August 11, 2025 • 29 mins
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Speaker 1 (00:00):
Night and day at home or away, always carry tons.
Speaker 2 (00:04):
T U ms.
Speaker 1 (00:07):
Well famous quick relief or acid intergestion presents a date
with Judy turns the lease ericson as Judy and John
Brown as father.
Speaker 3 (00:21):
Hellow Judy Foster speaking, Who is this? Please your father?
Speaker 4 (00:24):
Oh?
Speaker 3 (00:26):
I thought you were a man.
Speaker 4 (00:29):
I thought it might Beauty on the phone.
Speaker 5 (00:31):
Oh okay, I want to fix him up.
Speaker 3 (00:33):
So not that I mind in the lease Oviie getting
the busy signals, but would you mind hanging up to her?
Find the line freeze?
Speaker 1 (00:49):
That's Judy, folks, Judy Foster, the lovable teenage girl who
was close to all our hearts. Your days with her
each Tuesday is arranged by the makers of tons, famous
quick release or acid digestion. Why do we say night
and day at home or away always carry tons? Because friends,
you never know when.
Speaker 4 (01:08):
Or where stomach.
Speaker 1 (01:09):
Distressed due to acid indigestion or heartburn may hit you.
So when it does, have tons handy for almost instant release.
See how fast one or two tons neutralize the excess acid,
relieve annoying heartburn, sweeten and settle your stomach. You feel
better fast, and see how handy tons are to take
no mixing, no stirring, no water needed. There's no baking soda,
(01:33):
nor bicarbonate in tongues, absolutely none. With tons, you can't
overalkalize your stomach, can't bring on acid rebounds, catch yourself
from tons this very night, still only ten cents a
roll three roll package of quarters all drugstars.
Speaker 4 (01:49):
T you ms, Tons for.
Speaker 1 (01:53):
The tummy, and now to the Fosters. It's even Dinner
is over. The dishes are washed, dried, and stacked, and
the Foster family is settled peacefully in the living room.
Speaker 6 (02:07):
Except for Judy. She seems a little nervous.
Speaker 3 (02:11):
Does anyone know the time?
Speaker 6 (02:13):
It's exactly eight forty five?
Speaker 3 (02:15):
Thank you? Does anyone mind if I turn on the radio?
Thank you? Does anyone have the time?
Speaker 4 (02:28):
Eight forty five? But that's what it watched before, and
as much as before was three seconds ago.
Speaker 6 (02:33):
It's not at all surprising.
Speaker 3 (02:36):
Thank you. Does anyone mind if I turn off the radio?
Thank you? Of what I guess?
Speaker 5 (02:48):
No, still him marchiness backwards.
Speaker 7 (02:51):
So dear, for goodness sake, Judy, would you stop facing
up and down?
Speaker 3 (02:56):
And I'm sorry mother? Father?
Speaker 6 (02:58):
May you wear my watch?
Speaker 4 (03:01):
I've never seen you so living.
Speaker 3 (03:03):
I'm not nervous. But don't you think I'm nervous.
Speaker 7 (03:05):
No, just the fact that you're twitching from head to till.
Speaker 3 (03:08):
Oh, don't be silly, ran, if I'm perfectly up the phone.
Speaker 6 (03:12):
The phone, I didn't hear anything near, did I?
Speaker 7 (03:15):
It was I thought I heard it, and you probably
got a ringing in your ears.
Speaker 3 (03:19):
No, father, if you said something to a boy that
hurt him, but you didn't mean to hurt him, do
you think he might remember it and try to get
even after seven months?
Speaker 6 (03:29):
Huh?
Speaker 3 (03:29):
Do you?
Speaker 4 (03:30):
Mother? I? Well, I agree with your father.
Speaker 3 (03:35):
You do what do you think?
Speaker 5 (03:37):
Father?
Speaker 4 (03:38):
Well, and under the circumstances, I agree with your mother.
What are we pointing about?
Speaker 8 (03:46):
I've read somebody asked that question.
Speaker 3 (03:48):
Well, it's really very simple. The most important school dance
of the year is in two weeks.
Speaker 7 (03:54):
Oh oh oh, I still don't know what this is
all about.
Speaker 3 (04:00):
I could say all like that because mother didn't.
Speaker 7 (04:02):
I didn't want to appear stupid.
Speaker 4 (04:07):
I said it because father did. Well, I only said
it because I figured somebody had to say something.
Speaker 3 (04:13):
Well, I don't see what's the difficult to understand. I
said that the most important school dance of the year
is in two weeks.
Speaker 6 (04:20):
Well, then, why did you want to know the time? Now?
Speaker 7 (04:22):
Oh, I understand that part. You do, sure, considering how
long it usually takes study to get ready. She's gone
starf preparing not later than nine o'clock tonight, I think.
Speaker 3 (04:34):
Well, that's all my problem means to you as an
opportunity to make fun of me. I won't discuss it
any Oh.
Speaker 4 (04:38):
No, dear, no, we're very interesting.
Speaker 6 (04:41):
Well sure, sure, Well.
Speaker 3 (04:42):
Then, as I said, the school dance is in two
weeks Wednesday, June second year. I have not yet heard
from Ugie.
Speaker 4 (04:52):
Ah ha, not even a hint.
Speaker 3 (04:54):
Nothing, I see.
Speaker 5 (04:56):
That's bad?
Speaker 7 (04:58):
And when was the dance announced?
Speaker 3 (05:00):
This afternoon?
Speaker 6 (05:04):
This afternoon?
Speaker 4 (05:05):
Jude is a poor boy hotly had a chance to
get to a phone.
Speaker 3 (05:09):
Why, mother, he's had practically six hours.
Speaker 7 (05:12):
Oh, I wouldn't worry, Judy. He's probably having a little
difficulty borrowing a nickel.
Speaker 3 (05:18):
I must go to that dance. I'm It's the most
important dance of the year. I'll die if I don't go,
die dead.
Speaker 4 (05:23):
No, no, no, take it easy, sweetie. He'll call.
Speaker 3 (05:26):
Do you really think your father? Do you really?
Speaker 4 (05:28):
Yes? I really he will?
Speaker 3 (05:29):
I sure, no, he won't. I'm sure. If he does
call me off, I'll never ask for another thing as
long as I live. Never not another thing. Not he
won't call.
Speaker 4 (05:38):
Oh, I'm sure he will do. No, he won't.
Speaker 3 (05:40):
I know it. I can feel it in my bones.
I'm absolutely positive. Do you really think he will? Mother?
Speaker 2 (05:45):
Yes?
Speaker 3 (05:46):
What do you think? Randall? Well, I say, go right,
of course you'll call me. It's been only six hours.
It's because I'll be so happy. I'll never ask for
another thing. Up, he won't call. It's some six hours,
all right, But he'll never put up the phone. Why
should he call me? There are so many other grammars women,
(06:09):
they're all mad about him. I might as well forget
the whole thing.
Speaker 6 (06:12):
Goody, yes, father the phone rang.
Speaker 3 (06:15):
I thought, But then I thought I was just kid.
Hello to Judy.
Speaker 4 (06:20):
I'm fine.
Speaker 3 (06:20):
How are you o? O?
Speaker 4 (06:23):
Hello?
Speaker 3 (06:23):
Ok?
Speaker 5 (06:24):
Yeah Judy, yes, yes, chief me, I'm.
Speaker 3 (06:30):
One moment please how hello Hello Judy, Judy, Hello Judy
Foster speaking? Who is this please?
Speaker 5 (06:41):
Judy? This is he?
Speaker 4 (06:43):
Oh?
Speaker 3 (06:44):
How do you do d her? Oh? You drunk? Funny?
Speaker 5 (06:48):
Judy? Is anything wrong?
Speaker 3 (06:49):
No? No, indeed, everything's chiny.
Speaker 4 (06:51):
How are you en?
Speaker 6 (06:53):
Or?
Speaker 5 (06:53):
I had a little call?
Speaker 4 (06:54):
That's good?
Speaker 3 (06:56):
I mean, that's too bad. Go on, Ogie.
Speaker 5 (06:58):
What was it you wanted, Judy? Are you doing anything
two weeks from tomorrow?
Speaker 3 (07:04):
Two weeks from tomorrow? Uh huh no, let me see.
Uh what day is that?
Speaker 5 (07:12):
Wednesday? June second?
Speaker 3 (07:14):
Oh uh, just a moment during the day or during
the evening, the evening. Oh well, I'm not quite sure.
Speaker 8 (07:25):
I was gonna call you sooner, but oh, frankly, I
didn't happen to have a nikolain me night.
Speaker 5 (07:35):
Oh Judy, please don't tell me you're not available at night.
Speaker 8 (07:40):
Uh June second, Yeah, that's right.
Speaker 3 (07:44):
I think I don't think I can make it, Ugie.
Speaker 5 (07:48):
Oh boy, thanks Judy, thanks loads and heat.
Speaker 3 (07:51):
So that's all right, Ugi, bye bye.
Speaker 5 (07:54):
I'm going to God.
Speaker 7 (07:55):
I knew he would, Oh brother, deliver me from women.
Speaker 6 (08:01):
Thank goodness. That crisis is over. Now we can all
relax and.
Speaker 3 (08:06):
Shouty, what is he? I'm the most miserable woman in
the entire world.
Speaker 4 (08:12):
But you said that all you wanted was Prue either
invited to the dance?
Speaker 6 (08:15):
Well he invited you, didn't he Why you're.
Speaker 4 (08:17):
So miserable because I can't go. With the love of heaven,
why not?
Speaker 3 (08:21):
I haven't got.
Speaker 2 (08:21):
Anything to wear.
Speaker 1 (08:23):
Oh, but father, beauty, it's impossible.
Speaker 6 (08:30):
I just don't believe it.
Speaker 3 (08:31):
My most vivid memory of his whole year is if
you fine, you clothes practically every day? Oh no, Father,
come on upstairs and I'll tell you. I'll prove it
to you.
Speaker 6 (08:48):
There.
Speaker 4 (08:49):
What about that one?
Speaker 3 (08:50):
Oh? I can't wear that, father?
Speaker 4 (08:51):
Why not?
Speaker 3 (08:52):
Because it's so much like the one miss he's going
to wear?
Speaker 6 (08:54):
Well, you wear this.
Speaker 4 (08:55):
I want to let her father buy her another dressons
I couldn't.
Speaker 3 (08:58):
She told me he was gonna wear her, Sir, I.
Speaker 6 (09:00):
See what's wrong with this green one?
Speaker 4 (09:03):
Uh?
Speaker 3 (09:03):
Uh?
Speaker 4 (09:03):
Why?
Speaker 3 (09:04):
Ooh, he's going to wear a blue suit.
Speaker 4 (09:06):
So green clashes with blue, father clashes.
Speaker 6 (09:10):
Well, tell him to wear another suit.
Speaker 5 (09:11):
He can't.
Speaker 3 (09:12):
Why he hasn't got another suit?
Speaker 6 (09:14):
Well, I get another lest card.
Speaker 3 (09:18):
Don't make jokes, father.
Speaker 4 (09:19):
Who's making jokes? Now here?
Speaker 6 (09:21):
They hear this red dress? Doesn't this go with blue?
Speaker 3 (09:23):
It's not red, father, it's old ropes.
Speaker 4 (09:25):
Well, all right, doesn't gold rods go with blue?
Speaker 3 (09:27):
It goes beautifully, that's the trouble. It goes so well
that I wear it all the time. Ooh, he's seen
me in at a least a dozen times.
Speaker 4 (09:34):
Well, has he ever complained, o't let him see you in.
Speaker 6 (09:37):
A thirteen times?
Speaker 3 (09:38):
I couldn't.
Speaker 8 (09:39):
Why not?
Speaker 4 (09:40):
If he's only got one suit, you must have seen
him in it at least thirteen times.
Speaker 3 (09:44):
Well that's different.
Speaker 4 (09:45):
Men can do that, girls can Who made that rule?
Speaker 3 (09:53):
Well, I don't know, but a girl just can't. Would
you see?
Speaker 4 (09:56):
Father?
Speaker 3 (09:56):
Now, do you believe I've got nothing to wear?
Speaker 7 (09:58):
No? I see three and on.
Speaker 3 (10:00):
The sweetest little dress. It's in the Bottown department store
window on the left side. Father, you love it?
Speaker 6 (10:05):
No?
Speaker 3 (10:06):
How do you know? You haven't even seen it.
Speaker 4 (10:07):
I don't mean no, I wouldn't love it.
Speaker 3 (10:08):
I mean no, you can't have it what I got you,
I have nothing.
Speaker 4 (10:12):
You have a choice of any one of these three dresses.
Speaker 3 (10:14):
My father, I told you the reasons why it's imposted.
Speaker 4 (10:17):
Those one reasons they were excuse me. I'm sorry, Judy,
but you're gonna have.
Speaker 6 (10:21):
To wear one of leave.
Speaker 5 (10:21):
I can't.
Speaker 6 (10:22):
You'll have to. I, yes, you will.
Speaker 3 (10:24):
Then I walk out of the dam.
Speaker 4 (10:26):
Oh I don't go to the dam. No, Dora, No, no, no,
she can't have it. It's not terribly sensitive.
Speaker 6 (10:45):
Dear, it's not the point at all.
Speaker 4 (10:46):
Dory If Judy really didn't have a dress to wear.
I'm only too glad to let her have it.
Speaker 6 (10:50):
But she's got three very pretty fairly new dress she
just wants another one.
Speaker 4 (10:54):
Well, it's about times she found out she can't have
every little thing she wants.
Speaker 7 (10:57):
I know, dear, but she'd be broken hearted if she
doesn't get to this day.
Speaker 4 (11:00):
I'd rather she had a little disappointment now than go
out to be a spoiled pamphert woman. Beside, when she
sees I really mean it, she'll change her mind about
not going to the dance.
Speaker 6 (11:09):
She'll go even if she does clash with Ugi's soup.
Speaker 3 (11:22):
So unless I father changes his mind about the dress, UZI,
I'm afraid I won't be able to go with you.
Speaker 5 (11:27):
Oh gosh, Judy, do you think he will?
Speaker 3 (11:29):
Of course you will, my goodness, I know my own father, don't.
Speaker 8 (11:31):
I I know my father too, but sometimes he surprises me.
A father's a parent, Judy, and parents are peculiar.
Speaker 3 (11:41):
I know that, Ug, but I have always found my
parents to be very Unterently, you'll see father buy me that.
Speaker 6 (11:49):
Dress, Dora.
Speaker 4 (11:53):
Yes, as Judy said anything about the dance, just that
she's not going. Mm.
Speaker 6 (12:00):
Well, she'll change her mind.
Speaker 3 (12:02):
Do you think so?
Speaker 4 (12:03):
Of course she will. My goodness, I know my own daughter,
don't I.
Speaker 8 (12:10):
Colley, Judy, it is only a week lass. I know
Wesi said anything about changing his mind.
Speaker 3 (12:16):
No, but he will, I think.
Speaker 4 (12:22):
Randolph, Yes, father, Has Judy said anything to you about
the dance?
Speaker 3 (12:26):
Oh?
Speaker 7 (12:26):
She didn't have much to say, just a that she's
not going these And in all the years she's been
your daughter, she had no idea that you were so constructed.
See she forgives you completely, realizing that no one can
be perfect. D. It's very possible that she may never
recover from this blow. E.
Speaker 4 (12:43):
She will never marry because it'll.
Speaker 7 (12:44):
Be my turn out to be just like you.
Speaker 3 (12:48):
Es.
Speaker 7 (12:49):
This dance certainly isn't important enough to break her heart
over it, and she's not going to give it another thought. D.
If you don't buy her the dress, she'll die dead.
Speaker 4 (12:59):
That's all she said.
Speaker 6 (13:00):
That's all.
Speaker 7 (13:02):
Oh, No, I I forgot Jay.
Speaker 6 (13:04):
Just a minute, Randolph h is coming up.
Speaker 7 (13:06):
Oh, so thank your father. H. She said that she
was going out into the world as quickly as possible,
going out into the world so that she could earn
enough money to repay you for all the pablum you
had to buy when she was a baby.
Speaker 8 (13:19):
No, unless Judy, there were only five days left. H
any late communicates.
Speaker 3 (13:35):
Oji. Yeah, I think maybe you better not count on
me for the dance.
Speaker 8 (13:40):
Why doesn't it look as though your father will buy
the dress.
Speaker 3 (13:43):
I'm afraid not.
Speaker 8 (13:44):
Oh, just sprinkle some taboo over yourself and nobody will
know the difference. Yeah, Judy, yees oogie. Honestly, Judy, I
don't care what you wear. Well, I'd be proud to
take in your in anything.
Speaker 3 (14:06):
So Ugi, that's the most beautiful thing anyone has ever
said to me.
Speaker 7 (14:11):
Then you'll go.
Speaker 3 (14:12):
No, Ugi, I can't. I either go in a new
dress or not at all. But Julia, I see, Ugi's
the principle of the thing. Please don't worry about me.
I want you to go to the dance, and I
want you to choose a beautiful woman to accompany you.
Speaker 8 (14:26):
Oh, Julie, I couldn't.
Speaker 3 (14:28):
Of course you can. Why should you be punished just
because I have a father who does just what he
says he's going to do.
Speaker 6 (14:46):
There's a time for everything.
Speaker 1 (14:48):
And when overeating over smoking or dust, plain nerves bring
on acid indigestion and heartburns. Well, that's the time for tongue.
At the first sign of stomach distress, lift one or
two tasty tongues in your mouse, just like candy men.
Almost instantly, tons neutralize the excess acids, relieve annoying heartburns.
Do then settle your upset acid summer. There's nothing faster,
(15:12):
nothing handier though, mixing or stirring with tons. You don't
even need water and suns contain no baking soda, no bicarbonates,
absolutely none. Tons won't overalkalize your stomach. Won't bring on
unpleasant acid rebounds. Never alkal overlkalize. Always neutralize excess sacidity
with tons. Do as minions do. Always keep tongues handy.
(15:35):
Still only ten cents a roll three roll package your quarters.
All drug stores ask for tons, t U m s
tonus for the dummy. And now back to a date
with Judy.
Speaker 6 (16:00):
What's on your mind?
Speaker 1 (16:01):
Ogate, mister Foster.
Speaker 8 (16:02):
I hope you'll forgive me for intruding on you during
business hours, But may I speak to you frankly? Sir?
Thank you, mister Foster. It's come to my attention. Oh
she's gotta go with me, mister Foster, she's got to her.
Speaker 5 (16:18):
I'll completely blow my sack.
Speaker 8 (16:24):
Excuse me, I guess I lost my head. But this
is a very important affair, mister Foster. Judy's just gotta
go with me.
Speaker 6 (16:33):
I'm not stopping.
Speaker 8 (16:34):
Well, I know, but well you know.
Speaker 6 (16:37):
Judy, I certainly do.
Speaker 8 (16:39):
I hope you'll pardon me for saying so, sir, but
your daughter's a very stubborn girl.
Speaker 4 (16:45):
Not not only pardon you, I agree with you.
Speaker 8 (16:48):
Mister Foster. Why don't you buy Judy? No, hm, I
was afraid you'd take that attitude. Oh that's why, mister Foster. Sir,
I have a proposition to make to you. Proposition, yeah,
to review the case. I want to take Judy to
(17:08):
this dance, and she won't go without a.
Speaker 4 (17:11):
New dress, and you won't let her have a new dress.
Speaker 8 (17:14):
If so, fact though, I won't be taking Judy to
the dance, so it would see. But suppose, mister Foster,
you were to fire that dress. No, no't wait, mister Foster,
I'm not finished yet. Suppose you were to fire that
dress and I wish to pay you back for it
at the rate of a dollar fifty a week.
Speaker 2 (17:34):
Why, well, I won't quibble with give.
Speaker 8 (17:36):
Mister Foster a dollar seventy five.
Speaker 6 (17:39):
Wait a minute, Wait a minute. Let me get this straight.
Speaker 4 (17:42):
You're offering to pay for Judy's dress at the rate
of a dollar seventy five a week or a dollar fifty.
This amounts to come out of your weekly along to
three dollars.
Speaker 6 (17:52):
And fifty cents. Uh huh, Holy smoke. You must want
to take duty to that dance very badly.
Speaker 8 (17:59):
Oh I do, mister Flosher, I do do do?
Speaker 6 (18:05):
You're a pretty nice boy.
Speaker 5 (18:07):
G yeah, I.
Speaker 8 (18:08):
Am aren't I.
Speaker 5 (18:12):
Would you do with mister Foster?
Speaker 4 (18:14):
Will you?
Speaker 6 (18:15):
I'm afraid I couldn't move you.
Speaker 3 (18:17):
You couldn't.
Speaker 6 (18:17):
I'm afraid not why well, I.
Speaker 8 (18:20):
I wouldn't tell anybody.
Speaker 6 (18:22):
Not it? What if?
Speaker 8 (18:24):
What if I paid your interest on the mark?
Speaker 6 (18:26):
That's not it is I'm sorry, I shouted.
Speaker 4 (18:28):
Oh that's all right, mister Foster. Two dollars all stop it.
Speaker 6 (18:34):
You're you're making me feel terrible.
Speaker 4 (18:37):
I'm sorry, sir. You see you can get It's not
the money.
Speaker 3 (18:40):
That's not it at all.
Speaker 4 (18:41):
It's it's it's it's the principle of the thing. Judy's
been getting away too easily lately. Do you think she
has a right to get everything she wants. What she's
doing now shows you how.
Speaker 6 (18:50):
Far it's gone.
Speaker 4 (18:52):
I mean about her refusing to go to the dance
unless she has a new dress. That's that's an attitude
that only a very spoiled young lady would take. You
see when I mean it?
Speaker 8 (19:01):
Yeah, I see, mister. Posture is two dollars and fifty
cents a week.
Speaker 4 (19:13):
That was a great dinner, Dorah, wonderful. What's the duty?
Speaker 3 (19:17):
I suppose?
Speaker 6 (19:17):
So for sure?
Speaker 4 (19:21):
Thank you, Melvin. I'm glad you liked it.
Speaker 6 (19:23):
Well, what does everybody want to do tonight?
Speaker 4 (19:25):
Huh?
Speaker 6 (19:26):
How about a movie?
Speaker 4 (19:27):
Dora? No, Melbourne, I don't think so, h Judy.
Speaker 3 (19:31):
No, thank you.
Speaker 7 (19:33):
I'll go with you.
Speaker 4 (19:33):
Father. Well, actually there's nothing very good playing. And what
do you say we all go bowling?
Speaker 3 (19:40):
No?
Speaker 4 (19:40):
I brother them up?
Speaker 7 (19:41):
No, thank you, let's go father.
Speaker 6 (19:45):
What's happened to this family?
Speaker 4 (19:47):
Anyway?
Speaker 3 (19:48):
If I may be excused me, I'm going to my room,
mother all right here? Who knows? I may not come
out for two or three years.
Speaker 6 (19:58):
Loove, Dorry, you've known me long enough to I'm no monster.
Speaker 4 (20:01):
It's just a I think I have some darling to do.
Speaker 6 (20:04):
Melvin will but doth so.
Speaker 4 (20:09):
Fun? I'll get a Randolph. Maybe it's some stranger with
a kind word for me. Hello, right, well, yes, yes, yes,
of course, always attached a buller calling long distance?
Speaker 6 (20:23):
Oh I wonder what's wrong?
Speaker 3 (20:24):
Maybe nothing's wrong?
Speaker 4 (20:25):
And or something is always wrong when your grandmother spends
the money to call.
Speaker 6 (20:28):
Up long distance. Oh my, I wonder who's sick? Maybe
your aunt?
Speaker 4 (20:31):
Hello?
Speaker 3 (20:32):
Hello? Mom?
Speaker 4 (20:33):
Yes, yes, yes, yeah? How are you?
Speaker 3 (20:35):
Oh?
Speaker 6 (20:36):
Good? Yes?
Speaker 4 (20:36):
Always? Yeah? Well? Is anything wrong? Oh?
Speaker 6 (20:39):
I don't know you you calling it? Huh?
Speaker 4 (20:44):
When my mom?
Speaker 7 (20:45):
If it?
Speaker 4 (20:45):
Look mom?
Speaker 6 (20:46):
Give a mom my mom?
Speaker 4 (20:48):
Mom? Will you please let me get a Yes for
the dress?
Speaker 3 (20:52):
I know, but the dress.
Speaker 4 (20:54):
Believe me, Mom, it's not the money. Father.
Speaker 6 (21:11):
Hello random?
Speaker 4 (21:12):
Oh what are you doing sitting here in the kitchen
in the dark. Well, it's it's embarrassing to sit in
the living room with everybody else. Everyone avoids looking at me.
It makes me feel like I like, did.
Speaker 3 (21:24):
You hear Judy?
Speaker 4 (21:25):
Tell me see over the phone and she ends up
an old maid.
Speaker 6 (21:27):
She'll know who to blame.
Speaker 3 (21:29):
Yeah.
Speaker 6 (21:30):
I wish tomorrow evening we're over.
Speaker 4 (21:32):
Maybe then my family can stop thinking of me as
a human being again. I doubt it.
Speaker 6 (21:40):
I guess not.
Speaker 4 (21:41):
Judy'll probably hold this against me for Look, Randolph, you're
usually a level headed boy.
Speaker 6 (21:46):
You know I'm right, don't you?
Speaker 3 (21:48):
Oh?
Speaker 6 (21:48):
Sure, of course I.
Speaker 4 (21:50):
Knew I could count on you. Then you know I'm
doing this for Judy's own goods. You know it's not the.
Speaker 6 (21:54):
Money, don't you for sure? Father Wyn, Why if.
Speaker 7 (22:00):
You break down and let her get it?
Speaker 3 (22:12):
No, Oubie, it's no use. I'm not going. Please, you
don't make it any more difficult. Oh no, I want
you to go. I'm sure you can get someone to
go with you. I want you to uh have a
good time. Bye.
Speaker 4 (22:31):
See Judy. One, don't the three of us go to
a movie tonight.
Speaker 7 (22:35):
Sure, there's a great picture of playing and go on, Judy,
go on up and get the I mean no, put
your hat on and no thing.
Speaker 3 (22:42):
I'd rather just stay here with my memory.
Speaker 4 (22:47):
I know, let's play cards.
Speaker 7 (22:48):
The three of us you love left the firm by
sure is no thing.
Speaker 4 (22:55):
I have to tell you about something that happened to
me when I was about your age, Judy, No, what happened?
Speaker 7 (23:02):
Well, in those days I wasn't allowed to wear makeup.
Speaker 4 (23:05):
Now there was this party I wanted to go to
so the night of the party, I got all.
Speaker 7 (23:09):
That stuff and I did a very daring thing.
Speaker 3 (23:12):
I put some.
Speaker 4 (23:12):
Rouge on my teeth.
Speaker 7 (23:20):
Then what happened mother?
Speaker 4 (23:21):
Well, my mother noticed it and she said I couldn't go.
Let me took it off. I refuse.
Speaker 7 (23:25):
I said I was old enough to wear it, and
if I couldn't wear it, I wouldn't go.
Speaker 4 (23:29):
Well, we were both suborn.
Speaker 7 (23:30):
I wouldn't take it off, and mother wouldn't let me go.
From what finally happened, Well, it was a funny thing.
I thought that if I didn't go to that party,
my heart would break.
Speaker 4 (23:39):
Did you go? No? Did your heart break?
Speaker 6 (23:41):
No?
Speaker 4 (23:42):
Of course it, yes it did. Oh, here it is
put it on?
Speaker 3 (23:52):
Whoa?
Speaker 5 (23:53):
Why is king?
Speaker 4 (23:54):
Oh?
Speaker 3 (23:55):
Father, You're the dearest sweetest darling of father and girl
ever had for a daughter.
Speaker 4 (24:00):
I'll hurry up, put on the dress and go to
the dance and have a good time.
Speaker 6 (24:02):
But there's something I want to say to you first.
Speaker 3 (24:04):
What is it? Thought here?
Speaker 6 (24:05):
I still think I was right. Don't think I bought
the dress because I felt you deserve it.
Speaker 4 (24:10):
I think you behaved like a spoiled.
Speaker 2 (24:12):
Selfish try.
Speaker 3 (24:13):
Then why did you get it for me, Oh.
Speaker 4 (24:14):
Because because I couldn't stand seeing it so unhappy.
Speaker 3 (24:18):
Oh, Father, I love you all right.
Speaker 6 (24:22):
I'll go on up and put it on and have
a good time.
Speaker 3 (24:23):
I will rand I'll call out and tell him I'm going,
tell him i'll be ready in a few minutes. Tell
him I'll be absolute.
Speaker 6 (24:38):
Melvin.
Speaker 4 (24:38):
I'm glad you did that.
Speaker 6 (24:40):
Well, I'm glad you're glad.
Speaker 7 (24:41):
You know, mother, if things like this that make me
understand why.
Speaker 3 (24:44):
You married father.
Speaker 4 (24:47):
I didn't want to buy that dress. Believe me, I'd
tried my dunn.
Speaker 6 (24:49):
It's not good.
Speaker 4 (24:51):
But when I thought of the way she's been behaving
these last few ready here, yes, no, not just here? Shoes?
Speaker 3 (24:57):
What have you got on?
Speaker 4 (24:58):
But that's not the dress?
Speaker 6 (24:59):
I isn't that the one?
Speaker 4 (25:01):
Ooh you've seen you in a dozen times? Yes?
Speaker 3 (25:04):
What happened?
Speaker 6 (25:04):
Didn't the other one fit?
Speaker 3 (25:05):
Oh? It fitted fine?
Speaker 6 (25:06):
Then why aren't you wearing?
Speaker 4 (25:08):
Well?
Speaker 3 (25:09):
While I was putting it on, I I began thinking
about what you said.
Speaker 4 (25:12):
Father.
Speaker 3 (25:13):
Do you know about buying it for me even though
you thought I was wrong?
Speaker 6 (25:16):
Yeah?
Speaker 3 (25:17):
Well, when I really thought about it, I realized how
selfish I had been, And well I knew that I
shouldn't have a dress.
Speaker 7 (25:24):
That's all that's see, Judy, Yes, father, I I like you.
Speaker 4 (25:33):
I like you too, father, and I think i'd like
you to have a dress for me.
Speaker 3 (25:37):
Oh no, I think I'd rather not have it. I'll
return in the morning. Anyway, I thought it might be
lucky to let Ugi see me in this old dress
for the thirteenth Has he really seen it for the time?
Speaker 4 (25:48):
Oh?
Speaker 3 (25:49):
Yes, I get careful.
Speaker 8 (25:50):
Tis come in Hi, everybody, mistress washeder, you're a swell guy.
Speaker 6 (25:57):
Well, thank you.
Speaker 3 (25:58):
We'll come on, Judy, I geez, boy, do you look
snabby in that new dress?
Speaker 8 (26:08):
What turn around? Yes, sir, I don't blame you for
wanting it so much.
Speaker 5 (26:14):
You look just slick in it.
Speaker 3 (26:16):
Yes, don't I? I sure do her mother and father
and Randolphin's so too, don't you.
Speaker 8 (26:22):
Cause yes, sir, old roads, I've always wanted to see
you in that color. Did I say something funny?
Speaker 1 (26:48):
Well, I am more from the Fosters in a moment.
Some nights, do you have only a nodding acquaintance with sleep?
Because if someone distressed you to ask an interjection or
heart burns, well that's the time for tom before you
slip into bed. Slip one or two tasty tongues in
your mouth. Seems you would candy mint, no mixing, no stirring,
no water needed, almost instantly. Tom's neutralized sleep sealing, excess acid,
(27:12):
relieve distressing heart burns, settle your stomach fast, so you
settle down, Jeffy quick to RESTful sleep. Thumbs contain no
baking soda, no bicarbonate, not even a pinch. Toms won't
overalkalize your stump. So with tombs there's no waking with
unpleasant acid rebounds.
Speaker 6 (27:32):
To get your sleep.
Speaker 1 (27:33):
Undisturbed by acid and digestion, get tongues, get them this
very night. Still only ten cents a roll free roll
package a quarter all rugs doors. There are many imitations,
but no substitute for tombs. T U m s genuine
(27:54):
tombs for the tummings. And now here are Judy and Uggie.
Speaker 8 (27:59):
Now No, it was a swell dance, wasn't it, Judy?
Speaker 3 (28:08):
It was a dreamy movie. Thank you for taking me.
Speaker 8 (28:11):
I was very proud to have been your escort.
Speaker 3 (28:13):
I hope that Edie didn't cost you too much.
Speaker 5 (28:15):
Cost let's go dollars cent? What do they mean?
Speaker 8 (28:20):
If they mean I can't take you to the movies
for two weeks.
Speaker 3 (28:25):
Odi, I have my whole alane left from last week.
Speaker 7 (28:28):
I'll take you to the movie.
Speaker 8 (28:30):
Jooty, you have just mortally wounded me.
Speaker 4 (28:34):
Of a guy?
Speaker 3 (28:34):
Do you think I am?
Speaker 8 (28:35):
But I'd let you take me to the movies?
Speaker 3 (28:37):
Oh Oohbie, I'm terribly sorry. I shouldn't have even suggested it. Well,
of course, not when you know darn well.
Speaker 8 (28:44):
I'd rather go to the baseball game.
Speaker 1 (28:59):
The duty is written by Allen Leslie and stars Louise
Ericson as Judy and John Brown as Father, with Mix
Davis's Randolph and Myra March as Mother.
Speaker 6 (29:09):
That Krenna played oogie.
Speaker 1 (29:11):
Music was composed and conducted by Hal Bourne. The program
was produced and directed by Helen Max. This is Ken
Niles inviting you to be with us again.
Speaker 6 (29:25):
Next Tuesday at this time.
Speaker 1 (29:27):
To keep your dates with Judy, and remember night and
day at home or away, always carry tom he.
Speaker 2 (29:35):
You M and can I stayed with JUDU be transmitted
to our men and women
Speaker 1 (29:48):
Overseas by short waves, as with the worldwide facilities of
the Armed Forces Radio Service.
Night and day at home or away, always carry tons.
Speaker 2 (00:04):
T U ms.
Speaker 1 (00:07):
Well famous quick relief or acid intergestion presents a date
with Judy turns the lease ericson as Judy and John
Brown as father.
Speaker 3 (00:21):
Hellow Judy Foster speaking, Who is this? Please your father?
Speaker 4 (00:24):
Oh?
Speaker 3 (00:26):
I thought you were a man.
Speaker 4 (00:29):
I thought it might Beauty on the phone.
Speaker 5 (00:31):
Oh okay, I want to fix him up.
Speaker 3 (00:33):
So not that I mind in the lease Oviie getting
the busy signals, but would you mind hanging up to her?
Find the line freeze?
Speaker 1 (00:49):
That's Judy, folks, Judy Foster, the lovable teenage girl who
was close to all our hearts. Your days with her
each Tuesday is arranged by the makers of tons, famous
quick release or acid digestion. Why do we say night
and day at home or away always carry tons? Because friends,
you never know when.
Speaker 4 (01:08):
Or where stomach.
Speaker 1 (01:09):
Distressed due to acid indigestion or heartburn may hit you.
So when it does, have tons handy for almost instant release.
See how fast one or two tons neutralize the excess acid,
relieve annoying heartburn, sweeten and settle your stomach. You feel
better fast, and see how handy tons are to take
no mixing, no stirring, no water needed. There's no baking soda,
(01:33):
nor bicarbonate in tongues, absolutely none. With tons, you can't
overalkalize your stomach, can't bring on acid rebounds, catch yourself
from tons this very night, still only ten cents a
roll three roll package of quarters all drugstars.
Speaker 4 (01:49):
T you ms, Tons for.
Speaker 1 (01:53):
The tummy, and now to the Fosters. It's even Dinner
is over. The dishes are washed, dried, and stacked, and
the Foster family is settled peacefully in the living room.
Speaker 6 (02:07):
Except for Judy. She seems a little nervous.
Speaker 3 (02:11):
Does anyone know the time?
Speaker 6 (02:13):
It's exactly eight forty five?
Speaker 3 (02:15):
Thank you? Does anyone mind if I turn on the radio?
Thank you? Does anyone have the time?
Speaker 4 (02:28):
Eight forty five? But that's what it watched before, and
as much as before was three seconds ago.
Speaker 6 (02:33):
It's not at all surprising.
Speaker 3 (02:36):
Thank you. Does anyone mind if I turn off the radio?
Thank you? Of what I guess?
Speaker 5 (02:48):
No, still him marchiness backwards.
Speaker 7 (02:51):
So dear, for goodness sake, Judy, would you stop facing
up and down?
Speaker 3 (02:56):
And I'm sorry mother? Father?
Speaker 6 (02:58):
May you wear my watch?
Speaker 4 (03:01):
I've never seen you so living.
Speaker 3 (03:03):
I'm not nervous. But don't you think I'm nervous.
Speaker 7 (03:05):
No, just the fact that you're twitching from head to till.
Speaker 3 (03:08):
Oh, don't be silly, ran, if I'm perfectly up the phone.
Speaker 6 (03:12):
The phone, I didn't hear anything near, did I?
Speaker 7 (03:15):
It was I thought I heard it, and you probably
got a ringing in your ears.
Speaker 3 (03:19):
No, father, if you said something to a boy that
hurt him, but you didn't mean to hurt him, do
you think he might remember it and try to get
even after seven months?
Speaker 6 (03:29):
Huh?
Speaker 3 (03:29):
Do you?
Speaker 4 (03:30):
Mother? I? Well, I agree with your father.
Speaker 3 (03:35):
You do what do you think?
Speaker 5 (03:37):
Father?
Speaker 4 (03:38):
Well, and under the circumstances, I agree with your mother.
What are we pointing about?
Speaker 8 (03:46):
I've read somebody asked that question.
Speaker 3 (03:48):
Well, it's really very simple. The most important school dance
of the year is in two weeks.
Speaker 7 (03:54):
Oh oh oh, I still don't know what this is
all about.
Speaker 3 (04:00):
I could say all like that because mother didn't.
Speaker 7 (04:02):
I didn't want to appear stupid.
Speaker 4 (04:07):
I said it because father did. Well, I only said
it because I figured somebody had to say something.
Speaker 3 (04:13):
Well, I don't see what's the difficult to understand. I
said that the most important school dance of the year
is in two weeks.
Speaker 6 (04:20):
Well, then, why did you want to know the time? Now?
Speaker 7 (04:22):
Oh, I understand that part. You do, sure, considering how
long it usually takes study to get ready. She's gone
starf preparing not later than nine o'clock tonight, I think.
Speaker 3 (04:34):
Well, that's all my problem means to you as an
opportunity to make fun of me. I won't discuss it
any Oh.
Speaker 4 (04:38):
No, dear, no, we're very interesting.
Speaker 6 (04:41):
Well sure, sure, Well.
Speaker 3 (04:42):
Then, as I said, the school dance is in two
weeks Wednesday, June second year. I have not yet heard
from Ugie.
Speaker 4 (04:52):
Ah ha, not even a hint.
Speaker 3 (04:54):
Nothing, I see.
Speaker 5 (04:56):
That's bad?
Speaker 7 (04:58):
And when was the dance announced?
Speaker 3 (05:00):
This afternoon?
Speaker 6 (05:04):
This afternoon?
Speaker 4 (05:05):
Jude is a poor boy hotly had a chance to
get to a phone.
Speaker 3 (05:09):
Why, mother, he's had practically six hours.
Speaker 7 (05:12):
Oh, I wouldn't worry, Judy. He's probably having a little
difficulty borrowing a nickel.
Speaker 3 (05:18):
I must go to that dance. I'm It's the most
important dance of the year. I'll die if I don't go,
die dead.
Speaker 4 (05:23):
No, no, no, take it easy, sweetie. He'll call.
Speaker 3 (05:26):
Do you really think your father? Do you really?
Speaker 4 (05:28):
Yes? I really he will?
Speaker 3 (05:29):
I sure, no, he won't. I'm sure. If he does
call me off, I'll never ask for another thing as
long as I live. Never not another thing. Not he
won't call.
Speaker 4 (05:38):
Oh, I'm sure he will do. No, he won't.
Speaker 3 (05:40):
I know it. I can feel it in my bones.
I'm absolutely positive. Do you really think he will? Mother?
Speaker 2 (05:45):
Yes?
Speaker 3 (05:46):
What do you think? Randall? Well, I say, go right,
of course you'll call me. It's been only six hours.
It's because I'll be so happy. I'll never ask for
another thing. Up, he won't call. It's some six hours,
all right, But he'll never put up the phone. Why
should he call me? There are so many other grammars women,
(06:09):
they're all mad about him. I might as well forget
the whole thing.
Speaker 6 (06:12):
Goody, yes, father the phone rang.
Speaker 3 (06:15):
I thought, But then I thought I was just kid.
Hello to Judy.
Speaker 4 (06:20):
I'm fine.
Speaker 3 (06:20):
How are you o? O?
Speaker 4 (06:23):
Hello?
Speaker 3 (06:23):
Ok?
Speaker 5 (06:24):
Yeah Judy, yes, yes, chief me, I'm.
Speaker 3 (06:30):
One moment please how hello Hello Judy, Judy, Hello Judy
Foster speaking? Who is this please?
Speaker 5 (06:41):
Judy? This is he?
Speaker 4 (06:43):
Oh?
Speaker 3 (06:44):
How do you do d her? Oh? You drunk? Funny?
Speaker 5 (06:48):
Judy? Is anything wrong?
Speaker 3 (06:49):
No? No, indeed, everything's chiny.
Speaker 4 (06:51):
How are you en?
Speaker 6 (06:53):
Or?
Speaker 5 (06:53):
I had a little call?
Speaker 4 (06:54):
That's good?
Speaker 3 (06:56):
I mean, that's too bad. Go on, Ogie.
Speaker 5 (06:58):
What was it you wanted, Judy? Are you doing anything
two weeks from tomorrow?
Speaker 3 (07:04):
Two weeks from tomorrow? Uh huh no, let me see.
Uh what day is that?
Speaker 5 (07:12):
Wednesday? June second?
Speaker 3 (07:14):
Oh uh, just a moment during the day or during
the evening, the evening. Oh well, I'm not quite sure.
Speaker 8 (07:25):
I was gonna call you sooner, but oh, frankly, I
didn't happen to have a nikolain me night.
Speaker 5 (07:35):
Oh Judy, please don't tell me you're not available at night.
Speaker 8 (07:40):
Uh June second, Yeah, that's right.
Speaker 3 (07:44):
I think I don't think I can make it, Ugie.
Speaker 5 (07:48):
Oh boy, thanks Judy, thanks loads and heat.
Speaker 3 (07:51):
So that's all right, Ugi, bye bye.
Speaker 5 (07:54):
I'm going to God.
Speaker 7 (07:55):
I knew he would, Oh brother, deliver me from women.
Speaker 6 (08:01):
Thank goodness. That crisis is over. Now we can all
relax and.
Speaker 3 (08:06):
Shouty, what is he? I'm the most miserable woman in
the entire world.
Speaker 4 (08:12):
But you said that all you wanted was Prue either
invited to the dance?
Speaker 6 (08:15):
Well he invited you, didn't he Why you're.
Speaker 4 (08:17):
So miserable because I can't go. With the love of heaven,
why not?
Speaker 3 (08:21):
I haven't got.
Speaker 2 (08:21):
Anything to wear.
Speaker 1 (08:23):
Oh, but father, beauty, it's impossible.
Speaker 6 (08:30):
I just don't believe it.
Speaker 3 (08:31):
My most vivid memory of his whole year is if
you fine, you clothes practically every day? Oh no, Father,
come on upstairs and I'll tell you. I'll prove it
to you.
Speaker 6 (08:48):
There.
Speaker 4 (08:49):
What about that one?
Speaker 3 (08:50):
Oh? I can't wear that, father?
Speaker 4 (08:51):
Why not?
Speaker 3 (08:52):
Because it's so much like the one miss he's going
to wear?
Speaker 6 (08:54):
Well, you wear this.
Speaker 4 (08:55):
I want to let her father buy her another dressons
I couldn't.
Speaker 3 (08:58):
She told me he was gonna wear her, Sir, I.
Speaker 6 (09:00):
See what's wrong with this green one?
Speaker 4 (09:03):
Uh?
Speaker 3 (09:03):
Uh?
Speaker 4 (09:03):
Why?
Speaker 3 (09:04):
Ooh, he's going to wear a blue suit.
Speaker 4 (09:06):
So green clashes with blue, father clashes.
Speaker 6 (09:10):
Well, tell him to wear another suit.
Speaker 5 (09:11):
He can't.
Speaker 3 (09:12):
Why he hasn't got another suit?
Speaker 6 (09:14):
Well, I get another lest card.
Speaker 3 (09:18):
Don't make jokes, father.
Speaker 4 (09:19):
Who's making jokes? Now here?
Speaker 6 (09:21):
They hear this red dress? Doesn't this go with blue?
Speaker 3 (09:23):
It's not red, father, it's old ropes.
Speaker 4 (09:25):
Well, all right, doesn't gold rods go with blue?
Speaker 3 (09:27):
It goes beautifully, that's the trouble. It goes so well
that I wear it all the time. Ooh, he's seen
me in at a least a dozen times.
Speaker 4 (09:34):
Well, has he ever complained, o't let him see you in.
Speaker 6 (09:37):
A thirteen times?
Speaker 3 (09:38):
I couldn't.
Speaker 8 (09:39):
Why not?
Speaker 4 (09:40):
If he's only got one suit, you must have seen
him in it at least thirteen times.
Speaker 3 (09:44):
Well that's different.
Speaker 4 (09:45):
Men can do that, girls can Who made that rule?
Speaker 3 (09:53):
Well, I don't know, but a girl just can't. Would
you see?
Speaker 4 (09:56):
Father?
Speaker 3 (09:56):
Now, do you believe I've got nothing to wear?
Speaker 7 (09:58):
No? I see three and on.
Speaker 3 (10:00):
The sweetest little dress. It's in the Bottown department store
window on the left side. Father, you love it?
Speaker 6 (10:05):
No?
Speaker 3 (10:06):
How do you know? You haven't even seen it.
Speaker 4 (10:07):
I don't mean no, I wouldn't love it.
Speaker 3 (10:08):
I mean no, you can't have it what I got you,
I have nothing.
Speaker 4 (10:12):
You have a choice of any one of these three dresses.
Speaker 3 (10:14):
My father, I told you the reasons why it's imposted.
Speaker 4 (10:17):
Those one reasons they were excuse me. I'm sorry, Judy,
but you're gonna have.
Speaker 6 (10:21):
To wear one of leave.
Speaker 5 (10:21):
I can't.
Speaker 6 (10:22):
You'll have to. I, yes, you will.
Speaker 3 (10:24):
Then I walk out of the dam.
Speaker 4 (10:26):
Oh I don't go to the dam. No, Dora, No, no, no,
she can't have it. It's not terribly sensitive.
Speaker 6 (10:45):
Dear, it's not the point at all.
Speaker 4 (10:46):
Dory If Judy really didn't have a dress to wear.
I'm only too glad to let her have it.
Speaker 6 (10:50):
But she's got three very pretty fairly new dress she
just wants another one.
Speaker 4 (10:54):
Well, it's about times she found out she can't have
every little thing she wants.
Speaker 7 (10:57):
I know, dear, but she'd be broken hearted if she
doesn't get to this day.
Speaker 4 (11:00):
I'd rather she had a little disappointment now than go
out to be a spoiled pamphert woman. Beside, when she
sees I really mean it, she'll change her mind about
not going to the dance.
Speaker 6 (11:09):
She'll go even if she does clash with Ugi's soup.
Speaker 3 (11:22):
So unless I father changes his mind about the dress, UZI,
I'm afraid I won't be able to go with you.
Speaker 5 (11:27):
Oh gosh, Judy, do you think he will?
Speaker 3 (11:29):
Of course you will, my goodness, I know my own father, don't.
Speaker 8 (11:31):
I I know my father too, but sometimes he surprises me.
A father's a parent, Judy, and parents are peculiar.
Speaker 3 (11:41):
I know that, Ug, but I have always found my
parents to be very Unterently, you'll see father buy me that.
Speaker 6 (11:49):
Dress, Dora.
Speaker 4 (11:53):
Yes, as Judy said anything about the dance, just that
she's not going. Mm.
Speaker 6 (12:00):
Well, she'll change her mind.
Speaker 3 (12:02):
Do you think so?
Speaker 4 (12:03):
Of course she will. My goodness, I know my own daughter,
don't I.
Speaker 8 (12:10):
Colley, Judy, it is only a week lass. I know
Wesi said anything about changing his mind.
Speaker 3 (12:16):
No, but he will, I think.
Speaker 4 (12:22):
Randolph, Yes, father, Has Judy said anything to you about
the dance?
Speaker 3 (12:26):
Oh?
Speaker 7 (12:26):
She didn't have much to say, just a that she's
not going these And in all the years she's been
your daughter, she had no idea that you were so constructed.
See she forgives you completely, realizing that no one can
be perfect. D. It's very possible that she may never
recover from this blow. E.
Speaker 4 (12:43):
She will never marry because it'll.
Speaker 7 (12:44):
Be my turn out to be just like you.
Speaker 3 (12:48):
Es.
Speaker 7 (12:49):
This dance certainly isn't important enough to break her heart
over it, and she's not going to give it another thought. D.
If you don't buy her the dress, she'll die dead.
Speaker 4 (12:59):
That's all she said.
Speaker 6 (13:00):
That's all.
Speaker 7 (13:02):
Oh, No, I I forgot Jay.
Speaker 6 (13:04):
Just a minute, Randolph h is coming up.
Speaker 7 (13:06):
Oh, so thank your father. H. She said that she
was going out into the world as quickly as possible,
going out into the world so that she could earn
enough money to repay you for all the pablum you
had to buy when she was a baby.
Speaker 8 (13:19):
No, unless Judy, there were only five days left. H
any late communicates.
Speaker 3 (13:35):
Oji. Yeah, I think maybe you better not count on
me for the dance.
Speaker 8 (13:40):
Why doesn't it look as though your father will buy
the dress.
Speaker 3 (13:43):
I'm afraid not.
Speaker 8 (13:44):
Oh, just sprinkle some taboo over yourself and nobody will
know the difference. Yeah, Judy, yees oogie. Honestly, Judy, I
don't care what you wear. Well, I'd be proud to
take in your in anything.
Speaker 3 (14:06):
So Ugi, that's the most beautiful thing anyone has ever
said to me.
Speaker 7 (14:11):
Then you'll go.
Speaker 3 (14:12):
No, Ugi, I can't. I either go in a new
dress or not at all. But Julia, I see, Ugi's
the principle of the thing. Please don't worry about me.
I want you to go to the dance, and I
want you to choose a beautiful woman to accompany you.
Speaker 8 (14:26):
Oh, Julie, I couldn't.
Speaker 3 (14:28):
Of course you can. Why should you be punished just
because I have a father who does just what he
says he's going to do.
Speaker 6 (14:46):
There's a time for everything.
Speaker 1 (14:48):
And when overeating over smoking or dust, plain nerves bring
on acid indigestion and heartburns. Well, that's the time for tongue.
At the first sign of stomach distress, lift one or
two tasty tongues in your mouse, just like candy men.
Almost instantly, tons neutralize the excess acids, relieve annoying heartburns.
Do then settle your upset acid summer. There's nothing faster,
(15:12):
nothing handier though, mixing or stirring with tons. You don't
even need water and suns contain no baking soda, no bicarbonates,
absolutely none. Tons won't overalkalize your stomach. Won't bring on
unpleasant acid rebounds. Never alkal overlkalize. Always neutralize excess sacidity
with tons. Do as minions do. Always keep tongues handy.
(15:35):
Still only ten cents a roll three roll package your quarters.
All drug stores ask for tons, t U m s
tonus for the dummy. And now back to a date
with Judy.
Speaker 6 (16:00):
What's on your mind?
Speaker 1 (16:01):
Ogate, mister Foster.
Speaker 8 (16:02):
I hope you'll forgive me for intruding on you during
business hours, But may I speak to you frankly? Sir?
Thank you, mister Foster. It's come to my attention. Oh
she's gotta go with me, mister Foster, she's got to her.
Speaker 5 (16:18):
I'll completely blow my sack.
Speaker 8 (16:24):
Excuse me, I guess I lost my head. But this
is a very important affair, mister Foster. Judy's just gotta
go with me.
Speaker 6 (16:33):
I'm not stopping.
Speaker 8 (16:34):
Well, I know, but well you know.
Speaker 6 (16:37):
Judy, I certainly do.
Speaker 8 (16:39):
I hope you'll pardon me for saying so, sir, but
your daughter's a very stubborn girl.
Speaker 4 (16:45):
Not not only pardon you, I agree with you.
Speaker 8 (16:48):
Mister Foster. Why don't you buy Judy? No, hm, I
was afraid you'd take that attitude. Oh that's why, mister Foster. Sir,
I have a proposition to make to you. Proposition, yeah,
to review the case. I want to take Judy to
(17:08):
this dance, and she won't go without a.
Speaker 4 (17:11):
New dress, and you won't let her have a new dress.
Speaker 8 (17:14):
If so, fact though, I won't be taking Judy to
the dance, so it would see. But suppose, mister Foster,
you were to fire that dress. No, no't wait, mister Foster,
I'm not finished yet. Suppose you were to fire that
dress and I wish to pay you back for it
at the rate of a dollar fifty a week.
Speaker 2 (17:34):
Why, well, I won't quibble with give.
Speaker 8 (17:36):
Mister Foster a dollar seventy five.
Speaker 6 (17:39):
Wait a minute, Wait a minute. Let me get this straight.
Speaker 4 (17:42):
You're offering to pay for Judy's dress at the rate
of a dollar seventy five a week or a dollar fifty.
This amounts to come out of your weekly along to
three dollars.
Speaker 6 (17:52):
And fifty cents. Uh huh, Holy smoke. You must want
to take duty to that dance very badly.
Speaker 8 (17:59):
Oh I do, mister Flosher, I do do do?
Speaker 6 (18:05):
You're a pretty nice boy.
Speaker 5 (18:07):
G yeah, I.
Speaker 8 (18:08):
Am aren't I.
Speaker 5 (18:12):
Would you do with mister Foster?
Speaker 4 (18:14):
Will you?
Speaker 6 (18:15):
I'm afraid I couldn't move you.
Speaker 3 (18:17):
You couldn't.
Speaker 6 (18:17):
I'm afraid not why well, I.
Speaker 8 (18:20):
I wouldn't tell anybody.
Speaker 6 (18:22):
Not it? What if?
Speaker 8 (18:24):
What if I paid your interest on the mark?
Speaker 6 (18:26):
That's not it is I'm sorry, I shouted.
Speaker 4 (18:28):
Oh that's all right, mister Foster. Two dollars all stop it.
Speaker 6 (18:34):
You're you're making me feel terrible.
Speaker 4 (18:37):
I'm sorry, sir. You see you can get It's not
the money.
Speaker 3 (18:40):
That's not it at all.
Speaker 4 (18:41):
It's it's it's it's the principle of the thing. Judy's
been getting away too easily lately. Do you think she
has a right to get everything she wants. What she's
doing now shows you how.
Speaker 6 (18:50):
Far it's gone.
Speaker 4 (18:52):
I mean about her refusing to go to the dance
unless she has a new dress. That's that's an attitude
that only a very spoiled young lady would take. You
see when I mean it?
Speaker 8 (19:01):
Yeah, I see, mister. Posture is two dollars and fifty
cents a week.
Speaker 4 (19:13):
That was a great dinner, Dorah, wonderful. What's the duty?
Speaker 3 (19:17):
I suppose?
Speaker 6 (19:17):
So for sure?
Speaker 4 (19:21):
Thank you, Melvin. I'm glad you liked it.
Speaker 6 (19:23):
Well, what does everybody want to do tonight?
Speaker 4 (19:25):
Huh?
Speaker 6 (19:26):
How about a movie?
Speaker 4 (19:27):
Dora? No, Melbourne, I don't think so, h Judy.
Speaker 3 (19:31):
No, thank you.
Speaker 7 (19:33):
I'll go with you.
Speaker 4 (19:33):
Father. Well, actually there's nothing very good playing. And what
do you say we all go bowling?
Speaker 3 (19:40):
No?
Speaker 4 (19:40):
I brother them up?
Speaker 7 (19:41):
No, thank you, let's go father.
Speaker 6 (19:45):
What's happened to this family?
Speaker 4 (19:47):
Anyway?
Speaker 3 (19:48):
If I may be excused me, I'm going to my room,
mother all right here? Who knows? I may not come
out for two or three years.
Speaker 6 (19:58):
Loove, Dorry, you've known me long enough to I'm no monster.
Speaker 4 (20:01):
It's just a I think I have some darling to do.
Speaker 6 (20:04):
Melvin will but doth so.
Speaker 4 (20:09):
Fun? I'll get a Randolph. Maybe it's some stranger with
a kind word for me. Hello, right, well, yes, yes, yes,
of course, always attached a buller calling long distance?
Speaker 6 (20:23):
Oh I wonder what's wrong?
Speaker 3 (20:24):
Maybe nothing's wrong?
Speaker 4 (20:25):
And or something is always wrong when your grandmother spends
the money to call.
Speaker 6 (20:28):
Up long distance. Oh my, I wonder who's sick? Maybe
your aunt?
Speaker 4 (20:31):
Hello?
Speaker 3 (20:32):
Hello? Mom?
Speaker 4 (20:33):
Yes, yes, yes, yeah? How are you?
Speaker 3 (20:35):
Oh?
Speaker 6 (20:36):
Good? Yes?
Speaker 4 (20:36):
Always? Yeah? Well? Is anything wrong? Oh?
Speaker 6 (20:39):
I don't know you you calling it? Huh?
Speaker 4 (20:44):
When my mom?
Speaker 7 (20:45):
If it?
Speaker 4 (20:45):
Look mom?
Speaker 6 (20:46):
Give a mom my mom?
Speaker 4 (20:48):
Mom? Will you please let me get a Yes for
the dress?
Speaker 3 (20:52):
I know, but the dress.
Speaker 4 (20:54):
Believe me, Mom, it's not the money. Father.
Speaker 6 (21:11):
Hello random?
Speaker 4 (21:12):
Oh what are you doing sitting here in the kitchen
in the dark. Well, it's it's embarrassing to sit in
the living room with everybody else. Everyone avoids looking at me.
It makes me feel like I like, did.
Speaker 3 (21:24):
You hear Judy?
Speaker 4 (21:25):
Tell me see over the phone and she ends up
an old maid.
Speaker 6 (21:27):
She'll know who to blame.
Speaker 3 (21:29):
Yeah.
Speaker 6 (21:30):
I wish tomorrow evening we're over.
Speaker 4 (21:32):
Maybe then my family can stop thinking of me as
a human being again. I doubt it.
Speaker 6 (21:40):
I guess not.
Speaker 4 (21:41):
Judy'll probably hold this against me for Look, Randolph, you're
usually a level headed boy.
Speaker 6 (21:46):
You know I'm right, don't you?
Speaker 3 (21:48):
Oh?
Speaker 6 (21:48):
Sure, of course I.
Speaker 4 (21:50):
Knew I could count on you. Then you know I'm
doing this for Judy's own goods. You know it's not the.
Speaker 6 (21:54):
Money, don't you for sure? Father Wyn, Why if.
Speaker 7 (22:00):
You break down and let her get it?
Speaker 3 (22:12):
No, Oubie, it's no use. I'm not going. Please, you
don't make it any more difficult. Oh no, I want
you to go. I'm sure you can get someone to
go with you. I want you to uh have a
good time. Bye.
Speaker 4 (22:31):
See Judy. One, don't the three of us go to
a movie tonight.
Speaker 7 (22:35):
Sure, there's a great picture of playing and go on, Judy,
go on up and get the I mean no, put
your hat on and no thing.
Speaker 3 (22:42):
I'd rather just stay here with my memory.
Speaker 4 (22:47):
I know, let's play cards.
Speaker 7 (22:48):
The three of us you love left the firm by
sure is no thing.
Speaker 4 (22:55):
I have to tell you about something that happened to
me when I was about your age, Judy, No, what happened?
Speaker 7 (23:02):
Well, in those days I wasn't allowed to wear makeup.
Speaker 4 (23:05):
Now there was this party I wanted to go to
so the night of the party, I got all.
Speaker 7 (23:09):
That stuff and I did a very daring thing.
Speaker 3 (23:12):
I put some.
Speaker 4 (23:12):
Rouge on my teeth.
Speaker 7 (23:20):
Then what happened mother?
Speaker 4 (23:21):
Well, my mother noticed it and she said I couldn't go.
Let me took it off. I refuse.
Speaker 7 (23:25):
I said I was old enough to wear it, and
if I couldn't wear it, I wouldn't go.
Speaker 4 (23:29):
Well, we were both suborn.
Speaker 7 (23:30):
I wouldn't take it off, and mother wouldn't let me go.
From what finally happened, Well, it was a funny thing.
I thought that if I didn't go to that party,
my heart would break.
Speaker 4 (23:39):
Did you go? No? Did your heart break?
Speaker 6 (23:41):
No?
Speaker 4 (23:42):
Of course it, yes it did. Oh, here it is
put it on?
Speaker 3 (23:52):
Whoa?
Speaker 5 (23:53):
Why is king?
Speaker 4 (23:54):
Oh?
Speaker 3 (23:55):
Father, You're the dearest sweetest darling of father and girl
ever had for a daughter.
Speaker 4 (24:00):
I'll hurry up, put on the dress and go to
the dance and have a good time.
Speaker 6 (24:02):
But there's something I want to say to you first.
Speaker 3 (24:04):
What is it? Thought here?
Speaker 6 (24:05):
I still think I was right. Don't think I bought
the dress because I felt you deserve it.
Speaker 4 (24:10):
I think you behaved like a spoiled.
Speaker 2 (24:12):
Selfish try.
Speaker 3 (24:13):
Then why did you get it for me, Oh.
Speaker 4 (24:14):
Because because I couldn't stand seeing it so unhappy.
Speaker 3 (24:18):
Oh, Father, I love you all right.
Speaker 6 (24:22):
I'll go on up and put it on and have
a good time.
Speaker 3 (24:23):
I will rand I'll call out and tell him I'm going,
tell him i'll be ready in a few minutes. Tell
him I'll be absolute.
Speaker 6 (24:38):
Melvin.
Speaker 4 (24:38):
I'm glad you did that.
Speaker 6 (24:40):
Well, I'm glad you're glad.
Speaker 7 (24:41):
You know, mother, if things like this that make me
understand why.
Speaker 3 (24:44):
You married father.
Speaker 4 (24:47):
I didn't want to buy that dress. Believe me, I'd
tried my dunn.
Speaker 6 (24:49):
It's not good.
Speaker 4 (24:51):
But when I thought of the way she's been behaving
these last few ready here, yes, no, not just here? Shoes?
Speaker 3 (24:57):
What have you got on?
Speaker 4 (24:58):
But that's not the dress?
Speaker 6 (24:59):
I isn't that the one?
Speaker 4 (25:01):
Ooh you've seen you in a dozen times? Yes?
Speaker 3 (25:04):
What happened?
Speaker 6 (25:04):
Didn't the other one fit?
Speaker 3 (25:05):
Oh? It fitted fine?
Speaker 6 (25:06):
Then why aren't you wearing?
Speaker 4 (25:08):
Well?
Speaker 3 (25:09):
While I was putting it on, I I began thinking
about what you said.
Speaker 4 (25:12):
Father.
Speaker 3 (25:13):
Do you know about buying it for me even though
you thought I was wrong?
Speaker 6 (25:16):
Yeah?
Speaker 3 (25:17):
Well, when I really thought about it, I realized how
selfish I had been, And well I knew that I
shouldn't have a dress.
Speaker 7 (25:24):
That's all that's see, Judy, Yes, father, I I like you.
Speaker 4 (25:33):
I like you too, father, and I think i'd like
you to have a dress for me.
Speaker 3 (25:37):
Oh no, I think I'd rather not have it. I'll
return in the morning. Anyway, I thought it might be
lucky to let Ugi see me in this old dress
for the thirteenth Has he really seen it for the time?
Speaker 4 (25:48):
Oh?
Speaker 3 (25:49):
Yes, I get careful.
Speaker 8 (25:50):
Tis come in Hi, everybody, mistress washeder, you're a swell guy.
Speaker 6 (25:57):
Well, thank you.
Speaker 3 (25:58):
We'll come on, Judy, I geez, boy, do you look
snabby in that new dress?
Speaker 8 (26:08):
What turn around? Yes, sir, I don't blame you for
wanting it so much.
Speaker 5 (26:14):
You look just slick in it.
Speaker 3 (26:16):
Yes, don't I? I sure do her mother and father
and Randolphin's so too, don't you.
Speaker 8 (26:22):
Cause yes, sir, old roads, I've always wanted to see
you in that color. Did I say something funny?
Speaker 1 (26:48):
Well, I am more from the Fosters in a moment.
Some nights, do you have only a nodding acquaintance with sleep?
Because if someone distressed you to ask an interjection or
heart burns, well that's the time for tom before you
slip into bed. Slip one or two tasty tongues in
your mouth. Seems you would candy mint, no mixing, no stirring,
no water needed, almost instantly. Tom's neutralized sleep sealing, excess acid,
(27:12):
relieve distressing heart burns, settle your stomach fast, so you
settle down, Jeffy quick to RESTful sleep. Thumbs contain no
baking soda, no bicarbonate, not even a pinch. Toms won't
overalkalize your stump. So with tombs there's no waking with
unpleasant acid rebounds.
Speaker 6 (27:32):
To get your sleep.
Speaker 1 (27:33):
Undisturbed by acid and digestion, get tongues, get them this
very night. Still only ten cents a roll free roll
package a quarter all rugs doors. There are many imitations,
but no substitute for tombs. T U m s genuine
(27:54):
tombs for the tummings. And now here are Judy and Uggie.
Speaker 8 (27:59):
Now No, it was a swell dance, wasn't it, Judy?
Speaker 3 (28:08):
It was a dreamy movie. Thank you for taking me.
Speaker 8 (28:11):
I was very proud to have been your escort.
Speaker 3 (28:13):
I hope that Edie didn't cost you too much.
Speaker 5 (28:15):
Cost let's go dollars cent? What do they mean?
Speaker 8 (28:20):
If they mean I can't take you to the movies
for two weeks.
Speaker 3 (28:25):
Odi, I have my whole alane left from last week.
Speaker 7 (28:28):
I'll take you to the movie.
Speaker 8 (28:30):
Jooty, you have just mortally wounded me.
Speaker 4 (28:34):
Of a guy?
Speaker 3 (28:34):
Do you think I am?
Speaker 8 (28:35):
But I'd let you take me to the movies?
Speaker 3 (28:37):
Oh Oohbie, I'm terribly sorry. I shouldn't have even suggested it. Well,
of course, not when you know darn well.
Speaker 8 (28:44):
I'd rather go to the baseball game.
Speaker 1 (28:59):
The duty is written by Allen Leslie and stars Louise
Ericson as Judy and John Brown as Father, with Mix
Davis's Randolph and Myra March as Mother.
Speaker 6 (29:09):
That Krenna played oogie.
Speaker 1 (29:11):
Music was composed and conducted by Hal Bourne. The program
was produced and directed by Helen Max. This is Ken
Niles inviting you to be with us again.
Speaker 6 (29:25):
Next Tuesday at this time.
Speaker 1 (29:27):
To keep your dates with Judy, and remember night and
day at home or away, always carry tom he.
Speaker 2 (29:35):
You M and can I stayed with JUDU be transmitted
to our men and women
Speaker 1 (29:48):
Overseas by short waves, as with the worldwide facilities of
the Armed Forces Radio Service.
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