July 30, 2025 • 22 mins
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Speaker 1 (00:02):
Now in cooperation with police and federal law enforcement departments
throughout the United States. The only national program that brings
you authentic police case histories.
Speaker 2 (00:12):
Gangbusters Tonight the case of the brothers in Banditry, who
thought the way to social standing was money and the
way the money was crime, until they learned that even
(00:32):
the highest Polish leaves a mark.
Speaker 1 (00:37):
Gangbusters has asked the Honorable John J. Grosh, now criminal
Sheriff Orleans Parish and former Chief of Detectives, New Orleans, Louisiana,
to narrate by proxy tonight's case the.
Speaker 3 (00:48):
Inside facts in the case of Brothers in Banditry.
Speaker 1 (00:53):
Sheriff Grash, I know you have a lot to tell
us tonight, so suppose you start right in all.
Speaker 4 (00:58):
Right, Don Gardner, and I think the place to begin
would be a few years ago in Hollywood, California, in
a room at one of the fashionable apartment hotels, a
young man and a young woman were dancing while the
portable phonograph hummed out the rhythm of the latest rage
from South America, the sambo.
Speaker 5 (01:21):
That's it, This is fun, all right, stay with it,
stay with it, sure you cut it old, darn it.
Speaker 6 (01:34):
I not come on honey, come on, it's simple.
Speaker 5 (01:37):
Oh no, not no, later, maybe turn it off?
Speaker 6 (01:40):
Surely anything you said, I get.
Speaker 5 (01:44):
One of these dances all set, and then they come
out with a new one. Oh, I just got to
sit down.
Speaker 6 (01:50):
I think I've got some ice in there. I'll fix
your nice school drink.
Speaker 5 (01:53):
No thanks to sit down here with me. Sure, baby,
Cleveland's gonna be awfully dull without you.
Speaker 1 (02:01):
Ralph.
Speaker 6 (02:02):
Stick around Hollywood.
Speaker 5 (02:04):
No, I've been here long enough without anything happening. My
father gave me a year. If you're not in pictures
by then, he said, come home. So back to the
social world in Cleveland. That's me.
Speaker 6 (02:17):
Well, maybe I'll drop into Cleveland someday.
Speaker 7 (02:20):
Would you like that?
Speaker 5 (02:21):
Would I like the had? I?
Speaker 6 (02:23):
Oh, answer that with you, Lydia.
Speaker 5 (02:24):
Oh what's yours? Answered yourself?
Speaker 6 (02:27):
No, No, go ahead, honey, whoever it is, tell him,
tell him. I won't be back till Tuesday. I don't
want to talk to anybody.
Speaker 5 (02:33):
Hand me the phone.
Speaker 1 (02:34):
Sure, Hello, is this Ralph Olliver's room?
Speaker 5 (02:40):
Oh well, yes, yeah it is.
Speaker 6 (02:46):
Let me talk to you Ralph.
Speaker 5 (02:48):
Well he's not here right now.
Speaker 1 (02:51):
Oh when you expect him back?
Speaker 5 (02:53):
I don't know exactly, Tuesday, maybe Tuesday.
Speaker 1 (02:57):
Look where can I get in touch with them? This
is his brother, it's come in tone.
Speaker 8 (03:02):
Hey, hey give me that phone. Sure, Hey, look you
old Pelican?
Speaker 6 (03:05):
How are you?
Speaker 1 (03:06):
Oh?
Speaker 9 (03:06):
Great? Real?
Speaker 10 (03:07):
Say?
Speaker 6 (03:07):
What's the idea?
Speaker 1 (03:09):
Tuesday?
Speaker 6 (03:10):
When'd you get in town just a little while ago?
Speaker 1 (03:12):
What are you doing tonight?
Speaker 8 (03:13):
Well, we were just thinking about getting dinner, Lot, I
mean this, and then you can come back here and
stay with me for sure.
Speaker 1 (03:18):
What if they say the biggest steaks in town of
the Eldorado Club.
Speaker 6 (03:21):
We'll see you there in half an hour.
Speaker 1 (03:22):
Fine, in case you don't remember the base, look for
a sailor suit for the striving half.
Speaker 6 (03:27):
Well, JG. So you finally made it?
Speaker 9 (03:31):
Hell on l another?
Speaker 6 (03:32):
Oh why didn't you write me Hello?
Speaker 1 (03:33):
I'll tell you all about it.
Speaker 9 (03:34):
Don't be late.
Speaker 1 (03:35):
I'm hungry as a bear.
Speaker 5 (03:41):
Oh, Lot, that's wonderful.
Speaker 1 (03:43):
Hell my CEO didn't think it was so wonderful.
Speaker 5 (03:46):
I never had such a good time. Why didn't you
tell me about this kid brother of yours?
Speaker 6 (03:50):
Round my bolways?
Speaker 8 (03:51):
Kept them a secret? He's a woman stealing and he's
so young too. I'll let him catch you, lad. Yeah,
there's only a yeah between this. Besides I have only
one love. That's the Navy.
Speaker 6 (04:02):
Would you care for another Brandy Lydio?
Speaker 5 (04:04):
No, thank you, Rob. I think I'll just go proud
of my nose.
Speaker 1 (04:06):
No, I like it.
Speaker 5 (04:08):
You won't miss me. As a matter of fact, I
feel in the way. You must have lots to talk about.
I'll be back in a few minutes.
Speaker 1 (04:15):
Right, nice girl, she'll do a lot. Rich family, rich enough?
How you telling you otherwise? It's a struggle. Say tell
me something, will you plut?
Speaker 8 (04:30):
How come they jump you from machinists mate second class
to lieutenant JG.
Speaker 6 (04:34):
In a year?
Speaker 1 (04:35):
Navy promotions are too slow, Ralph, I decided to promote myself.
Oh I'm not in the navy anymore. I just like
the uniform honorable discharge. Yeah that kind uh huh?
Speaker 6 (04:49):
Say catch you wearing that uniform? It will go tough one.
Speaker 1 (04:51):
Yeah, they won't catch me. I'm move too fast. Do
you have to move too fast? Or wouldn't you if
you had a bunch of bum checks Tralia?
Speaker 7 (05:00):
Yeah, but you.
Speaker 1 (05:01):
Gotta be careful. Oh, I'm careful. Well why do we
go me here? I don't know you're the host me? Well,
didn't you invite me out to dinner. Oh sure, but
I'm kind of short tonight of money? You mean what else? Oh,
what's the matter. I've only got seven dollars to my name.
Beat me, I've only got fired. That's not my help.
(05:23):
Check will be over thirty dollars with all the drinks.
Speaker 6 (05:27):
What about Lydia?
Speaker 7 (05:28):
Forget it?
Speaker 1 (05:29):
Oh she's well, hell, couldn't you tell her you left
you all at home?
Speaker 6 (05:31):
Forget it? I'm saving her for a bigger touch now.
Speaker 1 (05:35):
But she's going on with Cleveland tomorrow.
Speaker 6 (05:37):
And I'm going to Cleveland soon.
Speaker 1 (05:41):
Well what are we going to do? Hey? How about
you and I fighting over who's going to pay? That's
got whiskers? How about getting sick or spilling food or something?
Speaker 6 (05:53):
Hey, call that headwaiter over here.
Speaker 1 (05:55):
It's the idea. Just call him Cappen.
Speaker 7 (05:59):
Cappen.
Speaker 8 (06:01):
When he gets here, tell him what to find dinner
we had, and ask him to bring the check.
Speaker 6 (06:04):
But Ralph, I do as I tell you. Here he comes.
Speaker 1 (06:07):
Can I be of service? Mission? Yeah? The dinner was excellent?
Speaker 7 (06:12):
Just right?
Speaker 1 (06:12):
Oh, thank you, monsieur. May I have the check? Lase
you assure in a moment.
Speaker 6 (06:17):
See isn't that Joe Davis?
Speaker 1 (06:19):
Excuse me? It is nothing, monsieur.
Speaker 4 (06:21):
I will leave the check in the movement.
Speaker 1 (06:24):
Tell me how that helped us, other than bring the
eggs down quicker. The check will be over thirty bucks.
Here be a liberal tipper.
Speaker 6 (06:31):
I give him a.
Speaker 1 (06:32):
Forty what's your get ahole?
Speaker 6 (06:34):
That does from the head waiter, but he doesn't know check.
Speaker 1 (06:39):
Well, how long you've been picking pockets?
Speaker 6 (06:42):
His is the first one. But when I have to,
I can do anything and do it good.
Speaker 1 (06:46):
Now, let's get out of here before he missus that
as soon as Lydia comes back, we'll take her home.
Then I want to talk over a few things with you.
Speaker 6 (07:04):
Okay, lord, let's turn in. Huh, it's late.
Speaker 1 (07:06):
I just been sitting here thinking, Ralph, what's there to
think about?
Speaker 8 (07:10):
Aren't you sick of wondering where your next dollar is
coming from?
Speaker 1 (07:13):
I am? I wanna live off the fat of the land. Oh,
who doesn't? He came along just in time, kid, I
was about to look for somebody to help me. Okay,
and counting your kid, brother, good. I throw away that
sailor's suit and we go into business, a nice little business.
Speaker 6 (07:29):
Sort of capital gains.
Speaker 7 (07:30):
MM.
Speaker 8 (07:31):
We invest a few dollars in some guns, right, run
'em to a fortune.
Speaker 1 (07:37):
You know, Ralph. When you're cashing bum checks or even
picking pockets, they don't look for you too hard robbery
something else. Look lot when there's a hold up, the
police look for criminals.
Speaker 8 (07:48):
We're not criminals. And we'll pick a town we both
know well. I like New Orleans. Do what we have
to do and get out immediately. Go to some place
where we're respected citizens.
Speaker 1 (07:58):
M like Cleveland.
Speaker 8 (08:02):
Like Cleveland, we stay there and have a good time
until we're ready for another business trip back to New Orleans.
Speaker 5 (08:14):
Thirteen eighty two.
Speaker 6 (08:18):
Good morning, miss, good morning. We'd like to see mister Florensen.
Speaker 1 (08:22):
Who is calling? Please Detective Santa's and King New Orleans
Police Department.
Speaker 11 (08:26):
Oh, one moment, please, yes, mister Florcan Detective Sanders and
King of the Police.
Speaker 5 (08:33):
Department to see you, to see me, Yes, sir, they're
right here.
Speaker 6 (08:39):
Send them in.
Speaker 1 (08:41):
Are you about finished making up that deposit about sir?
Speaker 5 (08:43):
I'll bring it in when it's ready. Mister Florence's office
is a first one on the right.
Speaker 6 (08:48):
Thank you very much.
Speaker 1 (08:49):
Come on, and I hope we get away with it.
We will, won't worry, all right.
Speaker 8 (09:02):
Lott Hell here's luck, mister Floreston. Yes, I'm Detective Sanders.
This is Detective King. We hate to trouble you when
you're busy, but that's all right.
Speaker 1 (09:13):
If there's anything I can do for.
Speaker 6 (09:15):
You, we'd like to do something for you for me.
Speaker 1 (09:18):
Yes, sir, you're in the habit of making a large
bank deposit every Wednesday morning at eleven. Well, that's right.
As a matter of fact, the deposit's about ready now.
Speaker 8 (09:26):
And we had a tip from an informal last night.
This informer thinks two bandits planned to hold you up
today on your way to the bank.
Speaker 1 (09:32):
Really, Lieutenant doesn't put much stock in the report, but
he sent us to escort you to the bank.
Speaker 5 (09:37):
Oh, fie, I have the deposit, mister florisac.
Speaker 1 (09:42):
Oh good, I'll take it please.
Speaker 5 (09:44):
Oh would you bring back some deposit slip.
Speaker 1 (09:46):
Sir, Yes, yes, of course, thank you.
Speaker 5 (09:48):
You're welcome, mister Farisa.
Speaker 8 (09:52):
And another thing, mister Florescent, Either we or other detectives
will continue to escort you to the bank every Wednesday
for three or four weeks, just the place.
Speaker 1 (09:59):
Sa Oh, I'll be glad to have you, believe me.
All right, we'll take the money, but that's all right,
I can carry.
Speaker 6 (10:05):
He meant we'll take it. Get him a priest, won't
dot don't. I've got it.
Speaker 1 (10:12):
Let's go.
Speaker 10 (10:17):
Okay, Oh miss yes, sir, mister Florest and asked me
to tell you that we're escorting him to the bank
in a half hour.
Speaker 6 (10:29):
He doesn't want to be disturbed until we return.
Speaker 5 (10:31):
Oh, I won't disturb him.
Speaker 6 (10:32):
Good, come on, sergeant.
Speaker 4 (10:40):
That Don, was how Ralph and Lorton Oliver staged their
first robbery in New Orleans. They were delighted at their success,
but the brothers soon learned it seldom that even the
most ingenious schemes fool the police.
Speaker 1 (10:55):
Now back to Gangbusters. You were telling a sheriff Crash
that the brothers Ralph and Lorte Molliver had worked out
in the elaborate scheme to stage robberies in New Orleans
then leave town before the police could make headway in
their investigation.
Speaker 4 (11:09):
That's right, Don, and at least a half dozen cleverly
executed robberies were committed in quick succession.
Speaker 6 (11:16):
After the last one, they planned to leave.
Speaker 4 (11:18):
For Cleveland, where they'd make the rounds as respectable citizens.
Lawton was waiting on a busy New Orleans corner for
his brother, when a brand new Cadillac Sedan pulled to
a stop.
Speaker 8 (11:36):
Lot, Hey, lot, come on, get it roll?
Speaker 6 (11:42):
Where the devil you get this?
Speaker 7 (11:44):
I don't like it?
Speaker 1 (11:46):
Hey, some hunk of automobile.
Speaker 6 (11:52):
I like that power?
Speaker 1 (11:53):
Come on, come on, who says it? Don't tell me?
Somebody let it standing there with the keys in it.
Speaker 8 (11:57):
It's ours, ours, yours and mine. We're going to Cleveland
in the style. You mean you bought it right off
the floor. Oh stop kidding. Well, yeah, this car costs
well the must cost of thirty.
Speaker 1 (12:08):
Five hundred, at least thirty six and a quarter all
honest rill, we'll make it up.
Speaker 6 (12:12):
What's money beside the Cadillac's gonna pay for itself?
Speaker 1 (12:16):
Eh?
Speaker 6 (12:16):
How well?
Speaker 8 (12:17):
I figured out one more job for us before we
kiss An Orleans goodbye, and we can use the car
for it.
Speaker 1 (12:23):
But what about the plates? It's registered no name license.
Speaker 8 (12:26):
Plates for a time at dusn't so we got a
dozen men who knows it's our car. Then we head
straight for Cleveland with a brand new Cadillac, free and clear.
Speaker 6 (12:33):
That's my brother.
Speaker 3 (12:41):
I don't expector I checked up on the license plates.
Huh stolen. I didn't expect anything different than JA. No,
but I was hoping. What was the car stolen from?
Speaker 7 (12:51):
Sergeant.
Speaker 1 (12:52):
I don't know about the car.
Speaker 3 (12:53):
The plate's taken off a nineteen forty Chevy some difference,
and it reports on a new Cadillac Sadan. Being Stone,
I couldn't find any inspector not any place in the state.
If anyone's missing a brand new Cadillact, they certainly ought
to squawk about it. Couldn't be You mean you were
(13:13):
thinking these bandits might own that car and just have
stolen the plates.
Speaker 7 (13:16):
Yeah, But why do they need to buy a.
Speaker 1 (13:19):
Car, Sergeant?
Speaker 3 (13:20):
These two men seem to have a way of their
own and a purpose of their own. Well spoken, polished,
and a little too confident. Why shouldn't they buy a
Cadillac if they want one. If they did, it shouldn't
be too hard to trace. Look into the state registrations
for the last week or two. There won't be too
many Cadillacts of that modelistic Yes, sir, I'll get right
on it.
Speaker 8 (13:50):
You've been unfaithful, unfaithful, Yes, you've been taking sam lessons
from somebody else.
Speaker 4 (13:56):
Well.
Speaker 5 (13:57):
I never expected to see you in Cleveland, ground.
Speaker 6 (14:00):
I promised i'd be here, didn't I?
Speaker 5 (14:01):
That was a Hollywood promise.
Speaker 1 (14:03):
You don't know how I dreamed about seeing you again,
How I couldn't wait to get here and then to
hold you in my arms, dancing, not just dancing, Lydia. Look,
look now, I'll be here two weeks. I want to
see you every day and every night.
Speaker 6 (14:18):
Where are we going? Tomorrow afternoon?
Speaker 1 (14:20):
That's up to you.
Speaker 5 (14:21):
Tomorrow night, Tomorrow night, I'm busy.
Speaker 6 (14:24):
What's his name? I'm murdering.
Speaker 5 (14:26):
Let's sit down.
Speaker 6 (14:26):
Now, what's the matter with tomorrow night? Well, you can.
Speaker 5 (14:31):
See me if you want to.
Speaker 6 (14:32):
It's up to you.
Speaker 5 (14:34):
This is our table, isn't it.
Speaker 7 (14:35):
Yeah?
Speaker 6 (14:37):
What do you mean if I want to tomorrow night?
Speaker 5 (14:39):
It's the annual charity bark Well.
Speaker 6 (14:41):
I believe in charity.
Speaker 5 (14:43):
It so happens that I'm on the ticket committee.
Speaker 8 (14:46):
Congratulations, I'll take two tickets. How much are they?
Speaker 6 (14:49):
Whatever? You want to get?
Speaker 1 (14:50):
Well, i'll take.
Speaker 6 (14:51):
Two at five hundred dollars apiece.
Speaker 5 (14:53):
Oh that's very generous, Ralph. But I've already got mine.
Speaker 1 (14:57):
Okay, I'll still take two. Block one want to in
the hotel room.
Speaker 8 (15:01):
My whole family believes in charity.
Speaker 11 (15:12):
All right, all right, my goodness, no room's vacant, mister wall.
Speaker 1 (15:19):
Full of I don't want a room.
Speaker 5 (15:21):
Then what do you want?
Speaker 6 (15:22):
Do you have a room or named Oliver?
Speaker 9 (15:24):
Who are you?
Speaker 1 (15:25):
Bill collector?
Speaker 5 (15:26):
No?
Speaker 1 (15:26):
Wo thedn't come in? Come in?
Speaker 7 (15:29):
Thanks?
Speaker 1 (15:31):
Well?
Speaker 5 (15:32):
Did you want Ralph Oliver o Lorton Oliver?
Speaker 7 (15:35):
Oh, there's two of.
Speaker 11 (15:37):
Them, brothers, nicest boys you ever saw a high tone?
Speaker 7 (15:41):
I see it. Where's their room?
Speaker 6 (15:44):
They ain't in Orleans no more?
Speaker 11 (15:47):
Are you anyway an insurance salesman.
Speaker 1 (15:49):
I'm a police officer, man, police officer.
Speaker 11 (15:53):
Well, Friday, I think it was, yeah, Friday, because mister
Hunter Clark moved in on Friday.
Speaker 1 (15:59):
Now then I'm Clark. You know where they went?
Speaker 11 (16:02):
Were traveling, they said, But if you ask me, it
was Cleveland, they will rail Thad he's got a fiance,
say in Cleveland. You must be making a mistake about
those boys. They're nice boys.
Speaker 1 (16:13):
Did Ralph get mailed from Cleveland?
Speaker 5 (16:16):
Some?
Speaker 11 (16:17):
Now see here? You don't think I go around reading
my roomors made?
Speaker 7 (16:20):
I'm sure you don't.
Speaker 11 (16:22):
Well it was from Cleveland High Society Gale, she writes
on good Stationary. So you are after the wrong man.
Anybody who has a high society. Girl, don't go mix
it up with the police. You don't want all of
her boys for nothing. They're very high type.
Speaker 3 (16:38):
Yes, I know, very high type. And please show me
the room they occupied.
Speaker 5 (16:44):
Well, I'll show it to you, but you won't find
nothing there. I clean it.
Speaker 11 (16:47):
Every day, Yeah, every day, right this way.
Speaker 1 (16:55):
One thousand dollars, Ralph, one thousand dollars for ticket hits
an investment. Well, how long do you think the money
he's gonna hold out? We've been here two days and
you've already spent nearly two thousand. Well there's plenty more
where we got this shore, back in New Orleans, in someplace.
But we're in Cleveland. You're dated up for two weeks.
Speaker 6 (17:08):
Lot, what you know?
Speaker 8 (17:11):
Associating with these people here gives you a lot of
inside information. Now the hotel across the street, for instance,
did you know that every Monday night the wealthiest businessmen
in town amuse themselves with a game of poker, a
game of poker for high stakes in room eleven. Oh two,
Oh who kids, that's the next game. Lot, They're gonna
deal us in and we'll wind up the only winner.
Speaker 1 (17:32):
Welp, We decided not to work in Cleveland. This is
for five got it all figured out? Well, this is
going against everything we decided. We wear masks in disguise
our voices. About midnight, we knock on the door and
say it's the belt.
Speaker 6 (17:43):
When they open up.
Speaker 7 (17:47):
Okay, knock, yes, what is it?
Speaker 6 (17:53):
Gets said bell boy?
Speaker 1 (18:00):
Back in the room and reach quiet all of you,
shut up, okay, on your feet, quiet, get up. I
lay the door on the table. Empty your pockets and
don't hold out.
Speaker 7 (18:13):
Shut up.
Speaker 1 (18:14):
We're gonna search every one of you before we get out,
so put it all out. If you don't, it's eleven
floors out that window.
Speaker 6 (18:21):
Go on, go on, empty your pockets.
Speaker 7 (18:25):
That's it.
Speaker 1 (18:26):
Oh, come on, come on.
Speaker 8 (18:30):
All right now all of you get in the bathroom.
Get in the bathroom and make it snappy. Get the
dope path right, don't want get in get in there.
Shut up you hey, yeah, shut the door and start counting.
When you get to a thousand, you can come out
(18:50):
and count slow, well, go on, count.
Speaker 3 (18:54):
One, two, three, four.
Speaker 6 (18:59):
I have shut the door, six seven. Hey, you got
it all?
Speaker 1 (19:07):
Yeah about it? Take care of the ford, right, that's that,
you know. Come on, let's get out. Here wait a
minute for what Come on, Take it easy and I
walk up to the bathroom door with me, but quietly.
Speaker 10 (19:26):
Listen, holded, quiet, thy God, open the shoe.
Speaker 9 (19:35):
Okay, I myself.
Speaker 8 (19:38):
Hey, start all over again to one thousand, and if
you open that door before you reach a thousand, I'll
shoot you right through the head. You think I'm gonna
leave her? If you think I kittn just try it.
Speaker 9 (19:48):
One, two, three, four, five, sake seven h jad is
Sergeant Wayne Cleveland. Just call me back, Inspector.
Speaker 12 (20:04):
Oh, they've been checking up there and they've got a
line on the OLLI her brothers good. As a matter
of fact, they had a robb ray of a poker
game last night. The bandits wore masks, but it looks
pretty much like it could be the Oli her brothers.
Speaker 9 (20:14):
It's their kind of stuff.
Speaker 1 (20:15):
How about playing reservation, Sergeant.
Speaker 9 (20:17):
I'll check out them right away.
Speaker 1 (20:19):
What time do you want to leave on the first
flight out?
Speaker 9 (20:21):
Okay, I'll get the tickets and wire Cleveland. We're on
the way.
Speaker 5 (20:28):
Well, here we are home again.
Speaker 1 (20:30):
It was a wonderful party, Lydia, thanks so letting me
tagle long.
Speaker 5 (20:33):
It wouldn't have been the same without you, Lawton.
Speaker 6 (20:36):
Come on, honey, good night, Lawton. I'll be right out.
Speaker 1 (20:39):
Oh, don't hurry, take your time.
Speaker 6 (20:47):
Well is honey?
Speaker 5 (20:48):
Mother and father asked me to invite you to dinner tomorrow. Night.
Speaker 6 (20:52):
Good I'd love to come.
Speaker 5 (20:54):
I suppose they know things are getting serious.
Speaker 6 (20:58):
It's about time. They know the interesting more than time.
Have you got your keys?
Speaker 5 (21:04):
Yeah?
Speaker 6 (21:11):
Good night, darling.
Speaker 5 (21:11):
How do you.
Speaker 1 (21:13):
Sure lydia let's get married, Ralph? I yes, oh no,
that's all I want to hear.
Speaker 5 (21:25):
Well, Ralph, yees?
Speaker 6 (21:31):
Oh honey, Oh well baby, we don't say anymore.
Speaker 5 (21:38):
Let me remember every word.
Speaker 6 (21:40):
Good night, honey, good night, Darling. Well what do you think?
What I propose it? And what Oliver? And nothing?
Speaker 1 (22:02):
We're police officers. Get in okay, I guess this is it, Ralph. Yeah,
they're waiting for us. Aunt, sergeant, place at quarters? All right,
police aid quotas.
Speaker 4 (22:26):
That Don was the end of the activities of the
Oliver brothers, who thought they could lead a double life.
The only life they found, however, was behind penitentiary bars.
And in addition, they're now waiting trial on six more
robbery indictments.
Speaker 1 (22:40):
Well, thank you, Sheriff Grosh for this extraordinary case history
and Gangbusters. Congratulations to the officers who participated in the
investigation and apprehension of these criminals.
Now in cooperation with police and federal law enforcement departments
throughout the United States. The only national program that brings
you authentic police case histories.
Speaker 2 (00:12):
Gangbusters Tonight the case of the brothers in Banditry, who
thought the way to social standing was money and the
way the money was crime, until they learned that even
(00:32):
the highest Polish leaves a mark.
Speaker 1 (00:37):
Gangbusters has asked the Honorable John J. Grosh, now criminal
Sheriff Orleans Parish and former Chief of Detectives, New Orleans, Louisiana,
to narrate by proxy tonight's case the.
Speaker 3 (00:48):
Inside facts in the case of Brothers in Banditry.
Speaker 1 (00:53):
Sheriff Grash, I know you have a lot to tell
us tonight, so suppose you start right in all.
Speaker 4 (00:58):
Right, Don Gardner, and I think the place to begin
would be a few years ago in Hollywood, California, in
a room at one of the fashionable apartment hotels, a
young man and a young woman were dancing while the
portable phonograph hummed out the rhythm of the latest rage
from South America, the sambo.
Speaker 5 (01:21):
That's it, This is fun, all right, stay with it,
stay with it, sure you cut it old, darn it.
Speaker 6 (01:34):
I not come on honey, come on, it's simple.
Speaker 5 (01:37):
Oh no, not no, later, maybe turn it off?
Speaker 6 (01:40):
Surely anything you said, I get.
Speaker 5 (01:44):
One of these dances all set, and then they come
out with a new one. Oh, I just got to
sit down.
Speaker 6 (01:50):
I think I've got some ice in there. I'll fix
your nice school drink.
Speaker 5 (01:53):
No thanks to sit down here with me. Sure, baby,
Cleveland's gonna be awfully dull without you.
Speaker 1 (02:01):
Ralph.
Speaker 6 (02:02):
Stick around Hollywood.
Speaker 5 (02:04):
No, I've been here long enough without anything happening. My
father gave me a year. If you're not in pictures
by then, he said, come home. So back to the
social world in Cleveland. That's me.
Speaker 6 (02:17):
Well, maybe I'll drop into Cleveland someday.
Speaker 7 (02:20):
Would you like that?
Speaker 5 (02:21):
Would I like the had? I?
Speaker 6 (02:23):
Oh, answer that with you, Lydia.
Speaker 5 (02:24):
Oh what's yours? Answered yourself?
Speaker 6 (02:27):
No, No, go ahead, honey, whoever it is, tell him,
tell him. I won't be back till Tuesday. I don't
want to talk to anybody.
Speaker 5 (02:33):
Hand me the phone.
Speaker 1 (02:34):
Sure, Hello, is this Ralph Olliver's room?
Speaker 5 (02:40):
Oh well, yes, yeah it is.
Speaker 6 (02:46):
Let me talk to you Ralph.
Speaker 5 (02:48):
Well he's not here right now.
Speaker 1 (02:51):
Oh when you expect him back?
Speaker 5 (02:53):
I don't know exactly, Tuesday, maybe Tuesday.
Speaker 1 (02:57):
Look where can I get in touch with them? This
is his brother, it's come in tone.
Speaker 8 (03:02):
Hey, hey give me that phone. Sure, Hey, look you
old Pelican?
Speaker 6 (03:05):
How are you?
Speaker 1 (03:06):
Oh?
Speaker 9 (03:06):
Great? Real?
Speaker 10 (03:07):
Say?
Speaker 6 (03:07):
What's the idea?
Speaker 1 (03:09):
Tuesday?
Speaker 6 (03:10):
When'd you get in town just a little while ago?
Speaker 1 (03:12):
What are you doing tonight?
Speaker 8 (03:13):
Well, we were just thinking about getting dinner, Lot, I
mean this, and then you can come back here and
stay with me for sure.
Speaker 1 (03:18):
What if they say the biggest steaks in town of
the Eldorado Club.
Speaker 6 (03:21):
We'll see you there in half an hour.
Speaker 1 (03:22):
Fine, in case you don't remember the base, look for
a sailor suit for the striving half.
Speaker 6 (03:27):
Well, JG. So you finally made it?
Speaker 9 (03:31):
Hell on l another?
Speaker 6 (03:32):
Oh why didn't you write me Hello?
Speaker 1 (03:33):
I'll tell you all about it.
Speaker 9 (03:34):
Don't be late.
Speaker 1 (03:35):
I'm hungry as a bear.
Speaker 5 (03:41):
Oh, Lot, that's wonderful.
Speaker 1 (03:43):
Hell my CEO didn't think it was so wonderful.
Speaker 5 (03:46):
I never had such a good time. Why didn't you
tell me about this kid brother of yours?
Speaker 6 (03:50):
Round my bolways?
Speaker 8 (03:51):
Kept them a secret? He's a woman stealing and he's
so young too. I'll let him catch you, lad. Yeah,
there's only a yeah between this. Besides I have only
one love. That's the Navy.
Speaker 6 (04:02):
Would you care for another Brandy Lydio?
Speaker 5 (04:04):
No, thank you, Rob. I think I'll just go proud
of my nose.
Speaker 1 (04:06):
No, I like it.
Speaker 5 (04:08):
You won't miss me. As a matter of fact, I
feel in the way. You must have lots to talk about.
I'll be back in a few minutes.
Speaker 1 (04:15):
Right, nice girl, she'll do a lot. Rich family, rich enough?
How you telling you otherwise? It's a struggle. Say tell
me something, will you plut?
Speaker 8 (04:30):
How come they jump you from machinists mate second class
to lieutenant JG.
Speaker 6 (04:34):
In a year?
Speaker 1 (04:35):
Navy promotions are too slow, Ralph, I decided to promote myself.
Oh I'm not in the navy anymore. I just like
the uniform honorable discharge. Yeah that kind uh huh?
Speaker 6 (04:49):
Say catch you wearing that uniform? It will go tough one.
Speaker 1 (04:51):
Yeah, they won't catch me. I'm move too fast. Do
you have to move too fast? Or wouldn't you if
you had a bunch of bum checks Tralia?
Speaker 7 (05:00):
Yeah, but you.
Speaker 1 (05:01):
Gotta be careful. Oh, I'm careful. Well why do we
go me here? I don't know you're the host me? Well,
didn't you invite me out to dinner. Oh sure, but
I'm kind of short tonight of money? You mean what else? Oh,
what's the matter. I've only got seven dollars to my name.
Beat me, I've only got fired. That's not my help.
(05:23):
Check will be over thirty dollars with all the drinks.
Speaker 6 (05:27):
What about Lydia?
Speaker 7 (05:28):
Forget it?
Speaker 1 (05:29):
Oh she's well, hell, couldn't you tell her you left
you all at home?
Speaker 6 (05:31):
Forget it? I'm saving her for a bigger touch now.
Speaker 1 (05:35):
But she's going on with Cleveland tomorrow.
Speaker 6 (05:37):
And I'm going to Cleveland soon.
Speaker 1 (05:41):
Well what are we going to do? Hey? How about
you and I fighting over who's going to pay? That's
got whiskers? How about getting sick or spilling food or something?
Speaker 6 (05:53):
Hey, call that headwaiter over here.
Speaker 1 (05:55):
It's the idea. Just call him Cappen.
Speaker 7 (05:59):
Cappen.
Speaker 8 (06:01):
When he gets here, tell him what to find dinner
we had, and ask him to bring the check.
Speaker 6 (06:04):
But Ralph, I do as I tell you. Here he comes.
Speaker 1 (06:07):
Can I be of service? Mission? Yeah? The dinner was excellent?
Speaker 7 (06:12):
Just right?
Speaker 1 (06:12):
Oh, thank you, monsieur. May I have the check? Lase
you assure in a moment.
Speaker 6 (06:17):
See isn't that Joe Davis?
Speaker 1 (06:19):
Excuse me? It is nothing, monsieur.
Speaker 4 (06:21):
I will leave the check in the movement.
Speaker 1 (06:24):
Tell me how that helped us, other than bring the
eggs down quicker. The check will be over thirty bucks.
Here be a liberal tipper.
Speaker 6 (06:31):
I give him a.
Speaker 1 (06:32):
Forty what's your get ahole?
Speaker 6 (06:34):
That does from the head waiter, but he doesn't know check.
Speaker 1 (06:39):
Well, how long you've been picking pockets?
Speaker 6 (06:42):
His is the first one. But when I have to,
I can do anything and do it good.
Speaker 1 (06:46):
Now, let's get out of here before he missus that
as soon as Lydia comes back, we'll take her home.
Then I want to talk over a few things with you.
Speaker 6 (07:04):
Okay, lord, let's turn in. Huh, it's late.
Speaker 1 (07:06):
I just been sitting here thinking, Ralph, what's there to
think about?
Speaker 8 (07:10):
Aren't you sick of wondering where your next dollar is
coming from?
Speaker 1 (07:13):
I am? I wanna live off the fat of the land. Oh,
who doesn't? He came along just in time, kid, I
was about to look for somebody to help me. Okay,
and counting your kid, brother, good. I throw away that
sailor's suit and we go into business, a nice little business.
Speaker 6 (07:29):
Sort of capital gains.
Speaker 7 (07:30):
MM.
Speaker 8 (07:31):
We invest a few dollars in some guns, right, run
'em to a fortune.
Speaker 1 (07:37):
You know, Ralph. When you're cashing bum checks or even
picking pockets, they don't look for you too hard robbery
something else. Look lot when there's a hold up, the
police look for criminals.
Speaker 8 (07:48):
We're not criminals. And we'll pick a town we both
know well. I like New Orleans. Do what we have
to do and get out immediately. Go to some place
where we're respected citizens.
Speaker 1 (07:58):
M like Cleveland.
Speaker 8 (08:02):
Like Cleveland, we stay there and have a good time
until we're ready for another business trip back to New Orleans.
Speaker 5 (08:14):
Thirteen eighty two.
Speaker 6 (08:18):
Good morning, miss, good morning. We'd like to see mister Florensen.
Speaker 1 (08:22):
Who is calling? Please Detective Santa's and King New Orleans
Police Department.
Speaker 11 (08:26):
Oh, one moment, please, yes, mister Florcan Detective Sanders and
King of the Police.
Speaker 5 (08:33):
Department to see you, to see me, Yes, sir, they're
right here.
Speaker 6 (08:39):
Send them in.
Speaker 1 (08:41):
Are you about finished making up that deposit about sir?
Speaker 5 (08:43):
I'll bring it in when it's ready. Mister Florence's office
is a first one on the right.
Speaker 6 (08:48):
Thank you very much.
Speaker 1 (08:49):
Come on, and I hope we get away with it.
We will, won't worry, all right.
Speaker 8 (09:02):
Lott Hell here's luck, mister Floreston. Yes, I'm Detective Sanders.
This is Detective King. We hate to trouble you when
you're busy, but that's all right.
Speaker 1 (09:13):
If there's anything I can do for.
Speaker 6 (09:15):
You, we'd like to do something for you for me.
Speaker 1 (09:18):
Yes, sir, you're in the habit of making a large
bank deposit every Wednesday morning at eleven. Well, that's right.
As a matter of fact, the deposit's about ready now.
Speaker 8 (09:26):
And we had a tip from an informal last night.
This informer thinks two bandits planned to hold you up
today on your way to the bank.
Speaker 1 (09:32):
Really, Lieutenant doesn't put much stock in the report, but
he sent us to escort you to the bank.
Speaker 5 (09:37):
Oh, fie, I have the deposit, mister florisac.
Speaker 1 (09:42):
Oh good, I'll take it please.
Speaker 5 (09:44):
Oh would you bring back some deposit slip.
Speaker 1 (09:46):
Sir, Yes, yes, of course, thank you.
Speaker 5 (09:48):
You're welcome, mister Farisa.
Speaker 8 (09:52):
And another thing, mister Florescent, Either we or other detectives
will continue to escort you to the bank every Wednesday
for three or four weeks, just the place.
Speaker 1 (09:59):
Sa Oh, I'll be glad to have you, believe me.
All right, we'll take the money, but that's all right,
I can carry.
Speaker 6 (10:05):
He meant we'll take it. Get him a priest, won't
dot don't. I've got it.
Speaker 1 (10:12):
Let's go.
Speaker 10 (10:17):
Okay, Oh miss yes, sir, mister Florest and asked me
to tell you that we're escorting him to the bank
in a half hour.
Speaker 6 (10:29):
He doesn't want to be disturbed until we return.
Speaker 5 (10:31):
Oh, I won't disturb him.
Speaker 6 (10:32):
Good, come on, sergeant.
Speaker 4 (10:40):
That Don, was how Ralph and Lorton Oliver staged their
first robbery in New Orleans. They were delighted at their success,
but the brothers soon learned it seldom that even the
most ingenious schemes fool the police.
Speaker 1 (10:55):
Now back to Gangbusters. You were telling a sheriff Crash
that the brothers Ralph and Lorte Molliver had worked out
in the elaborate scheme to stage robberies in New Orleans
then leave town before the police could make headway in
their investigation.
Speaker 4 (11:09):
That's right, Don, and at least a half dozen cleverly
executed robberies were committed in quick succession.
Speaker 6 (11:16):
After the last one, they planned to leave.
Speaker 4 (11:18):
For Cleveland, where they'd make the rounds as respectable citizens.
Lawton was waiting on a busy New Orleans corner for
his brother, when a brand new Cadillac Sedan pulled to
a stop.
Speaker 8 (11:36):
Lot, Hey, lot, come on, get it roll?
Speaker 6 (11:42):
Where the devil you get this?
Speaker 7 (11:44):
I don't like it?
Speaker 1 (11:46):
Hey, some hunk of automobile.
Speaker 6 (11:52):
I like that power?
Speaker 1 (11:53):
Come on, come on, who says it? Don't tell me?
Somebody let it standing there with the keys in it.
Speaker 8 (11:57):
It's ours, ours, yours and mine. We're going to Cleveland
in the style. You mean you bought it right off
the floor. Oh stop kidding. Well, yeah, this car costs
well the must cost of thirty.
Speaker 1 (12:08):
Five hundred, at least thirty six and a quarter all
honest rill, we'll make it up.
Speaker 6 (12:12):
What's money beside the Cadillac's gonna pay for itself?
Speaker 1 (12:16):
Eh?
Speaker 6 (12:16):
How well?
Speaker 8 (12:17):
I figured out one more job for us before we
kiss An Orleans goodbye, and we can use the car
for it.
Speaker 1 (12:23):
But what about the plates? It's registered no name license.
Speaker 8 (12:26):
Plates for a time at dusn't so we got a
dozen men who knows it's our car. Then we head
straight for Cleveland with a brand new Cadillac, free and clear.
Speaker 6 (12:33):
That's my brother.
Speaker 3 (12:41):
I don't expector I checked up on the license plates.
Huh stolen. I didn't expect anything different than JA. No,
but I was hoping. What was the car stolen from?
Speaker 7 (12:51):
Sergeant.
Speaker 1 (12:52):
I don't know about the car.
Speaker 3 (12:53):
The plate's taken off a nineteen forty Chevy some difference,
and it reports on a new Cadillac Sadan. Being Stone,
I couldn't find any inspector not any place in the state.
If anyone's missing a brand new Cadillact, they certainly ought
to squawk about it. Couldn't be You mean you were
(13:13):
thinking these bandits might own that car and just have
stolen the plates.
Speaker 7 (13:16):
Yeah, But why do they need to buy a.
Speaker 1 (13:19):
Car, Sergeant?
Speaker 3 (13:20):
These two men seem to have a way of their
own and a purpose of their own. Well spoken, polished,
and a little too confident. Why shouldn't they buy a
Cadillac if they want one. If they did, it shouldn't
be too hard to trace. Look into the state registrations
for the last week or two. There won't be too
many Cadillacts of that modelistic Yes, sir, I'll get right
on it.
Speaker 8 (13:50):
You've been unfaithful, unfaithful, Yes, you've been taking sam lessons
from somebody else.
Speaker 4 (13:56):
Well.
Speaker 5 (13:57):
I never expected to see you in Cleveland, ground.
Speaker 6 (14:00):
I promised i'd be here, didn't I?
Speaker 5 (14:01):
That was a Hollywood promise.
Speaker 1 (14:03):
You don't know how I dreamed about seeing you again,
How I couldn't wait to get here and then to
hold you in my arms, dancing, not just dancing, Lydia. Look,
look now, I'll be here two weeks. I want to
see you every day and every night.
Speaker 6 (14:18):
Where are we going? Tomorrow afternoon?
Speaker 1 (14:20):
That's up to you.
Speaker 5 (14:21):
Tomorrow night, Tomorrow night, I'm busy.
Speaker 6 (14:24):
What's his name? I'm murdering.
Speaker 5 (14:26):
Let's sit down.
Speaker 6 (14:26):
Now, what's the matter with tomorrow night? Well, you can.
Speaker 5 (14:31):
See me if you want to.
Speaker 6 (14:32):
It's up to you.
Speaker 5 (14:34):
This is our table, isn't it.
Speaker 7 (14:35):
Yeah?
Speaker 6 (14:37):
What do you mean if I want to tomorrow night?
Speaker 5 (14:39):
It's the annual charity bark Well.
Speaker 6 (14:41):
I believe in charity.
Speaker 5 (14:43):
It so happens that I'm on the ticket committee.
Speaker 8 (14:46):
Congratulations, I'll take two tickets. How much are they?
Speaker 6 (14:49):
Whatever? You want to get?
Speaker 1 (14:50):
Well, i'll take.
Speaker 6 (14:51):
Two at five hundred dollars apiece.
Speaker 5 (14:53):
Oh that's very generous, Ralph. But I've already got mine.
Speaker 1 (14:57):
Okay, I'll still take two. Block one want to in
the hotel room.
Speaker 8 (15:01):
My whole family believes in charity.
Speaker 11 (15:12):
All right, all right, my goodness, no room's vacant, mister wall.
Speaker 1 (15:19):
Full of I don't want a room.
Speaker 5 (15:21):
Then what do you want?
Speaker 6 (15:22):
Do you have a room or named Oliver?
Speaker 9 (15:24):
Who are you?
Speaker 1 (15:25):
Bill collector?
Speaker 5 (15:26):
No?
Speaker 1 (15:26):
Wo thedn't come in? Come in?
Speaker 7 (15:29):
Thanks?
Speaker 1 (15:31):
Well?
Speaker 5 (15:32):
Did you want Ralph Oliver o Lorton Oliver?
Speaker 7 (15:35):
Oh, there's two of.
Speaker 11 (15:37):
Them, brothers, nicest boys you ever saw a high tone?
Speaker 7 (15:41):
I see it. Where's their room?
Speaker 6 (15:44):
They ain't in Orleans no more?
Speaker 11 (15:47):
Are you anyway an insurance salesman.
Speaker 1 (15:49):
I'm a police officer, man, police officer.
Speaker 11 (15:53):
Well, Friday, I think it was, yeah, Friday, because mister
Hunter Clark moved in on Friday.
Speaker 1 (15:59):
Now then I'm Clark. You know where they went?
Speaker 11 (16:02):
Were traveling, they said, But if you ask me, it
was Cleveland, they will rail Thad he's got a fiance,
say in Cleveland. You must be making a mistake about
those boys. They're nice boys.
Speaker 1 (16:13):
Did Ralph get mailed from Cleveland?
Speaker 5 (16:16):
Some?
Speaker 11 (16:17):
Now see here? You don't think I go around reading
my roomors made?
Speaker 7 (16:20):
I'm sure you don't.
Speaker 11 (16:22):
Well it was from Cleveland High Society Gale, she writes
on good Stationary. So you are after the wrong man.
Anybody who has a high society. Girl, don't go mix
it up with the police. You don't want all of
her boys for nothing. They're very high type.
Speaker 3 (16:38):
Yes, I know, very high type. And please show me
the room they occupied.
Speaker 5 (16:44):
Well, I'll show it to you, but you won't find
nothing there. I clean it.
Speaker 11 (16:47):
Every day, Yeah, every day, right this way.
Speaker 1 (16:55):
One thousand dollars, Ralph, one thousand dollars for ticket hits
an investment. Well, how long do you think the money
he's gonna hold out? We've been here two days and
you've already spent nearly two thousand. Well there's plenty more
where we got this shore, back in New Orleans, in someplace.
But we're in Cleveland. You're dated up for two weeks.
Speaker 6 (17:08):
Lot, what you know?
Speaker 8 (17:11):
Associating with these people here gives you a lot of
inside information. Now the hotel across the street, for instance,
did you know that every Monday night the wealthiest businessmen
in town amuse themselves with a game of poker, a
game of poker for high stakes in room eleven. Oh two,
Oh who kids, that's the next game. Lot, They're gonna
deal us in and we'll wind up the only winner.
Speaker 1 (17:32):
Welp, We decided not to work in Cleveland. This is
for five got it all figured out? Well, this is
going against everything we decided. We wear masks in disguise
our voices. About midnight, we knock on the door and
say it's the belt.
Speaker 6 (17:43):
When they open up.
Speaker 7 (17:47):
Okay, knock, yes, what is it?
Speaker 6 (17:53):
Gets said bell boy?
Speaker 1 (18:00):
Back in the room and reach quiet all of you,
shut up, okay, on your feet, quiet, get up. I
lay the door on the table. Empty your pockets and
don't hold out.
Speaker 7 (18:13):
Shut up.
Speaker 1 (18:14):
We're gonna search every one of you before we get out,
so put it all out. If you don't, it's eleven
floors out that window.
Speaker 6 (18:21):
Go on, go on, empty your pockets.
Speaker 7 (18:25):
That's it.
Speaker 1 (18:26):
Oh, come on, come on.
Speaker 8 (18:30):
All right now all of you get in the bathroom.
Get in the bathroom and make it snappy. Get the
dope path right, don't want get in get in there.
Shut up you hey, yeah, shut the door and start counting.
When you get to a thousand, you can come out
(18:50):
and count slow, well, go on, count.
Speaker 3 (18:54):
One, two, three, four.
Speaker 6 (18:59):
I have shut the door, six seven. Hey, you got
it all?
Speaker 1 (19:07):
Yeah about it? Take care of the ford, right, that's that,
you know. Come on, let's get out. Here wait a
minute for what Come on, Take it easy and I
walk up to the bathroom door with me, but quietly.
Speaker 10 (19:26):
Listen, holded, quiet, thy God, open the shoe.
Speaker 9 (19:35):
Okay, I myself.
Speaker 8 (19:38):
Hey, start all over again to one thousand, and if
you open that door before you reach a thousand, I'll
shoot you right through the head. You think I'm gonna
leave her? If you think I kittn just try it.
Speaker 9 (19:48):
One, two, three, four, five, sake seven h jad is
Sergeant Wayne Cleveland. Just call me back, Inspector.
Speaker 12 (20:04):
Oh, they've been checking up there and they've got a
line on the OLLI her brothers good. As a matter
of fact, they had a robb ray of a poker
game last night. The bandits wore masks, but it looks
pretty much like it could be the Oli her brothers.
Speaker 9 (20:14):
It's their kind of stuff.
Speaker 1 (20:15):
How about playing reservation, Sergeant.
Speaker 9 (20:17):
I'll check out them right away.
Speaker 1 (20:19):
What time do you want to leave on the first
flight out?
Speaker 9 (20:21):
Okay, I'll get the tickets and wire Cleveland. We're on
the way.
Speaker 5 (20:28):
Well, here we are home again.
Speaker 1 (20:30):
It was a wonderful party, Lydia, thanks so letting me
tagle long.
Speaker 5 (20:33):
It wouldn't have been the same without you, Lawton.
Speaker 6 (20:36):
Come on, honey, good night, Lawton. I'll be right out.
Speaker 1 (20:39):
Oh, don't hurry, take your time.
Speaker 6 (20:47):
Well is honey?
Speaker 5 (20:48):
Mother and father asked me to invite you to dinner tomorrow. Night.
Speaker 6 (20:52):
Good I'd love to come.
Speaker 5 (20:54):
I suppose they know things are getting serious.
Speaker 6 (20:58):
It's about time. They know the interesting more than time.
Have you got your keys?
Speaker 5 (21:04):
Yeah?
Speaker 6 (21:11):
Good night, darling.
Speaker 5 (21:11):
How do you.
Speaker 1 (21:13):
Sure lydia let's get married, Ralph? I yes, oh no,
that's all I want to hear.
Speaker 5 (21:25):
Well, Ralph, yees?
Speaker 6 (21:31):
Oh honey, Oh well baby, we don't say anymore.
Speaker 5 (21:38):
Let me remember every word.
Speaker 6 (21:40):
Good night, honey, good night, Darling. Well what do you think?
What I propose it? And what Oliver? And nothing?
Speaker 1 (22:02):
We're police officers. Get in okay, I guess this is it, Ralph. Yeah,
they're waiting for us. Aunt, sergeant, place at quarters? All right,
police aid quotas.
Speaker 4 (22:26):
That Don was the end of the activities of the
Oliver brothers, who thought they could lead a double life.
The only life they found, however, was behind penitentiary bars.
And in addition, they're now waiting trial on six more
robbery indictments.
Speaker 1 (22:40):
Well, thank you, Sheriff Grosh for this extraordinary case history
and Gangbusters. Congratulations to the officers who participated in the
investigation and apprehension of these criminals.
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