August 22, 2025 • 32 mins
Wild stories about working with Vince McMahon and the WWE to his epic rants on Alfred Hitchcock, Titanic, and everything in between, Patrice's larger-than-life personality shines through. Watch as he spars with Joe DeRosa, roasts guests, and delivers unfiltered, gut-busting insights that made him a comedy legend.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
He had this Indian dude.
Speaker 2 (00:01):
Yeah, we never talked to you about that.
Speaker 1 (00:02):
I think Jimmy brought it up or some You used.
Speaker 3 (00:04):
To fly around with Vince McMahon and Alric Jet and
right for w W.
Speaker 4 (00:08):
Right for right for w w F, Vince mcman. There's
three people I've met in my life. You know, you
probably can name him. People in your life where you
met and you you lost your madness. Like you you
try to go, hey, what's happening. Hey, good to see
Michael Jackson. Nice talking to you. But it's like I
met a few people, like maybe four three or four
where I go, oh boy. I was at his house
(00:29):
in Stanford writing they were rewriting, and he just comes
out hello and in his in his jump suit and
his everything, and I just was like, oh my god.
Speaker 1 (00:37):
I was like like a little girl, like hey.
Speaker 4 (00:42):
A few times and he's just as he's a powerful dude, man,
but he's all he's the he's a cold dude. Now
there's one guy I used to have a turban. He
goes in and knowing none of the rest of us
talk to him personally, you know, except for the big guys.
Like I'm on the plane with like Triple H. Everybody
else got to drive down like Hyundai Sonatas from town
to town, but like Triple H undertaking those guys they
(01:04):
get on this plane. I'm in the back and you know,
watching this whole thing go down, and he this guy.
Speaker 1 (01:12):
With a turban.
Speaker 4 (01:13):
Since he goes, listen, my family says, please, can you
stop making fun of my turban? Because my people Tiger
Ali saying he's please, don't make fun of the he goes.
Speaker 1 (01:31):
He goes, shut up and put on a turban.
Speaker 4 (01:36):
Please, my people, I thank you.
Speaker 1 (01:41):
Put on the turbine like the jerky boys. Dude. It's
just like.
Speaker 4 (01:48):
He's like, I don't want to hear that nonsense. Get
out there and put on that stupid turbine.
Speaker 1 (01:52):
Check out. It was like, oh my god.
Speaker 2 (01:55):
Were you responsible for some of the legendary storylines. One
comes to mind.
Speaker 1 (02:01):
Now I was. I was fourth man on the totem pole.
Speaker 4 (02:04):
They have a kid there, this young white kid who's
the boss.
Speaker 1 (02:08):
But I would if I'd have stayed. I just couldn't
deal with what they what they asking.
Speaker 4 (02:11):
I couldn't get that little lerig yet with them, and
you know, uh this, I just couldn't do it because
they're very corporate. You have to be committed to their cause.
And I just wasn't committed, you know what I'm saying,
And I got fired. What's the name of Stephanie fired
me like six times, really kept calling me back and
fired me. But she doesn't realize comics just get fired.
(02:32):
We just so she goes, you know you're fired, right,
I go, ah, yeah, I understand, I do understand. You
know what I mean.
Speaker 1 (02:38):
I'm not gonna what would.
Speaker 5 (02:40):
You get fired for?
Speaker 4 (02:41):
Because I had a show and I said I can't
make it. She's like, what you're gonna You're committed? Yeah,
I met Steve's Austin was good enough. What I took
from it is like how how powerful viscent Man was
and like how too the rock was cooler than he
should have been.
Speaker 1 (03:01):
Like he was just too accessible.
Speaker 4 (03:03):
I didn't want him to be that accessible, just like
a regular guy, hey man, Hey, how you doing.
Speaker 1 (03:08):
They were real regular.
Speaker 4 (03:09):
Guys, and they kissed the writers' asses because the writers.
Speaker 1 (03:13):
Make up scenarios for them to become whatever.
Speaker 4 (03:16):
So they they this little white kid, he has these
giant road up dudes.
Speaker 1 (03:20):
Like the.
Speaker 4 (03:25):
Kid, Yeah he must have been because he was Vince's
right hand dude.
Speaker 6 (03:34):
Or just storyline.
Speaker 4 (03:35):
They write everything done. There's there's some who get leeway,
like Kurt Angle.
Speaker 7 (03:43):
The biggies.
Speaker 4 (03:44):
They can they can talk, Yeah, they can say words
that aren't there sometimes. But the other guys, but they
do not. Do not play around with that man. He
runs that with an iron fist. He's behind every he's
behind the scenes, sitting there at the when they come
out with the splosions.
Speaker 1 (04:00):
Huh, he's there like all right, you know, doing running it.
Speaker 3 (04:07):
The director we were discussing the movie and Jody Rosa
actually had to run out because they didn't want the
movie spoiled for him.
Speaker 1 (04:14):
Well, I didn't want to know the end.
Speaker 4 (04:15):
You want to know the whole movie and then I'll
see it. Still, it's visual movies.
Speaker 1 (04:19):
What do you want to go talking about?
Speaker 6 (04:21):
Yeah?
Speaker 1 (04:21):
Stupid?
Speaker 8 (04:22):
Yeah, remember all the work Hitchcock did to create suspense
nineteen and Hitchcock's movies.
Speaker 1 (04:29):
Really, how is some good Hitchcock? How is how is
someone going to.
Speaker 2 (04:32):
Spoil a Hitchcock movie for you?
Speaker 4 (04:34):
The birds stink? Alfred Hitchcock movies do not hold up.
They make me sick.
Speaker 1 (04:39):
The trees would you stop it?
Speaker 2 (04:40):
You don't like Hitchcock.
Speaker 4 (04:42):
What there does name one that's good that you still
strangers on the train. You're just a romantic system. You
can run on spoilers that doesn't.
Speaker 8 (04:52):
By Northwest and have you seen any of them?
Speaker 1 (04:58):
Half of one and full Judge watched.
Speaker 2 (05:03):
That movie, went on for fucking ever.
Speaker 1 (05:05):
It's a great flick movie. It's a great flick thing.
Halloween's better.
Speaker 2 (05:09):
Why because the scary stuff happened during the day.
Speaker 1 (05:12):
You know what?
Speaker 4 (05:12):
Because Joe intellectual, So anything intellectual that stimulates Joe.
Speaker 1 (05:19):
He doesn't like Jaws.
Speaker 6 (05:20):
I don't like the whole.
Speaker 1 (05:23):
Shut the fuck up. Star Wars is one of my
favorite movies. That's an intellectu there's no suspense to that. Motherfucker.
Speaker 6 (05:28):
You like ship all right?
Speaker 4 (05:29):
That makes you think like you're a thinker. Alfred Hitchcock's
movies did nothing. So a cock sucker, you know what
I did. It was horror movies before you was allowed
to have them. The Psycho stab sucks watching the knife
not hit her, Patricay, don't know what you're talking about.
Speaker 1 (05:44):
I watched the movie opinion.
Speaker 4 (05:47):
You see when the guy fell down the stairs of Psycho,
the dumbest look.
Speaker 1 (05:51):
He makes me sick. Exactly, Yeah, ducking.
Speaker 8 (05:56):
And and the Beatles, and the Beatles suck because they
weren't able to do beat book can do nothing.
Speaker 5 (06:01):
I mean, this is the your your may Cock didn't
use any c g I he sucked it.
Speaker 1 (06:05):
What I'm saying, it's like this argument. You're you're arguing
to get the.
Speaker 8 (06:08):
Guy that broke down fu open doors for future filmmakers.
Speaker 1 (06:12):
He was doing Ship that's never been doing. What did
he who did he break down those?
Speaker 6 (06:14):
For Jesus?
Speaker 1 (06:16):
Exactly for everybody.
Speaker 4 (06:18):
I'm not gonna don't force him to make him if
I don't want to.
Speaker 1 (06:21):
But you can't say it. You had horror, He's like,
I don't like his profile. I don't like his profile.
Never fit into that.
Speaker 9 (06:32):
Danny found the fucking stairs scene, Martin Balsam.
Speaker 8 (06:37):
Ladies and gentlemen coming to stage, patrisa O'Neil bum.
Speaker 1 (06:43):
That's hilarious. Oh Ship, Why did he get that cut
on his face? What is he doing? What is he doing?
Speaker 4 (06:51):
Why is this suspense? It's not it's horror. Why is
that suspenseful? Why is that a thriller? And and other
things not hard there's nothing about that movie. There are
other cards that are suspended. Its suspense about the crows
on the fucking on the on the slide.
Speaker 1 (07:04):
Were you in scary movie for they cut they cut
it out? Somebody Detroit.
Speaker 3 (07:13):
Wait wait, the guy who was in scary movie for
saying Hitchcock movie stink.
Speaker 4 (07:17):
Maybe this is my thing. This is people think. People think.
That's that's the problem. Everybody got to compare everybody else.
I can't say another fat person is fat because I'm fat.
I got eyes, motherfucker can I could be in ship
Stained too, And that doesn't mean I like the birds?
Speaker 1 (07:32):
He asked, eat ass.
Speaker 4 (07:34):
Compare yourself to other people, you fuck face, dick oh,
just because just because I was in.
Speaker 1 (07:41):
Some loser ship, You're not a loser.
Speaker 4 (07:43):
Shut up, Misstery Loves Company, you fucking idiot.
Speaker 1 (07:46):
I fucking don't like the birds. You know what I'm producing?
Shit Steain. I want to people kill me. Hey, you're fat,
Ucal's talking.
Speaker 4 (07:56):
I know I'm fat too, but you're fucking fat too fat.
Speaker 1 (08:04):
What's up with avatar?
Speaker 4 (08:05):
Avatar getting good reviews already not reviews, but they did
then or whatever. Standing ovation and two people had two
different One was like, it's gonna get an oscar. The
other one did a two page review about how amazing
the movie is and I think it's for Sissy's just
like Titanic, another movie I can't understand. I liked the
(08:26):
I don't understand where the billion the billion dollars comes
from as opposed to The Dark Knight. How does that
make a billion in the Dark Knight?
Speaker 1 (08:33):
Like, I don't get it.
Speaker 9 (08:34):
I don't get that movie because they brought the broad ship,
came in for the love story, and we got into
that for this.
Speaker 1 (08:39):
Let me see the the ship sinking that an hour
smoke stack. What the what were you watching now?
Speaker 8 (08:49):
That fucking beautiful pinball down?
Speaker 9 (08:54):
Thinking is fucking that's pretty amazing at the time, especially
was a great depiction of the type.
Speaker 8 (09:00):
No, it stinks because it was before they could do
effects like that, So it.
Speaker 1 (09:04):
Sucks all the try of divine. Don't try to joint
forces with Anthony. Yeah, that's exactly like doing barely. You
liked it for the love scene.
Speaker 8 (09:14):
Anthony, You never saw Empire strikes back Darth Vaders, Luke's dad.
Speaker 3 (09:17):
You fuckings did you cry when DiCaprio went under, Yeah,
yes he.
Speaker 4 (09:26):
Did.
Speaker 1 (09:27):
But we're saying you loved it for the love scene. Yeah,
I loved it for a little and DiCaprio went and
had a lot of beautiful parts.
Speaker 8 (09:39):
I would fucking I would like anyone of you to
embrace me. While I watched DiCaprio slide off of that
fucking boat.
Speaker 5 (09:46):
I'll bring up something.
Speaker 9 (09:47):
What about the fact that Clooney falls in love with
a girl that's married.
Speaker 1 (09:52):
Fucking dickhead? Was that the spoiler? You're a fucking asshole.
You're a fucking asshole. You loved the studio a stupid
Now he's hurt. Now you can't see the movie. It's
spoiled it for you. Ask what.
Speaker 6 (10:08):
Spoilt me?
Speaker 3 (10:09):
Explain what happened, Let me explain how stupid you are
as a human being.
Speaker 1 (10:13):
Why is.
Speaker 3 (10:16):
This ship because because Patrice asked me about this up
in the air, because he's getting good reviews, and I'm going,
let me tell you about this fucking movie, Joe, go,
I don't want to hear a spoil.
Speaker 2 (10:24):
I go leave the studio.
Speaker 1 (10:26):
Yeah, that's that was your mistake.
Speaker 4 (10:29):
I think we're gonna be real friends to you.
Speaker 1 (10:32):
No, thank you left.
Speaker 3 (10:36):
And we're still told hold on, hold on, let me
finish my point what you should have done? Go?
Speaker 2 (10:40):
Oh my god, they're gonna fucking spoil this movie for me.
Make believe you don't care, Make believe you had to
go to the bathroom or something.
Speaker 1 (10:46):
All right, So you just said I knew we were
gonna get you.
Speaker 8 (10:49):
Eventually, I apologized that I had faith and trusted you,
a person.
Speaker 4 (10:56):
That for being a smarmy asshole you don't know who
don't know how to.
Speaker 1 (11:01):
Be like dick. Funny it is, I last told the ending.
I thought it was funny. I'm not answering the whole movie.
Speaker 6 (11:07):
I wasn't lying.
Speaker 4 (11:09):
He just fucking encapsulated stupid ass whole He thought you
was gonna come back and we was gonna go.
Speaker 1 (11:14):
We finished. Sit down, Joe and enjoy yourself.
Speaker 8 (11:17):
I just I wanted to see the movie, you fucking dumb.
Speaker 1 (11:22):
I wanted to see the movie. I didn't want to
hear the ending. I don't think that's that's where loved
One smart. Joe is dumb.
Speaker 4 (11:27):
Joe is a Egyptian intelligence and.
Speaker 6 (11:32):
It's just.
Speaker 1 (11:35):
It's mere mortal, don't.
Speaker 4 (11:39):
It's like this fucking goofy scene, like like Psycho. Look,
I'm sure some of his movie, but Psycho is just
in horror. My thing is okay, The problem is the
level of the degree of Alfred Hitchcock.
Speaker 8 (11:54):
Because like Psycho, you watch it the same reason why
you revere Chuck Berry or the Beatles or or Little
Richard the way you do it because he because they
they they were innovators of the crab.
Speaker 4 (12:06):
That's not why you do Okay, Lenny Bruce, Okay, I
understand what he means. Hitchcock and mean things that doesn't mean.
I laugh at Lenny Bruce. I laugh at calling prior.
We understand, Lenny Bruce. Help them be with Alfred Hitchcock.
Movies don't hold off.
Speaker 8 (12:24):
But that's not what you said. Said, Well, yeah, but thens.
Speaker 2 (12:29):
Hold up, which which was a horrible I.
Speaker 1 (12:31):
Think Hitchcock holds up. I think it's a horror scene
birds movie.
Speaker 8 (12:37):
You're picking one movie out of forty movies that he did.
Speaker 1 (12:40):
The movie Vertigo Rope is fucking incredible. Here's why he's
a cocksucker.
Speaker 9 (12:45):
Watch what the window he says.
Speaker 1 (12:51):
I never saw it, but yeah, he says.
Speaker 4 (12:52):
The ones fing like no one would say it's not
no one would say.
Speaker 1 (12:57):
It's a very popular movie. I's Hitchcocking in Northwest.
Speaker 8 (13:02):
Great flick, great flick, thirty nine steps, great flick Psycho
gatrangers on the train.
Speaker 10 (13:10):
If you put the bomb and the table and you
make a bomb, but if you show the bomb first,
then you shut the fuck up.
Speaker 1 (13:22):
Breathy, motherfucker. His my technique too. I don't know why
he's fucking mister Moto, but who I'm doing the elver
I thought you were doing, mister b Yeah, as.
Speaker 6 (13:40):
He should be.
Speaker 1 (13:41):
I mean, I understand what he means to certain people
like you.
Speaker 8 (13:43):
Okay, well that's fine, But what you said before is
he stinks, and that was the way I didn't agree.
Speaker 4 (13:47):
I didn't feel like getting into the philosophical reason why.
Speaker 1 (13:51):
I think he just it just bores me. And I
try to watch it.
Speaker 4 (13:54):
You notice things when you try to go, all right,
this is genius, and I know it's supposed to be genius.
Speaker 1 (14:00):
Let me be into it, and you go, what am
I missing?
Speaker 8 (14:03):
You know, I'm with you. I'm with you on a
lot of stuff from that era. I can't get into it.
I'm like, God, damn. I try to Lenny Bruceman do it.
I respect the man. He does not make me laugh,
but to go he stinks or I just I just
don't I get it. But I'm not into it. Those
are two very different things. I was arguing, it's no,
it doesn't mean you're not into it. No, no, no, it
(14:25):
stinks means it's got no merit or quality.
Speaker 1 (14:27):
Not really, don't fucking you're not the boss of my
stink meaning. I think, I think I know what the definition.
Speaker 4 (14:35):
Of sensitive and I didn't realize that. I didn't realize
he was. He's explaining, I'm with it with this stuff.
She's a sensitive god and realize this fucking ship look
like he didn't like to spoil it. I don't like
what you guys said about the end of the Titanic.
I enjoy that scene very much. That makes makes them
(14:55):
do like like a typical cissy, he loves his woman,
or when he sees what that guy did and that
love that makes him love this woman more than he
did Guideline.
Speaker 8 (15:07):
I admit one hundred percent I cry at movies frequently.
Speaker 9 (15:10):
I hadn't seen though, because there was the end where.
Speaker 4 (15:15):
The context is not that a guy comes and tries
to rob you and you step in front of him
and take a bullet.
Speaker 1 (15:20):
The idea is it's freezing in the water.
Speaker 4 (15:23):
Both of you could live, but you just choose she's
gonna live and you're gonna fucking die.
Speaker 8 (15:30):
But it's not supposed to be. They both could live.
It's supposed to be they both. Are you gonna just die?
Just die for your girlfriend that you loved? There you go,
that's a good question. Would you die for your fucking girlfriend?
Speaker 1 (15:40):
There you go?
Speaker 6 (15:42):
Spoiler.
Speaker 1 (15:43):
I didn't say nothing was wrong with it. I just
asked the question now and you called me insecure. Let
me just would you die for your wife? Trying to
ruin everyone's happiness? Joe has no sympathy because of what
you did with the spoiler? Yeah, no, I learned, But
you learned today, I love.
Speaker 8 (15:58):
Did you learn today, didn't you?
Speaker 1 (16:02):
He's that serious too, he is you. You did realize, right,
you know? I shot it. I sho what your mistake was, right?
I did for this asshole. But that's why I.
Speaker 8 (16:14):
Wasn't gonna spoil that you turned You turned up a
tree so fast that it made me side with you.
Speaker 1 (16:19):
Yes, the asshole.
Speaker 8 (16:24):
I learned to never believe that I have forged any
real relationship with anybody in this.
Speaker 1 (16:30):
It's all just hurt. It's all just to hurt.
Speaker 10 (16:35):
Remembering Patrise O'Neil, his greatest moments on on a.
Speaker 3 (16:40):
Wow way hard lady, Oh well, we got girls.
Speaker 1 (16:45):
One are two black girls outside, like fucking Nika.
Speaker 2 (16:48):
What's up with the black girls? They weren't hot enough?
Speaker 7 (16:51):
No, once our tour manager.
Speaker 1 (16:53):
These bitches in here so I can have some fucking fun.
Speaker 3 (16:55):
I'm gonna they don't want to be in here, like
five light bulbs my eye on for my corner or
burning bring something to fucking lower up the.
Speaker 1 (17:04):
Fucking You don't know what a tungsten down in this motherfucker.
Speaker 2 (17:08):
Jesus, you know how pathetic we are.
Speaker 11 (17:10):
Man.
Speaker 3 (17:10):
We got girls from the Lingerie bowling studio and one
of them is wearing a winter coat over her lonchery.
Speaker 1 (17:16):
Yeah, that's how skary they are of us.
Speaker 2 (17:19):
The words.
Speaker 1 (17:20):
The one in the coat is the fucking like. She's
the asshole. She's not control, she's out of control.
Speaker 4 (17:26):
She's the only one without a phony fucking smile plaster
on her face.
Speaker 1 (17:29):
She hates this ship.
Speaker 4 (17:31):
You got dreams and aspirations, don't you did putting pops on?
Well give them up and go down the road of hell.
Like the rest of these fucking girls here, stop trying
to have dignity.
Speaker 1 (17:40):
I'm gonna wear her coat.
Speaker 4 (17:41):
I'm not just about tents and smiling and motherfuckers.
Speaker 1 (17:44):
And you know why that's true. Her friends are laughing
at him. Get rid of her. She's bringing your whole
port down. Jesus, I can fucking sniff it. Look at her.
She's just like the trees.
Speaker 2 (17:57):
All right. Excuse me, allow me to retort. Let the girls.
Speaker 9 (18:03):
The air conditioning is so fucked up in this place
all the time that it's chili.
Speaker 2 (18:07):
It's not affecting Blondie.
Speaker 7 (18:10):
The girl has different temperatures.
Speaker 1 (18:12):
The girl is beautiful.
Speaker 7 (18:13):
Outside in the crazy cold weather in New York Coer California.
We're not used to that.
Speaker 1 (18:20):
It's and she what she's doing now? The tree, she
she does that every time you come out. Get rid
of up.
Speaker 4 (18:30):
But she she does that every time she brings it.
Speaker 5 (18:34):
You do that every time.
Speaker 1 (18:36):
I'm just saying, now they're gonna act like they heard
about it.
Speaker 7 (18:39):
That girl is fine.
Speaker 5 (18:41):
I would what was her name, Danielle?
Speaker 9 (18:44):
She's a beautiful, fine girl, beautiful, very of course.
Speaker 6 (18:50):
You did you hear what's your name?
Speaker 2 (18:52):
A game parking?
Speaker 1 (18:53):
Did you hear?
Speaker 4 (18:53):
Benita has She has a script in her head that
she says all the time when she has to cover
up her miss jacket.
Speaker 3 (19:01):
Well, we were disappointed that she came in with a
winter coat over her lingerie.
Speaker 5 (19:06):
But you're not Coldchan.
Speaker 2 (19:11):
It depends where you were born.
Speaker 1 (19:12):
Agains you naked.
Speaker 7 (19:14):
I am partly naked.
Speaker 2 (19:16):
They get their tops on and their.
Speaker 1 (19:19):
And and you know we don't like to.
Speaker 9 (19:24):
Now, this lovely young lady here is wearing some type
of outer wear, but at least it's.
Speaker 1 (19:30):
A it's an inviting I am chili, but I'm still
in the character coat. Yes exactly.
Speaker 4 (19:36):
She put on fucking uh spanky from the fucking our
gang coat, came in here with this everybody here look
at this girl.
Speaker 1 (19:44):
She can't stop smiling. She's put a surgeon.
Speaker 2 (19:49):
And we call her a good she is, But the
role you are.
Speaker 9 (19:53):
One of the most misogynistic women, hating sons of.
Speaker 7 (19:58):
Let's talk about let's talk you hate women.
Speaker 4 (20:03):
I'm with Patrice, though, called her out, and that's why
she left because because people, if she was being righteous,
she wouldn't let talk.
Speaker 5 (20:11):
To the girl. You jumped to conclusion.
Speaker 4 (20:14):
All right, I forgot, Let me explain way we're gonna
talk to her. Let me play something life real quick
that people don't know. I didn't mean to like make
her go because you call me, but I want to
let her know that I could smell her vibe and
that you came in and you're always playing good cop
for her horseship.
Speaker 7 (20:28):
No, you know wrong.
Speaker 5 (20:31):
I don't see that at all.
Speaker 9 (20:33):
I see you as a woman hating man who had
to pick on one of these beautiful girls.
Speaker 7 (20:37):
I like, yeah, I see that.
Speaker 6 (20:40):
Alright.
Speaker 2 (20:41):
We got to rock back in the studio.
Speaker 3 (20:43):
We're trying to get her word on this whole thing.
Because you chased her out of the studio. Iroq went
outside the studio and what happened.
Speaker 1 (20:50):
I'm feel she left. She walked out.
Speaker 2 (20:53):
She wanted nothing to do with this and walked out, and.
Speaker 1 (20:55):
She wanted nothing to do with it in the fucking
first place. Ship like that.
Speaker 6 (21:01):
She didn't want to come in here.
Speaker 1 (21:03):
Tell the troupe, Anita, tell the motherfucking troupe.
Speaker 3 (21:07):
Excuse And Nita's like, damn, Now I gotta replace a girl.
Speaker 2 (21:11):
How am I gonna find a hot girl in two weeks?
Speaker 1 (21:13):
Oh my god, don't just don't make me look like
a complete.
Speaker 2 (21:18):
Don't get a phone and let's talk to this girl.
She's running out of the studio now.
Speaker 5 (21:22):
No, I don't think you're getting a comment.
Speaker 1 (21:24):
I will say nothing else.
Speaker 2 (21:26):
I'll sit there, I'll sit Oh great, let us pick
up the pieces.
Speaker 1 (21:30):
I'm saying.
Speaker 4 (21:31):
I'll defend myself. But I didn't want her to run out.
But I'm saying that she before she came in here,
she didn't and I could tell.
Speaker 5 (21:39):
You can't see his ny Chris Well, the great preskin.
Speaker 9 (21:46):
She woke up.
Speaker 4 (21:47):
No, the one with the sexy winter coat on. She
keeps looking around with like oops he cut her on
her face.
Speaker 9 (21:58):
But he knows these girls, you know, regardless, laughing, you
got her.
Speaker 3 (22:04):
She's on your side, one of the tiny blue tops
on your side for trees.
Speaker 12 (22:09):
The only I'm sorry, I'm sorry now on the ear,
I'm sorry for saying I really am, because I'm sorry
for no.
Speaker 5 (22:20):
He sees himself as completely right. You want to apologize
to that?
Speaker 4 (22:24):
Okay, Look, I didn't want her to run out. You
know I could be ambrasive.
Speaker 12 (22:27):
Tell her I'm sorry, sorry, I'm sorry much.
Speaker 1 (22:31):
What she needs to do I don't need to do
for her.
Speaker 2 (22:34):
But she didn't really want to be here, right, of course, she.
Speaker 5 (22:37):
Does want to be here.
Speaker 7 (22:38):
Thirteen City Tour. We're having a ball.
Speaker 9 (22:40):
Thirteen city tour and this is the one place she
doesn't want to be for trees.
Speaker 7 (22:45):
Come on, totally, we were totally excited about.
Speaker 8 (22:47):
Yes, she's just a person that kind of keeps to
herself and she doesn't her mouth randomly.
Speaker 9 (22:53):
Ah, this is what you're obsessed. Just sounded like a
dodge trying to start.
Speaker 1 (22:59):
I just don't want to be like, because it was unfounded.
Speaker 7 (23:03):
Are you gonna admit that she's beautiful?
Speaker 6 (23:04):
She was fucking sexy? What do you want?
Speaker 1 (23:06):
I mean, it's not that wasn't the point. It was attitude.
It was one of these things, is you.
Speaker 5 (23:12):
Are a big bully?
Speaker 9 (23:13):
I just came off like a big bullied guy.
Speaker 2 (23:19):
People need to come in here and want to have fun.
Speaker 9 (23:22):
She didn't know it was any long enough to even
see said not one word, not a word right?
Speaker 1 (23:29):
And another thing though, for real, really body language. I
just yeah.
Speaker 4 (23:36):
Usually usually I'm a professional at walking people out of
comedy shows. And usually if the person has being walked,
if their friends don't walk with them, it's there's a
there's a slight bitch till dawn.
Speaker 9 (23:49):
You see Quentin Tarantino's character and like when a woman
was around him, how he fantasized and like thought he
heard her say things.
Speaker 1 (23:56):
And meant things.
Speaker 2 (23:57):
That's you.
Speaker 9 (23:58):
You were two seconds away from from the guy leaving
the room, one guy like and you hacking her up
into pieces on the bed.
Speaker 5 (24:05):
You are a psychopath.
Speaker 6 (24:07):
She's she was lovely.
Speaker 1 (24:08):
That we lost her.
Speaker 2 (24:10):
We got three lovely blondes, beautiful.
Speaker 5 (24:12):
Well, will have three by the time this ends somebody else.
I found nothing wrong with the other girl.
Speaker 2 (24:19):
With these girls, I thought we could be nice.
Speaker 9 (24:21):
Like you know, I like brunettes. It would have been
nice to have a brunette in here, not that you know,
the blondes aren't beautiful. But he chased the only brunette
out of the whole goddamn building, chased her out of Manhattan.
Speaker 5 (24:33):
You King Kong motherfucker terrorizing Manhattan.
Speaker 1 (24:39):
Give me a big black call me anything you want.
Speaker 2 (24:42):
Go ahead.
Speaker 1 (24:42):
You can go ahead, ladies.
Speaker 6 (24:44):
Get it out.
Speaker 2 (24:45):
I still don't know what this lingerie bowl is about.
Speaker 3 (24:48):
Obviously there's the hotness factor, but then what Yeah, it's girls.
Speaker 2 (24:52):
Playing women playing football, and.
Speaker 5 (24:55):
Most importantly, there's cheerleaders. Y Carthy is hosting.
Speaker 3 (25:01):
Dennis is the commissioner, The commissioner, commissioner.
Speaker 1 (25:06):
It's great.
Speaker 9 (25:07):
The other snap when they hike the ball, the girl
bends over and girl between the legs.
Speaker 1 (25:14):
Are there going to be any oopsies?
Speaker 2 (25:17):
Will there?
Speaker 6 (25:19):
Yes?
Speaker 3 (25:19):
There are ops who's the lady in charge? What's what's
your name? You need to sell this better. The guys
out there need to know that there's going to be oopsies.
Cares about the football, but.
Speaker 9 (25:31):
Also morning You ever see uh in pro football where
a guy maybe the shirt gets pulled and the shoulder
pad pops out.
Speaker 1 (25:40):
Think that?
Speaker 2 (25:41):
Think that?
Speaker 1 (25:42):
Will that happening happen? Right now?
Speaker 5 (25:45):
Are you penning a little note?
Speaker 7 (25:47):
Dear?
Speaker 2 (25:49):
Wait? You're making him apologize what's her name?
Speaker 7 (25:54):
He can admit when he has made a mistake currently.
Speaker 4 (26:01):
To him.
Speaker 7 (26:01):
Sorry, And I'm feeling a great deal of pride.
Speaker 4 (26:04):
Yeah, so sorry?
Speaker 1 (26:06):
Where did you get?
Speaker 9 (26:08):
I've seen him be such a big street cart, and
I've seen him just be a despicable human beings.
Speaker 7 (26:15):
Some people have those extremes. One extreme and now we're
singing another.
Speaker 11 (26:21):
I'm impressed by keep writing the sea word and pre
judging you, boy, you pre judge her.
Speaker 7 (26:32):
He's writing a book. Okay, it's okay, Oh my god.
Speaker 6 (26:35):
You know what?
Speaker 4 (26:36):
There you go, you know what to say?
Speaker 7 (26:41):
Other than Wow, I'm wild by you right now. Wow,
I just wrote, I just wrote, Danielle, I am sorry
so sorry for calling you the C word, and boy,
I was wrong.
Speaker 5 (26:54):
And then daniel she lit herself.
Speaker 7 (26:56):
Go go that's all.
Speaker 1 (27:04):
I'm sorry. We'll called her the word.
Speaker 2 (27:12):
Any more questions, wonderful, gotta go. All right, all right, ladies,
I'm sorry.
Speaker 1 (27:18):
Thank you for coming in.
Speaker 5 (27:21):
We appreciate having you. Thank you all.
Speaker 2 (27:24):
Right, my guys.
Speaker 3 (27:26):
Sorry we got off on the wrong foot there, Yeah,
the wrong wrong foot, but the foot was in bound, so.
Speaker 5 (27:34):
Bodog dot everybody visit as.
Speaker 1 (27:37):
Soon as you leave the studio.
Speaker 2 (27:39):
Thank you, ladies, And there they go, the girls to the.
Speaker 3 (27:46):
I want to get this out of the way right now,
whole I bow to portray you doing that.
Speaker 2 (27:50):
I absolutely bow to you, my friend.
Speaker 5 (27:54):
You're doing the slow clap.
Speaker 1 (27:58):
I bow to you.
Speaker 2 (28:00):
You saw something and you went for it.
Speaker 9 (28:03):
I haven't seen that vicious an attack that quickly. He
was like you ever you ever hear about the attacks
where someone's standing there and a pit bull who's all
happy and wagging its tail just lunges at someone's throat
that's in the room.
Speaker 5 (28:17):
That's what that reminded you.
Speaker 6 (28:18):
Can't see it, dude.
Speaker 4 (28:20):
It's like, I'm not like you can go to Kreskinvin,
but it's like I I just it's just things.
Speaker 1 (28:26):
You can feel that run through. Yeah, and it's just
like you you.
Speaker 4 (28:30):
Can't feel that comfortable being that just because she did
look good, but you can't feel comfortable coming here changing
the mood of because you know what, she was listening
to us for an hour be completely juvenile, and.
Speaker 1 (28:43):
She just could.
Speaker 5 (28:43):
She just was like, so you're saying yucky.
Speaker 9 (28:46):
You are either the nastiest or the most insightful person
I've ever seen.
Speaker 2 (28:51):
Just know you didn't see that. I am so with Patrisa.
Speaker 5 (28:55):
I didn't even see it.
Speaker 3 (28:56):
Soon as she walked in with a winter coat that
that was such a sign. It wasn't even funny, like
Patrice said, the other girl had kind of a coat on,
but it was still sexy and had something to do
with the lingerie action.
Speaker 5 (29:07):
I didn't that girl had.
Speaker 2 (29:08):
A winter coat like she was ready to go down
the slope.
Speaker 5 (29:11):
You know, you could be right, But I didn't even
and she almost.
Speaker 3 (29:14):
She pretty much had her like arms folded. She did
not want to be in that situation. And the and
the reason why we don't have a lot of women
on the show lately is because of women just like
her where they they're like they just want to go
through the motions. Absolutely. The rest of the girls were lovely.
I liked them. They played the role. They were having
(29:34):
fun by.
Speaker 4 (29:36):
I didn't say anything to It's like, you're just surprised
Anthony because he jumped on her so quickly, because I
usually noticed.
Speaker 2 (29:43):
Usually we will like kind of like, you know.
Speaker 9 (29:46):
We would have had to have talked to our and
then we would have been dude, we've been in that
situation and you talked.
Speaker 5 (29:51):
To him a little while and then you go, all right,
this chick just staying into it. But you were like.
Speaker 1 (29:57):
I saw some frigging brainway. I saw too. I saw too.
Speaker 3 (30:01):
And when I was thinking to myself, like here we
go again, and I'm gonna have to do a little
lot evil Opie, I swear to God, but I thought
it was gonna be ten or fifteen minutes in where
I finally would call her out or something.
Speaker 2 (30:11):
Evil.
Speaker 9 (30:11):
Opie is Jesus compared to the monster we saw.
Speaker 2 (30:16):
I understand that's what made it great.
Speaker 4 (30:18):
And look at man, I swear to you, it's just
you it's like the comfort zone to bring it down.
It's just you know that she needed that. It's a
little medicine. It didn't taste right.
Speaker 1 (30:30):
No, you know she'll feel better later because she won't
do that again.
Speaker 5 (30:34):
You know what.
Speaker 1 (30:35):
She left because she felt entitled. She didn't want to
be here.
Speaker 7 (30:38):
You felt it.
Speaker 5 (30:39):
You put the first wrinkle on her face.
Speaker 9 (30:42):
She's been a kid loved like, just looked at and
appreciated it, never had a bad thing said she like scowled,
and you put that first wrinkle.
Speaker 1 (30:50):
In her face.
Speaker 5 (30:51):
Srinkle on that twenty year old face.
Speaker 1 (30:55):
Oh Jesus, Rose, don't apologize.
Speaker 2 (30:59):
It's just starting to realize that our hotness isn't going
to get her through.
Speaker 5 (31:04):
It's life. It's life that you gave her a life lesson.
Speaker 1 (31:07):
That's right, thank you. Here's what women do and men do.
Speaker 4 (31:14):
If this was a company, we start out in the
mail room, you start out as a fucking get the coffee.
Speaker 1 (31:20):
We have to start out by.
Speaker 4 (31:22):
What have you accomplished thus far in your fucking life?
Speaker 1 (31:25):
So we have to come in and your company as.
Speaker 4 (31:28):
Get the coffee, but it has to be as a
CEO of of what we accomplish.
Speaker 1 (31:35):
Pull your pants down.
Speaker 6 (31:37):
Then I'll tell you what come of car.
Speaker 13 (31:40):
I drive after. Hold your fucking pass down. I wanna
fucking dance. Hold your fucking pass down. I want to
see it. Hold your fucking bans down.
Speaker 6 (31:53):
She's not all I want unless that's all you got.
Hold your fucking pass down.
Speaker 4 (31:57):
I don't want to take you out to the suspensive
US my fucking pass down trouve.
Speaker 6 (32:02):
I can pay for it. Pull your fucking pass down, boves.
Speaker 1 (32:05):
I got a nice car.
Speaker 6 (32:07):
You pull your fucking pass down. Move.
Speaker 4 (32:09):
I got an education and fucking passed down to see
your coach down and.
Speaker 6 (32:30):
Pull your fucking pass down.
Speaker 1 (32:32):
Don't force me to make you a better person.
Speaker 6 (32:34):
Hold your fucking pass down.
Speaker 1 (32:36):
Uncus your eyes.
Speaker 6 (32:37):
You're good for your Hold your fucking mass down. I
want to see it. Pull your fucking passed down down.
You know what I'm
He had this Indian dude.
Speaker 2 (00:01):
Yeah, we never talked to you about that.
Speaker 1 (00:02):
I think Jimmy brought it up or some You used.
Speaker 3 (00:04):
To fly around with Vince McMahon and Alric Jet and
right for w W.
Speaker 4 (00:08):
Right for right for w w F, Vince mcman. There's
three people I've met in my life. You know, you
probably can name him. People in your life where you
met and you you lost your madness. Like you you
try to go, hey, what's happening. Hey, good to see
Michael Jackson. Nice talking to you. But it's like I
met a few people, like maybe four three or four
where I go, oh boy. I was at his house
(00:29):
in Stanford writing they were rewriting, and he just comes
out hello and in his in his jump suit and
his everything, and I just was like, oh my god.
Speaker 1 (00:37):
I was like like a little girl, like hey.
Speaker 4 (00:42):
A few times and he's just as he's a powerful dude, man,
but he's all he's the he's a cold dude. Now
there's one guy I used to have a turban. He
goes in and knowing none of the rest of us
talk to him personally, you know, except for the big guys.
Like I'm on the plane with like Triple H. Everybody
else got to drive down like Hyundai Sonatas from town
to town, but like Triple H undertaking those guys they
(01:04):
get on this plane. I'm in the back and you know,
watching this whole thing go down, and he this guy.
Speaker 1 (01:12):
With a turban.
Speaker 4 (01:13):
Since he goes, listen, my family says, please, can you
stop making fun of my turban? Because my people Tiger
Ali saying he's please, don't make fun of the he goes.
Speaker 1 (01:31):
He goes, shut up and put on a turban.
Speaker 4 (01:36):
Please, my people, I thank you.
Speaker 1 (01:41):
Put on the turbine like the jerky boys. Dude. It's
just like.
Speaker 4 (01:48):
He's like, I don't want to hear that nonsense. Get
out there and put on that stupid turbine.
Speaker 1 (01:52):
Check out. It was like, oh my god.
Speaker 2 (01:55):
Were you responsible for some of the legendary storylines. One
comes to mind.
Speaker 1 (02:01):
Now I was. I was fourth man on the totem pole.
Speaker 4 (02:04):
They have a kid there, this young white kid who's
the boss.
Speaker 1 (02:08):
But I would if I'd have stayed. I just couldn't
deal with what they what they asking.
Speaker 4 (02:11):
I couldn't get that little lerig yet with them, and
you know, uh this, I just couldn't do it because
they're very corporate. You have to be committed to their cause.
And I just wasn't committed, you know what I'm saying,
And I got fired. What's the name of Stephanie fired
me like six times, really kept calling me back and
fired me. But she doesn't realize comics just get fired.
(02:32):
We just so she goes, you know you're fired, right,
I go, ah, yeah, I understand, I do understand. You
know what I mean.
Speaker 1 (02:38):
I'm not gonna what would.
Speaker 5 (02:40):
You get fired for?
Speaker 4 (02:41):
Because I had a show and I said I can't
make it. She's like, what you're gonna You're committed? Yeah,
I met Steve's Austin was good enough. What I took
from it is like how how powerful viscent Man was
and like how too the rock was cooler than he
should have been.
Speaker 1 (03:01):
Like he was just too accessible.
Speaker 4 (03:03):
I didn't want him to be that accessible, just like
a regular guy, hey man, Hey, how you doing.
Speaker 1 (03:08):
They were real regular.
Speaker 4 (03:09):
Guys, and they kissed the writers' asses because the writers.
Speaker 1 (03:13):
Make up scenarios for them to become whatever.
Speaker 4 (03:16):
So they they this little white kid, he has these
giant road up dudes.
Speaker 1 (03:20):
Like the.
Speaker 4 (03:25):
Kid, Yeah he must have been because he was Vince's
right hand dude.
Speaker 6 (03:34):
Or just storyline.
Speaker 4 (03:35):
They write everything done. There's there's some who get leeway,
like Kurt Angle.
Speaker 7 (03:43):
The biggies.
Speaker 4 (03:44):
They can they can talk, Yeah, they can say words
that aren't there sometimes. But the other guys, but they
do not. Do not play around with that man. He
runs that with an iron fist. He's behind every he's
behind the scenes, sitting there at the when they come
out with the splosions.
Speaker 1 (04:00):
Huh, he's there like all right, you know, doing running it.
Speaker 3 (04:07):
The director we were discussing the movie and Jody Rosa
actually had to run out because they didn't want the
movie spoiled for him.
Speaker 1 (04:14):
Well, I didn't want to know the end.
Speaker 4 (04:15):
You want to know the whole movie and then I'll
see it. Still, it's visual movies.
Speaker 1 (04:19):
What do you want to go talking about?
Speaker 6 (04:21):
Yeah?
Speaker 1 (04:21):
Stupid?
Speaker 8 (04:22):
Yeah, remember all the work Hitchcock did to create suspense
nineteen and Hitchcock's movies.
Speaker 1 (04:29):
Really, how is some good Hitchcock? How is how is
someone going to.
Speaker 2 (04:32):
Spoil a Hitchcock movie for you?
Speaker 4 (04:34):
The birds stink? Alfred Hitchcock movies do not hold up.
They make me sick.
Speaker 1 (04:39):
The trees would you stop it?
Speaker 2 (04:40):
You don't like Hitchcock.
Speaker 4 (04:42):
What there does name one that's good that you still
strangers on the train. You're just a romantic system. You
can run on spoilers that doesn't.
Speaker 8 (04:52):
By Northwest and have you seen any of them?
Speaker 1 (04:58):
Half of one and full Judge watched.
Speaker 2 (05:03):
That movie, went on for fucking ever.
Speaker 1 (05:05):
It's a great flick movie. It's a great flick thing.
Halloween's better.
Speaker 2 (05:09):
Why because the scary stuff happened during the day.
Speaker 1 (05:12):
You know what?
Speaker 4 (05:12):
Because Joe intellectual, So anything intellectual that stimulates Joe.
Speaker 1 (05:19):
He doesn't like Jaws.
Speaker 6 (05:20):
I don't like the whole.
Speaker 1 (05:23):
Shut the fuck up. Star Wars is one of my
favorite movies. That's an intellectu there's no suspense to that. Motherfucker.
Speaker 6 (05:28):
You like ship all right?
Speaker 4 (05:29):
That makes you think like you're a thinker. Alfred Hitchcock's
movies did nothing. So a cock sucker, you know what
I did. It was horror movies before you was allowed
to have them. The Psycho stab sucks watching the knife
not hit her, Patricay, don't know what you're talking about.
Speaker 1 (05:44):
I watched the movie opinion.
Speaker 4 (05:47):
You see when the guy fell down the stairs of Psycho,
the dumbest look.
Speaker 1 (05:51):
He makes me sick. Exactly, Yeah, ducking.
Speaker 8 (05:56):
And and the Beatles, and the Beatles suck because they
weren't able to do beat book can do nothing.
Speaker 5 (06:01):
I mean, this is the your your may Cock didn't
use any c g I he sucked it.
Speaker 1 (06:05):
What I'm saying, it's like this argument. You're you're arguing
to get the.
Speaker 8 (06:08):
Guy that broke down fu open doors for future filmmakers.
Speaker 1 (06:12):
He was doing Ship that's never been doing. What did
he who did he break down those?
Speaker 6 (06:14):
For Jesus?
Speaker 1 (06:16):
Exactly for everybody.
Speaker 4 (06:18):
I'm not gonna don't force him to make him if
I don't want to.
Speaker 1 (06:21):
But you can't say it. You had horror, He's like,
I don't like his profile. I don't like his profile.
Never fit into that.
Speaker 9 (06:32):
Danny found the fucking stairs scene, Martin Balsam.
Speaker 8 (06:37):
Ladies and gentlemen coming to stage, patrisa O'Neil bum.
Speaker 1 (06:43):
That's hilarious. Oh Ship, Why did he get that cut
on his face? What is he doing? What is he doing?
Speaker 4 (06:51):
Why is this suspense? It's not it's horror. Why is
that suspenseful? Why is that a thriller? And and other
things not hard there's nothing about that movie. There are
other cards that are suspended. Its suspense about the crows
on the fucking on the on the slide.
Speaker 1 (07:04):
Were you in scary movie for they cut they cut
it out? Somebody Detroit.
Speaker 3 (07:13):
Wait wait, the guy who was in scary movie for
saying Hitchcock movie stink.
Speaker 4 (07:17):
Maybe this is my thing. This is people think. People think.
That's that's the problem. Everybody got to compare everybody else.
I can't say another fat person is fat because I'm fat.
I got eyes, motherfucker can I could be in ship
Stained too, And that doesn't mean I like the birds?
Speaker 1 (07:32):
He asked, eat ass.
Speaker 4 (07:34):
Compare yourself to other people, you fuck face, dick oh,
just because just because I was in.
Speaker 1 (07:41):
Some loser ship, You're not a loser.
Speaker 4 (07:43):
Shut up, Misstery Loves Company, you fucking idiot.
Speaker 1 (07:46):
I fucking don't like the birds. You know what I'm producing?
Shit Steain. I want to people kill me. Hey, you're fat,
Ucal's talking.
Speaker 4 (07:56):
I know I'm fat too, but you're fucking fat too fat.
Speaker 1 (08:04):
What's up with avatar?
Speaker 4 (08:05):
Avatar getting good reviews already not reviews, but they did
then or whatever. Standing ovation and two people had two
different One was like, it's gonna get an oscar. The
other one did a two page review about how amazing
the movie is and I think it's for Sissy's just
like Titanic, another movie I can't understand. I liked the
(08:26):
I don't understand where the billion the billion dollars comes
from as opposed to The Dark Knight. How does that
make a billion in the Dark Knight?
Speaker 1 (08:33):
Like, I don't get it.
Speaker 9 (08:34):
I don't get that movie because they brought the broad ship,
came in for the love story, and we got into
that for this.
Speaker 1 (08:39):
Let me see the the ship sinking that an hour
smoke stack. What the what were you watching now?
Speaker 8 (08:49):
That fucking beautiful pinball down?
Speaker 9 (08:54):
Thinking is fucking that's pretty amazing at the time, especially
was a great depiction of the type.
Speaker 8 (09:00):
No, it stinks because it was before they could do
effects like that, So it.
Speaker 1 (09:04):
Sucks all the try of divine. Don't try to joint
forces with Anthony. Yeah, that's exactly like doing barely. You
liked it for the love scene.
Speaker 8 (09:14):
Anthony, You never saw Empire strikes back Darth Vaders, Luke's dad.
Speaker 3 (09:17):
You fuckings did you cry when DiCaprio went under, Yeah,
yes he.
Speaker 4 (09:26):
Did.
Speaker 1 (09:27):
But we're saying you loved it for the love scene. Yeah,
I loved it for a little and DiCaprio went and
had a lot of beautiful parts.
Speaker 8 (09:39):
I would fucking I would like anyone of you to
embrace me. While I watched DiCaprio slide off of that
fucking boat.
Speaker 5 (09:46):
I'll bring up something.
Speaker 9 (09:47):
What about the fact that Clooney falls in love with
a girl that's married.
Speaker 1 (09:52):
Fucking dickhead? Was that the spoiler? You're a fucking asshole.
You're a fucking asshole. You loved the studio a stupid
Now he's hurt. Now you can't see the movie. It's
spoiled it for you. Ask what.
Speaker 6 (10:08):
Spoilt me?
Speaker 3 (10:09):
Explain what happened, Let me explain how stupid you are
as a human being.
Speaker 1 (10:13):
Why is.
Speaker 3 (10:16):
This ship because because Patrice asked me about this up
in the air, because he's getting good reviews, and I'm going,
let me tell you about this fucking movie, Joe, go,
I don't want to hear a spoil.
Speaker 2 (10:24):
I go leave the studio.
Speaker 1 (10:26):
Yeah, that's that was your mistake.
Speaker 4 (10:29):
I think we're gonna be real friends to you.
Speaker 1 (10:32):
No, thank you left.
Speaker 3 (10:36):
And we're still told hold on, hold on, let me
finish my point what you should have done? Go?
Speaker 2 (10:40):
Oh my god, they're gonna fucking spoil this movie for me.
Make believe you don't care, Make believe you had to
go to the bathroom or something.
Speaker 1 (10:46):
All right, So you just said I knew we were
gonna get you.
Speaker 8 (10:49):
Eventually, I apologized that I had faith and trusted you,
a person.
Speaker 4 (10:56):
That for being a smarmy asshole you don't know who
don't know how to.
Speaker 1 (11:01):
Be like dick. Funny it is, I last told the ending.
I thought it was funny. I'm not answering the whole movie.
Speaker 6 (11:07):
I wasn't lying.
Speaker 4 (11:09):
He just fucking encapsulated stupid ass whole He thought you
was gonna come back and we was gonna go.
Speaker 1 (11:14):
We finished. Sit down, Joe and enjoy yourself.
Speaker 8 (11:17):
I just I wanted to see the movie, you fucking dumb.
Speaker 1 (11:22):
I wanted to see the movie. I didn't want to
hear the ending. I don't think that's that's where loved
One smart. Joe is dumb.
Speaker 4 (11:27):
Joe is a Egyptian intelligence and.
Speaker 6 (11:32):
It's just.
Speaker 1 (11:35):
It's mere mortal, don't.
Speaker 4 (11:39):
It's like this fucking goofy scene, like like Psycho. Look,
I'm sure some of his movie, but Psycho is just
in horror. My thing is okay, The problem is the
level of the degree of Alfred Hitchcock.
Speaker 8 (11:54):
Because like Psycho, you watch it the same reason why
you revere Chuck Berry or the Beatles or or Little
Richard the way you do it because he because they
they they were innovators of the crab.
Speaker 4 (12:06):
That's not why you do Okay, Lenny Bruce, Okay, I
understand what he means. Hitchcock and mean things that doesn't mean.
I laugh at Lenny Bruce. I laugh at calling prior.
We understand, Lenny Bruce. Help them be with Alfred Hitchcock.
Movies don't hold off.
Speaker 8 (12:24):
But that's not what you said. Said, Well, yeah, but thens.
Speaker 2 (12:29):
Hold up, which which was a horrible I.
Speaker 1 (12:31):
Think Hitchcock holds up. I think it's a horror scene
birds movie.
Speaker 8 (12:37):
You're picking one movie out of forty movies that he did.
Speaker 1 (12:40):
The movie Vertigo Rope is fucking incredible. Here's why he's
a cocksucker.
Speaker 9 (12:45):
Watch what the window he says.
Speaker 1 (12:51):
I never saw it, but yeah, he says.
Speaker 4 (12:52):
The ones fing like no one would say it's not
no one would say.
Speaker 1 (12:57):
It's a very popular movie. I's Hitchcocking in Northwest.
Speaker 8 (13:02):
Great flick, great flick, thirty nine steps, great flick Psycho
gatrangers on the train.
Speaker 10 (13:10):
If you put the bomb and the table and you
make a bomb, but if you show the bomb first,
then you shut the fuck up.
Speaker 1 (13:22):
Breathy, motherfucker. His my technique too. I don't know why
he's fucking mister Moto, but who I'm doing the elver
I thought you were doing, mister b Yeah, as.
Speaker 6 (13:40):
He should be.
Speaker 1 (13:41):
I mean, I understand what he means to certain people
like you.
Speaker 8 (13:43):
Okay, well that's fine, But what you said before is
he stinks, and that was the way I didn't agree.
Speaker 4 (13:47):
I didn't feel like getting into the philosophical reason why.
Speaker 1 (13:51):
I think he just it just bores me. And I
try to watch it.
Speaker 4 (13:54):
You notice things when you try to go, all right,
this is genius, and I know it's supposed to be genius.
Speaker 1 (14:00):
Let me be into it, and you go, what am
I missing?
Speaker 8 (14:03):
You know, I'm with you. I'm with you on a
lot of stuff from that era. I can't get into it.
I'm like, God, damn. I try to Lenny Bruceman do it.
I respect the man. He does not make me laugh,
but to go he stinks or I just I just
don't I get it. But I'm not into it. Those
are two very different things. I was arguing, it's no,
it doesn't mean you're not into it. No, no, no, it
(14:25):
stinks means it's got no merit or quality.
Speaker 1 (14:27):
Not really, don't fucking you're not the boss of my
stink meaning. I think, I think I know what the definition.
Speaker 4 (14:35):
Of sensitive and I didn't realize that. I didn't realize
he was. He's explaining, I'm with it with this stuff.
She's a sensitive god and realize this fucking ship look
like he didn't like to spoil it. I don't like
what you guys said about the end of the Titanic.
I enjoy that scene very much. That makes makes them
(14:55):
do like like a typical cissy, he loves his woman,
or when he sees what that guy did and that
love that makes him love this woman more than he
did Guideline.
Speaker 8 (15:07):
I admit one hundred percent I cry at movies frequently.
Speaker 9 (15:10):
I hadn't seen though, because there was the end where.
Speaker 4 (15:15):
The context is not that a guy comes and tries
to rob you and you step in front of him
and take a bullet.
Speaker 1 (15:20):
The idea is it's freezing in the water.
Speaker 4 (15:23):
Both of you could live, but you just choose she's
gonna live and you're gonna fucking die.
Speaker 8 (15:30):
But it's not supposed to be. They both could live.
It's supposed to be they both. Are you gonna just die?
Just die for your girlfriend that you loved? There you go,
that's a good question. Would you die for your fucking girlfriend?
Speaker 1 (15:40):
There you go?
Speaker 6 (15:42):
Spoiler.
Speaker 1 (15:43):
I didn't say nothing was wrong with it. I just
asked the question now and you called me insecure. Let
me just would you die for your wife? Trying to
ruin everyone's happiness? Joe has no sympathy because of what
you did with the spoiler? Yeah, no, I learned, But
you learned today, I love.
Speaker 8 (15:58):
Did you learn today, didn't you?
Speaker 1 (16:02):
He's that serious too, he is you. You did realize, right,
you know? I shot it. I sho what your mistake was, right?
I did for this asshole. But that's why I.
Speaker 8 (16:14):
Wasn't gonna spoil that you turned You turned up a
tree so fast that it made me side with you.
Speaker 1 (16:19):
Yes, the asshole.
Speaker 8 (16:24):
I learned to never believe that I have forged any
real relationship with anybody in this.
Speaker 1 (16:30):
It's all just hurt. It's all just to hurt.
Speaker 10 (16:35):
Remembering Patrise O'Neil, his greatest moments on on a.
Speaker 3 (16:40):
Wow way hard lady, Oh well, we got girls.
Speaker 1 (16:45):
One are two black girls outside, like fucking Nika.
Speaker 2 (16:48):
What's up with the black girls? They weren't hot enough?
Speaker 7 (16:51):
No, once our tour manager.
Speaker 1 (16:53):
These bitches in here so I can have some fucking fun.
Speaker 3 (16:55):
I'm gonna they don't want to be in here, like
five light bulbs my eye on for my corner or
burning bring something to fucking lower up the.
Speaker 1 (17:04):
Fucking You don't know what a tungsten down in this motherfucker.
Speaker 2 (17:08):
Jesus, you know how pathetic we are.
Speaker 11 (17:10):
Man.
Speaker 3 (17:10):
We got girls from the Lingerie bowling studio and one
of them is wearing a winter coat over her lonchery.
Speaker 1 (17:16):
Yeah, that's how skary they are of us.
Speaker 2 (17:19):
The words.
Speaker 1 (17:20):
The one in the coat is the fucking like. She's
the asshole. She's not control, she's out of control.
Speaker 4 (17:26):
She's the only one without a phony fucking smile plaster
on her face.
Speaker 1 (17:29):
She hates this ship.
Speaker 4 (17:31):
You got dreams and aspirations, don't you did putting pops on?
Well give them up and go down the road of hell.
Like the rest of these fucking girls here, stop trying
to have dignity.
Speaker 1 (17:40):
I'm gonna wear her coat.
Speaker 4 (17:41):
I'm not just about tents and smiling and motherfuckers.
Speaker 1 (17:44):
And you know why that's true. Her friends are laughing
at him. Get rid of her. She's bringing your whole
port down. Jesus, I can fucking sniff it. Look at her.
She's just like the trees.
Speaker 2 (17:57):
All right. Excuse me, allow me to retort. Let the girls.
Speaker 9 (18:03):
The air conditioning is so fucked up in this place
all the time that it's chili.
Speaker 2 (18:07):
It's not affecting Blondie.
Speaker 7 (18:10):
The girl has different temperatures.
Speaker 1 (18:12):
The girl is beautiful.
Speaker 7 (18:13):
Outside in the crazy cold weather in New York Coer California.
We're not used to that.
Speaker 1 (18:20):
It's and she what she's doing now? The tree, she
she does that every time you come out. Get rid
of up.
Speaker 4 (18:30):
But she she does that every time she brings it.
Speaker 5 (18:34):
You do that every time.
Speaker 1 (18:36):
I'm just saying, now they're gonna act like they heard
about it.
Speaker 7 (18:39):
That girl is fine.
Speaker 5 (18:41):
I would what was her name, Danielle?
Speaker 9 (18:44):
She's a beautiful, fine girl, beautiful, very of course.
Speaker 6 (18:50):
You did you hear what's your name?
Speaker 2 (18:52):
A game parking?
Speaker 1 (18:53):
Did you hear?
Speaker 4 (18:53):
Benita has She has a script in her head that
she says all the time when she has to cover
up her miss jacket.
Speaker 3 (19:01):
Well, we were disappointed that she came in with a
winter coat over her lingerie.
Speaker 5 (19:06):
But you're not Coldchan.
Speaker 2 (19:11):
It depends where you were born.
Speaker 1 (19:12):
Agains you naked.
Speaker 7 (19:14):
I am partly naked.
Speaker 2 (19:16):
They get their tops on and their.
Speaker 1 (19:19):
And and you know we don't like to.
Speaker 9 (19:24):
Now, this lovely young lady here is wearing some type
of outer wear, but at least it's.
Speaker 1 (19:30):
A it's an inviting I am chili, but I'm still
in the character coat. Yes exactly.
Speaker 4 (19:36):
She put on fucking uh spanky from the fucking our
gang coat, came in here with this everybody here look
at this girl.
Speaker 1 (19:44):
She can't stop smiling. She's put a surgeon.
Speaker 2 (19:49):
And we call her a good she is, But the
role you are.
Speaker 9 (19:53):
One of the most misogynistic women, hating sons of.
Speaker 7 (19:58):
Let's talk about let's talk you hate women.
Speaker 4 (20:03):
I'm with Patrice, though, called her out, and that's why
she left because because people, if she was being righteous,
she wouldn't let talk.
Speaker 5 (20:11):
To the girl. You jumped to conclusion.
Speaker 4 (20:14):
All right, I forgot, Let me explain way we're gonna
talk to her. Let me play something life real quick
that people don't know. I didn't mean to like make
her go because you call me, but I want to
let her know that I could smell her vibe and
that you came in and you're always playing good cop
for her horseship.
Speaker 7 (20:28):
No, you know wrong.
Speaker 5 (20:31):
I don't see that at all.
Speaker 9 (20:33):
I see you as a woman hating man who had
to pick on one of these beautiful girls.
Speaker 7 (20:37):
I like, yeah, I see that.
Speaker 6 (20:40):
Alright.
Speaker 2 (20:41):
We got to rock back in the studio.
Speaker 3 (20:43):
We're trying to get her word on this whole thing.
Because you chased her out of the studio. Iroq went
outside the studio and what happened.
Speaker 1 (20:50):
I'm feel she left. She walked out.
Speaker 2 (20:53):
She wanted nothing to do with this and walked out, and.
Speaker 1 (20:55):
She wanted nothing to do with it in the fucking
first place. Ship like that.
Speaker 6 (21:01):
She didn't want to come in here.
Speaker 1 (21:03):
Tell the troupe, Anita, tell the motherfucking troupe.
Speaker 3 (21:07):
Excuse And Nita's like, damn, Now I gotta replace a girl.
Speaker 2 (21:11):
How am I gonna find a hot girl in two weeks?
Speaker 1 (21:13):
Oh my god, don't just don't make me look like
a complete.
Speaker 2 (21:18):
Don't get a phone and let's talk to this girl.
She's running out of the studio now.
Speaker 5 (21:22):
No, I don't think you're getting a comment.
Speaker 1 (21:24):
I will say nothing else.
Speaker 2 (21:26):
I'll sit there, I'll sit Oh great, let us pick
up the pieces.
Speaker 1 (21:30):
I'm saying.
Speaker 4 (21:31):
I'll defend myself. But I didn't want her to run out.
But I'm saying that she before she came in here,
she didn't and I could tell.
Speaker 5 (21:39):
You can't see his ny Chris Well, the great preskin.
Speaker 9 (21:46):
She woke up.
Speaker 4 (21:47):
No, the one with the sexy winter coat on. She
keeps looking around with like oops he cut her on
her face.
Speaker 9 (21:58):
But he knows these girls, you know, regardless, laughing, you
got her.
Speaker 3 (22:04):
She's on your side, one of the tiny blue tops
on your side for trees.
Speaker 12 (22:09):
The only I'm sorry, I'm sorry now on the ear,
I'm sorry for saying I really am, because I'm sorry
for no.
Speaker 5 (22:20):
He sees himself as completely right. You want to apologize
to that?
Speaker 4 (22:24):
Okay, Look, I didn't want her to run out. You
know I could be ambrasive.
Speaker 12 (22:27):
Tell her I'm sorry, sorry, I'm sorry much.
Speaker 1 (22:31):
What she needs to do I don't need to do
for her.
Speaker 2 (22:34):
But she didn't really want to be here, right, of course, she.
Speaker 5 (22:37):
Does want to be here.
Speaker 7 (22:38):
Thirteen City Tour. We're having a ball.
Speaker 9 (22:40):
Thirteen city tour and this is the one place she
doesn't want to be for trees.
Speaker 7 (22:45):
Come on, totally, we were totally excited about.
Speaker 8 (22:47):
Yes, she's just a person that kind of keeps to
herself and she doesn't her mouth randomly.
Speaker 9 (22:53):
Ah, this is what you're obsessed. Just sounded like a
dodge trying to start.
Speaker 1 (22:59):
I just don't want to be like, because it was unfounded.
Speaker 7 (23:03):
Are you gonna admit that she's beautiful?
Speaker 6 (23:04):
She was fucking sexy? What do you want?
Speaker 1 (23:06):
I mean, it's not that wasn't the point. It was attitude.
It was one of these things, is you.
Speaker 5 (23:12):
Are a big bully?
Speaker 9 (23:13):
I just came off like a big bullied guy.
Speaker 2 (23:19):
People need to come in here and want to have fun.
Speaker 9 (23:22):
She didn't know it was any long enough to even
see said not one word, not a word right?
Speaker 1 (23:29):
And another thing though, for real, really body language. I
just yeah.
Speaker 4 (23:36):
Usually usually I'm a professional at walking people out of
comedy shows. And usually if the person has being walked,
if their friends don't walk with them, it's there's a
there's a slight bitch till dawn.
Speaker 9 (23:49):
You see Quentin Tarantino's character and like when a woman
was around him, how he fantasized and like thought he
heard her say things.
Speaker 1 (23:56):
And meant things.
Speaker 2 (23:57):
That's you.
Speaker 9 (23:58):
You were two seconds away from from the guy leaving
the room, one guy like and you hacking her up
into pieces on the bed.
Speaker 5 (24:05):
You are a psychopath.
Speaker 6 (24:07):
She's she was lovely.
Speaker 1 (24:08):
That we lost her.
Speaker 2 (24:10):
We got three lovely blondes, beautiful.
Speaker 5 (24:12):
Well, will have three by the time this ends somebody else.
I found nothing wrong with the other girl.
Speaker 2 (24:19):
With these girls, I thought we could be nice.
Speaker 9 (24:21):
Like you know, I like brunettes. It would have been
nice to have a brunette in here, not that you know,
the blondes aren't beautiful. But he chased the only brunette
out of the whole goddamn building, chased her out of Manhattan.
Speaker 5 (24:33):
You King Kong motherfucker terrorizing Manhattan.
Speaker 1 (24:39):
Give me a big black call me anything you want.
Speaker 2 (24:42):
Go ahead.
Speaker 1 (24:42):
You can go ahead, ladies.
Speaker 6 (24:44):
Get it out.
Speaker 2 (24:45):
I still don't know what this lingerie bowl is about.
Speaker 3 (24:48):
Obviously there's the hotness factor, but then what Yeah, it's girls.
Speaker 2 (24:52):
Playing women playing football, and.
Speaker 5 (24:55):
Most importantly, there's cheerleaders. Y Carthy is hosting.
Speaker 3 (25:01):
Dennis is the commissioner, The commissioner, commissioner.
Speaker 1 (25:06):
It's great.
Speaker 9 (25:07):
The other snap when they hike the ball, the girl
bends over and girl between the legs.
Speaker 1 (25:14):
Are there going to be any oopsies?
Speaker 2 (25:17):
Will there?
Speaker 6 (25:19):
Yes?
Speaker 3 (25:19):
There are ops who's the lady in charge? What's what's
your name? You need to sell this better. The guys
out there need to know that there's going to be oopsies.
Cares about the football, but.
Speaker 9 (25:31):
Also morning You ever see uh in pro football where
a guy maybe the shirt gets pulled and the shoulder
pad pops out.
Speaker 1 (25:40):
Think that?
Speaker 2 (25:41):
Think that?
Speaker 1 (25:42):
Will that happening happen? Right now?
Speaker 5 (25:45):
Are you penning a little note?
Speaker 7 (25:47):
Dear?
Speaker 2 (25:49):
Wait? You're making him apologize what's her name?
Speaker 7 (25:54):
He can admit when he has made a mistake currently.
Speaker 4 (26:01):
To him.
Speaker 7 (26:01):
Sorry, And I'm feeling a great deal of pride.
Speaker 4 (26:04):
Yeah, so sorry?
Speaker 1 (26:06):
Where did you get?
Speaker 9 (26:08):
I've seen him be such a big street cart, and
I've seen him just be a despicable human beings.
Speaker 7 (26:15):
Some people have those extremes. One extreme and now we're
singing another.
Speaker 11 (26:21):
I'm impressed by keep writing the sea word and pre
judging you, boy, you pre judge her.
Speaker 7 (26:32):
He's writing a book. Okay, it's okay, Oh my god.
Speaker 6 (26:35):
You know what?
Speaker 4 (26:36):
There you go, you know what to say?
Speaker 7 (26:41):
Other than Wow, I'm wild by you right now. Wow,
I just wrote, I just wrote, Danielle, I am sorry
so sorry for calling you the C word, and boy,
I was wrong.
Speaker 5 (26:54):
And then daniel she lit herself.
Speaker 7 (26:56):
Go go that's all.
Speaker 1 (27:04):
I'm sorry. We'll called her the word.
Speaker 2 (27:12):
Any more questions, wonderful, gotta go. All right, all right, ladies,
I'm sorry.
Speaker 1 (27:18):
Thank you for coming in.
Speaker 5 (27:21):
We appreciate having you. Thank you all.
Speaker 2 (27:24):
Right, my guys.
Speaker 3 (27:26):
Sorry we got off on the wrong foot there, Yeah,
the wrong wrong foot, but the foot was in bound, so.
Speaker 5 (27:34):
Bodog dot everybody visit as.
Speaker 1 (27:37):
Soon as you leave the studio.
Speaker 2 (27:39):
Thank you, ladies, And there they go, the girls to the.
Speaker 3 (27:46):
I want to get this out of the way right now,
whole I bow to portray you doing that.
Speaker 2 (27:50):
I absolutely bow to you, my friend.
Speaker 5 (27:54):
You're doing the slow clap.
Speaker 1 (27:58):
I bow to you.
Speaker 2 (28:00):
You saw something and you went for it.
Speaker 9 (28:03):
I haven't seen that vicious an attack that quickly. He
was like you ever you ever hear about the attacks
where someone's standing there and a pit bull who's all
happy and wagging its tail just lunges at someone's throat
that's in the room.
Speaker 5 (28:17):
That's what that reminded you.
Speaker 6 (28:18):
Can't see it, dude.
Speaker 4 (28:20):
It's like, I'm not like you can go to Kreskinvin,
but it's like I I just it's just things.
Speaker 1 (28:26):
You can feel that run through. Yeah, and it's just
like you you.
Speaker 4 (28:30):
Can't feel that comfortable being that just because she did
look good, but you can't feel comfortable coming here changing
the mood of because you know what, she was listening
to us for an hour be completely juvenile, and.
Speaker 1 (28:43):
She just could.
Speaker 5 (28:43):
She just was like, so you're saying yucky.
Speaker 9 (28:46):
You are either the nastiest or the most insightful person
I've ever seen.
Speaker 2 (28:51):
Just know you didn't see that. I am so with Patrisa.
Speaker 5 (28:55):
I didn't even see it.
Speaker 3 (28:56):
Soon as she walked in with a winter coat that
that was such a sign. It wasn't even funny, like
Patrice said, the other girl had kind of a coat on,
but it was still sexy and had something to do
with the lingerie action.
Speaker 5 (29:07):
I didn't that girl had.
Speaker 2 (29:08):
A winter coat like she was ready to go down
the slope.
Speaker 5 (29:11):
You know, you could be right, But I didn't even
and she almost.
Speaker 3 (29:14):
She pretty much had her like arms folded. She did
not want to be in that situation. And the and
the reason why we don't have a lot of women
on the show lately is because of women just like
her where they they're like they just want to go
through the motions. Absolutely. The rest of the girls were lovely.
I liked them. They played the role. They were having
(29:34):
fun by.
Speaker 4 (29:36):
I didn't say anything to It's like, you're just surprised
Anthony because he jumped on her so quickly, because I
usually noticed.
Speaker 2 (29:43):
Usually we will like kind of like, you know.
Speaker 9 (29:46):
We would have had to have talked to our and
then we would have been dude, we've been in that
situation and you talked.
Speaker 5 (29:51):
To him a little while and then you go, all right,
this chick just staying into it. But you were like.
Speaker 1 (29:57):
I saw some frigging brainway. I saw too. I saw too.
Speaker 3 (30:01):
And when I was thinking to myself, like here we
go again, and I'm gonna have to do a little
lot evil Opie, I swear to God, but I thought
it was gonna be ten or fifteen minutes in where
I finally would call her out or something.
Speaker 2 (30:11):
Evil.
Speaker 9 (30:11):
Opie is Jesus compared to the monster we saw.
Speaker 2 (30:16):
I understand that's what made it great.
Speaker 4 (30:18):
And look at man, I swear to you, it's just
you it's like the comfort zone to bring it down.
It's just you know that she needed that. It's a
little medicine. It didn't taste right.
Speaker 1 (30:30):
No, you know she'll feel better later because she won't
do that again.
Speaker 5 (30:34):
You know what.
Speaker 1 (30:35):
She left because she felt entitled. She didn't want to
be here.
Speaker 7 (30:38):
You felt it.
Speaker 5 (30:39):
You put the first wrinkle on her face.
Speaker 9 (30:42):
She's been a kid loved like, just looked at and
appreciated it, never had a bad thing said she like scowled,
and you put that first wrinkle.
Speaker 1 (30:50):
In her face.
Speaker 5 (30:51):
Srinkle on that twenty year old face.
Speaker 1 (30:55):
Oh Jesus, Rose, don't apologize.
Speaker 2 (30:59):
It's just starting to realize that our hotness isn't going
to get her through.
Speaker 5 (31:04):
It's life. It's life that you gave her a life lesson.
Speaker 1 (31:07):
That's right, thank you. Here's what women do and men do.
Speaker 4 (31:14):
If this was a company, we start out in the
mail room, you start out as a fucking get the coffee.
Speaker 1 (31:20):
We have to start out by.
Speaker 4 (31:22):
What have you accomplished thus far in your fucking life?
Speaker 1 (31:25):
So we have to come in and your company as.
Speaker 4 (31:28):
Get the coffee, but it has to be as a
CEO of of what we accomplish.
Speaker 1 (31:35):
Pull your pants down.
Speaker 6 (31:37):
Then I'll tell you what come of car.
Speaker 13 (31:40):
I drive after. Hold your fucking pass down. I wanna
fucking dance. Hold your fucking pass down. I want to
see it. Hold your fucking bans down.
Speaker 6 (31:53):
She's not all I want unless that's all you got.
Hold your fucking pass down.
Speaker 4 (31:57):
I don't want to take you out to the suspensive
US my fucking pass down trouve.
Speaker 6 (32:02):
I can pay for it. Pull your fucking pass down, boves.
Speaker 1 (32:05):
I got a nice car.
Speaker 6 (32:07):
You pull your fucking pass down. Move.
Speaker 4 (32:09):
I got an education and fucking passed down to see
your coach down and.
Speaker 6 (32:30):
Pull your fucking pass down.
Speaker 1 (32:32):
Don't force me to make you a better person.
Speaker 6 (32:34):
Hold your fucking pass down.
Speaker 1 (32:36):
Uncus your eyes.
Speaker 6 (32:37):
You're good for your Hold your fucking mass down. I
want to see it. Pull your fucking passed down down.
You know what I'm
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