June 18, 2025 • 42 mins
A suspense series featuring mysterious tales with a twist, ranging from psychological thrillers to eerie supernatural encounters. Each episode is crafted for maximum tension.
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Episode Transcript
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Speaker 1 (00:02):
The Vidiot Radio Mystery Theater presents.
Speaker 2 (00:23):
Come in. Welcome.
Speaker 3 (00:27):
I Lee G. Marshall host for certain dark and mysterious ceremonies.
Speaker 1 (00:32):
They are celebrated regularly at this time and place.
Speaker 2 (00:37):
Why do we do it?
Speaker 4 (00:39):
Why do we.
Speaker 3 (00:40):
Teach children certain proverbs or maxims or give them various
bits of cautionary wisdom which in actual practice prove at
worst to be false and at best irrelevant.
Speaker 1 (00:53):
For instance, we say all the world loves a lover.
Speaker 3 (00:59):
Really half the people in his own hometown were out.
Speaker 2 (01:03):
To kill Romeo? And how many friends did.
Speaker 4 (01:06):
Don JOm have?
Speaker 3 (01:08):
The truth is being a lover can turn out to
be the most hazardous occupation of them all.
Speaker 2 (01:16):
Oh my god, I thank you. I belove it. You
must be making mistake. It's no mistake, no mistake.
Speaker 5 (01:22):
I love You've ever seen you before?
Speaker 2 (01:24):
In my line is door?
Speaker 4 (01:25):
You please?
Speaker 2 (01:26):
This is a public place because storyold me.
Speaker 6 (01:30):
I don't even know you love me, Love me, I
tell you.
Speaker 3 (01:44):
Our mystery drama Demon Robber was written especially for the
Mystery Theater.
Speaker 1 (01:49):
By Sam Dan and stars Mandel Kramer.
Speaker 3 (01:53):
It is sponsored in part by True Value Hardware stores
and dew It Mortar division.
Speaker 2 (01:59):
I'll do that short with that one. Why are so
many love stories written? Well? Writers love them.
Speaker 3 (02:16):
A writer doesn't have to prove or justify anything as
far as love is concerned. His characters fall in love
because he commands.
Speaker 2 (02:24):
Them to, for any reason or for no reason.
Speaker 3 (02:28):
And isn't that also the way it is in.
Speaker 2 (02:30):
What we are pleased to call real life.
Speaker 3 (02:34):
Look at some of the romantic combinations of your own acquaintance.
Speaker 2 (02:38):
Can you figure them out? Why do people fall in love?
Speaker 4 (02:43):
Here we deal in answers, And.
Speaker 1 (02:45):
So we're about to meet Professor Albert Morrison.
Speaker 2 (02:53):
It's two in the morning.
Speaker 6 (02:55):
I know it's two am, even though there is no
clock in the room.
Speaker 2 (02:59):
They said in my swords from me there was nothing
malicious about that. Evidently they fear I could break the
crystal and do myself some injury. Of course I could
lean for the orderly, and he would tell me the
big heavy one, Joe, he's on tonight, And for all
(03:21):
that he looks like a gorilla, he's really very kind
and gentle. But I don't actually ask anyone.
Speaker 6 (03:28):
I can see the sky, and I can tell by
the location of Cassiopeia. You see, I can center the
whole constellation between the two middle bars of the window. Well,
it doesn't really matter what time it is.
Speaker 2 (03:44):
I don't think i'd be going anywhere.
Speaker 6 (03:47):
But the fact is I am right about the time
because I hear two miles side with my.
Speaker 2 (03:51):
Two oclock medication. Uisleak doc, though I got you killed.
I Smike's great. Thanks. Joe.
Speaker 6 (04:02):
You know you're supposed to drink it with water, but
I know how much.
Speaker 4 (04:05):
You like grape juice.
Speaker 2 (04:05):
You're very kind, Joe. I think you're getting a hump deal.
Speaker 4 (04:11):
You know, after all, what you do you.
Speaker 2 (04:12):
Kill the Dame h a wid one less.
Speaker 1 (04:15):
Name in the Worldho's gonna miss it?
Speaker 2 (04:16):
Right that there's Joe. They I could fight city Hall,
City Hall. He had the wheels, you know, the establishment.
Speaker 6 (04:26):
Ah, you know what I mean.
Speaker 5 (04:28):
Look, they want to think you're nuts.
Speaker 2 (04:30):
Okay, even go along play Bill.
Speaker 6 (04:33):
Then they'll say, oh, well you gotta give a therapy
and return him.
Speaker 2 (04:37):
As a useful member of society.
Speaker 6 (04:39):
You following, Yes, I think so and so you played
the game with him free year or two years.
Speaker 2 (04:45):
Yeah, just to make it look good. You fought at
it and before you know it you free. You're at
it here and it's like that never.
Speaker 6 (04:51):
Happened, and believe me, Doc, in your whole life, nobody's
ever gonna do your better junk of a life.
Speaker 4 (04:58):
Thank you, Joe.
Speaker 2 (04:59):
Now tomorrow I got it through the great vine.
Speaker 4 (05:03):
You're getting a new doctor. I haven't heard that.
Speaker 2 (05:06):
Yeah, yeah, yeah, somebody who wrote a couple of books.
And so she's suddenly a hot property.
Speaker 5 (05:13):
Yeah, so she'll be.
Speaker 2 (05:15):
At the score price. Just lead her along. You know
we will find out you ain't with us.
Speaker 4 (05:21):
But Joe, I can't play a role. The truth is truth.
Speaker 2 (05:26):
That's the trouble with you educated guys.
Speaker 5 (05:28):
You worry about the truth.
Speaker 2 (05:37):
A lutha. Why am I being given a new doctor?
A woman doctor? I don't like this. I was feeling
very comfortable with doctor Rider, said my writing. You notice
that's uncomfortable. Who listen to me? I'm becoming a paranoid,
(05:57):
actually developing a persecution contract.
Speaker 6 (06:00):
These people are of me doing what I asked to
be done, after all, according to the circumstantial evidence.
Speaker 2 (06:09):
But why are you doctor? And why a woman with
that a game is she going to play with me?
Speaker 6 (06:19):
I've already told the entire story, Doctor Mallow, I know
you have Doctor Morrison.
Speaker 2 (06:25):
It does seem odd that we call each other doctor.
Speaker 4 (06:28):
I have a pH d.
Speaker 2 (06:29):
In astronomy. I don't insist on being called doctor, nor
do I, But since I am the patient, it.
Speaker 4 (06:34):
Is altogether fitting that I call you doctor.
Speaker 7 (06:37):
You are the patient and I am the doctor.
Speaker 8 (06:40):
Why because these are the rules that have been assigned
to us by society, who knows it is entirely possible
that I shall be helped more than you by our sessions.
Speaker 2 (06:51):
I see a brand new technique. Why do you say that, Oh,
I've become an authority In psychiatrists. We have the austere ones,
the friendly ones, the clinical ones. Now you, how do
you classify me?
Speaker 4 (07:05):
Well, you seem to be a We're both in this thing.
Speaker 2 (07:08):
Together, the type of we both are.
Speaker 5 (07:11):
Tell me what happened?
Speaker 2 (07:14):
Doctor? Why do you persist? Why do all of you
persevere in this pathetic little game.
Speaker 7 (07:19):
I'm not aware that it's a game.
Speaker 6 (07:21):
I was under the impression of absolute truth between doctor
and patient is the cornerstone to any success in.
Speaker 2 (07:26):
This type of relationship.
Speaker 5 (07:27):
I am you to this case.
Speaker 7 (07:30):
I have no preconceived.
Speaker 4 (07:32):
Saying you know nothing about me? Nothing am I to
assume that you never have.
Speaker 2 (07:36):
Read the papers? Look at a news program.
Speaker 7 (07:38):
The news media can only examine the skin of the.
Speaker 8 (07:41):
Orange, but lies beneath is beyond their capability.
Speaker 4 (07:45):
I see we have here a phrase maker.
Speaker 2 (07:47):
It's the truth. Therefore, you intend to peel me as
if I were an orange, to reveal my hidden.
Speaker 6 (07:53):
Juices with your help, doctor, Why aren't you honest?
Speaker 2 (07:57):
Why does everybody come clean? You ought to prove I'm
crazy and you know it. We'll play the game. But
I'm sane.
Speaker 4 (08:08):
Doctor, I am as sane as you are.
Speaker 7 (08:10):
You could be making a self damaging statement.
Speaker 2 (08:15):
You know, you're very soft, very gentle.
Speaker 6 (08:20):
We're just a touch of rye humor, very much like
Dorothy was saying, blonde hair, Dorothy?
Speaker 2 (08:27):
Is it possible? Are they that diabolical? Who is Dorothy
my wife? She was my wife? She died five years ago.
She was the only woman I ever loved, and I
in mine.
Speaker 6 (08:38):
You loved Dorothy in any ways, So they are found
what they think is a psychological softening of process.
Speaker 2 (08:45):
They're exposed me to you. It won't work. I'm sane.
Tell me what happened.
Speaker 6 (08:54):
For the nine hundred and eighty seventh time I was
in the Logan cafeteria, in the fact the Administration building,
when a woman I had never seen before in my
life threw herself at me.
Speaker 7 (09:06):
Don't just tell it, Try to relive it. Try to
reveal to.
Speaker 2 (09:11):
Me what it looked like.
Speaker 7 (09:13):
Felts like.
Speaker 6 (09:16):
All right, it passes the time I've already said. I
was in the Logan cafeteria.
Speaker 2 (09:23):
I generally don't leave.
Speaker 6 (09:24):
There, but on Fridays they had New England clam chotter.
So I bought myself a bowl, and I found a
quiet table, and I was enjoying my clam charter.
Speaker 2 (09:32):
It was sticked with large succulent clam chunks. God was
in his heaven and all was right with the world.
When suddenly she hurled.
Speaker 4 (09:41):
His off at me, locking the clam chowder to the
floor in the process.
Speaker 6 (09:44):
I remember, I said, madam, please, but she threw her
arms around me, began to cover my face.
Speaker 2 (09:49):
Marble of kisses. Away. Way, okay, hanging off. You must
be making a mistaken darning darling. Way is the meaning
of this? Please? Why you what funny? Oh you said?
Am I you I'm it's certainly some mistake. No you
mean so bus me away? Take me, love me. You
have confused me with someone else. No, no one know
(10:11):
who you are.
Speaker 1 (10:12):
What you are no.
Speaker 2 (10:13):
I know why I was born to not.
Speaker 5 (10:15):
I hed me a mistake.
Speaker 2 (10:16):
I wouldn't want you to be like love me. Nah.
We discussed to love me here rationally love me. We're
stigning a theme. People are looking like, oh, can't I
defy the world? You can't excuse me? Please excuse me?
Speaker 8 (10:29):
Oh love me?
Speaker 2 (10:31):
Please? Will you excuse me?
Speaker 9 (10:33):
Excuse me?
Speaker 2 (10:36):
Somehow I broke away from her. I ran to the door,
into the streets.
Speaker 4 (10:39):
I ran all the way across the campus.
Speaker 1 (10:41):
I didn't stop running till I came to my apartment.
When I arrived there, the phone was already.
Speaker 9 (10:45):
Read art Yeah, Cramman, Gift Clemens President, Yes, yes, get
over here to my office at once.
Speaker 2 (10:58):
Jim the p P president talent sir, good boy.
Speaker 10 (11:04):
Oh well, when the president of the university says get
over here, you get over there.
Speaker 2 (11:11):
And I did, and he was loaded for there.
Speaker 4 (11:14):
He harangue me for ten solid minutes.
Speaker 2 (11:16):
Before I could get a word.
Speaker 4 (11:17):
In its wise, And when I finally did, he refused
to believe it.
Speaker 5 (11:20):
You expect me to believe that it's the truth.
Speaker 2 (11:23):
If I warn you, ane, don't insult my intelligence. I
know how you feel about me. I know how you
are do.
Speaker 6 (11:29):
I got the job because I know how to raise money,
not because of any intellectual brilliance.
Speaker 2 (11:35):
Now you look down on me, But don't you think
you can take me.
Speaker 4 (11:38):
In with a story like that.
Speaker 2 (11:39):
I haven't told you a story.
Speaker 4 (11:42):
I said.
Speaker 2 (11:42):
I never saw that woman before in my life.
Speaker 5 (11:44):
That's a one sentence story, and it is a lie.
Speaker 2 (11:47):
I was sitting there, minding my own business, enjoying my clam.
Speaker 4 (11:50):
Chowder, when this woman attacked me.
Speaker 3 (11:53):
Okay, okay, I expect to cover with my political science people,
with my art people.
Speaker 6 (11:59):
But you fellows, you astronomers, you've never bothered anybody.
Speaker 4 (12:03):
That's not true.
Speaker 2 (12:04):
Galileo and Copernicus, present of the authorities, are a.
Speaker 5 (12:07):
Great deal for her, I mean in four hundred years.
Oh wow, help me out.
Speaker 2 (12:12):
What are you talking about. Her name's Free and you
put you She's an exchange professor, she's considered the leading
poet of her country.
Speaker 4 (12:21):
She's delegate Imperial shad.
Speaker 2 (12:24):
Are you serious you attacked her? One hundred people in
that cafeterias saw her attack me. Not quite.
Speaker 5 (12:31):
She passed by your table, and you cease and w
because you're crazy.
Speaker 2 (12:37):
No, no, now, yo, you're not crazy.
Speaker 5 (12:40):
You're mentally unbalanced to act.
Speaker 2 (12:43):
You're having a nervous break. I don't believe what you're saying.
Speaker 6 (12:46):
Hell, the exchange program between our country and Earth all
a lot.
Speaker 2 (12:52):
Of people, a lot of people don't want it to work.
We don't have any scandal. You see, they love her
back home. If you can't come off as a not
rule have an international intendent on our hands.
Speaker 4 (13:06):
I don't care.
Speaker 2 (13:07):
The government wants us to preserve a reputation at all costs.
How about my reputation? We must all make sacrifices. We
what sacrifices are you going to make? You need a
new telescope as the observatory. We can get a government
grant that says no. Now that one is crazy. That's
the kindest word I can think of to describe us.
(13:28):
It's for us, though, but even no reason, it's all
I think it over. Think of what's of the state,
all right? What is at stake?
Speaker 6 (13:36):
Many things for one, foreign policy of our country for another,
peaceful relations with one of the most powerful nations.
Speaker 2 (13:45):
In the world. But most important, I would.
Speaker 4 (13:49):
Say, your job, now, Alberts, will you think about it?
There's always some thing to think about.
Speaker 1 (14:01):
When the boss puts the proposition in just that light.
Speaker 4 (14:05):
Well, here we have Albert Morrison.
Speaker 1 (14:08):
The quiet, retiring professor of astronomy, locked up in an
institution for the criminally disturbed.
Speaker 2 (14:15):
We're counting the story of how he got there.
Speaker 3 (14:18):
So far he seems more as seemed against than sinny.
Speaker 4 (14:22):
But you know by now that you never get the full.
Speaker 1 (14:25):
Story in the first act, and I shall return shortly
with the second.
Speaker 6 (14:40):
There I was.
Speaker 3 (14:41):
Minding my own business when this beautiful blond threw her
arms around.
Speaker 1 (14:45):
My neck and started making passionate love to me.
Speaker 2 (14:48):
I tell you I never saw her.
Speaker 4 (14:49):
Before in my life.
Speaker 1 (14:52):
This is the story that Albert Morrison, an astronomy professor,
is telling doctor Florence Mallow, a psychiatrist in a st institution.
Speaker 4 (15:01):
For the criminally disturbed. How did things get this far?
Speaker 8 (15:06):
You insist you never saw Mariette Opportune before.
Speaker 2 (15:10):
It's true, doctor, that you've changed your story.
Speaker 4 (15:14):
I have it here. I know that's a lie.
Speaker 2 (15:17):
This affidavit of yours is a lie. Yes, why did
you sign it?
Speaker 4 (15:22):
They brainwashed me?
Speaker 2 (15:23):
Are you serious? Doctor?
Speaker 4 (15:26):
What do you think brainwashing is?
Speaker 6 (15:29):
Weeks months of physical and mettle torture, until at last
the exhausted and ravage society collapses. Now it can be
done in an hour, even less a plan on what
a man believes in honor, duty, responsibility.
Speaker 2 (15:45):
That's what he convinced me of.
Speaker 4 (15:46):
Finally, or.
Speaker 3 (15:49):
Don't threaten me, Clem, before you fire me, I'll quit, Harbert.
Speaker 4 (15:54):
Please, I wouldn't do that, but there are times.
Speaker 6 (15:57):
Look, look, Albert, a man has to may sacrifices for
this country.
Speaker 5 (16:04):
The more peaceful contact we can have with her.
Speaker 2 (16:06):
Country, the better for our economy. Albert. It is the
policy of our.
Speaker 6 (16:13):
Government, our democratically elected government has chosen in relations to
her country.
Speaker 2 (16:20):
And who are you to sabotage relations.
Speaker 9 (16:22):
Between us and them?
Speaker 2 (16:23):
Especially says you believe in peace.
Speaker 6 (16:27):
The stubbornness of yours could cost friends of yours their jobs.
Speaker 2 (16:32):
Now you must help us, all right, Clem. Let's make
sure we understand each other.
Speaker 9 (16:39):
We do.
Speaker 2 (16:40):
I was minding my own business. She simply attacks me.
Now that's what happened.
Speaker 6 (16:44):
Is that, but for a public consumption, and for reasons
that we understand, we're.
Speaker 2 (16:50):
Saying that I I was the agrissa er precisely.
Speaker 3 (16:54):
Now, just sign this SAFFAGEVID that you've been feeling psychologically disturbed.
Speaker 2 (16:59):
For quite a while. And you request psychn't help.
Speaker 4 (17:02):
I still don't know if I'm doing the right thing.
Speaker 2 (17:05):
Albs, we are in your hands.
Speaker 4 (17:07):
You must save us, all right?
Speaker 2 (17:12):
When do I have to go to that nother? Please, Albert,
it's a sanity. When But now I suppose I made them?
Speaker 4 (17:19):
Why way?
Speaker 2 (17:20):
Do I have some things to take care of? Papers
I want to finish. I'd like to work on them tonight,
doctor crag in the morning.
Speaker 5 (17:27):
Absolutely all right, goodbye, I'll help it.
Speaker 4 (17:32):
I know how you feel.
Speaker 3 (17:34):
But believe me, one day we'll both look back on
this and we are going to laugh.
Speaker 7 (17:44):
And that's why you signed this.
Speaker 2 (17:46):
After yes, say, well you attend to your apartment.
Speaker 6 (17:50):
What did you do? I dot some things in order,
I wrote another chapter in my book. And then yes,
then the bell rang from the door, and she was
standing there.
Speaker 4 (18:04):
Yes, she was standing there.
Speaker 2 (18:09):
Oh I did love it.
Speaker 4 (18:11):
So please, I'm just crime.
Speaker 2 (18:12):
I beloved to just find me. I get me just
a minute. Let me close this door. Very well, we
had no audience like the one of the cafeteria.
Speaker 4 (18:21):
You have no one to play to.
Speaker 2 (18:22):
Okay, what is this act all about?
Speaker 4 (18:25):
I love you? You've never seen me before.
Speaker 2 (18:27):
Admit that I love you. I understand that you are
a great love poet poetess back in.
Speaker 4 (18:32):
Your own country. What do you want to do get
some publicity? I love you, Matt Needle is suck.
Speaker 2 (18:37):
I adore you?
Speaker 4 (18:38):
Why me?
Speaker 2 (18:39):
I have ten fifteen years on you? What do you
want from me?
Speaker 4 (18:42):
I worship you?
Speaker 2 (18:43):
Fine? Let it be the way you say love ador worship.
Speaker 4 (18:46):
Let's assume that.
Speaker 2 (18:46):
You fell in love with at first sight. That happens,
but I didn't fall in love with you. Take me.
I don't want you. Do you understand? I don't want
any woman.
Speaker 1 (18:56):
The memory of my wife is enough for me.
Speaker 2 (18:58):
I must love you, you English, don't you understand it?
I will have you. I don't want to be impolite,
but I must you rely. I shall never leave you away.
I was born to love you. That I make you
understand the will of the God said I love you.
I shall not disobey them what God said?
Speaker 9 (19:14):
God?
Speaker 2 (19:15):
Can't you hear them?
Speaker 9 (19:16):
No?
Speaker 2 (19:17):
The gods are speaking.
Speaker 11 (19:19):
Will till your destiny love each other?
Speaker 4 (19:21):
Are you sure you're not writing a poet?
Speaker 2 (19:23):
We must not, we cannot, we shall not defy the gods.
Please take me in your arm.
Speaker 4 (19:29):
Please don't force me to do that.
Speaker 9 (19:31):
There's another woman.
Speaker 2 (19:32):
There was another woman. She must step the tide.
Speaker 5 (19:35):
Give you up.
Speaker 2 (19:36):
You did, she claims, you still cannot give away. Whether
she does or she doesn't, miss your put in. Quite frankly,
I am not interested in you that way.
Speaker 7 (19:45):
No other women shall have you.
Speaker 2 (19:47):
No other woman does have me, sad or alive. She
shall give you up. Let me call you a cabin.
Speaker 4 (19:52):
You can go home.
Speaker 2 (19:53):
He sit my home.
Speaker 4 (19:54):
I'll just hold on.
Speaker 2 (19:55):
You are my home. Isn't that what the god is?
I just preclared to the immortal lord of a creation.
I wouldn't know. Obay the gods.
Speaker 9 (20:04):
And love me.
Speaker 4 (20:05):
Look, I am very sorry, but I just can't. But
you must.
Speaker 2 (20:08):
You must love me, nor the woman can have you.
I'll kill your fire just for a minute. I must
kill you. It's the wall of the gods.
Speaker 4 (20:16):
The pistol of yours is small, but it can certainly
do the job.
Speaker 2 (20:20):
So don't point it at me, say.
Speaker 3 (20:21):
You love me.
Speaker 2 (20:22):
I really can't do that. Then die. No, you don't
tell you. Let go of that to you.
Speaker 1 (20:29):
I must.
Speaker 2 (20:32):
Oh. She fired at me and missed it.
Speaker 6 (20:39):
We struggled that I had tried to get the gun
away from her, but she was stronger than she looked.
It went off, and the book went right into her heart.
Speaker 4 (20:47):
She was dead.
Speaker 3 (20:49):
And that's your story.
Speaker 2 (20:52):
You don't believe a word of it.
Speaker 7 (20:53):
I neither believe nor disbelieve it. We have here the
task of reconstructing the past.
Speaker 1 (20:58):
And what is the past?
Speaker 8 (21:00):
A series of memories that fade and become distorted with
time and undoubted.
Speaker 6 (21:06):
However, the net result of everything you'll discover is that.
Speaker 2 (21:10):
I am a psychotic killer. That is one conclusion. There
are others, an infinite number of others.
Speaker 6 (21:17):
According to the district attorney, she came to my apartment
to seek justice. I had betrayed her love, her trust.
I had used her and.
Speaker 2 (21:27):
Then callously flung her aside. She confronted me, and I
killed her.
Speaker 7 (21:32):
That's one story.
Speaker 6 (21:33):
Now, it would be better for international relations if I
were a psychotic rather than.
Speaker 4 (21:39):
A deliberate seducer.
Speaker 2 (21:41):
Therefore, that's the verdict you folks have to come up with.
Speaker 7 (21:44):
I want your side of the story.
Speaker 2 (21:46):
I just told her to you. Now, you just showed
me this orange. What's under a skin? Nothing?
Speaker 7 (21:55):
What are you holding back?
Speaker 2 (21:57):
Nothing?
Speaker 3 (21:59):
Then?
Speaker 7 (21:59):
How do you account for her behavior?
Speaker 2 (22:01):
I'm not supposed to account for it. The woman was.
Speaker 8 (22:03):
Sent Maria Alexandrovna ChiPT thirty years old. One of the
foremost poets of her country. She deals in strong modern images.
Speaker 2 (22:14):
I wouldn't know anything about that.
Speaker 4 (22:15):
She is.
Speaker 2 (22:18):
Was a leader in the movement away from classicism. Her
ideas are crisp current.
Speaker 8 (22:24):
Contemporarily, they sparkle with the latest slang, the births of
youthful ideas.
Speaker 2 (22:31):
Now, how do you account for what she said to you?
Speaker 5 (22:34):
It is the will of the gods that I love you.
Speaker 2 (22:37):
I shall not disobey them. And as the gods are speaking,
fulfill your destiny. Love each other. She could have been
writing a poem.
Speaker 7 (22:46):
She was not writing a poem, because that is not
the kind of poetry she writes.
Speaker 2 (22:52):
She doesn't write about the ancient gods. It is a
completely foreign idiom to her. I can't hope that that's
what she said. But why, I don't know.
Speaker 4 (23:00):
He's Albert think.
Speaker 2 (23:03):
I'm tired, tired, I'm fed up. I can't fight it anymore.
I'm crazy. Okay, No, it is not.
Speaker 4 (23:11):
Okay, let me tell you what really took place. You see,
we happened to meet.
Speaker 2 (23:17):
On the campus grounds one night, and it was just
one of those sings. I thought she just wanted a
lark the way I did. Yes, she evidently she took
it seriously. She was a very emotional girl.
Speaker 4 (23:30):
Then when I said all of firs must one day
come to an end, she made quite a scene.
Speaker 2 (23:36):
She actually confronted me in public.
Speaker 6 (23:38):
By the way, a hundred witnesses continue, she was becoming
more trouble than she was worth, and so I simply
lost my.
Speaker 2 (23:44):
Temper one night, and in a fit of uncontrollable rage,
I shut her For over a month.
Speaker 8 (23:52):
You have told an entire battery of police officers and
psychiatrist one story, one stayed simple.
Speaker 2 (23:59):
Uncomfortable, hated story.
Speaker 8 (24:01):
And that story insists that she was the aggressor, but
you didn't even know her, that she came to your
apartment and you were forced to kill her in self defense.
Speaker 2 (24:10):
Am I stating the cases?
Speaker 8 (24:12):
And now sudden we have a complete turnaround. You admit
you seduced her. Why why have you changed your story?
Speaker 2 (24:24):
I suddenly decided to go the through.
Speaker 9 (24:25):
Is it the truth?
Speaker 2 (24:27):
What do you people want?
Speaker 4 (24:29):
I tell you finally the story you want.
Speaker 2 (24:31):
To hear, the story that will be best for all concerned.
Speaker 4 (24:35):
And it still doesn't make you happy.
Speaker 2 (24:37):
I want the truth. What's important about the truth? Without it,
all of us will be lost?
Speaker 6 (24:44):
Now?
Speaker 7 (24:44):
Why did you change your story.
Speaker 2 (24:47):
So i've ropidly? Why why.
Speaker 10 (24:57):
I can tell you that, doctor Nabaw, don't ask me
to dead you now because you won't believe it.
Speaker 2 (25:04):
How can you know? I can hardly believe it myself.
I changed my story because I because I've fallen in
love with you. Oh I no patience think they're in
love with their doctors.
Speaker 4 (25:18):
But I know.
Speaker 2 (25:20):
You, Dorothy, Dorothy, and every tumble of.
Speaker 6 (25:24):
Your voice, and every light that shines in your eyes, Dorothy,
and your smile, Dorothy, the way you hold your hand, you, Dorothy,
come back to me again, Dorothy Reborn.
Speaker 7 (25:35):
Why have you changed your story, Albert?
Speaker 2 (25:40):
Because I'm ready to.
Speaker 6 (25:41):
Play the game, the game Joe advised me to play.
I'll let you kill me, Florence. I'll let you nurse
my sick.
Speaker 4 (25:51):
Mind back to health, and then then I'll declare my
love for your.
Speaker 5 (26:05):
Hey Hey's breakfast time, Professor, wonderful Jaw.
Speaker 2 (26:08):
I'm hungry.
Speaker 6 (26:10):
Way the girl Professor knocked them all uf minimos, vitamins, proteins,
the whole joints talking.
Speaker 2 (26:16):
About you and that dtr mallowh. What have they said?
Speaker 1 (26:19):
Positive results?
Speaker 5 (26:20):
Pal, you are now listed as a cooperative patient.
Speaker 2 (26:24):
Your sleep GRD, you eat good? I feel good, Doctor,
Do keep out? I mean I look, I see you
finally took by your face. I don't know what you're
talking about. That's the figure Dumby up. Don't admit, not
not even.
Speaker 12 (26:38):
To me, but just string you along and you can
be out of this joint by Christmas and Doc, she
ain't a bear looking dame, and the Greek mind.
Speaker 4 (26:48):
Says, she goes for you.
Speaker 2 (26:58):
What's what more Lawby that could have inspired? Don't know, Albert,
I thought we agreed never to use that phrase.
Speaker 8 (27:07):
Instead we would pause to think and try to come
up with an answer. Obviously you were doing something to her, Yes,
something in your manner incited her to y.
Speaker 4 (27:24):
We'll think.
Speaker 2 (27:27):
No, No, I better not say this, say anything that
comes into your mind, no matter how silly it may
seem to be.
Speaker 6 (27:35):
Well, it's not something that was altogether of my doing.
Perhaps another agency was at work here.
Speaker 2 (27:43):
What other agency? She spoke of the emotional gods?
Speaker 4 (27:47):
You remember she said she was following the will of
the gods and the gods.
Speaker 2 (27:51):
But we are not unrational people. I'm only telling you
what exists in my mind well enough for today. I'm
not tired, perhaps not, but I am.
Speaker 4 (28:10):
Yes, I can say that you're tired.
Speaker 2 (28:11):
I die. It's because we are no longer patient and doctor,
the lovers lovers. Not one word of love has been
spoken between us, that each of us knows how we feel.
And soon soon I die, I mean.
Speaker 13 (28:29):
Florence, I can trust you with the answer, because you see.
Speaker 6 (28:35):
My dearest, I know the answer now. I know now
how that woman proved herself at me. I know why
she had to kill me, and very soon you'll love.
Speaker 2 (28:45):
Me enough so that you'll believe me very well. What
does he know?
Speaker 1 (28:55):
Does he really know why poor Maria actually threw herself
at him? If he does, he knows more than we do,
and even more than she did.
Speaker 2 (29:04):
Well, all knowledge is usually revealed in.
Speaker 1 (29:07):
The third act.
Speaker 5 (29:08):
Then I shall return shortly.
Speaker 2 (29:10):
And now Coffee rich before the.
Speaker 6 (29:12):
Non dari CREAMA presents Coffee cook, inviting over your condosation
of dynament which would.
Speaker 2 (29:18):
Please witches with is that it gets to be here
any minute?
Speaker 4 (29:21):
Would who please.
Speaker 2 (29:22):
Explained to those of sugar and nothing in the cream up?
Why I'm never I now.
Speaker 3 (29:34):
There are many aspects of love, and at this time
we deal with love not as a sweet, sublime, satisfying emotion,
but as a violent, destructive force that brings sorrow and death.
Speaker 4 (29:49):
We can't help these things.
Speaker 3 (29:51):
It's how matters work out for some people, and how
it has worked out so far for Professor Albert Morrison.
Speaker 6 (30:04):
And suddenly it all falls into place. It's remarkable how
so many discoveries occur in a sudden flash of insight.
We stagger and stumble in the dark, and without warning,
the white hot idea illumines ever relooked and planny of
our consciousness. I know why that Maria became infatuated, No,
not infatuated, fell in love, not even fell in love,
(30:24):
but was consumed.
Speaker 2 (30:26):
I know there's only one answer, and it was so.
Speaker 6 (30:30):
Obvious all the time. I was wearing the sweater, Dorothy.
Sweater Dorothy, even in death, you'll be the one to
save me.
Speaker 2 (30:41):
Remember that sweater, Dorothy. Remember it was my book.
Speaker 10 (30:44):
I hurry home because your gift was always sure to
be something wild and wonderful.
Speaker 4 (30:48):
Happy birthday, Darling.
Speaker 2 (30:49):
Well what is that? But what do you think? It's
a sweat? I know it's a sweater Dorothy Darling. But
what is that all over it? Egyptian? Did I?
Speaker 1 (30:59):
Why?
Speaker 2 (31:00):
Because their bone and colorful, exciting has like a walking
tomb with all these pictures in a wild you don't
like her lovers or no, it's just you're always dress
so conservatively. You're about to change my entire image. I'll
tell you where I got the idea. See, I was
in the library and browsing through a beautiful book of
(31:21):
ancient Egyptian culture.
Speaker 4 (31:22):
There were these.
Speaker 11 (31:23):
Fantastic designers, fantastic aura.
Speaker 2 (31:26):
Now this central figure, this woman, she is the goddess.
Isis really the goddess of love?
Speaker 11 (31:32):
She existing perfectly all tage mythology. And you see these
little birds and these squiggles that look.
Speaker 2 (31:39):
Like snakes, and well everything, Well it's a message, you
mean this says something?
Speaker 1 (31:44):
Oh yes, if.
Speaker 2 (31:45):
These aren't just any wild colors and pictures woven.
Speaker 7 (31:48):
Into sweat, are they?
Speaker 2 (31:49):
They say something definite and very interesting.
Speaker 11 (31:52):
Well, you see the translation was printed right next to
the design, and it says men.
Speaker 2 (31:58):
None and Egypt.
Speaker 11 (32:00):
Noble of Memphis joined the Greek general Pistos of Sparta
in a war against the Scythians.
Speaker 2 (32:06):
Who were the Citians.
Speaker 11 (32:07):
Oh were warrior people who lived in what is now
the Balkans parts of Russia.
Speaker 2 (32:12):
Anyhow, our hero Memnon ask his patron.
Speaker 7 (32:15):
Goddess, isis by charm which would protect.
Speaker 2 (32:18):
Them against the wild Cythian warrior women. Is Sis did reply,
weave my charm into.
Speaker 11 (32:26):
Your battleshields, and the wild Scythian women shall fall madly
in love with your men.
Speaker 2 (32:32):
And that's what it said. Yes, didn't mean it yourself.
Speaker 6 (32:37):
The idea was that the Scythian warrior women would fall
in love with Memnon.
Speaker 2 (32:41):
Soldiers and thus be talkered. They would just see this
design on the shield. That's all that.
Speaker 7 (32:48):
Would do it.
Speaker 6 (32:49):
Citia Sisia, Well, I better not wear this sweater when
there are any Russian women around.
Speaker 2 (32:56):
You never know about these ancient charms and things. Maybe
a bet or not, if you want the truth.
Speaker 10 (33:05):
I couldn't wear it at all. I was too self
conscious to be seen in it, so I would make excuses.
The occasion was too.
Speaker 6 (33:12):
Formal for a sweater, or the weather was too warm.
Darling Dorothy, she understood, but she never took me to task.
Speaker 2 (33:20):
I always intended to wear the sweater. A few months
after my birthday, issued she died she loved me.
Speaker 13 (33:30):
I must make fine splaining the story. Fucks believed me.
Speaker 6 (33:45):
I see you ain't touched your breakfast this morning, that
I am not angry. Hey, hey, you you ain't going
back to be.
Speaker 2 (33:51):
In Marris again?
Speaker 4 (33:53):
Are you got?
Speaker 3 (33:53):
Now?
Speaker 2 (33:55):
It says that this is right to be an important.
Speaker 4 (33:56):
Day for me. Joe, Why you're doing fine? Die?
Speaker 2 (34:00):
Yeah? You get this rapt as good as beats it
is today.
Speaker 4 (34:05):
But I must tell something very vi like doctor mellow.
Speaker 2 (34:08):
Oh no, sweat. You know you can see that tick
anything you want.
Speaker 4 (34:12):
She dates you, Joel, Could you do something for me?
Speaker 13 (34:15):
Just name is that?
Speaker 2 (34:16):
But as soon as you can, could you get up
to my apartment.
Speaker 4 (34:19):
I don't ever care.
Speaker 6 (34:20):
I know where to keep your things.
Speaker 2 (34:22):
I can swim, but I have a sweater there with
long sleeves. It's blue, red and black and yellow.
Speaker 6 (34:28):
A man with an Egyptian looking designs on it.
Speaker 2 (34:31):
Now, could you bring it here? That it's done? I
know it's hard to believe, Lawrence, but it's the truth.
Speaker 7 (34:41):
And so you had said that this chart of the
Goddess is what made magg to put.
Speaker 2 (34:47):
You throw at South Asia.
Speaker 4 (34:49):
Yes, it has to be the answer.
Speaker 2 (34:51):
What other answer is possible? I know I never encouraged
her in any way, in any way that you are
aware of. She is the one who spoke about the Goddess.
I said, no, you are the one who has said
she spoke about it. I have only your word for
that conversation, Florence. Do you doubt my word?
Speaker 4 (35:09):
I thought you cared for me.
Speaker 6 (35:12):
I do care for you.
Speaker 2 (35:13):
How do you care for me the way a doctor
cares for a pision, yea, or the way a woman
cares for a man. I personal emotions are not an
issue here.
Speaker 4 (35:22):
They are they are.
Speaker 2 (35:26):
I thought you were in love with me? Why? Because
I'm in love with you?
Speaker 4 (35:31):
Oh?
Speaker 6 (35:33):
Is it all?
Speaker 4 (35:33):
Even saying oh? I do care for you?
Speaker 13 (35:42):
And I just ask you how.
Speaker 2 (35:44):
I don't want to go into that not non, Why
not no? Because it's too premature. If we're in love,
we're in alone. How do you know you are in
love with me? It is something you know, you just know.
On the other hand, you can still be in love
with Donathy. I think I am Dorothy. I know you
are not Darrothy, and I'm enough like her. I'm in
(36:05):
love with you.
Speaker 4 (36:06):
Now.
Speaker 7 (36:06):
Getting back to the goddess, I said, and the sweat I.
Speaker 2 (36:09):
Was wearing the sweater that they in the cafeteria. But
why you said you never want I could prove that
they were witnesses.
Speaker 1 (36:15):
They would testify to the fact.
Speaker 2 (36:17):
That I wore a crazy looking sweater.
Speaker 6 (36:18):
Show it to them.
Speaker 2 (36:19):
They're recognized. Why did you wear it that day? Because
it was my birthday and I couldn't stop thinking about Dorothy.
Speaker 6 (36:27):
I thought I had to be close to her, so
I wore the sweater that she had made with her
own hands, and there.
Speaker 7 (36:33):
In the cafeteria, mariet Chipuchin saw the design.
Speaker 6 (36:38):
Maria chipuchin Is was obviously a descendant of the city
and warrior with it.
Speaker 2 (36:43):
But we can't prove that she could read egypt pictures.
That she didn't have to read it. Her ancestors couldn't
read it either. It was the power of the Goddess's
arcister commanded them.
Speaker 8 (36:53):
How can you a man of the twentieth century at
doctor of philosophy and.
Speaker 2 (36:59):
As talking about sire. I'm only telling you what happened.
Where is the sweater now, Albert in my apartment.
Speaker 1 (37:08):
I sent you to bring it.
Speaker 2 (37:10):
You'll see you read the charm, You'll see how authentic
it is. I tell you, Maria did talk about the
goddess isis. I don't care if she was modern. The
goddess Isis possessed her soul through her charm. She lost
her will for reasons. I can prove to you that
what you.
Speaker 7 (37:26):
Are saying is nonsense, that there's nothing to it.
Speaker 2 (37:30):
Now come in. Oh oh, I'm sorry. I thought the
session was over, doctor maw or what are you having
that bad yell? I thought, right, you'se just just leave
the facts and now please excuse me. Yes, ma'am, I said,
I would prove to you that this is nonsing to
stop puts off the sweater.
Speaker 4 (37:52):
But how will that?
Speaker 2 (37:54):
As I tell you, I'll explain later. You're the doctor.
Right now, let me tell you why your theory hosts
the water at all? I delivered reflected to say something
when you told me your story about isis.
Speaker 1 (38:13):
Albert.
Speaker 4 (38:14):
If it's true, then why.
Speaker 2 (38:19):
Why don't I.
Speaker 6 (38:23):
Well a.
Speaker 4 (38:26):
Fly?
Speaker 2 (38:26):
Is something wrong?
Speaker 6 (38:27):
Oh?
Speaker 2 (38:29):
Oh my dhing, oh my delved Come to my arm
flier or you I love you?
Speaker 1 (38:34):
Tell me that you love me?
Speaker 2 (38:36):
Yes?
Speaker 3 (38:37):
I love you?
Speaker 1 (38:37):
Never grace me, God, sorry, I thought I never.
Speaker 2 (38:41):
I don't know what's happened to be Suddenly I realize
I can't like without you, daughter, you can't never let goth.
Speaker 9 (38:49):
I love it.
Speaker 2 (38:50):
Say my name is poetry when you say it, flower,
so come safe, you say you're not. I'm so than
your own beloved fly Dorothy, go, don't push my let
go love you. I have to obey the god the
more for good.
Speaker 4 (39:08):
You're crazy, love and hold me, love me, don't cost me.
Speaker 2 (39:13):
I thought you were Dorothy. I was the lone mine mine,
you belong. I thought me to forget.
Speaker 9 (39:21):
I'm there for you all and stuff buck and you
are tired miss thing to get in body love.
Speaker 7 (39:26):
I can love you, ador.
Speaker 2 (39:29):
She must give you up though the gods. Come on,
No other woman can have you up to you so crazy.
If I can't got you, she won't have you either.
I don't have to strengthen you with my own bare hands,
I said, give me strength on why they help me
to come on? Shock? What? Doc? Doc? You're hungry? You
(40:11):
gotta eat?
Speaker 5 (40:13):
I know you hate to be said, I want to
strap your hands.
Speaker 2 (40:20):
Okay here, Joe, Yeah you did Joe, oh man, man,
you want me to do it again. I couldn't help,
but it was self defense. No kid, she was joking
me at that that little bit of a gal. She
had the strength of isis and her fingers in. I
(40:43):
had to hit her, yousa hit her too hard. She
fell back and hit her head against killed her like that. Hey,
what makes you do it? Doc? I mean one time
I did, but two in a row.
Speaker 4 (41:01):
I don't know.
Speaker 1 (41:03):
I just said no, she was okay.
Speaker 4 (41:06):
I mean for a team.
Speaker 2 (41:08):
She worked hard. You know, she'd come to this country.
She was just a little kid.
Speaker 4 (41:13):
She made her own way, you know.
Speaker 2 (41:15):
Got to hand it to her. He said, she came
to this country when she was just a little kid.
Huh where did she come from?
Speaker 1 (41:24):
I don't know.
Speaker 6 (41:26):
I hear it might have been Russia, Yugoslavia, you know,
one of them places, Russia.
Speaker 2 (41:34):
What's the matter at that?
Speaker 4 (41:36):
That was what she wanted to tell me.
Speaker 1 (41:43):
Yes, that was what she intended to tell him.
Speaker 3 (41:47):
That she was also a descendant of the wild city
and warrior women, and see the charm would have no
effect on her. That's what she intended all along. However,
somewhere on the journey in between superstition and enlightenment, she
became sidetracked
The Vidiot Radio Mystery Theater presents.
Speaker 2 (00:23):
Come in. Welcome.
Speaker 3 (00:27):
I Lee G. Marshall host for certain dark and mysterious ceremonies.
Speaker 1 (00:32):
They are celebrated regularly at this time and place.
Speaker 2 (00:37):
Why do we do it?
Speaker 4 (00:39):
Why do we.
Speaker 3 (00:40):
Teach children certain proverbs or maxims or give them various
bits of cautionary wisdom which in actual practice prove at
worst to be false and at best irrelevant.
Speaker 1 (00:53):
For instance, we say all the world loves a lover.
Speaker 3 (00:59):
Really half the people in his own hometown were out.
Speaker 2 (01:03):
To kill Romeo? And how many friends did.
Speaker 4 (01:06):
Don JOm have?
Speaker 3 (01:08):
The truth is being a lover can turn out to
be the most hazardous occupation of them all.
Speaker 2 (01:16):
Oh my god, I thank you. I belove it. You
must be making mistake. It's no mistake, no mistake.
Speaker 5 (01:22):
I love You've ever seen you before?
Speaker 2 (01:24):
In my line is door?
Speaker 4 (01:25):
You please?
Speaker 2 (01:26):
This is a public place because storyold me.
Speaker 6 (01:30):
I don't even know you love me, Love me, I
tell you.
Speaker 3 (01:44):
Our mystery drama Demon Robber was written especially for the
Mystery Theater.
Speaker 1 (01:49):
By Sam Dan and stars Mandel Kramer.
Speaker 3 (01:53):
It is sponsored in part by True Value Hardware stores
and dew It Mortar division.
Speaker 2 (01:59):
I'll do that short with that one. Why are so
many love stories written? Well? Writers love them.
Speaker 3 (02:16):
A writer doesn't have to prove or justify anything as
far as love is concerned. His characters fall in love
because he commands.
Speaker 2 (02:24):
Them to, for any reason or for no reason.
Speaker 3 (02:28):
And isn't that also the way it is in.
Speaker 2 (02:30):
What we are pleased to call real life.
Speaker 3 (02:34):
Look at some of the romantic combinations of your own acquaintance.
Speaker 2 (02:38):
Can you figure them out? Why do people fall in love?
Speaker 4 (02:43):
Here we deal in answers, And.
Speaker 1 (02:45):
So we're about to meet Professor Albert Morrison.
Speaker 2 (02:53):
It's two in the morning.
Speaker 6 (02:55):
I know it's two am, even though there is no
clock in the room.
Speaker 2 (02:59):
They said in my swords from me there was nothing
malicious about that. Evidently they fear I could break the
crystal and do myself some injury. Of course I could
lean for the orderly, and he would tell me the
big heavy one, Joe, he's on tonight, And for all
(03:21):
that he looks like a gorilla, he's really very kind
and gentle. But I don't actually ask anyone.
Speaker 6 (03:28):
I can see the sky, and I can tell by
the location of Cassiopeia. You see, I can center the
whole constellation between the two middle bars of the window. Well,
it doesn't really matter what time it is.
Speaker 2 (03:44):
I don't think i'd be going anywhere.
Speaker 6 (03:47):
But the fact is I am right about the time
because I hear two miles side with my.
Speaker 2 (03:51):
Two oclock medication. Uisleak doc, though I got you killed.
I Smike's great. Thanks. Joe.
Speaker 6 (04:02):
You know you're supposed to drink it with water, but
I know how much.
Speaker 4 (04:05):
You like grape juice.
Speaker 2 (04:05):
You're very kind, Joe. I think you're getting a hump deal.
Speaker 4 (04:11):
You know, after all, what you do you.
Speaker 2 (04:12):
Kill the Dame h a wid one less.
Speaker 1 (04:15):
Name in the Worldho's gonna miss it?
Speaker 2 (04:16):
Right that there's Joe. They I could fight city Hall,
City Hall. He had the wheels, you know, the establishment.
Speaker 6 (04:26):
Ah, you know what I mean.
Speaker 5 (04:28):
Look, they want to think you're nuts.
Speaker 2 (04:30):
Okay, even go along play Bill.
Speaker 6 (04:33):
Then they'll say, oh, well you gotta give a therapy
and return him.
Speaker 2 (04:37):
As a useful member of society.
Speaker 6 (04:39):
You following, Yes, I think so and so you played
the game with him free year or two years.
Speaker 2 (04:45):
Yeah, just to make it look good. You fought at
it and before you know it you free. You're at
it here and it's like that never.
Speaker 6 (04:51):
Happened, and believe me, Doc, in your whole life, nobody's
ever gonna do your better junk of a life.
Speaker 4 (04:58):
Thank you, Joe.
Speaker 2 (04:59):
Now tomorrow I got it through the great vine.
Speaker 4 (05:03):
You're getting a new doctor. I haven't heard that.
Speaker 2 (05:06):
Yeah, yeah, yeah, somebody who wrote a couple of books.
And so she's suddenly a hot property.
Speaker 5 (05:13):
Yeah, so she'll be.
Speaker 2 (05:15):
At the score price. Just lead her along. You know
we will find out you ain't with us.
Speaker 4 (05:21):
But Joe, I can't play a role. The truth is truth.
Speaker 2 (05:26):
That's the trouble with you educated guys.
Speaker 5 (05:28):
You worry about the truth.
Speaker 2 (05:37):
A lutha. Why am I being given a new doctor?
A woman doctor? I don't like this. I was feeling
very comfortable with doctor Rider, said my writing. You notice
that's uncomfortable. Who listen to me? I'm becoming a paranoid,
(05:57):
actually developing a persecution contract.
Speaker 6 (06:00):
These people are of me doing what I asked to
be done, after all, according to the circumstantial evidence.
Speaker 2 (06:09):
But why are you doctor? And why a woman with
that a game is she going to play with me?
Speaker 6 (06:19):
I've already told the entire story, Doctor Mallow, I know
you have Doctor Morrison.
Speaker 2 (06:25):
It does seem odd that we call each other doctor.
Speaker 4 (06:28):
I have a pH d.
Speaker 2 (06:29):
In astronomy. I don't insist on being called doctor, nor
do I, But since I am the patient, it.
Speaker 4 (06:34):
Is altogether fitting that I call you doctor.
Speaker 7 (06:37):
You are the patient and I am the doctor.
Speaker 8 (06:40):
Why because these are the rules that have been assigned
to us by society, who knows it is entirely possible
that I shall be helped more than you by our sessions.
Speaker 2 (06:51):
I see a brand new technique. Why do you say that, Oh,
I've become an authority In psychiatrists. We have the austere ones,
the friendly ones, the clinical ones. Now you, how do
you classify me?
Speaker 4 (07:05):
Well, you seem to be a We're both in this thing.
Speaker 2 (07:08):
Together, the type of we both are.
Speaker 5 (07:11):
Tell me what happened?
Speaker 2 (07:14):
Doctor? Why do you persist? Why do all of you
persevere in this pathetic little game.
Speaker 7 (07:19):
I'm not aware that it's a game.
Speaker 6 (07:21):
I was under the impression of absolute truth between doctor
and patient is the cornerstone to any success in.
Speaker 2 (07:26):
This type of relationship.
Speaker 5 (07:27):
I am you to this case.
Speaker 7 (07:30):
I have no preconceived.
Speaker 4 (07:32):
Saying you know nothing about me? Nothing am I to
assume that you never have.
Speaker 2 (07:36):
Read the papers? Look at a news program.
Speaker 7 (07:38):
The news media can only examine the skin of the.
Speaker 8 (07:41):
Orange, but lies beneath is beyond their capability.
Speaker 4 (07:45):
I see we have here a phrase maker.
Speaker 2 (07:47):
It's the truth. Therefore, you intend to peel me as
if I were an orange, to reveal my hidden.
Speaker 6 (07:53):
Juices with your help, doctor, Why aren't you honest?
Speaker 2 (07:57):
Why does everybody come clean? You ought to prove I'm
crazy and you know it. We'll play the game. But
I'm sane.
Speaker 4 (08:08):
Doctor, I am as sane as you are.
Speaker 7 (08:10):
You could be making a self damaging statement.
Speaker 2 (08:15):
You know, you're very soft, very gentle.
Speaker 6 (08:20):
We're just a touch of rye humor, very much like
Dorothy was saying, blonde hair, Dorothy?
Speaker 2 (08:27):
Is it possible? Are they that diabolical? Who is Dorothy
my wife? She was my wife? She died five years ago.
She was the only woman I ever loved, and I
in mine.
Speaker 6 (08:38):
You loved Dorothy in any ways, So they are found
what they think is a psychological softening of process.
Speaker 2 (08:45):
They're exposed me to you. It won't work. I'm sane.
Tell me what happened.
Speaker 6 (08:54):
For the nine hundred and eighty seventh time I was
in the Logan cafeteria, in the fact the Administration building,
when a woman I had never seen before in my
life threw herself at me.
Speaker 7 (09:06):
Don't just tell it, Try to relive it. Try to
reveal to.
Speaker 2 (09:11):
Me what it looked like.
Speaker 7 (09:13):
Felts like.
Speaker 6 (09:16):
All right, it passes the time I've already said. I
was in the Logan cafeteria.
Speaker 2 (09:23):
I generally don't leave.
Speaker 6 (09:24):
There, but on Fridays they had New England clam chotter.
So I bought myself a bowl, and I found a
quiet table, and I was enjoying my clam charter.
Speaker 2 (09:32):
It was sticked with large succulent clam chunks. God was
in his heaven and all was right with the world.
When suddenly she hurled.
Speaker 4 (09:41):
His off at me, locking the clam chowder to the
floor in the process.
Speaker 6 (09:44):
I remember, I said, madam, please, but she threw her
arms around me, began to cover my face.
Speaker 2 (09:49):
Marble of kisses. Away. Way, okay, hanging off. You must
be making a mistaken darning darling. Way is the meaning
of this? Please? Why you what funny? Oh you said?
Am I you I'm it's certainly some mistake. No you
mean so bus me away? Take me, love me. You
have confused me with someone else. No, no one know
(10:11):
who you are.
Speaker 1 (10:12):
What you are no.
Speaker 2 (10:13):
I know why I was born to not.
Speaker 5 (10:15):
I hed me a mistake.
Speaker 2 (10:16):
I wouldn't want you to be like love me. Nah.
We discussed to love me here rationally love me. We're
stigning a theme. People are looking like, oh, can't I
defy the world? You can't excuse me? Please excuse me?
Speaker 8 (10:29):
Oh love me?
Speaker 2 (10:31):
Please? Will you excuse me?
Speaker 9 (10:33):
Excuse me?
Speaker 2 (10:36):
Somehow I broke away from her. I ran to the door,
into the streets.
Speaker 4 (10:39):
I ran all the way across the campus.
Speaker 1 (10:41):
I didn't stop running till I came to my apartment.
When I arrived there, the phone was already.
Speaker 9 (10:45):
Read art Yeah, Cramman, Gift Clemens President, Yes, yes, get
over here to my office at once.
Speaker 2 (10:58):
Jim the p P president talent sir, good boy.
Speaker 10 (11:04):
Oh well, when the president of the university says get
over here, you get over there.
Speaker 2 (11:11):
And I did, and he was loaded for there.
Speaker 4 (11:14):
He harangue me for ten solid minutes.
Speaker 2 (11:16):
Before I could get a word.
Speaker 4 (11:17):
In its wise, And when I finally did, he refused
to believe it.
Speaker 5 (11:20):
You expect me to believe that it's the truth.
Speaker 2 (11:23):
If I warn you, ane, don't insult my intelligence. I
know how you feel about me. I know how you
are do.
Speaker 6 (11:29):
I got the job because I know how to raise money,
not because of any intellectual brilliance.
Speaker 2 (11:35):
Now you look down on me, But don't you think
you can take me.
Speaker 4 (11:38):
In with a story like that.
Speaker 2 (11:39):
I haven't told you a story.
Speaker 4 (11:42):
I said.
Speaker 2 (11:42):
I never saw that woman before in my life.
Speaker 5 (11:44):
That's a one sentence story, and it is a lie.
Speaker 2 (11:47):
I was sitting there, minding my own business, enjoying my clam.
Speaker 4 (11:50):
Chowder, when this woman attacked me.
Speaker 3 (11:53):
Okay, okay, I expect to cover with my political science people,
with my art people.
Speaker 6 (11:59):
But you fellows, you astronomers, you've never bothered anybody.
Speaker 4 (12:03):
That's not true.
Speaker 2 (12:04):
Galileo and Copernicus, present of the authorities, are a.
Speaker 5 (12:07):
Great deal for her, I mean in four hundred years.
Oh wow, help me out.
Speaker 2 (12:12):
What are you talking about. Her name's Free and you
put you She's an exchange professor, she's considered the leading
poet of her country.
Speaker 4 (12:21):
She's delegate Imperial shad.
Speaker 2 (12:24):
Are you serious you attacked her? One hundred people in
that cafeterias saw her attack me. Not quite.
Speaker 5 (12:31):
She passed by your table, and you cease and w
because you're crazy.
Speaker 2 (12:37):
No, no, now, yo, you're not crazy.
Speaker 5 (12:40):
You're mentally unbalanced to act.
Speaker 2 (12:43):
You're having a nervous break. I don't believe what you're saying.
Speaker 6 (12:46):
Hell, the exchange program between our country and Earth all
a lot.
Speaker 2 (12:52):
Of people, a lot of people don't want it to work.
We don't have any scandal. You see, they love her
back home. If you can't come off as a not
rule have an international intendent on our hands.
Speaker 4 (13:06):
I don't care.
Speaker 2 (13:07):
The government wants us to preserve a reputation at all costs.
How about my reputation? We must all make sacrifices. We
what sacrifices are you going to make? You need a
new telescope as the observatory. We can get a government
grant that says no. Now that one is crazy. That's
the kindest word I can think of to describe us.
(13:28):
It's for us, though, but even no reason, it's all
I think it over. Think of what's of the state,
all right? What is at stake?
Speaker 6 (13:36):
Many things for one, foreign policy of our country for another,
peaceful relations with one of the most powerful nations.
Speaker 2 (13:45):
In the world. But most important, I would.
Speaker 4 (13:49):
Say, your job, now, Alberts, will you think about it?
There's always some thing to think about.
Speaker 1 (14:01):
When the boss puts the proposition in just that light.
Speaker 4 (14:05):
Well, here we have Albert Morrison.
Speaker 1 (14:08):
The quiet, retiring professor of astronomy, locked up in an
institution for the criminally disturbed.
Speaker 2 (14:15):
We're counting the story of how he got there.
Speaker 3 (14:18):
So far he seems more as seemed against than sinny.
Speaker 4 (14:22):
But you know by now that you never get the full.
Speaker 1 (14:25):
Story in the first act, and I shall return shortly
with the second.
Speaker 6 (14:40):
There I was.
Speaker 3 (14:41):
Minding my own business when this beautiful blond threw her
arms around.
Speaker 1 (14:45):
My neck and started making passionate love to me.
Speaker 2 (14:48):
I tell you I never saw her.
Speaker 4 (14:49):
Before in my life.
Speaker 1 (14:52):
This is the story that Albert Morrison, an astronomy professor,
is telling doctor Florence Mallow, a psychiatrist in a st institution.
Speaker 4 (15:01):
For the criminally disturbed. How did things get this far?
Speaker 8 (15:06):
You insist you never saw Mariette Opportune before.
Speaker 2 (15:10):
It's true, doctor, that you've changed your story.
Speaker 4 (15:14):
I have it here. I know that's a lie.
Speaker 2 (15:17):
This affidavit of yours is a lie. Yes, why did
you sign it?
Speaker 4 (15:22):
They brainwashed me?
Speaker 2 (15:23):
Are you serious? Doctor?
Speaker 4 (15:26):
What do you think brainwashing is?
Speaker 6 (15:29):
Weeks months of physical and mettle torture, until at last
the exhausted and ravage society collapses. Now it can be
done in an hour, even less a plan on what
a man believes in honor, duty, responsibility.
Speaker 2 (15:45):
That's what he convinced me of.
Speaker 4 (15:46):
Finally, or.
Speaker 3 (15:49):
Don't threaten me, Clem, before you fire me, I'll quit, Harbert.
Speaker 4 (15:54):
Please, I wouldn't do that, but there are times.
Speaker 6 (15:57):
Look, look, Albert, a man has to may sacrifices for
this country.
Speaker 5 (16:04):
The more peaceful contact we can have with her.
Speaker 2 (16:06):
Country, the better for our economy. Albert. It is the
policy of our.
Speaker 6 (16:13):
Government, our democratically elected government has chosen in relations to
her country.
Speaker 2 (16:20):
And who are you to sabotage relations.
Speaker 9 (16:22):
Between us and them?
Speaker 2 (16:23):
Especially says you believe in peace.
Speaker 6 (16:27):
The stubbornness of yours could cost friends of yours their jobs.
Speaker 2 (16:32):
Now you must help us, all right, Clem. Let's make
sure we understand each other.
Speaker 9 (16:39):
We do.
Speaker 2 (16:40):
I was minding my own business. She simply attacks me.
Now that's what happened.
Speaker 6 (16:44):
Is that, but for a public consumption, and for reasons
that we understand, we're.
Speaker 2 (16:50):
Saying that I I was the agrissa er precisely.
Speaker 3 (16:54):
Now, just sign this SAFFAGEVID that you've been feeling psychologically disturbed.
Speaker 2 (16:59):
For quite a while. And you request psychn't help.
Speaker 4 (17:02):
I still don't know if I'm doing the right thing.
Speaker 2 (17:05):
Albs, we are in your hands.
Speaker 4 (17:07):
You must save us, all right?
Speaker 2 (17:12):
When do I have to go to that nother? Please, Albert,
it's a sanity. When But now I suppose I made them?
Speaker 4 (17:19):
Why way?
Speaker 2 (17:20):
Do I have some things to take care of? Papers
I want to finish. I'd like to work on them tonight,
doctor crag in the morning.
Speaker 5 (17:27):
Absolutely all right, goodbye, I'll help it.
Speaker 4 (17:32):
I know how you feel.
Speaker 3 (17:34):
But believe me, one day we'll both look back on
this and we are going to laugh.
Speaker 7 (17:44):
And that's why you signed this.
Speaker 2 (17:46):
After yes, say, well you attend to your apartment.
Speaker 6 (17:50):
What did you do? I dot some things in order,
I wrote another chapter in my book. And then yes,
then the bell rang from the door, and she was
standing there.
Speaker 4 (18:04):
Yes, she was standing there.
Speaker 2 (18:09):
Oh I did love it.
Speaker 4 (18:11):
So please, I'm just crime.
Speaker 2 (18:12):
I beloved to just find me. I get me just
a minute. Let me close this door. Very well, we
had no audience like the one of the cafeteria.
Speaker 4 (18:21):
You have no one to play to.
Speaker 2 (18:22):
Okay, what is this act all about?
Speaker 4 (18:25):
I love you? You've never seen me before.
Speaker 2 (18:27):
Admit that I love you. I understand that you are
a great love poet poetess back in.
Speaker 4 (18:32):
Your own country. What do you want to do get
some publicity? I love you, Matt Needle is suck.
Speaker 2 (18:37):
I adore you?
Speaker 4 (18:38):
Why me?
Speaker 2 (18:39):
I have ten fifteen years on you? What do you
want from me?
Speaker 4 (18:42):
I worship you?
Speaker 2 (18:43):
Fine? Let it be the way you say love ador worship.
Speaker 4 (18:46):
Let's assume that.
Speaker 2 (18:46):
You fell in love with at first sight. That happens,
but I didn't fall in love with you. Take me.
I don't want you. Do you understand? I don't want
any woman.
Speaker 1 (18:56):
The memory of my wife is enough for me.
Speaker 2 (18:58):
I must love you, you English, don't you understand it?
I will have you. I don't want to be impolite,
but I must you rely. I shall never leave you away.
I was born to love you. That I make you
understand the will of the God said I love you.
I shall not disobey them what God said?
Speaker 9 (19:14):
God?
Speaker 2 (19:15):
Can't you hear them?
Speaker 9 (19:16):
No?
Speaker 2 (19:17):
The gods are speaking.
Speaker 11 (19:19):
Will till your destiny love each other?
Speaker 4 (19:21):
Are you sure you're not writing a poet?
Speaker 2 (19:23):
We must not, we cannot, we shall not defy the gods.
Please take me in your arm.
Speaker 4 (19:29):
Please don't force me to do that.
Speaker 9 (19:31):
There's another woman.
Speaker 2 (19:32):
There was another woman. She must step the tide.
Speaker 5 (19:35):
Give you up.
Speaker 2 (19:36):
You did, she claims, you still cannot give away. Whether
she does or she doesn't, miss your put in. Quite frankly,
I am not interested in you that way.
Speaker 7 (19:45):
No other women shall have you.
Speaker 2 (19:47):
No other woman does have me, sad or alive. She
shall give you up. Let me call you a cabin.
Speaker 4 (19:52):
You can go home.
Speaker 2 (19:53):
He sit my home.
Speaker 4 (19:54):
I'll just hold on.
Speaker 2 (19:55):
You are my home. Isn't that what the god is?
I just preclared to the immortal lord of a creation.
I wouldn't know. Obay the gods.
Speaker 9 (20:04):
And love me.
Speaker 4 (20:05):
Look, I am very sorry, but I just can't. But
you must.
Speaker 2 (20:08):
You must love me, nor the woman can have you.
I'll kill your fire just for a minute. I must
kill you. It's the wall of the gods.
Speaker 4 (20:16):
The pistol of yours is small, but it can certainly
do the job.
Speaker 2 (20:20):
So don't point it at me, say.
Speaker 3 (20:21):
You love me.
Speaker 2 (20:22):
I really can't do that. Then die. No, you don't
tell you. Let go of that to you.
Speaker 1 (20:29):
I must.
Speaker 2 (20:32):
Oh. She fired at me and missed it.
Speaker 6 (20:39):
We struggled that I had tried to get the gun
away from her, but she was stronger than she looked.
It went off, and the book went right into her heart.
Speaker 4 (20:47):
She was dead.
Speaker 3 (20:49):
And that's your story.
Speaker 2 (20:52):
You don't believe a word of it.
Speaker 7 (20:53):
I neither believe nor disbelieve it. We have here the
task of reconstructing the past.
Speaker 1 (20:58):
And what is the past?
Speaker 8 (21:00):
A series of memories that fade and become distorted with
time and undoubted.
Speaker 6 (21:06):
However, the net result of everything you'll discover is that.
Speaker 2 (21:10):
I am a psychotic killer. That is one conclusion. There
are others, an infinite number of others.
Speaker 6 (21:17):
According to the district attorney, she came to my apartment
to seek justice. I had betrayed her love, her trust.
I had used her and.
Speaker 2 (21:27):
Then callously flung her aside. She confronted me, and I
killed her.
Speaker 7 (21:32):
That's one story.
Speaker 6 (21:33):
Now, it would be better for international relations if I
were a psychotic rather than.
Speaker 4 (21:39):
A deliberate seducer.
Speaker 2 (21:41):
Therefore, that's the verdict you folks have to come up with.
Speaker 7 (21:44):
I want your side of the story.
Speaker 2 (21:46):
I just told her to you. Now, you just showed
me this orange. What's under a skin? Nothing?
Speaker 7 (21:55):
What are you holding back?
Speaker 2 (21:57):
Nothing?
Speaker 3 (21:59):
Then?
Speaker 7 (21:59):
How do you account for her behavior?
Speaker 2 (22:01):
I'm not supposed to account for it. The woman was.
Speaker 8 (22:03):
Sent Maria Alexandrovna ChiPT thirty years old. One of the
foremost poets of her country. She deals in strong modern images.
Speaker 2 (22:14):
I wouldn't know anything about that.
Speaker 4 (22:15):
She is.
Speaker 2 (22:18):
Was a leader in the movement away from classicism. Her
ideas are crisp current.
Speaker 8 (22:24):
Contemporarily, they sparkle with the latest slang, the births of
youthful ideas.
Speaker 2 (22:31):
Now, how do you account for what she said to you?
Speaker 5 (22:34):
It is the will of the gods that I love you.
Speaker 2 (22:37):
I shall not disobey them. And as the gods are speaking,
fulfill your destiny. Love each other. She could have been
writing a poem.
Speaker 7 (22:46):
She was not writing a poem, because that is not
the kind of poetry she writes.
Speaker 2 (22:52):
She doesn't write about the ancient gods. It is a
completely foreign idiom to her. I can't hope that that's
what she said. But why, I don't know.
Speaker 4 (23:00):
He's Albert think.
Speaker 2 (23:03):
I'm tired, tired, I'm fed up. I can't fight it anymore.
I'm crazy. Okay, No, it is not.
Speaker 4 (23:11):
Okay, let me tell you what really took place. You see,
we happened to meet.
Speaker 2 (23:17):
On the campus grounds one night, and it was just
one of those sings. I thought she just wanted a
lark the way I did. Yes, she evidently she took
it seriously. She was a very emotional girl.
Speaker 4 (23:30):
Then when I said all of firs must one day
come to an end, she made quite a scene.
Speaker 2 (23:36):
She actually confronted me in public.
Speaker 6 (23:38):
By the way, a hundred witnesses continue, she was becoming
more trouble than she was worth, and so I simply
lost my.
Speaker 2 (23:44):
Temper one night, and in a fit of uncontrollable rage,
I shut her For over a month.
Speaker 8 (23:52):
You have told an entire battery of police officers and
psychiatrist one story, one stayed simple.
Speaker 2 (23:59):
Uncomfortable, hated story.
Speaker 8 (24:01):
And that story insists that she was the aggressor, but
you didn't even know her, that she came to your
apartment and you were forced to kill her in self defense.
Speaker 2 (24:10):
Am I stating the cases?
Speaker 8 (24:12):
And now sudden we have a complete turnaround. You admit
you seduced her. Why why have you changed your story?
Speaker 2 (24:24):
I suddenly decided to go the through.
Speaker 9 (24:25):
Is it the truth?
Speaker 2 (24:27):
What do you people want?
Speaker 4 (24:29):
I tell you finally the story you want.
Speaker 2 (24:31):
To hear, the story that will be best for all concerned.
Speaker 4 (24:35):
And it still doesn't make you happy.
Speaker 2 (24:37):
I want the truth. What's important about the truth? Without it,
all of us will be lost?
Speaker 6 (24:44):
Now?
Speaker 7 (24:44):
Why did you change your story.
Speaker 2 (24:47):
So i've ropidly? Why why.
Speaker 10 (24:57):
I can tell you that, doctor Nabaw, don't ask me
to dead you now because you won't believe it.
Speaker 2 (25:04):
How can you know? I can hardly believe it myself.
I changed my story because I because I've fallen in
love with you. Oh I no patience think they're in
love with their doctors.
Speaker 4 (25:18):
But I know.
Speaker 2 (25:20):
You, Dorothy, Dorothy, and every tumble of.
Speaker 6 (25:24):
Your voice, and every light that shines in your eyes, Dorothy,
and your smile, Dorothy, the way you hold your hand, you, Dorothy,
come back to me again, Dorothy Reborn.
Speaker 7 (25:35):
Why have you changed your story, Albert?
Speaker 2 (25:40):
Because I'm ready to.
Speaker 6 (25:41):
Play the game, the game Joe advised me to play.
I'll let you kill me, Florence. I'll let you nurse
my sick.
Speaker 4 (25:51):
Mind back to health, and then then I'll declare my
love for your.
Speaker 5 (26:05):
Hey Hey's breakfast time, Professor, wonderful Jaw.
Speaker 2 (26:08):
I'm hungry.
Speaker 6 (26:10):
Way the girl Professor knocked them all uf minimos, vitamins, proteins,
the whole joints talking.
Speaker 2 (26:16):
About you and that dtr mallowh. What have they said?
Speaker 1 (26:19):
Positive results?
Speaker 5 (26:20):
Pal, you are now listed as a cooperative patient.
Speaker 2 (26:24):
Your sleep GRD, you eat good? I feel good, Doctor,
Do keep out? I mean I look, I see you
finally took by your face. I don't know what you're
talking about. That's the figure Dumby up. Don't admit, not
not even.
Speaker 12 (26:38):
To me, but just string you along and you can
be out of this joint by Christmas and Doc, she
ain't a bear looking dame, and the Greek mind.
Speaker 4 (26:48):
Says, she goes for you.
Speaker 2 (26:58):
What's what more Lawby that could have inspired? Don't know, Albert,
I thought we agreed never to use that phrase.
Speaker 8 (27:07):
Instead we would pause to think and try to come
up with an answer. Obviously you were doing something to her, Yes,
something in your manner incited her to y.
Speaker 4 (27:24):
We'll think.
Speaker 2 (27:27):
No, No, I better not say this, say anything that
comes into your mind, no matter how silly it may
seem to be.
Speaker 6 (27:35):
Well, it's not something that was altogether of my doing.
Perhaps another agency was at work here.
Speaker 2 (27:43):
What other agency? She spoke of the emotional gods?
Speaker 4 (27:47):
You remember she said she was following the will of
the gods and the gods.
Speaker 2 (27:51):
But we are not unrational people. I'm only telling you
what exists in my mind well enough for today. I'm
not tired, perhaps not, but I am.
Speaker 4 (28:10):
Yes, I can say that you're tired.
Speaker 2 (28:11):
I die. It's because we are no longer patient and doctor,
the lovers lovers. Not one word of love has been
spoken between us, that each of us knows how we feel.
And soon soon I die, I mean.
Speaker 13 (28:29):
Florence, I can trust you with the answer, because you see.
Speaker 6 (28:35):
My dearest, I know the answer now. I know now
how that woman proved herself at me. I know why
she had to kill me, and very soon you'll love.
Speaker 2 (28:45):
Me enough so that you'll believe me very well. What
does he know?
Speaker 1 (28:55):
Does he really know why poor Maria actually threw herself
at him? If he does, he knows more than we do,
and even more than she did.
Speaker 2 (29:04):
Well, all knowledge is usually revealed in.
Speaker 1 (29:07):
The third act.
Speaker 5 (29:08):
Then I shall return shortly.
Speaker 2 (29:10):
And now Coffee rich before the.
Speaker 6 (29:12):
Non dari CREAMA presents Coffee cook, inviting over your condosation
of dynament which would.
Speaker 2 (29:18):
Please witches with is that it gets to be here
any minute?
Speaker 4 (29:21):
Would who please.
Speaker 2 (29:22):
Explained to those of sugar and nothing in the cream up?
Why I'm never I now.
Speaker 3 (29:34):
There are many aspects of love, and at this time
we deal with love not as a sweet, sublime, satisfying emotion,
but as a violent, destructive force that brings sorrow and death.
Speaker 4 (29:49):
We can't help these things.
Speaker 3 (29:51):
It's how matters work out for some people, and how
it has worked out so far for Professor Albert Morrison.
Speaker 6 (30:04):
And suddenly it all falls into place. It's remarkable how
so many discoveries occur in a sudden flash of insight.
We stagger and stumble in the dark, and without warning,
the white hot idea illumines ever relooked and planny of
our consciousness. I know why that Maria became infatuated, No,
not infatuated, fell in love, not even fell in love,
(30:24):
but was consumed.
Speaker 2 (30:26):
I know there's only one answer, and it was so.
Speaker 6 (30:30):
Obvious all the time. I was wearing the sweater, Dorothy.
Sweater Dorothy, even in death, you'll be the one to
save me.
Speaker 2 (30:41):
Remember that sweater, Dorothy. Remember it was my book.
Speaker 10 (30:44):
I hurry home because your gift was always sure to
be something wild and wonderful.
Speaker 4 (30:48):
Happy birthday, Darling.
Speaker 2 (30:49):
Well what is that? But what do you think? It's
a sweat? I know it's a sweater Dorothy Darling. But
what is that all over it? Egyptian? Did I?
Speaker 1 (30:59):
Why?
Speaker 2 (31:00):
Because their bone and colorful, exciting has like a walking
tomb with all these pictures in a wild you don't
like her lovers or no, it's just you're always dress
so conservatively. You're about to change my entire image. I'll
tell you where I got the idea. See, I was
in the library and browsing through a beautiful book of
(31:21):
ancient Egyptian culture.
Speaker 4 (31:22):
There were these.
Speaker 11 (31:23):
Fantastic designers, fantastic aura.
Speaker 2 (31:26):
Now this central figure, this woman, she is the goddess.
Isis really the goddess of love?
Speaker 11 (31:32):
She existing perfectly all tage mythology. And you see these
little birds and these squiggles that look.
Speaker 2 (31:39):
Like snakes, and well everything, Well it's a message, you
mean this says something?
Speaker 1 (31:44):
Oh yes, if.
Speaker 2 (31:45):
These aren't just any wild colors and pictures woven.
Speaker 7 (31:48):
Into sweat, are they?
Speaker 2 (31:49):
They say something definite and very interesting.
Speaker 11 (31:52):
Well, you see the translation was printed right next to
the design, and it says men.
Speaker 2 (31:58):
None and Egypt.
Speaker 11 (32:00):
Noble of Memphis joined the Greek general Pistos of Sparta
in a war against the Scythians.
Speaker 2 (32:06):
Who were the Citians.
Speaker 11 (32:07):
Oh were warrior people who lived in what is now
the Balkans parts of Russia.
Speaker 2 (32:12):
Anyhow, our hero Memnon ask his patron.
Speaker 7 (32:15):
Goddess, isis by charm which would protect.
Speaker 2 (32:18):
Them against the wild Cythian warrior women. Is Sis did reply,
weave my charm into.
Speaker 11 (32:26):
Your battleshields, and the wild Scythian women shall fall madly
in love with your men.
Speaker 2 (32:32):
And that's what it said. Yes, didn't mean it yourself.
Speaker 6 (32:37):
The idea was that the Scythian warrior women would fall
in love with Memnon.
Speaker 2 (32:41):
Soldiers and thus be talkered. They would just see this
design on the shield. That's all that.
Speaker 7 (32:48):
Would do it.
Speaker 6 (32:49):
Citia Sisia, Well, I better not wear this sweater when
there are any Russian women around.
Speaker 2 (32:56):
You never know about these ancient charms and things. Maybe
a bet or not, if you want the truth.
Speaker 10 (33:05):
I couldn't wear it at all. I was too self
conscious to be seen in it, so I would make excuses.
The occasion was too.
Speaker 6 (33:12):
Formal for a sweater, or the weather was too warm.
Darling Dorothy, she understood, but she never took me to task.
Speaker 2 (33:20):
I always intended to wear the sweater. A few months
after my birthday, issued she died she loved me.
Speaker 13 (33:30):
I must make fine splaining the story. Fucks believed me.
Speaker 6 (33:45):
I see you ain't touched your breakfast this morning, that
I am not angry. Hey, hey, you you ain't going
back to be.
Speaker 2 (33:51):
In Marris again?
Speaker 4 (33:53):
Are you got?
Speaker 3 (33:53):
Now?
Speaker 2 (33:55):
It says that this is right to be an important.
Speaker 4 (33:56):
Day for me. Joe, Why you're doing fine? Die?
Speaker 2 (34:00):
Yeah? You get this rapt as good as beats it
is today.
Speaker 4 (34:05):
But I must tell something very vi like doctor mellow.
Speaker 2 (34:08):
Oh no, sweat. You know you can see that tick
anything you want.
Speaker 4 (34:12):
She dates you, Joel, Could you do something for me?
Speaker 13 (34:15):
Just name is that?
Speaker 2 (34:16):
But as soon as you can, could you get up
to my apartment.
Speaker 4 (34:19):
I don't ever care.
Speaker 6 (34:20):
I know where to keep your things.
Speaker 2 (34:22):
I can swim, but I have a sweater there with
long sleeves. It's blue, red and black and yellow.
Speaker 6 (34:28):
A man with an Egyptian looking designs on it.
Speaker 2 (34:31):
Now, could you bring it here? That it's done? I
know it's hard to believe, Lawrence, but it's the truth.
Speaker 7 (34:41):
And so you had said that this chart of the
Goddess is what made magg to put.
Speaker 2 (34:47):
You throw at South Asia.
Speaker 4 (34:49):
Yes, it has to be the answer.
Speaker 2 (34:51):
What other answer is possible? I know I never encouraged
her in any way, in any way that you are
aware of. She is the one who spoke about the Goddess.
I said, no, you are the one who has said
she spoke about it. I have only your word for
that conversation, Florence. Do you doubt my word?
Speaker 4 (35:09):
I thought you cared for me.
Speaker 6 (35:12):
I do care for you.
Speaker 2 (35:13):
How do you care for me the way a doctor
cares for a pision, yea, or the way a woman
cares for a man. I personal emotions are not an
issue here.
Speaker 4 (35:22):
They are they are.
Speaker 2 (35:26):
I thought you were in love with me? Why? Because
I'm in love with you?
Speaker 4 (35:31):
Oh?
Speaker 6 (35:33):
Is it all?
Speaker 4 (35:33):
Even saying oh? I do care for you?
Speaker 13 (35:42):
And I just ask you how.
Speaker 2 (35:44):
I don't want to go into that not non, Why
not no? Because it's too premature. If we're in love,
we're in alone. How do you know you are in
love with me? It is something you know, you just know.
On the other hand, you can still be in love
with Donathy. I think I am Dorothy. I know you
are not Darrothy, and I'm enough like her. I'm in
(36:05):
love with you.
Speaker 4 (36:06):
Now.
Speaker 7 (36:06):
Getting back to the goddess, I said, and the sweat I.
Speaker 2 (36:09):
Was wearing the sweater that they in the cafeteria. But
why you said you never want I could prove that
they were witnesses.
Speaker 1 (36:15):
They would testify to the fact.
Speaker 2 (36:17):
That I wore a crazy looking sweater.
Speaker 6 (36:18):
Show it to them.
Speaker 2 (36:19):
They're recognized. Why did you wear it that day? Because
it was my birthday and I couldn't stop thinking about Dorothy.
Speaker 6 (36:27):
I thought I had to be close to her, so
I wore the sweater that she had made with her
own hands, and there.
Speaker 7 (36:33):
In the cafeteria, mariet Chipuchin saw the design.
Speaker 6 (36:38):
Maria chipuchin Is was obviously a descendant of the city
and warrior with it.
Speaker 2 (36:43):
But we can't prove that she could read egypt pictures.
That she didn't have to read it. Her ancestors couldn't
read it either. It was the power of the Goddess's
arcister commanded them.
Speaker 8 (36:53):
How can you a man of the twentieth century at
doctor of philosophy and.
Speaker 2 (36:59):
As talking about sire. I'm only telling you what happened.
Where is the sweater now, Albert in my apartment.
Speaker 1 (37:08):
I sent you to bring it.
Speaker 2 (37:10):
You'll see you read the charm, You'll see how authentic
it is. I tell you, Maria did talk about the
goddess isis. I don't care if she was modern. The
goddess Isis possessed her soul through her charm. She lost
her will for reasons. I can prove to you that
what you.
Speaker 7 (37:26):
Are saying is nonsense, that there's nothing to it.
Speaker 2 (37:30):
Now come in. Oh oh, I'm sorry. I thought the
session was over, doctor maw or what are you having
that bad yell? I thought, right, you'se just just leave
the facts and now please excuse me. Yes, ma'am, I said,
I would prove to you that this is nonsing to
stop puts off the sweater.
Speaker 4 (37:52):
But how will that?
Speaker 2 (37:54):
As I tell you, I'll explain later. You're the doctor.
Right now, let me tell you why your theory hosts
the water at all? I delivered reflected to say something
when you told me your story about isis.
Speaker 1 (38:13):
Albert.
Speaker 4 (38:14):
If it's true, then why.
Speaker 2 (38:19):
Why don't I.
Speaker 6 (38:23):
Well a.
Speaker 4 (38:26):
Fly?
Speaker 2 (38:26):
Is something wrong?
Speaker 6 (38:27):
Oh?
Speaker 2 (38:29):
Oh my dhing, oh my delved Come to my arm
flier or you I love you?
Speaker 1 (38:34):
Tell me that you love me?
Speaker 2 (38:36):
Yes?
Speaker 3 (38:37):
I love you?
Speaker 1 (38:37):
Never grace me, God, sorry, I thought I never.
Speaker 2 (38:41):
I don't know what's happened to be Suddenly I realize
I can't like without you, daughter, you can't never let goth.
Speaker 9 (38:49):
I love it.
Speaker 2 (38:50):
Say my name is poetry when you say it, flower,
so come safe, you say you're not. I'm so than
your own beloved fly Dorothy, go, don't push my let
go love you. I have to obey the god the
more for good.
Speaker 4 (39:08):
You're crazy, love and hold me, love me, don't cost me.
Speaker 2 (39:13):
I thought you were Dorothy. I was the lone mine mine,
you belong. I thought me to forget.
Speaker 9 (39:21):
I'm there for you all and stuff buck and you
are tired miss thing to get in body love.
Speaker 7 (39:26):
I can love you, ador.
Speaker 2 (39:29):
She must give you up though the gods. Come on,
No other woman can have you up to you so crazy.
If I can't got you, she won't have you either.
I don't have to strengthen you with my own bare hands,
I said, give me strength on why they help me
to come on? Shock? What? Doc? Doc? You're hungry? You
(40:11):
gotta eat?
Speaker 5 (40:13):
I know you hate to be said, I want to
strap your hands.
Speaker 2 (40:20):
Okay here, Joe, Yeah you did Joe, oh man, man,
you want me to do it again. I couldn't help,
but it was self defense. No kid, she was joking
me at that that little bit of a gal. She
had the strength of isis and her fingers in. I
(40:43):
had to hit her, yousa hit her too hard. She
fell back and hit her head against killed her like that. Hey,
what makes you do it? Doc? I mean one time
I did, but two in a row.
Speaker 4 (41:01):
I don't know.
Speaker 1 (41:03):
I just said no, she was okay.
Speaker 4 (41:06):
I mean for a team.
Speaker 2 (41:08):
She worked hard. You know, she'd come to this country.
She was just a little kid.
Speaker 4 (41:13):
She made her own way, you know.
Speaker 2 (41:15):
Got to hand it to her. He said, she came
to this country when she was just a little kid.
Huh where did she come from?
Speaker 1 (41:24):
I don't know.
Speaker 6 (41:26):
I hear it might have been Russia, Yugoslavia, you know,
one of them places, Russia.
Speaker 2 (41:34):
What's the matter at that?
Speaker 4 (41:36):
That was what she wanted to tell me.
Speaker 1 (41:43):
Yes, that was what she intended to tell him.
Speaker 3 (41:47):
That she was also a descendant of the wild city
and warrior women, and see the charm would have no
effect on her. That's what she intended all along. However,
somewhere on the journey in between superstition and enlightenment, she
became sidetracked
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