April 8, 2025 • 72 mins
This live improvised musical was recorded February 2025 at the Peak Improv Theater in Colorado Springs, Colorado. Visit peakimprov.com to get your tickets and catch the next Tune Titans show LIVE!
Tune Titans are Julia Boese, Stephanie Fackler, Ethan Goldman, Meggan Hyde, Corrina Litt, Josh Neal and Johnny Wilson. Featuring Bobby Hyde as your live Musical Director. This is not a family-friendly musical, sorry!
Support local comedy by subscribing to this feed, and get a brand new live show recording from the Peak Improv Theater every two weeks. If you're based in Colorado, get involved by heading to peakimprov.com, where you can check out classes in improv, stand-up, sketch and musical improv! With opportunities for complete beginners, seasoned performers and everyone in between
Thank you for listening to this one-night-only performance by Tune Titans, the premier improvised musical ensemble here in Colorado Springs
Produced by Matt Watson
Music: Silly Intro by Alexander Nakarada (www.creatorchords.com)
Licensed under Creative Commons BY Attribution 4.0 License
https://creativecommons.org/licenses/by/4.0/
Tune Titans are Julia Boese, Stephanie Fackler, Ethan Goldman, Meggan Hyde, Corrina Litt, Josh Neal and Johnny Wilson. Featuring Bobby Hyde as your live Musical Director. This is not a family-friendly musical, sorry!
Support local comedy by subscribing to this feed, and get a brand new live show recording from the Peak Improv Theater every two weeks. If you're based in Colorado, get involved by heading to peakimprov.com, where you can check out classes in improv, stand-up, sketch and musical improv! With opportunities for complete beginners, seasoned performers and everyone in between
Thank you for listening to this one-night-only performance by Tune Titans, the premier improvised musical ensemble here in Colorado Springs
Produced by Matt Watson
Music: Silly Intro by Alexander Nakarada (www.creatorchords.com)
Licensed under Creative Commons BY Attribution 4.0 License
https://creativecommons.org/licenses/by/4.0/
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Hello, and welcome to the Peak improv Theater Podcast or
Pit pod. If you will, I know I will. I'm
producer Matt and today I'm thrilled to be joined by
an improviser, an actor, a singer, an educator, and one
of the most supportive and encouraging people I've ever met.
Speaker 2 (00:25):
It's Meghan Hyde.
Speaker 3 (00:26):
Oh, thank you. That's so sweet.
Speaker 1 (00:28):
Hello Meghan, thank you for being here today. Thank you
for having me absolutely absolutely so. As listeners will know
because they just hit play, we're about to hear a
brand new improvised musical from the Tune Titans, but listeners
may not know that, Meghan, you are the founder of
Tune Titans.
Speaker 2 (00:46):
Yeah.
Speaker 1 (00:47):
So, Meghan, I'm a huge Tune Titans fan and I've
been dying to ask you this. How did the Tune
Titans start?
Speaker 4 (00:54):
Well, the Tune Titans evolved out of our very first
improvised musical class from the Pit.
Speaker 5 (01:04):
Yeah.
Speaker 4 (01:04):
So we had some major power players in that class,
like Steph Julia Ethan took the class. Yeah, and he
came in I think being able to sing like maybe
three notes, and he was so dedicated to like mastering
(01:26):
that form, and he was already a brilliant improviser. So
it was, you know, he's paying more attention to, like,
how do I get to be a better singer? And
he really dedicated himself to listening to music, singing along
with it, learning the different like ways to rhyme songs,
to do slant rhymes in the most believable way possible.
So yeah, he learned different like types of sounds. So
(01:50):
if you study phonetics, you'll learn about closives and you know,
things like that. And I'm not going to get into it.
Speaker 6 (01:55):
But.
Speaker 4 (01:58):
Okay, Yeah, and he learned, like you, these sounds work
well in a slant run. And he came in top
everyone else that and oh wow, and really expanded his
range and got to where he could like sing consistently
on key and yeah, he worked hard at the singing
part and then and everybody has grown vocally since starting and.
Speaker 1 (02:20):
Oh totally, yeah. I think you can hear that across
the as the months go on. Definitely, definitely, each show
feels like it gets stronger and stronger, bigger and bigger,
better and better.
Speaker 4 (02:31):
I'm glad you feel that way too, because I definitely
feel that way.
Speaker 7 (02:34):
Yeah.
Speaker 2 (02:34):
Oh that's good, that's good. But you feel that as well.
Speaker 1 (02:36):
So how did you first get into musical improv as
a fan or as a performer as well.
Speaker 4 (02:44):
I feel like it happened pretty simultaneously. So I came.
I came up at a theater in northern California called
Blacktop Comedy. It was a victim of COVID unfortunately, so
it no longer by that name. But yeah, that's where
I started learning improv. My background is in theater. I
(03:06):
studied theater at the university I went to in southern California,
and we were not allowed to improvise there.
Speaker 2 (03:12):
Oh really really yeah.
Speaker 4 (03:13):
Our director hated improv Oh okay, Yeah, he thought it
was like the most horrible thing. He had no respect
for it, and so we were forbidden from improvising. Ever,
I was always fascinated with it though, Like a comedy
sports team came to our school and did a show
and I just.
Speaker 2 (03:34):
Blew my mind.
Speaker 4 (03:35):
I was like, how'd they do that? And I never
thought I could do it. But then a friend of
mine found Blacktop Comedy on a meetup and told me,
She's like, we're going, We're going, and I so I
was like, all right, We're going. And I showed up
and she stood me up and I was there by myself,
and I was like, I'm just gonna sit in the
back and I'm going to watch and I'm not going
(03:56):
to do anything. And then I was watching and I
was like, Oh, I can do this. And I got
up there and I never looked back. Oh that's beautiful,
and so I jumped in. I mean I dove in
head first, and I was and they had so many
opportunities there. And the guy who owned it, Paul Broke,
still a very dear friend of mine, was very well
connected with the improv community. So he had brought in
(04:16):
coaches from all over the country and really good coaches,
and so I was fortunate enough to take classes from
some really really good teachers in addition to Paul, who
is very very well educated in improv. And then once
I learned about musical improv, I was like, what, this.
Speaker 2 (04:36):
Is the thing like combining two of your passions.
Speaker 8 (04:39):
Yes, one, I grew.
Speaker 4 (04:40):
Up in a musical. Matt like, yes, I grew up
in a musical. My family was one of those families
that you know, you know how people say they don't
like musicals because in real life, people don't spontaneously first
into song.
Speaker 2 (04:51):
Sure.
Speaker 4 (04:51):
Yeah, my family did that.
Speaker 3 (04:52):
All the time.
Speaker 2 (04:53):
It wasn't musical, it was yeah.
Speaker 4 (04:54):
We were just all spontaneously version of song, harmonized with
each other. It was just that was the I grew
up and like, oh, people do this, like for reals. Yeah,
And my friend Jay Miller and I decided after being
introduced to off book the Improvised Musical Podcast course amazing,
fantastic Dak and Jesser, a couple of my heroes, we
decided we want to try this out. So we started
(05:16):
off with short form I'm kind of like I do
all my classes, and then we evolved into a long
form musical from there and yeah.
Speaker 2 (05:25):
Yeah, and now everything and now it's Steine Titans.
Speaker 8 (05:28):
Yeah.
Speaker 1 (05:28):
That's that's incredible. Thank you so much for sharing that.
You mentioned the classes as well. You teach the among
other improv classes, you also teach the musical improv class.
Speaker 9 (05:38):
Yes.
Speaker 2 (05:38):
How long have you been teaching improv?
Speaker 4 (05:40):
I want to say about nine years, coming up on
nine years.
Speaker 2 (05:45):
Incredible. You're a fantastic teacher, Meg.
Speaker 10 (05:48):
Thank you.
Speaker 1 (05:48):
You're so suppulsive, so encouraging. You know so much about improv.
It's amazing. I feel like I learned something you every
time I'm around you, I do too. So I mean,
if anyone listening wants to get involved and get started
with something like improv one or one or maybe you
know they've got a bit of musical background they'd like
to get involved with musical improv. Where can listeners head
(06:10):
to check out classes?
Speaker 4 (06:12):
Peak improv dot Com.
Speaker 1 (06:14):
The website the one stop shop for everything. It's so
handy that they have those now. Yeah, I think there's
a new round of musical improv classes starting in May.
Speaker 2 (06:24):
Yes, yes, that makes sense.
Speaker 4 (06:25):
May Night. I believe Wednesday Nights.
Speaker 1 (06:28):
Perfect on Wednesday Nights. And I think there's a new
Tune Titans show live on April eighteenth. If you're listening
to this roughly as it comes out, so Colorado listeners,
they can obviously head to Peak improv dot Com for tickets. Yeah,
it's fifteen bucks for a fully improvised musical. You get
to support local comedy and be part of what I
(06:49):
think is a pretty exciting live atmosphere.
Speaker 2 (06:51):
Like the crowd's pretty loud.
Speaker 4 (06:53):
Yep, the crowd is loud and the team is phenomenal. Yes,
some of the best improvisers in Colorado know on this team,
and I feel so fortunate to get to work with them.
And we've got a great musical director. That's our piano player, Bobby. Bobby,
he keeps learning and growing as well. So I had
(07:13):
to talk him into it. There was you know, I
believed from the beginning that he could do it. He
wanted to be able to prepare himself because he likes
to be overly prepared for everything. And so yeah, he's
been working at it, working on it. He continues to
and gets better and learning new chord progressions all the time.
Speaker 1 (07:30):
And oh yeah, you can you can see that. And
this whole thing literally wouldn't work without Bobby. Oh no,
not at all.
Speaker 4 (07:37):
Canned music and an improvised musical is not nearly as
free as having a live musician.
Speaker 1 (07:43):
Absolutely, yeah, adds so much to the show. Yeah, yeah,
thank you, Bobby, Thank you Bobby. I'd love to chat
to Bobby at some point in the one in one
of these intros. That'd be fantastic.
Speaker 4 (07:54):
Oh yeah, we'll see if we get him in here.
Speaker 2 (07:56):
Yeah, that'd be pretty cool.
Speaker 1 (07:58):
But for now, it's it's time to enjoy a the
musical from from Tune Titans. This this one was Tune
Titans were down to a cast of four for this one,
which I thought created a very exciting and dynamic and
a little bit of an intense atmosphere of everyone realizing, okay,
I've got to remember maybe an extra character or two here.
It made for some very fun improv. This musical is
(08:20):
called It's Cryptid Time it gets wild, It gets so wild.
Enjoy the show.
Speaker 11 (08:29):
Musicals are often about the thing that you care deeply about. Right,
you can't just talk about it, you have to sing
about it. So what is something that you care really
strongly about? Could be, you know, like an heirloom. It
could be like a piece of media. It could be
some buffood that you're really close to you what'n't mean
you're just like propassionate about my cat?
Speaker 12 (08:47):
My cat, nice nice anything else? Blackness monsters that speak
to you guys, Oh my god, I can slockness monsters.
Speaker 11 (09:01):
I think somebody just said, mashed potatoes.
Speaker 8 (09:05):
We're not judging your passions.
Speaker 3 (09:07):
I mean, I'm tired.
Speaker 8 (09:10):
Didn't get on the food stuff again.
Speaker 13 (09:12):
I feel like I felt more like an adult when
I was able to enjoy mashed potatoes that had like
the skin.
Speaker 3 (09:20):
On it, like you've grown up?
Speaker 13 (09:21):
Yeah, because before it was just like that, like paste,
and I was like, give me that. But then I
felt like a total adult when I could enjoy the
potato and like it's raw.
Speaker 8 (09:31):
Is it wrong?
Speaker 11 (09:32):
Is it wrong as an adult to make a volcano
out of the mashed potatoes and put the gravy in
the top and let it.
Speaker 8 (09:40):
Everyone's just yelling no.
Speaker 14 (09:43):
That you asked.
Speaker 8 (09:45):
Why would you put that into questions?
Speaker 15 (09:49):
I think something about me becoming an adult the mashed potatoes.
Speaker 8 (09:57):
I feel like I.
Speaker 15 (09:58):
Believe more encrypted now than I did when I was
a child that smiles bigot kind of things. I feel
like when I was a kid, I was like, that's
not real, but now isn't really exactly.
Speaker 13 (10:13):
I was like aliens couldn't be but couldn't convince me
they were real.
Speaker 14 (10:17):
And now I'm like, well, hey wait, now.
Speaker 8 (10:21):
There's lots of weird video evidence.
Speaker 16 (10:24):
I thought it was like scary, It was scary to
believe that those things were real.
Speaker 14 (10:29):
But I was an adult, it's like exciting.
Speaker 8 (10:32):
Yeah, to handle it.
Speaker 17 (10:54):
When my child I used to be with mystic.
Speaker 18 (11:00):
Look, I'd put on the stickers on my.
Speaker 19 (11:04):
Little drawing reading notes because it's so wrong the blade.
Speaker 3 (11:10):
I'm older, I want to keep it up.
Speaker 20 (11:16):
I don't want to have to give it all up
because I'm a crooner.
Speaker 21 (11:23):
Leaning up is scary, leaning a b scary.
Speaker 12 (11:31):
And then I came with my mashed potatoes, scary.
Speaker 22 (11:37):
Skinned cagy date.
Speaker 3 (11:49):
I thought they would enoughing. But now that.
Speaker 11 (11:53):
I'm old and pretty sure, there's a man that looks
down there?
Speaker 3 (12:00):
What does he want? Does he need a.
Speaker 8 (12:04):
Place to stay?
Speaker 3 (12:07):
He's the man doing better than me, A my old kid.
Speaker 23 (12:14):
When I was a little child, I went out in
the woods to play with the steak.
Speaker 8 (12:21):
Now and I do that all the kids in the
neighborhood thing.
Speaker 24 (12:27):
I'm a dig staying around, chilling all the imaginary bad guys.
Speaker 8 (12:38):
He's the best.
Speaker 24 (12:41):
Killing bad guys by growing out.
Speaker 3 (12:45):
Say growing out, say.
Speaker 24 (12:50):
Because now there's real bad guys who are hairy.
Speaker 3 (12:54):
Growing now the say a kid, you couldn't get me
to drink any water.
Speaker 6 (13:06):
I drink only soda foven if it said the car
gone hotter, Wow that I'm grown.
Speaker 3 (13:15):
Up, but I still just feel try inside.
Speaker 25 (13:19):
But I sit here and I mixed cold with the spry.
Speaker 8 (13:28):
Crying.
Speaker 3 (13:29):
Say growing up.
Speaker 26 (13:33):
Say.
Speaker 3 (13:36):
The cable guy's name is Larry rot.
Speaker 8 (13:57):
Hey, Larry, that's me.
Speaker 27 (14:05):
I'm your father, and look, you've turned out to be
kind of a piece of ship.
Speaker 8 (14:11):
What you're saying, I'm just saying.
Speaker 12 (14:14):
You know, you're a grown man now, Larry, and I
think it's time you moved out of my house and.
Speaker 8 (14:19):
You got just are you itchy?
Speaker 7 (14:21):
What the wood Dolly pops got you?
Speaker 5 (14:25):
What is home?
Speaker 3 (14:26):
Cream?
Speaker 12 (14:30):
I know it used to be simple when you were
a kid and you were jube and fun and weren't
afraid of everything, But.
Speaker 3 (14:37):
Now I'm still adorable and terrified of the world.
Speaker 12 (14:41):
I just want you to find your own way. Okay, Larry,
you're just itchy and headache and sad, but I'm still
your dad. Yeah, so I'll support you on this indeavor
of leaving my house to find your way.
Speaker 3 (15:03):
Be a man.
Speaker 12 (15:05):
Be okay, stop sleeping underneath the bed.
Speaker 5 (15:12):
I'm not a leg.
Speaker 3 (15:12):
Get down there. I don't care much for what you've become.
Speaker 8 (15:18):
Isn't life?
Speaker 28 (15:19):
What have I done?
Speaker 3 (15:21):
Am I by a shady? I'm so witch so whitchy
is tinging me feeling a little little twin?
Speaker 29 (15:40):
So see when I sleep cerneath the.
Speaker 6 (15:52):
Bed, underneath you wear my mom.
Speaker 30 (15:56):
I said, cozy down there. I think it's totally the
ball and I ma, it's a fusee little fresh they
crawl all over my skin. Lastly, I'm very suck mom.
Josephin right in so witch, I'm so.
Speaker 3 (16:23):
You're a little bitching.
Speaker 12 (16:31):
To clarify, you're sleeping underneath many and you are getting
bed down there right beneath my head. Yes, I think
I'm right. It's your time to fucking go. I'm sorry, Larry, but.
Speaker 3 (16:55):
Yes, all your stuff you can, but I'm.
Speaker 22 (17:02):
So much.
Speaker 29 (17:10):
Take something more right out.
Speaker 3 (17:12):
And think goodbye to the bed books for people.
Speaker 14 (17:36):
I don't think they're scared enough the adults.
Speaker 13 (17:44):
You know, we've told people, hey, your eyebrows, you gotta
do stuff to them.
Speaker 14 (17:50):
Can't go out without your eyebrows looking good? Would you
got things.
Speaker 13 (17:54):
To get people to stay inside so that they can
buy more things?
Speaker 8 (18:01):
Right, we're an evil corporation.
Speaker 3 (18:03):
Oh of course. Just call me Big Papa Cork.
Speaker 8 (18:16):
I know that, Big Popacorn.
Speaker 23 (18:19):
I'm your right hand guy, Little baby Corn, Little Baby
Corn and Big popa Cord.
Speaker 6 (18:26):
Together we make.
Speaker 14 (18:28):
The nastiest business in the world.
Speaker 20 (18:33):
Together, we are gonna take capitalism ingo.
Speaker 3 (18:40):
We gotta get people scared. My goods.
Speaker 13 (18:47):
People, they don't need to think about what they want what.
Speaker 31 (18:52):
They show, Big popacorn, little baby cor.
Speaker 3 (18:57):
Big Papa cl baby car.
Speaker 24 (19:01):
We are scary and wing not dogs, little baby car.
Speaker 3 (19:07):
We're not boot.
Speaker 32 (19:10):
Get a baby cook, be a baby coop, be a baby,
a baby.
Speaker 24 (19:21):
I'm the work Luca who helps you with your scared
you are. Oh, think you got a meeting with the
Pope tomorrow.
Speaker 8 (19:32):
Don't forget you're meeting with the Pope.
Speaker 24 (19:36):
It's really important because the Pope can really scary people.
Speaker 20 (19:41):
Sometimes get that big scary car with that big scary hat.
Speaker 3 (19:47):
Scary guy.
Speaker 24 (19:49):
We like make scary things. I'm a little scary guy.
Scary things and your big scary wings.
Speaker 8 (20:02):
Miss tag, hair fat and hair fat.
Speaker 20 (20:08):
Okay, so I'm thinking, what's gonna keep adults clamor into
their blankys?
Speaker 8 (20:17):
Yeah, stand inside with their parents a lot, Miss monster.
Speaker 3 (20:23):
Maybe the cryptid.
Speaker 31 (20:25):
Angle, the cryptid angle, We'll unleash all the cryptids into
the streets.
Speaker 8 (20:32):
Loose the sup of copper caboose. That sounds like a
song we should sing later.
Speaker 33 (20:44):
I'm a good ideas guy, but you keep me on
track with my schedule.
Speaker 15 (20:49):
Yeah, all right, the Pope says he wants a new hat.
Speaker 8 (20:55):
Well, I got the hat for him.
Speaker 14 (20:58):
They are pure cryptids skinned.
Speaker 8 (21:01):
Let's go.
Speaker 7 (21:02):
Okay, it seems okay out here so far.
Speaker 8 (21:16):
Yeah, nothing scary.
Speaker 14 (21:17):
It's happened yet.
Speaker 8 (21:19):
Speed dating is not that, it's not too scary.
Speaker 34 (21:22):
Yeah, so when did your parents kick you out?
Speaker 23 (21:25):
Oh?
Speaker 8 (21:25):
I left the house on my own accord? Oh what's
your what's your name? Oh? You have a name tag? Right, Larry?
Speaker 35 (21:34):
Yep from Larry?
Speaker 8 (21:38):
Is this your first time speed dating?
Speaker 3 (21:40):
Yeah, it's not that scary. I'm not scared of you.
Speaker 8 (21:49):
Yeah, I'm I'm a nice I'm a nice person.
Speaker 36 (21:51):
Generally, everything I own is backpack phone stuff.
Speaker 3 (22:05):
My dad shoved it at my chest, and so I
left it. And I found.
Speaker 36 (22:14):
Myself here drinking wines and beers and talking to poutiful women.
Speaker 6 (22:28):
And I don't want to say I said I wasn't
a bread But I'm just.
Speaker 3 (22:40):
A little kid, a very chy cleave.
Speaker 37 (22:49):
Oh yeah, so I do eat soup, do fem love?
At first time when I saw him?
Speaker 38 (23:03):
Why, when it was right, he's my everything, my shop.
Ign I take a risk? Might What should I say?
Speaker 3 (23:26):
What do I say?
Speaker 39 (23:30):
Would you come and play with my body?
Speaker 8 (23:39):
I shouldn't say that the first say?
Speaker 3 (23:46):
What should I say?
Speaker 40 (23:49):
What the.
Speaker 3 (23:53):
I think I want to tell you out of my skin.
I loves taking it a bite.
Speaker 41 (24:01):
And I'm want to know if you would playing with
my body tonight?
Speaker 30 (24:09):
What's you and out's go c mis taking a bite?
Speaker 42 (24:17):
One ask you you play with my body to night?
Pay with my buddy's mad.
Speaker 3 (24:29):
Budy tonight, fa with mad money to night. What's your
favorite my mode? It's a bid. If we.
Speaker 43 (24:42):
Here, they'll pick us South day mine by you scratch
my body space drama body, just catch my body's.
Speaker 10 (24:55):
Yeah, do your stupids over. Let's get get at here.
Thank you, thank you, Hey, cryptis, what's Chrystian?
Speaker 44 (25:25):
Look, I just wanted to get everybody together speak luckiness, monsters.
Speaker 8 (25:32):
Hey, you can call me mister locks not we were
beyond that whatever. Well, look you guys.
Speaker 44 (25:41):
I just want to make everyone aware there's a plot
by an evil corporation and that evil corporation's baby.
Speaker 12 (25:48):
I think.
Speaker 8 (25:51):
To use our scheme and scare people. It's a vague concept.
Speaker 45 (25:55):
I've become aware of very interesting, very interesting people have
been trying to get my wings for.
Speaker 8 (26:02):
A while being the moth Man, and people just want
want a load of this.
Speaker 14 (26:08):
Don't truck up a caboose on this chup of cover.
Speaker 5 (26:15):
Oh nice.
Speaker 46 (26:19):
Jersey people want to see my shiny hooves. I'm the
Jersey devil.
Speaker 22 (26:29):
Is that what?
Speaker 8 (26:33):
Yeah? Great? Ooh it's such an authentic Jersey accent. Yeah,
I'm a really nice guy. I'm not actually from Jersey.
Speaker 22 (26:43):
Whoa.
Speaker 8 (26:43):
Maybe there's more to sp than people think.
Speaker 3 (26:46):
Yeah, but I think that you recover.
Speaker 14 (26:49):
All I can think about is that juicy tush.
Speaker 23 (26:54):
Got you that juicy KOBOOSI yeah, they I'm a devil,
but I'm just a guy named Fred.
Speaker 39 (27:06):
I'm not from Jersey now when I came from Hell. Instead,
I came from hell and stay cryptis a nice CREPTI nice.
Speaker 8 (27:25):
We're not saying or advice.
Speaker 3 (27:28):
Crypts and nice. Everyone thinks that I'm not real.
Speaker 12 (27:35):
I think that I'm a fake, but I really live
there in that big gass Scottishly. I born around since
the Palio Caro, and now I'm here.
Speaker 3 (27:54):
Because I never knew my pair nice cripps anice. We
don't come. Most Criptis are nice.
Speaker 47 (28:12):
People.
Speaker 3 (28:12):
Just sn naked coyote.
Speaker 41 (28:14):
When they were smoking that cold ship, they saw me
with beer juicy and he said, hey, that's aware of
what type fing roll.
Speaker 25 (28:29):
The last, and I said no, it's just being a
coyote with a delicious.
Speaker 3 (28:36):
Care crazy nice crazy n that says nice streets worse craz.
Speaker 26 (28:51):
Everyone knows a man of sets up people.
Speaker 3 (28:57):
But what they don't know the read deal.
Speaker 8 (29:00):
When you come to your crown collect.
Speaker 3 (29:06):
My please cride one dragon a dragging? You know everyone?
Speaker 5 (29:15):
Just what's my.
Speaker 6 (29:20):
Crazy battery? I send your DA's about six?
Speaker 26 (29:51):
Hey, uh.
Speaker 15 (29:55):
Yeah, So will the cryptids go on the streets and
scare right back into his.
Speaker 8 (30:01):
House with his dad and mom and under their bed?
Is that gonna happen?
Speaker 48 (30:05):
Or will Larry and the lady he met at the
speed dating get on well and feel each other's bodies
at night?
Speaker 8 (30:13):
We don't know, You don't know. Come back for the
second act of It's cryptid time right after our short intermission.
Speaker 5 (30:22):
Thank you.
Speaker 3 (30:50):
Spot. Maybe it'll be fine times. It's cryptic.
Speaker 8 (31:03):
He's a true love, Sit me Si.
Speaker 31 (31:10):
Maybe it's Big Food or the Jersey Devil, but it's
zy job.
Speaker 26 (31:19):
Come maybe cool.
Speaker 5 (31:48):
Play with my bad, play with my body even, don't
be sting.
Speaker 18 (31:57):
It is not friends right right, Maybe we will turnout.
Maybe it's creams.
Speaker 8 (32:30):
Dad, Bigfoot, give him it's your daughter, little Foot. Listen, Dad,
I think I've fallen in love for a human. Come on,
(32:52):
I don't even go to the scripting meetings anymore.
Speaker 12 (32:55):
Trying to stay on the downloads could bring us all
kinds of expolers.
Speaker 8 (33:00):
Sure dangers, but I've in love.
Speaker 22 (33:02):
Dad.
Speaker 12 (33:04):
You're sure it's not just pure physical animal attraction. We
are very horny, horny species. But if you say it's love.
Speaker 8 (33:20):
I believe you. Dad. Don't be mad. Please let me
let me go, Let me get out of the cave
and fall.
Speaker 3 (33:31):
Nah, we met it speed dating. I have so many
follow up questions.
Speaker 8 (33:38):
But I had to shave my whole body. Yeah that
was the main one.
Speaker 10 (33:44):
Yeah, we cleared that up.
Speaker 8 (33:49):
But what if little food, I'm not ready for you
to go?
Speaker 3 (33:52):
What if I'm not ready for my little that little
foot to leave?
Speaker 12 (33:59):
Just having some daughter, they grow up so fast. I'm
out here, living in the past, out here in a cave.
Speaker 3 (34:19):
What can I do? Can I say, my daughter from
a life living amongst the people?
Speaker 49 (34:33):
You always be my first scary hairy. I'm with a
man named Larry. You'll always be my first scary Harry.
Speaker 8 (34:54):
When you running back, I love with a man Ry.
I'm sorry, Dan, I'll never forget you.
Speaker 3 (35:09):
You go and you pick them back.
Speaker 8 (35:12):
It's the law of the big foots.
Speaker 3 (35:15):
Oh ship, did you put that?
Speaker 8 (35:20):
I forgot about that?
Speaker 3 (35:23):
You didn't gonna go?
Speaker 8 (35:26):
Then just dance with me one last time.
Speaker 3 (35:29):
I'll take your.
Speaker 8 (35:30):
Little feet and stand on.
Speaker 3 (35:31):
My big feet.
Speaker 49 (35:41):
You're always be my first scary hairy.
Speaker 3 (35:53):
Yo, always.
Speaker 50 (35:56):
Sary.
Speaker 3 (35:59):
I love man.
Speaker 26 (36:04):
Lerry.
Speaker 8 (36:07):
Goodbye, Dad, good bye, good luck scaring hikers.
Speaker 34 (36:20):
A little foot, you start with me. I've been in
here for hours and where.
Speaker 8 (36:33):
It's all right? Yeah, sorry, I had to deal with the.
Speaker 35 (36:39):
Saying I didn't I didn't check out on time because
I've been kind of scared to leave the room without
somebody else.
Speaker 3 (36:56):
There's been in my backpacker.
Speaker 16 (36:59):
Come back.
Speaker 8 (37:03):
I'll always come back, Larry, I don't have a choice.
Speaker 37 (37:06):
Now.
Speaker 38 (37:08):
You don't quite get that, but it's a big Teal's alert.
Speaker 3 (37:14):
Cryptids are real, and they're amongst you.
Speaker 8 (37:17):
Be warned, be afraid.
Speaker 3 (37:20):
Bye from Big Papa color. Oh my god, Oh my god.
I can't go outside. No, no, my dad was right.
I'm just a little old.
Speaker 8 (37:34):
Deserve no, Larry, listen.
Speaker 31 (37:37):
Cryptids are nice. I heard a song about it once.
They're not as scary as people think really, Yeah, what if.
Speaker 3 (37:49):
What a fun man a super carra.
Speaker 8 (37:55):
And it's fished me?
Speaker 3 (37:57):
If it's giant, I don't know.
Speaker 51 (38:02):
What if I'd be the luckiness monster, even though we're
not in Scotland.
Speaker 50 (38:19):
If he found out, what if he found out I'm
not avoid he still with face, still.
Speaker 8 (38:37):
Something that rises gripped in.
Speaker 26 (38:41):
If he found out I was gripping?
Speaker 52 (38:44):
Really and what about that the mock man with all
his sex opins so happy made his ex sex to me?
Speaker 22 (39:00):
You just said.
Speaker 3 (39:03):
The jack a moment scared, mais.
Speaker 29 (39:08):
I'm so scared to go out a cons I don't
have money, get pounded by your printed.
Speaker 3 (39:21):
I don't money, get pounded by God sells and libits,
don't want again by.
Speaker 26 (39:45):
I have to sell him the truth.
Speaker 53 (39:51):
I'm not a nice female. I'm the daughter the Crypt
and my friend Larry.
Speaker 8 (40:05):
It's the Crypt. He's got big feet and he's carry Are.
Speaker 25 (40:10):
You saying last night I got pounded by, I got
founded by.
Speaker 3 (40:24):
It's beautiful, It's not. It's simmy.
Speaker 8 (40:30):
As man.
Speaker 3 (40:32):
In my gripted.
Speaker 8 (40:54):
The pope is are ready for masters?
Speaker 9 (41:00):
Oh speak Denby Corp exactly, Oh baby corp, motherfucker?
Speaker 8 (41:08):
Is it really necessary for these meetings.
Speaker 54 (41:11):
Yeah, bitch, sorry, little baby Corp gets really heated when
it comes to religion.
Speaker 8 (41:20):
That's right, you pomp iss ass.
Speaker 5 (41:23):
What of the come do you want me to kill
this guy big any Corp.
Speaker 8 (41:30):
I'll let you know I don't give up.
Speaker 3 (41:36):
Take your head off the pop little bait before.
Speaker 8 (41:41):
Baby, just take a time out. All right, you guys
got a meeting I schedule. I'm watching you, motherfucker.
Speaker 12 (41:53):
You come in here, tom My Vatican a new threatning
me with your weird baby corporations.
Speaker 3 (42:01):
I thought you want me do.
Speaker 8 (42:03):
Some deal with the cryptids.
Speaker 22 (42:05):
What can I say?
Speaker 54 (42:06):
I'm a big bad Papa corn and I don't give
no fucks. That's what I'm trying to get across to.
Speaker 8 (42:17):
You with my little baby cook.
Speaker 3 (42:21):
We gave no tho noting. I'll drive around me in
my special pop trog. I give no fo looking for
(42:43):
you're shit out of luck because I've rabbit of all
my floor.
Speaker 22 (42:51):
You seem.
Speaker 40 (42:54):
Capricious, man, I come and hear without a plan, I'm.
Speaker 3 (43:05):
Going on fabes whatever I want, and right now I
think I could use up bomshments to me. I see
you've made a blockade out of about it. My good
(43:33):
far fa zero.
Speaker 54 (43:49):
So you see what kind of men are dealing with now,
Uncle precious one, Yes, do this.
Speaker 55 (43:55):
I do what I want, And what I want is
for you to tell everyone that the cryptids are here
and they're after human blood.
Speaker 8 (44:09):
But that within sight some kind of a panic of people,
a freak out.
Speaker 3 (44:14):
Why, yes, I want that, That's what I want, freak
a freak out. I'm the pole, I have no hope.
I'll cow count your whims just to cold.
Speaker 8 (44:39):
You scared me senseless.
Speaker 3 (44:43):
And my giant hats.
Speaker 5 (44:47):
You want the.
Speaker 3 (44:48):
Cryptive announcement, I'll give.
Speaker 5 (44:52):
You that, no, and.
Speaker 34 (45:10):
You will do.
Speaker 8 (45:12):
And be convincing.
Speaker 3 (45:14):
None of that Italian crab speaking English. I feel like
it's way too far.
Speaker 54 (45:25):
I written to be from Florida, exactly the scariest about place.
Speaker 3 (45:35):
You got it.
Speaker 8 (45:40):
It's your later elegant.
Speaker 48 (45:44):
Hello, we are here with CN News and the Pope
has an announcement.
Speaker 44 (45:51):
Hey all on the poet, y'all know whatever's were looking
around in your backyard?
Speaker 8 (46:01):
It's reel.
Speaker 22 (46:02):
I seen it.
Speaker 8 (46:03):
It's real.
Speaker 3 (46:04):
It's not a gator, it's brollly a gator man could
be a too.
Speaker 12 (46:09):
A cobra with the beagle doone foot truck could be
even mock man, I don't give up. Could be you,
but Gabra, could be your Goybra, be a candle Marber
(46:30):
beat you, but Gobra.
Speaker 48 (46:32):
And that's off for the Pope. Incredibly convincing farna accent.
Anything else you'd like to say, Pope, No, I feel
like that we've been well recovered.
Speaker 3 (46:55):
Mom.
Speaker 14 (46:56):
It's been so worried about you. Did you hear him
the news?
Speaker 3 (46:59):
I thought I just saw the Pope make his announcement.
Speaker 8 (47:07):
Exactly.
Speaker 33 (47:09):
I've never been more sure about your decision to stay
here under our bed.
Speaker 14 (47:15):
Well, come, mom, I got something to tell you.
Speaker 46 (47:18):
What is it?
Speaker 56 (47:19):
Larry, I'm all in analove with the enemy of the church, color,
a little food, and just.
Speaker 3 (47:38):
All kind of like Lurch and I love so much.
I want to bring her to you.
Speaker 16 (47:48):
And Dad, and maybe you'll accept us and we'll be
a family.
Speaker 3 (47:54):
A bourth of two or three?
Speaker 9 (47:58):
Okay, okay, my son's sitter, my son's a sinner, certainly
in a kind of winner Mathpisode is a sinner.
Speaker 20 (48:17):
You think you can let something like that get through
my front door, Well, let me tell you you're gonna
get hell even more.
Speaker 3 (48:31):
My son's sitter, my son center.
Speaker 25 (48:39):
Only I could convince her as a sinner.
Speaker 57 (48:46):
Oh my, gotta tell you something about a little but
please just understand she makes me feel so fucking good.
Speaker 5 (49:00):
Man.
Speaker 25 (49:01):
When she holds me with her shade of prickly hairs, it's.
Speaker 26 (49:07):
Like the man must never bit me.
Speaker 3 (49:10):
That's my an nowhere in my centers, and.
Speaker 6 (49:21):
I don't want to be left down in the cold
the suns.
Speaker 22 (49:26):
I didn't.
Speaker 58 (49:31):
Overheard everything, Larry, George, talk some sense into him.
Speaker 3 (49:38):
You, Larry, when you left home, all you cared about was.
Speaker 8 (49:41):
Being cheating huge.
Speaker 3 (49:44):
I still care about that.
Speaker 8 (49:46):
But you found someone who presumably the way the hair grows.
He's awesome, weird, and she makes it's just go away lazy. Okay,
you recognize.
Speaker 49 (50:02):
Clarry.
Speaker 8 (50:02):
If you're happy an Larry conservative Florida mother and myself.
Speaker 3 (50:08):
Can fly away.
Speaker 8 (50:11):
To be happy for you. That Pope, I don't know.
I'd be like, this isn't a tacit a big corporations.
Speaker 3 (50:26):
Hey, I'm bag, I can't believe what I'm hearing.
Speaker 8 (50:33):
Peven's all of you.
Speaker 59 (50:46):
Listen, Hi.
Speaker 3 (50:51):
Believe the Pope.
Speaker 5 (50:52):
But I know.
Speaker 33 (50:57):
Being a good mother means doing what's best for you
when quite frankly, you've never stop scratching for this long.
I'm proud.
Speaker 55 (51:14):
As long as you don't talk about playing with each
other's bodies, I can't handle that.
Speaker 16 (51:21):
We can do that.
Speaker 8 (51:23):
I'll go tell her.
Speaker 27 (51:32):
Remember when we were young and we played with each
other's bodies, George, just even though they might be sinnous,
(52:01):
we should have them over for dinner.
Speaker 3 (52:04):
I know you're right, George.
Speaker 8 (52:08):
Do you want to fuck?
Speaker 6 (52:13):
Good time?
Speaker 8 (52:22):
Oh my love? Oh yeah, Larry, Okay.
Speaker 34 (52:26):
I'm just getting scratched.
Speaker 8 (52:27):
Okay, yeah, it's so good to see you, so good
to see you.
Speaker 26 (52:37):
So hot.
Speaker 14 (52:41):
I'm kind of trying to get this sound effects to
a murder.
Speaker 8 (52:44):
That's a good idea.
Speaker 40 (52:47):
What what what?
Speaker 5 (52:47):
What I owe that?
Speaker 16 (52:49):
Honor?
Speaker 3 (52:49):
I went home? Did you see you, boner?
Speaker 16 (52:53):
No?
Speaker 8 (52:54):
No, I've just been living here in this alley.
Speaker 22 (52:56):
Okay.
Speaker 8 (52:56):
You know about Catholicism, Canalism. Okay, we worship trees instead.
Speaker 3 (53:03):
That sounds awesome.
Speaker 8 (53:04):
It is pretty anesome.
Speaker 51 (53:05):
Oh well, it's like, okay, if the biggest tree in
your forest made a decree, okay.
Speaker 6 (53:18):
That all the painlere evil and you were sitt a
review were with me.
Speaker 60 (53:25):
That's what happensed on my But I still want to
really be your boyfriend.
Speaker 26 (53:38):
And I talked on my pain.
Speaker 3 (53:42):
Have a freaked out and I talked to talk to
him Mary, Oh, my dad, that's better about it.
Speaker 8 (53:55):
That's great.
Speaker 3 (53:56):
They want to meet me?
Speaker 8 (53:58):
Yeah, awesome. You're the only human.
Speaker 3 (54:04):
That I've ever met.
Speaker 31 (54:09):
You're the only human that I've ever slept. Do you
have to sleep with your parents too?
Speaker 3 (54:21):
No, dear God, it's had a thing I have to do.
Speaker 26 (54:27):
No, dear God, No.
Speaker 22 (54:30):
Creep.
Speaker 8 (54:33):
Let's good.
Speaker 22 (54:34):
Ready?
Speaker 3 (54:36):
Yeah, what if she brids other human man?
Speaker 29 (54:44):
She has up coming with them?
Speaker 3 (54:50):
My only repur she's met, and I'm weird, and really she.
Speaker 29 (54:59):
She wants nobody bust, good food and the kids.
Speaker 3 (55:07):
We're gonna go talk to my parents.
Speaker 8 (55:10):
I'm ready. It's scary, scary.
Speaker 3 (55:15):
There's a lot of things scary.
Speaker 8 (55:17):
What are you scared about?
Speaker 16 (55:17):
That You're gonna see other human men and see how
how much they have their lives together and how not
bitten by bed bugs they are.
Speaker 8 (55:30):
You'll want them more than you want me. But I
love you the first sight.
Speaker 3 (55:39):
Play with but we have to not see them when
we go to my head.
Speaker 8 (55:49):
Okay, let's go. Ye, Hey, hey, make daddy quark.
Speaker 31 (56:07):
I heard that a cryptid is sleeping with one of
the humans and they're going to see their parents.
Speaker 14 (56:15):
Okay, when you say sleeping with do you mean sleeping
under the bed.
Speaker 13 (56:19):
Of the parents or having sexual intercourse the second one?
Speaker 8 (56:23):
Okay, okay, that's a problem. Hey, Pope, give me a cigarette.
Speaker 3 (56:32):
You really have a problem with this guy.
Speaker 10 (56:34):
Sometime today, Pope, Baby, let me pull you aside for
a second.
Speaker 8 (56:44):
What the fuck is up with you in the pope?
He's my real dad, Brad.
Speaker 6 (57:05):
Show a cabin fly.
Speaker 17 (57:16):
I can't escape my mental situation. So you mean, mammas,
I thought that.
Speaker 3 (57:36):
Sex with me, actually had sex with that guy?
Speaker 26 (57:42):
Forgod, you know you love me.
Speaker 19 (57:49):
You're the one with all in fun. I'm just gonna
take a scene, give me all this in spo.
Speaker 59 (58:01):
It was a starry night in Venice, just one night
in Venice, in doing in phil.
Speaker 5 (58:15):
Come down the cane, going the candla.
Speaker 24 (58:23):
They got so hot and they started to fond by
each other.
Speaker 3 (58:30):
Just one night in Venice, just one night in mints.
Speaker 26 (58:38):
Night in Fanas do fish.
Speaker 3 (58:42):
Man is the doe?
Speaker 22 (58:45):
N I smoke at it?
Speaker 23 (58:53):
I can't why not?
Speaker 5 (58:56):
In bans the du.
Speaker 3 (59:00):
That is a dude.
Speaker 8 (59:23):
You can see the whole thing pictured in like diorama
and also the real pope is here.
Speaker 5 (59:32):
Listen that.
Speaker 8 (59:34):
Ohs me, little baby Pope.
Speaker 45 (59:40):
Look, I'm I'm so sorry I wasn't around, you know,
being the pope is I kind of have kids and
it's like a whole thing.
Speaker 22 (59:49):
I think.
Speaker 4 (59:51):
It is.
Speaker 8 (59:52):
Okay, do it?
Speaker 4 (59:53):
Do it?
Speaker 5 (59:53):
Pope?
Speaker 8 (59:54):
Pull me a gin.
Speaker 22 (59:58):
You know what we poor Jim.
Speaker 3 (01:00:01):
Okay, I'll put one for me too.
Speaker 8 (01:00:03):
Whoa, this is a big deal. We can share our
first to drink now that the air has.
Speaker 26 (01:00:09):
Been a cleared.
Speaker 3 (01:00:11):
I don't think he's allowed to drink, so this is
a big deal you.
Speaker 44 (01:00:14):
I can all the Papa rules today, big Papa, a
big papa here together.
Speaker 45 (01:00:36):
Nobody said, look if I if I come back into
your life, maybe you can stay with me and my
papa palace. And the fact I'll get a really nice
bird you can.
Speaker 3 (01:00:54):
Sleep under it.
Speaker 8 (01:00:56):
From the summer. You could have been such a huge
dick hold you want to be mean to her. I
know you're a big heap of corporation and everything, but
there's no reason to be like this. Yeah, stranger in
a cart, I agree.
Speaker 47 (01:01:14):
At little baby court the rude kind of me sort.
Maybe now I'm change come to the church with my
(01:01:34):
Nado's aging.
Speaker 61 (01:01:38):
It's a revelation from my freaking awesome conception of you
saw it in the diara?
Speaker 8 (01:01:53):
Why was your mind gave that you? I'm now little man, okay?
Speaker 3 (01:02:11):
Then se later?
Speaker 14 (01:02:24):
How do you set the table for cryptid?
Speaker 22 (01:02:27):
Uh?
Speaker 8 (01:02:29):
Extra room for their big feet and big butts? I
think too by not do we need?
Speaker 13 (01:02:34):
It's a it's a lit roller rude because like if
they're I don't want a lot of dander in the house.
Speaker 3 (01:02:45):
A little fun why, I'm sorry, and there's usually just
three of us.
Speaker 28 (01:02:52):
I'm sorry here else, I hope it's okay. I chopped
down a tree in our backyard to make this chair
is okay? Oh yeah, no, that's fine. What kind of treasha?
Speaker 8 (01:03:07):
Oh god, I'm sorry, No, that's okay. They just they
don't understand.
Speaker 42 (01:03:13):
It's fine.
Speaker 3 (01:03:14):
Have a seat.
Speaker 8 (01:03:21):
Your name is little Yeah?
Speaker 14 (01:03:26):
Cool?
Speaker 8 (01:03:28):
Can you ask the mashed potatoes?
Speaker 3 (01:03:32):
It's that one?
Speaker 8 (01:03:38):
There you go, mister Larry. What's the last do you
guys have a surname Henderson?
Speaker 3 (01:03:57):
This is just.
Speaker 42 (01:04:00):
Talk ward.
Speaker 3 (01:04:04):
This is just a little aukward.
Speaker 58 (01:04:11):
Do I think it's a maybe absurd, but it's definitely
a little little talk.
Speaker 3 (01:04:26):
I'm trying my best to be a greatious.
Speaker 17 (01:04:31):
Host, but this prochips shoving her face with toast.
Speaker 62 (01:04:41):
I've ever seen someone someone goes but a very really
Larry think she's really cute.
Speaker 3 (01:04:55):
It's a little Lena, it's a lettle lead awkward. She's
the arget lawtolder little awkward. I'm thinking maybe we could
play some bit to know a guess.
Speaker 25 (01:05:18):
Maybe yes, a question with beyond her names, like what's
your favorite thing to do on Saturday?
Speaker 21 (01:05:29):
We like rocket all on Saturdayaya, and I like Steve
like she from Farmers and showing them in my household.
Speaker 8 (01:05:44):
Us.
Speaker 3 (01:05:49):
Yes, and I like tackling people biggest man.
Speaker 8 (01:05:55):
I can find an sam him down.
Speaker 63 (01:05:58):
Right into the round and I break his fucking spot
on Saturday on a Saturday Saturday. And I'm gripping trees
out of the ground perfect change and throwing them into space.
Speaker 8 (01:06:24):
On a Saturday.
Speaker 3 (01:06:28):
On a Saturday.
Speaker 8 (01:06:30):
And just wait, man, I know you guys think I'm great?
Are we taking me my dad? I invited him come
on in that George Georgia. Sorry, Larry, tell my dad
(01:06:55):
yours attentions with me?
Speaker 3 (01:06:58):
Oh at and your dad forever, I'd ever.
Speaker 25 (01:07:06):
Together, especially now that I'm fine enough.
Speaker 3 (01:07:14):
She has seen underment and a very quick ending.
Speaker 8 (01:07:28):
You want my blessing. If it says it's fine, I
guess for you too long, So.
Speaker 3 (01:07:39):
It's cream, It's.
Speaker 2 (01:08:04):
Okay.
Speaker 8 (01:08:04):
There we go.
Speaker 1 (01:08:05):
Another live improvised musical, never to be formed again, never
to be performed again from the Tune Titans, and maybe
it'll get formed again.
Speaker 29 (01:08:13):
I don't know.
Speaker 4 (01:08:14):
Sometimes we get inspiration from these and we're like, we're
going to make this into a written musical. Yeah, And
we started that process a few years ago with one
that came out of a rehearsal okay, with just the
stick horses before we had a musical team. And we
still haven't finished it because we've been doing other things
like opening a theater.
Speaker 1 (01:08:35):
Yeah, or just a small thing like that really and
pretty much doing improv shows every Friday and Saturday night
at that theater, which of course is the peak improv
theater here in Colorado Springs, Colorado. If I say that
enough times, it moves further up the Google search. You know,
that's quite handy to say. ALGARITHM, I shouldn't I shouldn't
break the secrets. Thank you so much for listening to this,
(01:08:59):
and Megan, thank you so much for being here and
joining me in the studio today.
Speaker 4 (01:09:03):
I'm honored to be here.
Speaker 8 (01:09:05):
Thank you.
Speaker 1 (01:09:06):
Do you support local comedy, Come see Tune Titans at
the Pit on April eighteenth. If you're listening to this
in the future at any point, it's the third Friday
of every month pretty much always. And if you're listening
to this way in the future, best of luck getting tickets,
because I think by the end of the year this
could be a sold out show. I've got a good
feeling about this.
Speaker 4 (01:09:27):
I feel good about it too.
Speaker 2 (01:09:29):
And for classes, I.
Speaker 1 (01:09:30):
Mean, anyone who's made it to the end of this
episode has got to be interested in musical improv. Could
you share a little bit about what goes on in
the musical improv classes?
Speaker 4 (01:09:39):
Absolutely.
Speaker 25 (01:09:40):
Yeah.
Speaker 4 (01:09:41):
We learn how to rhyme in a funny way, and
you think, like, oh, I can rhyme, I've read Doctor Seuss.
But there's a process to it, and it's what is
known as the setup and the payoff. You want to
learn the process of making sure that your rhyme's in
it and in a funny way. And so the idea
(01:10:03):
is to kind of, you know, when you're when you're
seeing about a subject, you're in your in your mind,
you're thinking of the word bank, what's the what are
all the things I know about this subject? And then
you think backwards from there, like what are words that
rhyme with that? And then you sing those rhyming words first,
and then pay it off with a thing that has
to do about the subject.
Speaker 2 (01:10:19):
Yeah, that makes sense.
Speaker 4 (01:10:20):
Yeah, And that's the process that we we spend a
lot of time working on in the class. But then
you know, we learn it, you get it in your brain,
you practice it as much as you can, and you're
off time, and then we just get up there and
have fun. And the more you practice it, the more
those things just kind of come out of your mouth.
And you'll notice us like chasing rhymes sometimes, and when
you chase rhymes, fun things can be discovered. Yeah, I
(01:10:42):
do notice that yet, Yep, yep. That's when we discover
weird and random things and that's always fun. But the
more you practice the setup on, the payoff process, the
the more it just kind of naturally comes out of you.
But ultimately, when you're playing, you're just playing. But in
the beginning, like the intro to musical classes, we do
more of the short form musical stuff just to learn
those concepts, get comfortable with the form.
Speaker 2 (01:11:05):
Really really learn how to rhyme.
Speaker 3 (01:11:06):
Yeah.
Speaker 2 (01:11:07):
Yeah, well that sounds great. That sounds like so much fun.
Speaker 4 (01:11:10):
Oh, it's so much fun.
Speaker 22 (01:11:11):
Yeah.
Speaker 1 (01:11:12):
I'm not so musically inclined, but I think I think
one day I've got to give it a try.
Speaker 4 (01:11:16):
Yeah, at some point, not everyone is. And it's okay, Like,
you can still be a really good musical improviser without
being an amazing singer. There's definitely we teach them. I
teach some vocal technique in the class, because I've studied
that a lot and I've just been singing my whole life,
and so there is a little bit we touch on
(01:11:37):
vocal technique, but mostly we're learning how how to sing
and improvise at the same time. There's a little bit
of dance in there sometimes and we do some rapping.
But you don't have to be an amazing singer to
be a good musical improviser. It's more about just singing
what's on your heart and really having fun with it.
Speaker 22 (01:11:58):
Yeah.
Speaker 1 (01:11:59):
And as you meant with Ethan at the top of
the show, yeah, yeah, and he's grown so much. So
proud of you, Ethan, so proud of you. Okay, fantastic.
Thank you so much for listening to this podcast. Do
you subscribe to this feed and leave a review on
the podcast app you're listening to this on, and then,
you know what, sign up to all the other podcast
apps and leave a review there as well. That helps
(01:12:20):
it done. We will be back in two weeks with
a brand new laughter and legends and that really is
a wild one. It's genuinely insane. Thank you so much, Megan.
I hope we can do this again sometime. This was great, absolutely,
thanks again for having me
Hello, and welcome to the Peak improv Theater Podcast or
Pit pod. If you will, I know I will. I'm
producer Matt and today I'm thrilled to be joined by
an improviser, an actor, a singer, an educator, and one
of the most supportive and encouraging people I've ever met.
Speaker 2 (00:25):
It's Meghan Hyde.
Speaker 3 (00:26):
Oh, thank you. That's so sweet.
Speaker 1 (00:28):
Hello Meghan, thank you for being here today. Thank you
for having me absolutely absolutely so. As listeners will know
because they just hit play, we're about to hear a
brand new improvised musical from the Tune Titans, but listeners
may not know that, Meghan, you are the founder of
Tune Titans.
Speaker 2 (00:46):
Yeah.
Speaker 1 (00:47):
So, Meghan, I'm a huge Tune Titans fan and I've
been dying to ask you this. How did the Tune
Titans start?
Speaker 4 (00:54):
Well, the Tune Titans evolved out of our very first
improvised musical class from the Pit.
Speaker 5 (01:04):
Yeah.
Speaker 4 (01:04):
So we had some major power players in that class,
like Steph Julia Ethan took the class. Yeah, and he
came in I think being able to sing like maybe
three notes, and he was so dedicated to like mastering
(01:26):
that form, and he was already a brilliant improviser. So
it was, you know, he's paying more attention to, like,
how do I get to be a better singer? And
he really dedicated himself to listening to music, singing along
with it, learning the different like ways to rhyme songs,
to do slant rhymes in the most believable way possible.
So yeah, he learned different like types of sounds. So
(01:50):
if you study phonetics, you'll learn about closives and you know,
things like that. And I'm not going to get into it.
Speaker 6 (01:55):
But.
Speaker 4 (01:58):
Okay, Yeah, and he learned, like you, these sounds work
well in a slant run. And he came in top
everyone else that and oh wow, and really expanded his
range and got to where he could like sing consistently
on key and yeah, he worked hard at the singing
part and then and everybody has grown vocally since starting and.
Speaker 1 (02:20):
Oh totally, yeah. I think you can hear that across
the as the months go on. Definitely, definitely, each show
feels like it gets stronger and stronger, bigger and bigger,
better and better.
Speaker 4 (02:31):
I'm glad you feel that way too, because I definitely
feel that way.
Speaker 7 (02:34):
Yeah.
Speaker 2 (02:34):
Oh that's good, that's good. But you feel that as well.
Speaker 1 (02:36):
So how did you first get into musical improv as
a fan or as a performer as well.
Speaker 4 (02:44):
I feel like it happened pretty simultaneously. So I came.
I came up at a theater in northern California called
Blacktop Comedy. It was a victim of COVID unfortunately, so
it no longer by that name. But yeah, that's where
I started learning improv. My background is in theater. I
(03:06):
studied theater at the university I went to in southern California,
and we were not allowed to improvise there.
Speaker 2 (03:12):
Oh really really yeah.
Speaker 4 (03:13):
Our director hated improv Oh okay, Yeah, he thought it
was like the most horrible thing. He had no respect
for it, and so we were forbidden from improvising. Ever,
I was always fascinated with it though, Like a comedy
sports team came to our school and did a show
and I just.
Speaker 2 (03:34):
Blew my mind.
Speaker 4 (03:35):
I was like, how'd they do that? And I never
thought I could do it. But then a friend of
mine found Blacktop Comedy on a meetup and told me,
She's like, we're going, We're going, and I so I
was like, all right, We're going. And I showed up
and she stood me up and I was there by myself,
and I was like, I'm just gonna sit in the
back and I'm going to watch and I'm not going
(03:56):
to do anything. And then I was watching and I
was like, Oh, I can do this. And I got
up there and I never looked back. Oh that's beautiful,
and so I jumped in. I mean I dove in
head first, and I was and they had so many
opportunities there. And the guy who owned it, Paul Broke,
still a very dear friend of mine, was very well
connected with the improv community. So he had brought in
(04:16):
coaches from all over the country and really good coaches,
and so I was fortunate enough to take classes from
some really really good teachers in addition to Paul, who
is very very well educated in improv. And then once
I learned about musical improv, I was like, what, this.
Speaker 2 (04:36):
Is the thing like combining two of your passions.
Speaker 8 (04:39):
Yes, one, I grew.
Speaker 4 (04:40):
Up in a musical. Matt like, yes, I grew up
in a musical. My family was one of those families
that you know, you know how people say they don't
like musicals because in real life, people don't spontaneously first
into song.
Speaker 2 (04:51):
Sure.
Speaker 4 (04:51):
Yeah, my family did that.
Speaker 3 (04:52):
All the time.
Speaker 2 (04:53):
It wasn't musical, it was yeah.
Speaker 4 (04:54):
We were just all spontaneously version of song, harmonized with
each other. It was just that was the I grew
up and like, oh, people do this, like for reals. Yeah,
And my friend Jay Miller and I decided after being
introduced to off book the Improvised Musical Podcast course amazing,
fantastic Dak and Jesser, a couple of my heroes, we
decided we want to try this out. So we started
(05:16):
off with short form I'm kind of like I do
all my classes, and then we evolved into a long
form musical from there and yeah.
Speaker 2 (05:25):
Yeah, and now everything and now it's Steine Titans.
Speaker 8 (05:28):
Yeah.
Speaker 1 (05:28):
That's that's incredible. Thank you so much for sharing that.
You mentioned the classes as well. You teach the among
other improv classes, you also teach the musical improv class.
Speaker 9 (05:38):
Yes.
Speaker 2 (05:38):
How long have you been teaching improv?
Speaker 4 (05:40):
I want to say about nine years, coming up on
nine years.
Speaker 2 (05:45):
Incredible. You're a fantastic teacher, Meg.
Speaker 10 (05:48):
Thank you.
Speaker 1 (05:48):
You're so suppulsive, so encouraging. You know so much about improv.
It's amazing. I feel like I learned something you every
time I'm around you, I do too. So I mean,
if anyone listening wants to get involved and get started
with something like improv one or one or maybe you
know they've got a bit of musical background they'd like
to get involved with musical improv. Where can listeners head
(06:10):
to check out classes?
Speaker 4 (06:12):
Peak improv dot Com.
Speaker 1 (06:14):
The website the one stop shop for everything. It's so
handy that they have those now. Yeah, I think there's
a new round of musical improv classes starting in May.
Speaker 2 (06:24):
Yes, yes, that makes sense.
Speaker 4 (06:25):
May Night. I believe Wednesday Nights.
Speaker 1 (06:28):
Perfect on Wednesday Nights. And I think there's a new
Tune Titans show live on April eighteenth. If you're listening
to this roughly as it comes out, so Colorado listeners,
they can obviously head to Peak improv dot Com for tickets. Yeah,
it's fifteen bucks for a fully improvised musical. You get
to support local comedy and be part of what I
(06:49):
think is a pretty exciting live atmosphere.
Speaker 2 (06:51):
Like the crowd's pretty loud.
Speaker 4 (06:53):
Yep, the crowd is loud and the team is phenomenal. Yes,
some of the best improvisers in Colorado know on this team,
and I feel so fortunate to get to work with them.
And we've got a great musical director. That's our piano player, Bobby. Bobby,
he keeps learning and growing as well. So I had
(07:13):
to talk him into it. There was you know, I
believed from the beginning that he could do it. He
wanted to be able to prepare himself because he likes
to be overly prepared for everything. And so yeah, he's
been working at it, working on it. He continues to
and gets better and learning new chord progressions all the time.
Speaker 1 (07:30):
And oh yeah, you can you can see that. And
this whole thing literally wouldn't work without Bobby. Oh no,
not at all.
Speaker 4 (07:37):
Canned music and an improvised musical is not nearly as
free as having a live musician.
Speaker 1 (07:43):
Absolutely, yeah, adds so much to the show. Yeah, yeah,
thank you, Bobby, Thank you Bobby. I'd love to chat
to Bobby at some point in the one in one
of these intros. That'd be fantastic.
Speaker 4 (07:54):
Oh yeah, we'll see if we get him in here.
Speaker 2 (07:56):
Yeah, that'd be pretty cool.
Speaker 1 (07:58):
But for now, it's it's time to enjoy a the
musical from from Tune Titans. This this one was Tune
Titans were down to a cast of four for this one,
which I thought created a very exciting and dynamic and
a little bit of an intense atmosphere of everyone realizing, okay,
I've got to remember maybe an extra character or two here.
It made for some very fun improv. This musical is
(08:20):
called It's Cryptid Time it gets wild, It gets so wild.
Enjoy the show.
Speaker 11 (08:29):
Musicals are often about the thing that you care deeply about. Right,
you can't just talk about it, you have to sing
about it. So what is something that you care really
strongly about? Could be, you know, like an heirloom. It
could be like a piece of media. It could be
some buffood that you're really close to you what'n't mean
you're just like propassionate about my cat?
Speaker 12 (08:47):
My cat, nice nice anything else? Blackness monsters that speak
to you guys, Oh my god, I can slockness monsters.
Speaker 11 (09:01):
I think somebody just said, mashed potatoes.
Speaker 8 (09:05):
We're not judging your passions.
Speaker 3 (09:07):
I mean, I'm tired.
Speaker 8 (09:10):
Didn't get on the food stuff again.
Speaker 13 (09:12):
I feel like I felt more like an adult when
I was able to enjoy mashed potatoes that had like
the skin.
Speaker 3 (09:20):
On it, like you've grown up?
Speaker 13 (09:21):
Yeah, because before it was just like that, like paste,
and I was like, give me that. But then I
felt like a total adult when I could enjoy the
potato and like it's raw.
Speaker 8 (09:31):
Is it wrong?
Speaker 11 (09:32):
Is it wrong as an adult to make a volcano
out of the mashed potatoes and put the gravy in
the top and let it.
Speaker 8 (09:40):
Everyone's just yelling no.
Speaker 14 (09:43):
That you asked.
Speaker 8 (09:45):
Why would you put that into questions?
Speaker 15 (09:49):
I think something about me becoming an adult the mashed potatoes.
Speaker 8 (09:57):
I feel like I.
Speaker 15 (09:58):
Believe more encrypted now than I did when I was
a child that smiles bigot kind of things. I feel
like when I was a kid, I was like, that's
not real, but now isn't really exactly.
Speaker 13 (10:13):
I was like aliens couldn't be but couldn't convince me
they were real.
Speaker 14 (10:17):
And now I'm like, well, hey wait, now.
Speaker 8 (10:21):
There's lots of weird video evidence.
Speaker 16 (10:24):
I thought it was like scary, It was scary to
believe that those things were real.
Speaker 14 (10:29):
But I was an adult, it's like exciting.
Speaker 8 (10:32):
Yeah, to handle it.
Speaker 17 (10:54):
When my child I used to be with mystic.
Speaker 18 (11:00):
Look, I'd put on the stickers on my.
Speaker 19 (11:04):
Little drawing reading notes because it's so wrong the blade.
Speaker 3 (11:10):
I'm older, I want to keep it up.
Speaker 20 (11:16):
I don't want to have to give it all up
because I'm a crooner.
Speaker 21 (11:23):
Leaning up is scary, leaning a b scary.
Speaker 12 (11:31):
And then I came with my mashed potatoes, scary.
Speaker 22 (11:37):
Skinned cagy date.
Speaker 3 (11:49):
I thought they would enoughing. But now that.
Speaker 11 (11:53):
I'm old and pretty sure, there's a man that looks
down there?
Speaker 3 (12:00):
What does he want? Does he need a.
Speaker 8 (12:04):
Place to stay?
Speaker 3 (12:07):
He's the man doing better than me, A my old kid.
Speaker 23 (12:14):
When I was a little child, I went out in
the woods to play with the steak.
Speaker 8 (12:21):
Now and I do that all the kids in the
neighborhood thing.
Speaker 24 (12:27):
I'm a dig staying around, chilling all the imaginary bad guys.
Speaker 8 (12:38):
He's the best.
Speaker 24 (12:41):
Killing bad guys by growing out.
Speaker 3 (12:45):
Say growing out, say.
Speaker 24 (12:50):
Because now there's real bad guys who are hairy.
Speaker 3 (12:54):
Growing now the say a kid, you couldn't get me
to drink any water.
Speaker 6 (13:06):
I drink only soda foven if it said the car
gone hotter, Wow that I'm grown.
Speaker 3 (13:15):
Up, but I still just feel try inside.
Speaker 25 (13:19):
But I sit here and I mixed cold with the spry.
Speaker 8 (13:28):
Crying.
Speaker 3 (13:29):
Say growing up.
Speaker 26 (13:33):
Say.
Speaker 3 (13:36):
The cable guy's name is Larry rot.
Speaker 8 (13:57):
Hey, Larry, that's me.
Speaker 27 (14:05):
I'm your father, and look, you've turned out to be
kind of a piece of ship.
Speaker 8 (14:11):
What you're saying, I'm just saying.
Speaker 12 (14:14):
You know, you're a grown man now, Larry, and I
think it's time you moved out of my house and.
Speaker 8 (14:19):
You got just are you itchy?
Speaker 7 (14:21):
What the wood Dolly pops got you?
Speaker 5 (14:25):
What is home?
Speaker 3 (14:26):
Cream?
Speaker 12 (14:30):
I know it used to be simple when you were
a kid and you were jube and fun and weren't
afraid of everything, But.
Speaker 3 (14:37):
Now I'm still adorable and terrified of the world.
Speaker 12 (14:41):
I just want you to find your own way. Okay, Larry,
you're just itchy and headache and sad, but I'm still
your dad. Yeah, so I'll support you on this indeavor
of leaving my house to find your way.
Speaker 3 (15:03):
Be a man.
Speaker 12 (15:05):
Be okay, stop sleeping underneath the bed.
Speaker 5 (15:12):
I'm not a leg.
Speaker 3 (15:12):
Get down there. I don't care much for what you've become.
Speaker 8 (15:18):
Isn't life?
Speaker 28 (15:19):
What have I done?
Speaker 3 (15:21):
Am I by a shady? I'm so witch so whitchy
is tinging me feeling a little little twin?
Speaker 29 (15:40):
So see when I sleep cerneath the.
Speaker 6 (15:52):
Bed, underneath you wear my mom.
Speaker 30 (15:56):
I said, cozy down there. I think it's totally the
ball and I ma, it's a fusee little fresh they
crawl all over my skin. Lastly, I'm very suck mom.
Josephin right in so witch, I'm so.
Speaker 3 (16:23):
You're a little bitching.
Speaker 12 (16:31):
To clarify, you're sleeping underneath many and you are getting
bed down there right beneath my head. Yes, I think
I'm right. It's your time to fucking go. I'm sorry, Larry, but.
Speaker 3 (16:55):
Yes, all your stuff you can, but I'm.
Speaker 22 (17:02):
So much.
Speaker 29 (17:10):
Take something more right out.
Speaker 3 (17:12):
And think goodbye to the bed books for people.
Speaker 14 (17:36):
I don't think they're scared enough the adults.
Speaker 13 (17:44):
You know, we've told people, hey, your eyebrows, you gotta
do stuff to them.
Speaker 14 (17:50):
Can't go out without your eyebrows looking good? Would you
got things.
Speaker 13 (17:54):
To get people to stay inside so that they can
buy more things?
Speaker 8 (18:01):
Right, we're an evil corporation.
Speaker 3 (18:03):
Oh of course. Just call me Big Papa Cork.
Speaker 8 (18:16):
I know that, Big Popacorn.
Speaker 23 (18:19):
I'm your right hand guy, Little baby Corn, Little Baby
Corn and Big popa Cord.
Speaker 6 (18:26):
Together we make.
Speaker 14 (18:28):
The nastiest business in the world.
Speaker 20 (18:33):
Together, we are gonna take capitalism ingo.
Speaker 3 (18:40):
We gotta get people scared. My goods.
Speaker 13 (18:47):
People, they don't need to think about what they want what.
Speaker 31 (18:52):
They show, Big popacorn, little baby cor.
Speaker 3 (18:57):
Big Papa cl baby car.
Speaker 24 (19:01):
We are scary and wing not dogs, little baby car.
Speaker 3 (19:07):
We're not boot.
Speaker 32 (19:10):
Get a baby cook, be a baby coop, be a baby,
a baby.
Speaker 24 (19:21):
I'm the work Luca who helps you with your scared
you are. Oh, think you got a meeting with the
Pope tomorrow.
Speaker 8 (19:32):
Don't forget you're meeting with the Pope.
Speaker 24 (19:36):
It's really important because the Pope can really scary people.
Speaker 20 (19:41):
Sometimes get that big scary car with that big scary hat.
Speaker 3 (19:47):
Scary guy.
Speaker 24 (19:49):
We like make scary things. I'm a little scary guy.
Scary things and your big scary wings.
Speaker 8 (20:02):
Miss tag, hair fat and hair fat.
Speaker 20 (20:08):
Okay, so I'm thinking, what's gonna keep adults clamor into
their blankys?
Speaker 8 (20:17):
Yeah, stand inside with their parents a lot, Miss monster.
Speaker 3 (20:23):
Maybe the cryptid.
Speaker 31 (20:25):
Angle, the cryptid angle, We'll unleash all the cryptids into
the streets.
Speaker 8 (20:32):
Loose the sup of copper caboose. That sounds like a
song we should sing later.
Speaker 33 (20:44):
I'm a good ideas guy, but you keep me on
track with my schedule.
Speaker 15 (20:49):
Yeah, all right, the Pope says he wants a new hat.
Speaker 8 (20:55):
Well, I got the hat for him.
Speaker 14 (20:58):
They are pure cryptids skinned.
Speaker 8 (21:01):
Let's go.
Speaker 7 (21:02):
Okay, it seems okay out here so far.
Speaker 8 (21:16):
Yeah, nothing scary.
Speaker 14 (21:17):
It's happened yet.
Speaker 8 (21:19):
Speed dating is not that, it's not too scary.
Speaker 34 (21:22):
Yeah, so when did your parents kick you out?
Speaker 23 (21:25):
Oh?
Speaker 8 (21:25):
I left the house on my own accord? Oh what's
your what's your name? Oh? You have a name tag? Right, Larry?
Speaker 35 (21:34):
Yep from Larry?
Speaker 8 (21:38):
Is this your first time speed dating?
Speaker 3 (21:40):
Yeah, it's not that scary. I'm not scared of you.
Speaker 8 (21:49):
Yeah, I'm I'm a nice I'm a nice person.
Speaker 36 (21:51):
Generally, everything I own is backpack phone stuff.
Speaker 3 (22:05):
My dad shoved it at my chest, and so I
left it. And I found.
Speaker 36 (22:14):
Myself here drinking wines and beers and talking to poutiful women.
Speaker 6 (22:28):
And I don't want to say I said I wasn't
a bread But I'm just.
Speaker 3 (22:40):
A little kid, a very chy cleave.
Speaker 37 (22:49):
Oh yeah, so I do eat soup, do fem love?
At first time when I saw him?
Speaker 38 (23:03):
Why, when it was right, he's my everything, my shop.
Ign I take a risk? Might What should I say?
Speaker 3 (23:26):
What do I say?
Speaker 39 (23:30):
Would you come and play with my body?
Speaker 8 (23:39):
I shouldn't say that the first say?
Speaker 3 (23:46):
What should I say?
Speaker 40 (23:49):
What the.
Speaker 3 (23:53):
I think I want to tell you out of my skin.
I loves taking it a bite.
Speaker 41 (24:01):
And I'm want to know if you would playing with
my body tonight?
Speaker 30 (24:09):
What's you and out's go c mis taking a bite?
Speaker 42 (24:17):
One ask you you play with my body to night?
Pay with my buddy's mad.
Speaker 3 (24:29):
Budy tonight, fa with mad money to night. What's your
favorite my mode? It's a bid. If we.
Speaker 43 (24:42):
Here, they'll pick us South day mine by you scratch
my body space drama body, just catch my body's.
Speaker 10 (24:55):
Yeah, do your stupids over. Let's get get at here.
Thank you, thank you, Hey, cryptis, what's Chrystian?
Speaker 44 (25:25):
Look, I just wanted to get everybody together speak luckiness, monsters.
Speaker 8 (25:32):
Hey, you can call me mister locks not we were
beyond that whatever. Well, look you guys.
Speaker 44 (25:41):
I just want to make everyone aware there's a plot
by an evil corporation and that evil corporation's baby.
Speaker 12 (25:48):
I think.
Speaker 8 (25:51):
To use our scheme and scare people. It's a vague concept.
Speaker 45 (25:55):
I've become aware of very interesting, very interesting people have
been trying to get my wings for.
Speaker 8 (26:02):
A while being the moth Man, and people just want
want a load of this.
Speaker 14 (26:08):
Don't truck up a caboose on this chup of cover.
Speaker 5 (26:15):
Oh nice.
Speaker 46 (26:19):
Jersey people want to see my shiny hooves. I'm the
Jersey devil.
Speaker 22 (26:29):
Is that what?
Speaker 8 (26:33):
Yeah? Great? Ooh it's such an authentic Jersey accent. Yeah,
I'm a really nice guy. I'm not actually from Jersey.
Speaker 22 (26:43):
Whoa.
Speaker 8 (26:43):
Maybe there's more to sp than people think.
Speaker 3 (26:46):
Yeah, but I think that you recover.
Speaker 14 (26:49):
All I can think about is that juicy tush.
Speaker 23 (26:54):
Got you that juicy KOBOOSI yeah, they I'm a devil,
but I'm just a guy named Fred.
Speaker 39 (27:06):
I'm not from Jersey now when I came from Hell. Instead,
I came from hell and stay cryptis a nice CREPTI nice.
Speaker 8 (27:25):
We're not saying or advice.
Speaker 3 (27:28):
Crypts and nice. Everyone thinks that I'm not real.
Speaker 12 (27:35):
I think that I'm a fake, but I really live
there in that big gass Scottishly. I born around since
the Palio Caro, and now I'm here.
Speaker 3 (27:54):
Because I never knew my pair nice cripps anice. We
don't come. Most Criptis are nice.
Speaker 47 (28:12):
People.
Speaker 3 (28:12):
Just sn naked coyote.
Speaker 41 (28:14):
When they were smoking that cold ship, they saw me
with beer juicy and he said, hey, that's aware of
what type fing roll.
Speaker 25 (28:29):
The last, and I said no, it's just being a
coyote with a delicious.
Speaker 3 (28:36):
Care crazy nice crazy n that says nice streets worse craz.
Speaker 26 (28:51):
Everyone knows a man of sets up people.
Speaker 3 (28:57):
But what they don't know the read deal.
Speaker 8 (29:00):
When you come to your crown collect.
Speaker 3 (29:06):
My please cride one dragon a dragging? You know everyone?
Speaker 5 (29:15):
Just what's my.
Speaker 6 (29:20):
Crazy battery? I send your DA's about six?
Speaker 26 (29:51):
Hey, uh.
Speaker 15 (29:55):
Yeah, So will the cryptids go on the streets and
scare right back into his.
Speaker 8 (30:01):
House with his dad and mom and under their bed?
Is that gonna happen?
Speaker 48 (30:05):
Or will Larry and the lady he met at the
speed dating get on well and feel each other's bodies
at night?
Speaker 8 (30:13):
We don't know, You don't know. Come back for the
second act of It's cryptid time right after our short intermission.
Speaker 5 (30:22):
Thank you.
Speaker 3 (30:50):
Spot. Maybe it'll be fine times. It's cryptic.
Speaker 8 (31:03):
He's a true love, Sit me Si.
Speaker 31 (31:10):
Maybe it's Big Food or the Jersey Devil, but it's
zy job.
Speaker 26 (31:19):
Come maybe cool.
Speaker 5 (31:48):
Play with my bad, play with my body even, don't
be sting.
Speaker 18 (31:57):
It is not friends right right, Maybe we will turnout.
Maybe it's creams.
Speaker 8 (32:30):
Dad, Bigfoot, give him it's your daughter, little Foot. Listen, Dad,
I think I've fallen in love for a human. Come on,
(32:52):
I don't even go to the scripting meetings anymore.
Speaker 12 (32:55):
Trying to stay on the downloads could bring us all
kinds of expolers.
Speaker 8 (33:00):
Sure dangers, but I've in love.
Speaker 22 (33:02):
Dad.
Speaker 12 (33:04):
You're sure it's not just pure physical animal attraction. We
are very horny, horny species. But if you say it's love.
Speaker 8 (33:20):
I believe you. Dad. Don't be mad. Please let me
let me go, Let me get out of the cave
and fall.
Speaker 3 (33:31):
Nah, we met it speed dating. I have so many
follow up questions.
Speaker 8 (33:38):
But I had to shave my whole body. Yeah that
was the main one.
Speaker 10 (33:44):
Yeah, we cleared that up.
Speaker 8 (33:49):
But what if little food, I'm not ready for you
to go?
Speaker 3 (33:52):
What if I'm not ready for my little that little
foot to leave?
Speaker 12 (33:59):
Just having some daughter, they grow up so fast. I'm
out here, living in the past, out here in a cave.
Speaker 3 (34:19):
What can I do? Can I say, my daughter from
a life living amongst the people?
Speaker 49 (34:33):
You always be my first scary hairy. I'm with a
man named Larry. You'll always be my first scary Harry.
Speaker 8 (34:54):
When you running back, I love with a man Ry.
I'm sorry, Dan, I'll never forget you.
Speaker 3 (35:09):
You go and you pick them back.
Speaker 8 (35:12):
It's the law of the big foots.
Speaker 3 (35:15):
Oh ship, did you put that?
Speaker 8 (35:20):
I forgot about that?
Speaker 3 (35:23):
You didn't gonna go?
Speaker 8 (35:26):
Then just dance with me one last time.
Speaker 3 (35:29):
I'll take your.
Speaker 8 (35:30):
Little feet and stand on.
Speaker 3 (35:31):
My big feet.
Speaker 49 (35:41):
You're always be my first scary hairy.
Speaker 3 (35:53):
Yo, always.
Speaker 50 (35:56):
Sary.
Speaker 3 (35:59):
I love man.
Speaker 26 (36:04):
Lerry.
Speaker 8 (36:07):
Goodbye, Dad, good bye, good luck scaring hikers.
Speaker 34 (36:20):
A little foot, you start with me. I've been in
here for hours and where.
Speaker 8 (36:33):
It's all right? Yeah, sorry, I had to deal with the.
Speaker 35 (36:39):
Saying I didn't I didn't check out on time because
I've been kind of scared to leave the room without
somebody else.
Speaker 3 (36:56):
There's been in my backpacker.
Speaker 16 (36:59):
Come back.
Speaker 8 (37:03):
I'll always come back, Larry, I don't have a choice.
Speaker 37 (37:06):
Now.
Speaker 38 (37:08):
You don't quite get that, but it's a big Teal's alert.
Speaker 3 (37:14):
Cryptids are real, and they're amongst you.
Speaker 8 (37:17):
Be warned, be afraid.
Speaker 3 (37:20):
Bye from Big Papa color. Oh my god, Oh my god.
I can't go outside. No, no, my dad was right.
I'm just a little old.
Speaker 8 (37:34):
Deserve no, Larry, listen.
Speaker 31 (37:37):
Cryptids are nice. I heard a song about it once.
They're not as scary as people think really, Yeah, what if.
Speaker 3 (37:49):
What a fun man a super carra.
Speaker 8 (37:55):
And it's fished me?
Speaker 3 (37:57):
If it's giant, I don't know.
Speaker 51 (38:02):
What if I'd be the luckiness monster, even though we're
not in Scotland.
Speaker 50 (38:19):
If he found out, what if he found out I'm
not avoid he still with face, still.
Speaker 8 (38:37):
Something that rises gripped in.
Speaker 26 (38:41):
If he found out I was gripping?
Speaker 52 (38:44):
Really and what about that the mock man with all
his sex opins so happy made his ex sex to me?
Speaker 22 (39:00):
You just said.
Speaker 3 (39:03):
The jack a moment scared, mais.
Speaker 29 (39:08):
I'm so scared to go out a cons I don't
have money, get pounded by your printed.
Speaker 3 (39:21):
I don't money, get pounded by God sells and libits,
don't want again by.
Speaker 26 (39:45):
I have to sell him the truth.
Speaker 53 (39:51):
I'm not a nice female. I'm the daughter the Crypt
and my friend Larry.
Speaker 8 (40:05):
It's the Crypt. He's got big feet and he's carry Are.
Speaker 25 (40:10):
You saying last night I got pounded by, I got
founded by.
Speaker 3 (40:24):
It's beautiful, It's not. It's simmy.
Speaker 8 (40:30):
As man.
Speaker 3 (40:32):
In my gripted.
Speaker 8 (40:54):
The pope is are ready for masters?
Speaker 9 (41:00):
Oh speak Denby Corp exactly, Oh baby corp, motherfucker?
Speaker 8 (41:08):
Is it really necessary for these meetings.
Speaker 54 (41:11):
Yeah, bitch, sorry, little baby Corp gets really heated when
it comes to religion.
Speaker 8 (41:20):
That's right, you pomp iss ass.
Speaker 5 (41:23):
What of the come do you want me to kill
this guy big any Corp.
Speaker 8 (41:30):
I'll let you know I don't give up.
Speaker 3 (41:36):
Take your head off the pop little bait before.
Speaker 8 (41:41):
Baby, just take a time out. All right, you guys
got a meeting I schedule. I'm watching you, motherfucker.
Speaker 12 (41:53):
You come in here, tom My Vatican a new threatning
me with your weird baby corporations.
Speaker 3 (42:01):
I thought you want me do.
Speaker 8 (42:03):
Some deal with the cryptids.
Speaker 22 (42:05):
What can I say?
Speaker 54 (42:06):
I'm a big bad Papa corn and I don't give
no fucks. That's what I'm trying to get across to.
Speaker 8 (42:17):
You with my little baby cook.
Speaker 3 (42:21):
We gave no tho noting. I'll drive around me in
my special pop trog. I give no fo looking for
(42:43):
you're shit out of luck because I've rabbit of all
my floor.
Speaker 22 (42:51):
You seem.
Speaker 40 (42:54):
Capricious, man, I come and hear without a plan, I'm.
Speaker 3 (43:05):
Going on fabes whatever I want, and right now I
think I could use up bomshments to me. I see
you've made a blockade out of about it. My good
(43:33):
far fa zero.
Speaker 54 (43:49):
So you see what kind of men are dealing with now,
Uncle precious one, Yes, do this.
Speaker 55 (43:55):
I do what I want, And what I want is
for you to tell everyone that the cryptids are here
and they're after human blood.
Speaker 8 (44:09):
But that within sight some kind of a panic of people,
a freak out.
Speaker 3 (44:14):
Why, yes, I want that, That's what I want, freak
a freak out. I'm the pole, I have no hope.
I'll cow count your whims just to cold.
Speaker 8 (44:39):
You scared me senseless.
Speaker 3 (44:43):
And my giant hats.
Speaker 5 (44:47):
You want the.
Speaker 3 (44:48):
Cryptive announcement, I'll give.
Speaker 5 (44:52):
You that, no, and.
Speaker 34 (45:10):
You will do.
Speaker 8 (45:12):
And be convincing.
Speaker 3 (45:14):
None of that Italian crab speaking English. I feel like
it's way too far.
Speaker 54 (45:25):
I written to be from Florida, exactly the scariest about place.
Speaker 3 (45:35):
You got it.
Speaker 8 (45:40):
It's your later elegant.
Speaker 48 (45:44):
Hello, we are here with CN News and the Pope
has an announcement.
Speaker 44 (45:51):
Hey all on the poet, y'all know whatever's were looking
around in your backyard?
Speaker 8 (46:01):
It's reel.
Speaker 22 (46:02):
I seen it.
Speaker 8 (46:03):
It's real.
Speaker 3 (46:04):
It's not a gator, it's brollly a gator man could
be a too.
Speaker 12 (46:09):
A cobra with the beagle doone foot truck could be
even mock man, I don't give up. Could be you,
but Gabra, could be your Goybra, be a candle Marber
(46:30):
beat you, but Gobra.
Speaker 48 (46:32):
And that's off for the Pope. Incredibly convincing farna accent.
Anything else you'd like to say, Pope, No, I feel
like that we've been well recovered.
Speaker 3 (46:55):
Mom.
Speaker 14 (46:56):
It's been so worried about you. Did you hear him
the news?
Speaker 3 (46:59):
I thought I just saw the Pope make his announcement.
Speaker 8 (47:07):
Exactly.
Speaker 33 (47:09):
I've never been more sure about your decision to stay
here under our bed.
Speaker 14 (47:15):
Well, come, mom, I got something to tell you.
Speaker 46 (47:18):
What is it?
Speaker 56 (47:19):
Larry, I'm all in analove with the enemy of the church, color,
a little food, and just.
Speaker 3 (47:38):
All kind of like Lurch and I love so much.
I want to bring her to you.
Speaker 16 (47:48):
And Dad, and maybe you'll accept us and we'll be
a family.
Speaker 3 (47:54):
A bourth of two or three?
Speaker 9 (47:58):
Okay, okay, my son's sitter, my son's a sinner, certainly
in a kind of winner Mathpisode is a sinner.
Speaker 20 (48:17):
You think you can let something like that get through
my front door, Well, let me tell you you're gonna
get hell even more.
Speaker 3 (48:31):
My son's sitter, my son center.
Speaker 25 (48:39):
Only I could convince her as a sinner.
Speaker 57 (48:46):
Oh my, gotta tell you something about a little but
please just understand she makes me feel so fucking good.
Speaker 5 (49:00):
Man.
Speaker 25 (49:01):
When she holds me with her shade of prickly hairs, it's.
Speaker 26 (49:07):
Like the man must never bit me.
Speaker 3 (49:10):
That's my an nowhere in my centers, and.
Speaker 6 (49:21):
I don't want to be left down in the cold
the suns.
Speaker 22 (49:26):
I didn't.
Speaker 58 (49:31):
Overheard everything, Larry, George, talk some sense into him.
Speaker 3 (49:38):
You, Larry, when you left home, all you cared about was.
Speaker 8 (49:41):
Being cheating huge.
Speaker 3 (49:44):
I still care about that.
Speaker 8 (49:46):
But you found someone who presumably the way the hair grows.
He's awesome, weird, and she makes it's just go away lazy. Okay,
you recognize.
Speaker 49 (50:02):
Clarry.
Speaker 8 (50:02):
If you're happy an Larry conservative Florida mother and myself.
Speaker 3 (50:08):
Can fly away.
Speaker 8 (50:11):
To be happy for you. That Pope, I don't know.
I'd be like, this isn't a tacit a big corporations.
Speaker 3 (50:26):
Hey, I'm bag, I can't believe what I'm hearing.
Speaker 8 (50:33):
Peven's all of you.
Speaker 59 (50:46):
Listen, Hi.
Speaker 3 (50:51):
Believe the Pope.
Speaker 5 (50:52):
But I know.
Speaker 33 (50:57):
Being a good mother means doing what's best for you
when quite frankly, you've never stop scratching for this long.
I'm proud.
Speaker 55 (51:14):
As long as you don't talk about playing with each
other's bodies, I can't handle that.
Speaker 16 (51:21):
We can do that.
Speaker 8 (51:23):
I'll go tell her.
Speaker 27 (51:32):
Remember when we were young and we played with each
other's bodies, George, just even though they might be sinnous,
(52:01):
we should have them over for dinner.
Speaker 3 (52:04):
I know you're right, George.
Speaker 8 (52:08):
Do you want to fuck?
Speaker 6 (52:13):
Good time?
Speaker 8 (52:22):
Oh my love? Oh yeah, Larry, Okay.
Speaker 34 (52:26):
I'm just getting scratched.
Speaker 8 (52:27):
Okay, yeah, it's so good to see you, so good
to see you.
Speaker 26 (52:37):
So hot.
Speaker 14 (52:41):
I'm kind of trying to get this sound effects to
a murder.
Speaker 8 (52:44):
That's a good idea.
Speaker 40 (52:47):
What what what?
Speaker 5 (52:47):
What I owe that?
Speaker 16 (52:49):
Honor?
Speaker 3 (52:49):
I went home? Did you see you, boner?
Speaker 16 (52:53):
No?
Speaker 8 (52:54):
No, I've just been living here in this alley.
Speaker 22 (52:56):
Okay.
Speaker 8 (52:56):
You know about Catholicism, Canalism. Okay, we worship trees instead.
Speaker 3 (53:03):
That sounds awesome.
Speaker 8 (53:04):
It is pretty anesome.
Speaker 51 (53:05):
Oh well, it's like, okay, if the biggest tree in
your forest made a decree, okay.
Speaker 6 (53:18):
That all the painlere evil and you were sitt a
review were with me.
Speaker 60 (53:25):
That's what happensed on my But I still want to
really be your boyfriend.
Speaker 26 (53:38):
And I talked on my pain.
Speaker 3 (53:42):
Have a freaked out and I talked to talk to
him Mary, Oh, my dad, that's better about it.
Speaker 8 (53:55):
That's great.
Speaker 3 (53:56):
They want to meet me?
Speaker 8 (53:58):
Yeah, awesome. You're the only human.
Speaker 3 (54:04):
That I've ever met.
Speaker 31 (54:09):
You're the only human that I've ever slept. Do you
have to sleep with your parents too?
Speaker 3 (54:21):
No, dear God, it's had a thing I have to do.
Speaker 26 (54:27):
No, dear God, No.
Speaker 22 (54:30):
Creep.
Speaker 8 (54:33):
Let's good.
Speaker 22 (54:34):
Ready?
Speaker 3 (54:36):
Yeah, what if she brids other human man?
Speaker 29 (54:44):
She has up coming with them?
Speaker 3 (54:50):
My only repur she's met, and I'm weird, and really she.
Speaker 29 (54:59):
She wants nobody bust, good food and the kids.
Speaker 3 (55:07):
We're gonna go talk to my parents.
Speaker 8 (55:10):
I'm ready. It's scary, scary.
Speaker 3 (55:15):
There's a lot of things scary.
Speaker 8 (55:17):
What are you scared about?
Speaker 16 (55:17):
That You're gonna see other human men and see how
how much they have their lives together and how not
bitten by bed bugs they are.
Speaker 8 (55:30):
You'll want them more than you want me. But I
love you the first sight.
Speaker 3 (55:39):
Play with but we have to not see them when
we go to my head.
Speaker 8 (55:49):
Okay, let's go. Ye, Hey, hey, make daddy quark.
Speaker 31 (56:07):
I heard that a cryptid is sleeping with one of
the humans and they're going to see their parents.
Speaker 14 (56:15):
Okay, when you say sleeping with do you mean sleeping
under the bed.
Speaker 13 (56:19):
Of the parents or having sexual intercourse the second one?
Speaker 8 (56:23):
Okay, okay, that's a problem. Hey, Pope, give me a cigarette.
Speaker 3 (56:32):
You really have a problem with this guy.
Speaker 10 (56:34):
Sometime today, Pope, Baby, let me pull you aside for
a second.
Speaker 8 (56:44):
What the fuck is up with you in the pope?
He's my real dad, Brad.
Speaker 6 (57:05):
Show a cabin fly.
Speaker 17 (57:16):
I can't escape my mental situation. So you mean, mammas,
I thought that.
Speaker 3 (57:36):
Sex with me, actually had sex with that guy?
Speaker 26 (57:42):
Forgod, you know you love me.
Speaker 19 (57:49):
You're the one with all in fun. I'm just gonna
take a scene, give me all this in spo.
Speaker 59 (58:01):
It was a starry night in Venice, just one night
in Venice, in doing in phil.
Speaker 5 (58:15):
Come down the cane, going the candla.
Speaker 24 (58:23):
They got so hot and they started to fond by
each other.
Speaker 3 (58:30):
Just one night in Venice, just one night in mints.
Speaker 26 (58:38):
Night in Fanas do fish.
Speaker 3 (58:42):
Man is the doe?
Speaker 22 (58:45):
N I smoke at it?
Speaker 23 (58:53):
I can't why not?
Speaker 5 (58:56):
In bans the du.
Speaker 3 (59:00):
That is a dude.
Speaker 8 (59:23):
You can see the whole thing pictured in like diorama
and also the real pope is here.
Speaker 5 (59:32):
Listen that.
Speaker 8 (59:34):
Ohs me, little baby Pope.
Speaker 45 (59:40):
Look, I'm I'm so sorry I wasn't around, you know,
being the pope is I kind of have kids and
it's like a whole thing.
Speaker 22 (59:49):
I think.
Speaker 4 (59:51):
It is.
Speaker 8 (59:52):
Okay, do it?
Speaker 4 (59:53):
Do it?
Speaker 5 (59:53):
Pope?
Speaker 8 (59:54):
Pull me a gin.
Speaker 22 (59:58):
You know what we poor Jim.
Speaker 3 (01:00:01):
Okay, I'll put one for me too.
Speaker 8 (01:00:03):
Whoa, this is a big deal. We can share our
first to drink now that the air has.
Speaker 26 (01:00:09):
Been a cleared.
Speaker 3 (01:00:11):
I don't think he's allowed to drink, so this is
a big deal you.
Speaker 44 (01:00:14):
I can all the Papa rules today, big Papa, a
big papa here together.
Speaker 45 (01:00:36):
Nobody said, look if I if I come back into
your life, maybe you can stay with me and my
papa palace. And the fact I'll get a really nice
bird you can.
Speaker 3 (01:00:54):
Sleep under it.
Speaker 8 (01:00:56):
From the summer. You could have been such a huge
dick hold you want to be mean to her. I
know you're a big heap of corporation and everything, but
there's no reason to be like this. Yeah, stranger in
a cart, I agree.
Speaker 47 (01:01:14):
At little baby court the rude kind of me sort.
Maybe now I'm change come to the church with my
(01:01:34):
Nado's aging.
Speaker 61 (01:01:38):
It's a revelation from my freaking awesome conception of you
saw it in the diara?
Speaker 8 (01:01:53):
Why was your mind gave that you? I'm now little man, okay?
Speaker 3 (01:02:11):
Then se later?
Speaker 14 (01:02:24):
How do you set the table for cryptid?
Speaker 22 (01:02:27):
Uh?
Speaker 8 (01:02:29):
Extra room for their big feet and big butts? I
think too by not do we need?
Speaker 13 (01:02:34):
It's a it's a lit roller rude because like if
they're I don't want a lot of dander in the house.
Speaker 3 (01:02:45):
A little fun why, I'm sorry, and there's usually just
three of us.
Speaker 28 (01:02:52):
I'm sorry here else, I hope it's okay. I chopped
down a tree in our backyard to make this chair
is okay? Oh yeah, no, that's fine. What kind of treasha?
Speaker 8 (01:03:07):
Oh god, I'm sorry, No, that's okay. They just they
don't understand.
Speaker 42 (01:03:13):
It's fine.
Speaker 3 (01:03:14):
Have a seat.
Speaker 8 (01:03:21):
Your name is little Yeah?
Speaker 14 (01:03:26):
Cool?
Speaker 8 (01:03:28):
Can you ask the mashed potatoes?
Speaker 3 (01:03:32):
It's that one?
Speaker 8 (01:03:38):
There you go, mister Larry. What's the last do you
guys have a surname Henderson?
Speaker 3 (01:03:57):
This is just.
Speaker 42 (01:04:00):
Talk ward.
Speaker 3 (01:04:04):
This is just a little aukward.
Speaker 58 (01:04:11):
Do I think it's a maybe absurd, but it's definitely
a little little talk.
Speaker 3 (01:04:26):
I'm trying my best to be a greatious.
Speaker 17 (01:04:31):
Host, but this prochips shoving her face with toast.
Speaker 62 (01:04:41):
I've ever seen someone someone goes but a very really
Larry think she's really cute.
Speaker 3 (01:04:55):
It's a little Lena, it's a lettle lead awkward. She's
the arget lawtolder little awkward. I'm thinking maybe we could
play some bit to know a guess.
Speaker 25 (01:05:18):
Maybe yes, a question with beyond her names, like what's
your favorite thing to do on Saturday?
Speaker 21 (01:05:29):
We like rocket all on Saturdayaya, and I like Steve
like she from Farmers and showing them in my household.
Speaker 8 (01:05:44):
Us.
Speaker 3 (01:05:49):
Yes, and I like tackling people biggest man.
Speaker 8 (01:05:55):
I can find an sam him down.
Speaker 63 (01:05:58):
Right into the round and I break his fucking spot
on Saturday on a Saturday Saturday. And I'm gripping trees
out of the ground perfect change and throwing them into space.
Speaker 8 (01:06:24):
On a Saturday.
Speaker 3 (01:06:28):
On a Saturday.
Speaker 8 (01:06:30):
And just wait, man, I know you guys think I'm great?
Are we taking me my dad? I invited him come
on in that George Georgia. Sorry, Larry, tell my dad
(01:06:55):
yours attentions with me?
Speaker 3 (01:06:58):
Oh at and your dad forever, I'd ever.
Speaker 25 (01:07:06):
Together, especially now that I'm fine enough.
Speaker 3 (01:07:14):
She has seen underment and a very quick ending.
Speaker 8 (01:07:28):
You want my blessing. If it says it's fine, I
guess for you too long, So.
Speaker 3 (01:07:39):
It's cream, It's.
Speaker 2 (01:08:04):
Okay.
Speaker 8 (01:08:04):
There we go.
Speaker 1 (01:08:05):
Another live improvised musical, never to be formed again, never
to be performed again from the Tune Titans, and maybe
it'll get formed again.
Speaker 29 (01:08:13):
I don't know.
Speaker 4 (01:08:14):
Sometimes we get inspiration from these and we're like, we're
going to make this into a written musical. Yeah, And
we started that process a few years ago with one
that came out of a rehearsal okay, with just the
stick horses before we had a musical team. And we
still haven't finished it because we've been doing other things
like opening a theater.
Speaker 1 (01:08:35):
Yeah, or just a small thing like that really and
pretty much doing improv shows every Friday and Saturday night
at that theater, which of course is the peak improv
theater here in Colorado Springs, Colorado. If I say that
enough times, it moves further up the Google search. You know,
that's quite handy to say. ALGARITHM, I shouldn't I shouldn't
break the secrets. Thank you so much for listening to this,
(01:08:59):
and Megan, thank you so much for being here and
joining me in the studio today.
Speaker 4 (01:09:03):
I'm honored to be here.
Speaker 8 (01:09:05):
Thank you.
Speaker 1 (01:09:06):
Do you support local comedy, Come see Tune Titans at
the Pit on April eighteenth. If you're listening to this
in the future at any point, it's the third Friday
of every month pretty much always. And if you're listening
to this way in the future, best of luck getting tickets,
because I think by the end of the year this
could be a sold out show. I've got a good
feeling about this.
Speaker 4 (01:09:27):
I feel good about it too.
Speaker 2 (01:09:29):
And for classes, I.
Speaker 1 (01:09:30):
Mean, anyone who's made it to the end of this
episode has got to be interested in musical improv. Could
you share a little bit about what goes on in
the musical improv classes?
Speaker 4 (01:09:39):
Absolutely.
Speaker 25 (01:09:40):
Yeah.
Speaker 4 (01:09:41):
We learn how to rhyme in a funny way, and
you think, like, oh, I can rhyme, I've read Doctor Seuss.
But there's a process to it, and it's what is
known as the setup and the payoff. You want to
learn the process of making sure that your rhyme's in
it and in a funny way. And so the idea
(01:10:03):
is to kind of, you know, when you're when you're
seeing about a subject, you're in your in your mind,
you're thinking of the word bank, what's the what are
all the things I know about this subject? And then
you think backwards from there, like what are words that
rhyme with that? And then you sing those rhyming words first,
and then pay it off with a thing that has
to do about the subject.
Speaker 2 (01:10:19):
Yeah, that makes sense.
Speaker 4 (01:10:20):
Yeah, And that's the process that we we spend a
lot of time working on in the class. But then
you know, we learn it, you get it in your brain,
you practice it as much as you can, and you're
off time, and then we just get up there and
have fun. And the more you practice it, the more
those things just kind of come out of your mouth.
And you'll notice us like chasing rhymes sometimes, and when
you chase rhymes, fun things can be discovered. Yeah, I
(01:10:42):
do notice that yet, Yep, yep. That's when we discover
weird and random things and that's always fun. But the
more you practice the setup on, the payoff process, the
the more it just kind of naturally comes out of you.
But ultimately, when you're playing, you're just playing. But in
the beginning, like the intro to musical classes, we do
more of the short form musical stuff just to learn
those concepts, get comfortable with the form.
Speaker 2 (01:11:05):
Really really learn how to rhyme.
Speaker 3 (01:11:06):
Yeah.
Speaker 2 (01:11:07):
Yeah, well that sounds great. That sounds like so much fun.
Speaker 4 (01:11:10):
Oh, it's so much fun.
Speaker 22 (01:11:11):
Yeah.
Speaker 1 (01:11:12):
I'm not so musically inclined, but I think I think
one day I've got to give it a try.
Speaker 4 (01:11:16):
Yeah, at some point, not everyone is. And it's okay, Like,
you can still be a really good musical improviser without
being an amazing singer. There's definitely we teach them. I
teach some vocal technique in the class, because I've studied
that a lot and I've just been singing my whole life,
and so there is a little bit we touch on
(01:11:37):
vocal technique, but mostly we're learning how how to sing
and improvise at the same time. There's a little bit
of dance in there sometimes and we do some rapping.
But you don't have to be an amazing singer to
be a good musical improviser. It's more about just singing
what's on your heart and really having fun with it.
Speaker 22 (01:11:58):
Yeah.
Speaker 1 (01:11:59):
And as you meant with Ethan at the top of
the show, yeah, yeah, and he's grown so much. So
proud of you, Ethan, so proud of you. Okay, fantastic.
Thank you so much for listening to this podcast. Do
you subscribe to this feed and leave a review on
the podcast app you're listening to this on, and then,
you know what, sign up to all the other podcast
apps and leave a review there as well. That helps
(01:12:20):
it done. We will be back in two weeks with
a brand new laughter and legends and that really is
a wild one. It's genuinely insane. Thank you so much, Megan.
I hope we can do this again sometime. This was great, absolutely,
thanks again for having me
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