Episode Transcript
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Speaker 1 (00:51):
Everybody. Welcome back to the Aliens and Angels podcast. And
now I've got something I want to add to my introduction.
I want you to know that all the content except
for the thumbnail art, but all the other content in
this show is completely authentically human generated and it includes
(01:16):
absolutely no AI generated components. We are the real deal,
real people having real conversations. So I thought you might
like to know that. Because there's so much fake stuff
coming out now, it's really hard to tell you know
what's real and what's not. So I thought I would
tell you that my content is absolutely real. And the
(01:39):
only thing I use AI for I use an older
AI model is for creating the thumbnails. So for todays,
I'm very happy to introduce you to my new guest,
Sue Walker. Sue is an internationally recognized clairvoyant, a medical intuitive,
(02:00):
a normal researcher, artist, and co author of the book
called Infighting Et. She is also the translator for the
Ponte Grays of the Sandia Mountain Information Station, who reside
at the Sandia Mountains, Albuquerque, New Mexico, helping prepare humanity
(02:25):
for official first contact. All of the links are featured
below in the description. Thanks for liking, commenting, subscribing, and
please do share my content with your friends. I'm very
happy to announce that channel memberships are now available so
you can receive my books and help to support this podcast.
(02:47):
So without further ado, let's bring on sus. Welcome to
the Aliens and Angels podcasts so much.
Speaker 2 (02:55):
I've been looking forward to this for a long time
and just was kind of tumping at the bit today
waiting for the show to start. So I'm excited to
be here and thank.
Speaker 1 (03:08):
You, and did you want to add anything did I miss?
Speaker 2 (03:13):
Very well, I have shifted away from doing clairvoyant and
medical intuitive readings two more of my art work, and
that's at the request of my extraterrestrial friends. Believe it
or not, we will talk about it, but I have
an extraterrestrial art teacher who has helped me improve my
(03:37):
skills over the past ten years of drawing. And we
can start at the beginning so that people in your
audience understand who the Ponte are and where they're from
and why they're here, and a little bit about how
(04:02):
their information has spread throughout the world and how people
around the world are inviting them for a visit. And
they come visit people everywhere from England and France to
Canada to here and beyond, and so it's a story
(04:26):
about extraterrestrial contact that's unprecedented and true, and we will
stick straight down the line to the honest stuff that's happened,
and you can verify that with all kinds of people.
But I'm trying to think of where would be a
(04:48):
good place to start. Do you or your audience know
anything about the Ponte. They are one of the zeta
body type species. We don't call them grays because they
think that's insulting.
Speaker 1 (05:06):
Oh okay, too bad.
Speaker 2 (05:08):
They said, please, don't call us grays. We don't call
you pinks or browns. And so they gave us a
number of things that were acceptable. But instead of referring
to them as grays, we refer to them as a
Zeta body type species, because so many species in our
(05:29):
galaxy are mistaken for one another when they have a
zeta body type, and several of those nations visit Earth,
and they all get thrown together as if they are
from one world and are one classon and that's totally untrue.
And so that's why we've shied away from the moniker
(05:54):
of grays, and we don't even call them alien. We
call them extraterrestrial, or them from where they're from, which
is in the Ponte's case, Zeta reticulate two. Zeta particular
is a binary star system with two stars, and they
(06:14):
orbit the further of the two stars in that system
and are about forty light years from here. But they've
explored this galaxy so much that they have colonies in
a number of places, and as ambassadors they help other
sentient nations come to the understanding that they have extraterrestrial neighbors.
(06:40):
So the Ponte of the Sandy Mountain Information Station have
been on Earth, they say about one hundred and thirty
five thousand years, and they have records that go back
(07:00):
farther than that, but from other star nations. The Sandy
Mountain Information Station itself was retrofitted into the ancient tunnel
system leftover from one of the last ages of man
that ran north south on the eastern side of the
(07:20):
Rocky Mountains. You can go from the Arctic all the
way down to Central America in that tunnel system. It
has collapsed in some places due to tectonics, but we
as Earth humans have discovered the tunnel system and have
expanded it, and so you can go from New Mexico
(07:45):
and Albuquerque over to Area fifty one now without ever
having come up to come up to the surface, you know,
need to. The tunnel system is fairly extensive with lots
of side tunnels. Let's see. I was introduced to the
ponte in September of two thy thirteen. I came down
(08:10):
to New Mexico for the first time from where I
lived in Iowa to visit my new boyfriend's house who
is now my spouse. And when I had been here
maybe ten days, he and I were watching television in
the living room. My spouse's name is Otter, like the animal,
(08:31):
and Otter and I were sitting watching America's Got Talent
of all things, and it was the final finale week
and we had a favorite performer. And when he finished
his performance, I turned to Otter and I said, Wow,
he was really good. I hope he wednesdanight. And then
(08:53):
something very strange happened. A new, brand new calm clear
male voice popped into my head telepathically and said he
was good. I hope he does win. And I had
been doing clairvoyant and medical intuitive work at that point
(09:15):
in time, paranormal investigation of all kinds hauntings and haunted
places and ghostbusting and all kinds of unusual research for
more than two decades. This was not a ghost. It
was not a disembodied spirit. It was a physical, live
(09:35):
person who was not in the room with us. And
it came with a directional sense and distance. It came
from a single spot inside the Sandy Mountain. That was
new to me, and I had never had that kind
of a thing happen before. And I turned and looked
(09:58):
at the mountain and I went, what is this? And
then the voice went silent, and I thought, well, that
was really strange. I wonder what that was. The next
day I heard the same voice again, just for a
small short sentence or too quip, and then it went
silent again. The third day, I heard it a third time,
(10:20):
and I figured I better ask Otter. And I turned
to him, and I was a little afraid that he
was gonna think I was a crazy woman. I turned
to him and I said, Otter, I have a strange
question for you. Do you ever hear a voice coming
from the mountain? I keep hearing this guy? And Otter went, oh,
(10:43):
THEMN Oh, they talk all the time. They talk so
much I have to tune him out. They've been talking
to me ever since I moved into this house in
two thousand and nine. Why And so I was a
little relieved. So we chatted about the voice, and I said,
you know, I hate to just keep calling it the
(11:04):
voice from the mountain. That sounds kind of dumb. I'm
going to give it a nickname. It comes from the
Sandia Mountain. That sounds like a name. I'll just call
it Sandia. And I had forgotten completely at the time
that Sandia means watermelon in Spanish. And when I turned
to Otter and I said, I think I'm going to
(11:25):
nickname the voice Sandia. The voice was listening and piped
up immediately afterwards and said Sandy, eh, watermelon. Had that'll work?
And then he went quiet again, and I had what
what does he mean? Who is is what? I didn't
understand it at the time. I figured it out later
(11:48):
I went back to Iowa. And when I went back
to Iowa, I didn't hear the voice. Two months later,
I came back down to New Mexico and was going
to spend the Thanksgiving with Otter, and as soon as
I arrived back, the voice started up again, and we
started chatting more and more each day, like neighbors across
(12:11):
a backyard fence, and Sandia started kind of introducing himself
to us a little more, and I finally got brave
and I said, Sandia, I have a question for you.
What's your real name and where's home? And he answered immediately,
(12:33):
and he answered in detail, and he said, my real
name is Diokham. And what he said took them and
I said slower. He said, dilk come and I said
till come like t e a L like the color
come like come here, and he indicated that that was
(12:56):
as close a pronunciation as he wastable with, and he
spelled it for me immediately. He said t L k M.
And he followed that up with our language seldom uses
vowels unless they are borrowed. And I said, where's home?
(13:19):
He said, home is the fifth planet over breaking the
further of the two stars of the binary system. You
call zaa ridiculi in the constellation of Reticulum, which is
a somether time. It's your constellation. Difficult for you to
see from here. That was the whole quote, and I went, oh, okay,
zata reticuli. This is making sense. And I said, what's
(13:45):
your planet called? He said, panel and he spelled it
p apostrophe NTL. He said, the apostrophe is a diachromatic
mark indicating a lip flap is a lip flap, And
(14:05):
so they are a telepathic species. They have vocal cords,
but it's an unused, unpracticed muscle, so very few of
them teach themselves to speak out loud. And he described
himself as their people. The Ponte from Pontel lived to
(14:34):
be about four hundred years old on average, have four fingers,
four toes. Their fingers. The digits of the fingers are
twice as long as our digits, so you can imagine
from here to hear being twice as long, from here
to hear being twice as long. So their fingers, instead
of this long, are this long. And the four fingers
(14:59):
have dexterity on both sides to the point where they
can wrap them around almost like two thumbs. When he spoke,
I'd asked him about his eyes, and I said, do
you always have dark eyes? And do you live in
a high light environment that you need to have these
(15:25):
almost like we wear sunglasses. And he said these lenses,
the dark lenses, are nictitating lenses and retractable, and when
you retract them, their irises are all the same colors.
Ours are plus one that's more gold tones and one
(15:46):
that's more lavender purply tones. And so he said, when
we are in a low light environment, it's much easier
for us to see. But in the dark, they have
night vision that is full color, he said, and their
(16:11):
spectrum of vision is broader than ours is. They have
a little nose cartilage. It's not flat with just holes.
Some of the Zeta body type nations have very slanted
eyes and holes for nostrils, and the Ponte have a
(16:34):
small button nose and more of a round head than
an oblong head. It is somewhat oblong, but not much so.
We started talking to Sandia or Tilcom in twenty and thirteen,
and he did not introduce us to any other members
(16:58):
of the staff of the Sandia Mountain Information Station. The
information station is for interstellar travelers who need the latest
information about Earth and about us as Earth humans, what
our technology is like, and if it's a danger to
any interstellar visitors. He said, On any given day, you
(17:23):
can see seventy five to eighty separate nations visiting Earth.
Seventy five percent of those are here to visit our oceans.
We are a water world, and the aquatics that are
in our oceans are apparently legendary. Their songs, the songs
(17:48):
of the cetaceans, and the wisdom of the deep ocean aquatics,
including the amorphous beings and the octopi, and things like that.
The interstellar travelers come to visit them. I said, tell
(18:10):
me about your ships. We didn't want to quiz him
for technology, but I said, what kind of shapes are
your ships? And he said, ours can be three different shapes.
I've either an oval or a classic saucer, or a
(18:34):
long long cylinder rounded at each end like a long
cigar tube. And those ships can be even a mile wide.
They are mostly the cigar shaped ships are mostly used
for going into the oceans. And so we talked about
(18:57):
why they were here, and the Pontea are here because
they consider themselves cultural explorers. I guess I would say
it that way. They visit other worlds wanting to learn
(19:17):
about what the sentient beings do when they're not working.
What do you do in your free time? What do
you do in your off hours? And it's those things
that we overlap the most with other Star Nation folks art, music, dance,
(19:40):
costuming or clothing, food, and so we've had marvelous discussions
with the Pontea about all of those things, including what
kinds of things do they eat when they're here that
(20:00):
are our foods that are closest to what they make
at home. And we learned that their diet is what
is usually called pescatarian, meaning they will eat fish and
seafood and lots of vegetables and fruit and not avians,
(20:21):
not four footed animals. They have told us some of
other Star nations and also let us know that in
the last big disaster that Earth had that humans kind
(20:44):
of got knocked back and had to rebuild their civilizations. Again.
That's seven Star Nations aided Earth humans in that we
build in various places around on the planet, whether South America,
Central America, North America, Asia, Europe, Africa, and so every
(21:10):
location that one of the seven Star Nations helped Earth humans,
that Star Nation kind of has loosely jurisdiction over that area.
They usually have an underground facility, and we have remained
in that area. So if you go to Asia, the Nagas,
(21:32):
the snake people are there. If you go to northern Europe,
the Nordics, the blonde, blonde, liff, graceful people are there.
If you go to southern Europe, the Umo are there.
If you go here to the desert southwest of North America,
(21:56):
these a ponti are here. So they named various places
and talked a little bit about other star nations and
how they helped, and let us know very clearly that
when the last disaster hit, they met a lot of
(22:19):
the survivors at the mouth of the Colorado River where
it empties into the Baja area, and that group of survivors,
they walked them up the Colorado River to the Little Colorado,
and people as they walked chose whether or not they
(22:41):
would stay in various places where there was plentiful places,
plentiful materials to make shelter, grow food, et cetera. When
they got to the mouth of the Little Colorado, they
walked up the Little Colorado, and again people stopped along
(23:01):
the way and decided whether or not they would settle.
When they got from the Little Colorado to what used
to be the river that went up to Zuni and
Zuni Lake area. Both of those have dried up now,
the river and the lake. But when they finally got
(23:26):
to the land in the valley where the Zuni Pueblo
is at the Arizona, New Mexico border, they stopped and
the housing for the last of the group that had
walked all the way up from Baja. The housing was
already set up for them when they arrived by the
(23:48):
Star nation people.
Speaker 1 (23:50):
Oh wow.
Speaker 2 (23:51):
Yes. Since then, Zuni has been a hot bed of
activity for many Star nations, and they kept track of
the history of visiting Star nations, and in fact, their
major yearly celebration recreates one of the star nations that
(24:16):
was an Avian nation, a bird nation that the Zuni
helped them when they had a craft that went down
here in New Mexico. And because the Zuni had a
history of being helped by Star nations, when the Avian
(24:36):
nation landed, they immediately went out from the Zuni village
and said, oh, hi were the Zuni, and the star
nation was called the Shallaco. They were eleven to twelve
foot tall avians that had blue feathers on the head
(24:59):
and a big black ruff of feathers around the neck,
and that nation accepted the help from the Zuni to
go retrieve the survivors from their down to craft and
the craft itself. And when they got done, the Shallco
(25:21):
said to the Zuni, thank you so much for all
your help. We're all in our dirty work clothes. I
tell you what. Let's all go home and get cleaned up.
We'll meet down by the river. We don't have to
leave until dawn. Let's just celebrate our work together and
party in from midnight to six am. And that's what
(25:41):
they did, and so the Shallico became a part of
the celebration that Zuni has on a yearly basis in
late November early December of helping the Challico, and that
holiday is still celebrated every day and is one of
(26:01):
their most sacred holidays.
Speaker 1 (26:04):
Interesting. I wanted to ask you, Sue the Ponte. Do
they consider themselves to be transdimensional?
Speaker 2 (26:15):
When they travel? They? Uh, travel in in multi dimensional
space m H. So that's how they can get from
one place in the galaxy to another very quickly? Uh?
When they exist? Can they use devices that help them
(26:48):
go through walls in a trans dimensional way? Yes? And
so I'm not positive that I would be comfortable saying
that they then themselves are transdimensional.
Speaker 1 (27:03):
But they have the technology dimensional.
Speaker 2 (27:06):
Technology come through our walls. We've seen that on multiple occasions,
and in fact have witnesses that describe that occurrence of
Ponte coming through a wall. One witness here in Albuquerque
(27:28):
who started having her experiences with the Ponte in the seventies,
Gloria Hawker, was written about by the UFO author Bud Hopkins.
And Gloria and I have become friends, and she's in
her early eighties now, and she was injured and describes
(27:50):
one day laying in bed after her injury and the
wall at the foot of the bed dissolved into an
eight foot circle, and five Ponte walked to the opening
and surrounded her bed to heal her.
Speaker 1 (28:05):
Oh oh, that sounds incredible.
Speaker 2 (28:08):
When she and I first talked, she called me up
and she said, I understand that you know that there
are extraterrestrials underneath the mountain. I said yeah, She said,
and that you know them by name, And I said yes,
and I draw them. Would you like to see pictures
of them? So while we were on the phone, I
(28:28):
sent her emails with some of my artwork that were
of Tilcombe there, Sandia or Tilkum, the manager of the station,
one of their pilots by the nickname of Radar, and
one of their females that trained other people, whose name
(28:50):
was Jeruti. She opened up Tilcum's picture. She didn't say anything.
She opened up Radar's pictures, she didn't say anything. She
opened up Drudy's picture and she began to sob. She said,
I know this woman. Please, please can have her name,
and please can you tell her thank you? No, I'd
like to tell her thank you in person. Can you
please come have her visit me again. I really really
(29:13):
appreciate her and recognize her, and I can show you
what these guys look like.
Speaker 1 (29:21):
Okay, this is Rudy.
Speaker 2 (29:27):
Drudy likes her head warm. She doesn't like it cold.
It's a little chili under the station, and so she
wears scarves on her head to keep her head warm. Drudy,
uh Ti Radar. Let's get Tilken first. This is what
Sandia looks like. That's Cindia m. Radar, along with being
(29:56):
a pilot, studies our media that pertains to UFOs, extraterrestrials,
paranormal stuff, and it keeps their finger on the pulse
of what the public normally is given information about regarding
(30:18):
UFOs and extraterrestrials, and so they want to know what
that is. So Radar began to collect things that dealt
with our movies and television shows that dealt with UFOs
or extraterrestrials, and so this is one of Radar's collections.
(30:38):
Wanted a flashy thingy and sunglasses just to throw into
the collection because they document how we learn about extraterrestrials,
and so we gave that to him. So the guys
under the Mountain, it was Tilcom who requested that I
(31:02):
start drawing them. And what he said at the time is,
we are under a treaty where we cannot provide you
with photos or videos or technology of any kind, but
that does not stop an experiencer from drawing what they've experienced.
(31:24):
Would you please start drawing us? And I said, took him.
I haven't drawn anybody since high school. It was forty
years ago at the time, and I said, I haven't
drawn anybody in four decades. What are you talking about?
He said, we understand that, but we believe that you
(31:46):
can do it. And so they started me drawing in
twenty fifteen, ten years ago, and I draw every day
a little bit, sometimes for three hours and sometimes for
less than a half an hour. But I do draw
every day, and what I do now compared to what
(32:09):
I did ten years ago are very different. And part
of that is because Tilcom said, in order for you
to improve faster, would you like an art teacher. I
have a member of my staff that could help you,
And so he signed me an extraterrestrial art teacher. I
(32:29):
have had no other art training at all except for
her guidance, have never taken any classes, nothing, And so
my improvement has come because of having an extraterrestrial art
teacher named Mim. And I don't know if I have
(32:53):
a picture of Mim here. I'm not sure I do.
But what I can tell you is that in the
summer of two thoy and sixteen, Tilcombe said, we would
like to send you a telepathy instructor by the name
(33:17):
of Tani, and I went okay, And he said, and
we wish you to translate with her a manual for
Earth humans to improve their telepathic skills, and to list
the protocol for contact along with that. And so Tani
(33:41):
was one of the oldest gals underneath the Sandy Mountain
working with Tilkam. And this is Tani. Toni Tilcomb was
born in our year seventeen seventy seven, and Toni is
pro real close within twenty five of our years of
(34:03):
that age. So he turned two hundred and forty eight
on June twentieth, and Tonia is probably close to two
hundred and twenty five. They live to be four hundred
years old on average, four hundred and fifty of our
years with good health. But when they spend so much
(34:24):
time on a world that is not their home planet,
with a different atmosphere, a different gravity, and other things
that affect the physical body, it shortens their life span too,
closer to one hundred and fifty years. So to me,
(34:48):
getting back to her, dictated the Telepathy Manual that we
now call the Telepathy one oh one Primer Life Old
school English. You know book primer beginning construction manual is
what a primmer is, and so the Telepathy one on
(35:08):
one Primer is two hundred and eighty five pages with
a sentence or two on a page in a slide
show presentation a PDF format that you can download for
free in order to help improve your telepathy, but also
to understand the protocols for contact, and that's available for
(35:29):
free on their website called official first Contact dot com.
And so we recommend to people who want contact to
first download that premer and study it for about three
months one hundred day's isshu before they attempt to contact
(35:51):
the Ponti telepathically and request a visit. After we had
put published the Telepathy one on one PM online, within
three months it was translated by volunteers around the world
into a dozen different languages, and by the time we
(36:14):
hit year two, we had a translation into sign language
with a visual in the corner for lip readers and
texts beneath, so that the deaf community could begin to
also study and understand. People all over the world began
(36:37):
studying the Telepathy one on one PM and asking for
a visit and getting the visits, and when that began
to happen, then they understood that they could also request
visits from the Ponte by name, because they had begun
(36:58):
to learn about more of them other than Tilcom and
Radar and Drudi from Twitter account. In May of twenty fifteen,
Tilcum came to me after talking to Raider and said,
we understand your planet has something called social media, and
(37:18):
I went, uh, oh, yeah. He said, we wished to
open an account because we wished to teach, and I
went and I had to stop and think whether or
not I could open an account for another person and
try for them. And my response back to Tilcombe was,
(37:41):
I think, so, I think we can do that as
far as I know, there's nothing illegal about it. And
so we opened first to Facebook account for a month
and it didn't grow fast enough for him, and then
we opened a Twitter account. I knew nothing about Twitter
at the time. I'd never been on it and had
(38:01):
to request information from my webmaster, who knew all the
different social media platforms, and after thinking about it, he said,
I think Twitter would probably be the easiest one for
you to start with. And so the Ponte first started
teaching on Twitter in June, the first week of June
(38:23):
of twenty and fifteen. And now I think there's more
than twenty two thousand tweets from a lot and information
on every topic and that I've asked them about, and
(38:43):
more than that. Even so, people got to know the
Ponte and could ask them questions directly and get direct
responses from them because I would see the question, pose
it to the gang and get their answer, and then
type exactly what they told me back to the Twitter followers.
(39:07):
And then we realized that we needed to put all
this massive amount of information onto a website, and that's
when we started the official first Contact dot com site,
and you can find many of the things that they said, interviews,
(39:29):
images of all of the Ponti that we have been
introduced to at the Sandia Station. Out of more than
two hundred and fifty employees, we know maybe ten percent.
So questions. I know, I'm babelonatcha rat.
Speaker 1 (39:46):
No, it's good, it's all good, It's all good. Well,
first of all, what I want to say is I'm
delighted to hear about your experience, because unfortunately, there's quite
a few real heavy negative experiences that people have, although
I have noticed that a lot of the negative experiences
(40:09):
involved deep underground military places American military personnel. Yes, and
I'm wondering if it might be a bit of a
psyop and because let's face it, the powers that be
on Earth don't want us giving any energy to this.
(40:31):
At least that's my belief. But I know so many
people that have had really including myself, who's had really
positive experiences. I'm a far better person than I was
before I made contact myself, and so I'm just thrilled
to bits to hear about the ponte Now, I hadn't
(40:53):
heard of them before I discovered you. But at the
same time, I'm very open minded because because my experiences
are so weird and vast, I don't really expect anyone
to believe me. But I hope to influence other people
to be more open minded. I think that's that's the key.
(41:14):
And so I'm very excited that you've done the work
that you're doing with the Pontee. So what I'm curious
what is their endgame or do they have one? Or
are they just here to provide a platform for other
ets to discover Earth and humanity or is there an
(41:35):
actual game plan here?
Speaker 2 (41:37):
Well, first of all, they consider themselves cultural explorers as
well as what they refer to as gardeners of intellect.
That's an interesting concepts intellect. So they help people learn
(41:58):
and grow in their knowledge instead of just watching them
hang out. They also have been sharing with us about
the huge changes coming to our star and to our planet.
(42:19):
We have entered into an area of the galaxy that
we haven't been in for thousands and thousands of years.
That's kind of a rough patch, and it has a
lot of geomagnetic anomalies, and that influences the health of
(42:40):
our Sun and tends to cause it to have more CMEs,
more coronal mass ejections, more big plasma sneezes all across
its surface, but they tend to become more severe in
(43:02):
when they're in this area of the galaxy, and the
sneezes can be big, as in knocking out all of
our satellites and taking down our electrical grid, or they
can be massive and cause planetary extinction and a whole
(43:23):
planetary reset. Our own Northern and Southern magnetic poles are
affected also by this area of the galaxy, and so
is our magnetosphere, and you are seeing more and more
(43:48):
changes and sudden anomalies reflected in our magnetosphere that are
not caused by the Sun but simply by what the
pontibrefer to as ribbons of geomagnetic energy that are within
(44:08):
this debris filled area of galaxy that affects the North
and South poles in a lot of ways. And you know,
and I know that our north and south poles are
moving faster than they ever have at the moment, they
(44:31):
are moving toward one another, and we are about ready
to shift to the place where we could have two
north poles in one south, or two south poles in
one north, or two north poles and two south poles.
All of that would continue to weaken our magnetosphere, which
(44:55):
is already weakened a great deal in the last fifty years,
and is letting through more dangerous cosmic rays than it
ever has, and more anomalous things that change the geomagnetics
(45:15):
in local places. You will see strange things happen to
the electrical grid in localized areas, and strange things that
affect the power of anything that operates with a battery.
(45:36):
And so will batteries suddenly die all across the things
in your household all in one day? They could? Or
could your lights begin blinking uncontrollably in weird ways? Yes?
Speaker 1 (45:53):
They could.
Speaker 2 (45:54):
Can you burn out more light bulbs across your house
all in one day because of it? Yes? So of energy.
We happen to have a whole house surge protector on
our house, meaning that before the electricity goes out to
(46:17):
the house, what comes in off the grid stays at
sixty hertz and doesn't vary from that like most houses,
and so that saves our appliances and electronics a great
deal here. But the area that we're going into can
(46:41):
cause us to go from a first world nation to
a third world nation with no electricity in one big
sudden surge. And that happened or that kind of surge
happened back one hundred.
Speaker 1 (47:01):
And Carrington events. Yea, in fact, we're overdue. We're overdue,
aren't we first?
Speaker 2 (47:10):
Yeah, we are very Yeah, And so when.
Speaker 1 (47:14):
When does the ponte think this will happen? Do they
have any idea.
Speaker 2 (47:19):
In twenty forty, but they have been watching this solar
cycle and the next one following this one very closely
and have put out warnings when they see that there
will be huge surges or potential surges coming from the sun.
(47:44):
When we ask them, why can't you pin down the date,
they say, well, it's kind of like pinning down the
date of exactly where our tornado is going to land
from a storm five years in the future. M hm, okay,
so you know that you may have tornadic activity, but
(48:05):
exactly where the tornado will land. That's kind of up
to the things that happening at the time that are
not predictable ahead of time. The Ponte do not time travel.
They don't recommend it. They say it's far too confusing,
too fast. There are watchers that do visit past and
(48:30):
future events to gather data and record. Those watchers time travel,
but they are one of a very few nations that do.
Speaker 1 (48:42):
Mm hmm. Interesting. I don't know what it was like
when you were a child, Sou, but when I was
a child, the sun looked quite different. It was smaller,
it was yellow, and you can actually stare at it
for a couple of seconds and then blink away the afterlight.
(49:03):
Now you can't. I can't look at it at all.
It's huge and it's white. To have the Plante said
anything about about what's going on with our sun.
Speaker 2 (49:14):
Well, the intensity from our sun is changing because the
magnetosphere is not filtering it out the same. So it's
not necessarily the sun that has changed as much as
it's what filters the sun to protect us. Yes, the
(49:40):
other part of that is I used to live at
a low altitude in Iowa, and I live now at
a mile high. Albuquerque is a high elevation city, and
I live up on a mesa even three hundred feet
(50:00):
higher than the general city of Albuquerque here in my suburb,
and so my elevation is five two hundred and ninety
feet exactly, which is ten higher than a mile. We
feel the intensity of the sun and watch the UV intensity,
(50:20):
and as soon as it climbs above ten, we get
out of the sun here because the danger to us
is stronger up here in the thin air, because we
have even less protection than yes, live at general lower altitudes.
Do yes, you feel I feel the intensity of the
(50:44):
sun more than the heat of the sun, having changed
dramatically from when we were kids.
Speaker 1 (50:52):
Yeah, me too. Now, So I just want to do
a quick shout out to people in the chat. Denise
is my moderator. Hi Denise, so glad you could make it.
And Helena, and thank you for joining us. Now we're
(51:12):
quickly running out of time, but we do have a
few minutes left. Sue what I'd love to have you
back because we barely evenscratched service. And I would like
you to tell us as of today, what do the
ponte want us to know? What? Is it a message
(51:36):
that my audience, my listeners, my viewers can actually you know,
benefit their lives and get to know the pontea a
little bit, even though this may be their first exposure,
which you'll be able to help with that, We sure can.
Speaker 2 (51:52):
What they told us is very simple. If you live
in a community and your best friend lives in the
town next door, and that town gets hit by a tornado,
your first instinct is to go straight to your friend's
house to see if they're okay. Right, when you make
(52:18):
Interstellar Friends and something happens to the Earth, their first
instinct is to go check on their friends first and
help them out. And so downloading the Telepathy one on
one primer learn how to improve your telepathy so that
(52:40):
you can talk to them. And making friends is a
good idea for when the proverbial stuff hits the fan later.
So make Interstellar Friends will benefit you and your family
in ways that you don't know. Now. That's the first emanations.
So again, the Telepathy one on one prem is free
(53:04):
available to download from official first Contact dot com. They
are here and exposing themselves more and more. You are
seeing more craft now in our skies that are allowing
themselves to be visible than you ever have before and
(53:28):
the next step will be allowing pilots and others to
see occupants of those craft through the windows. Now, normally
the craft that the pon Tea have don't have windows,
they don't have scenes, they don't have rivets. You don't
see anything but brand new, shiny, white, smooth all the
(53:51):
way around. They can create windows and doors from the craft,
but it is not something that when it's sitting and
parked that you see. What else do they want you
to know? If you wish to survive the changes that
(54:13):
are coming, they recommend going underground and having things underground
to help you survive for quite a while, even up
to years. They want you to stay safe. And while
there are hospital ships and helperships from other star nations
(54:36):
coming into our system and parking themselves outside of Neptune's
or bed and waiting, those ships are not going to
be enough to help any more than maybe a million
people at best, not eight billion. So you cannot necessarily
(54:59):
if if you don't know the Ponte or any star nation,
expect to go on a ship, that would be as usual.
They look for honest people. Honesty in a telepathication is critical,
so honest, mature spiritual, right minded people who think seven
(55:21):
generations into the future before they make big decisions that
are going to affect your great great great great great grandchildren.
So they're here to help and here to be a
friendly face and a friendly voice to introduce themselves to
(55:44):
us so that we are less afraid of extraterrestrial contact.
Speaker 1 (55:50):
Wonderful. Yeah, I think that's absolutely wonderful.
Speaker 2 (55:55):
Now.
Speaker 1 (55:55):
So for people like myself who don't have access to
subterraine and shelter, is there any safe zone in Canada
or the United States or Mexico that you know.
Speaker 2 (56:07):
Of for things that involve the effects of sneezes of
plasma coming from the Sun. It depends on which side
of the planet is facing the Sun at the time
(56:29):
it hits the planet. So the predictability of what would
be safe and above ground is a hard one and
I don't think that I can answer that clearly. I
wish I could. For the Earth changes that are coming.
Ben Davison says that this area of the southern Rio
(56:55):
Grande is one of the safest as far as tsunamis
and uh tectonic changes mm hm, And so where I
live is not half bad. Southern Calorino not half bad.
I would not be near the New Madrid fault zone.
(57:19):
That's where you go Yellowstone is kind of waking up.
I wouldn't be up there, but know where your major
volcanoes and the drift is. Yeah, that would help you
determine places not to be. I'll put it that way.
(57:41):
Go to where it's tectonically stable, that one, and you
have adequate water.
Speaker 1 (57:49):
Yeah, Water's a tough one. I moved from being on
the Cascadia near on Vancouver Island and I moved to
central Alberta, and then quickly learn water could be a problem.
Clean water. Clean water could be a problem. But you
know what's so we're going to have to pick up
another time. So I'm going to be at I'm going
(58:11):
to be out of town for a few weeks, and
then I will contact you towards the end of the
summer see if you've got time to come back on.
I loved everything you had to say, and consequently I've
had my own et contact very different than you with
the PONTIF, but the elements are the same. Like, for instance,
(58:34):
they're not going to just come in here and rescue
everybody if there is an evacuation. It will be limited,
and it'll be limited to people who are spiritually and
socially evolved, because they're not going to just move a
bunch of psychopaths off of the Earth and put them
on other ships or put them on other planets, because
(58:56):
that would harm what I call the ecology of the cosmos.
So that was interesting, the way they travel through interdimensional space. Yes, same,
So much of what you said resonated with me, and
it makes sense that different beings, and I'm sure there's
a lot of them, they have found out through time
(59:17):
what works and what doesn't work, and you know, they
want to give us a hand up, a hand out, whatever,
you know. So I've really really appreciated you being on
the show today. Now some people will be listening to
this on an audio. Do you again want to say
the links of where people can find you, and of
(59:39):
course they will be in the description below, and any
other things that we miss that you feel are important
to share before we conclude this episode.
Speaker 2 (59:51):
There is a Facebook page The Sandy Mountain Ponti Crew
is a private group that is of like minded individuals,
many of whom have contact with the ponte and that's
an option on Facebook. Twitter is the handle of at
(01:00:12):
Sandia Wisdom All one word the YouTube channel where you
can see the Ponty, all of them in their portraits
and a little bit about each one and a video
on why they are here and everything else. The YouTube
channel is the same as the Twitter channel at Sandia Wisdom.
(01:00:35):
You can also see some of my art there. You
can see a combination of my art as well as
information about the ponte On my Instagram Sue Walker page,
I think it might be Sue Walker one one one one.
There is a TikTok page that doesn't have too much
(01:00:57):
and again I think that's under my name Sue, and
so you can also, uh if you want to have
your own CE five, download our book Inviting Et from
Amazon and the Ponti's web page is official first Contact
(01:01:20):
dot com.
Speaker 1 (01:01:22):
Oh wonderful. Well, you've given us a lot to think
about today.
Speaker 2 (01:01:26):
Sue.
Speaker 1 (01:01:27):
I want to tell you I really appreciate you coming
on the program. Thank you so much. I can't wait
to have you back. But thank you for the work
you do. And you know, I got to tell you
what I love about your artwork is when we look
into the eyes of these beings, I see we're not
so different. After all, and I think it's critical that
(01:01:48):
we remove that fear factor so that people can be
in a position just if you, you know, if you
lived in say Mexico all your life and you've never
seen a white person, or you're never seen you know,
different ethnicities, you saw them for the first time, you
kind of go, oh, that's interesting, I want go talk
to that person. That's what we want people to feel
(01:02:11):
when they actually meet face to face with our extraterrestrial brothers, sisters, cousins.
So I just appreciate you so much, thank you so
much for coming on the show today, and I can't
wait to have you back. So that's it for the
Aliens and Angels Podcast today. Everybody, appreciate all of you
(01:02:32):
who are listening to this on an audio or watching
the replay or the live I appreciate each and every
one of you. Appreciate the people in the live chat.
I hope y'all have a really good upcoming week. So
we'll say goodbye for now and we'll see you next
week on the Aliens and Angels Podcast. Bye bye, everybody,
(01:02:56):
Bye bye. Thank you for joining me.
Speaker 3 (01:03:00):
So the Aliens and Angels Podcast read about my true
life et contact in my book called Transdimensional Meet the
New Neighbors, which is now available on Amazon worldwide. Subscribe
to my YouTube Rumble and X channels at Karen Holton
(01:03:22):
Tv the like button and leave me a comment, and
please do share this podcast with your friends. Check out
my website at www dot karenholtonelthcoach dot com to see
my free resources and amazing products and services. All of
(01:03:43):
the links will be in the description below.
Speaker 1 (01:03:47):
As part of the Forbidden Knowledge Network, you will also
find a Quantum Guide show with Karen Holton on all
audio platforms. Until next time, stop the good work.