August 18, 2025 • 29 mins
Dive into the eerie and captivating world of "Quiet Please." This iconic radio show from the golden age of radio offers a unique blend of horror, mystery, and drama that will keep you on the edge of your seat. Whether you're a fan of classic radio dramas or looking for spine-tingling stories to listen to, "Quiet Please" has something for everyone. Don't miss out on this timeless collection that will transport you to a world of suspense and intrigue.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Quiet Please, Fire Please.
Speaker 2 (00:29):
The American Broadcasting Company presents Quiet Please, which is written
and directed by Willis Cooper, in which features Ernest Choppers.
Speaker 1 (00:38):
Quiet Lee is for days, Uh Rock Gray Magic?
Speaker 3 (01:00):
Yes, Yes, yes, I'll be there. Yes, I'm said, I'm here, Yes,
I hello. Yes, this is mister bodycarn Who did whom?
Speaker 1 (01:15):
Did you think it was?
Speaker 3 (01:17):
Well, this is my room. I'm not in the habit
of having people in my room, and I'm not here.
Speaker 1 (01:21):
No, there's nobody in my room.
Speaker 3 (01:23):
But yes, I'm in my room. But there's nobody in
my room except me.
Speaker 1 (01:30):
All right?
Speaker 3 (01:31):
Were there any calls for me?
Speaker 1 (01:34):
No calls?
Speaker 3 (01:35):
Well, all right, hang up and let me sit.
Speaker 1 (01:37):
Down, all right? Oh heaven behind you bost it? Oh?
Speaker 4 (01:46):
Oh you call room and.
Speaker 3 (01:50):
Get me gramosy nine one zero four four.
Speaker 1 (01:55):
Yes, that's exausted.
Speaker 3 (01:59):
Hello, mister Luman Chrittenden please, Oh woman, if you wouldn't
recognize your voice?
Speaker 1 (02:04):
Woman, how are you? I'm just exhausted.
Speaker 3 (02:07):
I've I've just had the most extraordinary experience. Well, I
was waiting for a Madus Navnue bus there on Fourth Avenue. Well,
I guess I has to place more properly, you know, right,
across from Watermaker's where the subway station's the middle of
the street, kind of you know. I was waiting there
for a matisn Avenue bus. And you know all those
second hand bookstores along Fourth Avenue, they have tables outside
carry away these plastic six to fifty cent o.
Speaker 1 (02:28):
Wait a minute, women, there somebody.
Speaker 4 (02:30):
Is a door.
Speaker 2 (02:30):
Oh that somebody interrupted might California.
Speaker 1 (02:39):
Well, well, now who don't who did that?
Speaker 4 (02:46):
How was that?
Speaker 1 (02:47):
I'm better? Those kids again?
Speaker 4 (02:54):
Fot?
Speaker 1 (02:55):
And it wasn't anybody, woman, I mean it was some
kid or something. H. Hello, luman, woman? Are you there? Hello?
Speaker 3 (03:02):
Woman?
Speaker 1 (03:03):
Oh, wouldn't that treat you? Somebody cut us off? Hello?
Hello office? Hello you cut us off? You did?
Speaker 5 (03:11):
Two?
Speaker 3 (03:12):
Give me Grammarcy nine one O four four again.
Speaker 1 (03:15):
H wait a minute, Oh I thought there was somebody's
a door again.
Speaker 3 (03:20):
Uh Grammarcy nion one O four four make it snappy?
Speaker 1 (03:23):
Two? Got kids at the door again? Er hello?
Speaker 4 (03:27):
Oh oh hello woman?
Speaker 1 (03:28):
We were cut off, weren't we?
Speaker 3 (03:30):
Well I went to the door, and yes, I know,
well I was waiting for the bus.
Speaker 1 (03:35):
No, yes, I did say that, didn't I not?
Speaker 3 (03:37):
About the second hand book? Well, I brought her book? Yes,
I did forty five cents, you guess.
Speaker 1 (03:49):
No, no, no, you give up.
Speaker 4 (03:55):
Magic.
Speaker 3 (03:57):
No no, no, not Condric's magic, real magic, black magic,
just like real.
Speaker 2 (04:02):
Sure.
Speaker 3 (04:04):
I nearly broke my neck up my way home.
Speaker 1 (04:06):
So walking along reading and after I got off the
Madison having a.
Speaker 2 (04:09):
Bus, I put over a cat cat c a t
cat blackness the ape of stage.
Speaker 3 (04:15):
Wouldn't that freeze you?
Speaker 1 (04:17):
Oh? But that isn't anything. Somebody followed me.
Speaker 3 (04:19):
Wait a minute, I wonder if I could be him
that was at the door.
Speaker 1 (04:22):
Do you suppose it? Oh?
Speaker 3 (04:24):
No, it's that it's that little Yussel silverman that lives
down the hall. He always wants to sell me cigars.
Cigars why, having the faintest idea where he gets him?
I think he purches them from somewhere, the little dickens.
Uh no, wait, woman, I I wanna read to you
from the magic book. But it's fabulous room and you
want to know how to give people?
Speaker 1 (04:43):
Watch? No I suppose not.
Speaker 3 (04:46):
Uh wait, how to ride a broom?
Speaker 1 (04:49):
Oh that's for girls.
Speaker 3 (04:51):
Oh oh wait, how to make ye dready spirits appear
from beyondy ye beyondy oh boy?
Speaker 2 (04:58):
Uh listen to this.
Speaker 3 (05:00):
Gimdal would raise up a naughty spirit.
Speaker 1 (05:02):
To teach thee all the secrets of evil. Of them,
thar must need.
Speaker 3 (05:07):
Wait a minute, woman, I've got a cramp on my leg.
Speaker 1 (05:08):
Way lights it down?
Speaker 3 (05:12):
Uh must needs self for goodness sake.
Speaker 1 (05:16):
Listen to this. Thar must needs.
Speaker 3 (05:18):
First stumble unawares over a catty. It's spelled c atte
lumen uh a catty of the blackest hue. M Imagine woman,
when I did trip over the black catty. Wait, listen
to this over the black catty, the cat who just
(05:38):
read the fortieth.
Speaker 1 (05:40):
Page of this e bookie that wait this, Look at
page forty.
Speaker 3 (05:45):
I'll let you dinner. Say they won't run away.
Speaker 1 (05:48):
Thirty seven nine forty that I'll be chiggered.
Speaker 3 (05:56):
I'll be absolutely comprehensively tee totally bigger. If that isn't
a coincidence, Woman, that's the very page I was.
Speaker 1 (06:04):
Woman. Do you smell any thing?
Speaker 4 (06:05):
Yeah?
Speaker 1 (06:06):
Well that's right. How would you smell on the telephone?
I smell something though? Why?
Speaker 3 (06:10):
Something burning? Don't if you suppose it's brimstone?
Speaker 1 (06:13):
Are you listening? But wait till I find my place again? Here?
Speaker 3 (06:21):
Then must thou place thy left? Come on thy right?
Ear mm hmmm, and close thy left eye and say honor.
Speaker 1 (06:33):
Of the woman for the word honorific village.
Speaker 3 (06:37):
But I love a cat's cat, said, said you ever
hear a word like that honorific ability?
Speaker 4 (06:41):
Shooting?
Speaker 1 (06:42):
I don't what'd you say, litman? Explosion? I didn't hear anything.
I must be blasting in the street or something. If
there is somebody else the doorway him in a.
Speaker 3 (07:00):
Woman, darn little use silver cookie, I'm right here.
Speaker 1 (07:11):
Well, how well, hello yourself? What do you want?
Speaker 4 (07:16):
You'll make a marga final corn?
Speaker 1 (07:17):
Certain man? Who are you? You're not justsel silverman?
Speaker 4 (07:20):
Now send me I come in play?
Speaker 1 (07:23):
Well, come in? Thanks? Well, alright, little boy?
Speaker 4 (07:32):
What's so funny?
Speaker 5 (07:33):
Final?
Speaker 1 (07:33):
Little boy?
Speaker 4 (07:34):
Mister Barnley corn thought Meredith, you you ain't a fine
I am not.
Speaker 3 (07:41):
You Get out of here, you little devil.
Speaker 1 (07:42):
That's better.
Speaker 4 (07:44):
Oh, I'll always stop being such as silly fool Marritor.
He just called me, didn't you called you and your
black cattle black cattle, And you are reading the book
and then you said the word golf, finished up falling
conversation that the rooman couldn't the narrative, and you are
(08:05):
a file talk.
Speaker 1 (08:06):
Well I spo yes, sir, hell a woman did. Yeah,
there was somebody at the door the door scared.
Speaker 3 (08:21):
No, I'm not scared of Looman.
Speaker 4 (08:23):
I just married that.
Speaker 1 (08:24):
That's what.
Speaker 2 (08:24):
Wait wait a minute, littleman?
Speaker 1 (08:26):
Yes, how is this that techure?
Speaker 2 (08:28):
Up?
Speaker 4 (08:28):
Uh?
Speaker 1 (08:29):
I'm a desk. Well that's Luman?
Speaker 4 (08:31):
Oh is it? Oh? And hay here what's that? A pen?
Speaker 1 (08:37):
A pen y?
Speaker 6 (08:39):
Just the second moment step a pen and Moman's picture
marriages hm hm w h well that's all just for
fun here life here and then dom.
Speaker 3 (08:56):
Well that's sorry, ms, little fellows, why did you say, lowman?
Speaker 1 (09:05):
Hello woman, Hello Luman?
Speaker 4 (09:08):
Mumm? Where are you?
Speaker 1 (09:19):
What are you laughing at?
Speaker 4 (09:20):
Oh? You learned your sir lessons? Fine, so why you
wanted to learn all that secrets of ego? And sure?
Speaker 3 (09:28):
Yeah?
Speaker 4 (09:29):
Stuff usin right through Norman's big fat stomach. Maratis, you
murdered them, yours, you did everything.
Speaker 1 (09:40):
The book's dead.
Speaker 4 (09:41):
You call me the dj oh boy. So you got
a line start murder? What are we trying next? You design? Uh?
Speaker 1 (09:49):
Hire Jill Luman the pin.
Speaker 4 (09:51):
Through a stomach? Have you never heard of that?
Speaker 1 (09:54):
Voda?
Speaker 4 (09:54):
They chorus? Sometimes We're fine, that's.
Speaker 1 (09:58):
Hire children s?
Speaker 3 (10:00):
Why oh my, why you you dressful murderers, horrible, you
a little devil?
Speaker 4 (10:08):
Thanks you murder?
Speaker 1 (10:11):
Excuse me? Hello, hello, hello, but.
Speaker 3 (10:20):
Lorma, huh Lorma, I thought you were dead.
Speaker 1 (10:24):
You watch summer?
Speaker 5 (10:26):
Can't watch that?
Speaker 1 (10:27):
And you're not dead?
Speaker 3 (10:28):
Woman? Oh me matter with me, my Norman.
Speaker 5 (10:37):
I'm so happy.
Speaker 4 (10:41):
Yeah, I'm mough. Sorry marder if. I I don't know
what could have happened. It's always worked before. Oh well,
better luck next time. I always say, Oh, who do
you want to murder? Now? You gotta gotta more consistent.
Speaker 2 (10:55):
I wanna know who you are.
Speaker 4 (10:57):
Excuse me, My name is Uch.
Speaker 1 (10:59):
I'm'a be through you.
Speaker 3 (11:02):
Just get right out of here.
Speaker 1 (11:03):
You they will won't do it. You better won't do
what you call me?
Speaker 4 (11:07):
A is here I am.
Speaker 1 (11:08):
Come on?
Speaker 4 (11:08):
Why do you wanna land?
Speaker 3 (11:09):
I don't wanna learn the things the What can you
learn me?
Speaker 5 (11:14):
Uh?
Speaker 1 (11:14):
Have me teach me?
Speaker 4 (11:15):
All the evil magics are the universe? Not it?
Speaker 1 (11:18):
Really?
Speaker 4 (11:18):
There are sixty four ways of mergering people by magic.
Meretive sixty four months show you how to produce on earthquake, fires, flog, sicknesses,
start wars, bob people or it just snuffs right. I
turn people in the fish worm on her own things.
So must lay your oad thing whirl make people jump
out of windows.
Speaker 1 (11:37):
Very interesting, budge bardge bounch.
Speaker 4 (11:41):
That's right, we don't joke.
Speaker 1 (11:43):
You're a mean little cookie.
Speaker 4 (11:45):
Thanks.
Speaker 1 (11:46):
How old are you? Oh a couple of minutes? Well,
you don't look it well.
Speaker 4 (11:50):
In some of my forms I do form nice turn
into different things all evil things snakes, bats, pider, fishes
and a great big spiders. Honest of me, this is
uh lack of fish. Let us way down the bottle
of the ocean, belly hollowed.
Speaker 1 (12:04):
Imagine we come on, let's murder.
Speaker 4 (12:06):
Somebody and let's make somebody jump off the Empire State building.
Speaker 1 (12:09):
Huh can you really do right?
Speaker 4 (12:12):
I cannot teach you. Howl m oh easy, thank of someone? Uman, okay, okay,
now s say after me everty.
Speaker 2 (12:23):
Diberty sivity say, sir, jump jump.
Speaker 3 (12:31):
Oh my goodness, how sick your mumous?
Speaker 4 (12:34):
You're he jumped by fine Luman got him that time.
Speaker 1 (12:42):
I don't bully you.
Speaker 4 (12:43):
Wait and see, just because I said.
Speaker 1 (12:47):
You say, say your sad, sir?
Speaker 4 (12:50):
Are yt halfway sibberty sad?
Speaker 1 (12:53):
But that's what I said.
Speaker 4 (12:54):
I said it backwards.
Speaker 3 (12:56):
Answer yes, oh, hallo hard.
Speaker 1 (13:02):
You'd see how FOOLI.
Speaker 5 (13:05):
I can't hear you.
Speaker 1 (13:06):
I can't hear you very well, woman, what's all right? Noise?
The what? People?
Speaker 4 (13:11):
What?
Speaker 1 (13:11):
People?
Speaker 3 (13:13):
I'm trying to get into what phone?
Speaker 1 (13:14):
Bove? The goodness sake?
Speaker 3 (13:17):
Where are you?
Speaker 1 (13:17):
Woman?
Speaker 3 (13:18):
Where on top of the Empire state building?
Speaker 4 (13:22):
Well?
Speaker 5 (13:22):
How in the world did you get you?
Speaker 3 (13:25):
What?
Speaker 5 (13:27):
You jumped up there?
Speaker 4 (13:37):
You Meredith? You're the dumbest man I ever saw you
and your savaty sid You know what, that's the first
good thing I've done. A two million, seven hundred and
eight thousand, two hundred and two years, five months and
nine days, and I could cut your heart out.
Speaker 1 (13:51):
For it with a buttom knife.
Speaker 2 (14:08):
Well, Willan's happy in Hollywood?
Speaker 1 (14:12):
I had Gracious, he's getting a.
Speaker 3 (14:13):
Thousand dollars a week. And that new picture of the
man who jumped over the empire.
Speaker 4 (14:16):
They didn't jump all over that. No, you don't know, Hollywood,
Come on, I was trying to They had a poison off.
Speaker 1 (14:22):
I don't think I wanna know how to poison dogs, Sue. Now,
I wonder how women's doing. We could pointed him.
Speaker 4 (14:31):
Let you happy, he's happy?
Speaker 1 (14:34):
All I think the drink what Vigy's happy to.
Speaker 4 (14:39):
Woman's wife women, and let's break down of school I
don't know.
Speaker 1 (14:45):
I I did kid that little yet of silver man.
Speaker 4 (14:48):
Let's bring down his school house?
Speaker 1 (14:50):
I tell you should say not.
Speaker 3 (14:52):
No, I doesn't give a lot of kids that kind
of break bring it down.
Speaker 1 (14:55):
That school house? Do think all write n in a letter?
Speaker 4 (14:59):
Let me tell you how of whatever duty can for that?
Speaker 1 (15:01):
That's that was good?
Speaker 4 (15:02):
And some kind of just beats horse and stuff. I
gotta give us the people it come on, I'll put
it in a handful in my lead. I and and
maybe his wife won't get at me and she'll turn green.
Speaker 1 (15:11):
And heavens nor why I wish?
Speaker 4 (15:13):
I wouldn't say, heavens make me nor wacky?
Speaker 1 (15:16):
Why wouldn't want the dixy to get up a whatever
it is?
Speaker 4 (15:21):
No? No?
Speaker 1 (15:24):
Wow, you were in love with Lorman's wife. Oh I
you was one.
Speaker 4 (15:31):
Oh you were mad, that's see.
Speaker 1 (15:36):
But she married Looman lot I was heartbroken. I still
ad that's seen.
Speaker 4 (15:45):
Well, I just say a push her little finger.
Speaker 1 (15:47):
Over the look on, Oh I guess so good? Sure
see a boat hands?
Speaker 4 (15:54):
Sure see let me say of a guel back.
Speaker 1 (15:59):
With the grove bock I'm just sure that befouse.
Speaker 4 (16:03):
I start saying five, let me take one up.
Speaker 3 (16:08):
Tell dollars that.
Speaker 1 (16:17):
Fell?
Speaker 4 (16:18):
So what fell to bring back a lot?
Speaker 3 (16:21):
Love?
Speaker 1 (16:22):
Meritan, that's all.
Speaker 5 (16:24):
That's all.
Speaker 4 (16:25):
You were in love with Lowin's wife, Dixie ch Sixca.
Speaker 1 (16:30):
Lord, what are you talking about?
Speaker 4 (16:33):
Somebody looked at your Merrigan presided.
Speaker 5 (16:38):
A lot of dollar.
Speaker 4 (16:40):
It's Dixie's boy.
Speaker 1 (16:41):
Sure tell if you've done.
Speaker 4 (16:43):
To read, I didn't do anything, meritor. You set up
a girl, doll.
Speaker 5 (16:48):
I do there, Come in and get this lady, darling.
Mm so kiss me nor Na.
Speaker 1 (16:57):
Now Dixie, now, Dixie.
Speaker 5 (16:59):
Oh oh, I love you so much.
Speaker 4 (17:04):
Mardy.
Speaker 3 (17:05):
Now wait a minute, do I mean little much hurt
you real money?
Speaker 5 (17:08):
I changed him? My Maddy?
Speaker 4 (17:10):
It's you I love.
Speaker 5 (17:12):
Oh my goodness, I sure do love your Maddy. See
you never did that little doory.
Speaker 4 (17:18):
Good lady, don't kick yourself.
Speaker 5 (17:19):
I know, little boy, you had y'all to be ashamed
of yourself. Family man looking over her.
Speaker 1 (17:23):
And loves me.
Speaker 4 (17:24):
Now I'm enjoying that lady. Catch him again?
Speaker 7 (17:26):
Oh man, you heart to me, Maddy dollar doll I
gone and left my husband saw him.
Speaker 5 (17:32):
M I love you, so you just grindom days you hear.
Speaker 2 (17:36):
Me just mad?
Speaker 1 (17:39):
Who mm you know st sixty?
Speaker 5 (17:43):
Oh, Maddie you me who's gonna be so happy?
Speaker 4 (17:49):
She's off for five married?
Speaker 5 (17:50):
M I just love you so much, but I don't like.
Speaker 3 (17:54):
Your apartments regarding my mother.
Speaker 5 (17:57):
We gonna have to do something about it. And when
did you get married?
Speaker 1 (18:01):
Married?
Speaker 5 (18:02):
Well? Of course mad at home?
Speaker 4 (18:04):
But what about Foman?
Speaker 5 (18:05):
My family starve and Ludman. It's through I love and
not mad As. I won't know how much money you
make him.
Speaker 7 (18:13):
I spent the Bes story again if I got accustom
to it since Boman.
Speaker 5 (18:16):
Got his job in the movie. How much to strew
your ma?
Speaker 4 (18:20):
Huh?
Speaker 1 (18:20):
Hell an things?
Speaker 4 (18:21):
I buy it a week?
Speaker 5 (18:22):
Oh, I wish you'd go away and bare ready she right?
Speaker 4 (18:27):
All you made?
Speaker 1 (18:29):
Yes's ma'am?
Speaker 5 (18:30):
Well writ something you would have to take care of?
Riding way reatard you wish.
Speaker 1 (18:36):
You wouldn't call me screen heart?
Speaker 5 (18:39):
Oh my sweetheart.
Speaker 4 (18:40):
I I just love it his teeth now now now.
Speaker 7 (18:46):
I mother treating mad it.
Speaker 5 (18:48):
You'll have to go out with me and buy some
new clothes that see sar Ah.
Speaker 1 (18:53):
I like you think.
Speaker 5 (18:54):
See well, I'm going to mark you into a store
and make you get that farmy two par suit twenty two.
Speaker 1 (19:01):
Dollars A buy twenty two dollars.
Speaker 5 (19:03):
I'll never let Lumen tay more than twenty two dollars
for a suit.
Speaker 7 (19:06):
You adlive and you got to get the new time
a dollar that's too loved?
Speaker 5 (19:12):
You goodn't it? I want you to look like a
yellow man lover me. Nothing's too good for the man
I love.
Speaker 4 (19:21):
Did you buy a woman's five as two? They see?
Speaker 5 (19:23):
No, certain they did, I'm not. Furthermore, I took one
of these times with me when it left for your dollars.
Oh don't you just love those purple dunts on it?
Speaker 7 (19:35):
Suit?
Speaker 4 (19:37):
My well, I'll be it.
Speaker 5 (19:39):
Oh shut up, little boy. Hm, I such a lovely
shade of green too you? And don't you just love
the flame thirty nine ten? How much that's a twenty
of a dollar?
Speaker 7 (19:51):
Nineteen?
Speaker 4 (19:52):
Gracious that's my eyes.
Speaker 5 (19:54):
But I just love it. Oh kiss me, then, Maddy,
I should do love your sugar.
Speaker 3 (20:03):
Got about rooming, Dixie?
Speaker 5 (20:05):
Oh, leave looming out of it so you can have
a thousand dollars a week out there in Hollywood, lolling
around on the beaches in the sun and beating the
other day the lawdy drive in and and and throwing
his money away in the shooting gallery.
Speaker 1 (20:19):
Gosh had just that eye.
Speaker 5 (20:21):
Say, honey guy, now you you you're work. Work's your finger.
Speaker 7 (20:26):
To the broom for your little dick tree.
Speaker 4 (20:28):
Oh little little.
Speaker 7 (20:29):
Gooks, you just make our little penhouse a real love
there for her Mary. And every night when you come home,
I don't cook liver and onions for you and you
bob pie twice a.
Speaker 1 (20:40):
Week, you see, i'd will like liver and on him.
Speaker 3 (20:43):
Oh you'll land to like you, Mad, I just a
I detest your bob pie.
Speaker 5 (20:50):
No, I love it, little chocolate ice cream.
Speaker 3 (20:54):
Where you're going by, I set clemty and we will
get home and play hard every night.
Speaker 5 (21:00):
I look at the television. No, oh, rare mad, don't
you want a three? Six?
Speaker 1 (21:08):
See Dixie?
Speaker 5 (21:10):
I do not why I'm Mary? They you love you
so much?
Speaker 3 (21:17):
Six see no marriago, no sir, they just what they
just gone fire up, Dixie. I'm not gonna standfar.
Speaker 5 (21:26):
Oh don't you love me, sugar, par do not?
Speaker 3 (21:30):
You're you're much too fat for goodness sake. And besides
your lemons what m But I love you, marries.
Speaker 1 (21:36):
I don't care. We go back to Romans.
Speaker 5 (21:39):
No wrong, well you just better now I'm married?
Speaker 7 (21:43):
Oh, oh much?
Speaker 4 (21:44):
Not it?
Speaker 5 (21:45):
Girls? A great good green and yellow pard qua rose
do come.
Speaker 1 (21:50):
To medics'zy stand sill?
Speaker 5 (21:55):
Who may far?
Speaker 7 (22:00):
They caught you?
Speaker 1 (22:01):
Stop me trying to kill a.
Speaker 5 (22:03):
Box that was gonna ask you freaky?
Speaker 1 (22:06):
You are no joke? I tell you why?
Speaker 5 (22:08):
Thank you to shut up?
Speaker 1 (22:10):
So he's I love you now.
Speaker 5 (22:12):
I know I don't want anything to do with the job.
But it's straight. Lady, don't even know me?
Speaker 1 (22:17):
Away sixty where you're going?
Speaker 5 (22:19):
I'm going home a little bit? Who loves me?
Speaker 4 (22:21):
Dicky way?
Speaker 5 (22:22):
Don't you speak to me? Who you look?
Speaker 2 (22:24):
You?
Speaker 1 (22:27):
Oh? My goodness me?
Speaker 3 (22:30):
I freeze you tell me now?
Speaker 5 (22:33):
Ye are you losing by you at the neck time?
Speaker 1 (22:43):
Oh man, dge may? Where were you me?
Speaker 4 (22:47):
I was a bun the what a green and yellow buttery?
You were slapping out?
Speaker 1 (22:51):
Oh the bar?
Speaker 4 (22:53):
Sure I can change myself anything, thank do something together
of her? So I turned myself into a partner.
Speaker 1 (23:02):
You really good square.
Speaker 4 (23:04):
I jumped the boy your snacks the nose.
Speaker 3 (23:08):
H I think cause got enough of you too, Barge.
Speaker 4 (23:11):
That's what you think?
Speaker 1 (23:12):
Boy?
Speaker 4 (23:14):
You get out of here, merit it. I can't look
you're better.
Speaker 1 (23:18):
Uh, I'm a desperate man.
Speaker 2 (23:20):
You can't hurt me.
Speaker 1 (23:21):
I can too.
Speaker 4 (23:22):
Look if you make a pass of me married, or
I'll just change myself into an elephant or a chair
or a horse or something.
Speaker 1 (23:28):
How look, my goodness, an elephant.
Speaker 4 (23:33):
See look a cheacup.
Speaker 3 (23:37):
I I'll smile, now you don't.
Speaker 4 (23:38):
I'm still too fast for your memic Look. I came
here because you call me the teacher evil.
Speaker 1 (23:44):
You certain murder my wife or misery.
Speaker 4 (23:46):
Ah be jesable meritis. If you let me teach you something,
or if you're one sing dumb about doing things backwards,
we can have a lot of fun together. Come on,
I I I'll show you how to think abouttle shit.
Speaker 1 (23:58):
I don't want you.
Speaker 3 (23:59):
I want you to go away.
Speaker 4 (24:00):
I can't go away. I'm gonna be yes forever. That's
the rules.
Speaker 1 (24:04):
I don't want you.
Speaker 3 (24:05):
You called me well, I didn't mean to, but you did.
Speaker 4 (24:08):
Come on, let's practice disappear.
Speaker 1 (24:10):
I don't want to disappears.
Speaker 3 (24:11):
The fact there Briople Brooklyn hasn't got any there set off.
Speaker 5 (24:15):
All the Adam bombs in the world.
Speaker 4 (24:18):
Oh boy, you gotta be terrific. Listen, you just put
your fingers in you. It's just an idea.
Speaker 3 (24:26):
Those doo's you ever having me good ideas?
Speaker 4 (24:30):
Much? Well, I should say, not say, sir, don't you
ever have any bad ideas giving rid of view? Now
that's a good thought. Never beside, you can't be done.
Speaker 1 (24:45):
I told you please go away.
Speaker 4 (24:47):
Let's change people into different thing. Sure, meritis we we
could turn Mooman into a big get chant troubles from
you're telling me, well, let's change Dicksie into a pencil
shop over necktie. It was orange cacket band father and.
Speaker 3 (25:03):
A light yellow background with Teresa bline. Don't come on,
how do you do it?
Speaker 4 (25:11):
He just said, I want fort point and say what
you wanted to be? Well, all, sure, it's easy.
Speaker 3 (25:18):
Maybe she could change herself back.
Speaker 4 (25:21):
Nah once the change it stop? Friend?
Speaker 1 (25:25):
Good?
Speaker 4 (25:26):
I can I change you into subting bunch me huh.
Speaker 1 (25:32):
No, no, of course not. You can't change me, ken
you ken you bod. I know all you can do
is teach me how to do things, evil things.
Speaker 4 (25:43):
You wouldn't change me in something you taught me how
now marative?
Speaker 1 (25:48):
He backed in, didn't I I run around? You can't?
Speaker 3 (25:51):
You told me you couldn't change It's not on my own.
Speaker 4 (25:53):
Good bot don't take good maratith let me.
Speaker 1 (25:55):
See uh uh a butterfly.
Speaker 3 (25:59):
Yes there's this, say no no married that uh a
BAPTISTERI guards uh a cloud.
Speaker 4 (26:04):
I rained on you.
Speaker 1 (26:06):
I got your last bud. I was a little dog.
Speaker 4 (26:08):
U ke changing your hygrophobia A fountain pen. I write
poison ten letters about you. I got it, sott mened
this nothing, I'll please married that pray oh yes, married
to please ch.
Speaker 1 (26:22):
I command you no, no, no, non till I command
you to be coming.
Speaker 2 (26:43):
O.
Speaker 1 (26:47):
So muh hello wool yes remember o.
Speaker 3 (26:59):
Huh oom botch botch oh, yes, botcher.
Speaker 1 (27:09):
Why I turned him into something that? Yes? I do
know it.
Speaker 4 (27:16):
No, no, I I don't know.
Speaker 1 (27:20):
Women sure woman.
Speaker 4 (27:25):
Goodbye?
Speaker 2 (27:31):
Wouldn't not freeze it?
Speaker 1 (27:34):
I forgot what I turned him into.
Speaker 5 (27:39):
And he's fools. Uh uh uh.
Speaker 2 (28:04):
The title of today is Quiet Please. Story is doc
Gray Magic. It was written and directed by Willis Cooper,
and the man who spoke to you was Ernest.
Speaker 1 (28:14):
Chappele and Bodge was I Think Hey by James Mark,
Dixie was Missus Bolly Cole and usual.
Speaker 2 (28:25):
Music mcfire Pleases by Albert Burman.
Speaker 1 (28:29):
Du sound credit Today when mister William Jay McClintock off
for a word about next week. Why write Director Willis Cooper,
thank you for listening to quiet Please next week and
have a story for your caub the other side of
the sky.
Speaker 2 (28:48):
M and so on until next week. At the same time,
I'm quietly yours, Ernest chappele uh and now listening reminder,
right now the whole world is talking about the possibility
of the Berlin Blackade being lifted.
Speaker 1 (29:04):
Now official sources have confirmed the.
Speaker 2 (29:06):
Story, but ABC Listen has heard it first, more than
ten days in advance on Drew Person's regular Sunday night program.
Speaker 1 (29:14):
Listen to Pearson.
Speaker 2 (29:16):
This is ABC, the American Broadcasting Company.
Quiet Please, Fire Please.
Speaker 2 (00:29):
The American Broadcasting Company presents Quiet Please, which is written
and directed by Willis Cooper, in which features Ernest Choppers.
Speaker 1 (00:38):
Quiet Lee is for days, Uh Rock Gray Magic?
Speaker 3 (01:00):
Yes, Yes, yes, I'll be there. Yes, I'm said, I'm here, Yes,
I hello. Yes, this is mister bodycarn Who did whom?
Speaker 1 (01:15):
Did you think it was?
Speaker 3 (01:17):
Well, this is my room. I'm not in the habit
of having people in my room, and I'm not here.
Speaker 1 (01:21):
No, there's nobody in my room.
Speaker 3 (01:23):
But yes, I'm in my room. But there's nobody in
my room except me.
Speaker 1 (01:30):
All right?
Speaker 3 (01:31):
Were there any calls for me?
Speaker 1 (01:34):
No calls?
Speaker 3 (01:35):
Well, all right, hang up and let me sit.
Speaker 1 (01:37):
Down, all right? Oh heaven behind you bost it? Oh?
Speaker 4 (01:46):
Oh you call room and.
Speaker 3 (01:50):
Get me gramosy nine one zero four four.
Speaker 1 (01:55):
Yes, that's exausted.
Speaker 3 (01:59):
Hello, mister Luman Chrittenden please, Oh woman, if you wouldn't
recognize your voice?
Speaker 1 (02:04):
Woman, how are you? I'm just exhausted.
Speaker 3 (02:07):
I've I've just had the most extraordinary experience. Well, I
was waiting for a Madus Navnue bus there on Fourth Avenue. Well,
I guess I has to place more properly, you know, right,
across from Watermaker's where the subway station's the middle of
the street, kind of you know. I was waiting there
for a matisn Avenue bus. And you know all those
second hand bookstores along Fourth Avenue, they have tables outside
carry away these plastic six to fifty cent o.
Speaker 1 (02:28):
Wait a minute, women, there somebody.
Speaker 4 (02:30):
Is a door.
Speaker 2 (02:30):
Oh that somebody interrupted might California.
Speaker 1 (02:39):
Well, well, now who don't who did that?
Speaker 4 (02:46):
How was that?
Speaker 1 (02:47):
I'm better? Those kids again?
Speaker 4 (02:54):
Fot?
Speaker 1 (02:55):
And it wasn't anybody, woman, I mean it was some
kid or something. H. Hello, luman, woman? Are you there? Hello?
Speaker 3 (03:02):
Woman?
Speaker 1 (03:03):
Oh, wouldn't that treat you? Somebody cut us off? Hello?
Hello office? Hello you cut us off? You did?
Speaker 5 (03:11):
Two?
Speaker 3 (03:12):
Give me Grammarcy nine one O four four again.
Speaker 1 (03:15):
H wait a minute, Oh I thought there was somebody's
a door again.
Speaker 3 (03:20):
Uh Grammarcy nion one O four four make it snappy?
Speaker 1 (03:23):
Two? Got kids at the door again? Er hello?
Speaker 4 (03:27):
Oh oh hello woman?
Speaker 1 (03:28):
We were cut off, weren't we?
Speaker 3 (03:30):
Well I went to the door, and yes, I know,
well I was waiting for the bus.
Speaker 1 (03:35):
No, yes, I did say that, didn't I not?
Speaker 3 (03:37):
About the second hand book? Well, I brought her book? Yes,
I did forty five cents, you guess.
Speaker 1 (03:49):
No, no, no, you give up.
Speaker 4 (03:55):
Magic.
Speaker 3 (03:57):
No no, no, not Condric's magic, real magic, black magic,
just like real.
Speaker 2 (04:02):
Sure.
Speaker 3 (04:04):
I nearly broke my neck up my way home.
Speaker 1 (04:06):
So walking along reading and after I got off the
Madison having a.
Speaker 2 (04:09):
Bus, I put over a cat cat c a t
cat blackness the ape of stage.
Speaker 3 (04:15):
Wouldn't that freeze you?
Speaker 1 (04:17):
Oh? But that isn't anything. Somebody followed me.
Speaker 3 (04:19):
Wait a minute, I wonder if I could be him
that was at the door.
Speaker 1 (04:22):
Do you suppose it? Oh?
Speaker 3 (04:24):
No, it's that it's that little Yussel silverman that lives
down the hall. He always wants to sell me cigars.
Cigars why, having the faintest idea where he gets him?
I think he purches them from somewhere, the little dickens.
Uh no, wait, woman, I I wanna read to you
from the magic book. But it's fabulous room and you
want to know how to give people?
Speaker 1 (04:43):
Watch? No I suppose not.
Speaker 3 (04:46):
Uh wait, how to ride a broom?
Speaker 1 (04:49):
Oh that's for girls.
Speaker 3 (04:51):
Oh oh wait, how to make ye dready spirits appear
from beyondy ye beyondy oh boy?
Speaker 2 (04:58):
Uh listen to this.
Speaker 3 (05:00):
Gimdal would raise up a naughty spirit.
Speaker 1 (05:02):
To teach thee all the secrets of evil. Of them,
thar must need.
Speaker 3 (05:07):
Wait a minute, woman, I've got a cramp on my leg.
Speaker 1 (05:08):
Way lights it down?
Speaker 3 (05:12):
Uh must needs self for goodness sake.
Speaker 1 (05:16):
Listen to this. Thar must needs.
Speaker 3 (05:18):
First stumble unawares over a catty. It's spelled c atte
lumen uh a catty of the blackest hue. M Imagine woman,
when I did trip over the black catty. Wait, listen
to this over the black catty, the cat who just
(05:38):
read the fortieth.
Speaker 1 (05:40):
Page of this e bookie that wait this, Look at
page forty.
Speaker 3 (05:45):
I'll let you dinner. Say they won't run away.
Speaker 1 (05:48):
Thirty seven nine forty that I'll be chiggered.
Speaker 3 (05:56):
I'll be absolutely comprehensively tee totally bigger. If that isn't
a coincidence, Woman, that's the very page I was.
Speaker 1 (06:04):
Woman. Do you smell any thing?
Speaker 4 (06:05):
Yeah?
Speaker 1 (06:06):
Well that's right. How would you smell on the telephone?
I smell something though? Why?
Speaker 3 (06:10):
Something burning? Don't if you suppose it's brimstone?
Speaker 1 (06:13):
Are you listening? But wait till I find my place again? Here?
Speaker 3 (06:21):
Then must thou place thy left? Come on thy right?
Ear mm hmmm, and close thy left eye and say honor.
Speaker 1 (06:33):
Of the woman for the word honorific village.
Speaker 3 (06:37):
But I love a cat's cat, said, said you ever
hear a word like that honorific ability?
Speaker 4 (06:41):
Shooting?
Speaker 1 (06:42):
I don't what'd you say, litman? Explosion? I didn't hear anything.
I must be blasting in the street or something. If
there is somebody else the doorway him in a.
Speaker 3 (07:00):
Woman, darn little use silver cookie, I'm right here.
Speaker 1 (07:11):
Well, how well, hello yourself? What do you want?
Speaker 4 (07:16):
You'll make a marga final corn?
Speaker 1 (07:17):
Certain man? Who are you? You're not justsel silverman?
Speaker 4 (07:20):
Now send me I come in play?
Speaker 1 (07:23):
Well, come in? Thanks? Well, alright, little boy?
Speaker 4 (07:32):
What's so funny?
Speaker 5 (07:33):
Final?
Speaker 1 (07:33):
Little boy?
Speaker 4 (07:34):
Mister Barnley corn thought Meredith, you you ain't a fine
I am not.
Speaker 3 (07:41):
You Get out of here, you little devil.
Speaker 1 (07:42):
That's better.
Speaker 4 (07:44):
Oh, I'll always stop being such as silly fool Marritor.
He just called me, didn't you called you and your
black cattle black cattle, And you are reading the book
and then you said the word golf, finished up falling
conversation that the rooman couldn't the narrative, and you are
(08:05):
a file talk.
Speaker 1 (08:06):
Well I spo yes, sir, hell a woman did. Yeah,
there was somebody at the door the door scared.
Speaker 3 (08:21):
No, I'm not scared of Looman.
Speaker 4 (08:23):
I just married that.
Speaker 1 (08:24):
That's what.
Speaker 2 (08:24):
Wait wait a minute, littleman?
Speaker 1 (08:26):
Yes, how is this that techure?
Speaker 2 (08:28):
Up?
Speaker 4 (08:28):
Uh?
Speaker 1 (08:29):
I'm a desk. Well that's Luman?
Speaker 4 (08:31):
Oh is it? Oh? And hay here what's that? A pen?
Speaker 1 (08:37):
A pen y?
Speaker 6 (08:39):
Just the second moment step a pen and Moman's picture
marriages hm hm w h well that's all just for
fun here life here and then dom.
Speaker 3 (08:56):
Well that's sorry, ms, little fellows, why did you say, lowman?
Speaker 1 (09:05):
Hello woman, Hello Luman?
Speaker 4 (09:08):
Mumm? Where are you?
Speaker 1 (09:19):
What are you laughing at?
Speaker 4 (09:20):
Oh? You learned your sir lessons? Fine, so why you
wanted to learn all that secrets of ego? And sure?
Speaker 3 (09:28):
Yeah?
Speaker 4 (09:29):
Stuff usin right through Norman's big fat stomach. Maratis, you
murdered them, yours, you did everything.
Speaker 1 (09:40):
The book's dead.
Speaker 4 (09:41):
You call me the dj oh boy. So you got
a line start murder? What are we trying next? You design? Uh?
Speaker 1 (09:49):
Hire Jill Luman the pin.
Speaker 4 (09:51):
Through a stomach? Have you never heard of that?
Speaker 1 (09:54):
Voda?
Speaker 4 (09:54):
They chorus? Sometimes We're fine, that's.
Speaker 1 (09:58):
Hire children s?
Speaker 3 (10:00):
Why oh my, why you you dressful murderers, horrible, you
a little devil?
Speaker 4 (10:08):
Thanks you murder?
Speaker 1 (10:11):
Excuse me? Hello, hello, hello, but.
Speaker 3 (10:20):
Lorma, huh Lorma, I thought you were dead.
Speaker 1 (10:24):
You watch summer?
Speaker 5 (10:26):
Can't watch that?
Speaker 1 (10:27):
And you're not dead?
Speaker 3 (10:28):
Woman? Oh me matter with me, my Norman.
Speaker 5 (10:37):
I'm so happy.
Speaker 4 (10:41):
Yeah, I'm mough. Sorry marder if. I I don't know
what could have happened. It's always worked before. Oh well,
better luck next time. I always say, Oh, who do
you want to murder? Now? You gotta gotta more consistent.
Speaker 2 (10:55):
I wanna know who you are.
Speaker 4 (10:57):
Excuse me, My name is Uch.
Speaker 1 (10:59):
I'm'a be through you.
Speaker 3 (11:02):
Just get right out of here.
Speaker 1 (11:03):
You they will won't do it. You better won't do
what you call me?
Speaker 4 (11:07):
A is here I am.
Speaker 1 (11:08):
Come on?
Speaker 4 (11:08):
Why do you wanna land?
Speaker 3 (11:09):
I don't wanna learn the things the What can you
learn me?
Speaker 5 (11:14):
Uh?
Speaker 1 (11:14):
Have me teach me?
Speaker 4 (11:15):
All the evil magics are the universe? Not it?
Speaker 1 (11:18):
Really?
Speaker 4 (11:18):
There are sixty four ways of mergering people by magic.
Meretive sixty four months show you how to produce on earthquake, fires, flog, sicknesses,
start wars, bob people or it just snuffs right. I
turn people in the fish worm on her own things.
So must lay your oad thing whirl make people jump
out of windows.
Speaker 1 (11:37):
Very interesting, budge bardge bounch.
Speaker 4 (11:41):
That's right, we don't joke.
Speaker 1 (11:43):
You're a mean little cookie.
Speaker 4 (11:45):
Thanks.
Speaker 1 (11:46):
How old are you? Oh a couple of minutes? Well,
you don't look it well.
Speaker 4 (11:50):
In some of my forms I do form nice turn
into different things all evil things snakes, bats, pider, fishes
and a great big spiders. Honest of me, this is
uh lack of fish. Let us way down the bottle
of the ocean, belly hollowed.
Speaker 1 (12:04):
Imagine we come on, let's murder.
Speaker 4 (12:06):
Somebody and let's make somebody jump off the Empire State building.
Speaker 1 (12:09):
Huh can you really do right?
Speaker 4 (12:12):
I cannot teach you. Howl m oh easy, thank of someone? Uman, okay, okay,
now s say after me everty.
Speaker 2 (12:23):
Diberty sivity say, sir, jump jump.
Speaker 3 (12:31):
Oh my goodness, how sick your mumous?
Speaker 4 (12:34):
You're he jumped by fine Luman got him that time.
Speaker 1 (12:42):
I don't bully you.
Speaker 4 (12:43):
Wait and see, just because I said.
Speaker 1 (12:47):
You say, say your sad, sir?
Speaker 4 (12:50):
Are yt halfway sibberty sad?
Speaker 1 (12:53):
But that's what I said.
Speaker 4 (12:54):
I said it backwards.
Speaker 3 (12:56):
Answer yes, oh, hallo hard.
Speaker 1 (13:02):
You'd see how FOOLI.
Speaker 5 (13:05):
I can't hear you.
Speaker 1 (13:06):
I can't hear you very well, woman, what's all right? Noise?
The what? People?
Speaker 4 (13:11):
What?
Speaker 1 (13:11):
People?
Speaker 3 (13:13):
I'm trying to get into what phone?
Speaker 1 (13:14):
Bove? The goodness sake?
Speaker 3 (13:17):
Where are you?
Speaker 1 (13:17):
Woman?
Speaker 3 (13:18):
Where on top of the Empire state building?
Speaker 4 (13:22):
Well?
Speaker 5 (13:22):
How in the world did you get you?
Speaker 3 (13:25):
What?
Speaker 5 (13:27):
You jumped up there?
Speaker 4 (13:37):
You Meredith? You're the dumbest man I ever saw you
and your savaty sid You know what, that's the first
good thing I've done. A two million, seven hundred and
eight thousand, two hundred and two years, five months and
nine days, and I could cut your heart out.
Speaker 1 (13:51):
For it with a buttom knife.
Speaker 2 (14:08):
Well, Willan's happy in Hollywood?
Speaker 1 (14:12):
I had Gracious, he's getting a.
Speaker 3 (14:13):
Thousand dollars a week. And that new picture of the
man who jumped over the empire.
Speaker 4 (14:16):
They didn't jump all over that. No, you don't know, Hollywood,
Come on, I was trying to They had a poison off.
Speaker 1 (14:22):
I don't think I wanna know how to poison dogs, Sue. Now,
I wonder how women's doing. We could pointed him.
Speaker 4 (14:31):
Let you happy, he's happy?
Speaker 1 (14:34):
All I think the drink what Vigy's happy to.
Speaker 4 (14:39):
Woman's wife women, and let's break down of school I
don't know.
Speaker 1 (14:45):
I I did kid that little yet of silver man.
Speaker 4 (14:48):
Let's bring down his school house?
Speaker 1 (14:50):
I tell you should say not.
Speaker 3 (14:52):
No, I doesn't give a lot of kids that kind
of break bring it down.
Speaker 1 (14:55):
That school house? Do think all write n in a letter?
Speaker 4 (14:59):
Let me tell you how of whatever duty can for that?
Speaker 1 (15:01):
That's that was good?
Speaker 4 (15:02):
And some kind of just beats horse and stuff. I
gotta give us the people it come on, I'll put
it in a handful in my lead. I and and
maybe his wife won't get at me and she'll turn green.
Speaker 1 (15:11):
And heavens nor why I wish?
Speaker 4 (15:13):
I wouldn't say, heavens make me nor wacky?
Speaker 1 (15:16):
Why wouldn't want the dixy to get up a whatever
it is?
Speaker 4 (15:21):
No? No?
Speaker 1 (15:24):
Wow, you were in love with Lorman's wife. Oh I
you was one.
Speaker 4 (15:31):
Oh you were mad, that's see.
Speaker 1 (15:36):
But she married Looman lot I was heartbroken. I still
ad that's seen.
Speaker 4 (15:45):
Well, I just say a push her little finger.
Speaker 1 (15:47):
Over the look on, Oh I guess so good? Sure
see a boat hands?
Speaker 4 (15:54):
Sure see let me say of a guel back.
Speaker 1 (15:59):
With the grove bock I'm just sure that befouse.
Speaker 4 (16:03):
I start saying five, let me take one up.
Speaker 3 (16:08):
Tell dollars that.
Speaker 1 (16:17):
Fell?
Speaker 4 (16:18):
So what fell to bring back a lot?
Speaker 3 (16:21):
Love?
Speaker 1 (16:22):
Meritan, that's all.
Speaker 5 (16:24):
That's all.
Speaker 4 (16:25):
You were in love with Lowin's wife, Dixie ch Sixca.
Speaker 1 (16:30):
Lord, what are you talking about?
Speaker 4 (16:33):
Somebody looked at your Merrigan presided.
Speaker 5 (16:38):
A lot of dollar.
Speaker 4 (16:40):
It's Dixie's boy.
Speaker 1 (16:41):
Sure tell if you've done.
Speaker 4 (16:43):
To read, I didn't do anything, meritor. You set up
a girl, doll.
Speaker 5 (16:48):
I do there, Come in and get this lady, darling.
Mm so kiss me nor Na.
Speaker 1 (16:57):
Now Dixie, now, Dixie.
Speaker 5 (16:59):
Oh oh, I love you so much.
Speaker 4 (17:04):
Mardy.
Speaker 3 (17:05):
Now wait a minute, do I mean little much hurt
you real money?
Speaker 5 (17:08):
I changed him? My Maddy?
Speaker 4 (17:10):
It's you I love.
Speaker 5 (17:12):
Oh my goodness, I sure do love your Maddy. See
you never did that little doory.
Speaker 4 (17:18):
Good lady, don't kick yourself.
Speaker 5 (17:19):
I know, little boy, you had y'all to be ashamed
of yourself. Family man looking over her.
Speaker 1 (17:23):
And loves me.
Speaker 4 (17:24):
Now I'm enjoying that lady. Catch him again?
Speaker 7 (17:26):
Oh man, you heart to me, Maddy dollar doll I
gone and left my husband saw him.
Speaker 5 (17:32):
M I love you, so you just grindom days you hear.
Speaker 2 (17:36):
Me just mad?
Speaker 1 (17:39):
Who mm you know st sixty?
Speaker 5 (17:43):
Oh, Maddie you me who's gonna be so happy?
Speaker 4 (17:49):
She's off for five married?
Speaker 5 (17:50):
M I just love you so much, but I don't like.
Speaker 3 (17:54):
Your apartments regarding my mother.
Speaker 5 (17:57):
We gonna have to do something about it. And when
did you get married?
Speaker 1 (18:01):
Married?
Speaker 5 (18:02):
Well? Of course mad at home?
Speaker 4 (18:04):
But what about Foman?
Speaker 5 (18:05):
My family starve and Ludman. It's through I love and
not mad As. I won't know how much money you
make him.
Speaker 7 (18:13):
I spent the Bes story again if I got accustom
to it since Boman.
Speaker 5 (18:16):
Got his job in the movie. How much to strew
your ma?
Speaker 4 (18:20):
Huh?
Speaker 1 (18:20):
Hell an things?
Speaker 4 (18:21):
I buy it a week?
Speaker 5 (18:22):
Oh, I wish you'd go away and bare ready she right?
Speaker 4 (18:27):
All you made?
Speaker 1 (18:29):
Yes's ma'am?
Speaker 5 (18:30):
Well writ something you would have to take care of?
Riding way reatard you wish.
Speaker 1 (18:36):
You wouldn't call me screen heart?
Speaker 5 (18:39):
Oh my sweetheart.
Speaker 4 (18:40):
I I just love it his teeth now now now.
Speaker 7 (18:46):
I mother treating mad it.
Speaker 5 (18:48):
You'll have to go out with me and buy some
new clothes that see sar Ah.
Speaker 1 (18:53):
I like you think.
Speaker 5 (18:54):
See well, I'm going to mark you into a store
and make you get that farmy two par suit twenty two.
Speaker 1 (19:01):
Dollars A buy twenty two dollars.
Speaker 5 (19:03):
I'll never let Lumen tay more than twenty two dollars
for a suit.
Speaker 7 (19:06):
You adlive and you got to get the new time
a dollar that's too loved?
Speaker 5 (19:12):
You goodn't it? I want you to look like a
yellow man lover me. Nothing's too good for the man
I love.
Speaker 4 (19:21):
Did you buy a woman's five as two? They see?
Speaker 5 (19:23):
No, certain they did, I'm not. Furthermore, I took one
of these times with me when it left for your dollars.
Oh don't you just love those purple dunts on it?
Speaker 7 (19:35):
Suit?
Speaker 4 (19:37):
My well, I'll be it.
Speaker 5 (19:39):
Oh shut up, little boy. Hm, I such a lovely
shade of green too you? And don't you just love
the flame thirty nine ten? How much that's a twenty
of a dollar?
Speaker 7 (19:51):
Nineteen?
Speaker 4 (19:52):
Gracious that's my eyes.
Speaker 5 (19:54):
But I just love it. Oh kiss me, then, Maddy,
I should do love your sugar.
Speaker 3 (20:03):
Got about rooming, Dixie?
Speaker 5 (20:05):
Oh, leave looming out of it so you can have
a thousand dollars a week out there in Hollywood, lolling
around on the beaches in the sun and beating the
other day the lawdy drive in and and and throwing
his money away in the shooting gallery.
Speaker 1 (20:19):
Gosh had just that eye.
Speaker 5 (20:21):
Say, honey guy, now you you you're work. Work's your finger.
Speaker 7 (20:26):
To the broom for your little dick tree.
Speaker 4 (20:28):
Oh little little.
Speaker 7 (20:29):
Gooks, you just make our little penhouse a real love
there for her Mary. And every night when you come home,
I don't cook liver and onions for you and you
bob pie twice a.
Speaker 1 (20:40):
Week, you see, i'd will like liver and on him.
Speaker 3 (20:43):
Oh you'll land to like you, Mad, I just a
I detest your bob pie.
Speaker 5 (20:50):
No, I love it, little chocolate ice cream.
Speaker 3 (20:54):
Where you're going by, I set clemty and we will
get home and play hard every night.
Speaker 5 (21:00):
I look at the television. No, oh, rare mad, don't
you want a three? Six?
Speaker 1 (21:08):
See Dixie?
Speaker 5 (21:10):
I do not why I'm Mary? They you love you
so much?
Speaker 3 (21:17):
Six see no marriago, no sir, they just what they
just gone fire up, Dixie. I'm not gonna standfar.
Speaker 5 (21:26):
Oh don't you love me, sugar, par do not?
Speaker 3 (21:30):
You're you're much too fat for goodness sake. And besides
your lemons what m But I love you, marries.
Speaker 1 (21:36):
I don't care. We go back to Romans.
Speaker 5 (21:39):
No wrong, well you just better now I'm married?
Speaker 7 (21:43):
Oh, oh much?
Speaker 4 (21:44):
Not it?
Speaker 5 (21:45):
Girls? A great good green and yellow pard qua rose
do come.
Speaker 1 (21:50):
To medics'zy stand sill?
Speaker 5 (21:55):
Who may far?
Speaker 7 (22:00):
They caught you?
Speaker 1 (22:01):
Stop me trying to kill a.
Speaker 5 (22:03):
Box that was gonna ask you freaky?
Speaker 1 (22:06):
You are no joke? I tell you why?
Speaker 5 (22:08):
Thank you to shut up?
Speaker 1 (22:10):
So he's I love you now.
Speaker 5 (22:12):
I know I don't want anything to do with the job.
But it's straight. Lady, don't even know me?
Speaker 1 (22:17):
Away sixty where you're going?
Speaker 5 (22:19):
I'm going home a little bit? Who loves me?
Speaker 4 (22:21):
Dicky way?
Speaker 5 (22:22):
Don't you speak to me? Who you look?
Speaker 2 (22:24):
You?
Speaker 1 (22:27):
Oh? My goodness me?
Speaker 3 (22:30):
I freeze you tell me now?
Speaker 5 (22:33):
Ye are you losing by you at the neck time?
Speaker 1 (22:43):
Oh man, dge may? Where were you me?
Speaker 4 (22:47):
I was a bun the what a green and yellow buttery?
You were slapping out?
Speaker 1 (22:51):
Oh the bar?
Speaker 4 (22:53):
Sure I can change myself anything, thank do something together
of her? So I turned myself into a partner.
Speaker 1 (23:02):
You really good square.
Speaker 4 (23:04):
I jumped the boy your snacks the nose.
Speaker 3 (23:08):
H I think cause got enough of you too, Barge.
Speaker 4 (23:11):
That's what you think?
Speaker 1 (23:12):
Boy?
Speaker 4 (23:14):
You get out of here, merit it. I can't look
you're better.
Speaker 1 (23:18):
Uh, I'm a desperate man.
Speaker 2 (23:20):
You can't hurt me.
Speaker 1 (23:21):
I can too.
Speaker 4 (23:22):
Look if you make a pass of me married, or
I'll just change myself into an elephant or a chair
or a horse or something.
Speaker 1 (23:28):
How look, my goodness, an elephant.
Speaker 4 (23:33):
See look a cheacup.
Speaker 3 (23:37):
I I'll smile, now you don't.
Speaker 4 (23:38):
I'm still too fast for your memic Look. I came
here because you call me the teacher evil.
Speaker 1 (23:44):
You certain murder my wife or misery.
Speaker 4 (23:46):
Ah be jesable meritis. If you let me teach you something,
or if you're one sing dumb about doing things backwards,
we can have a lot of fun together. Come on,
I I I'll show you how to think abouttle shit.
Speaker 1 (23:58):
I don't want you.
Speaker 3 (23:59):
I want you to go away.
Speaker 4 (24:00):
I can't go away. I'm gonna be yes forever. That's
the rules.
Speaker 1 (24:04):
I don't want you.
Speaker 3 (24:05):
You called me well, I didn't mean to, but you did.
Speaker 4 (24:08):
Come on, let's practice disappear.
Speaker 1 (24:10):
I don't want to disappears.
Speaker 3 (24:11):
The fact there Briople Brooklyn hasn't got any there set off.
Speaker 5 (24:15):
All the Adam bombs in the world.
Speaker 4 (24:18):
Oh boy, you gotta be terrific. Listen, you just put
your fingers in you. It's just an idea.
Speaker 3 (24:26):
Those doo's you ever having me good ideas?
Speaker 4 (24:30):
Much? Well, I should say, not say, sir, don't you
ever have any bad ideas giving rid of view? Now
that's a good thought. Never beside, you can't be done.
Speaker 1 (24:45):
I told you please go away.
Speaker 4 (24:47):
Let's change people into different thing. Sure, meritis we we
could turn Mooman into a big get chant troubles from
you're telling me, well, let's change Dicksie into a pencil
shop over necktie. It was orange cacket band father and.
Speaker 3 (25:03):
A light yellow background with Teresa bline. Don't come on,
how do you do it?
Speaker 4 (25:11):
He just said, I want fort point and say what
you wanted to be? Well, all, sure, it's easy.
Speaker 3 (25:18):
Maybe she could change herself back.
Speaker 4 (25:21):
Nah once the change it stop? Friend?
Speaker 1 (25:25):
Good?
Speaker 4 (25:26):
I can I change you into subting bunch me huh.
Speaker 1 (25:32):
No, no, of course not. You can't change me, ken
you ken you bod. I know all you can do
is teach me how to do things, evil things.
Speaker 4 (25:43):
You wouldn't change me in something you taught me how
now marative?
Speaker 1 (25:48):
He backed in, didn't I I run around? You can't?
Speaker 3 (25:51):
You told me you couldn't change It's not on my own.
Speaker 4 (25:53):
Good bot don't take good maratith let me.
Speaker 1 (25:55):
See uh uh a butterfly.
Speaker 3 (25:59):
Yes there's this, say no no married that uh a
BAPTISTERI guards uh a cloud.
Speaker 4 (26:04):
I rained on you.
Speaker 1 (26:06):
I got your last bud. I was a little dog.
Speaker 4 (26:08):
U ke changing your hygrophobia A fountain pen. I write
poison ten letters about you. I got it, sott mened
this nothing, I'll please married that pray oh yes, married
to please ch.
Speaker 1 (26:22):
I command you no, no, no, non till I command
you to be coming.
Speaker 2 (26:43):
O.
Speaker 1 (26:47):
So muh hello wool yes remember o.
Speaker 3 (26:59):
Huh oom botch botch oh, yes, botcher.
Speaker 1 (27:09):
Why I turned him into something that? Yes? I do
know it.
Speaker 4 (27:16):
No, no, I I don't know.
Speaker 1 (27:20):
Women sure woman.
Speaker 4 (27:25):
Goodbye?
Speaker 2 (27:31):
Wouldn't not freeze it?
Speaker 1 (27:34):
I forgot what I turned him into.
Speaker 5 (27:39):
And he's fools. Uh uh uh.
Speaker 2 (28:04):
The title of today is Quiet Please. Story is doc
Gray Magic. It was written and directed by Willis Cooper,
and the man who spoke to you was Ernest.
Speaker 1 (28:14):
Chappele and Bodge was I Think Hey by James Mark,
Dixie was Missus Bolly Cole and usual.
Speaker 2 (28:25):
Music mcfire Pleases by Albert Burman.
Speaker 1 (28:29):
Du sound credit Today when mister William Jay McClintock off
for a word about next week. Why write Director Willis Cooper,
thank you for listening to quiet Please next week and
have a story for your caub the other side of
the sky.
Speaker 2 (28:48):
M and so on until next week. At the same time,
I'm quietly yours, Ernest chappele uh and now listening reminder,
right now the whole world is talking about the possibility
of the Berlin Blackade being lifted.
Speaker 1 (29:04):
Now official sources have confirmed the.
Speaker 2 (29:06):
Story, but ABC Listen has heard it first, more than
ten days in advance on Drew Person's regular Sunday night program.
Speaker 1 (29:14):
Listen to Pearson.
Speaker 2 (29:16):
This is ABC, the American Broadcasting Company.
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