Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
Hello, Yes, this is the Falcon speaking. Oh Jane, I'm
glad you called. Now you let to include me out tonight. Angel,
I'm leaving for the Florida Keys. M h.
Speaker 2 (00:20):
I need a vacation and I'm going to get one
if that kills me.
Speaker 1 (00:28):
Once again, the National Broadcasting Company brings you The Adventures
of the Falcon, starring Less Damon. The Adventures of the
Falcon dedicated to private investigators everywhere, those hard hitting detectives
who like Mike Wearing, risk their lives to aid law
enforcement agencies. So join him now when the Falcon solves
(00:48):
the case of the Gold Ring. It is early afternoon
in Havana, Cuba, and that's the Continental must Side Cafe
near the frog or rather poorly gentleman named Brithi al
Samande's bettons for the waiter. But just as he raises
an imperious finger, Fabiel Asiel. Oh my, dear Raymond, what
(01:13):
a pleasure.
Speaker 3 (01:14):
Won't you join me, Lafiel, I've got to talk to you,
of course, dear boy, what is it?
Speaker 1 (01:19):
I just got a line on Lila. Would you mind
repeating that? I tell you I know where she is
where she left he Rana last night to the Florida Keys.
Speaker 2 (01:29):
She shotted a plane. How do you know? I spoke
to the pilot.
Speaker 1 (01:32):
He happens to a friend of mine.
Speaker 3 (01:34):
How fortunately, have you any idea where she's stages?
Speaker 1 (01:38):
He got a look at her bags?
Speaker 2 (01:39):
They will mark for the hotel Grizelder.
Speaker 1 (01:41):
That is very interesting.
Speaker 2 (01:44):
Well where do we go from here?
Speaker 3 (01:46):
Where we can't leave a little girl like Lena alone
and the Keys?
Speaker 2 (01:50):
Why don't you fly over.
Speaker 3 (01:52):
And keep her company over about you? I'll stay in
Irana until your car. I suggest you leave right now.
Oh but I haven't tackled. But that's no problem, Raymond.
All you need is one gun and thick bully.
Speaker 1 (02:07):
That should take care of everything.
Speaker 2 (02:23):
David, Hello, Leilah, are you darling?
Speaker 4 (02:32):
Listen? Ray If you don't get out of here, I
suppose you'll screen.
Speaker 1 (02:35):
Yes, No, you won't, really enough hysterical tie. Oh really, darling,
this is a horrible place. Whatever possessed you to stay here?
And then? I suppose, like me, you had no choice
with you No, Oh, he's a nervan.
Speaker 2 (02:49):
I'm waiting for my call. They'll be ever so delighted
to hear.
Speaker 4 (02:52):
I've seen you look great. I know what you boys
want so I haven't got it.
Speaker 1 (02:56):
You're lying? Sweet? All right?
Speaker 4 (02:59):
I am. But wouldn't I be a fool to tell
you the truth?
Speaker 2 (03:02):
When would be a fool not to?
Speaker 4 (03:03):
How do I know after I turn it over, you
won't kill me?
Speaker 1 (03:05):
Oh, Leila, you know you can trust me as much.
Speaker 4 (03:08):
As you and Hernandos trust me. Let me ask you.
Speaker 5 (03:12):
Something, ray What are you getting out of there? If
I know Hernando, if he's not cutting you in for
more than ten percent?
Speaker 2 (03:18):
I don't think that concerns you, so as.
Speaker 4 (03:20):
I promise your fifty? What evens fit?
Speaker 1 (03:23):
Right?
Speaker 4 (03:23):
Dona Mitte?
Speaker 1 (03:25):
But what about Fernando?
Speaker 4 (03:27):
He doesn't have to know.
Speaker 5 (03:28):
He didn't tell him I was gone when you got here.
What do you say, Raymond? A lot of money?
Speaker 1 (03:34):
When would we divide?
Speaker 4 (03:35):
Right now?
Speaker 1 (03:35):
Well?
Speaker 2 (03:36):
Then you do have it here, yes.
Speaker 4 (03:37):
But you'll never find it without me, So make up
your mind.
Speaker 1 (03:40):
If Rathie else should learn of this, he'd cut my throat.
Speaker 4 (03:42):
You'll cut it anyway.
Speaker 2 (03:44):
You know your trouble. Lda, you're a cynic, all right?
Get it? Wait a minute, what are you doing at
that trump a.
Speaker 1 (03:54):
Top? Where's the rest?
Speaker 4 (03:56):
Never mind? Fish, you take care of your.
Speaker 1 (04:00):
Just put that gun away.
Speaker 4 (04:01):
Oh, is that what it is?
Speaker 2 (04:03):
Are you going to put that gun away as.
Speaker 4 (04:04):
Soon as you leave? Now? Do you go quietly?
Speaker 1 (04:07):
Or do I shoot? You're bluffy.
Speaker 2 (04:09):
I wouldn't advise you to call me Raymond.
Speaker 4 (04:11):
I'm really low.
Speaker 2 (04:12):
You don't frighten me, doll.
Speaker 1 (04:13):
I'm warning you it'll be such a bloody little pool.
Speaker 4 (04:15):
I will give me.
Speaker 2 (04:29):
All right this way, mister Warren.
Speaker 1 (04:30):
I saved the best room in the house for you. Well,
I appreciate that, mister. They just call me Ben, okay, Ben?
Speaker 2 (04:36):
It is here we are.
Speaker 1 (04:40):
And wait, let's live on the lights? Where What do
you think if this is your best room and I
hate to see the worst?
Speaker 6 (04:48):
You're judging by appearances? Would you like me to turn
on the fan?
Speaker 1 (04:53):
Uh?
Speaker 2 (04:53):
No, thanks? H okay? Like you to get me another room?
Speaker 6 (04:59):
We'll just between us. They're all alike. There's one thing
about the hotel, Griselda. We don't show no favoritism.
Speaker 2 (05:05):
Well, you have me worried for a while. What is
the glass door ly.
Speaker 1 (05:09):
To the balcony? But I wouldn't use it. There's a
lot of mosquitoes out tonight. Romantic? Yeah, ain't it still?
If you want me to open or don't bother.
Speaker 6 (05:18):
Or it wouldn't be any bother at all, mister Wearing.
I'd be pleased to do anything for you.
Speaker 1 (05:23):
What did I do to rate this service? Well, I
read all about you.
Speaker 2 (05:26):
You're the one they called the falcon I don't know.
Speaker 6 (05:29):
Oh, I subscribed to all the detective magazines. I just
finished reading about you and the bench in case you
know there was one thing that puzzled me.
Speaker 1 (05:36):
There there were a lot of things that puzzled me.
Speaker 6 (05:38):
Well, suppose you and I could get together when I'm
off duty and sort of kick him around.
Speaker 1 (05:43):
I got a couple of fear I was.
Speaker 2 (05:44):
Saving for Einstein, and how about some ice for him?
Speaker 1 (05:48):
M Well that raises a problem. Oh you haven't any ice?
Oh sure, we have only the melt by the time
I got it up here.
Speaker 2 (05:55):
That's just peachy, all right, An you are.
Speaker 6 (05:58):
Oh, thank you, mister Wearing. And anytime I can be
a further.
Speaker 2 (06:01):
Say, I know, I won't call on you. Huh skipp it's.
Speaker 4 (06:08):
What open up?
Speaker 2 (06:10):
Wait a second, what are you doing on my balcony?
Speaker 4 (06:15):
Well? I could say I was taking the fun there.
Speaker 2 (06:17):
At nine in the evening.
Speaker 4 (06:18):
Because it does sound far fetched, only slightly. My name
is Leela gold Well.
Speaker 1 (06:24):
I can't say this is a pleasure.
Speaker 4 (06:26):
I'm gonna have to tell me I overheard.
Speaker 2 (06:28):
Oh, so you're going for eavesdropping too.
Speaker 4 (06:30):
I couldn't help myself. Funny how things turn out. There's
one man in the world I wanted to meet.
Speaker 1 (06:36):
It's me.
Speaker 4 (06:37):
How do you know?
Speaker 1 (06:38):
It's figured everyone does.
Speaker 4 (06:40):
Miss Wearing. You've got to help me. I'm in terrible.
Speaker 2 (06:43):
Danger my luck, Miss gold Well, I'm here on a vacation.
Speaker 4 (06:47):
Well, this won't take much of your time. I wouldn't
bother you, but there's nobody else I can turn to
forever in your debt?
Speaker 1 (06:55):
Oh I I don't think you're gonna afford my prices.
Speaker 4 (06:58):
Try me.
Speaker 1 (07:00):
Wait, and what do you think? I think you've been
seeing too many being movies. Where'd you get the idea
you could buy a private detective with a kiss?
Speaker 4 (07:12):
I'm sorry I lost my head.
Speaker 1 (07:14):
Yeah that's a very pretty one.
Speaker 2 (07:17):
What's the problem, then you will help?
Speaker 4 (07:20):
Well, Actually it's really very simple. Does a man register
here at the hotel in Raymond Spence?
Speaker 2 (07:26):
Raymond Spence? Did the room clerk mentioned something about him?
Speaker 4 (07:29):
I don't know, did he?
Speaker 1 (07:31):
Yes? He did? Seems a Spence characters cleaning a gun
this PM and accidentally shot himself on the shoulder.
Speaker 5 (07:36):
Oh well, ray worked for a man named Ralphiel Hernando's.
Speaker 4 (07:40):
Hernando's is due here tonight. I want you to meet
him at the airport.
Speaker 5 (07:44):
What for?
Speaker 4 (07:46):
Well, how else can you kill him?
Speaker 1 (07:47):
How else can I want?
Speaker 4 (07:48):
It shouldn't be difficult. Hernando won't be suspecting a thing.
Speaker 1 (07:52):
You have been seeing too many movies.
Speaker 4 (07:54):
You won't do it.
Speaker 1 (07:55):
What do you think?
Speaker 4 (07:56):
But you don't understand. It's either Hernando's or me. Raymond
was sent here to do the job. He wasn't willing
to cleaning that gun. He tried to kill me.
Speaker 1 (08:04):
Come again, I was.
Speaker 4 (08:05):
Lucky enough to hit his arm.
Speaker 2 (08:07):
Did you report that to the local gendarmes?
Speaker 4 (08:08):
That wouldn't do me any good. The sheriff here works
for Hernandos.
Speaker 1 (08:11):
What are you trying to give me?
Speaker 4 (08:13):
Honestly, it's the truth, you see. You're the only one
I can depend on here.
Speaker 2 (08:18):
Well, wait a minute, where are you going?
Speaker 4 (08:20):
Don't worry, I'll be back just as soon as you
complete your end of the bargain. So then, darling a
ah ye.
Speaker 3 (08:37):
Yes, sir, this is mister Ernandos. In twelve did you
give my message to Raymond Spence.
Speaker 1 (08:42):
Yes, I told him you want to see it, but
that was.
Speaker 2 (08:44):
Half hour ago. Bring his room again? Never mind?
Speaker 1 (08:48):
Did here? Now? Come in? Come in? Well, it's about it.
(09:11):
M M no way, there's nobody home.
Speaker 4 (09:17):
You bet you?
Speaker 2 (09:18):
Mike?
Speaker 1 (09:19):
Who's this la?
Speaker 5 (09:21):
Yes?
Speaker 4 (09:21):
I couldn't help calling you, darling. I think you're wonderful.
Speaker 1 (09:24):
I think so too.
Speaker 4 (09:25):
You just heard the news.
Speaker 6 (09:26):
You did it for me. I did what for you?
Speaker 5 (09:29):
I suppose it is stupid to me to mention, but
I want you to know I'm forever in your debt.
Speaker 4 (09:34):
Good Night, sweetheart, I'll see in the morning.
Speaker 1 (09:37):
He ain't now wait a minute, must be the climate,
this is the schooliest once. Now come in. I'm looking
for mister Michael Ware. Oh couldn't you find some other
time to look? It must be four am four point
fifteen to be exact. I like to introduce myself to
My name is William Bowes. I'm the local sheriff. Oh,
(10:00):
and I'm glad to know your chef.
Speaker 2 (10:01):
I was gonna look you up tomorrow morning. Wasn't it
nice to me to save.
Speaker 1 (10:04):
You the trip?
Speaker 2 (10:06):
Do you know mister Hernandos I mean Raphael Hernandoz.
Speaker 1 (10:10):
Yeah, No, it's funny. You should know his first name.
Speaker 2 (10:13):
Oh it's not so funny.
Speaker 1 (10:14):
You wait a minute. What happened to him? He was
murdered a couple of hours ago, murdered. I'm surprised you
didn't hear the commotion while I'm a sound asleep and
you walking asleep. What are you getting at? You recognize this?
Why'd you find that gun right next to Hernando's body?
Of course, if iral one of your big city cops,
(10:36):
I would have immediately did you used to be yours?
But being just a yoga lad called the New York
Police foods? But how did my gun wind up near
Hernando's body?
Speaker 2 (10:47):
Now that's a good question I'd just do.
Speaker 1 (10:49):
If you find time to think up an answer before
we hang it. If I were said, I'd start working
on it right now. Recently, in one of our largest cities,
a survey of public elementary schools revealed conditions which are
(11:12):
difficult to believe. These conditions are robbing our children of
the educational opportunity they deserve. Inadequate school budgets, outdated equipment,
and old fashioned methods may deprive your child of the
chance for a good start. That is the right of
every American. It's up to parents to know what their
local schools are like and to demand the elimination of
all these bad features. Get busy in your local PTA
(11:34):
and other civic groups to make sure that the children
of your town are getting a square deal in school. Remember,
America's future lies with its children. Now back to the
adventures of the Falcons. Just a few seconds have passed
(11:56):
since Mike Waring was invited by Sheriff Bowers to try
the local jail. Precise and surprisingly enough, Mike isn't fluttered
by the honor. Look Sheriff, You've got this all wrong.
Oh I'm sure I have. But after all, what can
he expect from her? He cop, Well, I tell you
I didn't kill Hernandos.
Speaker 2 (12:12):
I have even met the man.
Speaker 1 (12:14):
When I came to my room last night, there was
a girl on my balcony shaves your room, me, you
and Juliet. Look, I'm not clowning. The name is Leela Gold.
She wanted me, well, what's the use? He wouldn't believe it.
Try me. I'm pretty gullible, but she wanted me the gun.
Hernandos four and you were bliged. I don't talk like
a hump well, why did she pick on you to
(12:35):
play assassin?
Speaker 2 (12:36):
She heard then the room clerk.
Speaker 1 (12:37):
Mentioned that I was a private detective from New York.
I mean that convinced her you wouldn't hesitate to commit murder. Well,
I can't help it if she's crazy, increase you not.
The fact remains mister Hernando's he's dead. Well, I didn't
gun him. I've got to give me a chance to
clear myself. I wish I could, but unfortund wait a minute,
let me see that gun again, work pool, because it
(12:59):
isn't mine. New York Police departure. Well, I tell you
it doesn't mine. I ought to know I had a
nick on the barrel or a previous victim. But I'll
even show you where it was. Let me have it.
You see I was riot, all right, Sheriff again, I'm
up all now, mister Warne, Really you're violating the confident. Now,
I guess I can't be trusted in that closet.
Speaker 2 (13:19):
Is you going to lock me in there?
Speaker 1 (13:21):
What do you think? I think I'll never trust another Yankee?
Come on, come on, quit stalling as you would. So
sorry to do the sheriff, but after all, turn about
his fair play. He was gonna lock me up, and
I still will. So make the moves to your front,
mister Warren. At the moment, i'm your guest, but I
hope to play host to you. Shorty.
Speaker 2 (13:53):
Hey Ben, Ben, fat ass want to break my window?
Speaker 1 (14:01):
It's me. I don't care of it.
Speaker 2 (14:03):
Oh, Miswear, You got anybody in there? Oh no, but
I didn't know where I live.
Speaker 1 (14:08):
I'm a detective. Remember they call me the pork and
open up? Oh just a second, Well, come on, hurry up.
Someone could pick me off in that life, he thinks.
What do you hear from Sheriff Bowers? Oh he's awful
peeved if you I can imagine.
Speaker 2 (14:24):
Now, listen, Ben, you've got to give me a hand.
I wouldn't, dare. Don't let Bowers fool you.
Speaker 1 (14:28):
Mis to Wear And he may look like a fat fool,
but he ain't, and I'm sure of it.
Speaker 2 (14:32):
That's why I need your helper.
Speaker 1 (14:34):
You don't believe I killed her Nandos, Well, after all,
it was your gun. It was in my grip. Anyone
could have stolen it. I was dead to the world,
left my ride down here. But still in all you
don't believe me. Huh, okay, So I'm a killer. So
what do you think your chances are?
Speaker 2 (14:49):
You could give me away?
Speaker 1 (14:50):
No, No, I wouldn't. I swing. Now I've been proved.
Get hold of miss Gold, Sir Lee let Gold. I
want you to bring her here. There's the little lady
who holds the keith, the whole puzzle. If you say so, well,
I say so. Now on your way. But if the
share of finds out, who's going to tell him? Oh
he's a funny man, mister Wearing, he's got ways of learning.
Speaker 2 (15:09):
Thing and I'll forget it. You put yourself in my hands.
I'll make your big man.
Speaker 1 (15:12):
Put myself in your hands, and you're liable to make
me a dead one. Anyway, you will have lived.
Speaker 6 (15:17):
I'll get going, Miss Gold, Miss Gold, I just want
(15:55):
her over. Well, the sheriff bothered. Uh huh, Well, I
I was looking for miss Gold.
Speaker 1 (16:00):
I am too. Maybe we can join forces. But really, Sheriff,
I watch the matter. You're beauty now? Well yes, yes,
but yeah, but what well? I just remembered something I
did too see down Well, really, Sheriff, you don't want
to antagonize me, do you. I'm a friend of your always?
Remember did I say anything a couple of years ago
when I caught you running the stairs. You were breaking
(16:22):
the law and I look the other ways. But you
don't understand. No, I don't suppose you enlightened.
Speaker 2 (16:27):
Me, squad, Yes, yes, sir, What do you want with
little Gold?
Speaker 1 (16:34):
I just want to know if if her room was comfortable?
Let's face it, then no one's ever been comfortable in
these rooms. Look at it. It's a shame and the disgrace,
holes in the screen, broken water pitches. What must your
get thin? But then they're not too fussy the other
I resent that, Well, it's rue. What do you suppose
teach the same people coming back time at the time
(16:55):
like that, mister Nanos and Raymond Spain?
Speaker 2 (16:58):
I don't know where you know how his gold honored
you with the president kill? What do you want with him?
Speaker 1 (17:05):
Well?
Speaker 2 (17:06):
I told Tack a live mike where and sent you
for it, didn't they?
Speaker 1 (17:11):
Well?
Speaker 2 (17:11):
Honest, where is he at your place? I didn't say that, no,
but it figured.
Speaker 4 (17:16):
What are you going to do?
Speaker 2 (17:17):
I can't tell rightly. First, I gotta find out what
mister Warren has in mind.
Speaker 1 (17:22):
You're gonna pick him up now? No, No, let's give
the man a little more if he's going to hang himself,
he might as well do a neat job.
Speaker 2 (17:31):
I hate Lucian, don't you, Yes.
Speaker 1 (17:46):
Ma'am, what'll it be?
Speaker 4 (17:46):
I'll make it too, Ray go on with him, Yes, sir, listen, Ray,
I'm terribly sorry. I didn't mean to shoot you.
Speaker 2 (17:57):
Of course you did.
Speaker 4 (17:58):
I've been thinking of what you suggest you yesterday.
Speaker 2 (18:01):
I suggested a partnership. You're forgetting, darling, that was your suggestion.
Speaker 4 (18:05):
Well, anyway, with hernandos.
Speaker 2 (18:06):
Kan poor Rathia, who do you suppose killed him?
Speaker 4 (18:09):
It was Mike Wearing. Mike Wearing, private detective from New
York to part him.
Speaker 2 (18:12):
Honey, I never heard Rathil mention his name.
Speaker 4 (18:14):
What's true? I tell you he came down here just
to see Hernando.
Speaker 2 (18:16):
And how do you know that? Wearing told me I
don't believe it.
Speaker 4 (18:20):
Do you think i'd lie to you?
Speaker 2 (18:21):
I'm darling. You wouldn't recognize the truth of a flatter
in the face.
Speaker 4 (18:24):
Well, you've got to trust me.
Speaker 2 (18:26):
You ever be other stupid, wouldn't it? I trusted you
once and moaned up with my arm in a sling.
Speaker 4 (18:30):
I told you I didn't mean it. I was rattled,
you see, I was expecting Wearing?
Speaker 2 (18:34):
Why will he and I are partner? He came down
here to meet and take up your mind? Did he
come here to see you? And hernandos h?
Speaker 4 (18:40):
I turned the stuff over to him.
Speaker 2 (18:42):
It's such a bloody little lie.
Speaker 4 (18:43):
Yes, you're right, I am, But this time I'm telling
the truth. Wearing's gone.
Speaker 2 (18:48):
He might at this the sheriff's looking for him. Well,
that proves it was Wearing.
Speaker 4 (18:52):
Now I don't know.
Speaker 2 (18:52):
Well, because your partner, you must expect to hear from it.
Speaker 4 (18:54):
Tell you I don't.
Speaker 1 (18:56):
It's Gold.
Speaker 2 (18:57):
I think you're being paid darling. Oh here, boy, I
gotta talk to you, miss Gold. We'll go right here. Well,
this is confident, darling. We don't have secrets from one another.
All right, then I'll tell it.
Speaker 1 (19:10):
Well, I don't know, I do.
Speaker 2 (19:13):
What is this message you have for my charming association?
Speaker 1 (19:15):
Well, Mike Warren wants to see him?
Speaker 4 (19:17):
Who does not believe a party?
Speaker 2 (19:19):
Or is he?
Speaker 1 (19:20):
Well he's uh, he's hiding out at my place.
Speaker 2 (19:23):
I got a shack near the swamps. I suppose you
take me there, But he wanted to see the lady.
I wouldn't think of it. Well, you know how people talk.
Now you better take me, and if you won't be disappointed,
I'll provide him with a much more exciting you think.
Speaker 1 (19:47):
Who's there, I'll answering you, dummy, it's me, mister Warren
Ben did you bring? Yes? Hello? Who the devil you?
I'm sorry is to Wear and I couldn't help myself,
but you can now so run a long Yeah, but
I want to explain. I'll do it for you.
Speaker 2 (20:08):
Nice boy, but not very bright? All that matter?
Speaker 1 (20:11):
Who is you must be Raymond Spence in the world?
Did you ever figure that out? Hyla told me about
you shooting yourself this afternoon. Now don't you believe that
she was responsible? Really?
Speaker 2 (20:23):
You picture yourself a horrible associate, mister Wearing.
Speaker 1 (20:25):
You can't believe a word she said, I'm beginning to
find that out. Oh incidentally, would you mind pointing that
gun elsewhere? And doesn't make you nervous? It's very I'm
in a delicate foundation. Congratulates, But getting back to Lila.
Speaker 2 (20:38):
She tells me you to associate it the miss venture.
Speaker 1 (20:41):
You believe that? Strangely enough, I do.
Speaker 2 (20:44):
I for all you did send for her, it's because
I'm being framed for murder. It was poor feel and
I'm going to miss him.
Speaker 1 (20:50):
I don't know why I should try to convince you, Raymond,
but I didn't kill him.
Speaker 2 (20:54):
Have you any idea who did? Lila tried to get
me to do the job. When I turned it down.
I think she did it herself.
Speaker 1 (20:59):
Isn't that the way it adds up?
Speaker 2 (21:01):
Frankly, I'm not too sure, and you'd better be. I've
got a pretty.
Speaker 1 (21:04):
Sharp sheriff in these parts.
Speaker 2 (21:06):
Oh, he couldn't be too sharp to let you escape.
Speaker 1 (21:08):
Now. We all make mistakes, and you made yours when
you're tied up with Leela. Now I'm prepared to walk
feel much better deal.
Speaker 4 (21:15):
You know claims she turned the.
Speaker 2 (21:16):
Stuff over to you? Is that what she claims is? Well,
don't you have it until your proposition first?
Speaker 1 (21:23):
But it would be pointless discussing anything unless I'm dealing
with the principle. Don't worry you are.
Speaker 2 (21:28):
I've got the stuff.
Speaker 1 (21:30):
What do you think of it? Not much?
Speaker 2 (21:32):
Bo's worth one hundred grand? I doubt it look like
a lot of junk to me. Look, I know all
of an Ono's contact. I can unload it tomorrow for
that price. Well that's good to know. I'll call you
if I've run across its, but you just said I.
Speaker 1 (21:44):
Know I lied. I must have picked up the habit
from Leeland, do you.
Speaker 2 (21:48):
Know, mister Wearing, I'm very annoyed at you.
Speaker 1 (21:50):
You tricked me.
Speaker 2 (21:51):
Well, don't feel too badly about it. That makes you
even with the sheriff only I don't propose to take
this lying down.
Speaker 1 (21:57):
What are you going to do about it?
Speaker 2 (22:01):
But to begin with, see how this hits you.
Speaker 1 (22:15):
Our American heritage of freedom is one of our most
priceless possessions. But because we often take them for granted,
we're not as vigilant in our defense of them as
we must be combat racial and religious prejudice and all
attacks on our liberties from whatever source. Don't be a
lazy American. Work for your freedom. It's the only way
to keep them working for you. And now back to
(22:40):
the Adventures of the Falcon. Thirty minutes have passed since
Raymond Spence showed his displeasure with Mike Wearing by beating
a tattoo on his head. Now as we find Mike,
come on, well, take a sweet.
Speaker 2 (22:57):
Won't hurt you? Confidentially? Yeah, I meet it, I said, Oh,
Sheriff Bowers, go on, take a good pool.
Speaker 1 (23:04):
All right?
Speaker 2 (23:05):
Oh brother, that's awful.
Speaker 1 (23:09):
Ain't it took me twenty years to get used to her?
How did you know? I was here? And them told me, Wow,
he's just a great big blaby mouth over her hair.
We all have all fours now.
Speaker 2 (23:21):
Personally, I trust the wrong people like me for example,
like you.
Speaker 1 (23:24):
For example.
Speaker 2 (23:25):
I thought you were really smart.
Speaker 1 (23:27):
I thought you were going to solve this thing for me.
M well, I hate work.
Speaker 2 (23:32):
You can't imagine what it's like.
Speaker 1 (23:34):
Dragging two hundred and twenty pounds around and miss. Then
you let me escape on purpose? Mat you.
Speaker 2 (23:40):
I don't believe it.
Speaker 1 (23:41):
Who is your gun?
Speaker 2 (23:43):
My couse?
Speaker 1 (23:43):
Forget it?
Speaker 2 (23:45):
Go on, well pull a trigger? Why go ahead?
Speaker 1 (23:53):
Shoot?
Speaker 2 (23:54):
I want to see how.
Speaker 1 (23:55):
Good are marks when you are aim at my feagull?
Are you nuts? I got confidence in you board okay?
Speaker 2 (24:06):
That me?
Speaker 1 (24:07):
Uh huh? And you did let me escape?
Speaker 2 (24:10):
And of course what was the idea I told you
I thought you were smart.
Speaker 1 (24:14):
But I'm really disappointed. I wouldn't be surprised if I
had to do my own word. Oh heaven forbid kind
of pressing in it. You can't be helped.
Speaker 2 (24:25):
It was Raymond Spence who slug.
Speaker 1 (24:26):
You ones asked, he thought I was holding out on him,
holding out for what some mysterious hit that he and
Leela keep referring to. If you any idea what it is?
Speaker 2 (24:36):
Yes, I think so, Sherion, but Leilah would know better.
Speaker 1 (24:39):
And what's say we drop in on her? Seems like
years since I've seen the girl? How do you want
to handle U? You usually did, and I said, we knocking?
(25:02):
Walk right in a fool wide bothered knocking.
Speaker 2 (25:06):
There's no reason to disturb the young lady. Where'd you
get those keys?
Speaker 1 (25:10):
Then? Wasn't usual them? So I thought, I'm not as well.
Never mind, listen lunch that I'm sorry disappoint you, Raymond,
Sheriff Bowers. No need to introduce us. Boy, we've already
met him, missuspense Hi, we thought this is leader Gold's room.
(25:31):
How come we meet such a stupid.
Speaker 2 (25:33):
Mistake where I don't know?
Speaker 1 (25:35):
I would have sworn this was two online, but fancy that.
Speaker 2 (25:40):
I was just waiting Foralila.
Speaker 1 (25:42):
Oh good, we'll do it together.
Speaker 2 (25:44):
You do you gentlemen know any three handed games?
Speaker 1 (25:47):
Yeah?
Speaker 2 (25:47):
I know a couple.
Speaker 1 (25:48):
How about twenty questions? Sean's wonderful on a player? Raymond,
no thing Oh, maybe it's just as well. He don't
look like he'd be very good at games. He's kind
of fuming.
Speaker 2 (25:58):
Oh don't sell us, boy, short chirf. He's a real
live one.
Speaker 1 (26:02):
But do you mean why? I don't suppose Raphael Hernandoz
was killed. I have no idea, and you should. It
was over that mysterious consignment that Leela was carrying. I
want to kill Hernandos monitors, then Lula kills it. No, no, no,
you're not listening. I said, whoever killed Hernandos wanted it?
Leela had it all along. So who does that leave who? You?
Speaker 2 (26:23):
Of course, it took Leela to give you the idea.
But ohorry, Raymond, I'll personally say to it.
Speaker 1 (26:28):
She gets credit for the assist.
Speaker 4 (26:47):
I don't know what to say, like, I don't know
how you can ever forgive me personally.
Speaker 2 (26:52):
I find it very easy le Leon. You're a very
attractive young thing.
Speaker 4 (26:55):
When I think of how.
Speaker 2 (26:57):
I involved you, forget it.
Speaker 4 (26:59):
You didn't really believe I meant you to kill her
number No, of course not.
Speaker 2 (27:02):
I'm just talking now.
Speaker 1 (27:03):
That's the trouble with you. Ings Will you talk too much?
Speaker 2 (27:06):
This time? Raymond was paying attention when.
Speaker 1 (27:08):
You sold him. The idea of double crossing Hernandos.
Speaker 2 (27:11):
Struck him as a good one, seem a wonderful way
to go into business for himself.
Speaker 1 (27:15):
Then he only had to take care of you. But
I did it. Mm.
Speaker 2 (27:18):
He should have realized you were know when to play around.
Speaker 1 (27:20):
Was Oh, incidentally, what are you gonna do with it?
Speaker 5 (27:24):
It?
Speaker 1 (27:25):
Oh?
Speaker 2 (27:25):
The mysterious consignment that was responsible.
Speaker 1 (27:27):
For the whole mess?
Speaker 5 (27:28):
Do you know what it is?
Speaker 1 (27:29):
Sure? Narcotics? The three of you were part of a ring, the.
Speaker 2 (27:33):
Smugglers into the US.
Speaker 4 (27:34):
How'd you care?
Speaker 1 (27:35):
Wasn't a guess?
Speaker 2 (27:35):
I had a hunch all along, and it was confirmed
when I talked to Raymond. I told him I looked
like a.
Speaker 1 (27:40):
Lot of junk to me.
Speaker 2 (27:42):
When you let the word junk go and challenge done you,
I was on the right track.
Speaker 4 (27:45):
I don't understand.
Speaker 2 (27:46):
Ah, sure you're doing womb. You are an old hand
at this game junkause they're all embracing term for narcotics.
Speaker 4 (27:52):
Listened like, I know where I can sell the entire
ship and the pure stuff. We can get forty thousand
port easy. I'll cut you in for half.
Speaker 1 (28:00):
As you ever learn, Angel, tie me to all the
truthful once that shipment's worth a hundred grands.
Speaker 2 (28:07):
Ray told me, just can't trust you.
Speaker 4 (28:11):
Oh, yes you can.
Speaker 2 (28:12):
I'm afraid not.
Speaker 4 (28:13):
I swear Mike this time. Why did you stop here?
Speaker 1 (28:18):
Well, such a lovely night, but you ought to make
the most of it. Do you ever see a lovelier moon? Oh, darling,
I got the way it rises over that building. That's
a picture, no artist, but paints.
Speaker 4 (28:32):
Don't seen that building before?
Speaker 1 (28:34):
Well if you haven't, you'll see a lot of it
in the future. And that's the local jail. There's no
need to take offense. I just want you to try
some of sure of Bower's southern hospitality. That's going m
Speaker 2 (29:02):
The Case of the Natural Seven, The Case