August 15, 2025 • 22 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Step back in time with Old Time Radio The Shadow, your go-to podcast for experiencing the suspense and intrigue of one of the most beloved radio shows from the early 20th century. Each episode features the enigmatic crime-fighter, The Shadow, using his extraordinary powers to thwart evil. Ideal for listeners who cherish old-time radio classics, mystery, and dramatic storytelling. Subscribe to connect with a community of fans and historians who celebrate the enduring impact of The Shadow's adventures on modern entertainment.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Who knows what evil looks in the hearts of men?
The shadow Lord.
Speaker 2 (00:17):
Today, story guests.
Speaker 3 (00:19):
Up, death.
Speaker 4 (00:28):
God, this is certainly a tremendous prisoners And I had
no idea it was so big.
Speaker 1 (00:34):
And this is your first visit here.
Speaker 4 (00:36):
Yes, mister Keithy, I'm in the town on a convention.
He one of the boys gave me the path to
the president. I was afraid he might be playing a
joke on it.
Speaker 5 (00:44):
It might be a fake.
Speaker 1 (00:45):
Oh, the past is quite good, quite good, titled you
do a complete tour of the prison.
Speaker 4 (00:49):
So I want to be something to tell the folks
back home. Oh, excuse me, god, do you mind if
I ask you a question?
Speaker 3 (00:57):
Not at all?
Speaker 4 (00:58):
What is it that little gray bit building down there
across the courtyard?
Speaker 5 (01:02):
When is that that's the death house?
Speaker 1 (01:04):
That?
Speaker 4 (01:05):
Oh? Oh I I don't suppose you take visitors in
there too, do they?
Speaker 3 (01:10):
Oh?
Speaker 5 (01:11):
Yes, yes, sir lea.
Speaker 3 (01:12):
Uh you want to see the court?
Speaker 4 (01:14):
Oh? Well, miter tz here Well, I guess it would
be a thrill thrill, yes, yes, if the be the
greatest thrill you ever experience.
Speaker 1 (01:33):
And now here's the last sight on your tour.
Speaker 6 (01:36):
H step right in, please thank you?
Speaker 1 (01:38):
What place is there, mister Kzy the building you saw
across the courtyard, the death house.
Speaker 4 (01:43):
Oh oh, I see you know. I don't be afraid,
and it step right, didn't cause see.
Speaker 1 (01:52):
There you see stocking a pleasant groom call, is it?
Speaker 3 (01:56):
Well? Not in the parents?
Speaker 4 (01:57):
No, But mister ke easy when you start to think
of the men that had died.
Speaker 1 (02:02):
Here were not the death there's nothing to fear. There's
a majesty or no ability about it that makes people's
Rebut she's stupid. Uh. Those benches there.
Speaker 5 (02:10):
Are the observes. The uh uh the pre execution says
are just be on that door. Uh huh.
Speaker 3 (02:15):
And uh, this as you see is the.
Speaker 4 (02:17):
Electric chair, you know, and say, uh, it's quite warm
in here.
Speaker 1 (02:22):
And then I suppose a bit. Uh this panel here
is where the execution standing. He holds his hand on
the switching at the signal from the water and he
throws it in like this. I don't be alarmed.
Speaker 5 (02:35):
Shouldn't shouldn't we leave now?
Speaker 2 (02:37):
Uh?
Speaker 3 (02:37):
First, of course you will want to sit in a chair.
Speaker 5 (02:39):
But no, no, I I I hadn't thought of anything
like that at all.
Speaker 1 (02:43):
I don't my not a toomid So why this is
an experience you'll never have a game.
Speaker 4 (02:50):
Yeah, let's me help you, just uh sit right down. Well,
it's it's the customary thing.
Speaker 5 (02:56):
Why of course, there you are.
Speaker 3 (02:59):
You sued to see nothing to it at all.
Speaker 1 (03:01):
He's there.
Speaker 4 (03:02):
Imagine that men have died just like this, Yes, men
have died, Yes like that.
Speaker 1 (03:10):
Yeah, I'll show you. I refuse to be stepped in.
Speaker 4 (03:13):
Well I I I can imagine how.
Speaker 5 (03:15):
I I there they test staff across him, and you
keep going.
Speaker 6 (03:20):
At a bit tight, mister Katie.
Speaker 1 (03:23):
I shot the window and that's the way it goes.
Now the right arm front like that, and the left and.
Speaker 4 (03:31):
All this thing, said my husband.
Speaker 3 (03:33):
The man's clothes, doesn't it.
Speaker 1 (03:34):
Yes, it's a powerful embrace.
Speaker 3 (03:38):
Now we have stepped the left like and the right
light like this.
Speaker 1 (03:43):
Now there you are ready for the most noble and
majestic experience, and all.
Speaker 3 (03:52):
God, what do you mean? Yeah, no, no, keep away.
Speaker 4 (03:58):
From that.
Speaker 7 (04:08):
At Gray act Gray visitor dies and that I'll read
all about it.
Speaker 3 (04:13):
Visitor and ray act Gray dies.
Speaker 5 (04:16):
And there.
Speaker 1 (04:25):
I call you a taxi sm yes please, Well mag
how did you like the offer?
Speaker 4 (04:30):
Oh?
Speaker 5 (04:30):
It was simply grand lamon But I'm tired.
Speaker 6 (04:33):
How did that get home?
Speaker 1 (04:37):
Which sent visited. Oh now, Lamart, please let's not sweit
a lovely night with scare headlines.
Speaker 3 (04:44):
People are live with dimods.
Speaker 5 (04:45):
Anyway, your dad's all about it, boy boy cads waiting
just a moment.
Speaker 3 (04:53):
I have reason for wanting to know the story.
Speaker 1 (04:55):
Back of that headline, say yes, sons, and there you are.
Speaker 5 (04:59):
I'll thank you to made off about it.
Speaker 1 (05:02):
All right, Margot, Why sorry to keep you waiting.
Speaker 5 (05:12):
I know you're just dying to get to your story.
So go right ahead, Lamark, go ahead read it here
out which I'm a light.
Speaker 3 (05:19):
Well, thank you, Margaret. Well, there's much to it.
Speaker 1 (05:25):
The newspapers strangely brief, mainly the headlines in the.
Speaker 3 (05:29):
Seven line box on the first page.
Speaker 1 (05:31):
What did it say, simply that a visitor died in
the death house on a ture of inspection.
Speaker 5 (05:36):
There doesn't seem much in that to excite the imagination.
Speaker 1 (05:39):
Of the shadows.
Speaker 3 (05:40):
I'm not so sure about that, Margo.
Speaker 1 (05:42):
Well, you don't see anything, citizen.
Speaker 5 (05:44):
Such a bare announcement, Lavon.
Speaker 1 (05:45):
That's just the point, Margo. The encounter is too bare.
What do you mean, Well, the newspapers don't seem to
know anything. And it says here that the prison officials
are saying nothing. Oh, perhaps there's nothing more to say.
There's an old public margo to the sect that virtue
rarely lies behind a tight lip. Well, I noticed that
sh gleam in your eye, So I might as well
(06:06):
accustom myself to the idea that you're off on another
adventure in crime. Yes, margo, often an adventure that promises
to be one of the most exciting I've ever had.
What I want to do about like quiet boys?
Speaker 3 (06:26):
Hell commission Western speaking? What you can't get the warton
on the phone? I can't.
Speaker 1 (06:32):
This is a police department. He can't ignore us.
Speaker 2 (06:35):
Well, you try him again and keep trying until you
get them.
Speaker 3 (06:40):
Trophy.
Speaker 2 (06:41):
Yeah, what happened when you went out of the person? Oh,
the same thing that happened to your phone called chief Nothing.
Speaker 1 (06:46):
Couldn't you get any information?
Speaker 5 (06:48):
All I could find out was the guy was in
town on the press.
Speaker 2 (06:50):
It convence you got to pass to see the prison,
and some god by the name of Keezy.
Speaker 1 (06:54):
Took him through.
Speaker 6 (06:55):
Did you question this, keysy?
Speaker 3 (06:57):
He couldn't get a hold of it. Why not?
Speaker 1 (07:00):
I'll see if he'd found out that in its way
up on the cape.
Speaker 3 (07:02):
So Jim here and me went out there.
Speaker 1 (07:04):
And then what happened?
Speaker 3 (07:05):
Nothing?
Speaker 1 (07:06):
If somebody says nothing to me again, I'll.
Speaker 3 (07:10):
Just a minute thread, Oh, miss West, I'm.
Speaker 2 (07:13):
Thinking sad evening, Commissioner Western, Oh you again, Yes, Commissioner,
the shadow, just a.
Speaker 3 (07:22):
Minute polar line. A few men went outside. I'll call
you if I need Okay, we'll be that.
Speaker 7 (07:27):
After all, Right, Shadow, go ahead.
Speaker 3 (07:32):
What's on your mind?
Speaker 1 (07:33):
I called to find out what you know about the
death of that visitor out of the prison.
Speaker 2 (07:38):
I don't know a thing, and I can't find out anything.
The prison officials don't seem in kind to cooperate at all.
Speaker 3 (07:44):
Did you know, Commissioner, that a short time.
Speaker 6 (07:46):
Ago another visitor died in the death house but another visitor.
Speaker 3 (07:50):
Yes, last visitor's death passed home with unnoticed. But now
Commissioner another.
Speaker 2 (07:56):
Say this puts a new light on the whole matter.
Speaker 6 (07:58):
Calls for a media action.
Speaker 1 (08:00):
No, commission on, hold everything until you hear from me.
Oh oh, Margo, come in and don't take ahead off.
We're leaving right away.
Speaker 2 (08:14):
I still get to your house and then we have
to leave.
Speaker 1 (08:16):
What's all the hits about we're driving up to the prison.
Oh the ma, don't tell me.
Speaker 3 (08:20):
You're still thinking.
Speaker 1 (08:21):
About visitor's death. Thinking of it, Margo. I've discovered some
things that make me feel I've got a big job
on my hands. The one thing I've discovered that another
visitor died in that same deathhouse. I've come to the
conclusion that there's only one way I can find out
what's the back of it.
Speaker 6 (08:37):
All and how death?
Speaker 3 (08:38):
Here?
Speaker 1 (08:39):
You see this, it's a visitor's pass. I'm going up
there and go through that prison, just as those other
men went through as a visitor. Oh no, no, you must.
Speaker 3 (08:50):
I've got to, mrgo. It's the only way.
Speaker 1 (08:53):
Wh I'm not usually giving this the decision, the mark.
There's something supernatural, something unearthly about those deaths. Don't want
you to expose yourself to the same state that overtook
those two man.
Speaker 6 (09:03):
I I won't let you do it.
Speaker 3 (09:04):
Come now, Margot, don't let this get the.
Speaker 1 (09:06):
Best of you.
Speaker 3 (09:07):
Oh my mother, I'm afraid.
Speaker 5 (09:10):
I'm afraid.
Speaker 3 (09:21):
All right, Mago bought the car right here.
Speaker 1 (09:24):
Now, that's the entrance to the prison down there at
the bottom of the hill.
Speaker 2 (09:28):
No matter, I wish you wouldn't go through with it.
Speaker 1 (09:30):
You may be walking to your dead. Don't worry Margol.
You stay here in the car and remember this. Don't
lose your courage no matter what you may hear or
what you may see.
Speaker 2 (09:50):
Oh geeze you here again.
Speaker 1 (09:52):
Yes, mister Harper, I'm taking this get up with mister Crackton.
I'm not sure of our institution.
Speaker 3 (09:56):
I refer to her. They don't praise they are.
Speaker 2 (10:00):
Oh, they're going to stop handing out these visitors pass
keez stop.
Speaker 3 (10:03):
Why should they do that? Well, I should think they'd
be a little more careful because of what's already happened
around here. Oh nonsense is to Harper.
Speaker 1 (10:10):
Accidents will happen.
Speaker 7 (10:11):
You know no reason why?
Speaker 3 (10:12):
It's prison?
Speaker 1 (10:13):
Your team should be under sets unnecessarily.
Speaker 3 (10:15):
All right, it's the Grants. You're okay, thank you? Open
up time?
Speaker 1 (10:19):
All right, okay, Keizy.
Speaker 3 (10:23):
The place is yours.
Speaker 5 (10:24):
Thank you, Come right along.
Speaker 1 (10:25):
So don't forget Keezy. Bring him back alive. Oh this
is the death house, Thzy, Yes, mister Grant.
Speaker 3 (10:47):
The end of your prison to us.
Speaker 1 (10:49):
Here is sort of place, isn't it.
Speaker 5 (10:51):
That depends on the viewpoints.
Speaker 1 (10:54):
You've worked in.
Speaker 3 (10:55):
This prison a long time, haven't you, Kizy.
Speaker 1 (10:57):
I've been here thirty five years with the grands to
prepare it. Yes, sir, thirty five years for the service.
H Is this your regular job taking visitors through the prison. Yes,
I've been doing this for several years. But it's the
poor substitute for the place that rightfully belongs to me,
the place that rightfully belongs to you.
Speaker 3 (11:15):
What do you mean by that? H?
Speaker 5 (11:16):
Nothing? Uh, nothing at all. I shouldn't even have mentioned it.
Speaker 1 (11:20):
I come now, this has nothing to do with your
tour the prison or I'm sorry. I didn't mean to
pry into your affair. I want to pay no attention
to what I've said. I'm a bit out of thought.
Stay nervous, I guess.
Speaker 3 (11:29):
Yes, I understand.
Speaker 1 (11:31):
I suppose i'd be nervous too if I did the
things you've done, the things.
Speaker 6 (11:36):
I've done, mister Grant. Uh what do you mean by that?
Speaker 3 (11:39):
Nothing?
Speaker 7 (11:39):
Easy?
Speaker 1 (11:40):
I'm just thinking of how i'd be affected by thirty
five years spent on a place like this, That's all.
Speaker 6 (11:47):
It does.
Speaker 1 (11:47):
Play on a body's nerves, but a single visit can
affect the nerves even more than thirty five years. I'm
afraid I don't understand. Oh not now, perhaps, But you win.
I you with well, It's been a very interesting tour,
and I'm much obliged to you.
Speaker 3 (12:04):
I must be running along now, but.
Speaker 5 (12:06):
I haven't explained this room the.
Speaker 3 (12:08):
Step out to you. Well, that's hardly necessary.
Speaker 1 (12:10):
Surely you wouldn't leave without sitting in the electric chair
at the Cranston. My curiosity doesn't go to such extremely
But every visitor sits in the chair. Well, Keezy, you've
been very thorough and showing me through the prison.
Speaker 3 (12:22):
So if you feel I'm spoiling your final touch, why
of course I'll sit in your chair.
Speaker 5 (12:28):
Ah, good, sit right down. All right, here we are now,
I'll step you in.
Speaker 1 (12:35):
Oh, it won't take a minute. There the chest STAPs
out already, you see where you certainly did that with
amazing speed, keasy like an expert. I am an expert,
mister Cranston. Years ago, I was a member of.
Speaker 5 (12:48):
The execution squad.
Speaker 1 (12:49):
Really then you participated in the actual execution. I was
one of the men whose job it was to be
stractic condemned in the chair as a man reached speed
is an important the cricket stand as the condemned supus.
I was on the chest that happens to be the
most important one. I can testify to your efficiency. Can
(13:10):
hardly move a muscle.
Speaker 5 (13:11):
I don't suppose you can.
Speaker 1 (13:15):
There, way up, now there's a bug in a rug,
but not so comfortable, by the way. At Cranston, you remember.
Speaker 5 (13:22):
The famous Corson case, don't you?
Speaker 3 (13:23):
Oh very well.
Speaker 1 (13:25):
Cousin was brought to justice as a result of the
efforts of a character known as the Shadow.
Speaker 5 (13:30):
And then, sure that you must remember me. My picture
was in all the newspapers at the time.
Speaker 1 (13:35):
There I suppose you helped to strap Cousin in the chair.
Speaker 6 (13:37):
No, no, I execute it in you what.
Speaker 5 (13:43):
It was a very unusual case. You see, we had
a new executioner. At the last moment the four setter's
nerve gave away. Oh, there was quite a to do.
Speaker 1 (13:52):
Carden was already stepped in the chair. The ward was
beside himself. Somebody had to bring matters to a conclusion.
So I volunteered my services as executioner. Yes, oh, which
was quite an experience. First and only time I have
attracted the least bit of attention. But it was the
(14:12):
cause of the most bitter disappointment in my whole life. Disappointment.
Speaker 6 (14:16):
You see.
Speaker 1 (14:17):
I hope that my service would be rewarded with a
permanent appointment as executioner. You had an ambition to make
a career of it, and why not? I was another
supply it.
Speaker 6 (14:26):
For the job.
Speaker 5 (14:27):
Oh supposition of distinction.
Speaker 1 (14:30):
You say you were promised the job. Yes, but the
authorities didn't live up to the promise.
Speaker 5 (14:36):
They treated me, robbed me at what was mine.
Speaker 3 (14:38):
I wouldn't let it disturb me own, I will you
disturb me.
Speaker 1 (14:41):
It's ranked in my heart throughout the years and left
me with one consuming desire to hate my hatred like that,
you know, knowing, but yourself you think not.
Speaker 5 (14:51):
An I know that I'll make them pay for what
they've done to me. I'll make them pay.
Speaker 1 (14:56):
I think you have an entirely wrong attitude us him. Well,
this is all very exciting, And now if you unstrapped
me and let me out of this electric chair, let
you out of a chair?
Speaker 5 (15:06):
If the cans and never a going to give you
what I gave the others.
Speaker 1 (15:10):
What do you mean, causey in the moment I trying
to pull the switch and flee you into return, let.
Speaker 3 (15:15):
Me out of the chair.
Speaker 5 (15:16):
Yes, I'll let you out.
Speaker 1 (15:17):
You can't do anything like that.
Speaker 3 (15:18):
You can't get away with this.
Speaker 5 (15:19):
I told you, I'll take them pay for what they've
done to me.
Speaker 3 (15:21):
Is get yourself together.
Speaker 1 (15:23):
Man, Why do you want to wreck your vengeance on
people like me?
Speaker 5 (15:26):
Because you are people and the people that cheated me,
and they'll pay for it.
Speaker 1 (15:31):
Cheesy, you're a fiend.
Speaker 5 (15:32):
I am a cheat, a man.
Speaker 1 (15:33):
That's only your excuse, an excuse you offer your conscience
to justify the things you do. There's only one reason
for you're doing a thing like this causy, the desire
to satisfy a vicious urge and your diabolic nature. You
can't go through with this thing without your excuse. Well,
I'm going to take that away from you. I'm going
to turn you inside out and show you that fiend
you really are.
Speaker 3 (15:52):
Let you shut you up.
Speaker 5 (15:54):
I'll put the head piece on and have your faces
that that don't your dear.
Speaker 3 (16:00):
Uh.
Speaker 5 (16:00):
You can say what you want now, I don't have
to hear you wanted to get out of the chair.
Very well, I'll take you out now, mister Cranston, I've
(16:24):
excused him.
Speaker 4 (16:27):
He did.
Speaker 3 (16:35):
Hey, Wady, can't park here all day.
Speaker 6 (16:37):
You'll have to move along.
Speaker 1 (16:38):
I'm waiting for a friend, officer.
Speaker 6 (16:40):
Don't you know you're not allowed to park within five
hundred feet of a prison. But not send should be
along any minute.
Speaker 3 (16:45):
Now where is he?
Speaker 7 (16:46):
He's in the prison.
Speaker 5 (16:47):
He he's a visitor, visitor did you say he's a visitor?
Speaker 1 (16:53):
Yes, but another officer.
Speaker 5 (16:56):
What do you stand there like that?
Speaker 1 (16:58):
Tell me what's another.
Speaker 7 (17:16):
And figure out why people have their water pumps outside
the house so they're freeze. Oh there you are, mister geezy. No,
don't expect this water pump will give you any more trouble.
This twice, not tonight.
Speaker 1 (17:34):
He's done a good job. More.
Speaker 5 (17:35):
Sorry, I had to get you up on a night
like this.
Speaker 7 (17:37):
Ain't no pleasure plodding up that.
Speaker 6 (17:39):
They're saying, road any nice?
Speaker 5 (17:43):
Hey?
Speaker 7 (17:44):
What's the matter that hound dog?
Speaker 3 (17:46):
You are doing a powerful lot of hour on tonight.
Speaker 5 (17:49):
Anything, Yes, quite a lot. And they say.
Speaker 6 (17:52):
Hounds howl like that when somebody dies dies.
Speaker 1 (17:55):
Yes, yes, I've heard that, said Jiminy pickets.
Speaker 7 (17:58):
It's enough to make a body's skin.
Speaker 6 (18:00):
Yes.
Speaker 7 (18:01):
You don't suppose he sees something?
Speaker 3 (18:03):
Do you the spirit of me?
Speaker 5 (18:05):
No, it's nothing forgetted, don't.
Speaker 7 (18:07):
Reckon even spirits had come up here?
Speaker 6 (18:10):
Does he does he offer?
Speaker 1 (18:12):
How like that?
Speaker 5 (18:13):
I've only had him do that twice before tonight.
Speaker 1 (18:15):
Makes it the third time.
Speaker 7 (18:17):
Well, and there's a water pump fit and find mister Keezy.
Speaker 3 (18:20):
I'll be getting on down.
Speaker 6 (18:21):
The hole now, good night to you.
Speaker 3 (18:24):
Good night bought.
Speaker 6 (18:27):
But yeah, tell you.
Speaker 3 (18:35):
Not of that.
Speaker 5 (18:35):
Now lie down, take a heart of old hounds.
Speaker 1 (18:39):
It's like a human. You fear death too, that fool,
mister Cranston I said to Attnity today. He was afraid
of that.
Speaker 5 (18:45):
But that didn't save him. He's done all. He's dead,
and I have send many of mud him.
Speaker 1 (18:52):
What of that?
Speaker 3 (18:53):
Who's there?
Speaker 5 (18:56):
Who's out there?
Speaker 4 (18:57):
Is that?
Speaker 1 (18:58):
You?
Speaker 5 (18:58):
More?
Speaker 3 (18:59):
No, Keezy? More as well? Down the hill?
Speaker 6 (19:02):
Now there's nobody out there. I'm right here in your house,
right here in the room with you.
Speaker 5 (19:12):
I know where you are. You're im.
Speaker 3 (19:18):
You see I'm not in the closet.
Speaker 6 (19:21):
I'm right here behind you.
Speaker 3 (19:23):
Who are you?
Speaker 5 (19:24):
What you want?
Speaker 6 (19:25):
You, Keezy, I've come for you.
Speaker 3 (19:28):
Don't you touch me?
Speaker 1 (19:29):
Don't you come here me?
Speaker 6 (19:32):
Surely you're not afraid of death. That remember, only fool's
fear death. Keysy I here, you have a poor aim, Keezy.
You see it's usually it's Keezy. You can't destroy what
you can't see why have you come here to end
(19:53):
your criminal career.
Speaker 5 (19:54):
I have committed no crime.
Speaker 6 (19:55):
I'm going to make you.
Speaker 1 (19:56):
Confess to the murder of those innocent visitors, but the
prison I don't know what your talking.
Speaker 6 (20:00):
You cannot lie to me. I know you kill those
men in cor Bra. That's alive, Hilights. You're clever. You
did your job with inglish genius. But you're at the
end of your rope. Gezy. The only hope left for
you is to confession.
Speaker 5 (20:13):
Clear your soul, now, Hiland something, sleep alone.
Speaker 6 (20:15):
I won't con yes you will.
Speaker 1 (20:17):
I'm not true with you yet. Look, Keezy, in this
corner of the room, right here, that's it. Now watch
carefully and you'll see someone you met not many hours ago.
Speaker 5 (20:32):
Look, Gezy, look clenched.
Speaker 1 (20:37):
Now you see standing before you the man you started
in the chair a few hours ago. Away, go away,
becusey say you're da confess?
Speaker 5 (20:44):
I won't.
Speaker 2 (20:45):
I walk away and first pase face confess my say,
but I'll never be taken alive.
Speaker 3 (20:50):
Never never.
Speaker 1 (21:05):
Lamart stop very well, Mogo, No, I can't understand how
Keesy could have hidden his cards for so long. It's
quite understandable, Margot. Each of Kesey's victims seemed to have
died from natural causes.
Speaker 3 (21:19):
Lamaday, I let me explain, Margo.
Speaker 1 (21:22):
You see, Keesy was somewhat of a student of the
psychology of fear, and this knowledge in the victim's natural
fear of a factual instrument of f the electric chair,
enabled Keesy to produce a fear paralysis that stopped the
hearts of his victims.
Speaker 3 (21:37):
They died of heart failure.
Speaker 1 (21:38):
Then he didn't actually electricushm.
Speaker 3 (21:40):
He couldn't, Margo.
Speaker 1 (21:42):
The electric chair is never hooked to the powerhouse except
during a legal execution.
Speaker 5 (21:46):
But you, lamart I, I thought you were dead.
Speaker 1 (21:49):
Well, Margo, I produced a death condition by a little
trick in self hypnosis that I learned from an old Hindu.
I let Keesy think he had actually killed me.
Speaker 3 (22:00):
It's an amazing case.
Speaker 1 (22:00):
Lamont.
Speaker 5 (22:02):
I'm glad it's.
Speaker 3 (22:03):
Over, Yes, Margaret, he's over.
Speaker 1 (22:06):
Geezy was a fiend consumed by the heat of.
Speaker 3 (22:09):
His own hatred.
Speaker 1 (22:10):
He is now the many destroyed, and who knows, perhaps
theirs is the final and most complete vengeance. No need
(22:33):
of crime.
Speaker 3 (22:35):
There's a fruit. Crime does nothing.
Speaker 1 (22:41):
The shadow Lord
Who knows what evil looks in the hearts of men?
The shadow Lord.
Speaker 2 (00:17):
Today, story guests.
Speaker 3 (00:19):
Up, death.
Speaker 4 (00:28):
God, this is certainly a tremendous prisoners And I had
no idea it was so big.
Speaker 1 (00:34):
And this is your first visit here.
Speaker 4 (00:36):
Yes, mister Keithy, I'm in the town on a convention.
He one of the boys gave me the path to
the president. I was afraid he might be playing a
joke on it.
Speaker 5 (00:44):
It might be a fake.
Speaker 1 (00:45):
Oh, the past is quite good, quite good, titled you
do a complete tour of the prison.
Speaker 4 (00:49):
So I want to be something to tell the folks
back home. Oh, excuse me, god, do you mind if
I ask you a question?
Speaker 3 (00:57):
Not at all?
Speaker 4 (00:58):
What is it that little gray bit building down there
across the courtyard?
Speaker 5 (01:02):
When is that that's the death house?
Speaker 1 (01:04):
That?
Speaker 4 (01:05):
Oh? Oh I I don't suppose you take visitors in
there too, do they?
Speaker 3 (01:10):
Oh?
Speaker 5 (01:11):
Yes, yes, sir lea.
Speaker 3 (01:12):
Uh you want to see the court?
Speaker 4 (01:14):
Oh? Well, miter tz here Well, I guess it would
be a thrill thrill, yes, yes, if the be the
greatest thrill you ever experience.
Speaker 1 (01:33):
And now here's the last sight on your tour.
Speaker 6 (01:36):
H step right in, please thank you?
Speaker 1 (01:38):
What place is there, mister Kzy the building you saw
across the courtyard, the death house.
Speaker 4 (01:43):
Oh oh, I see you know. I don't be afraid,
and it step right, didn't cause see.
Speaker 1 (01:52):
There you see stocking a pleasant groom call, is it?
Speaker 3 (01:56):
Well? Not in the parents?
Speaker 4 (01:57):
No, But mister ke easy when you start to think
of the men that had died.
Speaker 1 (02:02):
Here were not the death there's nothing to fear. There's
a majesty or no ability about it that makes people's
Rebut she's stupid. Uh. Those benches there.
Speaker 5 (02:10):
Are the observes. The uh uh the pre execution says
are just be on that door. Uh huh.
Speaker 3 (02:15):
And uh, this as you see is the.
Speaker 4 (02:17):
Electric chair, you know, and say, uh, it's quite warm
in here.
Speaker 1 (02:22):
And then I suppose a bit. Uh this panel here
is where the execution standing. He holds his hand on
the switching at the signal from the water and he
throws it in like this. I don't be alarmed.
Speaker 5 (02:35):
Shouldn't shouldn't we leave now?
Speaker 2 (02:37):
Uh?
Speaker 3 (02:37):
First, of course you will want to sit in a chair.
Speaker 5 (02:39):
But no, no, I I I hadn't thought of anything
like that at all.
Speaker 1 (02:43):
I don't my not a toomid So why this is
an experience you'll never have a game.
Speaker 4 (02:50):
Yeah, let's me help you, just uh sit right down. Well,
it's it's the customary thing.
Speaker 5 (02:56):
Why of course, there you are.
Speaker 3 (02:59):
You sued to see nothing to it at all.
Speaker 1 (03:01):
He's there.
Speaker 4 (03:02):
Imagine that men have died just like this, Yes, men
have died, Yes like that.
Speaker 1 (03:10):
Yeah, I'll show you. I refuse to be stepped in.
Speaker 4 (03:13):
Well I I I can imagine how.
Speaker 5 (03:15):
I I there they test staff across him, and you
keep going.
Speaker 6 (03:20):
At a bit tight, mister Katie.
Speaker 1 (03:23):
I shot the window and that's the way it goes.
Now the right arm front like that, and the left and.
Speaker 4 (03:31):
All this thing, said my husband.
Speaker 3 (03:33):
The man's clothes, doesn't it.
Speaker 1 (03:34):
Yes, it's a powerful embrace.
Speaker 3 (03:38):
Now we have stepped the left like and the right
light like this.
Speaker 1 (03:43):
Now there you are ready for the most noble and
majestic experience, and all.
Speaker 3 (03:52):
God, what do you mean? Yeah, no, no, keep away.
Speaker 4 (03:58):
From that.
Speaker 7 (04:08):
At Gray act Gray visitor dies and that I'll read
all about it.
Speaker 3 (04:13):
Visitor and ray act Gray dies.
Speaker 5 (04:16):
And there.
Speaker 1 (04:25):
I call you a taxi sm yes please, Well mag
how did you like the offer?
Speaker 4 (04:30):
Oh?
Speaker 5 (04:30):
It was simply grand lamon But I'm tired.
Speaker 6 (04:33):
How did that get home?
Speaker 1 (04:37):
Which sent visited. Oh now, Lamart, please let's not sweit
a lovely night with scare headlines.
Speaker 3 (04:44):
People are live with dimods.
Speaker 5 (04:45):
Anyway, your dad's all about it, boy boy cads waiting
just a moment.
Speaker 3 (04:53):
I have reason for wanting to know the story.
Speaker 1 (04:55):
Back of that headline, say yes, sons, and there you are.
Speaker 5 (04:59):
I'll thank you to made off about it.
Speaker 1 (05:02):
All right, Margot, Why sorry to keep you waiting.
Speaker 5 (05:12):
I know you're just dying to get to your story.
So go right ahead, Lamark, go ahead read it here
out which I'm a light.
Speaker 3 (05:19):
Well, thank you, Margaret. Well, there's much to it.
Speaker 1 (05:25):
The newspapers strangely brief, mainly the headlines in the.
Speaker 3 (05:29):
Seven line box on the first page.
Speaker 1 (05:31):
What did it say, simply that a visitor died in
the death house on a ture of inspection.
Speaker 5 (05:36):
There doesn't seem much in that to excite the imagination.
Speaker 1 (05:39):
Of the shadows.
Speaker 3 (05:40):
I'm not so sure about that, Margo.
Speaker 1 (05:42):
Well, you don't see anything, citizen.
Speaker 5 (05:44):
Such a bare announcement, Lavon.
Speaker 1 (05:45):
That's just the point, Margo. The encounter is too bare.
What do you mean, Well, the newspapers don't seem to
know anything. And it says here that the prison officials
are saying nothing. Oh, perhaps there's nothing more to say.
There's an old public margo to the sect that virtue
rarely lies behind a tight lip. Well, I noticed that
sh gleam in your eye, So I might as well
(06:06):
accustom myself to the idea that you're off on another
adventure in crime. Yes, margo, often an adventure that promises
to be one of the most exciting I've ever had.
What I want to do about like quiet boys?
Speaker 3 (06:26):
Hell commission Western speaking? What you can't get the warton
on the phone? I can't.
Speaker 1 (06:32):
This is a police department. He can't ignore us.
Speaker 2 (06:35):
Well, you try him again and keep trying until you
get them.
Speaker 3 (06:40):
Trophy.
Speaker 2 (06:41):
Yeah, what happened when you went out of the person? Oh,
the same thing that happened to your phone called chief Nothing.
Speaker 1 (06:46):
Couldn't you get any information?
Speaker 5 (06:48):
All I could find out was the guy was in
town on the press.
Speaker 2 (06:50):
It convence you got to pass to see the prison,
and some god by the name of Keezy.
Speaker 1 (06:54):
Took him through.
Speaker 6 (06:55):
Did you question this, keysy?
Speaker 3 (06:57):
He couldn't get a hold of it. Why not?
Speaker 1 (07:00):
I'll see if he'd found out that in its way
up on the cape.
Speaker 3 (07:02):
So Jim here and me went out there.
Speaker 1 (07:04):
And then what happened?
Speaker 3 (07:05):
Nothing?
Speaker 1 (07:06):
If somebody says nothing to me again, I'll.
Speaker 3 (07:10):
Just a minute thread, Oh, miss West, I'm.
Speaker 2 (07:13):
Thinking sad evening, Commissioner Western, Oh you again, Yes, Commissioner,
the shadow, just a.
Speaker 3 (07:22):
Minute polar line. A few men went outside. I'll call
you if I need Okay, we'll be that.
Speaker 7 (07:27):
After all, Right, Shadow, go ahead.
Speaker 3 (07:32):
What's on your mind?
Speaker 1 (07:33):
I called to find out what you know about the
death of that visitor out of the prison.
Speaker 2 (07:38):
I don't know a thing, and I can't find out anything.
The prison officials don't seem in kind to cooperate at all.
Speaker 3 (07:44):
Did you know, Commissioner, that a short time.
Speaker 6 (07:46):
Ago another visitor died in the death house but another visitor.
Speaker 3 (07:50):
Yes, last visitor's death passed home with unnoticed. But now
Commissioner another.
Speaker 2 (07:56):
Say this puts a new light on the whole matter.
Speaker 6 (07:58):
Calls for a media action.
Speaker 1 (08:00):
No, commission on, hold everything until you hear from me.
Oh oh, Margo, come in and don't take ahead off.
We're leaving right away.
Speaker 2 (08:14):
I still get to your house and then we have
to leave.
Speaker 1 (08:16):
What's all the hits about we're driving up to the prison.
Oh the ma, don't tell me.
Speaker 3 (08:20):
You're still thinking.
Speaker 1 (08:21):
About visitor's death. Thinking of it, Margo. I've discovered some
things that make me feel I've got a big job
on my hands. The one thing I've discovered that another
visitor died in that same deathhouse. I've come to the
conclusion that there's only one way I can find out
what's the back of it.
Speaker 6 (08:37):
All and how death?
Speaker 3 (08:38):
Here?
Speaker 1 (08:39):
You see this, it's a visitor's pass. I'm going up
there and go through that prison, just as those other
men went through as a visitor. Oh no, no, you must.
Speaker 3 (08:50):
I've got to, mrgo. It's the only way.
Speaker 1 (08:53):
Wh I'm not usually giving this the decision, the mark.
There's something supernatural, something unearthly about those deaths. Don't want
you to expose yourself to the same state that overtook
those two man.
Speaker 6 (09:03):
I I won't let you do it.
Speaker 3 (09:04):
Come now, Margot, don't let this get the.
Speaker 1 (09:06):
Best of you.
Speaker 3 (09:07):
Oh my mother, I'm afraid.
Speaker 5 (09:10):
I'm afraid.
Speaker 3 (09:21):
All right, Mago bought the car right here.
Speaker 1 (09:24):
Now, that's the entrance to the prison down there at
the bottom of the hill.
Speaker 2 (09:28):
No matter, I wish you wouldn't go through with it.
Speaker 1 (09:30):
You may be walking to your dead. Don't worry Margol.
You stay here in the car and remember this. Don't
lose your courage no matter what you may hear or
what you may see.
Speaker 2 (09:50):
Oh geeze you here again.
Speaker 1 (09:52):
Yes, mister Harper, I'm taking this get up with mister Crackton.
I'm not sure of our institution.
Speaker 3 (09:56):
I refer to her. They don't praise they are.
Speaker 2 (10:00):
Oh, they're going to stop handing out these visitors pass
keez stop.
Speaker 3 (10:03):
Why should they do that? Well, I should think they'd
be a little more careful because of what's already happened
around here. Oh nonsense is to Harper.
Speaker 1 (10:10):
Accidents will happen.
Speaker 7 (10:11):
You know no reason why?
Speaker 3 (10:12):
It's prison?
Speaker 1 (10:13):
Your team should be under sets unnecessarily.
Speaker 3 (10:15):
All right, it's the Grants. You're okay, thank you? Open
up time?
Speaker 1 (10:19):
All right, okay, Keizy.
Speaker 3 (10:23):
The place is yours.
Speaker 5 (10:24):
Thank you, Come right along.
Speaker 1 (10:25):
So don't forget Keezy. Bring him back alive. Oh this
is the death house, Thzy, Yes, mister Grant.
Speaker 3 (10:47):
The end of your prison to us.
Speaker 1 (10:49):
Here is sort of place, isn't it.
Speaker 5 (10:51):
That depends on the viewpoints.
Speaker 1 (10:54):
You've worked in.
Speaker 3 (10:55):
This prison a long time, haven't you, Kizy.
Speaker 1 (10:57):
I've been here thirty five years with the grands to
prepare it. Yes, sir, thirty five years for the service.
H Is this your regular job taking visitors through the prison. Yes,
I've been doing this for several years. But it's the
poor substitute for the place that rightfully belongs to me,
the place that rightfully belongs to you.
Speaker 3 (11:15):
What do you mean by that? H?
Speaker 5 (11:16):
Nothing? Uh, nothing at all. I shouldn't even have mentioned it.
Speaker 1 (11:20):
I come now, this has nothing to do with your
tour the prison or I'm sorry. I didn't mean to
pry into your affair. I want to pay no attention
to what I've said. I'm a bit out of thought.
Stay nervous, I guess.
Speaker 3 (11:29):
Yes, I understand.
Speaker 1 (11:31):
I suppose i'd be nervous too if I did the
things you've done, the things.
Speaker 6 (11:36):
I've done, mister Grant. Uh what do you mean by that?
Speaker 3 (11:39):
Nothing?
Speaker 7 (11:39):
Easy?
Speaker 1 (11:40):
I'm just thinking of how i'd be affected by thirty
five years spent on a place like this, That's all.
Speaker 6 (11:47):
It does.
Speaker 1 (11:47):
Play on a body's nerves, but a single visit can
affect the nerves even more than thirty five years. I'm
afraid I don't understand. Oh not now, perhaps, But you win.
I you with well, It's been a very interesting tour,
and I'm much obliged to you.
Speaker 3 (12:04):
I must be running along now, but.
Speaker 5 (12:06):
I haven't explained this room the.
Speaker 3 (12:08):
Step out to you. Well, that's hardly necessary.
Speaker 1 (12:10):
Surely you wouldn't leave without sitting in the electric chair
at the Cranston. My curiosity doesn't go to such extremely
But every visitor sits in the chair. Well, Keezy, you've
been very thorough and showing me through the prison.
Speaker 3 (12:22):
So if you feel I'm spoiling your final touch, why
of course I'll sit in your chair.
Speaker 5 (12:28):
Ah, good, sit right down. All right, here we are now,
I'll step you in.
Speaker 1 (12:35):
Oh, it won't take a minute. There the chest STAPs
out already, you see where you certainly did that with
amazing speed, keasy like an expert. I am an expert,
mister Cranston. Years ago, I was a member of.
Speaker 5 (12:48):
The execution squad.
Speaker 1 (12:49):
Really then you participated in the actual execution. I was
one of the men whose job it was to be
stractic condemned in the chair as a man reached speed
is an important the cricket stand as the condemned supus.
I was on the chest that happens to be the
most important one. I can testify to your efficiency. Can
(13:10):
hardly move a muscle.
Speaker 5 (13:11):
I don't suppose you can.
Speaker 1 (13:15):
There, way up, now there's a bug in a rug,
but not so comfortable, by the way. At Cranston, you remember.
Speaker 5 (13:22):
The famous Corson case, don't you?
Speaker 3 (13:23):
Oh very well.
Speaker 1 (13:25):
Cousin was brought to justice as a result of the
efforts of a character known as the Shadow.
Speaker 5 (13:30):
And then, sure that you must remember me. My picture
was in all the newspapers at the time.
Speaker 1 (13:35):
There I suppose you helped to strap Cousin in the chair.
Speaker 6 (13:37):
No, no, I execute it in you what.
Speaker 5 (13:43):
It was a very unusual case. You see, we had
a new executioner. At the last moment the four setter's
nerve gave away. Oh, there was quite a to do.
Speaker 1 (13:52):
Carden was already stepped in the chair. The ward was
beside himself. Somebody had to bring matters to a conclusion.
So I volunteered my services as executioner. Yes, oh, which
was quite an experience. First and only time I have
attracted the least bit of attention. But it was the
(14:12):
cause of the most bitter disappointment in my whole life. Disappointment.
Speaker 6 (14:16):
You see.
Speaker 1 (14:17):
I hope that my service would be rewarded with a
permanent appointment as executioner. You had an ambition to make
a career of it, and why not? I was another
supply it.
Speaker 6 (14:26):
For the job.
Speaker 5 (14:27):
Oh supposition of distinction.
Speaker 1 (14:30):
You say you were promised the job. Yes, but the
authorities didn't live up to the promise.
Speaker 5 (14:36):
They treated me, robbed me at what was mine.
Speaker 3 (14:38):
I wouldn't let it disturb me own, I will you
disturb me.
Speaker 1 (14:41):
It's ranked in my heart throughout the years and left
me with one consuming desire to hate my hatred like that,
you know, knowing, but yourself you think not.
Speaker 5 (14:51):
An I know that I'll make them pay for what
they've done to me. I'll make them pay.
Speaker 1 (14:56):
I think you have an entirely wrong attitude us him. Well,
this is all very exciting, And now if you unstrapped
me and let me out of this electric chair, let
you out of a chair?
Speaker 5 (15:06):
If the cans and never a going to give you
what I gave the others.
Speaker 1 (15:10):
What do you mean, causey in the moment I trying
to pull the switch and flee you into return, let.
Speaker 3 (15:15):
Me out of the chair.
Speaker 5 (15:16):
Yes, I'll let you out.
Speaker 1 (15:17):
You can't do anything like that.
Speaker 3 (15:18):
You can't get away with this.
Speaker 5 (15:19):
I told you, I'll take them pay for what they've
done to me.
Speaker 3 (15:21):
Is get yourself together.
Speaker 1 (15:23):
Man, Why do you want to wreck your vengeance on
people like me?
Speaker 5 (15:26):
Because you are people and the people that cheated me,
and they'll pay for it.
Speaker 1 (15:31):
Cheesy, you're a fiend.
Speaker 5 (15:32):
I am a cheat, a man.
Speaker 1 (15:33):
That's only your excuse, an excuse you offer your conscience
to justify the things you do. There's only one reason
for you're doing a thing like this causy, the desire
to satisfy a vicious urge and your diabolic nature. You
can't go through with this thing without your excuse. Well,
I'm going to take that away from you. I'm going
to turn you inside out and show you that fiend
you really are.
Speaker 3 (15:52):
Let you shut you up.
Speaker 5 (15:54):
I'll put the head piece on and have your faces
that that don't your dear.
Speaker 3 (16:00):
Uh.
Speaker 5 (16:00):
You can say what you want now, I don't have
to hear you wanted to get out of the chair.
Very well, I'll take you out now, mister Cranston, I've
(16:24):
excused him.
Speaker 4 (16:27):
He did.
Speaker 3 (16:35):
Hey, Wady, can't park here all day.
Speaker 6 (16:37):
You'll have to move along.
Speaker 1 (16:38):
I'm waiting for a friend, officer.
Speaker 6 (16:40):
Don't you know you're not allowed to park within five
hundred feet of a prison. But not send should be
along any minute.
Speaker 3 (16:45):
Now where is he?
Speaker 7 (16:46):
He's in the prison.
Speaker 5 (16:47):
He he's a visitor, visitor did you say he's a visitor?
Speaker 1 (16:53):
Yes, but another officer.
Speaker 5 (16:56):
What do you stand there like that?
Speaker 1 (16:58):
Tell me what's another.
Speaker 7 (17:16):
And figure out why people have their water pumps outside
the house so they're freeze. Oh there you are, mister geezy. No,
don't expect this water pump will give you any more trouble.
This twice, not tonight.
Speaker 1 (17:34):
He's done a good job. More.
Speaker 5 (17:35):
Sorry, I had to get you up on a night
like this.
Speaker 7 (17:37):
Ain't no pleasure plodding up that.
Speaker 6 (17:39):
They're saying, road any nice?
Speaker 5 (17:43):
Hey?
Speaker 7 (17:44):
What's the matter that hound dog?
Speaker 3 (17:46):
You are doing a powerful lot of hour on tonight.
Speaker 5 (17:49):
Anything, Yes, quite a lot. And they say.
Speaker 6 (17:52):
Hounds howl like that when somebody dies dies.
Speaker 1 (17:55):
Yes, yes, I've heard that, said Jiminy pickets.
Speaker 7 (17:58):
It's enough to make a body's skin.
Speaker 6 (18:00):
Yes.
Speaker 7 (18:01):
You don't suppose he sees something?
Speaker 3 (18:03):
Do you the spirit of me?
Speaker 5 (18:05):
No, it's nothing forgetted, don't.
Speaker 7 (18:07):
Reckon even spirits had come up here?
Speaker 6 (18:10):
Does he does he offer?
Speaker 1 (18:12):
How like that?
Speaker 5 (18:13):
I've only had him do that twice before tonight.
Speaker 1 (18:15):
Makes it the third time.
Speaker 7 (18:17):
Well, and there's a water pump fit and find mister Keezy.
Speaker 3 (18:20):
I'll be getting on down.
Speaker 6 (18:21):
The hole now, good night to you.
Speaker 3 (18:24):
Good night bought.
Speaker 6 (18:27):
But yeah, tell you.
Speaker 3 (18:35):
Not of that.
Speaker 5 (18:35):
Now lie down, take a heart of old hounds.
Speaker 1 (18:39):
It's like a human. You fear death too, that fool,
mister Cranston I said to Attnity today. He was afraid
of that.
Speaker 5 (18:45):
But that didn't save him. He's done all. He's dead,
and I have send many of mud him.
Speaker 1 (18:52):
What of that?
Speaker 3 (18:53):
Who's there?
Speaker 5 (18:56):
Who's out there?
Speaker 4 (18:57):
Is that?
Speaker 1 (18:58):
You?
Speaker 5 (18:58):
More?
Speaker 3 (18:59):
No, Keezy? More as well? Down the hill?
Speaker 6 (19:02):
Now there's nobody out there. I'm right here in your house,
right here in the room with you.
Speaker 5 (19:12):
I know where you are. You're im.
Speaker 3 (19:18):
You see I'm not in the closet.
Speaker 6 (19:21):
I'm right here behind you.
Speaker 3 (19:23):
Who are you?
Speaker 5 (19:24):
What you want?
Speaker 6 (19:25):
You, Keezy, I've come for you.
Speaker 3 (19:28):
Don't you touch me?
Speaker 1 (19:29):
Don't you come here me?
Speaker 6 (19:32):
Surely you're not afraid of death. That remember, only fool's
fear death. Keysy I here, you have a poor aim, Keezy.
You see it's usually it's Keezy. You can't destroy what
you can't see why have you come here to end
(19:53):
your criminal career.
Speaker 5 (19:54):
I have committed no crime.
Speaker 6 (19:55):
I'm going to make you.
Speaker 1 (19:56):
Confess to the murder of those innocent visitors, but the
prison I don't know what your talking.
Speaker 6 (20:00):
You cannot lie to me. I know you kill those
men in cor Bra. That's alive, Hilights. You're clever. You
did your job with inglish genius. But you're at the
end of your rope. Gezy. The only hope left for
you is to confession.
Speaker 5 (20:13):
Clear your soul, now, Hiland something, sleep alone.
Speaker 6 (20:15):
I won't con yes you will.
Speaker 1 (20:17):
I'm not true with you yet. Look, Keezy, in this
corner of the room, right here, that's it. Now watch
carefully and you'll see someone you met not many hours ago.
Speaker 5 (20:32):
Look, Gezy, look clenched.
Speaker 1 (20:37):
Now you see standing before you the man you started
in the chair a few hours ago. Away, go away,
becusey say you're da confess?
Speaker 5 (20:44):
I won't.
Speaker 2 (20:45):
I walk away and first pase face confess my say,
but I'll never be taken alive.
Speaker 3 (20:50):
Never never.
Speaker 1 (21:05):
Lamart stop very well, Mogo, No, I can't understand how
Keesy could have hidden his cards for so long. It's
quite understandable, Margot. Each of Kesey's victims seemed to have
died from natural causes.
Speaker 3 (21:19):
Lamaday, I let me explain, Margo.
Speaker 1 (21:22):
You see, Keesy was somewhat of a student of the
psychology of fear, and this knowledge in the victim's natural
fear of a factual instrument of f the electric chair,
enabled Keesy to produce a fear paralysis that stopped the
hearts of his victims.
Speaker 3 (21:37):
They died of heart failure.
Speaker 1 (21:38):
Then he didn't actually electricushm.
Speaker 3 (21:40):
He couldn't, Margo.
Speaker 1 (21:42):
The electric chair is never hooked to the powerhouse except
during a legal execution.
Speaker 5 (21:46):
But you, lamart I, I thought you were dead.
Speaker 1 (21:49):
Well, Margo, I produced a death condition by a little
trick in self hypnosis that I learned from an old Hindu.
I let Keesy think he had actually killed me.
Speaker 3 (22:00):
It's an amazing case.
Speaker 1 (22:00):
Lamont.
Speaker 5 (22:02):
I'm glad it's.
Speaker 3 (22:03):
Over, Yes, Margaret, he's over.
Speaker 1 (22:06):
Geezy was a fiend consumed by the heat of.
Speaker 3 (22:09):
His own hatred.
Speaker 1 (22:10):
He is now the many destroyed, and who knows, perhaps
theirs is the final and most complete vengeance. No need
(22:33):
of crime.
Speaker 3 (22:35):
There's a fruit. Crime does nothing.
Speaker 1 (22:41):
The shadow Lord
Popular Podcasts
New Heights with Jason & Travis Kelce
Football’s funniest family duo — Jason Kelce of the Philadelphia Eagles and Travis Kelce of the Kansas City Chiefs — team up to provide next-level access to life in the league as it unfolds. The two brothers and Super Bowl champions drop weekly insights about the weekly slate of games and share their INSIDE perspectives on trending NFL news and sports headlines. They also endlessly rag on each other as brothers do, chat the latest in pop culture and welcome some very popular and well-known friends to chat with them. Check out new episodes every Wednesday. Follow New Heights on the Wondery App, YouTube or wherever you get your podcasts. You can listen to new episodes early and ad-free, and get exclusive content on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. And join our new membership for a unique fan experience by going to the New Heights YouTube channel now!
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!