of a school and you know
I was there. Oh okay, yeah. It was a pastor
(15:50):
that started a church in one of the schools though
he you know, opened it up for the pastor and
it was a.
Speaker 1 (16:00):
Great experience, I must say. You know, anytime you call
Pastor John P. Key and New Life, you will never
be disappointed, amner that you will never be disappointed.
Speaker 3 (16:16):
Never, never, never, never come on. Clap your hand. Yeah,
I mean he'd be having the click tracks. Oh my goodness,
I'll be like Pastor. He'd be like, if it's not right,
(16:37):
he won't do it at all. That's that's that's that's
his uh, this clientele. That's just the way he is.
If it ain't right, he will never do it at all.
Right you noticed that, Yeah, everything gotta be on plane.
Speaker 1 (16:57):
And he's a musician himself, so that that makes it,
that makes a huge difference because you have singers. Even
though singers is a voice, is is a music musical instrument.
But to have vote to be a vocalist and a
musician that plays. He understands the dynamics of of songs, intros, outros,
(17:24):
and my favorite part about past the key, he lets
his musicians get a taste or something some of that shine.
Speaker 3 (17:32):
So he does to harg it all yes, yes, yes,
hold on you you you about to mess up with
my my, my, my numbers. Bro Come on, come on.
Speaker 1 (17:45):
All right, go go ahead, go ahead, go ahead, what
what what you got what you you got, finish finished
minds Okay, uh, so says what's so since we're talking
about these good old, good old intros. Uh, we're going
(18:05):
to Minneapolis, Minnesota, knowing condition, pretty brown.
Speaker 3 (18:10):
Eyes, Yes, sir, that's up. Yes, make conditions that Oh yep. Yeah.
Speaker 1 (18:28):
That that intro was like, okay, that was a classic.
That that sound that right there cannot be never duplicated.
Speaker 3 (18:39):
You can never never never never you can you can
never duplicate it. You can always listen to it, but
not duplicated.
Speaker 1 (18:49):
Mm hmmm.
Speaker 3 (18:50):
It's true. You're right about that, You're right. Yeah.
Speaker 1 (18:53):
Shout out and shout outs to Jimmy jam and Terry
Lewis for putting that group on to good condition original
sound of Minneapolis. I love it, oh yes, oh yes,
and so do they love it too.
Speaker 3 (19:13):
To the home of.
Speaker 1 (19:14):
Sounds of Blackness, Excelsior, James Greer, next Coffee Brown.
Speaker 3 (19:20):
Oh morest day at a time.
Speaker 1 (19:23):
Shout outs to all y'all but many condition Yeah.
Speaker 3 (19:27):
Yeah, yeah, definitely, yeah, definitely, it's a must have, must
have if not, you know.
Speaker 1 (19:39):
And a lot of church bands, they they are, they
grab they gravitate the sound from John p. Key many
condition because of the dyna dynamics and the accents and
the hits.
Speaker 3 (19:53):
And all that. Yeah, right, you're right right, So what's
number number eight?
Speaker 1 (20:05):
Uh, let's go to Let's go to Philly Style Jeff Lorber, Gigabyte. Okay,
I must say when I first listened to, when I
first heard the record, I must say, uh, it makes
you feel like you're in Philly eating Philly cheese steak,
(20:27):
just just.
Speaker 3 (20:28):
Vibbing and grooving, you know. Uh.
Speaker 1 (20:35):
And of course I love horns, live horns. But but
in the beginning of the record, you just those horns
just took your own, took you on in so smooth, smooth,
smooth like butter, just like Bonie James, Just like Bonie
(20:56):
James says, smooth like butter.
Speaker 3 (20:59):
Right right, Yeah, you're right right right, yes, oh yes, yes, yes,
I love it, bro I love it. I love the
show that we're gonna be coming out with these intros tonight.
WHOA what's you think about these intros? Man? I love it.
I love it world intros. It pretty much.
Speaker 1 (21:24):
You know, when the band does intro behind the artists,
it pretty like they're.
Speaker 3 (21:32):
You know, they're the they're the.
Speaker 1 (21:34):
Voice behind the artists the band when it comes to
their intros.
Speaker 3 (21:41):
Yes, yes, no, it's as a butts about it, whippens
and butts about it. If there's the butts about it,
what's some what's what's the number seven? I know you
got another one? Another nice one? All right?
Speaker 1 (21:57):
Okay?
Speaker 3 (21:57):
How about earth winding fires? Surpentine fire? Oh my goodness,
listen with the.
Speaker 1 (22:04):
Fire night shout outs to the light Maurice White and
the whole b w F camp sing fire. It sounds
like church on a Sunday morning.
Speaker 3 (22:26):
Uh. Shouts out to MORRISL. Connor. He came out to
Drummers United the Music and Arts fifty fifteen. I was
excited about that. I wasn't expecting him to walk in
the door, but he was dead.
Speaker 1 (22:42):
Hey we we we get excited off the little things.
Speaker 3 (22:46):
Yeah yeah, yeah, you're right.
Speaker 1 (22:50):
How much excitement can that be?
Speaker 3 (22:53):
Hm? Hmm let me think about that.
Speaker 1 (22:58):
Okay, sure, let's how so let's have a good moment
of thinking.
Speaker 3 (23:03):
Yeah, all right, strue that is true, Brohm. Instead a
moment of silence, let's stink of silence. Awesome. Number six,
Number six.
Speaker 1 (23:21):
I have I have from from from California. She is
her whole family is very well known in the music. Uh,
the Sheila E and the E train, Glamour's glamourer's life.
Speaker 3 (23:40):
Oh my goodness, she ain't little joke. Yes, definitely she
got here, Oh my goodness, and anything. What he does,
it's it's like like it's a rap. It's a rap,
just like she did. Let's she always done, says with uh,
(24:03):
Michael with Jackson, when she did that percussion things, didn't
nobody even know that about she leave that she did
percussion for Michael Jackson. Did you know that?
Speaker 1 (24:13):
No? I didn't even know because like usually with Michael,
Michael had two drummers, he switched out from time to
time and always know that Greg Philligames was was the
was his go to guy for his musical director throughout
the years.
Speaker 3 (24:29):
Yeah, but she she did them bottles bro.
Speaker 1 (24:34):
Listen, all I could say Sheila is the only female
percussionist and drummer. That's literally she literally set and paved
the way for upcoming female musicians, not just drummers, but musicians, musicians,
you know, and shout outs to Beyonce for, you know,
(24:56):
having a core of an all female band. And I
think she you know, I ain't gonna lie. I think
it's I think it's pretty cool. I think it's pretty dope.
Speaker 3 (25:10):
That is it is all. It's all cool. I like
an all female band because it's it's it's it's a
sudden the atmosphere that Okay, that is not all about
the men's.
Speaker 1 (25:28):
Uh.
Speaker 3 (25:28):
Yes, the men's could do it, but to me, the
females are a man that out letting them know. Okay,
I could do something too, shouts out to a friend
of mine's. She came out, uh, the drum Fest before
last the Creative bowlt Okay, yeah, she came out drum
(25:55):
Fest before last November, and she did a lots of
so she even did a session on drums and the
organ Can you imagine that?
Speaker 1 (26:08):
Wow? I cannot.
Speaker 3 (26:12):
Thanks to Pastor Reagan, she opened up her church doors
just for us because you know, there was such situations
going on in the city. So Pastor Reagan just opened
up her church doors for us to have that that festival,
and it was an awesome event. Always even even even
(26:38):
trained to be a low rider driver from one of
my best friends, Ben so I talked to Ben. He's
gonna hopefully he'll be at the festival this year.
Speaker 1 (26:51):
I'm excited about the festival.
Speaker 3 (26:54):
Man, it's gonna be awesome. Which again number it'd be
nice with that.
Speaker 1 (27:03):
Would be nice if Sheila he just walked in the
building when we had this drunk plank.
Speaker 3 (27:09):
Oh my goodness, she did that to one. She did
to a female. You know that to a female drummer?
She did that? Did you know that? Right right sat
on the drums took over and it was just to
see it. I was like, wow, I love that, and yes, yes, yeah,
you know. It was like the drummer was like, I
(27:33):
just wanted to just meet Sheila. I'm just wanting to
meet Sheila.
Speaker 1 (27:39):
So big, big shout out now, Sheila, if you listening, a.
Speaker 3 (27:46):
Be on the lookout out twenty two seventy Losi Road,
All nice, twelve noon at the gas Station Recording Studio. Yo,
drum fat oh yes, twenty twenty five, come on down there.
Speaker 1 (28:06):
Yes, yes, and there will be milk and cookies.
Speaker 3 (28:13):
That's a. That's a. That's a number five. We're gonna
go with uh the NPR Tiny Death Concert. You're always on.
Speaker 6 (28:23):
My mind week that's w v uh oh uh oh
you see now now you're whipping out the nineties.
Speaker 1 (28:33):
Okay, I was a little kid then, so.
Speaker 3 (28:35):
All right, I know you was listening to him, bro
Man s w V that there's no Joe.
Speaker 1 (28:49):
You know any band that a company's R and B artists,
especially in the nineties, Joe, Yeah, I mean you gotta
you gotta come with it or don't come at all.
Speaker 5 (29:02):
They're on a concert tour right now. Actually, as a
matter of fact, they're on a contract to her right
now as we speak, with a lot of female artists
that's around in the music music industry. They told us,
They told us that on their Chinese Desk concert.
Speaker 3 (29:25):
So be on the lookout if you if you love
and you like s w W you V come on
doun their and the purchase that tickets and and listen
to w V number four. I'm ready what what what?
(29:50):
What you got? The Condition?
Speaker 1 (29:53):
Uh?
Speaker 3 (29:54):
Nothing, nothing left to stay, nothing left to say. I'm sorry.
And it's written by A Stokely and Ricky Kitchen and Larry.
Speaker 1 (30:02):
Well Yeah well we we we love stoke We Stokely
is a good rider, so is Ricky. Matter of fact,
all make Condition is just very good at what they do.
Speaker 3 (30:15):
Yes, yes, yes, it's in their their their their music
speaks for itself actually, bro, because you know it's like
any beat that they plays, they put the love in
their music. You know, you know what I'm saying, right,
(30:37):
And that's why I love, I like, and I love
make condition and it's gonna be awesome time to hear
from them too. Number three, This is one that this
young man I love. I gotta to take a picture
(31:00):
of him. I got a chance to just being his presence,
just to say hello and say I love your music,
thank you for what you're doing, thank you for uh,
you know what you're putting out there on the atmosphere
as a musician, as a maestro. Man. He was out
(31:25):
here before he did h he had actually a tiny
not a tiny desk, but a top ten out here
in in Vegas. Let's go with Brent Jones. Nothing else
love Brent Jones. Yeah, we love Brent Jones. Yes sir,
(31:47):
yes sir. Nothing else matters. You heard that song right,
everybody has?
Speaker 1 (31:54):
I mean that that's uh, that's everybody's New Year motivational
song that theenose matters because it really doesn't matter what
everybody what man say it all, it's all about what
God says about your life and about your situation. All right,
I'm just a horn fanatic. Did he even use live
(32:16):
horns on this?
Speaker 3 (32:17):
On this record? And all this, all this record, he
didn't have live horns. But because I speaking of that,
because I got the chance to uh watch it from
the music a musician aspect, Dan Spiffy's Newman's shot tap
to Dan Spiffy Newman's he's a dynamic, dynamic guitarists. I'm
(32:45):
talking about the farest out this world and he plays
the B three Now, yeah, Dan Smiffy Newman on that row,
can you can? You can you? I want you guys wire,
(33:07):
I want you guys to go out there and listen
to this. That intro that's all I got to say.
I'm not gonna say nothing else because the intro speaks
for itself. Yeah, it really does that.
Speaker 5 (33:21):
You know when dance comes with that that intro part.
Speaker 3 (33:26):
That that them them them strings, that's it. It's a rap.
And then oh yeah, once the B three comes in
after that, it's a rap. When you hear that bass guitar.
After that, it's a rap. When the drum which when
the when the drums set the atmosphere with it, Oh
(33:50):
oh oh, that's it. That's it nothing.
Speaker 1 (33:57):
Don't you love that West Coast, that West Coast sound.
Speaker 3 (34:02):
That West Coast sealing. No joke that the West Coast
sal And it's not no joke, it's it's I love
it and what I love about Brent Jones. Brent Jones
is everywhere now he's a still still award winner, So
he's he's known for every everything, every city and in
(34:26):
this uh this uh United States or the world, he's
known everywhere, just like our platform is known everywhere. Thanks
out thanks to Jerry Royce Live On Positive Power between
(34:47):
One Christian Media or LLC for setting this uh platform
for us to speak what we have through the world.
Musicians matter. Wow. Yeah, Yeah, it's a blessing. It's a blessing.
Number two, uh number two, it's be Grateful. Kevin Poules.
(35:15):
Have you seen that? No, I have not. I need to.
Speaker 1 (35:20):
I need to take a lesson to it when I
get done.
Speaker 3 (35:24):
Kevin Powles when he singing, I mean when he's playing
that B three on be Grateful, it's uh a mixture
of two songs basically of course and another another song
the uh wull Late Hawkins singers be Grateful, and then
(35:49):
another song that they had choreographed with that. So listen
to that. Be grateful with Kevin Poles and Rufus on
the main keys.
Speaker 1 (36:03):
We love the powers, Yes, love the powers.
Speaker 3 (36:08):
They're they're awesome people. Yes, yes, yes, the number one
is yes, number one. It shouts out to Pastor Kim Morell,
falling in love with you a different traits, howbo falling
in love with you? That that that kick is no drunk,
(36:30):
no joke. It's like she's like, he's like when she
get that, uh uh. She's letting the musicians know. Okay, musicians,
this is what I want. I want this? Can you
do this? I want this? Because she's more of a
(36:54):
jazz thinker, oh yes, and more of her all of us.
Even though she's a gospel singer. She does jazz in
the times that she's she's singing too, and she's steady
blessing people as they sing.
Speaker 1 (37:17):
And you know, jazz jazz musicians are the best musicians,
hands down.
Speaker 3 (37:24):
Yes, sir, yes up.
Speaker 1 (37:27):
You know they understand you gotta you gotta understand the
theory behind music.
Speaker 3 (37:35):
In order to comprehend.
Speaker 1 (37:37):
And that's how I view Kim Burrell, Pastor Kimberrell. She
she's you know, but we we love we love her attributes.
Oh yes, love her attributes chocolate chip, cookies and milk.
We love the attributes of pastor Kimberrell. Listen, I'm listen.
Speaker 3 (38:04):
I'm just cutting up man. So bro, so bro, we're
not talking about this week with the pie tonight.
Speaker 1 (38:11):
Okay, O, right, anyway.
Speaker 3 (38:14):
Figure out look, bro, I can make him. I mean
this week potato pie. As we speak, I can make
a mean one. Son. Don't don't, don't let it tricky now.
Speaker 1 (38:26):
Okay, all right, all right, big broke, all right, we're
thinking of that.
Speaker 3 (38:34):
We we're gonna talk about our shigning star because we're talking.
We was talking about jazz. So we're gonna keep it
on jazz right now. Uh. Cleveris in Sylvia, Sylvia, e Williams, Augusta.
He's amazing on the jazz. Listen. Let let's put it
(38:56):
this way.
Speaker 1 (38:57):
I would not want to play behind him after he
got them with his shirt.
Speaker 3 (39:07):
Figure it out, bro, you could forget the putting up
the figure and everything. You can forget all that, you know,
you can forget all that, and when he when he's playing,
you can forget up the putting up the finger and
you know everything because he his love for music. It
(39:29):
really shows in in in the style of music, you know,
when he plays the drums. I think he was a
soul tone artist before. Oh okay, I think he was
a soul tone artist before. Yes here, I think he
was a soul tone artist before what he's playing now.
(39:53):
But he he it's a love for music and what
he's putting out there. It's like top notch. And what
I mean by top a lot as far as of
a musician. He's one of the best drummers that I know,
(40:15):
and I've been following him for years.
Speaker 1 (40:18):
Alem wear a hat, but if he were, if he
wears a hat playing drums this game over your muscles,
that he probably gonna be like. He probably gonna think
that we're crazy. But that's that's all right.
Speaker 3 (40:37):
Why you say it like that.
Speaker 1 (40:39):
He probably gonna be like, man, these guys are something else.
Speaker 3 (40:41):
But I like it exactly, exactly exactly the thing I
like about his music and what he's putting out there
to the world in the atmosphere. He's a game changer
and a shift changer for the heart. He he brings
(41:04):
love in well and and to where he's playing at
you know what I'm saying. Anythings he plays, you know,
he's uh uh Hispanic player. You know, most of his
(41:25):
music are done in Espano. That's er. That's all it is,
is done and if if you don't know it, you
better know some of it. Thank God to what my
my ancestors, you know, like my my my family, you know,
(41:46):
the Valdez you know, even though you know when my
grandmother wasn't you know, didn't teach her kids the language.
I learned some of the language because of where I
was surrounded.
Speaker 1 (42:02):
By, right and and it make and it makes you
appreciated even much more.
Speaker 3 (42:09):
Yes, sir, Yes, sir, that's a that's that's her. And
speaking of that, as as we're closing tonight, Uh, Clever
was a lefty too. He is a lefty. Yeah, he's
a lefty.
Speaker 1 (42:30):
The best, the best musicians are are your lefties. Why,
I don't know.
Speaker 3 (42:37):
Thank you, thank you. I really appreciate that. And I'm
not being cocky either, bro, don't ask me why they
just saw. People will look at us like we're crazy.
But you know, I'm not being cocky, but I'm I'm
loving the style. You know, even though the sock symbol
(42:59):
was on the uh the rights, and I sending to
the left side. I had to, you know, open my hands,
and every since I was three years old, I was
opening my hands. And it's all I know. I could
(43:19):
play a song right handed, close handed, but you know,
I know I can play both in it, but love
and left left left handed because it's something about those
left handed people. I'm sorry, y'all.
Speaker 1 (43:38):
Y'all's use things totally different.
Speaker 3 (43:43):
Yeah, definitely, you're right. You're right, y'all use things totally different. Hello,
Jesus Calias, Thank God, thanks right right, thank God for that. Yeah,
so we've closed on tonight. I would thank all the listeners,
(44:03):
everybody that listened to this session, the top ten and
thanking for just uh just listening on this broadcast, and
thank God for mentor Batman, Jerry Royce Live, positive power,
(44:26):
Jerry Royce, just setting it out there, you know, you know,
just believing in saying yes, yes, you can do this.
We are ready up to our one hundred and six
to one hundred and six, but episodes, you know, speaking
(44:49):
up today. So we're thankful for that, you know, for
setting down setting the airways for us. So at this
time you got even think this, Uh, save positive to
the world.
Speaker 1 (45:02):
Bro.
Speaker 3 (45:04):
Uh what can I say?
Speaker 1 (45:08):
Whatever you do, make sure your heart is in it
God first.
Speaker 3 (45:14):
And then your heart is in it.
Speaker 1 (45:16):
But always always surround yourself with good people and good company.
Speaker 3 (45:23):
Yes, that's all I got.
Speaker 1 (45:30):
Brow Now I gotta figure out one way you for
dinner now?
Speaker 3 (45:35):
Amen? Amen? Amen? So bro, we signing off, and I
love you to talk to you next next week, next week.
Speaker 1 (45:44):
Let's go it all right now, be blessed Bess.
Speaker 3 (45:52):
Watch and do I have switch sauce for you? Musicians.
Speaker 2 (45:57):
Matters Podcast live right here four thirty pm Pacific Standard
time and seven thirty pm Eastern Standard times every Wednesday
on all digital platforms on Positive Power twenty one Christian
Media LLC.
Speaker 3 (46:15):
Let's go on. If you want listening to Jewis Worldwide podcast.
Speaker 1 (46:22):
Well, and I'm proud to