August 7, 2025 • 24 mins
Dive into the eerie and captivating world of "Quiet Please." This iconic radio show from the golden age of radio offers a unique blend of horror, mystery, and drama that will keep you on the edge of your seat. Whether you're a fan of classic radio dramas or looking for spine-tingling stories to listen to, "Quiet Please" has something for everyone. Don't miss out on this timeless collection that will transport you to a world of suspense and intrigue.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Quiet Please, Quiet Please.
Speaker 2 (00:39):
The Mutual Broadcasting System presents Quietly, which has written and
directed by Willis Cooper and which features Fernie Chappell. Quietles
Fortnite is called The Room where the Ghosts Live.
Speaker 1 (01:00):
No, no, I won't let you take me out of
a house. No, I'm going to stay right here.
Speaker 2 (01:08):
I'm sorry, doctors, but as long as we've got to
get you to a hospital, now, stop being a food
high walk. I'm going to die anyway, And I don't
want to die in an ambulance somewhere out on an
icy road between here and town. And sorry, that's fine.
I can't do anything for you here long Maybe I
don't want you to do anything for me.
Speaker 1 (01:29):
Doctor.
Speaker 2 (01:29):
I'm going to call the ambulance. How my telephone? Of course,
the telephone isn't working. Oh that's right, I forgot. That's
funny as lit What what a couple of days that
snow can do? No lights, no hate, no water, just
like the days when they lived here? When who lives there?
Speaker 1 (01:53):
The gods? What thing you love?
Speaker 2 (01:57):
What for the moment, I'm not raving, let's see anyway,
said anything?
Speaker 1 (02:05):
Sure?
Speaker 2 (02:07):
Worse than it was, little a little lofe. I won't
yet a good thing. I decided to stop him for
a cup of coffee. You might have died here or
like himself. Nay anyway, but if I can cop it,
you can't help.
Speaker 1 (02:22):
We'll stop that they had him all hm h mm.
Speaker 2 (02:30):
I don't real leave the pan on the mine too, Okay.
I could take you to the hospital in my car. No,
and I think I will.
Speaker 1 (02:40):
Oh, Lawrence, what got into you? What do you wanna
die for?
Speaker 3 (02:46):
No?
Speaker 1 (02:46):
Not yet. There's nothing wrong with you. You've been the happiest.
You've got everything to live for. No, then to go
and shoot yourself? Yep? Where did you get this pistol? Anyway? Yeah,
didn't you know it included?
Speaker 2 (03:00):
Sure that part of the board probably been in that
one fifty years longer than that?
Speaker 1 (03:06):
What longer than that? Well, there's no telling what kind
of infection you can get from that woe it?
Speaker 3 (03:13):
Oh?
Speaker 2 (03:15):
Oh no yet, all let's say that the love is
high temperature up, Yeah, it's.
Speaker 1 (03:25):
Just pretty high. I guess you're not going to the
hospital after all. And now I told you that doctor,
I couldn't.
Speaker 2 (03:33):
Move you with that fire temperature, and that's finine. But
I told you I wasn't going to be moved anyway.
Speaker 1 (03:40):
So you see who gave you this system?
Speaker 2 (03:43):
A British colonel What British konel m names on the
lock plate, Lieutenant Colonel Robert Charles Grays, the seventeenth Regiment
of Foot, seventeen seventy four. Uh how does that say
the father gave it to No, you have it to
(04:06):
me himself yesterday?
Speaker 1 (04:09):
Nor him? I couldn't.
Speaker 2 (04:10):
He's one of the ghosts. Oh I see, Oh you don't.
I love delirious doctor, he he really is not a
just relax now.
Speaker 1 (04:27):
Of course I'm gonna die anyway, Isn't that so? I'm
afraid it is good? Non of him?
Speaker 2 (04:39):
What?
Speaker 3 (04:40):
Why did you do it?
Speaker 1 (04:41):
Well? I I'm not sure whether I did it not
a purpose or not? I one or two mm? But
maybe it was an accident? Well maybe or maybe what?
Maybe one of the ghosts? No, I M I don't
(05:05):
think so, I guess it was an accident. I'm glad though, Why?
Who on account of Melanie Melanyvy? Who? Who is Melanie
Melanie is a girl who lived here a hundred and
(05:27):
seven years ago?
Speaker 2 (05:28):
Why?
Speaker 1 (05:30):
And who still lives here?
Speaker 3 (05:32):
Oh?
Speaker 2 (05:37):
Oh it it hurts quite a bit, doctor. You want
me to give you something wrong walking, I guess not. No,
I wanna tell you things.
Speaker 1 (05:49):
Well, I won't believe in you, of course. Mm I
think my mind's wandering, don't you. Why What difference does
it that? That's right? Nothing makes any difference, though. My
fella takes a long time dying. That'sten. After a while,
(06:16):
we have the time up. Pretty soon I'll be a
ghost to see melody. I I'd like an then, drink
of brandy or justice? Uh? You not taking these and
not nice?
Speaker 2 (06:35):
Good brandy? Mm mm I wish I could take so
long it's good. I wish I could do something for
your learn nothing.
Speaker 1 (06:48):
So then are we sure?
Speaker 3 (06:51):
Well?
Speaker 1 (06:51):
I must have believe I couldn't come back. You know,
I have to stay here. I don't understand that I
have to stay here here, I said, my house. Mm oh,
what was I talking about?
Speaker 3 (07:09):
Me?
Speaker 1 (07:10):
The ghosts?
Speaker 2 (07:12):
Oh?
Speaker 1 (07:12):
Yes, So I try and keep the house like it
was in the old days. See all by myself been fun.
And then noises heard noises? What kind of news? People
beating out door.
Speaker 2 (07:30):
Rattling a latch every night. I'm not afraid, doctor. I
got up, went all over the house. Noises stopped. After
a while it was a dream. Beating on the door someplace.
What always sounded like it came from right over there.
(07:52):
You see, there isn't any door there.
Speaker 1 (07:56):
That's what I thought. My hands are cold. I've been
out the sign. Oh no, no kind of what it is.
I haven't that much time. Huh have I.
Speaker 3 (08:14):
No?
Speaker 1 (08:14):
No, I just haven't got much time all left.
Speaker 2 (08:16):
And I have to hurry. Shut your eyes or you
can see what I saw. I mean I didn't see
it see because it was dark. So when you shut
your eyes, you you feel the way I felt.
Speaker 3 (08:32):
H I.
Speaker 1 (08:34):
Ah, a lot of lines.
Speaker 2 (08:37):
I I walked over the house, lights on, no sound,
no hammering on the door, no door. I turned off
the lights. That starts again from right over there. I
turned on the lights, no door, no noise.
Speaker 1 (08:59):
Now I got an idea. I turn off the lights again.
Speaker 2 (09:05):
I walk over where the sound comes from, and there
is a door, and I I think I hear a
woman crying and footsteps and turnature being shut around. I
I said, I wasn't scared, did I Whether I wasn't there,
(09:30):
he'd be scared too, finding a door where there isn't
any door, and and there's somebody on the other side.
Speaker 1 (09:38):
But that's the outside wall of the house. Lines. No,
why there's a room there, the room where the ghosts
that you see? No, I don't. I didn't know it too.
(09:58):
Got your eye shut? Yes, if if you could hear
the noise like I.
Speaker 3 (10:05):
Heard it.
Speaker 2 (10:08):
Right, the pounding, people pushing her shoulders against the locked door,
and I could smell smoke.
Speaker 1 (10:16):
You see, I didn't know about the ghost stand what.
Speaker 4 (10:19):
Do you know now?
Speaker 2 (10:22):
I'm I'm trying to tell you. I side keep your
eyes shut. Ione should to feel the way I felt.
Speaker 1 (10:31):
I Billie. I reached for the lights again. I turned
them on.
Speaker 2 (10:37):
Nothing happens, just nothing. They stept pounding on the door,
flowing out. Then the woman crying and I hear her scream,
what screw she said, it's French.
Speaker 1 (10:51):
She needs help help.
Speaker 2 (10:53):
I heard her voice again, frightened. I really looked what
she said. That's French to me and opened the door.
So they tried to open it. Then it was locked
and they were pounding and she was coffee. And the
last they found a key like the door open. Then
(11:15):
the ghosts came out.
Speaker 1 (11:21):
Him.
Speaker 2 (11:22):
The lights came back on it. There wasn't any door,
There wasn't anybody in the room with me, and I
heard something.
Speaker 1 (11:33):
Somebody walking across the.
Speaker 2 (11:34):
Floor down the hall. So they turned and went down
the hall after the footsteps down down toward my room.
And then they stopped then cause the towre to my
room closed and somebody locked it. You cleaned it, No,
it was locked from the inside.
Speaker 1 (11:55):
So it was every other door in the house. Oh,
but I couldn't be try the doors. Open your eyes
and dry the doors. Go ahead, lie inside, Go ahead,
I'll keep on talking. You you have to believe me.
(12:19):
Go ahead. So what did I do?
Speaker 2 (12:26):
I lay down here to them work with the lights on,
and I tried to think, and nothing made me sense.
I got up and I dried the outside door. It
was un unlocked, so I went outside. They had some
crazy idea maybe there wasn't room there. That wasn't, of course,
(12:47):
but there were footprints in this and all, some men's footprints,
and and the girl's. This last nose covered 'em off again.
I guess, well, what about the noise?
Speaker 1 (13:05):
Doctor? Then luck ill they again inside? You could see
did you hear anything?
Speaker 3 (13:15):
Did you?
Speaker 1 (13:16):
When I I thought I heard someone moved home? Decided
to awaken somebody? Whatever was probably my imagination how it
wasn't it. Oh h uh, yeah, he's so tired. Well, no, no,
(13:36):
back you no, sohen I.
Speaker 2 (13:40):
Came back in and I said down, and I hardly
noticed that the lights were up again. And then I
heard something else, and I said, who was that? H
woman's voice absent?
Speaker 1 (13:58):
Mean about a well whose melanie?
Speaker 3 (14:04):
Once I was a maid in the house in the
time of the wood, when the soldiers were captured on
Christmas night at Clinton, and these escaped and came here
to be hidden, and by miss your mood, well he
was no machians.
Speaker 1 (14:19):
And they were.
Speaker 2 (14:19):
They would make a me surprised till I wasn't very
conve uptor she would write, I'm telling me how Mars
was alas, how he hid the officers, and how the
neighbor had suspected to him spied on him.
Speaker 3 (14:34):
Then why must go away? You see sce I was
left alone to bring food to the poor soldiers. And
there was a knight when I took their foot to them,
And when I would go from the room, I found
the door to be locked.
Speaker 1 (14:48):
From the other side. The soon smelled the smoke of
the fire, but someone had set fire to the house
to destroy the room.
Speaker 3 (14:56):
And we beat upon the door, but it did not
have them, And so we've perished in the fire.
Speaker 1 (15:04):
I in the British officer, and there was none to
know our seats and for our teams.
Speaker 3 (15:14):
We are bound forever to this house, although I am
not sins, very grateful, and I would thank you for
releasing us from that room. For so many times we
have cried out, yet.
Speaker 1 (15:28):
No one would open the door, and I opened the door.
But now all my doors are locked against me.
Speaker 3 (15:35):
Yes, they say it is very house now and no
man can open the doors again.
Speaker 1 (15:42):
I think we'll see about that. These men must go away.
Well I'm not going away. I should be sorry when
you go away.
Speaker 3 (15:53):
You would.
Speaker 1 (15:55):
You have released us? I am grateful, as I think
they be grateful too.
Speaker 3 (16:03):
They are soldiers year, and they have not forgotten the
manner of you. This is their revenge that no men
shall live in the house.
Speaker 2 (16:13):
Well, that's fine, and can be chased out of my
house by a bunch of ghosts. How do you feel
about it?
Speaker 3 (16:25):
I could wish you could always be here with you,
so yes, monsieur, But it cannot be unless.
Speaker 1 (16:38):
Unless what it cannot be. If I turned on the lights,
could I see you.
Speaker 3 (16:48):
The eyes of the living cannot stand.
Speaker 1 (16:51):
What did you look like? I? I did him no,
and h.
Speaker 3 (17:00):
Yeah, it's blue. And I was not very tall and
my feet were very.
Speaker 4 (17:07):
Small, and your uh clothes l side had a gun
and it put blue like my eyes in the end,
and there was a cap of lace on my gum.
Speaker 3 (17:19):
It with me.
Speaker 2 (17:23):
And and I was struck with a sudden impulse to
see this girl with her black hair, and the tap
of the dress matched her eyes.
Speaker 1 (17:32):
And then jumped up and snapped my sun. And her
room was empty, and so I knew I'd been dreaming.
Oh cool, But I wasn't dreaming my friend. She came
to me the next night and the next Oh it's
so cold? Am I dying?
Speaker 2 (17:53):
Now?
Speaker 1 (17:58):
Is this what it feels like? Yeah? Ticular, I said
to this, Oh uh, let'm u.
Speaker 2 (18:11):
Ah much longer. Well, see, friend, I found myself in
with the coast, Yes, methany. Then she must meet up
(18:36):
before we talked about it so much. They must be
a way out, but they couldn't be away out, so
the others kept telling her this. The one I asked
you to go to them, I'm sorry, go to them,
and they'm to let me stay.
Speaker 1 (18:54):
Was the only way.
Speaker 2 (18:56):
But she told me they said, no, they they make
a pack between themselves and they not alderance. The time
was getting short and was sorry, they said. And then
last night she killed on me again when the swim
was cliling the apron neighbor around the windows, and I said, Melanie,
(19:19):
I I can't go now, can't they see the hat?
And she said, I have spoken the game with the
cooling oil.
Speaker 1 (19:30):
And what did he say? He will come to you,
he said, And what he will not speak to the living?
Wh what WoT I do not know? He said, he will.
Speaker 3 (19:41):
Come to you when too nice speak sing the steer
colon house, I have been a man to free him,
will serve the dino. Colonel Robert Charles Graves of His
(20:07):
Majesty's civilteenth Regiment, to put off Monsieur the Colonel accuse
me to present his complimence to you, and to say
to you that he has taken me consel.
Speaker 1 (20:25):
With his fellow officers. No, do not speak, monsieur.
Speaker 3 (20:31):
Le colonel, which is the also per sae, that he
and his fellow officers have come to a decision in
the matter of yourself.
Speaker 1 (20:45):
They honor you for.
Speaker 3 (20:48):
Your devotion to leave and they begged live to supply
you with the means of assuring you permanent un residents
give in this house.
Speaker 1 (21:06):
Yeah, let's come home. Excellent. I've been talking of this
step light. They turned on the lights that were down
(21:37):
the floor. They blocked us through the road.
Speaker 2 (21:40):
Dash your black friend, Personal Gap from one by Charles Graham,
seventeenth foots, ye id a long time, turn all the lights,
call it no lesser talk to him Connor, I look,
there wasn't brave enough to.
Speaker 1 (22:03):
Sell the elected. Couldn't do it. Tried. Oh oh I
I didn't do it. Oh I didn't.
Speaker 2 (22:17):
Long short long, wouldn't wanning heard the footstep say him
boot short, spurns creaking do what it was?
Speaker 1 (22:28):
Said? Hello, colonel, said colonel thankfully. Haven't got courage enough?
Always love Colonel, I said, said, here's your pistol. Haven't
got what oh think? Please m.
Speaker 2 (22:54):
They they wake up here, they see it's Conan Graves.
Couldn't have fella show me way up. Couldn't a fella
will trigger for me?
Speaker 3 (23:16):
And he.
Speaker 1 (23:20):
Protaperty press. Oh yeah good, yeah, but.
Speaker 2 (23:41):
You know I listened to Quiet Please, which is written
and directed by Williem Cooper Lawrence The Man who spoke
for you was Ernest Temple and the Melanie was Claudia Morgan.
The doctor was played by James Van Dye Carson, effects
by Alberda prom yasic for quiet please except for our team,
which is from the allegrated movement of the Saber Front
playing team Minor.
Speaker 1 (24:01):
Is composed and played by Albert Brown.
Speaker 2 (24:04):
Now Alfred worried about next week's quiet Please, here's our writer,
Director Willis Cooper Acres does with the title of next
week started to start one man to man. This is
an instrual broadcasting system.
Quiet Please, Quiet Please.
Speaker 2 (00:39):
The Mutual Broadcasting System presents Quietly, which has written and
directed by Willis Cooper and which features Fernie Chappell. Quietles
Fortnite is called The Room where the Ghosts Live.
Speaker 1 (01:00):
No, no, I won't let you take me out of
a house. No, I'm going to stay right here.
Speaker 2 (01:08):
I'm sorry, doctors, but as long as we've got to
get you to a hospital, now, stop being a food
high walk. I'm going to die anyway, And I don't
want to die in an ambulance somewhere out on an
icy road between here and town. And sorry, that's fine.
I can't do anything for you here long Maybe I
don't want you to do anything for me.
Speaker 1 (01:29):
Doctor.
Speaker 2 (01:29):
I'm going to call the ambulance. How my telephone? Of course,
the telephone isn't working. Oh that's right, I forgot. That's
funny as lit What what a couple of days that
snow can do? No lights, no hate, no water, just
like the days when they lived here? When who lives there?
Speaker 1 (01:53):
The gods? What thing you love?
Speaker 2 (01:57):
What for the moment, I'm not raving, let's see anyway,
said anything?
Speaker 1 (02:05):
Sure?
Speaker 2 (02:07):
Worse than it was, little a little lofe. I won't
yet a good thing. I decided to stop him for
a cup of coffee. You might have died here or
like himself. Nay anyway, but if I can cop it,
you can't help.
Speaker 1 (02:22):
We'll stop that they had him all hm h mm.
Speaker 2 (02:30):
I don't real leave the pan on the mine too, Okay.
I could take you to the hospital in my car. No,
and I think I will.
Speaker 1 (02:40):
Oh, Lawrence, what got into you? What do you wanna
die for?
Speaker 3 (02:46):
No?
Speaker 1 (02:46):
Not yet. There's nothing wrong with you. You've been the happiest.
You've got everything to live for. No, then to go
and shoot yourself? Yep? Where did you get this pistol? Anyway? Yeah,
didn't you know it included?
Speaker 2 (03:00):
Sure that part of the board probably been in that
one fifty years longer than that?
Speaker 1 (03:06):
What longer than that? Well, there's no telling what kind
of infection you can get from that woe it?
Speaker 3 (03:13):
Oh?
Speaker 2 (03:15):
Oh no yet, all let's say that the love is
high temperature up, Yeah, it's.
Speaker 1 (03:25):
Just pretty high. I guess you're not going to the
hospital after all. And now I told you that doctor,
I couldn't.
Speaker 2 (03:33):
Move you with that fire temperature, and that's finine. But
I told you I wasn't going to be moved anyway.
Speaker 1 (03:40):
So you see who gave you this system?
Speaker 2 (03:43):
A British colonel What British konel m names on the
lock plate, Lieutenant Colonel Robert Charles Grays, the seventeenth Regiment
of Foot, seventeen seventy four. Uh how does that say
the father gave it to No, you have it to
(04:06):
me himself yesterday?
Speaker 1 (04:09):
Nor him? I couldn't.
Speaker 2 (04:10):
He's one of the ghosts. Oh I see, Oh you don't.
I love delirious doctor, he he really is not a
just relax now.
Speaker 1 (04:27):
Of course I'm gonna die anyway, Isn't that so? I'm
afraid it is good? Non of him?
Speaker 2 (04:39):
What?
Speaker 3 (04:40):
Why did you do it?
Speaker 1 (04:41):
Well? I I'm not sure whether I did it not
a purpose or not? I one or two mm? But
maybe it was an accident? Well maybe or maybe what?
Maybe one of the ghosts? No, I M I don't
(05:05):
think so, I guess it was an accident. I'm glad though, Why?
Who on account of Melanie Melanyvy? Who? Who is Melanie
Melanie is a girl who lived here a hundred and
(05:27):
seven years ago?
Speaker 2 (05:28):
Why?
Speaker 1 (05:30):
And who still lives here?
Speaker 3 (05:32):
Oh?
Speaker 2 (05:37):
Oh it it hurts quite a bit, doctor. You want
me to give you something wrong walking, I guess not. No,
I wanna tell you things.
Speaker 1 (05:49):
Well, I won't believe in you, of course. Mm I
think my mind's wandering, don't you. Why What difference does
it that? That's right? Nothing makes any difference, though. My
fella takes a long time dying. That'sten. After a while,
(06:16):
we have the time up. Pretty soon I'll be a
ghost to see melody. I I'd like an then, drink
of brandy or justice? Uh? You not taking these and
not nice?
Speaker 2 (06:35):
Good brandy? Mm mm I wish I could take so
long it's good. I wish I could do something for
your learn nothing.
Speaker 1 (06:48):
So then are we sure?
Speaker 3 (06:51):
Well?
Speaker 1 (06:51):
I must have believe I couldn't come back. You know,
I have to stay here. I don't understand that I
have to stay here here, I said, my house. Mm oh,
what was I talking about?
Speaker 3 (07:09):
Me?
Speaker 1 (07:10):
The ghosts?
Speaker 2 (07:12):
Oh?
Speaker 1 (07:12):
Yes, So I try and keep the house like it
was in the old days. See all by myself been fun.
And then noises heard noises? What kind of news? People
beating out door.
Speaker 2 (07:30):
Rattling a latch every night. I'm not afraid, doctor. I
got up, went all over the house. Noises stopped. After
a while it was a dream. Beating on the door someplace.
What always sounded like it came from right over there.
(07:52):
You see, there isn't any door there.
Speaker 1 (07:56):
That's what I thought. My hands are cold. I've been
out the sign. Oh no, no kind of what it is.
I haven't that much time. Huh have I.
Speaker 3 (08:14):
No?
Speaker 1 (08:14):
No, I just haven't got much time all left.
Speaker 2 (08:16):
And I have to hurry. Shut your eyes or you
can see what I saw. I mean I didn't see
it see because it was dark. So when you shut
your eyes, you you feel the way I felt.
Speaker 3 (08:32):
H I.
Speaker 1 (08:34):
Ah, a lot of lines.
Speaker 2 (08:37):
I I walked over the house, lights on, no sound,
no hammering on the door, no door. I turned off
the lights. That starts again from right over there. I
turned on the lights, no door, no noise.
Speaker 1 (08:59):
Now I got an idea. I turn off the lights again.
Speaker 2 (09:05):
I walk over where the sound comes from, and there
is a door, and I I think I hear a
woman crying and footsteps and turnature being shut around. I
I said, I wasn't scared, did I Whether I wasn't there,
(09:30):
he'd be scared too, finding a door where there isn't
any door, and and there's somebody on the other side.
Speaker 1 (09:38):
But that's the outside wall of the house. Lines. No,
why there's a room there, the room where the ghosts
that you see? No, I don't. I didn't know it too.
(09:58):
Got your eye shut? Yes, if if you could hear
the noise like I.
Speaker 3 (10:05):
Heard it.
Speaker 2 (10:08):
Right, the pounding, people pushing her shoulders against the locked door,
and I could smell smoke.
Speaker 1 (10:16):
You see, I didn't know about the ghost stand what.
Speaker 4 (10:19):
Do you know now?
Speaker 2 (10:22):
I'm I'm trying to tell you. I side keep your
eyes shut. Ione should to feel the way I felt.
Speaker 1 (10:31):
I Billie. I reached for the lights again. I turned
them on.
Speaker 2 (10:37):
Nothing happens, just nothing. They stept pounding on the door,
flowing out. Then the woman crying and I hear her scream,
what screw she said, it's French.
Speaker 1 (10:51):
She needs help help.
Speaker 2 (10:53):
I heard her voice again, frightened. I really looked what
she said. That's French to me and opened the door.
So they tried to open it. Then it was locked
and they were pounding and she was coffee. And the
last they found a key like the door open. Then
(11:15):
the ghosts came out.
Speaker 1 (11:21):
Him.
Speaker 2 (11:22):
The lights came back on it. There wasn't any door,
There wasn't anybody in the room with me, and I
heard something.
Speaker 1 (11:33):
Somebody walking across the.
Speaker 2 (11:34):
Floor down the hall. So they turned and went down
the hall after the footsteps down down toward my room.
And then they stopped then cause the towre to my
room closed and somebody locked it. You cleaned it, No,
it was locked from the inside.
Speaker 1 (11:55):
So it was every other door in the house. Oh,
but I couldn't be try the doors. Open your eyes
and dry the doors. Go ahead, lie inside, Go ahead,
I'll keep on talking. You you have to believe me.
(12:19):
Go ahead. So what did I do?
Speaker 2 (12:26):
I lay down here to them work with the lights on,
and I tried to think, and nothing made me sense.
I got up and I dried the outside door. It
was un unlocked, so I went outside. They had some
crazy idea maybe there wasn't room there. That wasn't, of course,
(12:47):
but there were footprints in this and all, some men's footprints,
and and the girl's. This last nose covered 'em off again.
I guess, well, what about the noise?
Speaker 1 (13:05):
Doctor? Then luck ill they again inside? You could see
did you hear anything?
Speaker 3 (13:15):
Did you?
Speaker 1 (13:16):
When I I thought I heard someone moved home? Decided
to awaken somebody? Whatever was probably my imagination how it
wasn't it. Oh h uh, yeah, he's so tired. Well, no, no,
(13:36):
back you no, sohen I.
Speaker 2 (13:40):
Came back in and I said down, and I hardly
noticed that the lights were up again. And then I
heard something else, and I said, who was that? H
woman's voice absent?
Speaker 1 (13:58):
Mean about a well whose melanie?
Speaker 3 (14:04):
Once I was a maid in the house in the
time of the wood, when the soldiers were captured on
Christmas night at Clinton, and these escaped and came here
to be hidden, and by miss your mood, well he
was no machians.
Speaker 1 (14:19):
And they were.
Speaker 2 (14:19):
They would make a me surprised till I wasn't very
conve uptor she would write, I'm telling me how Mars
was alas, how he hid the officers, and how the
neighbor had suspected to him spied on him.
Speaker 3 (14:34):
Then why must go away? You see sce I was
left alone to bring food to the poor soldiers. And
there was a knight when I took their foot to them,
And when I would go from the room, I found
the door to be locked.
Speaker 1 (14:48):
From the other side. The soon smelled the smoke of
the fire, but someone had set fire to the house
to destroy the room.
Speaker 3 (14:56):
And we beat upon the door, but it did not
have them, And so we've perished in the fire.
Speaker 1 (15:04):
I in the British officer, and there was none to
know our seats and for our teams.
Speaker 3 (15:14):
We are bound forever to this house, although I am
not sins, very grateful, and I would thank you for
releasing us from that room. For so many times we
have cried out, yet.
Speaker 1 (15:28):
No one would open the door, and I opened the door.
But now all my doors are locked against me.
Speaker 3 (15:35):
Yes, they say it is very house now and no
man can open the doors again.
Speaker 1 (15:42):
I think we'll see about that. These men must go away.
Well I'm not going away. I should be sorry when
you go away.
Speaker 3 (15:53):
You would.
Speaker 1 (15:55):
You have released us? I am grateful, as I think
they be grateful too.
Speaker 3 (16:03):
They are soldiers year, and they have not forgotten the
manner of you. This is their revenge that no men
shall live in the house.
Speaker 2 (16:13):
Well, that's fine, and can be chased out of my
house by a bunch of ghosts. How do you feel
about it?
Speaker 3 (16:25):
I could wish you could always be here with you,
so yes, monsieur, But it cannot be unless.
Speaker 1 (16:38):
Unless what it cannot be. If I turned on the lights,
could I see you.
Speaker 3 (16:48):
The eyes of the living cannot stand.
Speaker 1 (16:51):
What did you look like? I? I did him no,
and h.
Speaker 3 (17:00):
Yeah, it's blue. And I was not very tall and
my feet were very.
Speaker 4 (17:07):
Small, and your uh clothes l side had a gun
and it put blue like my eyes in the end,
and there was a cap of lace on my gum.
Speaker 3 (17:19):
It with me.
Speaker 2 (17:23):
And and I was struck with a sudden impulse to
see this girl with her black hair, and the tap
of the dress matched her eyes.
Speaker 1 (17:32):
And then jumped up and snapped my sun. And her
room was empty, and so I knew I'd been dreaming.
Oh cool, But I wasn't dreaming my friend. She came
to me the next night and the next Oh it's
so cold? Am I dying?
Speaker 2 (17:53):
Now?
Speaker 1 (17:58):
Is this what it feels like? Yeah? Ticular, I said
to this, Oh uh, let'm u.
Speaker 2 (18:11):
Ah much longer. Well, see, friend, I found myself in
with the coast, Yes, methany. Then she must meet up
(18:36):
before we talked about it so much. They must be
a way out, but they couldn't be away out, so
the others kept telling her this. The one I asked
you to go to them, I'm sorry, go to them,
and they'm to let me stay.
Speaker 1 (18:54):
Was the only way.
Speaker 2 (18:56):
But she told me they said, no, they they make
a pack between themselves and they not alderance. The time
was getting short and was sorry, they said. And then
last night she killed on me again when the swim
was cliling the apron neighbor around the windows, and I said, Melanie,
(19:19):
I I can't go now, can't they see the hat?
And she said, I have spoken the game with the
cooling oil.
Speaker 1 (19:30):
And what did he say? He will come to you,
he said, And what he will not speak to the living?
Wh what WoT I do not know? He said, he will.
Speaker 3 (19:41):
Come to you when too nice speak sing the steer
colon house, I have been a man to free him,
will serve the dino. Colonel Robert Charles Graves of His
(20:07):
Majesty's civilteenth Regiment, to put off Monsieur the Colonel accuse
me to present his complimence to you, and to say
to you that he has taken me consel.
Speaker 1 (20:25):
With his fellow officers. No, do not speak, monsieur.
Speaker 3 (20:31):
Le colonel, which is the also per sae, that he
and his fellow officers have come to a decision in
the matter of yourself.
Speaker 1 (20:45):
They honor you for.
Speaker 3 (20:48):
Your devotion to leave and they begged live to supply
you with the means of assuring you permanent un residents
give in this house.
Speaker 1 (21:06):
Yeah, let's come home. Excellent. I've been talking of this
step light. They turned on the lights that were down
(21:37):
the floor. They blocked us through the road.
Speaker 2 (21:40):
Dash your black friend, Personal Gap from one by Charles Graham,
seventeenth foots, ye id a long time, turn all the lights,
call it no lesser talk to him Connor, I look,
there wasn't brave enough to.
Speaker 1 (22:03):
Sell the elected. Couldn't do it. Tried. Oh oh I
I didn't do it. Oh I didn't.
Speaker 2 (22:17):
Long short long, wouldn't wanning heard the footstep say him
boot short, spurns creaking do what it was?
Speaker 1 (22:28):
Said? Hello, colonel, said colonel thankfully. Haven't got courage enough?
Always love Colonel, I said, said, here's your pistol. Haven't
got what oh think? Please m.
Speaker 2 (22:54):
They they wake up here, they see it's Conan Graves.
Couldn't have fella show me way up. Couldn't a fella
will trigger for me?
Speaker 3 (23:16):
And he.
Speaker 1 (23:20):
Protaperty press. Oh yeah good, yeah, but.
Speaker 2 (23:41):
You know I listened to Quiet Please, which is written
and directed by Williem Cooper Lawrence The Man who spoke
for you was Ernest Temple and the Melanie was Claudia Morgan.
The doctor was played by James Van Dye Carson, effects
by Alberda prom yasic for quiet please except for our team,
which is from the allegrated movement of the Saber Front
playing team Minor.
Speaker 1 (24:01):
Is composed and played by Albert Brown.
Speaker 2 (24:04):
Now Alfred worried about next week's quiet Please, here's our writer,
Director Willis Cooper Acres does with the title of next
week started to start one man to man. This is
an instrual broadcasting system.
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
New Heights with Jason & Travis Kelce
Football’s funniest family duo — Jason Kelce of the Philadelphia Eagles and Travis Kelce of the Kansas City Chiefs — team up to provide next-level access to life in the league as it unfolds. The two brothers and Super Bowl champions drop weekly insights about the weekly slate of games and share their INSIDE perspectives on trending NFL news and sports headlines. They also endlessly rag on each other as brothers do, chat the latest in pop culture and welcome some very popular and well-known friends to chat with them. Check out new episodes every Wednesday. Follow New Heights on the Wondery App, YouTube or wherever you get your podcasts. You can listen to new episodes early and ad-free, and get exclusive content on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. And join our new membership for a unique fan experience by going to the New Heights YouTube channel now!