July 30, 2025 • 24 mins
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:15):
What evils in the hearts of men. The Shadow Lord.
Speaker 2 (00:36):
The Shadow, the serious character, furthers the forces of law
and order is in reality in the Monk Cranston, wealthy
young man about town.
Speaker 1 (00:44):
The Shadow uses his hypnotic power to cloud.
Speaker 2 (00:46):
Men's minds so that they cannot see him. Cranston's friend
and companions, the lovely Marble Lane, is the only person
who knows to whom the unseen voice of the Shadow belongs.
Speaker 3 (00:58):
Today's story you to terror, Oh it's you, Cooper.
Speaker 2 (01:28):
Yeah, Professor Baker.
Speaker 4 (01:30):
I thought you'd like this cup of hot tea.
Speaker 1 (01:33):
Yeah, thanks, help to keep me awake, and I have
a lot of work to do tonight.
Speaker 5 (01:37):
Shall I pour it?
Speaker 1 (01:39):
Yes?
Speaker 6 (01:39):
Please?
Speaker 1 (01:40):
Who isn't this your night, all Cooper?
Speaker 4 (01:42):
Yes, sir, I passed the house on my way home.
Until your light's a night. I know how you enjoy
a late cup of tea.
Speaker 1 (01:50):
Very considered of you, Cooper, really, but it's late and
you must get your rest on the door then.
Speaker 7 (01:57):
Hmm, I wonder who that could be?
Speaker 5 (02:00):
Is this art of man?
Speaker 4 (02:01):
Shall I answer it?
Speaker 1 (02:02):
Yes, Cooper years, I'll take care of the teas.
Speaker 4 (02:10):
All right, All right, Enie, what are you doing here?
Speaker 5 (02:18):
Cut the gap, close the door. I know Braiden sent
you who as ol man bag.
Speaker 4 (02:23):
Upstairs in his study.
Speaker 8 (02:24):
Okay, wait, I wanted you to do this.
Speaker 5 (02:26):
I wanted to It will kick your mouth shut unless
you want to go back and finish out that prison
time you ran.
Speaker 4 (02:30):
Out they Professor Bacon along.
Speaker 6 (02:32):
Please, I'm not gonna be you.
Speaker 7 (02:35):
I'm getting out.
Speaker 1 (02:40):
Well, who was the lake? Oh all right? I thought
it was Cooper?
Speaker 8 (02:46):
But do you.
Speaker 1 (02:56):
Hear you're short jumping to night Brandon?
Speaker 5 (02:59):
What's your What are you walking up and down like
that for something on your mind?
Speaker 8 (03:02):
Yeah?
Speaker 5 (03:03):
Big things, the things you would never understand. I wonder
what's keeping Hee should have been here half an hour ago.
I think he might have muffed things. Buss I hope
not there he is now hoping up.
Speaker 1 (03:14):
Okay, bos.
Speaker 5 (03:16):
He was just talking about you. Yeah, well, any what happened?
You have any trouble? Ah, not much. I just put
two slugs into the old guy, Professor Baker. He's dead.
The rest was easy. What about Cooper?
Speaker 8 (03:29):
He was scared stiffs he let out.
Speaker 5 (03:30):
You let him get away. Yeah, you don't have to
worry about that guy.
Speaker 1 (03:33):
He's too scared to talk.
Speaker 5 (03:35):
He should have put this silent around him anyway, and
he had a boss Braydon, what.
Speaker 1 (03:38):
Do you want me to do?
Speaker 5 (03:39):
Take no chances they cooper up and close his trap
for Keith. Okay, Boss, I'll take care of him. To
get the stuff I sent you after he should did,
let me have it.
Speaker 1 (03:49):
And let's see the get up right sign here?
Speaker 5 (03:52):
Camp? Hey? Yeah, boss, you hope professor had the right way?
He said, Yeah, this is it?
Speaker 1 (03:59):
All right?
Speaker 6 (04:00):
What is it?
Speaker 5 (04:00):
Braidon looks like an empty bottle to me. It's a colorless,
orderless gash, the most powerful explosive in existence, enough to
blow up this whole city.
Speaker 1 (04:11):
This is all there is in the world.
Speaker 5 (04:12):
Yes, what are you gonna do it? He'll find out.
I ain't get stall.
Speaker 1 (04:15):
Here's what a thunder of mine.
Speaker 5 (04:18):
You used to be a chemist, right, you're the breast
outside of all All right, I want you to take
this cash out of this little bottle and seal it
in that create of light bulbs I got last night.
I think you're gonna do it very good.
Speaker 1 (04:29):
So how much gust to the boat?
Speaker 6 (04:31):
Wait?
Speaker 1 (04:31):
I'll help you, Morgan dray all of your clear.
Speaker 5 (04:35):
Plenty when we get these explosive light bulbs fixed up.
I want you to go out and plant them in
light sockets everywhere and stalls, houses, public buildings all over
the city.
Speaker 3 (04:45):
What's the figure?
Speaker 6 (04:46):
It is reason I'm.
Speaker 5 (04:47):
Gonna plunge the city into total darkness for one night,
total dirkness.
Speaker 9 (04:51):
How are you gonna make them down stair light?
Speaker 5 (04:54):
Look, we get these bulbs planted before noon tomorrow. When
it gets dark they turn on lights, some of these
places will be blown the bitch the next night they
want dead, turn on the light where weach me in?
Speaker 1 (05:09):
What does that to that?
Speaker 4 (05:10):
Is it?
Speaker 5 (05:10):
Get us your sap on? She see when the city
blacks out, we move in and take over. Oh, I've
gone up a chart showing exactly where the explosive bulbs
gotta be planted.
Speaker 9 (05:23):
You wait, that's a trick.
Speaker 5 (05:24):
This is a big job.
Speaker 8 (05:26):
Now.
Speaker 5 (05:26):
We'll need plenty of help for the clean up. Round
up every dip, broad man, gangster, any crook you know,
have him here in the middle tomorrow.
Speaker 1 (05:32):
Eyes, okay, turns everything set.
Speaker 5 (05:35):
We'll move in on the cover of darkness.
Speaker 6 (05:37):
The four cot they will be help.
Speaker 5 (05:39):
Yeah, well, rob Stale purage to our hearts, constents. We'll
take everything that's not nailed down with a stun. Wow,
that's a crook's paradise.
Speaker 6 (05:48):
Wait a sight.
Speaker 5 (05:49):
Yeah, it's the greatest idea in the history of crime.
I'm going to create a rain of turn like this
country has never known.
Speaker 4 (06:06):
Want something for a young Tuesday, madam.
Speaker 8 (06:09):
Yes, I don't exactly know what I want.
Speaker 5 (06:12):
A boy or a girl?
Speaker 6 (06:14):
Girl?
Speaker 4 (06:14):
I'm her grandmother?
Speaker 1 (06:15):
Is that so well? I have a little girl too.
Speaker 5 (06:18):
How old is your granddaughter?
Speaker 8 (06:19):
He's just four month sold Oh well, and.
Speaker 4 (06:22):
You must see our modern nurse at the infant.
Speaker 2 (06:24):
Things are on in the head.
Speaker 5 (06:25):
Do you come right this way?
Speaker 8 (06:26):
Please, I'm not coming I used step right in. Thanks.
Speaker 5 (06:33):
It rather dark, isn't it?
Speaker 4 (06:35):
And I'll put on more light and switches are.
Speaker 10 (06:57):
Get Oh my later, I guess.
Speaker 9 (07:08):
Somebody clink in your hands, said the child Dory not
to hear you?
Speaker 6 (07:22):
Why? I sure old fun growing up?
Speaker 9 (07:25):
It's terrible off backy boy like lead head. We came
around the wounded.
Speaker 8 (07:29):
Come on, girl, do.
Speaker 6 (07:35):
No, don't wait.
Speaker 3 (07:45):
A street curver and lester every time.
Speaker 1 (07:48):
And I'm going all the way to him.
Speaker 5 (07:50):
Talk eddis will be another cart behind him.
Speaker 1 (07:52):
Sus what you there, you folks sitting awaiting him over there?
Speaker 4 (07:57):
God, I've heard his dark in this waiting room.
Speaker 5 (08:02):
How about some life.
Speaker 1 (08:03):
There's a quit right behind you. Oh yeah, I'll turn it.
Speaker 2 (08:07):
On anything else, Commissioners, Yes, detail as many men as
you can spare to the castle, street car barns, and
swear in every able body volunteer you can find as
a special deputy. I'll broadcast an appield to all doctors
(08:30):
and nurses in this.
Speaker 1 (08:31):
Entire territory to we park there at once. They ran
on the job, Rophy, pone.
Speaker 5 (08:35):
Me again in ten minutes. Okay, commissions, goodbye. I was
constant to see if it makes sense, Cranson, Well you
tell him for me.
Speaker 1 (08:44):
You commission a western Why don't you tell me so?
I'm busy, Cranson, What do you want? I came to
see if there's anything I can do to help in
this horrible catastrophe.
Speaker 2 (08:51):
If you can swing a pick, drag a hose, or
carry a stretcher, that's plenty for you to do.
Speaker 1 (08:55):
I've already done my bitter that direction for the moment.
I'm interested in the reason for these awful crimes.
Speaker 2 (09:01):
Oh wait a minute, Criston, I've got more in my
mind than just sitting here and satisfying your curiosity.
Speaker 1 (09:07):
This is not just curiosity, Commissioner. I've got a theory, so.
Speaker 3 (09:10):
As everybody else.
Speaker 1 (09:11):
I've got no time for crackpop theory. You certainly are flattering, Commissioner.
Speaker 2 (09:16):
Well, I'm not running a school for amatur detective.
Speaker 1 (09:18):
No, I'd never suspect you a pedagogic inclinations. Commissioner, But
tell me, do you know how the explosions had cut
last night?
Speaker 5 (09:26):
No?
Speaker 2 (09:26):
I don't.
Speaker 1 (09:27):
All I know is that the two places went up
when the lights went on. Then I'm sure I can help.
Speaker 2 (09:32):
You if you have any evidence, any facts.
Speaker 1 (09:34):
I'm willing to listen, but I don't put it here
anymore theory. All right, Commissioner, calm your help and I'll explain.
I am calm, of course you are. Now my theory
is this?
Speaker 8 (09:44):
What?
Speaker 1 (09:45):
All right? Let's put it this way. My hunch is this?
Speaker 3 (09:48):
Go ahead, get it off, your chance to let me
get back to work.
Speaker 1 (09:51):
You want to clear up the mystery of these explosions,
don't you commission in.
Speaker 3 (09:54):
That trap that would seem to be the general idea.
Speaker 1 (09:57):
Then you must first find out who killed Professor Baker.
Are you trying to tell me that there's a connection
between the death of Baker and these explosions. I'm not
just trying. I'm telling you there is definitely what makes
you so sure about it. I happen to know that
Professor Baker was experimenting with an explosive such as might
have been used in these two blasts. Whereas your theory
go from there, Professor Baker was killed for possession of
(10:20):
that explosive. Find his killers, and you've found the men
responsible for the other crime.
Speaker 6 (10:25):
But where's the motive?
Speaker 2 (10:26):
What reason could they have had for throwing up those
places and killing all those people that I don't know?
Speaker 1 (10:33):
There you are in a blind alley. You have a
theory and nothing to support it. Now run along, Crampton,
Mine earth won't stand any more thist not. You must
listen to me. Commissioner, You've got I've got.
Speaker 5 (10:44):
Hello, Hello, Commissioner Wesker, here's who's this? Never mind that
I get some doubt for you. What do you mean
last two explosions last night were bad? Huh, Well that's
only a little sample of what's coming tonight.
Speaker 1 (10:56):
What what did you say about me?
Speaker 5 (10:58):
You're going to have a worse mess on the hands
if you don't carry out my orders. I want this
city in coldural darkness tonight. If there's an electric light
tottohead lamber, even a flash light turned on, you're gonna
get a fouquet of explosions worse than yesterday. You must
be stark mad.
Speaker 1 (11:15):
You'll never get away with us.
Speaker 5 (11:16):
Time me and see either the lights go out or
the city goes up.
Speaker 1 (11:23):
Hello, Hello, Hello.
Speaker 5 (11:27):
Cranston.
Speaker 8 (11:28):
Did you hear that?
Speaker 6 (11:29):
Yes?
Speaker 1 (11:29):
I did, Commissioner.
Speaker 6 (11:30):
What are we going to do?
Speaker 1 (11:32):
He'll be dark in a few hours, Commissioner, That men
must be stopped. If he's not, this city will be
the scene of indescribable horror. Tonight we've got to stop him.
Speaker 3 (11:49):
Those of life, Boss, get more blood, mystery boy.
Speaker 5 (11:51):
Sports commission was.
Speaker 9 (11:59):
Explosive, electric and I'm so patty.
Speaker 5 (12:01):
We're all about it's terrible.
Speaker 1 (12:10):
We won't have any life. Are we going to see
him at that?
Speaker 4 (12:13):
And tonight?
Speaker 6 (12:16):
I won't.
Speaker 3 (12:30):
Stop them, stop them up?
Speaker 9 (12:34):
So I can't do something, Say my little man, I
love you all I can missus.
Speaker 8 (12:44):
Lady, your child is very sick.
Speaker 9 (12:46):
Oh, my, don't do that.
Speaker 8 (12:50):
That child won't last now and we don't operate.
Speaker 9 (12:52):
At once, we can't don't get him.
Speaker 4 (12:55):
Oh we've got to do something, couldn't we operate.
Speaker 2 (12:58):
I can't like, Oh, that's up.
Speaker 7 (13:00):
The operations to telic Please, I'm going to operate.
Speaker 1 (13:05):
But that's the lights. I can't stand here and see
this child die.
Speaker 5 (13:09):
We've got to take the chance.
Speaker 6 (13:11):
Turn on the lights.
Speaker 4 (13:12):
Twitter, very well done, I'll turn them on.
Speaker 1 (13:24):
Hello Bear Hamilton?
Speaker 5 (13:26):
Yes, who's just speaking?
Speaker 1 (13:28):
This is the shadow Shatto? Who he is?
Speaker 6 (13:31):
Yes?
Speaker 1 (13:31):
Now what can I do for you? Mister Mayor? The
hospital has just been blown up? What the hospital?
Speaker 5 (13:36):
Good Heaven? That can't be possible.
Speaker 1 (13:38):
It's true, mister Mayor.
Speaker 5 (13:39):
I can hardly do it. What hell is? Team can
be responsible for it?
Speaker 1 (13:42):
Mister Mayor. You've got to act it once. You must
make any other explosions tonight impossible.
Speaker 8 (13:48):
But how can I do that?
Speaker 1 (13:49):
Out of the city park plan? To cut the main switch?
The main switch, it's the only way. You can't depend
on all the people keeping their lights out. What's cutting
the main post which will tie up everything in the today?
It's that, mister Mayor got death destruction?
Speaker 5 (14:02):
Very well.
Speaker 1 (14:03):
I'll order the poor. But sure is dark and I
can't see where we're walking. Wonder what the street we're
on now? Wonder doesn't matter. I'm lost.
Speaker 5 (14:22):
We're all lost.
Speaker 3 (14:23):
I'm collies, ladies, I didn't see it.
Speaker 5 (14:28):
Hold out landing high up though. We don't want to
walk off the viaduct.
Speaker 4 (14:32):
Okay, boy, I'm glad I found this old wagon lands
I swell idea. Yeah, it's a twelve targets shot right
out of my hands.
Speaker 5 (14:42):
When that gang to the city, it has the black house.
They meant black house. No, we can't keep.
Speaker 7 (14:52):
Flying around here all night.
Speaker 1 (14:53):
I can't spin it out.
Speaker 7 (14:55):
Gotta set it down some way, he sayn't understand it.
Speaker 2 (14:57):
I couldn't possibly admit the city.
Speaker 1 (14:59):
We'd cruised her up for twenty minutes now and I
haven't seen a single light.
Speaker 5 (15:02):
We don't have to keep going while with gasold U
then one well we start crying.
Speaker 1 (15:07):
Mother, rain switches turned off, no lights, no power, nothing
but bewilderment.
Speaker 7 (15:22):
I'm certain, Oh this is awful a month. What are
people going to do?
Speaker 1 (15:26):
I'm afraid this is all leading to something worse. Muggle
afraid you to a greater terror. You must do something.
I've wracked my brain for a solution, some faint true,
and I am stuck. I don't know what to do.
Speaker 4 (15:38):
I just can't get and wait for some new terror
to track a month.
Speaker 1 (15:41):
There must be some loose thread that might unravel this
whole vicious pattern. And Margo, yet the month. I've got
an idea. Yes, Professor Baker's hired man, Cooper.
Speaker 5 (15:53):
The police released him.
Speaker 1 (15:54):
They said he'd proved that he was not in the
house to night the professor was killed.
Speaker 6 (15:58):
Yeah, it just stuck me.
Speaker 1 (16:00):
The killer's finger quints were on the handle of the
door to the old man's study, but there were none
on the knob of the street door. Don't you see it, Margo.
Somebody opened the door for the killer. Cooper perhaps, But
we've got to find Cooper. The shadow has got to
talk to that man. He may be the thread I've
hoped for.
Speaker 8 (16:22):
Sure.
Speaker 9 (16:23):
Lets the last can I have in the house with
the Cooper.
Speaker 4 (16:25):
So very scarce, girl, But at least.
Speaker 9 (16:27):
You'll be able to take your pack, you know.
Speaker 4 (16:29):
Thanks missus Kelly.
Speaker 9 (16:30):
Oh my no, I'm not sorry to.
Speaker 7 (16:33):
See you go.
Speaker 1 (16:34):
But I don't blame anybody for getting.
Speaker 9 (16:36):
Out of this cursed city that I don't.
Speaker 4 (16:38):
Yeah, sure no, and you don't mind.
Speaker 5 (16:39):
I got a lot of packing they do. I'm missus Kellis.
Speaker 4 (16:42):
Where he's that way you feel?
Speaker 9 (16:44):
Good bye and good riddance.
Speaker 6 (16:46):
To you, Hooper, What you hurry? Cooper? Who is that?
Speaker 1 (16:54):
What are you running away from?
Speaker 4 (16:55):
Leeward where I I can't see you?
Speaker 1 (16:59):
Him? The shadow?
Speaker 5 (17:01):
Cooper, the shadow?
Speaker 1 (17:02):
You know me, don't you? Alice and Cooper. I've got
to talk fast, and so do you.
Speaker 8 (17:06):
I got nothing to talk.
Speaker 1 (17:08):
About, Cooper. You share responsibility for the death and destruction
in this city.
Speaker 8 (17:12):
No, that's a lie.
Speaker 7 (17:13):
I had nothing to do it.
Speaker 1 (17:15):
You know the man who killed Professor Baker. You've got
to tell me who he is.
Speaker 3 (17:19):
I did.
Speaker 1 (17:20):
I care you must, You alone can release the city
from the grip of terror that man has placed it in.
I don't know anything about it.
Speaker 7 (17:26):
I tell you're lying, Cooper.
Speaker 1 (17:29):
I know you opened the door for the killer.
Speaker 9 (17:32):
I wouldn't I the old man.
Speaker 1 (17:34):
You were with him just before he died.
Speaker 4 (17:36):
But I had nothing to do with his death. Honest,
I didn't.
Speaker 1 (17:38):
If you want to save yourself and clear your functions,
you've bucked the talk.
Speaker 4 (17:42):
But all right, all right, I want to get it
off my mind. I'll talk.
Speaker 1 (17:46):
I'll talk to me. Heie, Genie, what do you want?
Speaker 5 (17:50):
Just delivering little message from the boss Cooper.
Speaker 9 (17:52):
Here it is.
Speaker 1 (17:55):
Copper, speak to with Cooper. Your thought was, Cooper, take
up a city rest for you. I can't understand you.
I haven't sake man. You tell me, Cooper, I'll put
my here costs by whisper bye.
Speaker 7 (18:11):
Yes, yes, I understood that. His ample amy Again where where.
Speaker 9 (18:25):
I thought I had it? Shout out here? Oh no
you know no, it's no.
Speaker 8 (18:33):
Use for a doctor now, Cooper, Hey, hanging star, bring
me that shot it.
Speaker 5 (18:47):
Here you are? Have you checked off every place where
we planted about everyone? They're on Mark Bred will be
waiting for Britain. Yeah, let's go.
Speaker 8 (18:54):
Come on.
Speaker 5 (18:54):
I'm waiting for the boys to come back from the
city and give me the lowdown on how things stand.
Say Britain, how can we up lights with the city
power plant chained up? I've been planning this job for
over a year. I put in my own power plant.
Well that's smart, I'll say, yeah, But how did your
marriage the explosion? It is bold? Well it was one
of these that drew up the Gullan's department store.
Speaker 6 (19:15):
All right, all right.
Speaker 5 (19:17):
Don't worry. Oh oh say this one go off, Unlets.
It's putting the light pocket and the twitch is drawn.
It's just the same, And I feel better if you didn't.
Speaker 6 (19:25):
Wave it around like that.
Speaker 5 (19:37):
Muggle.
Speaker 1 (19:38):
Go right over here, off the road, every man, it's
good now you stay here in the car. Take this gun.
Speaker 5 (19:46):
Be perfectly safe.
Speaker 1 (19:47):
Just keep out of syconds where you're going in the morn.
There's an old mill someplace along here. If I understood
Cooper correctly, I'll find the man I'm looking for there.
Speaker 2 (19:56):
You're not going in alone.
Speaker 1 (19:57):
I've got to morgo. I can't Commissioner Western it's the Shadow,
and ask him to send them in for them. I'm
not sure they'll get here. They've got the hands full
of the city. There is no moment to lose. The
Shadow's got to work and work class.
Speaker 5 (20:15):
Fright all over here. Tell boys as you find out
in the city.
Speaker 1 (20:19):
Oh, you hit the bulls eye.
Speaker 9 (20:21):
The city's as dark as the landlord's rook.
Speaker 1 (20:24):
It's all separate forwards.
Speaker 5 (20:25):
All right, boys, we've got the green lights. Time to go.
Speaker 1 (20:31):
Yeah.
Speaker 5 (20:31):
You take six men and go to the Mazy Street bank.
Speaker 6 (20:33):
You know what to do.
Speaker 5 (20:34):
Raise right, b Take twenty men and clean out the
Imperial Hotel.
Speaker 1 (20:37):
Go through the room.
Speaker 5 (20:38):
Don't believe anything you can carry. I you install the
post office. Five men can handle that. I am or
the rest of you got your spots, work fast. If
anyone crosses you, use your guns. Let them have it.
Speaker 6 (20:49):
All right?
Speaker 5 (20:50):
All right, have your flash lamps and let's go.
Speaker 8 (20:56):
What was that?
Speaker 7 (20:57):
Am I hearing things?
Speaker 5 (21:00):
Did anybody hear that? Laugh?
Speaker 8 (21:02):
Yeah? I did so? Did I?
Speaker 1 (21:03):
Quite a nice little thing you've cooked up, Breidon. But
here's where there's another ingredient added to your unholy brew.
Speaker 7 (21:09):
He wanted to hitch the shadow.
Speaker 1 (21:11):
Right, you're breaden where.
Speaker 8 (21:12):
You're not scaring me.
Speaker 5 (21:14):
You're not stopping me either.
Speaker 1 (21:15):
I wouldn't be too short about that braidin.
Speaker 5 (21:17):
Hey, you don't see no but man, this guy's right
here in the room with us. He's got some tricks
so we can't see him. But that don't mean we
can't get him. Raise Yeah, land by that door. I'll
keep your back against it.
Speaker 1 (21:28):
And don't let anybody or anything open it.
Speaker 5 (21:30):
Now, Morgan, you take up that machine gun and spray
the other end of the room. But he's down the light,
all right, I'll be afraid. Make it easy. Somebody twitch
on that light.
Speaker 1 (21:43):
You don't dare turn on those lights? What do you
mean If you do, every man here will be brown
to bits? What are you talking?
Speaker 6 (21:51):
About.
Speaker 1 (21:51):
I took that explosive bulb you had on the table
in front of you when I turned out the light,
I put it into one of the light suckets. Now,
mister Braiden, do you want to turn on the.
Speaker 5 (22:05):
Light your bluff and shadow?
Speaker 1 (22:07):
All you have to do to prove that point is
to thaw on the light switch. Hey, hey, what's that?
Speaker 2 (22:12):
It's a lot of hut driving on webside.
Speaker 1 (22:14):
It's the police, gentlemen.
Speaker 3 (22:15):
I'll never take me alive, alive or dead.
Speaker 1 (22:17):
Braiden, You've got to be taken there.
Speaker 6 (22:19):
Where are we gonna.
Speaker 8 (22:22):
Come on?
Speaker 1 (22:23):
In ten seconds? I will come here after you. You
might as well do his Commissioner Western Commands. Walk out
the door with your hands in the air. There's nobody
walking on this place.
Speaker 2 (22:34):
I know.
Speaker 5 (22:34):
I'm sure Baits, I'll die anyway, But there's one thing.
Speaker 1 (22:38):
I'm gonna go first.
Speaker 5 (22:40):
I'm gonna take you along with me, mister Shadow, the
head of the of my way.
Speaker 9 (23:00):
You want to lie in there?
Speaker 6 (23:00):
Captain had a thing there was.
Speaker 1 (23:03):
All right, Mongo. I'm saying, Oh, thank Heaven, I thought
you'd been killed in that explosion. It was close, Maco,
but I got out when they were trying to keep
eating away from the light switch.
Speaker 5 (23:14):
You go back to the car.
Speaker 1 (23:14):
I'mago. I'll be with you in a minute, Commissioner Western.
Commissioner Western, Oh that's you, Shadow, Yes, Commissioner or else.
Speaker 6 (23:23):
We're in a fine jam.
Speaker 1 (23:24):
Now they're all dead.
Speaker 10 (23:26):
How are we going to find out where the other
explosive bulbs are planned?
Speaker 1 (23:28):
It's all right, Commissioner, I got Brayton's chart showing the
location of the explosive. First you'll find it in the
front seat of your car. Then the city is safe, yes, Commissioner, good.
Speaker 5 (23:39):
All right, Then get in your cars.
Speaker 10 (23:41):
You've got to gather up those lamps right away. And
my gratitude Shatto, well job, well done, Come Marco, We're
going home.
Speaker 1 (23:56):
The Shadows work is done with the nineties, the Reign
of Terror epics. Band in this way, Magle, the perhaps
and times of criminals, of the devices of the road.
Speaker 6 (24:09):
Discover no way, no crime, a
Speaker 1 (24:30):
Crime, Do nothing, Shadow,
What evils in the hearts of men. The Shadow Lord.
Speaker 2 (00:36):
The Shadow, the serious character, furthers the forces of law
and order is in reality in the Monk Cranston, wealthy
young man about town.
Speaker 1 (00:44):
The Shadow uses his hypnotic power to cloud.
Speaker 2 (00:46):
Men's minds so that they cannot see him. Cranston's friend
and companions, the lovely Marble Lane, is the only person
who knows to whom the unseen voice of the Shadow belongs.
Speaker 3 (00:58):
Today's story you to terror, Oh it's you, Cooper.
Speaker 2 (01:28):
Yeah, Professor Baker.
Speaker 4 (01:30):
I thought you'd like this cup of hot tea.
Speaker 1 (01:33):
Yeah, thanks, help to keep me awake, and I have
a lot of work to do tonight.
Speaker 5 (01:37):
Shall I pour it?
Speaker 1 (01:39):
Yes?
Speaker 6 (01:39):
Please?
Speaker 1 (01:40):
Who isn't this your night, all Cooper?
Speaker 4 (01:42):
Yes, sir, I passed the house on my way home.
Until your light's a night. I know how you enjoy
a late cup of tea.
Speaker 1 (01:50):
Very considered of you, Cooper, really, but it's late and
you must get your rest on the door then.
Speaker 7 (01:57):
Hmm, I wonder who that could be?
Speaker 5 (02:00):
Is this art of man?
Speaker 4 (02:01):
Shall I answer it?
Speaker 1 (02:02):
Yes, Cooper years, I'll take care of the teas.
Speaker 4 (02:10):
All right, All right, Enie, what are you doing here?
Speaker 5 (02:18):
Cut the gap, close the door. I know Braiden sent
you who as ol man bag.
Speaker 4 (02:23):
Upstairs in his study.
Speaker 8 (02:24):
Okay, wait, I wanted you to do this.
Speaker 5 (02:26):
I wanted to It will kick your mouth shut unless
you want to go back and finish out that prison
time you ran.
Speaker 4 (02:30):
Out they Professor Bacon along.
Speaker 6 (02:32):
Please, I'm not gonna be you.
Speaker 7 (02:35):
I'm getting out.
Speaker 1 (02:40):
Well, who was the lake? Oh all right? I thought
it was Cooper?
Speaker 8 (02:46):
But do you.
Speaker 1 (02:56):
Hear you're short jumping to night Brandon?
Speaker 5 (02:59):
What's your What are you walking up and down like
that for something on your mind?
Speaker 8 (03:02):
Yeah?
Speaker 5 (03:03):
Big things, the things you would never understand. I wonder
what's keeping Hee should have been here half an hour ago.
I think he might have muffed things. Buss I hope
not there he is now hoping up.
Speaker 1 (03:14):
Okay, bos.
Speaker 5 (03:16):
He was just talking about you. Yeah, well, any what happened?
You have any trouble? Ah, not much. I just put
two slugs into the old guy, Professor Baker. He's dead.
The rest was easy. What about Cooper?
Speaker 8 (03:29):
He was scared stiffs he let out.
Speaker 5 (03:30):
You let him get away. Yeah, you don't have to
worry about that guy.
Speaker 1 (03:33):
He's too scared to talk.
Speaker 5 (03:35):
He should have put this silent around him anyway, and
he had a boss Braydon, what.
Speaker 1 (03:38):
Do you want me to do?
Speaker 5 (03:39):
Take no chances they cooper up and close his trap
for Keith. Okay, Boss, I'll take care of him. To
get the stuff I sent you after he should did,
let me have it.
Speaker 1 (03:49):
And let's see the get up right sign here?
Speaker 5 (03:52):
Camp? Hey? Yeah, boss, you hope professor had the right way?
He said, Yeah, this is it?
Speaker 1 (03:59):
All right?
Speaker 6 (04:00):
What is it?
Speaker 5 (04:00):
Braidon looks like an empty bottle to me. It's a colorless,
orderless gash, the most powerful explosive in existence, enough to
blow up this whole city.
Speaker 1 (04:11):
This is all there is in the world.
Speaker 5 (04:12):
Yes, what are you gonna do it? He'll find out.
I ain't get stall.
Speaker 1 (04:15):
Here's what a thunder of mine.
Speaker 5 (04:18):
You used to be a chemist, right, you're the breast
outside of all All right, I want you to take
this cash out of this little bottle and seal it
in that create of light bulbs I got last night.
I think you're gonna do it very good.
Speaker 1 (04:29):
So how much gust to the boat?
Speaker 6 (04:31):
Wait?
Speaker 1 (04:31):
I'll help you, Morgan dray all of your clear.
Speaker 5 (04:35):
Plenty when we get these explosive light bulbs fixed up.
I want you to go out and plant them in
light sockets everywhere and stalls, houses, public buildings all over
the city.
Speaker 3 (04:45):
What's the figure?
Speaker 6 (04:46):
It is reason I'm.
Speaker 5 (04:47):
Gonna plunge the city into total darkness for one night,
total dirkness.
Speaker 9 (04:51):
How are you gonna make them down stair light?
Speaker 5 (04:54):
Look, we get these bulbs planted before noon tomorrow. When
it gets dark they turn on lights, some of these
places will be blown the bitch the next night they
want dead, turn on the light where weach me in?
Speaker 1 (05:09):
What does that to that?
Speaker 4 (05:10):
Is it?
Speaker 5 (05:10):
Get us your sap on? She see when the city
blacks out, we move in and take over. Oh, I've
gone up a chart showing exactly where the explosive bulbs
gotta be planted.
Speaker 9 (05:23):
You wait, that's a trick.
Speaker 5 (05:24):
This is a big job.
Speaker 8 (05:26):
Now.
Speaker 5 (05:26):
We'll need plenty of help for the clean up. Round
up every dip, broad man, gangster, any crook you know,
have him here in the middle tomorrow.
Speaker 1 (05:32):
Eyes, okay, turns everything set.
Speaker 5 (05:35):
We'll move in on the cover of darkness.
Speaker 6 (05:37):
The four cot they will be help.
Speaker 5 (05:39):
Yeah, well, rob Stale purage to our hearts, constents. We'll
take everything that's not nailed down with a stun. Wow,
that's a crook's paradise.
Speaker 6 (05:48):
Wait a sight.
Speaker 5 (05:49):
Yeah, it's the greatest idea in the history of crime.
I'm going to create a rain of turn like this
country has never known.
Speaker 4 (06:06):
Want something for a young Tuesday, madam.
Speaker 8 (06:09):
Yes, I don't exactly know what I want.
Speaker 5 (06:12):
A boy or a girl?
Speaker 6 (06:14):
Girl?
Speaker 4 (06:14):
I'm her grandmother?
Speaker 1 (06:15):
Is that so well? I have a little girl too.
Speaker 5 (06:18):
How old is your granddaughter?
Speaker 8 (06:19):
He's just four month sold Oh well, and.
Speaker 4 (06:22):
You must see our modern nurse at the infant.
Speaker 2 (06:24):
Things are on in the head.
Speaker 5 (06:25):
Do you come right this way?
Speaker 8 (06:26):
Please, I'm not coming I used step right in. Thanks.
Speaker 5 (06:33):
It rather dark, isn't it?
Speaker 4 (06:35):
And I'll put on more light and switches are.
Speaker 10 (06:57):
Get Oh my later, I guess.
Speaker 9 (07:08):
Somebody clink in your hands, said the child Dory not
to hear you?
Speaker 6 (07:22):
Why? I sure old fun growing up?
Speaker 9 (07:25):
It's terrible off backy boy like lead head. We came
around the wounded.
Speaker 8 (07:29):
Come on, girl, do.
Speaker 6 (07:35):
No, don't wait.
Speaker 3 (07:45):
A street curver and lester every time.
Speaker 1 (07:48):
And I'm going all the way to him.
Speaker 5 (07:50):
Talk eddis will be another cart behind him.
Speaker 1 (07:52):
Sus what you there, you folks sitting awaiting him over there?
Speaker 4 (07:57):
God, I've heard his dark in this waiting room.
Speaker 5 (08:02):
How about some life.
Speaker 1 (08:03):
There's a quit right behind you. Oh yeah, I'll turn it.
Speaker 2 (08:07):
On anything else, Commissioners, Yes, detail as many men as
you can spare to the castle, street car barns, and
swear in every able body volunteer you can find as
a special deputy. I'll broadcast an appield to all doctors
(08:30):
and nurses in this.
Speaker 1 (08:31):
Entire territory to we park there at once. They ran
on the job, Rophy, pone.
Speaker 5 (08:35):
Me again in ten minutes. Okay, commissions, goodbye. I was
constant to see if it makes sense, Cranson, Well you
tell him for me.
Speaker 1 (08:44):
You commission a western Why don't you tell me so?
I'm busy, Cranson, What do you want? I came to
see if there's anything I can do to help in
this horrible catastrophe.
Speaker 2 (08:51):
If you can swing a pick, drag a hose, or
carry a stretcher, that's plenty for you to do.
Speaker 1 (08:55):
I've already done my bitter that direction for the moment.
I'm interested in the reason for these awful crimes.
Speaker 2 (09:01):
Oh wait a minute, Criston, I've got more in my
mind than just sitting here and satisfying your curiosity.
Speaker 1 (09:07):
This is not just curiosity, Commissioner. I've got a theory, so.
Speaker 3 (09:10):
As everybody else.
Speaker 1 (09:11):
I've got no time for crackpop theory. You certainly are flattering, Commissioner.
Speaker 2 (09:16):
Well, I'm not running a school for amatur detective.
Speaker 1 (09:18):
No, I'd never suspect you a pedagogic inclinations. Commissioner, But
tell me, do you know how the explosions had cut
last night?
Speaker 5 (09:26):
No?
Speaker 2 (09:26):
I don't.
Speaker 1 (09:27):
All I know is that the two places went up
when the lights went on. Then I'm sure I can help.
Speaker 2 (09:32):
You if you have any evidence, any facts.
Speaker 1 (09:34):
I'm willing to listen, but I don't put it here
anymore theory. All right, Commissioner, calm your help and I'll explain.
I am calm, of course you are. Now my theory
is this?
Speaker 8 (09:44):
What?
Speaker 1 (09:45):
All right? Let's put it this way. My hunch is this?
Speaker 3 (09:48):
Go ahead, get it off, your chance to let me
get back to work.
Speaker 1 (09:51):
You want to clear up the mystery of these explosions,
don't you commission in.
Speaker 3 (09:54):
That trap that would seem to be the general idea.
Speaker 1 (09:57):
Then you must first find out who killed Professor Baker.
Are you trying to tell me that there's a connection
between the death of Baker and these explosions. I'm not
just trying. I'm telling you there is definitely what makes
you so sure about it. I happen to know that
Professor Baker was experimenting with an explosive such as might
have been used in these two blasts. Whereas your theory
go from there, Professor Baker was killed for possession of
(10:20):
that explosive. Find his killers, and you've found the men
responsible for the other crime.
Speaker 6 (10:25):
But where's the motive?
Speaker 2 (10:26):
What reason could they have had for throwing up those
places and killing all those people that I don't know?
Speaker 1 (10:33):
There you are in a blind alley. You have a
theory and nothing to support it. Now run along, Crampton,
Mine earth won't stand any more thist not. You must
listen to me. Commissioner, You've got I've got.
Speaker 5 (10:44):
Hello, Hello, Commissioner Wesker, here's who's this? Never mind that
I get some doubt for you. What do you mean
last two explosions last night were bad? Huh, Well that's
only a little sample of what's coming tonight.
Speaker 1 (10:56):
What what did you say about me?
Speaker 5 (10:58):
You're going to have a worse mess on the hands
if you don't carry out my orders. I want this
city in coldural darkness tonight. If there's an electric light
tottohead lamber, even a flash light turned on, you're gonna
get a fouquet of explosions worse than yesterday. You must
be stark mad.
Speaker 1 (11:15):
You'll never get away with us.
Speaker 5 (11:16):
Time me and see either the lights go out or
the city goes up.
Speaker 1 (11:23):
Hello, Hello, Hello.
Speaker 5 (11:27):
Cranston.
Speaker 8 (11:28):
Did you hear that?
Speaker 6 (11:29):
Yes?
Speaker 1 (11:29):
I did, Commissioner.
Speaker 6 (11:30):
What are we going to do?
Speaker 1 (11:32):
He'll be dark in a few hours, Commissioner, That men
must be stopped. If he's not, this city will be
the scene of indescribable horror. Tonight we've got to stop him.
Speaker 3 (11:49):
Those of life, Boss, get more blood, mystery boy.
Speaker 5 (11:51):
Sports commission was.
Speaker 9 (11:59):
Explosive, electric and I'm so patty.
Speaker 5 (12:01):
We're all about it's terrible.
Speaker 1 (12:10):
We won't have any life. Are we going to see
him at that?
Speaker 4 (12:13):
And tonight?
Speaker 6 (12:16):
I won't.
Speaker 3 (12:30):
Stop them, stop them up?
Speaker 9 (12:34):
So I can't do something, Say my little man, I
love you all I can missus.
Speaker 8 (12:44):
Lady, your child is very sick.
Speaker 9 (12:46):
Oh, my, don't do that.
Speaker 8 (12:50):
That child won't last now and we don't operate.
Speaker 9 (12:52):
At once, we can't don't get him.
Speaker 4 (12:55):
Oh we've got to do something, couldn't we operate.
Speaker 2 (12:58):
I can't like, Oh, that's up.
Speaker 7 (13:00):
The operations to telic Please, I'm going to operate.
Speaker 1 (13:05):
But that's the lights. I can't stand here and see
this child die.
Speaker 5 (13:09):
We've got to take the chance.
Speaker 6 (13:11):
Turn on the lights.
Speaker 4 (13:12):
Twitter, very well done, I'll turn them on.
Speaker 1 (13:24):
Hello Bear Hamilton?
Speaker 5 (13:26):
Yes, who's just speaking?
Speaker 1 (13:28):
This is the shadow Shatto? Who he is?
Speaker 6 (13:31):
Yes?
Speaker 1 (13:31):
Now what can I do for you? Mister Mayor? The
hospital has just been blown up? What the hospital?
Speaker 5 (13:36):
Good Heaven? That can't be possible.
Speaker 1 (13:38):
It's true, mister Mayor.
Speaker 5 (13:39):
I can hardly do it. What hell is? Team can
be responsible for it?
Speaker 1 (13:42):
Mister Mayor. You've got to act it once. You must
make any other explosions tonight impossible.
Speaker 8 (13:48):
But how can I do that?
Speaker 1 (13:49):
Out of the city park plan? To cut the main switch?
The main switch, it's the only way. You can't depend
on all the people keeping their lights out. What's cutting
the main post which will tie up everything in the today?
It's that, mister Mayor got death destruction?
Speaker 5 (14:02):
Very well.
Speaker 1 (14:03):
I'll order the poor. But sure is dark and I
can't see where we're walking. Wonder what the street we're
on now? Wonder doesn't matter. I'm lost.
Speaker 5 (14:22):
We're all lost.
Speaker 3 (14:23):
I'm collies, ladies, I didn't see it.
Speaker 5 (14:28):
Hold out landing high up though. We don't want to
walk off the viaduct.
Speaker 4 (14:32):
Okay, boy, I'm glad I found this old wagon lands
I swell idea. Yeah, it's a twelve targets shot right
out of my hands.
Speaker 5 (14:42):
When that gang to the city, it has the black house.
They meant black house. No, we can't keep.
Speaker 7 (14:52):
Flying around here all night.
Speaker 1 (14:53):
I can't spin it out.
Speaker 7 (14:55):
Gotta set it down some way, he sayn't understand it.
Speaker 2 (14:57):
I couldn't possibly admit the city.
Speaker 1 (14:59):
We'd cruised her up for twenty minutes now and I
haven't seen a single light.
Speaker 5 (15:02):
We don't have to keep going while with gasold U
then one well we start crying.
Speaker 1 (15:07):
Mother, rain switches turned off, no lights, no power, nothing
but bewilderment.
Speaker 7 (15:22):
I'm certain, Oh this is awful a month. What are
people going to do?
Speaker 1 (15:26):
I'm afraid this is all leading to something worse. Muggle
afraid you to a greater terror. You must do something.
I've wracked my brain for a solution, some faint true,
and I am stuck. I don't know what to do.
Speaker 4 (15:38):
I just can't get and wait for some new terror
to track a month.
Speaker 1 (15:41):
There must be some loose thread that might unravel this
whole vicious pattern. And Margo, yet the month. I've got
an idea. Yes, Professor Baker's hired man, Cooper.
Speaker 5 (15:53):
The police released him.
Speaker 1 (15:54):
They said he'd proved that he was not in the
house to night the professor was killed.
Speaker 6 (15:58):
Yeah, it just stuck me.
Speaker 1 (16:00):
The killer's finger quints were on the handle of the
door to the old man's study, but there were none
on the knob of the street door. Don't you see it, Margo.
Somebody opened the door for the killer. Cooper perhaps, But
we've got to find Cooper. The shadow has got to
talk to that man. He may be the thread I've
hoped for.
Speaker 8 (16:22):
Sure.
Speaker 9 (16:23):
Lets the last can I have in the house with
the Cooper.
Speaker 4 (16:25):
So very scarce, girl, But at least.
Speaker 9 (16:27):
You'll be able to take your pack, you know.
Speaker 4 (16:29):
Thanks missus Kelly.
Speaker 9 (16:30):
Oh my no, I'm not sorry to.
Speaker 7 (16:33):
See you go.
Speaker 1 (16:34):
But I don't blame anybody for getting.
Speaker 9 (16:36):
Out of this cursed city that I don't.
Speaker 4 (16:38):
Yeah, sure no, and you don't mind.
Speaker 5 (16:39):
I got a lot of packing they do. I'm missus Kellis.
Speaker 4 (16:42):
Where he's that way you feel?
Speaker 9 (16:44):
Good bye and good riddance.
Speaker 6 (16:46):
To you, Hooper, What you hurry? Cooper? Who is that?
Speaker 1 (16:54):
What are you running away from?
Speaker 4 (16:55):
Leeward where I I can't see you?
Speaker 1 (16:59):
Him? The shadow?
Speaker 5 (17:01):
Cooper, the shadow?
Speaker 1 (17:02):
You know me, don't you? Alice and Cooper. I've got
to talk fast, and so do you.
Speaker 8 (17:06):
I got nothing to talk.
Speaker 1 (17:08):
About, Cooper. You share responsibility for the death and destruction
in this city.
Speaker 8 (17:12):
No, that's a lie.
Speaker 7 (17:13):
I had nothing to do it.
Speaker 1 (17:15):
You know the man who killed Professor Baker. You've got
to tell me who he is.
Speaker 3 (17:19):
I did.
Speaker 1 (17:20):
I care you must, You alone can release the city
from the grip of terror that man has placed it in.
I don't know anything about it.
Speaker 7 (17:26):
I tell you're lying, Cooper.
Speaker 1 (17:29):
I know you opened the door for the killer.
Speaker 9 (17:32):
I wouldn't I the old man.
Speaker 1 (17:34):
You were with him just before he died.
Speaker 4 (17:36):
But I had nothing to do with his death. Honest,
I didn't.
Speaker 1 (17:38):
If you want to save yourself and clear your functions,
you've bucked the talk.
Speaker 4 (17:42):
But all right, all right, I want to get it
off my mind. I'll talk.
Speaker 1 (17:46):
I'll talk to me. Heie, Genie, what do you want?
Speaker 5 (17:50):
Just delivering little message from the boss Cooper.
Speaker 9 (17:52):
Here it is.
Speaker 1 (17:55):
Copper, speak to with Cooper. Your thought was, Cooper, take
up a city rest for you. I can't understand you.
I haven't sake man. You tell me, Cooper, I'll put
my here costs by whisper bye.
Speaker 7 (18:11):
Yes, yes, I understood that. His ample amy Again where where.
Speaker 9 (18:25):
I thought I had it? Shout out here? Oh no
you know no, it's no.
Speaker 8 (18:33):
Use for a doctor now, Cooper, Hey, hanging star, bring
me that shot it.
Speaker 5 (18:47):
Here you are? Have you checked off every place where
we planted about everyone? They're on Mark Bred will be
waiting for Britain. Yeah, let's go.
Speaker 8 (18:54):
Come on.
Speaker 5 (18:54):
I'm waiting for the boys to come back from the
city and give me the lowdown on how things stand.
Say Britain, how can we up lights with the city
power plant chained up? I've been planning this job for
over a year. I put in my own power plant.
Well that's smart, I'll say, yeah, But how did your
marriage the explosion? It is bold? Well it was one
of these that drew up the Gullan's department store.
Speaker 6 (19:15):
All right, all right.
Speaker 5 (19:17):
Don't worry. Oh oh say this one go off, Unlets.
It's putting the light pocket and the twitch is drawn.
It's just the same, And I feel better if you didn't.
Speaker 6 (19:25):
Wave it around like that.
Speaker 5 (19:37):
Muggle.
Speaker 1 (19:38):
Go right over here, off the road, every man, it's
good now you stay here in the car. Take this gun.
Speaker 5 (19:46):
Be perfectly safe.
Speaker 1 (19:47):
Just keep out of syconds where you're going in the morn.
There's an old mill someplace along here. If I understood
Cooper correctly, I'll find the man I'm looking for there.
Speaker 2 (19:56):
You're not going in alone.
Speaker 1 (19:57):
I've got to morgo. I can't Commissioner Western it's the Shadow,
and ask him to send them in for them. I'm
not sure they'll get here. They've got the hands full
of the city. There is no moment to lose. The
Shadow's got to work and work class.
Speaker 5 (20:15):
Fright all over here. Tell boys as you find out
in the city.
Speaker 1 (20:19):
Oh, you hit the bulls eye.
Speaker 9 (20:21):
The city's as dark as the landlord's rook.
Speaker 1 (20:24):
It's all separate forwards.
Speaker 5 (20:25):
All right, boys, we've got the green lights. Time to go.
Speaker 1 (20:31):
Yeah.
Speaker 5 (20:31):
You take six men and go to the Mazy Street bank.
Speaker 6 (20:33):
You know what to do.
Speaker 5 (20:34):
Raise right, b Take twenty men and clean out the
Imperial Hotel.
Speaker 1 (20:37):
Go through the room.
Speaker 5 (20:38):
Don't believe anything you can carry. I you install the
post office. Five men can handle that. I am or
the rest of you got your spots, work fast. If
anyone crosses you, use your guns. Let them have it.
Speaker 6 (20:49):
All right?
Speaker 5 (20:50):
All right, have your flash lamps and let's go.
Speaker 8 (20:56):
What was that?
Speaker 7 (20:57):
Am I hearing things?
Speaker 5 (21:00):
Did anybody hear that? Laugh?
Speaker 8 (21:02):
Yeah? I did so? Did I?
Speaker 1 (21:03):
Quite a nice little thing you've cooked up, Breidon. But
here's where there's another ingredient added to your unholy brew.
Speaker 7 (21:09):
He wanted to hitch the shadow.
Speaker 1 (21:11):
Right, you're breaden where.
Speaker 8 (21:12):
You're not scaring me.
Speaker 5 (21:14):
You're not stopping me either.
Speaker 1 (21:15):
I wouldn't be too short about that braidin.
Speaker 5 (21:17):
Hey, you don't see no but man, this guy's right
here in the room with us. He's got some tricks
so we can't see him. But that don't mean we
can't get him. Raise Yeah, land by that door. I'll
keep your back against it.
Speaker 1 (21:28):
And don't let anybody or anything open it.
Speaker 5 (21:30):
Now, Morgan, you take up that machine gun and spray
the other end of the room. But he's down the light,
all right, I'll be afraid. Make it easy. Somebody twitch
on that light.
Speaker 1 (21:43):
You don't dare turn on those lights? What do you
mean If you do, every man here will be brown
to bits? What are you talking?
Speaker 6 (21:51):
About.
Speaker 1 (21:51):
I took that explosive bulb you had on the table
in front of you when I turned out the light,
I put it into one of the light suckets. Now,
mister Braiden, do you want to turn on the.
Speaker 5 (22:05):
Light your bluff and shadow?
Speaker 1 (22:07):
All you have to do to prove that point is
to thaw on the light switch. Hey, hey, what's that?
Speaker 2 (22:12):
It's a lot of hut driving on webside.
Speaker 1 (22:14):
It's the police, gentlemen.
Speaker 3 (22:15):
I'll never take me alive, alive or dead.
Speaker 1 (22:17):
Braiden, You've got to be taken there.
Speaker 6 (22:19):
Where are we gonna.
Speaker 8 (22:22):
Come on?
Speaker 1 (22:23):
In ten seconds? I will come here after you. You
might as well do his Commissioner Western Commands. Walk out
the door with your hands in the air. There's nobody
walking on this place.
Speaker 2 (22:34):
I know.
Speaker 5 (22:34):
I'm sure Baits, I'll die anyway, But there's one thing.
Speaker 1 (22:38):
I'm gonna go first.
Speaker 5 (22:40):
I'm gonna take you along with me, mister Shadow, the
head of the of my way.
Speaker 9 (23:00):
You want to lie in there?
Speaker 6 (23:00):
Captain had a thing there was.
Speaker 1 (23:03):
All right, Mongo. I'm saying, Oh, thank Heaven, I thought
you'd been killed in that explosion. It was close, Maco,
but I got out when they were trying to keep
eating away from the light switch.
Speaker 5 (23:14):
You go back to the car.
Speaker 1 (23:14):
I'mago. I'll be with you in a minute, Commissioner Western.
Commissioner Western, Oh that's you, Shadow, Yes, Commissioner or else.
Speaker 6 (23:23):
We're in a fine jam.
Speaker 1 (23:24):
Now they're all dead.
Speaker 10 (23:26):
How are we going to find out where the other
explosive bulbs are planned?
Speaker 1 (23:28):
It's all right, Commissioner, I got Brayton's chart showing the
location of the explosive. First you'll find it in the
front seat of your car. Then the city is safe, yes, Commissioner, good.
Speaker 5 (23:39):
All right, Then get in your cars.
Speaker 10 (23:41):
You've got to gather up those lamps right away. And
my gratitude Shatto, well job, well done, Come Marco, We're
going home.
Speaker 1 (23:56):
The Shadows work is done with the nineties, the Reign
of Terror epics. Band in this way, Magle, the perhaps
and times of criminals, of the devices of the road.
Speaker 6 (24:09):
Discover no way, no crime, a
Speaker 1 (24:30):
Crime, Do nothing, Shadow,
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