July 22, 2025 • 29 mins
A horror and fantasy anthology series that delves into the eerie and the unknown, offering stories that unsettle and provoke thought. Its minimalist production enhances the chilling narratives.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Quiet Please, Quiet Please. The usual broadcasting system presents Quiet Please,
(00:35):
which is written and directed by Willis Cooper, which features
Ernest Chapel Buio please, But tonight is called Gem of
purest lay Elsterios.
Speaker 2 (00:55):
What m or r A?
Speaker 1 (00:57):
I have a spell it?
Speaker 2 (00:59):
I'm so are you?
Speaker 1 (01:01):
I didn't get your name Papus like papus eText the
stage in first glade? It gets your address? What is
seven north to first Greek? Well, oh, thank you, doctor Maraida.
I'm sorry, I don't speak modern Greek.
Speaker 2 (01:16):
I assume that to me. How do you do so?
Speaker 1 (01:18):
That's right? No, Keller was your color?
Speaker 3 (01:23):
Huh?
Speaker 1 (01:24):
Killing this guy? I have no regrets at all, mister Tapas,
is it? That's right? Well go ahead, there's nothing more
to say. You know that what you're saying will be
us an evidence against you, don't you?
Speaker 2 (01:38):
Yes, of course.
Speaker 1 (01:40):
Mh. I'm getting pretty tired of the topics. What, doctor
Maradas killing these people? Oh do you suppose they'll electric kutcher?
They sure will, Manadas elect.
Speaker 2 (01:57):
What a word? What an experience too?
Speaker 1 (02:00):
They tell me. I wasn't thinking about the experience. That's
the barbarism of the word. That texts my teeth an
age would.
Speaker 2 (02:06):
Like electrocute, locate, reside. What's the matter with them? They
get me down there?
Speaker 1 (02:14):
Well, not to change the subject, but what about these
other people you mentioned? Oh? I was just thinking, as
long as they're going to send me that you like
to chair, you're on the way. Okay, Well in that case,
I might as well tell you about the others. Sure,
(02:35):
go right ahead, And I could warn you at the
same time, warn me, Yes, you want me a what not?
These people that have to be killed? Oh? Who are they?
Speaker 4 (02:45):
Morada?
Speaker 1 (02:47):
I'm a perfectly sound mind. Such topics. You better, I'll
not good. This comes as a passion off of it.
But then we'll get onto the warning.
Speaker 4 (02:56):
Eh.
Speaker 1 (02:57):
Okay, Well, so far as I can remember, there are
thirty two of them all together that I've murdered. Kill.
Speaker 2 (03:08):
This one makes thirty three. No, he's the thirty second.
Speaker 1 (03:11):
Well, nice girling. You have their names, I suppose, no,
not all of them, no matter of thank to have
the names of only a few of them. I could
give you the details of the murders, you see, and
perhaps you could work back from that. Yes, suppose we
kurt Gunway. But there are so many more of them,
So if you find them everywhere good, and they've all
(03:32):
got to be destroyed.
Speaker 2 (03:33):
Who's going to destroy them? I've destroyed thirty two.
Speaker 1 (03:37):
Of them, and now you're going to hang me objection
that they're they're going to fly you? What's trying to say?
The world for knacking off, mister caliber Meldith thirty eight
throughout through south winter straight through which you have confessed
and for which you will be fried like a fish.
I am not a fish.
Speaker 2 (03:58):
Like yeah, he's a fish. None of this that I killed.
Speaker 1 (04:03):
Hey, you make it as yet and I'll only play
hygi potis. Did you see now this body, girl, did
you look at it carefully? Careful enough to say it
was dead?
Speaker 4 (04:17):
Dead?
Speaker 1 (04:17):
Is a fick?
Speaker 2 (04:19):
Did you notice his neck?
Speaker 1 (04:22):
No? What? There are two scars on his neck on
each side, just below his ears. That's the colorless business
that it's your business, it's everybody's business. Why because that's
the way you can identify, identify hoop for God, the
people in the time to destroy the world, the people
(04:43):
from the bottom of the ocean. Those scars on the
necks that kills kills like a fishy. Excuse me, I
am becoming ungrammatical. They may are killed such as fishes
protect no fins. I thank you, sage, and please don't
(05:05):
talk about it. And they come from the bottom of
the ocean. They do, been over here. Turn your head.
Speaker 2 (05:15):
The other way now, mm hmm.
Speaker 1 (05:18):
How come you've got scars on the sides of your neck,
doctor Marida, you've been to the bottom of the ocean, so, yes,
those are my DearS. Yes, I've been to the bottom
of the ocean too. We Greeks of an enormous affinity
(05:46):
for the depths of the seas. Our first hue, the
men of the sea, Jason, and we're just using the
others you wile to see going and see the loving nations,
if very would we use to describe the sea today.
Came from the Greek collegians of the sea, from the
Greek elegies, thank tn. The microscopic animal forms that lie
(06:10):
at various levels in the ocean depths, that's the Greek.
Speaker 2 (06:12):
We're too, das a wanderer.
Speaker 1 (06:16):
And Atlantis was one of our colonies, Atlantis whose people
so loved the seed that the gods of ancient Greece
sunk the whole continent into his death. You believe that
kind of junk, and you'd better believe it too, Gudge
Papists of the police.
Speaker 2 (06:34):
Yeah, because Atlantis.
Speaker 1 (06:37):
Exists today, and if people live and the ambassadors of
Atlanta's come from the sea to live beside us, and
so seeds the discontent and hatred among us wherever we live.
Speaker 2 (06:56):
You remember me, now, don't you?
Speaker 1 (07:00):
What?
Speaker 2 (07:00):
Ida deeps the inplorations Right now?
Speaker 1 (07:04):
Men have gone down to the depths of the sea
before William Boby in this battisphere, you're in the number,
of course Baptists sphere we glinks again comes from Babas depths.
But I wanted to go deeper, to come the utmost
depths of the sea, to get down in the valleys
that extend farther below the seas level of the highest
(07:26):
peak center to sern above it.
Speaker 2 (07:28):
I I wanted to tie in Atlantis.
Speaker 1 (07:34):
I found myself in possession of certain documents, chart maps,
the existence.
Speaker 2 (07:38):
Of bridge there thefore never been suspected.
Speaker 1 (07:41):
And I found the exact coordinates of latitude and longitude
of the ancient city, the capital of the country that
sank the Lota waged so many many centuries ago. And no, never,
never mind them, they will do you no good, and
not them. Let it suffice that the depth is something
more than eight miles? Have they pardon? I said, go on,
(08:05):
No need to tell you either of the details of
the construction of my diving bell. It was made to
my own specifications, internally braced to withstand the pressure of
several times of the squarenge. There was light and heat,
and large ports set on the sides with cone shaped
plexiglass dead lights, so that no matter what the pressure
of the water from the outside, the plexiglass would be
uninforced entire But the thing bust anyway. Then that fact
(08:28):
was the story. What really happened was somewhat different. Get
on with you, sorry that if you'd just not interrupt me,
go ahead, if you had the newspaper accounts at the time,
I wasn't.
Speaker 2 (08:43):
May seventeenth, nineteen forty six.
Speaker 1 (08:46):
Go ahead. I was going to say that. You might
have remembered that there was no physical connection between.
Speaker 2 (08:53):
The bell and the surface, but it was not on
a cable of any kind.
Speaker 1 (08:58):
It was free expect to get back by releasing balanced
the course upon which to tell and the people in
it if any.
Speaker 2 (09:06):
Would rise to the surface.
Speaker 1 (09:08):
We had, of course radio contact with our headquartership on
the surface, and you and the woman Elizabeth Case. You're assistant, yes,
you and this this case went down in this thing
had a busted or something, and they pulled out of
the ocean at Old Segra, Connecticut. They never found this
Case's bunny. That right, They didn't find miss Case's body
(09:33):
because she is still alive or was when I last
saw her?
Speaker 2 (09:37):
Oh yeah, and when did you.
Speaker 1 (09:39):
Last see it?
Speaker 2 (09:40):
Back then? In front of the temple of Poseidon?
Speaker 1 (09:43):
And where did this temple of posadon if you please?
Speaker 2 (09:47):
In Atlantis?
Speaker 1 (09:49):
Forty thousand people of the surface of the ocean. And
what was she's doing? Doc? She was talking with the
high priest, talking forty thousand feet under water, and she talked,
But Doc, you're really bucking for a specc hunt. I
(10:10):
am telling you about truth touching puckers. Okay, go ahead,
as long as you don't get violent. It is really
quiet in the lower depths of the ocean. Have you
remember the pathma show the depth of eight thousand meters
that is roughly twenty thousand feet when we saw the
first inhabitant of the ocean, completely different from any previous
(10:32):
conception of ocean life. Doctor, Look about this port see something?
Speaker 2 (10:38):
Look well, the wonders. It's alive, it seems to be.
It looks like a great big shoot. Don't turn the
eyes of a mouth or anything.
Speaker 1 (10:53):
Coming closer.
Speaker 2 (10:55):
It's a rival.
Speaker 5 (10:56):
Right.
Speaker 2 (10:58):
This is wonderful, isn't it? How Doctor?
Speaker 1 (11:01):
It is alive.
Speaker 2 (11:03):
Looks like a.
Speaker 1 (11:05):
Blanket. Ah, it's turning over. No, maybe we'll see what
But if you scream about the thing hangover? Then we
saw the other side. Well, the thing was a huge face,
a human face, a woman's face, paper thin, flesh.
Speaker 2 (11:28):
Colored hand, alive, leything to cross like a huge mask and.
Speaker 1 (11:35):
Hand. The thing looked at us and it smiled, And
then the doctor told us, and then he screamed again
as the thing wrapped itself around the diving belt.
Speaker 2 (11:43):
And I could see the.
Speaker 1 (11:43):
Plexiglass ports start him with an increased pressure. And then
I looked closer at the port and across its surface
outside him, on the water, a million tiny hands, women's
hands crawled across the glass, clutching, reaching ye to come inside.
And what did you do? Then?
Speaker 4 (12:02):
Mark?
Speaker 2 (12:04):
I am afraid I painted? What about ms King? She
thinted too. I sort of expected that, Well, why shouldn't
she the face that she looked at up there in
the decks of the sea.
Speaker 1 (12:19):
Was her own then what.
Speaker 2 (12:28):
It was black outside? When I came to black and
immeasurably cold, the thing was gone.
Speaker 1 (12:40):
There was nothing but blackness.
Speaker 2 (12:43):
I gave her some brandy.
Speaker 1 (12:44):
Oh, this brandy and this story, and I took a
little myself, but by.
Speaker 2 (12:49):
Some other indicated nine thousand, two hundred meters.
Speaker 1 (12:52):
I just saw a red, white and blue tackey with
a straw hat. I saw a pop with on me.
Oh I saw.
Speaker 2 (13:08):
At last?
Speaker 3 (13:12):
Well, oh that.
Speaker 6 (13:17):
I show you this.
Speaker 4 (13:20):
Jewel?
Speaker 2 (13:22):
Yeah, what is it?
Speaker 1 (13:26):
I found it on the floor of my diving down
a moment after I saw the light of the atlantis
below me.
Speaker 2 (13:34):
How did it get there? I don't know?
Speaker 3 (13:39):
Well, what is it?
Speaker 2 (13:42):
You ever read Thomas Gray's Hell as You written in
the Country Churchyard?
Speaker 1 (13:46):
I guess so? High school? A turk, your poes and
nall a parting day. Why let me quote another couplets
to you? Oh many, a gem of purest race, serene,
the doctor fathom, cans of ocean bear go on, doctor.
(14:07):
I suspect that Thomas Gray was trying to tell the
world something that's kind of rachel for a doctor. I
didn't know where it came from I told you that's right,
But Betty Case knew. Betty case gasped when she saw it.
Speaker 2 (14:28):
Where you that comes from? I don't know.
Speaker 1 (14:31):
It was on the floor. What do you say? Oh?
Speaker 2 (14:37):
Well, I I had a weird idea. Came from from outside?
Isn't that silly?
Speaker 1 (14:51):
What it should come from outside? I d because I
had never noticed before pouts is useful. And I was
stuck with a queer three pot. Why she looks.
Speaker 7 (15:13):
Just like a fish, And I had to feel emotion
of the diving belt quicken and in a moment it
was my housepress elevator dropping down out of control. And
some of great heights may face said, laughing after a
queer things said past the fourth the light responder in
my mind Suddenly I was.
Speaker 1 (15:34):
Plunder the floor.
Speaker 7 (15:35):
At them, the registered fifteen thousand, three hundred times. You
come to that eight miles below the surface, where it's
undanced some way.
Speaker 1 (15:52):
And we sat in bright light in the streets that a.
Speaker 3 (15:56):
Man, well the great buried at the money either.
Speaker 7 (16:01):
A crowd of people in a crowd of people dressed
in the garments of ancient greets.
Speaker 1 (16:08):
A sound of music that set the brilliant scire walls
of the pypingselves are homic men and women and children
in the light of great.
Speaker 7 (16:16):
Glass, feeling down some tall marble columns, men and women
and children listening and moving and reading.
Speaker 1 (16:26):
Eight miles fill over the ocean street. And I then
to look at that. I remember the doctors when I
started to gill. I remember when I dreamed after the
place up time my up, and I was thinking, and then.
Speaker 4 (16:43):
I started full of 'em this casine, this is and
have to sing, no it is not doctor.
Speaker 3 (16:54):
Look outside.
Speaker 1 (16:57):
They're coming from Look did you see them? Yes, it
didn't possible. He's uplandes he's got closing. And she started
(17:22):
for the door of the diving sat got him, reaching
out for the mechanism that went unlicking. They would open
and let the sea in the cross boat, at least
in front of it the present. But she raised the
jewel and held it in front of my eyes, and
I felt my strength leap up, and all I could
see was the cardising brightness of the jewel burning into
(17:44):
my eyes, and all I could hear was the voice echoing,
holly against the sea.
Speaker 7 (17:52):
No, never, sister, stop me now mana he and I
thought I'd be the kade, I must speak point this
girl who was on earth.
Speaker 1 (18:02):
For most perfee riat don never the same, No trim
dow I away from the germ of purest road. But
I'll spend this they now and mouse that go forth
into the where mortal man has not dripped up.
Speaker 2 (18:20):
And I falked with considerable surprise, why.
Speaker 1 (18:25):
She's speaking of purest of ancient Greek, and understanding now
that do become as one of us.
Speaker 7 (18:40):
And I watched the comic as the extended the ginning
jewel towards me.
Speaker 1 (18:46):
I thought it touched the sights of my next just
tho the years.
Speaker 8 (18:48):
And hearing the cold pain through my body death the
breath I doing great of the ad air that I
be down. With each breath I.
Speaker 1 (19:01):
I was suffocating. I got this out water, I tho
the doctors shot would flashes said then decended upon me,
and I knew I was dying.
Speaker 2 (19:13):
I didn't saw her touched the scar on her neck
with a jewel, and.
Speaker 1 (19:16):
She was gasping frond me too, And I saw him
again from another that operated the drawer, and it burst opened,
and my thought life returned.
Speaker 3 (19:25):
To me as I breathed in great lungfuls of cold words, Ray, Ray,
and old.
Speaker 7 (19:42):
Bosson gave me my own jewel, the jewel that lies
on your desk. Both on the elder with his white
beard and a look of antiquit.
Speaker 1 (19:52):
In his eye. He has lived since Atlantics. It's disaploped
in his the ocean. Boson spoke to me many times.
Speaker 9 (20:01):
Never lose the geos les stereo when you go back
to the line, do you need is to change the
bat from a water breeze there being you.
Speaker 1 (20:10):
See I'm going back then? Yeah, it's of course, there
a great many.
Speaker 6 (20:15):
Messages that I want to send to our people on
the line.
Speaker 1 (20:19):
Yes it is.
Speaker 9 (20:19):
It cannot be trusted to our ordinary radio. You'll see
because the.
Speaker 1 (20:25):
Time is almost here. The time I forgot that you
didn't know? Is that he going back with me?
Speaker 5 (20:34):
No?
Speaker 1 (20:35):
He stays here. Give me here when you come back?
Must I come back? You don't wanna die? Do you
what you mean? And isn't going to be any place
for you to live up there? You know what hit down?
Speaker 6 (20:52):
Time? Ye'll have to answer.
Speaker 1 (20:56):
I'm uh pretty confused, sir, and no doubt.
Speaker 3 (21:01):
May I ask you some questions?
Speaker 1 (21:03):
You can ask me, well, how is it done?
Speaker 3 (21:09):
Uh, living here time enough and that we live.
Speaker 1 (21:15):
Isn't that enough? No? Next question, Well, Betty, she's from
the Landers.
Speaker 6 (21:26):
Shedn't know there?
Speaker 1 (21:28):
Did you ever hear the bat man? We said that
I seemed to it was lost with all hands. That
it is, all hands were lost.
Speaker 9 (21:35):
They found the ship they're living along with all its
tails and food on the table, still hot, and nobody aboard.
Speaker 1 (21:43):
It was one of the greatest mysteries of the sea.
I remember, hm that there was a passenger. And now
you say that, but that that was more than a
hundred years ago.
Speaker 6 (21:53):
Yeah, that's the whole and the car your fair crops.
Speaker 1 (21:57):
That was lost in your worlds or in nineteen eight season.
Speaker 6 (22:01):
And number the last year. They're all here the side
top schools.
Speaker 1 (22:06):
They are, well except those.
Speaker 3 (22:08):
Who sent up the face.
Speaker 1 (22:10):
Well what do you send those people up there for? Well,
we've decided that we are the ones that the world
the longest.
Speaker 6 (22:19):
Still, well, Eterias, people up on the fsace.
Speaker 1 (22:23):
I mean, the pretty bad mess of things, and we're.
Speaker 6 (22:26):
Going to take it away fop them.
Speaker 1 (22:29):
How Well, we went to the world that's covered with
water everywhere else ling the use that way. But but
why the people up there?
Speaker 9 (22:42):
My people mm hm, I knew proud of your people
are Apias?
Speaker 1 (22:48):
Well, oh god, look so you essentially kind of harder
people down here, and there are great many There are
more or us than there are people on the land.
Speaker 6 (22:59):
Well yeah, but up you'll think your people are so clever.
Speaker 2 (23:03):
Where do you think still get them?
Speaker 1 (23:04):
Now? They're halfwa for instance, a way to make war,
for instance, a way is to make deadlier and deadlier war.
They didn't look to those things themselves. You know where
they got that idea. You're not going to tell me,
Oh but I am.
Speaker 10 (23:19):
Look sometime I'll right now sixty five two hundred and
eleven at plantients on the set of the Earth, and
when it comes with its known something are very well known.
Speaker 1 (23:30):
They do every language.
Speaker 5 (23:31):
They look like Earth people except for the two little
scars on their necks.
Speaker 3 (23:37):
And they're doing a great job.
Speaker 2 (23:40):
I don't believe that.
Speaker 1 (23:42):
You never believe it's sun.
Speaker 6 (23:43):
This was one of these fine days, your little friends upstairs.
Speaker 3 (23:48):
I'm going to blast all the continents right off the
face of the Earth.
Speaker 6 (23:52):
Do you know what happens?
Speaker 4 (23:53):
Then?
Speaker 1 (23:54):
Yes, that's right.
Speaker 6 (23:56):
There won't be anything but water on this.
Speaker 1 (23:58):
Little old planet.
Speaker 10 (24:00):
They you can make your jo You can use your
jewel at the other atlanteers up there.
Speaker 5 (24:04):
Will and come on that down here, four big gloved
the sun, blood glup, just play blood glub.
Speaker 1 (24:16):
I don't make that thing that we can do any
good off. So what do you say? What do you
want me to do?
Speaker 6 (24:26):
Going out surviving?
Speaker 1 (24:28):
And I think in our little whispering time pas to
destroy the continents, I won't do it.
Speaker 6 (24:35):
Well, come down here at the bottom. We solved the problem.
Come back in pressure. If you decide enough to come
along with us, we let take that control off you pack.
Speaker 1 (24:46):
You with the business end of the little jewel here
and you know what happened? Huh? I have an idea?
Oh no, no, you haven't. You haven't any idea. That's
some think would be.
Speaker 3 (25:05):
Awful.
Speaker 1 (25:07):
Come on, make up your mind. And what I said,
and well, I'm here. I don't know how they did it,
but I'm here.
Speaker 11 (25:25):
It certainly well he's been passing the word of the
little ambassadors. But the old gentleman wants that I have not.
I told you I killed thirty two of them so far,
including this Maladith. It's a great alibi.
Speaker 1 (25:38):
You think I'm going to betray the people of the
euth man.
Speaker 11 (25:41):
You're explaying the people of the city, aren't you what?
Speaker 1 (25:45):
You'll hardly But it's a great story of that. I
knew that you wouldn't believe me.
Speaker 11 (25:50):
It's a great story, but you don't believe it.
Speaker 1 (25:52):
I thinks I'm crazy? What fast I believe that?
Speaker 2 (25:57):
That?
Speaker 1 (25:58):
What? Right to look? Here? Do? What do you want?
Speaker 11 (26:06):
I want you to look at the size of my neck?
Speaker 1 (26:08):
That just a lot of ears?
Speaker 4 (26:12):
You sure that hm?
Speaker 11 (26:19):
What belonged to electric teacher?
Speaker 1 (26:21):
That God?
Speaker 11 (26:23):
That the old gentleman downstairs has got Bettter six and
dots for people that try to cross him up. Come on, dot,
stick up your crystals. You and I have got a
date in Atlanta, and old.
Speaker 4 (26:34):
Brother chuire please for the night was called Gem of
(27:04):
purest Ray.
Speaker 1 (27:05):
It was written and directed by Willis Cooper and Molaydees.
Speaker 7 (27:09):
The man who spoke to you was Ernest Cattle and
Vautin Lawrence played pappas to eat a bar with Betty case.
Speaker 4 (27:20):
Edgar Stilly was botha.
Speaker 2 (27:23):
The Atlanteans.
Speaker 1 (27:26):
As You Assume music The choir Please is played by
Albert Bremen. For the Wood from My Right to directed
with as Cooper.
Speaker 11 (27:35):
Never having been at the bottom of the Sea. I mean,
I'm certain whether the various atlantican really exists outside my
own and the motion.
Speaker 1 (27:44):
I can assure you, however, that none of the characters
of the night based on any living person. And Lenny
Goodman and.
Speaker 3 (27:50):
That money next to choir please is called in the
House where I.
Speaker 1 (27:55):
Was born, and so until next week at the same time,
(28:21):
and mister Cooper's.
Speaker 4 (28:22):
Story here in the house where I was born, I
am quirre the Grys.
Speaker 2 (28:30):
When it's double.
Speaker 4 (28:44):
M quir please. Has come to you from Mutiple Studios
in New York City.
Speaker 1 (28:56):
This is the world's largest network. The mut WLD broadcast
from System and
Quiet Please, Quiet Please. The usual broadcasting system presents Quiet Please,
(00:35):
which is written and directed by Willis Cooper, which features
Ernest Chapel Buio please, But tonight is called Gem of
purest lay Elsterios.
Speaker 2 (00:55):
What m or r A?
Speaker 1 (00:57):
I have a spell it?
Speaker 2 (00:59):
I'm so are you?
Speaker 1 (01:01):
I didn't get your name Papus like papus eText the
stage in first glade? It gets your address? What is
seven north to first Greek? Well, oh, thank you, doctor Maraida.
I'm sorry, I don't speak modern Greek.
Speaker 2 (01:16):
I assume that to me. How do you do so?
Speaker 1 (01:18):
That's right? No, Keller was your color?
Speaker 3 (01:23):
Huh?
Speaker 1 (01:24):
Killing this guy? I have no regrets at all, mister Tapas,
is it? That's right? Well go ahead, there's nothing more
to say. You know that what you're saying will be
us an evidence against you, don't you?
Speaker 2 (01:38):
Yes, of course.
Speaker 1 (01:40):
Mh. I'm getting pretty tired of the topics. What, doctor
Maradas killing these people? Oh do you suppose they'll electric kutcher?
They sure will, Manadas elect.
Speaker 2 (01:57):
What a word? What an experience too?
Speaker 1 (02:00):
They tell me. I wasn't thinking about the experience. That's
the barbarism of the word. That texts my teeth an
age would.
Speaker 2 (02:06):
Like electrocute, locate, reside. What's the matter with them? They
get me down there?
Speaker 1 (02:14):
Well, not to change the subject, but what about these
other people you mentioned? Oh? I was just thinking, as
long as they're going to send me that you like
to chair, you're on the way. Okay, Well in that case,
I might as well tell you about the others. Sure,
(02:35):
go right ahead, And I could warn you at the
same time, warn me, Yes, you want me a what not?
These people that have to be killed? Oh? Who are they?
Speaker 4 (02:45):
Morada?
Speaker 1 (02:47):
I'm a perfectly sound mind. Such topics. You better, I'll
not good. This comes as a passion off of it.
But then we'll get onto the warning.
Speaker 4 (02:56):
Eh.
Speaker 1 (02:57):
Okay, Well, so far as I can remember, there are
thirty two of them all together that I've murdered. Kill.
Speaker 2 (03:08):
This one makes thirty three. No, he's the thirty second.
Speaker 1 (03:11):
Well, nice girling. You have their names, I suppose, no,
not all of them, no matter of thank to have
the names of only a few of them. I could
give you the details of the murders, you see, and
perhaps you could work back from that. Yes, suppose we
kurt Gunway. But there are so many more of them,
So if you find them everywhere good, and they've all
(03:32):
got to be destroyed.
Speaker 2 (03:33):
Who's going to destroy them? I've destroyed thirty two.
Speaker 1 (03:37):
Of them, and now you're going to hang me objection
that they're they're going to fly you? What's trying to say?
The world for knacking off, mister caliber Meldith thirty eight
throughout through south winter straight through which you have confessed
and for which you will be fried like a fish.
I am not a fish.
Speaker 2 (03:58):
Like yeah, he's a fish. None of this that I killed.
Speaker 1 (04:03):
Hey, you make it as yet and I'll only play
hygi potis. Did you see now this body, girl, did
you look at it carefully? Careful enough to say it
was dead?
Speaker 4 (04:17):
Dead?
Speaker 1 (04:17):
Is a fick?
Speaker 2 (04:19):
Did you notice his neck?
Speaker 1 (04:22):
No? What? There are two scars on his neck on
each side, just below his ears. That's the colorless business
that it's your business, it's everybody's business. Why because that's
the way you can identify, identify hoop for God, the
people in the time to destroy the world, the people
(04:43):
from the bottom of the ocean. Those scars on the
necks that kills kills like a fishy. Excuse me, I
am becoming ungrammatical. They may are killed such as fishes
protect no fins. I thank you, sage, and please don't
(05:05):
talk about it. And they come from the bottom of
the ocean. They do, been over here. Turn your head.
Speaker 2 (05:15):
The other way now, mm hmm.
Speaker 1 (05:18):
How come you've got scars on the sides of your neck,
doctor Marida, you've been to the bottom of the ocean, so, yes,
those are my DearS. Yes, I've been to the bottom
of the ocean too. We Greeks of an enormous affinity
(05:46):
for the depths of the seas. Our first hue, the
men of the sea, Jason, and we're just using the
others you wile to see going and see the loving nations,
if very would we use to describe the sea today.
Came from the Greek collegians of the sea, from the
Greek elegies, thank tn. The microscopic animal forms that lie
(06:10):
at various levels in the ocean depths, that's the Greek.
Speaker 2 (06:12):
We're too, das a wanderer.
Speaker 1 (06:16):
And Atlantis was one of our colonies, Atlantis whose people
so loved the seed that the gods of ancient Greece
sunk the whole continent into his death. You believe that
kind of junk, and you'd better believe it too, Gudge
Papists of the police.
Speaker 2 (06:34):
Yeah, because Atlantis.
Speaker 1 (06:37):
Exists today, and if people live and the ambassadors of
Atlanta's come from the sea to live beside us, and
so seeds the discontent and hatred among us wherever we live.
Speaker 2 (06:56):
You remember me, now, don't you?
Speaker 1 (07:00):
What?
Speaker 2 (07:00):
Ida deeps the inplorations Right now?
Speaker 1 (07:04):
Men have gone down to the depths of the sea
before William Boby in this battisphere, you're in the number,
of course Baptists sphere we glinks again comes from Babas depths.
But I wanted to go deeper, to come the utmost
depths of the sea, to get down in the valleys
that extend farther below the seas level of the highest
(07:26):
peak center to sern above it.
Speaker 2 (07:28):
I I wanted to tie in Atlantis.
Speaker 1 (07:34):
I found myself in possession of certain documents, chart maps,
the existence.
Speaker 2 (07:38):
Of bridge there thefore never been suspected.
Speaker 1 (07:41):
And I found the exact coordinates of latitude and longitude
of the ancient city, the capital of the country that
sank the Lota waged so many many centuries ago. And no, never,
never mind them, they will do you no good, and
not them. Let it suffice that the depth is something
more than eight miles? Have they pardon? I said, go on,
(08:05):
No need to tell you either of the details of
the construction of my diving bell. It was made to
my own specifications, internally braced to withstand the pressure of
several times of the squarenge. There was light and heat,
and large ports set on the sides with cone shaped
plexiglass dead lights, so that no matter what the pressure
of the water from the outside, the plexiglass would be
uninforced entire But the thing bust anyway. Then that fact
(08:28):
was the story. What really happened was somewhat different. Get
on with you, sorry that if you'd just not interrupt me,
go ahead, if you had the newspaper accounts at the time,
I wasn't.
Speaker 2 (08:43):
May seventeenth, nineteen forty six.
Speaker 1 (08:46):
Go ahead. I was going to say that. You might
have remembered that there was no physical connection between.
Speaker 2 (08:53):
The bell and the surface, but it was not on
a cable of any kind.
Speaker 1 (08:58):
It was free expect to get back by releasing balanced
the course upon which to tell and the people in
it if any.
Speaker 2 (09:06):
Would rise to the surface.
Speaker 1 (09:08):
We had, of course radio contact with our headquartership on
the surface, and you and the woman Elizabeth Case. You're assistant, yes,
you and this this case went down in this thing
had a busted or something, and they pulled out of
the ocean at Old Segra, Connecticut. They never found this
Case's bunny. That right, They didn't find miss Case's body
(09:33):
because she is still alive or was when I last
saw her?
Speaker 2 (09:37):
Oh yeah, and when did you.
Speaker 1 (09:39):
Last see it?
Speaker 2 (09:40):
Back then? In front of the temple of Poseidon?
Speaker 1 (09:43):
And where did this temple of posadon if you please?
Speaker 2 (09:47):
In Atlantis?
Speaker 1 (09:49):
Forty thousand people of the surface of the ocean. And
what was she's doing? Doc? She was talking with the
high priest, talking forty thousand feet under water, and she talked,
But Doc, you're really bucking for a specc hunt. I
(10:10):
am telling you about truth touching puckers. Okay, go ahead,
as long as you don't get violent. It is really
quiet in the lower depths of the ocean. Have you
remember the pathma show the depth of eight thousand meters
that is roughly twenty thousand feet when we saw the
first inhabitant of the ocean, completely different from any previous
(10:32):
conception of ocean life. Doctor, Look about this port see something?
Speaker 2 (10:38):
Look well, the wonders. It's alive, it seems to be.
It looks like a great big shoot. Don't turn the
eyes of a mouth or anything.
Speaker 1 (10:53):
Coming closer.
Speaker 2 (10:55):
It's a rival.
Speaker 5 (10:56):
Right.
Speaker 2 (10:58):
This is wonderful, isn't it? How Doctor?
Speaker 1 (11:01):
It is alive.
Speaker 2 (11:03):
Looks like a.
Speaker 1 (11:05):
Blanket. Ah, it's turning over. No, maybe we'll see what
But if you scream about the thing hangover? Then we
saw the other side. Well, the thing was a huge face,
a human face, a woman's face, paper thin, flesh.
Speaker 2 (11:28):
Colored hand, alive, leything to cross like a huge mask and.
Speaker 1 (11:35):
Hand. The thing looked at us and it smiled, And
then the doctor told us, and then he screamed again
as the thing wrapped itself around the diving belt.
Speaker 2 (11:43):
And I could see the.
Speaker 1 (11:43):
Plexiglass ports start him with an increased pressure. And then
I looked closer at the port and across its surface
outside him, on the water, a million tiny hands, women's
hands crawled across the glass, clutching, reaching ye to come inside.
And what did you do? Then?
Speaker 4 (12:02):
Mark?
Speaker 2 (12:04):
I am afraid I painted? What about ms King? She
thinted too. I sort of expected that, Well, why shouldn't
she the face that she looked at up there in
the decks of the sea.
Speaker 1 (12:19):
Was her own then what.
Speaker 2 (12:28):
It was black outside? When I came to black and
immeasurably cold, the thing was gone.
Speaker 1 (12:40):
There was nothing but blackness.
Speaker 2 (12:43):
I gave her some brandy.
Speaker 1 (12:44):
Oh, this brandy and this story, and I took a
little myself, but by.
Speaker 2 (12:49):
Some other indicated nine thousand, two hundred meters.
Speaker 1 (12:52):
I just saw a red, white and blue tackey with
a straw hat. I saw a pop with on me.
Oh I saw.
Speaker 2 (13:08):
At last?
Speaker 3 (13:12):
Well, oh that.
Speaker 6 (13:17):
I show you this.
Speaker 4 (13:20):
Jewel?
Speaker 2 (13:22):
Yeah, what is it?
Speaker 1 (13:26):
I found it on the floor of my diving down
a moment after I saw the light of the atlantis
below me.
Speaker 2 (13:34):
How did it get there? I don't know?
Speaker 3 (13:39):
Well, what is it?
Speaker 2 (13:42):
You ever read Thomas Gray's Hell as You written in
the Country Churchyard?
Speaker 1 (13:46):
I guess so? High school? A turk, your poes and
nall a parting day. Why let me quote another couplets
to you? Oh many, a gem of purest race, serene,
the doctor fathom, cans of ocean bear go on, doctor.
(14:07):
I suspect that Thomas Gray was trying to tell the
world something that's kind of rachel for a doctor. I
didn't know where it came from I told you that's right,
But Betty Case knew. Betty case gasped when she saw it.
Speaker 2 (14:28):
Where you that comes from? I don't know.
Speaker 1 (14:31):
It was on the floor. What do you say? Oh?
Speaker 2 (14:37):
Well, I I had a weird idea. Came from from outside?
Isn't that silly?
Speaker 1 (14:51):
What it should come from outside? I d because I
had never noticed before pouts is useful. And I was
stuck with a queer three pot. Why she looks.
Speaker 7 (15:13):
Just like a fish, And I had to feel emotion
of the diving belt quicken and in a moment it
was my housepress elevator dropping down out of control. And
some of great heights may face said, laughing after a
queer things said past the fourth the light responder in
my mind Suddenly I was.
Speaker 1 (15:34):
Plunder the floor.
Speaker 7 (15:35):
At them, the registered fifteen thousand, three hundred times. You
come to that eight miles below the surface, where it's
undanced some way.
Speaker 1 (15:52):
And we sat in bright light in the streets that a.
Speaker 3 (15:56):
Man, well the great buried at the money either.
Speaker 7 (16:01):
A crowd of people in a crowd of people dressed
in the garments of ancient greets.
Speaker 1 (16:08):
A sound of music that set the brilliant scire walls
of the pypingselves are homic men and women and children
in the light of great.
Speaker 7 (16:16):
Glass, feeling down some tall marble columns, men and women
and children listening and moving and reading.
Speaker 1 (16:26):
Eight miles fill over the ocean street. And I then
to look at that. I remember the doctors when I
started to gill. I remember when I dreamed after the
place up time my up, and I was thinking, and then.
Speaker 4 (16:43):
I started full of 'em this casine, this is and
have to sing, no it is not doctor.
Speaker 3 (16:54):
Look outside.
Speaker 1 (16:57):
They're coming from Look did you see them? Yes, it
didn't possible. He's uplandes he's got closing. And she started
(17:22):
for the door of the diving sat got him, reaching
out for the mechanism that went unlicking. They would open
and let the sea in the cross boat, at least
in front of it the present. But she raised the
jewel and held it in front of my eyes, and
I felt my strength leap up, and all I could
see was the cardising brightness of the jewel burning into
(17:44):
my eyes, and all I could hear was the voice echoing,
holly against the sea.
Speaker 7 (17:52):
No, never, sister, stop me now mana he and I
thought I'd be the kade, I must speak point this
girl who was on earth.
Speaker 1 (18:02):
For most perfee riat don never the same, No trim
dow I away from the germ of purest road. But
I'll spend this they now and mouse that go forth
into the where mortal man has not dripped up.
Speaker 2 (18:20):
And I falked with considerable surprise, why.
Speaker 1 (18:25):
She's speaking of purest of ancient Greek, and understanding now
that do become as one of us.
Speaker 7 (18:40):
And I watched the comic as the extended the ginning
jewel towards me.
Speaker 1 (18:46):
I thought it touched the sights of my next just
tho the years.
Speaker 8 (18:48):
And hearing the cold pain through my body death the
breath I doing great of the ad air that I
be down. With each breath I.
Speaker 1 (19:01):
I was suffocating. I got this out water, I tho
the doctors shot would flashes said then decended upon me,
and I knew I was dying.
Speaker 2 (19:13):
I didn't saw her touched the scar on her neck
with a jewel, and.
Speaker 1 (19:16):
She was gasping frond me too, And I saw him
again from another that operated the drawer, and it burst opened,
and my thought life returned.
Speaker 3 (19:25):
To me as I breathed in great lungfuls of cold words, Ray, Ray,
and old.
Speaker 7 (19:42):
Bosson gave me my own jewel, the jewel that lies
on your desk. Both on the elder with his white
beard and a look of antiquit.
Speaker 1 (19:52):
In his eye. He has lived since Atlantics. It's disaploped
in his the ocean. Boson spoke to me many times.
Speaker 9 (20:01):
Never lose the geos les stereo when you go back
to the line, do you need is to change the
bat from a water breeze there being you.
Speaker 1 (20:10):
See I'm going back then? Yeah, it's of course, there
a great many.
Speaker 6 (20:15):
Messages that I want to send to our people on
the line.
Speaker 1 (20:19):
Yes it is.
Speaker 9 (20:19):
It cannot be trusted to our ordinary radio. You'll see
because the.
Speaker 1 (20:25):
Time is almost here. The time I forgot that you
didn't know? Is that he going back with me?
Speaker 5 (20:34):
No?
Speaker 1 (20:35):
He stays here. Give me here when you come back?
Must I come back? You don't wanna die? Do you
what you mean? And isn't going to be any place
for you to live up there? You know what hit down?
Speaker 6 (20:52):
Time? Ye'll have to answer.
Speaker 1 (20:56):
I'm uh pretty confused, sir, and no doubt.
Speaker 3 (21:01):
May I ask you some questions?
Speaker 1 (21:03):
You can ask me, well, how is it done?
Speaker 3 (21:09):
Uh, living here time enough and that we live.
Speaker 1 (21:15):
Isn't that enough? No? Next question, Well, Betty, she's from
the Landers.
Speaker 6 (21:26):
Shedn't know there?
Speaker 1 (21:28):
Did you ever hear the bat man? We said that
I seemed to it was lost with all hands. That
it is, all hands were lost.
Speaker 9 (21:35):
They found the ship they're living along with all its
tails and food on the table, still hot, and nobody aboard.
Speaker 1 (21:43):
It was one of the greatest mysteries of the sea.
I remember, hm that there was a passenger. And now
you say that, but that that was more than a
hundred years ago.
Speaker 6 (21:53):
Yeah, that's the whole and the car your fair crops.
Speaker 1 (21:57):
That was lost in your worlds or in nineteen eight season.
Speaker 6 (22:01):
And number the last year. They're all here the side
top schools.
Speaker 1 (22:06):
They are, well except those.
Speaker 3 (22:08):
Who sent up the face.
Speaker 1 (22:10):
Well what do you send those people up there for? Well,
we've decided that we are the ones that the world
the longest.
Speaker 6 (22:19):
Still, well, Eterias, people up on the fsace.
Speaker 1 (22:23):
I mean, the pretty bad mess of things, and we're.
Speaker 6 (22:26):
Going to take it away fop them.
Speaker 1 (22:29):
How Well, we went to the world that's covered with
water everywhere else ling the use that way. But but
why the people up there?
Speaker 9 (22:42):
My people mm hm, I knew proud of your people
are Apias?
Speaker 1 (22:48):
Well, oh god, look so you essentially kind of harder
people down here, and there are great many There are
more or us than there are people on the land.
Speaker 6 (22:59):
Well yeah, but up you'll think your people are so clever.
Speaker 2 (23:03):
Where do you think still get them?
Speaker 1 (23:04):
Now? They're halfwa for instance, a way to make war,
for instance, a way is to make deadlier and deadlier war.
They didn't look to those things themselves. You know where
they got that idea. You're not going to tell me,
Oh but I am.
Speaker 10 (23:19):
Look sometime I'll right now sixty five two hundred and
eleven at plantients on the set of the Earth, and
when it comes with its known something are very well known.
Speaker 1 (23:30):
They do every language.
Speaker 5 (23:31):
They look like Earth people except for the two little
scars on their necks.
Speaker 3 (23:37):
And they're doing a great job.
Speaker 2 (23:40):
I don't believe that.
Speaker 1 (23:42):
You never believe it's sun.
Speaker 6 (23:43):
This was one of these fine days, your little friends upstairs.
Speaker 3 (23:48):
I'm going to blast all the continents right off the
face of the Earth.
Speaker 6 (23:52):
Do you know what happens?
Speaker 4 (23:53):
Then?
Speaker 1 (23:54):
Yes, that's right.
Speaker 6 (23:56):
There won't be anything but water on this.
Speaker 1 (23:58):
Little old planet.
Speaker 10 (24:00):
They you can make your jo You can use your
jewel at the other atlanteers up there.
Speaker 5 (24:04):
Will and come on that down here, four big gloved
the sun, blood glup, just play blood glub.
Speaker 1 (24:16):
I don't make that thing that we can do any
good off. So what do you say? What do you
want me to do?
Speaker 6 (24:26):
Going out surviving?
Speaker 1 (24:28):
And I think in our little whispering time pas to
destroy the continents, I won't do it.
Speaker 6 (24:35):
Well, come down here at the bottom. We solved the problem.
Come back in pressure. If you decide enough to come
along with us, we let take that control off you pack.
Speaker 1 (24:46):
You with the business end of the little jewel here
and you know what happened? Huh? I have an idea?
Oh no, no, you haven't. You haven't any idea. That's
some think would be.
Speaker 3 (25:05):
Awful.
Speaker 1 (25:07):
Come on, make up your mind. And what I said,
and well, I'm here. I don't know how they did it,
but I'm here.
Speaker 11 (25:25):
It certainly well he's been passing the word of the
little ambassadors. But the old gentleman wants that I have not.
I told you I killed thirty two of them so far,
including this Maladith. It's a great alibi.
Speaker 1 (25:38):
You think I'm going to betray the people of the
euth man.
Speaker 11 (25:41):
You're explaying the people of the city, aren't you what?
Speaker 1 (25:45):
You'll hardly But it's a great story of that. I
knew that you wouldn't believe me.
Speaker 11 (25:50):
It's a great story, but you don't believe it.
Speaker 1 (25:52):
I thinks I'm crazy? What fast I believe that?
Speaker 2 (25:57):
That?
Speaker 1 (25:58):
What? Right to look? Here? Do? What do you want?
Speaker 11 (26:06):
I want you to look at the size of my neck?
Speaker 1 (26:08):
That just a lot of ears?
Speaker 4 (26:12):
You sure that hm?
Speaker 11 (26:19):
What belonged to electric teacher?
Speaker 1 (26:21):
That God?
Speaker 11 (26:23):
That the old gentleman downstairs has got Bettter six and
dots for people that try to cross him up. Come on, dot,
stick up your crystals. You and I have got a
date in Atlanta, and old.
Speaker 4 (26:34):
Brother chuire please for the night was called Gem of
(27:04):
purest Ray.
Speaker 1 (27:05):
It was written and directed by Willis Cooper and Molaydees.
Speaker 7 (27:09):
The man who spoke to you was Ernest Cattle and
Vautin Lawrence played pappas to eat a bar with Betty case.
Speaker 4 (27:20):
Edgar Stilly was botha.
Speaker 2 (27:23):
The Atlanteans.
Speaker 1 (27:26):
As You Assume music The choir Please is played by
Albert Bremen. For the Wood from My Right to directed
with as Cooper.
Speaker 11 (27:35):
Never having been at the bottom of the Sea. I mean,
I'm certain whether the various atlantican really exists outside my
own and the motion.
Speaker 1 (27:44):
I can assure you, however, that none of the characters
of the night based on any living person. And Lenny
Goodman and.
Speaker 3 (27:50):
That money next to choir please is called in the
House where I.
Speaker 1 (27:55):
Was born, and so until next week at the same time,
(28:21):
and mister Cooper's.
Speaker 4 (28:22):
Story here in the house where I was born, I
am quirre the Grys.
Speaker 2 (28:30):
When it's double.
Speaker 4 (28:44):
M quir please. Has come to you from Mutiple Studios
in New York City.
Speaker 1 (28:56):
This is the world's largest network. The mut WLD broadcast
from System and
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