August 6, 2025 • 29 mins
A horror and fantasy anthology series that delves into the eerie and the unknown, offering stories that unsettle and provoke thought. Its minimalist production enhances the chilling narratives.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Quiet, Please, Quiet Please. The American Broadcasting Companytions and Crieth Please,
(00:39):
which is written and directed by Willis Cooper, which features
Ernest Chapel Priet Please for today, is called the Vale
of Glen Cole.
Speaker 2 (00:57):
You go right through Santa Barbara, I'm the coast, go
and six miles later it go later a hundred and
fifty branches off of the right that two Galboa Pass,
named for the seagull that best part. The Betela shot there.
Speaker 3 (01:10):
In seventeen sixty nine. The world beads up through.
Speaker 2 (01:13):
The Santrinez Martins after the old mission Santrinez. It's been
there since eighteen hundred and four. I may stay the
cactus in the garden there was finded by old fire
stayed on my feet himself. Now the way from go
later after, but the mountains is a very pleasant way,
and my mind bids eat the great greens thick was
(01:36):
behind you, of the rising highways and the river.
Speaker 3 (01:39):
Bobon reached for the blue bowl that U and the
hills a pleasant one.
Speaker 2 (01:44):
They would the coming and the rings and the tandem,
and depending from the brown and green, I would remember
the road in the lake anyway in Sebryre it's funny
thought after the take a good tandary end of them
that tha.
Speaker 3 (02:01):
Stop like a good time to remember that the.
Speaker 2 (02:03):
Law when the girl reside the tree, ride around the
girl's highways with wanderings of my un In February in
nineteen forty four, I had to tyke, I've had to
remember about light. I found it very important. The girl
(02:26):
beside me in the car along the road the innocent tide,
one road that was first tried by the old Franciscan
Friers more than two centuries ago. The winter green of
the hills and the blue of the sky under uneasiness
hurting my heart, uh premonition of blackness and hunted places.
Speaker 3 (02:48):
Half remember set.
Speaker 2 (02:50):
That the girl fapped the edges of my mood, fast, silent,
and after a fast stroke spoke is the shadows of
the grove of sycamore.
Speaker 3 (02:58):
Sliding around the length of the tiring he wrote for
a member of the Shade. Tired of.
Speaker 4 (03:05):
No not tired, sad about something.
Speaker 3 (03:12):
I don't know what it is. I feel depressed.
Speaker 5 (03:16):
Then where can't you hid at the studio?
Speaker 3 (03:17):
Maybe maybe.
Speaker 4 (03:22):
Really laugh?
Speaker 3 (03:25):
I don't know. I don't seem to be able to
really beautiful lot noon.
Speaker 4 (03:30):
No worry, I know.
Speaker 5 (03:34):
None of my business down, but.
Speaker 4 (03:36):
Could I help?
Speaker 5 (03:37):
Maybe?
Speaker 3 (03:40):
I don't know that's the matter with me.
Speaker 4 (03:43):
Don't swim me for the.
Speaker 3 (03:44):
Walls, Hadly.
Speaker 5 (03:47):
I mean, maybe you feel strange being out of it
after all life?
Speaker 3 (03:51):
Huh a, you don't wanted to that.
Speaker 4 (03:57):
You wanna talk about it?
Speaker 3 (04:01):
How are the girls out in South Pacific?
Speaker 4 (04:03):
Pretty?
Speaker 3 (04:06):
I didn't see any?
Speaker 4 (04:08):
Well, grum me something.
Speaker 5 (04:10):
How'd you get enough gas to take a trip like
this for an a card?
Speaker 3 (04:12):
If I'm a wounded hero, I got gas?
Speaker 5 (04:16):
Yeah, I get a little guilty riding around burning up.
Speaker 4 (04:19):
Gas like this.
Speaker 3 (04:21):
You've seen all the gas wasted that I've seen. It
wouldn't bother you.
Speaker 4 (04:24):
Mm that's sud.
Speaker 3 (04:27):
Am I getting it done. Oh no, I'm sorry, don't
mind me.
Speaker 4 (04:35):
Do you have a good time at the Hollywood canteen
that time I got stuck.
Speaker 3 (04:38):
In the corner with a radioactress with kids?
Speaker 4 (04:41):
Oh?
Speaker 5 (04:43):
I spent most of the evening with a little English
sailor that's not English, scot it Royal Navy though, top Scots.
Speaker 3 (04:49):
With him about Scotland, your Scott's. Don't you know where
you got that name?
Speaker 4 (04:56):
My father and mother were born there, not me, uh,
I owner, Yes, of course.
Speaker 5 (05:03):
I owner's campbell name island or something hm an island
that jack I don't remember. My father used to tell
me about an excursion boat that used to run out
to the islands and the first of Clyde whatever that is.
Speaker 4 (05:17):
The name of the boat was Iona.
Speaker 5 (05:19):
There was a comedian on it who had a routine
about buying the boat. When I was a little girl,
I used to go into hysterics and my father told
me how his partner would asking the boat's name, and
each day Iona and the straight maners say, no.
Speaker 2 (05:33):
Keeper, But what's the boat's name?
Speaker 3 (05:40):
I ownA sure.
Speaker 5 (05:43):
The right name of the Campbells are coming is by Lah.
Speaker 2 (05:46):
I own a rower.
Speaker 3 (05:48):
What's that means? I haven't the slightest idea?
Speaker 4 (05:52):
Aren't you Charlie too?
Speaker 3 (05:54):
McDonald? Oh story, Well, I know about scottstow Is. I
going to Lucy's and asked for glad Liver. Find the
Scott whiskey and bad fly place in Hollywood. You can
get it.
Speaker 5 (06:03):
See you're feeling better again, Well, I said, you're feeling
better again.
Speaker 3 (06:11):
I'm sorry I didn't hear what you said.
Speaker 4 (06:13):
Come on, boy, wake up.
Speaker 5 (06:16):
Your name is Alan McDonald and you're driving a car
along California one fifty and we're going to see Santa
emails me.
Speaker 3 (06:22):
I'm sorry. I was thinking that what you said, something
about the campbell's that're coming, the the.
Speaker 5 (06:32):
Type music hip, oh oh bad side.
Speaker 3 (06:38):
Yeah?
Speaker 4 (06:39):
What about day pipe?
Speaker 3 (06:42):
That's in the dream too. You're going.
Speaker 2 (06:53):
The words that the old man come back to me slowly,
the old man, I'm a dream. The sight of kilts kilts,
no fill of beegs of blue and green and black,
the ancient tatterns of the campbells, the sound of warpipes,
ribbons fluttering from the great black drones of the warpipes,
(07:14):
and the skirl of the chanters about the sobs of
the women. The sound of men's voice is singing about
the waves of the women. The great dark guy, he
goes before he makes the cannons.
Speaker 3 (07:28):
And guns to h M. I'm all right, what happened done?
Speaker 4 (07:54):
You drove right off the road?
Speaker 3 (07:58):
I did.
Speaker 4 (08:00):
Look at your doing a whole car. H Are you
heard me?
Speaker 3 (08:11):
I'm not right?
Speaker 5 (08:12):
You sure? M?
Speaker 3 (08:15):
Yeah? You you have hider? Are you hide?
Speaker 4 (08:20):
I just bumped my head?
Speaker 3 (08:24):
Gee?
Speaker 2 (08:26):
But look at your car smashed that?
Speaker 3 (08:32):
Yes? Sorry, I all I I don't know what happened.
Speaker 2 (08:37):
M just seemed to pass out kind of it.
Speaker 3 (08:42):
I don't know.
Speaker 4 (08:44):
You got out of the hospital just so, now, yes.
Speaker 3 (08:49):
I mess it? Well, sit down, it'd be another carolong
right away. I better? Yes, thanks, okay, I'm sorry. I
won't think nothing of it. Would I do? Just just
(09:11):
black out? Just sat there? Would your eyes to end up?
Speaker 4 (09:17):
I don't say anything like it.
Speaker 3 (09:18):
I I'm sorry, I'm see.
Speaker 5 (09:22):
See he said you didn't know anything about Scotch things.
Speaker 3 (09:26):
Well we learn. The woods to the campbells are coming.
Speaker 2 (09:39):
In the dream, the black rocks, the torch of black rocks,
and the high crags above, with a mist drifting down
the ground, and the water's distending and flowing over in
the marshy beds where the gillies dig the brown peet
from the ground. The place where man was not meant
to exist, the place climbing for an off death haunted
(10:03):
me grizzly beyond my words, the very fat, bloodstock and
horrible bringing back the light of day in the good
yellow sunshine, seeming the very mouth of.
Speaker 6 (10:16):
The blackest hell itself. Where shall I wake? You see
such desolation, such such dismal.
Speaker 2 (10:27):
Hap, there's the very gate of death.
Speaker 3 (10:30):
The voice of the old man, Glen Cold, tall old
man with a white hair, glen Core old man, the
old fox McDonald.
Speaker 4 (10:39):
Of Glen Cool, going to get dark before long?
Speaker 3 (10:51):
Helen, What time is it?
Speaker 4 (10:56):
I've watched that.
Speaker 3 (11:00):
To kill I hope so you carus man, but on
my coat? No, never the other stick now, I'm not sick. Well,
I don't know that happened to me. I don't know
he'd feel all right, of course, my legs are getting stick.
(11:25):
I wanna rapple on the ways. Somebody will be along
if you feel strong that I'm all right.
Speaker 4 (11:32):
Help you out?
Speaker 3 (11:34):
MS which way? Well, we were going this way.
Speaker 2 (11:45):
As a matter of fact, I think Mascruz's broke up
is aft. They're other piece, not Fouler.
Speaker 3 (11:50):
I've never.
Speaker 2 (11:53):
Should be somebody there anyway. We can sit down, maybe
use a phone, wait for me. Cannot There was a
no shoes to drop for your walk in I owner.
Speaker 5 (12:05):
I didn't expect to take a walk.
Speaker 3 (12:07):
I'm so sorry.
Speaker 6 (12:08):
I forget it.
Speaker 4 (12:10):
Let's get out of little I'm freezing.
Speaker 3 (12:13):
Come on the dot that.
Speaker 4 (12:20):
Oh what's the matter?
Speaker 3 (12:22):
And I like it?
Speaker 4 (12:24):
Huh sorry, thanks.
Speaker 3 (12:31):
M M.
Speaker 4 (12:32):
I'm worried about you, Alane, I'm all right, I know it.
Speaker 3 (12:37):
But.
Speaker 4 (12:39):
Right, you're a nice guy.
Speaker 3 (12:44):
You're a nice girl.
Speaker 4 (12:45):
I own he thanks man. What about that dream.
Speaker 3 (12:52):
Dream nights now? Huh? I can't remember? Iowa can no,
won't I looked at a girl I've been psyched by
experts not trying to psych. Yeah, excuse me, ah with
a sensitive I guess I'll stop it. Well, I gets
(13:15):
his head batted in, you know, and all the blacks
this guy okay for sound? You know.
Speaker 4 (13:22):
You shouldn't have gone back to the studios as soon
after getting out of the hospital.
Speaker 2 (13:26):
Yeah, I know, but not any training. Friends, And I'm
the guy who knows how to be the big fat.
Speaker 3 (13:32):
Technical advisor only only what.
Speaker 2 (13:39):
I don't like to have people looking at me wondering
if I got all my buttons or that.
Speaker 4 (13:45):
Yeah you can laugh, Yeah, I you ever?
Speaker 6 (13:47):
Al rite?
Speaker 4 (13:47):
Baby?
Speaker 2 (13:48):
Uh right, I go.
Speaker 3 (13:49):
Into a trance and drive off the road with my
best girl alongside. What did you say said I go
into a trance?
Speaker 4 (13:56):
No, so the last part of it?
Speaker 7 (13:59):
Huh?
Speaker 4 (14:01):
Oh about the best girl? That part?
Speaker 3 (14:04):
Yeah?
Speaker 4 (14:04):
I would.
Speaker 3 (14:06):
Oh could be you invent that?
Speaker 4 (14:09):
Alan?
Speaker 3 (14:11):
You don't think I masking my rocker a little.
Speaker 4 (14:15):
Well, I should don't.
Speaker 3 (14:17):
What do you mean, well y, if you don't think so,
then I meant it Alan right?
Speaker 4 (14:28):
Would you have a kiss for your best girl?
Speaker 2 (14:38):
In the dream, the raw red smell of fresh spilled blood,
and the smell of smoke going from the burning houses.
In the dream the blackness of early John reddened with
the flames from the burning houses.
Speaker 3 (14:53):
And then the dream the cries of a dying and
the women and all the men and the children, and
to leave the voice of the old one.
Speaker 7 (15:01):
The long dead old one, which she the mac battle
to flint Core the winter and the snow deep on
the moors. One came to Edinburgh whether the word that all.
Speaker 3 (15:16):
The clans must sign the pledge of loyalty.
Speaker 7 (15:19):
To William before the winter was spent, And the wud
came to Glencore after all the others, where they hated
the McDonald's, And I hope the word would be too
late and we could not sign, and the lowlanders would
come and take us. Aye, mind, dear I McKee and
(15:42):
McDonald of Glencoe. I braved all the winter snow, and
I came.
Speaker 3 (15:47):
To put William.
Speaker 7 (15:50):
And said I would sign the paper, and they sent
me away to the sheriff of very area.
Speaker 3 (15:57):
And again through the snow.
Speaker 7 (15:59):
I went, and I set money into the paper for
the sake of all the MacDonalds of Glenn Cool, that
they might not forfeit their lives. And I was content
because they would live, and never would be peace among us,
all healand and Loland, I like I am, the lumbs
(16:22):
of King Peace and them one and again I hide
read the rock, and I blamed.
Speaker 2 (16:27):
The voice of the old man, the sheep, the old fox,
and my dream, and in my dream the wailing of
the pipes, the McDonald pipes for the man's footland holds.
Speaker 4 (17:05):
That thunder was that I never.
Speaker 3 (17:07):
Heard thunder in southern California before.
Speaker 4 (17:10):
Got a storm so dark.
Speaker 5 (17:14):
Oh, come on, Allen, let's run.
Speaker 4 (17:15):
I don't wanna get caught in it.
Speaker 3 (17:18):
It is right holders, not with you.
Speaker 2 (17:22):
You've heard gun.
Speaker 3 (17:23):
I don't like it.
Speaker 2 (17:25):
You're scared.
Speaker 4 (17:26):
You're scared, honey.
Speaker 3 (17:27):
Thunder and lightning always frightened me when I was a
kid back east. I guess I never got over it.
Speaker 4 (17:31):
I could take hold of your best girls.
Speaker 3 (17:34):
She'll protect you for that, I thank you. I don't
see any lightning though, never see lightning in California.
Speaker 5 (17:42):
You California carriages.
Speaker 4 (17:44):
We're all right, you're all right.
Speaker 3 (17:50):
That which we had someplace to get inside, we should
have stayed.
Speaker 2 (17:54):
In the car's too far to start back there anyway,
you'll be.
Speaker 3 (18:00):
It's just a little uncomfortable standing on a c ear
of the ditch. Poor car for you.
Speaker 5 (18:06):
You gotta be getting to that country post office, you said,
last cruises.
Speaker 3 (18:09):
I haven't seems to be farther than I thought.
Speaker 2 (18:11):
Sure, you know where you are.
Speaker 3 (18:13):
Get up here a million times.
Speaker 5 (18:17):
The road always is bad as it's.
Speaker 3 (18:21):
Not so bad when you're driving.
Speaker 2 (18:23):
You should warn my marktin.
Speaker 5 (18:25):
Why keep falling into the rust would be hind heels.
Speaker 2 (18:33):
Maybe there'll be.
Speaker 3 (18:33):
Somebody at last cruise this week. Get a cup of
coffee or something not a youth color too. That breeze
is fresh, waiting the rains.
Speaker 4 (18:42):
Cut, get good and cool.
Speaker 3 (18:44):
Then would stop under a tree and build a fire,
rot tree? Why you see what you mean? Trees everywhere
except where we are when it rains.
Speaker 4 (18:58):
Oh matter, I'm not used to walking.
Speaker 3 (19:05):
Want to rest?
Speaker 5 (19:06):
No, we better get along rainal hit any meanings?
Speaker 3 (19:11):
Dark?
Speaker 4 (19:13):
Say?
Speaker 3 (19:13):
Maybe it's not coming on. No, it's two o'clock.
Speaker 4 (19:16):
Just this week came up the hill at Galada about
four now, couch, what.
Speaker 3 (19:24):
Definitely one of those don ruts?
Speaker 4 (19:28):
I told you my.
Speaker 3 (19:29):
Ideas I heard you the first time. I thought you
were kidding, kidding, Oh, ruts in the concrete road. Concrete?
Speaker 5 (19:35):
Where's concrete?
Speaker 3 (19:36):
Why? Hey?
Speaker 2 (19:40):
Don't you know where you are?
Speaker 3 (19:42):
Where we get off the main road? Must get off
it somewhere. This is a wagon road, a dirk you
like that? You and me were lost? No, maybe I've
really fixed you up to day, haven't.
Speaker 5 (19:57):
You what, Kristen?
Speaker 3 (20:04):
I thought? Wait, no, I guess not.
Speaker 4 (20:12):
What did it?
Speaker 3 (20:12):
Few did sound like to you?
Speaker 2 (20:15):
I thought it was the sound of type assume the
McDonald kronachau the bras.
Speaker 3 (20:22):
What hell?
Speaker 5 (20:23):
He sounded just like a real scoplan when you said that.
Speaker 2 (20:35):
The quaranac of my dreams, the old sorrowful wail of
the pipes in the dim darkness that coming through the
grim gates of the veil of Glencoe, sorrowing for the
McDonald's to die, And the voice of the old leader,
old McCain, the old fox, as he told his dreadful
tale in my dream.
Speaker 7 (20:55):
And I had set my name to the paper, as
I said to the young McDonald and other people had
I thought the protection of the town, and we were
to be left they dwell in peace.
Speaker 3 (21:08):
Among the crags of Duckling glen Coe.
Speaker 7 (21:12):
But that a em money that hate the McDonald's and
would ce us all dead and our graves. And they
are the ains that took counsel among themselves to plot
our doom and destruction for the I McKee and the
old Fox.
Speaker 3 (21:28):
I had out fox the enemies of the McDonald's by
signing their role. And I'll say to you other I
meant to keep.
Speaker 7 (21:36):
It there all the McDonald's of in liegement to James
and his line. But now William the Dutchman rules h
and Jamie's played. Thus there was one dollar impule in Edinburgh.
And when he examined the paper, it seems that the
name of McKee and McDonald of glen Coe had next
(22:00):
sponge for the paper, so that we were still held traitors.
Speaker 3 (22:05):
Though we knew it not so.
Speaker 7 (22:08):
When the soldiers of the Duke of Argyle's regiment came
to glenk oh and Cambell and Glenn the Lion leading them,
we welcomed them and took them into our hymns and
treated them as on a GIFs. I every man of
them was at Campbell, and their pipes be forever roaring
(22:29):
that chance, that the great argyle, And when the McDonald
pipes scuirtle, it was only the all the revels and
the strathspace, and the McDonald peverck was never head but
(22:50):
the roaring of the gmbel war pipes in the glen,
and that a small black crags of the glen gave
back there soon the barrel.
Speaker 4 (23:00):
I am, I'm not donner, Alan.
Speaker 3 (23:14):
Stay close to me, darling.
Speaker 6 (23:16):
I saw it.
Speaker 2 (23:17):
Did you see great.
Speaker 5 (23:19):
High, dismal black rocks.
Speaker 4 (23:20):
I saw great.
Speaker 5 (23:22):
Horrible jagged crags and a stream splashing down among them.
Speaker 3 (23:27):
I saw it, Alan, worry, we're lost. Ah, listen, I
do hear it. I do hear the pipe, Allen, Allen.
Speaker 2 (23:50):
In the darkness, in the lightning splashed darkness, and the
rain in the midst many things are revealed. They caught
a knock a McDonald's, the sobbing sporrowful music from.
Speaker 3 (24:02):
The blackened crags.
Speaker 2 (24:04):
All is not clear to me. The dream returns to me,
and it is morning of the February day, two and
a half centuries ago. In the they lived Francouver, and
I see the soldiers of the Campbells, and the gray
of the early dawn as they grew up their several
ways to the homes where they've been honored guests, and
they glint of little lights, and the naked Playmore blades both.
Speaker 3 (24:25):
Bill for the McDonald's.
Speaker 2 (24:36):
The child laughs and calls to the companion of yesterday.
The Claymore slashes down at them, and the massacre is begun.
The Campbells are everywhere, slashing, burning, shooting down the helpless
ones or yesterday bat and welcome.
Speaker 3 (24:50):
At their firesides.
Speaker 2 (24:52):
Put all to the sword that let me escape, the
secret orders out of them, and the Campbells did well
their work.
Speaker 3 (25:00):
And this is the dream I could not remember, save
for the old man, the old fox. But tell the
last of them.
Speaker 2 (25:08):
All beside his heart that morning in Glencore, in my
dream I heard his dying words cursed ye all, And
the Claymore of the campbell struck him fair between the eyes,
an unarmed man.
Speaker 3 (25:26):
But still in the dream his voice went, you had
a MacDonald.
Speaker 7 (25:31):
Never forget him, Never forget that the MacDonald's of Glencoe
shall be revenged against the camels.
Speaker 3 (25:40):
Never shall one of the name of Campbell.
Speaker 7 (25:44):
Enter the dark, the blood haunted vale of Glencore, Never never, never,
And when ye hear the coral after the McDonald's, don't cry, don.
Speaker 3 (26:07):
We'll be all right. Listen to the pipes again. No,
don't you hear it? Him? I hear it.
Speaker 2 (26:21):
I don't know.
Speaker 3 (26:22):
There's somebody coming. No, yes, see him, see him in
the lightning flash. All right, it's the man with the
bagpipe him. Wait, Diona, Hey, at least come on, let's
go talk to him. Maybe he waits for me. Hey,
(26:44):
a friend, watch your step, Iona.
Speaker 2 (26:47):
He excuse me, ask him where we are and.
Speaker 3 (26:50):
Let's get out of him. Excuse me, sir? Would you
mind telling us where we are? I smashed my car
and I guess we got lost.
Speaker 1 (27:04):
You had any can?
Speaker 3 (27:05):
Yeah?
Speaker 2 (27:05):
Than McDonald?
Speaker 3 (27:08):
How did you? I have heard that?
Speaker 7 (27:11):
I have had my voice? I am mgee and McDonald
in my dream.
Speaker 3 (27:17):
Welcome him, McDonald. You're in the veal of Glenko. Can
calcome him? You and you're a lady, Wait, my honor,
I am I own a Campbell.
Speaker 2 (27:46):
On a February morning in sixteen ninety four, the Campbell's
marched away from them Cohen Inverlocky.
Speaker 3 (27:54):
And Matta McDonald was left.
Speaker 2 (27:56):
Living On a February day, Yeah, two hundred and fifty
years after they found me sitting beside the body of
Iona Campbell under a sycamore tree two miles from Las Crus's.
(28:16):
There is no place in all that northern region remotely
resembles theve Librenco where no Campbell.
Speaker 3 (28:32):
May enter and live goodbye.
Speaker 1 (29:05):
The title of the Quiet Please story you have just
heard is the Veil of glen Coe.
Speaker 3 (29:12):
It was written and directed by Willis Cooper, and the
man who spoke to you.
Speaker 2 (29:16):
Was Ernest Chappel, and j Paddlemalley was Magee and McDonald.
Helen Choke played. I owner music acquired Please as usual
is by ath the Grumm and the pipe music was
by pipe major James Peatree. Now for word about next week,
m I'll write a director.
Speaker 3 (29:32):
Willis Cooper, thank you for listening to Quiet Please. For
next week, I have a story for you about black
badlest dark gray magic. It's called as in a class backley,
and so until next week at the same time, I
inquiredly yours, Ernest Chapel
Quiet, Please, Quiet Please. The American Broadcasting Companytions and Crieth Please,
(00:39):
which is written and directed by Willis Cooper, which features
Ernest Chapel Priet Please for today, is called the Vale
of Glen Cole.
Speaker 2 (00:57):
You go right through Santa Barbara, I'm the coast, go
and six miles later it go later a hundred and
fifty branches off of the right that two Galboa Pass,
named for the seagull that best part. The Betela shot there.
Speaker 3 (01:10):
In seventeen sixty nine. The world beads up through.
Speaker 2 (01:13):
The Santrinez Martins after the old mission Santrinez. It's been
there since eighteen hundred and four. I may stay the
cactus in the garden there was finded by old fire
stayed on my feet himself. Now the way from go
later after, but the mountains is a very pleasant way,
and my mind bids eat the great greens thick was
(01:36):
behind you, of the rising highways and the river.
Speaker 3 (01:39):
Bobon reached for the blue bowl that U and the
hills a pleasant one.
Speaker 2 (01:44):
They would the coming and the rings and the tandem,
and depending from the brown and green, I would remember
the road in the lake anyway in Sebryre it's funny
thought after the take a good tandary end of them
that tha.
Speaker 3 (02:01):
Stop like a good time to remember that the.
Speaker 2 (02:03):
Law when the girl reside the tree, ride around the
girl's highways with wanderings of my un In February in
nineteen forty four, I had to tyke, I've had to
remember about light. I found it very important. The girl
(02:26):
beside me in the car along the road the innocent tide,
one road that was first tried by the old Franciscan
Friers more than two centuries ago. The winter green of
the hills and the blue of the sky under uneasiness
hurting my heart, uh premonition of blackness and hunted places.
Speaker 3 (02:48):
Half remember set.
Speaker 2 (02:50):
That the girl fapped the edges of my mood, fast, silent,
and after a fast stroke spoke is the shadows of
the grove of sycamore.
Speaker 3 (02:58):
Sliding around the length of the tiring he wrote for
a member of the Shade. Tired of.
Speaker 4 (03:05):
No not tired, sad about something.
Speaker 3 (03:12):
I don't know what it is. I feel depressed.
Speaker 5 (03:16):
Then where can't you hid at the studio?
Speaker 3 (03:17):
Maybe maybe.
Speaker 4 (03:22):
Really laugh?
Speaker 3 (03:25):
I don't know. I don't seem to be able to
really beautiful lot noon.
Speaker 4 (03:30):
No worry, I know.
Speaker 5 (03:34):
None of my business down, but.
Speaker 4 (03:36):
Could I help?
Speaker 5 (03:37):
Maybe?
Speaker 3 (03:40):
I don't know that's the matter with me.
Speaker 4 (03:43):
Don't swim me for the.
Speaker 3 (03:44):
Walls, Hadly.
Speaker 5 (03:47):
I mean, maybe you feel strange being out of it
after all life?
Speaker 3 (03:51):
Huh a, you don't wanted to that.
Speaker 4 (03:57):
You wanna talk about it?
Speaker 3 (04:01):
How are the girls out in South Pacific?
Speaker 4 (04:03):
Pretty?
Speaker 3 (04:06):
I didn't see any?
Speaker 4 (04:08):
Well, grum me something.
Speaker 5 (04:10):
How'd you get enough gas to take a trip like
this for an a card?
Speaker 3 (04:12):
If I'm a wounded hero, I got gas?
Speaker 5 (04:16):
Yeah, I get a little guilty riding around burning up.
Speaker 4 (04:19):
Gas like this.
Speaker 3 (04:21):
You've seen all the gas wasted that I've seen. It
wouldn't bother you.
Speaker 4 (04:24):
Mm that's sud.
Speaker 3 (04:27):
Am I getting it done. Oh no, I'm sorry, don't
mind me.
Speaker 4 (04:35):
Do you have a good time at the Hollywood canteen
that time I got stuck.
Speaker 3 (04:38):
In the corner with a radioactress with kids?
Speaker 4 (04:41):
Oh?
Speaker 5 (04:43):
I spent most of the evening with a little English
sailor that's not English, scot it Royal Navy though, top Scots.
Speaker 3 (04:49):
With him about Scotland, your Scott's. Don't you know where
you got that name?
Speaker 4 (04:56):
My father and mother were born there, not me, uh,
I owner, Yes, of course.
Speaker 5 (05:03):
I owner's campbell name island or something hm an island
that jack I don't remember. My father used to tell
me about an excursion boat that used to run out
to the islands and the first of Clyde whatever that is.
Speaker 4 (05:17):
The name of the boat was Iona.
Speaker 5 (05:19):
There was a comedian on it who had a routine
about buying the boat. When I was a little girl,
I used to go into hysterics and my father told
me how his partner would asking the boat's name, and
each day Iona and the straight maners say, no.
Speaker 2 (05:33):
Keeper, But what's the boat's name?
Speaker 3 (05:40):
I ownA sure.
Speaker 5 (05:43):
The right name of the Campbells are coming is by Lah.
Speaker 2 (05:46):
I own a rower.
Speaker 3 (05:48):
What's that means? I haven't the slightest idea?
Speaker 4 (05:52):
Aren't you Charlie too?
Speaker 3 (05:54):
McDonald? Oh story, Well, I know about scottstow Is. I
going to Lucy's and asked for glad Liver. Find the
Scott whiskey and bad fly place in Hollywood. You can
get it.
Speaker 5 (06:03):
See you're feeling better again, Well, I said, you're feeling
better again.
Speaker 3 (06:11):
I'm sorry I didn't hear what you said.
Speaker 4 (06:13):
Come on, boy, wake up.
Speaker 5 (06:16):
Your name is Alan McDonald and you're driving a car
along California one fifty and we're going to see Santa
emails me.
Speaker 3 (06:22):
I'm sorry. I was thinking that what you said, something
about the campbell's that're coming, the the.
Speaker 5 (06:32):
Type music hip, oh oh bad side.
Speaker 3 (06:38):
Yeah?
Speaker 4 (06:39):
What about day pipe?
Speaker 3 (06:42):
That's in the dream too. You're going.
Speaker 2 (06:53):
The words that the old man come back to me slowly,
the old man, I'm a dream. The sight of kilts kilts,
no fill of beegs of blue and green and black,
the ancient tatterns of the campbells, the sound of warpipes,
ribbons fluttering from the great black drones of the warpipes,
(07:14):
and the skirl of the chanters about the sobs of
the women. The sound of men's voice is singing about
the waves of the women. The great dark guy, he
goes before he makes the cannons.
Speaker 3 (07:28):
And guns to h M. I'm all right, what happened done?
Speaker 4 (07:54):
You drove right off the road?
Speaker 3 (07:58):
I did.
Speaker 4 (08:00):
Look at your doing a whole car. H Are you
heard me?
Speaker 3 (08:11):
I'm not right?
Speaker 5 (08:12):
You sure? M?
Speaker 3 (08:15):
Yeah? You you have hider? Are you hide?
Speaker 4 (08:20):
I just bumped my head?
Speaker 3 (08:24):
Gee?
Speaker 2 (08:26):
But look at your car smashed that?
Speaker 3 (08:32):
Yes? Sorry, I all I I don't know what happened.
Speaker 2 (08:37):
M just seemed to pass out kind of it.
Speaker 3 (08:42):
I don't know.
Speaker 4 (08:44):
You got out of the hospital just so, now, yes.
Speaker 3 (08:49):
I mess it? Well, sit down, it'd be another carolong
right away. I better? Yes, thanks, okay, I'm sorry. I
won't think nothing of it. Would I do? Just just
(09:11):
black out? Just sat there? Would your eyes to end up?
Speaker 4 (09:17):
I don't say anything like it.
Speaker 3 (09:18):
I I'm sorry, I'm see.
Speaker 5 (09:22):
See he said you didn't know anything about Scotch things.
Speaker 3 (09:26):
Well we learn. The woods to the campbells are coming.
Speaker 2 (09:39):
In the dream, the black rocks, the torch of black rocks,
and the high crags above, with a mist drifting down
the ground, and the water's distending and flowing over in
the marshy beds where the gillies dig the brown peet
from the ground. The place where man was not meant
to exist, the place climbing for an off death haunted
(10:03):
me grizzly beyond my words, the very fat, bloodstock and
horrible bringing back the light of day in the good
yellow sunshine, seeming the very mouth of.
Speaker 6 (10:16):
The blackest hell itself. Where shall I wake? You see
such desolation, such such dismal.
Speaker 2 (10:27):
Hap, there's the very gate of death.
Speaker 3 (10:30):
The voice of the old man, Glen Cold, tall old
man with a white hair, glen Core old man, the
old fox McDonald.
Speaker 4 (10:39):
Of Glen Cool, going to get dark before long?
Speaker 3 (10:51):
Helen, What time is it?
Speaker 4 (10:56):
I've watched that.
Speaker 3 (11:00):
To kill I hope so you carus man, but on
my coat? No, never the other stick now, I'm not sick. Well,
I don't know that happened to me. I don't know
he'd feel all right, of course, my legs are getting stick.
(11:25):
I wanna rapple on the ways. Somebody will be along
if you feel strong that I'm all right.
Speaker 4 (11:32):
Help you out?
Speaker 3 (11:34):
MS which way? Well, we were going this way.
Speaker 2 (11:45):
As a matter of fact, I think Mascruz's broke up
is aft. They're other piece, not Fouler.
Speaker 3 (11:50):
I've never.
Speaker 2 (11:53):
Should be somebody there anyway. We can sit down, maybe
use a phone, wait for me. Cannot There was a
no shoes to drop for your walk in I owner.
Speaker 5 (12:05):
I didn't expect to take a walk.
Speaker 3 (12:07):
I'm so sorry.
Speaker 6 (12:08):
I forget it.
Speaker 4 (12:10):
Let's get out of little I'm freezing.
Speaker 3 (12:13):
Come on the dot that.
Speaker 4 (12:20):
Oh what's the matter?
Speaker 3 (12:22):
And I like it?
Speaker 4 (12:24):
Huh sorry, thanks.
Speaker 3 (12:31):
M M.
Speaker 4 (12:32):
I'm worried about you, Alane, I'm all right, I know it.
Speaker 3 (12:37):
But.
Speaker 4 (12:39):
Right, you're a nice guy.
Speaker 3 (12:44):
You're a nice girl.
Speaker 4 (12:45):
I own he thanks man. What about that dream.
Speaker 3 (12:52):
Dream nights now? Huh? I can't remember? Iowa can no,
won't I looked at a girl I've been psyched by
experts not trying to psych. Yeah, excuse me, ah with
a sensitive I guess I'll stop it. Well, I gets
(13:15):
his head batted in, you know, and all the blacks
this guy okay for sound? You know.
Speaker 4 (13:22):
You shouldn't have gone back to the studios as soon
after getting out of the hospital.
Speaker 2 (13:26):
Yeah, I know, but not any training. Friends, And I'm
the guy who knows how to be the big fat.
Speaker 3 (13:32):
Technical advisor only only what.
Speaker 2 (13:39):
I don't like to have people looking at me wondering
if I got all my buttons or that.
Speaker 4 (13:45):
Yeah you can laugh, Yeah, I you ever?
Speaker 6 (13:47):
Al rite?
Speaker 4 (13:47):
Baby?
Speaker 2 (13:48):
Uh right, I go.
Speaker 3 (13:49):
Into a trance and drive off the road with my
best girl alongside. What did you say said I go
into a trance?
Speaker 4 (13:56):
No, so the last part of it?
Speaker 7 (13:59):
Huh?
Speaker 4 (14:01):
Oh about the best girl? That part?
Speaker 3 (14:04):
Yeah?
Speaker 4 (14:04):
I would.
Speaker 3 (14:06):
Oh could be you invent that?
Speaker 4 (14:09):
Alan?
Speaker 3 (14:11):
You don't think I masking my rocker a little.
Speaker 4 (14:15):
Well, I should don't.
Speaker 3 (14:17):
What do you mean, well y, if you don't think so,
then I meant it Alan right?
Speaker 4 (14:28):
Would you have a kiss for your best girl?
Speaker 2 (14:38):
In the dream, the raw red smell of fresh spilled blood,
and the smell of smoke going from the burning houses.
In the dream the blackness of early John reddened with
the flames from the burning houses.
Speaker 3 (14:53):
And then the dream the cries of a dying and
the women and all the men and the children, and
to leave the voice of the old one.
Speaker 7 (15:01):
The long dead old one, which she the mac battle
to flint Core the winter and the snow deep on
the moors. One came to Edinburgh whether the word that all.
Speaker 3 (15:16):
The clans must sign the pledge of loyalty.
Speaker 7 (15:19):
To William before the winter was spent, And the wud
came to Glencore after all the others, where they hated
the McDonald's, And I hope the word would be too
late and we could not sign, and the lowlanders would
come and take us. Aye, mind, dear I McKee and
(15:42):
McDonald of Glencoe. I braved all the winter snow, and
I came.
Speaker 3 (15:47):
To put William.
Speaker 7 (15:50):
And said I would sign the paper, and they sent
me away to the sheriff of very area.
Speaker 3 (15:57):
And again through the snow.
Speaker 7 (15:59):
I went, and I set money into the paper for
the sake of all the MacDonalds of Glenn Cool, that
they might not forfeit their lives. And I was content
because they would live, and never would be peace among us,
all healand and Loland, I like I am, the lumbs
(16:22):
of King Peace and them one and again I hide
read the rock, and I blamed.
Speaker 2 (16:27):
The voice of the old man, the sheep, the old fox,
and my dream, and in my dream the wailing of
the pipes, the McDonald pipes for the man's footland holds.
Speaker 4 (17:05):
That thunder was that I never.
Speaker 3 (17:07):
Heard thunder in southern California before.
Speaker 4 (17:10):
Got a storm so dark.
Speaker 5 (17:14):
Oh, come on, Allen, let's run.
Speaker 4 (17:15):
I don't wanna get caught in it.
Speaker 3 (17:18):
It is right holders, not with you.
Speaker 2 (17:22):
You've heard gun.
Speaker 3 (17:23):
I don't like it.
Speaker 2 (17:25):
You're scared.
Speaker 4 (17:26):
You're scared, honey.
Speaker 3 (17:27):
Thunder and lightning always frightened me when I was a
kid back east. I guess I never got over it.
Speaker 4 (17:31):
I could take hold of your best girls.
Speaker 3 (17:34):
She'll protect you for that, I thank you. I don't
see any lightning though, never see lightning in California.
Speaker 5 (17:42):
You California carriages.
Speaker 4 (17:44):
We're all right, you're all right.
Speaker 3 (17:50):
That which we had someplace to get inside, we should
have stayed.
Speaker 2 (17:54):
In the car's too far to start back there anyway,
you'll be.
Speaker 3 (18:00):
It's just a little uncomfortable standing on a c ear
of the ditch. Poor car for you.
Speaker 5 (18:06):
You gotta be getting to that country post office, you said,
last cruises.
Speaker 3 (18:09):
I haven't seems to be farther than I thought.
Speaker 2 (18:11):
Sure, you know where you are.
Speaker 3 (18:13):
Get up here a million times.
Speaker 5 (18:17):
The road always is bad as it's.
Speaker 3 (18:21):
Not so bad when you're driving.
Speaker 2 (18:23):
You should warn my marktin.
Speaker 5 (18:25):
Why keep falling into the rust would be hind heels.
Speaker 2 (18:33):
Maybe there'll be.
Speaker 3 (18:33):
Somebody at last cruise this week. Get a cup of
coffee or something not a youth color too. That breeze
is fresh, waiting the rains.
Speaker 4 (18:42):
Cut, get good and cool.
Speaker 3 (18:44):
Then would stop under a tree and build a fire,
rot tree? Why you see what you mean? Trees everywhere
except where we are when it rains.
Speaker 4 (18:58):
Oh matter, I'm not used to walking.
Speaker 3 (19:05):
Want to rest?
Speaker 5 (19:06):
No, we better get along rainal hit any meanings?
Speaker 3 (19:11):
Dark?
Speaker 4 (19:13):
Say?
Speaker 3 (19:13):
Maybe it's not coming on. No, it's two o'clock.
Speaker 4 (19:16):
Just this week came up the hill at Galada about
four now, couch, what.
Speaker 3 (19:24):
Definitely one of those don ruts?
Speaker 4 (19:28):
I told you my.
Speaker 3 (19:29):
Ideas I heard you the first time. I thought you
were kidding, kidding, Oh, ruts in the concrete road. Concrete?
Speaker 5 (19:35):
Where's concrete?
Speaker 3 (19:36):
Why? Hey?
Speaker 2 (19:40):
Don't you know where you are?
Speaker 3 (19:42):
Where we get off the main road? Must get off
it somewhere. This is a wagon road, a dirk you
like that? You and me were lost? No, maybe I've
really fixed you up to day, haven't.
Speaker 5 (19:57):
You what, Kristen?
Speaker 3 (20:04):
I thought? Wait, no, I guess not.
Speaker 4 (20:12):
What did it?
Speaker 3 (20:12):
Few did sound like to you?
Speaker 2 (20:15):
I thought it was the sound of type assume the
McDonald kronachau the bras.
Speaker 3 (20:22):
What hell?
Speaker 5 (20:23):
He sounded just like a real scoplan when you said that.
Speaker 2 (20:35):
The quaranac of my dreams, the old sorrowful wail of
the pipes in the dim darkness that coming through the
grim gates of the veil of Glencoe, sorrowing for the
McDonald's to die, And the voice of the old leader,
old McCain, the old fox, as he told his dreadful
tale in my dream.
Speaker 7 (20:55):
And I had set my name to the paper, as
I said to the young McDonald and other people had
I thought the protection of the town, and we were
to be left they dwell in peace.
Speaker 3 (21:08):
Among the crags of Duckling glen Coe.
Speaker 7 (21:12):
But that a em money that hate the McDonald's and
would ce us all dead and our graves. And they
are the ains that took counsel among themselves to plot
our doom and destruction for the I McKee and the
old Fox.
Speaker 3 (21:28):
I had out fox the enemies of the McDonald's by
signing their role. And I'll say to you other I
meant to keep.
Speaker 7 (21:36):
It there all the McDonald's of in liegement to James
and his line. But now William the Dutchman rules h
and Jamie's played. Thus there was one dollar impule in Edinburgh.
And when he examined the paper, it seems that the
name of McKee and McDonald of glen Coe had next
(22:00):
sponge for the paper, so that we were still held traitors.
Speaker 3 (22:05):
Though we knew it not so.
Speaker 7 (22:08):
When the soldiers of the Duke of Argyle's regiment came
to glenk oh and Cambell and Glenn the Lion leading them,
we welcomed them and took them into our hymns and
treated them as on a GIFs. I every man of
them was at Campbell, and their pipes be forever roaring
(22:29):
that chance, that the great argyle, And when the McDonald
pipes scuirtle, it was only the all the revels and
the strathspace, and the McDonald peverck was never head but
(22:50):
the roaring of the gmbel war pipes in the glen,
and that a small black crags of the glen gave
back there soon the barrel.
Speaker 4 (23:00):
I am, I'm not donner, Alan.
Speaker 3 (23:14):
Stay close to me, darling.
Speaker 6 (23:16):
I saw it.
Speaker 2 (23:17):
Did you see great.
Speaker 5 (23:19):
High, dismal black rocks.
Speaker 4 (23:20):
I saw great.
Speaker 5 (23:22):
Horrible jagged crags and a stream splashing down among them.
Speaker 3 (23:27):
I saw it, Alan, worry, we're lost. Ah, listen, I
do hear it. I do hear the pipe, Allen, Allen.
Speaker 2 (23:50):
In the darkness, in the lightning splashed darkness, and the
rain in the midst many things are revealed. They caught
a knock a McDonald's, the sobbing sporrowful music from.
Speaker 3 (24:02):
The blackened crags.
Speaker 2 (24:04):
All is not clear to me. The dream returns to me,
and it is morning of the February day, two and
a half centuries ago. In the they lived Francouver, and
I see the soldiers of the Campbells, and the gray
of the early dawn as they grew up their several
ways to the homes where they've been honored guests, and
they glint of little lights, and the naked Playmore blades both.
Speaker 3 (24:25):
Bill for the McDonald's.
Speaker 2 (24:36):
The child laughs and calls to the companion of yesterday.
The Claymore slashes down at them, and the massacre is begun.
The Campbells are everywhere, slashing, burning, shooting down the helpless
ones or yesterday bat and welcome.
Speaker 3 (24:50):
At their firesides.
Speaker 2 (24:52):
Put all to the sword that let me escape, the
secret orders out of them, and the Campbells did well
their work.
Speaker 3 (25:00):
And this is the dream I could not remember, save
for the old man, the old fox. But tell the
last of them.
Speaker 2 (25:08):
All beside his heart that morning in Glencore, in my
dream I heard his dying words cursed ye all, And
the Claymore of the campbell struck him fair between the eyes,
an unarmed man.
Speaker 3 (25:26):
But still in the dream his voice went, you had
a MacDonald.
Speaker 7 (25:31):
Never forget him, Never forget that the MacDonald's of Glencoe
shall be revenged against the camels.
Speaker 3 (25:40):
Never shall one of the name of Campbell.
Speaker 7 (25:44):
Enter the dark, the blood haunted vale of Glencore, Never never, never,
And when ye hear the coral after the McDonald's, don't cry, don.
Speaker 3 (26:07):
We'll be all right. Listen to the pipes again. No,
don't you hear it? Him? I hear it.
Speaker 2 (26:21):
I don't know.
Speaker 3 (26:22):
There's somebody coming. No, yes, see him, see him in
the lightning flash. All right, it's the man with the
bagpipe him. Wait, Diona, Hey, at least come on, let's
go talk to him. Maybe he waits for me. Hey,
(26:44):
a friend, watch your step, Iona.
Speaker 2 (26:47):
He excuse me, ask him where we are and.
Speaker 3 (26:50):
Let's get out of him. Excuse me, sir? Would you
mind telling us where we are? I smashed my car
and I guess we got lost.
Speaker 1 (27:04):
You had any can?
Speaker 3 (27:05):
Yeah?
Speaker 2 (27:05):
Than McDonald?
Speaker 3 (27:08):
How did you? I have heard that?
Speaker 7 (27:11):
I have had my voice? I am mgee and McDonald
in my dream.
Speaker 3 (27:17):
Welcome him, McDonald. You're in the veal of Glenko. Can
calcome him? You and you're a lady, Wait, my honor,
I am I own a Campbell.
Speaker 2 (27:46):
On a February morning in sixteen ninety four, the Campbell's
marched away from them Cohen Inverlocky.
Speaker 3 (27:54):
And Matta McDonald was left.
Speaker 2 (27:56):
Living On a February day, Yeah, two hundred and fifty
years after they found me sitting beside the body of
Iona Campbell under a sycamore tree two miles from Las Crus's.
(28:16):
There is no place in all that northern region remotely
resembles theve Librenco where no Campbell.
Speaker 3 (28:32):
May enter and live goodbye.
Speaker 1 (29:05):
The title of the Quiet Please story you have just
heard is the Veil of glen Coe.
Speaker 3 (29:12):
It was written and directed by Willis Cooper, and the
man who spoke to you.
Speaker 2 (29:16):
Was Ernest Chappel, and j Paddlemalley was Magee and McDonald.
Helen Choke played. I owner music acquired Please as usual
is by ath the Grumm and the pipe music was
by pipe major James Peatree. Now for word about next week,
m I'll write a director.
Speaker 3 (29:32):
Willis Cooper, thank you for listening to Quiet Please. For
next week, I have a story for you about black
badlest dark gray magic. It's called as in a class backley,
and so until next week at the same time, I
inquiredly yours, Ernest Chapel
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Special Summer Offer: Exclusively on Apple Podcasts, try our Dateline Premium subscription completely free for one month! With Dateline Premium, you get every episode ad-free plus exclusive bonus content.
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!